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Though uncredited on the record, Avicii co-produced ‘Lovers On The Sun’ alongside David Guetta which would be their second collaboration following on from their timeless hit ‘Sunshine’ which earned them a Grammy nomination for Best Dance Recording. Both of them would continue to have huge success over the next few years including Avicii releasing his first album ‘True’ where he would pioneer his ground-breaking mix of country and electronic music. When it came to them pairing back up for ‘Lovers On The Sun’, it’s clear that the Swedish DJ brought along this new style to inject into the track.
The blending of styles on this track is nothing short of perfection as it effortlessly switches between a country vibe that would feel at home in a cowboy film to going full on EDM in the choruses. The guitar melody is simply unforgettable, and the vocals provided by Sam Martin really elevate the track to the next level. With the sheer talent on this record, it was always destined to be a classic and it certainly didn’t fail in that as 10 years on from its release we’re still listening to this gem from the golden era of EDM.
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One of the standout moments of the festival was the surprise back-to-back set by Cloonee and Green Velvet on Saturday night. The collaboration between these two talented artists was intense and rare, leaving fans buzzing with excitement. As the music vibrated through the venue, it was clear that Day Trip 2024 was shaping up to be another Insomniac event to remember.
But the excitement didn’t stop there. The festival organizers had also implemented a number of new venue enhancements to make the experience even better for attendees. With cutting-edge stage production, increased shade structures, and more restroom facilities, Day Trip 2024 was set to be the biggest and best edition yet.
Performances to Remember
Saylor Nedelman for Insomniac. One of the standout moments of Day Trip 2024 was the performance by Amsterdam superstar DJ Mau P, fresh off his viral, weekend closing set at Insomniac’s Camp EDC on Sunday. The energy he brought to the stage was infectious, with the crowd hanging on to every beat and melody. And let’s not forget about genre-bending visionary Patrick Topping on Saturday, who took the audience on a musical journey unlike any other.
Boys Noize, the techno-punk boy, pushed the boundaries of electronic music with his high-energy set, blending hard-hitting beats with experimental sounds that kept the audience on their feet.
One of the standout moments of the festival was the surprise back-to-back set by Cloonee and Green Velvet. This unexpected collaboration took the energy to new heights, with the two artists seamlessly blending their sounds and delivering a performance that left fans in awe. The chemistry between the two artists was palpable, and the crowd was left buzzing long after the set ended.
Enhanced Venue Experience
Jamal Eid for Insomniac Aside from the incredible music, Day Trip 2024 also focused on enhancing the overall festival experience for attendees. With new cutting-edge stage production, the festival brought some of the biggest and most visually stunning stage designs to date. The combination of music and visuals created a sensory overload that left fans in a state of euphoria.
In addition to the stage production, Day Trip also increased the number of shade structures throughout the festival grounds. With the Southern California sun beating down, these shaded areas provided much-needed respite for attendees looking to cool off and recharge before diving back into the music.
And let’s not forget about the 25% increase in restroom facilities. Long lines for bathrooms are a common gripe at music festivals, but Day Trip made sure to address this issue by providing more facilities for attendees. This small but significant improvement made a big difference in the overall comfort and convenience of festival-goers.
Jess Gallo for Insomniac The post The Day Trip Festival Just Nailed Its Fourth SoCal Edition At The Queen Mary Waterfront appeared first on EDMTunes.
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The dazzling fest in Cluj-Napoca is slated to feature over 250 artists from house, techno and drum & bass to pop and rock. Throughout its four days and nights, UNTOLD will host some of the globe's biggest names on its towering mainstage, one of eight stages on its grounds.
Chart-topping DJs such as Steve Aoki, Dimitri Vegas & Like Mike, Alok, Swedish House Mafia and Martin Garrix will headline the mainstage, joined by the likes of Timmy Trumpet, Lost Frequencies, Mahmut Orhan and many more. Other major artists include Black Coffee, Solomun, Carl Cox, FISHER and drum & bass icons Andy C and Netsky, among others.
The lineup of the festival, which has already sold out 90% of tickets, goes far beyond EDM, however. UNTOLD's organizers have confirmed contemporary superstars like Louis Tomlinson, Lenny Kravitz, Sam Smith and Burna Boy to grace its stages this year.
View the original article to see embedded media.
EDM.com has joined forces with UNTOLD for a special giveaway ahead of the fest’s 9th edition. Find out how to enter below.
EDM.com & UNTOLD Festival Giveaway
2x VIP Tickets Hotel accommodations To enter the giveaway, follow @untoldfestival and @edm on Instagram, and tag at least three friends in separate comments on the post below (1 entry per comment, unlimited entries allowed). Share the post below in an Instagram Story and tag @edm for a bonus entry.
The contest is open to everyone over the age of 18 worldwide and ends on Tuesday, July 9th, 2024. The winner will be announced in a comment and alerted via our Instagram the following day.
Tickets for UNTOLD are available now via the festival's website.
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The Grammy-winning producer claims that Rezwan Senobarian, who he has never met, came to his Encino home multiple times this week and behaved "erratically," demanding to talk to him, per court documents obtained by TMZ. Senobarian is also said to have falsely impersonated Zedd by phone and email to a number of people.
Zedd ultimately called the LAPD to apprehend Senobarian and is now seeking a temporary restraining order against the woman, who also reportedly harassed his personal assistant and security guards.
In other news, Zedd, one of the most popular electronic dance music artists in Spotify history, last week released a new track, "Out of Time." It's first single from Telos, his first album in nearly a decade, which is scheduled to release on August 30th.
He's now set to take Telos on an eponymous U.S. tour, which he'll kick off in early-September by headlining a doubleheader of his curated "Zedd In The Park" event at Los Angeles State Historic Park.
Senobarian has not been formally charged of a crime at the time of this article's publication.
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Spotify’s recommendation led me to follow BLUPRNT on Instagram, where he frequently goes live to share his latest musical creations. I was super excited when we connected, eventually leading to him agreeing to my very first interview for EDM House Network.
Using the elements that comprise creating an EDM track, let me paint a picture of BLUPRNT’s unique sound, likened to the stages of cooking bacon:
Intro: BLUPRNT, like a master chef, prepares thick strips of bacon in a sizzling cast iron skillet. Build-Up: The bacon simmers, soaking up the rich, sizzling grease. Drop: It reaches that critical point where each strip is infused with savory flavors that your taste buds crave as the aroma fills the air. Breakdown: Flipping each strip to lock in the juicy goodness. Chorus/Hook: The satisfying moment when BLUPRNT’s skills earn your applause. Outro: Even after finishing, you crave more, hitting replay on BLUPRNT’s tracks. How did the remix of Bebe Rexha’s ‘Chase It’ come about?
I have always been a big fan of Bebe Rexha’s music and really loved her new track ‘Chase It’, so I decided to put a BLUPRNT spin on it. I was really trying to give it this dark tech house feel that I could play out at shows.
Can you walk us through your creative process, or do you find that it varies?
I started producing back in 2015 while in high school. I had gotten a cracked version of Ableton and began messing around with it. For a good year I was flat out awful and nothing I made sounded good, however I was loving what I was doing. Like anything it takes a while to learn. For the first few year I was making future bass and pop EDM music but in 2020 decided to start creating house music and formed BLUPRNT.
Do you play any musical instruments?
I dabble with the piano! I took piano lessons when I was a kid but quit after about a year. My mom always said I would regret and here I am today wishing I stuck with it!
What triggers your creativity when creating a beat?
I think once I have a groove and baseline that I like I can build from there. I always start there and once I love that as a standalone, I can build a song around it!
Do you handle every aspect of creating your tracks, or are there other parties involved in the process?
I handle both the production and engineering on almost everything! Occasionally I will outsource the engineering on a track, but I tend to like to do it on my own because I know exactly what sound I am going for. It’s a lot of work but I also have fun doing it and its very satisfying when I have a finished product.
You’re currently touring in NY and Santa Barbara. Can we expect more shows for Summer’24?
Yes! I just announced my ‘Goin’ Wild Tour ‘ which will cover several cities in NY, CA, Philly, and Minneapolis! This is my first official tour and really hope to build off this one and hit more cities in the fall! There may be one or two more adds to this summer tour so be on the lookout!
How did your collaboration with Sherm on the track ‘Real Life’ come about?
Sherm has been a good friend for several years now. When I first moved to Chicago, he was someone who gave me my first opportunity with shows in the city and signed several of my tracks to Hood Politics. We had talked about getting a track going together for a couple years and it finally came together with ‘Real Life’. We had a blast making it together and are excited how’s its performed.
What have been some of the biggest challenges you’ve faced as a DJ so far?
Getting your name out there and building an authentic fan base is the toughest part. You really need to find a way to connect with people and I have found that people can see through any BS. I have tried to be my authentic self and engage with everyone. Tik Tok has been huge with doing this and a great way to post content that you wouldn’t normally post on Instagram.
Is there another artist you dream of collaborating with in the future?
Two artists that I have always looked up to are Matroda and Ship Wrek. Both of them are unbelievable producers and it would be so fun to get in the studio with them.
Are you doubling as the DJ for your upcoming wedding, or did your fiancée veto that idea? (BTW, Congratulations!)
My Fiancée has vetoed a BLUPRNT takeover of the wedding unfortunately. However, I have negotiated the after party, so we’ll have some Afters with BLUPRNT!
Discover BLUPRNT’s flavorful beats by clicking the icons below
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It’s been a long journey you can say but, trust me, it’s worth it.
Kicking off with The World Is Yours where MRAK introduces monumental and church-like elements like organs and a mysterious baseline. On top of that brave vocals complete the tune. Sombre piano keys and urgent strings accompany energetic synth layers.
brave is a long-time Afterlife friend as he sang on Innellea and Colyn Downfall and 8Kays Basic, part of Realm of Consciousness Pt. VI.
Following up The Process goes dark and eerie. It is built on a hypnotic low end, supporting a solid melody that increases in intensity as the track develops. The tune, as the whole EP, supports this ethereal feeling of mystical elements dancing around you. Then the drop brings you back into the club.
This one is probably the most awaited MRAK single of the last 2 years or so. Their Law, premiered for the first time at Coachella 2023, has become a must-play on all Tale Of Us and MRAK sets. He teams up with David Lindmer, crafting an undulating track with captivating melodies and harmonies. Having toured around the world, the energetic and powerful drop always makes the dancefloor explore. It shifts a bit from the transcendental mood of the EP bringing some festival energy to the whole EP.
Portal brings the listener back to its roots. With a shady and wobbling baseline and the iconic hypnotic synth. With Portal the realm of consciousness beckons us in, with a vigorous vocal reverberating intermittently, complementing the dark bassline and bright synth lines.
On The Flame MRAK teams up again with braev, but, this time Wasiu joins the party as well. The song introduces the path for the ending of the EP and it utilizes a heartfelt vocal alongside a spoken-word segment, striking the balance between emotion and high energy.
Never Ends is the perfect closing of the EP, keeping the door open for what will come next. With Omnya on remix duty, the main melody provides an uplifting vibration, juxtaposed with the unclearer elements of this journey to the close of the EP.
As one of the founders of Afterlife, MRAK has introduced a sharp and elegant but distinctive musical equation to the label. On The Pledge, he presented six compositions, all bound to the Afterlife ethos.
The whole EP is out now. Tale Of Us and Afterlife has also announced a no-phone policy for the Hi Ibiza Residency as well as the return after 5 years at their spiritual home, Milan.
MRAK’s latest EP was Manifesto back in 2023.
The post MRAK unveils a six-track EP ‘The Pledge’ on Afterlife appeared first on The Groove Cartel.
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Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order.
Lost Wolves, Chase Bell & Randella – Shine
Genre: Future Bass, Chillstep
This week we have a bunch of new music which we’re very excited to share with you all. And kicking off the long list is a threeway Future Bass collaboration that joins the sounds of three very talented artists: California-bound producer Lost Wolves, and two amazing vocalists — Chase Bell, and Randella.
Pairing unplugged guitar sections, warm strings, the soft voice of Randella against Chase’s at-times lower register, and the powerful melodic base supporting everything, ‘Shine‘ comes to take the shape of an epic arrangement, and a more-than-sure deserved return of Lost Wolves to the mythical Lost in Dreams imprint.
Denis Sulta – If Only I Knew
Genre: Trance, Classic Trance
Continuing with this week’s NMF, we have Scottish producer and DJ Denis Sulta. A key player on House, Techno and Disco grounds, he’s been walking the world club by club, and gig by gig. After playing Tomorrowland, ADE, Printworks, and Cercle’s Paris Open Air Festival earlier this year, he’s secured a spot on the latter’s imprint for a truly wonderful piece.
In a faster lane, yet without losing a single drop of elegance, Sulta presents his latest single, ‘If Only I Knew‘. A beautiful Classic Trance song, it masterfully revives all the offbeat warm bass notes and detuned leads we love from yesteryear in a surgical-like manner, to achieve a mint result. Aren’t we all lovers of the comeback of golden Trance?
Fritz Kalkbrenner – Into The Night
Genre: Deep House, Classic House
Celebrated both in the global Dace scene and in Pop culture, Fritz Kalkbrenner makes a triumphant return to EDMTunes after his appearance on one of November’s NMFs. He’s now shared a lovely track he likes to call ‘Into The Night‘, which remains true to his iconic Deep House sound. You’d recognise his influence even if blindfolded.
It’s that energy and that philosophy of just enough elements. It’s a complicated formula to pull off, but Fritz has mastered the art by now. It takes us back to those ‘Sky and Sand’ days, when the hit single, built alongside his brother Paul Kalkbrenner, stayed in the German charts for a remarkable 129 weeks and got into the worldwide Pop culture.
Bit & Byte – Beneath the Mask
Genre: Psytrance, Trance
You know a special product on the spot, and that’s exactly what happened to us when coming across ‘Beneath the Mask‘. A minute in, and we were hooked. It didn’t take long to find out why. As the duo Bit & Byte tell us, “Kenji Kawai, the composer of the famous chorus of Ghost in the Shell, allowed us to re-record the chorus and make a new song out of it“. Bingo.
It’s epic, it’s powerful, it’s unique. The boys took an already renowned vocal sample and turned it into a Psytrance gem. I know we tend to share shorter songs in this NMF format, but you have to live the full 8-minute journey on this one. Give it a try. There’s even a specially-mixed Dolby Atmos cut if you so wish.
Are you a producer and you want your song featured on EDMTunes? Follow this link right here.
Siks – Without You
Genre: Melodic Techno, Progressive House
A rising star in Electronic music, French DJ and producer Siks loves a good blend of genres. His sweet spot is fusing the best of Electro House, Future House and Pop, showcasing how easy it is for him to intertwine sounds and influences together. Backed by industry heavyweights and signed to major labels, he’s amassed a global following.
‘Without You‘ is Siks’ latest, and the blend this time involves the aforementioned, but sprinkled over an intense Melodic-Techno-flavoured dish. The key here lies in seasoning the base with a more Pop-leaning vocal, borrowing a fatter, heavier kick, and some swing for the higher percussion, to achieve a properly banging sound.
Trye feat. ILITSYA – One More Time
Genre: Hardstyle
Fueled by a passion for music ignited in his youth, Trye, a Hardstyle DJ and producer, has carved a unique sonic niche since 2017. Fusing emotive melodies with powerful kicks and raw sounds, he’s captivated audiences and garnered support from industry giants. Today’s release certainly puts him back into the spotlight and makes you dream about how the future of the Harder genres will look and sound like.
Just in time for Defqon.1 Weekend, Trye unleashed a little bomb called ‘One More Time‘. Featuring the vocals of one of the leading voices in Hardstyle, ILITSYA, the single can only be defined as a Euphoric masterpiece in all its glory. Powerful enough to mosh to it, but melodic enough to feel that electrifying rush of adrenaline through your body, this one could become a Summer anthem. Keep your eyes peeled.
NGHTMRE & Big Gigantic pres. Gigantic NGHTMRE – Back For More (Darby Remix)
Genre: Bass House, UK Garage
We’ve been vibing to NGHTMRE and Big Gigantic‘s conjoint alias Gigantic NGHTMRE for a while now, and since the remixes for the LP are now out, we took a peek. Sure enough, there’s even more material to vibe to for the weeks ahead. For now, though, let’s look at what Aussie powerhouse Darby has done.
If you were looking for an oomphy tune, here it is for you. Put on your best lemon face, because Darby took the band’s ‘Back For More‘ for a spin. A Bass-heavy fast-paced House spin, in fact. Not that the original was particularly weak by any means, but this revamp? Oof… You’d better get ready.
TIM CLARK – Feel You Now
Genre: Trance, Techno
Energetic. Buoyant. Celebratory. DJ and producer TIM CLARK is back with a summer anthem guaranteed to get you moving. ‘Feel You Now‘ is a bouncy, energetic Dance track bursting with positive vibes. The single likes to call Markus Schulz’s Coldharbour Recordings home, which just goes to show the quality of the record.
This one is a true genre-bender. We get elements from Techno, Acid, Trance, Big Room… on paper, it’s a daring move that might not work as expected. But Clark managed to pull this one off gracefully and give us a belter of a tune. Have a listen, you will most likely surprise yourself dancing to it.
Planet Zyha – Umbra Tenebrosa
Genre: Brostep
Planet Zyha is a high-energy Bass music duo formed by Ariane Lilith and Mirek Hamet. They combine epic live shows, captivating storytelling, and eye-catching fashion to create immersive experiences for festival crowds. Both are seasoned artists – Ariane performed as Lilith Wings, and Mirek DJed/produced as Tron Sepia for over a decade.
This is not the first time we feature them in here, as they were part of our first-ever New Music Friday of this era back in November. ‘Umbra Tenebrosa‘ is a take on a viral TikTok audio, but reworked in such a way that the dramatic atmosphere goes off the charts. Portraying a powerful Brostep rendition, this one is bound to get you moving.
PLANET ZYHA · Umbra Tenebrosa (free download) Final Words
Stay tuned, for more of our compilations every Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!
The post EDMTunes New Music Friday – Week 26 appeared first on EDMTunes.
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This venture is a partnership with Miami real estate developer Continuum Company, taking over the renowned Shuckers Waterfront Grill & Hotel in North Bay Village, near Miami Beach.
The venue aspires to create the ambiance of relaxed luxury typical of a seaside retreat. Blending hospitality and entertainment, it will feature a spacious waterfront restaurant, a 20-boat slip marina with dine-and-dock services, 118 modern, tech-equipped rooms, and a large pool that links the hotel and restaurant. Additional amenities will be revealed soon.
In a statement about the new venture, Palm Tree Crew co-founder Myles Shear said, “We are thrilled to introduce our first restaurant and hotel in Miami, especially at the iconic Shuckers property. Shuckers has been a cherished Miami landmark, and we are honored to continue its legacy. This is a dream come true for Kygo and me.” Shear added, “With Palm Tree Club, we’re not just launching a new hotel and restaurant; we’re creating a legendary venue on a historic site that merges Miami’s vibrant energy with Palm Tree Crew’s top-notch service, cuisine, talent, and creativity. We are thankful to collaborate with the Continuum Company and eagerly anticipate opening our doors later this year.”
For more information, you can visit the official website.
Stay tuned for more news!
The post Kygo’s Palm Tree Crew Announces Music-Based Hotel And Restaurant Concept appeared first on EDMTunes.
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The project, she says, was penned during the "darkest time" of her life.
"I think many times people ask themselves in good or bad situations, 'Is this really happening? Is this really my life?'" WHIPPED CREAM said in a press release. "During that dark point I had to find all the blessings in my life and hold on tight, know that God had the best intentions for me, and that everything was happening for a reason."
The EP starts off with "real 4 me," a collaboration with BKAYE that mourns a past relationship. Asking the age-old question of what went wrong, the two create a spritely dreamscape wrapped in a four-on-the-floor beat. WHIPPED CREAM follows with "about you," exploring the wild speculation and painful nostalgia associated with the emotions of its predecessor. A hyperactive beat takes over at the drop, with Showjoe spitting lyrics that highlight the helplessness of wanting a lost love back.
"Promises" (with Trent Madison) illuminates the post-breakup questioning of whether or not you really knew someone. WHIPPED CREAM, in her own ethereal vocal tone, asks point-blank, "How long 'til you tell me who you are?"
Perhaps the most striking track of the EP is less so a song for a dancefloor, and more so a lament on WHIPPED CREAM's part. "is this real? (interlude)" harkens back to her father's stage-four prostate cancer diagnosis, the vulnerable track serving as a vehicle to express her mental processes. After a voicemail sample from her dad, she repeatedly chants, "In a moment it could all go away," giving us a moment of introspection to contemplate the phrase's weight. Later she expresses, "I'd rather feel this way than nothing," sending a powerful and emotionally validating message.
WHIPPED CREAM.Tatum MacLean
Next comes "still," which follows in the impassioned footsteps of the preceding tracks, but with a curiously hopeful tone. A euphoric melody and hopeful message lie within WHIPPED CREAM's vocals, marking an emotional turning point in the process of working through unfortunate situations.
At the end of the EP, the woozy track "life is not a crime" finds Sjayy spitting a bold and lustful message that juxtaposes WHIPPED CREAM's wistful vocals, repeatedly begging, "Let me love you." Lastly, "love is not enough" starts with a downtempo beat before bringing the project home with an intense drum & bass sequence.
The release of is this real? comes ahead of WHIPPED CREAM's North American tour in the fall. Check out the new EP below and find it on streaming platforms here.
Follow WHIPPED CREAM:
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Facebook: facebook.com/whippedcreammusic
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Great news for all House lovers out there! Today, Irish-Italian DJ and producer Flashmob has announced he’s been crafting a longer piece of content, in what will become his debut artist album, Sundown. Alongside the announcement, he’s lifted the first single out of the LP, ‘Twin Flames‘.
A future-focused Electronic musician, Flashmob blends 90s influences with fresh sounds. After success with tracks like ‘Need In Me’ and ‘Watch Me’, he’s not resting on his laurels, and is instead extending this philosophy over to his record label, Flashmob Records. A true point of interest of his while showcasing his craft is achieving a result the crowd can sense and understand as authentic, so that the dancefloor moments are enjoyed in their entirety.
‘Twin Flames’
The single out today, ‘Twin Flames‘, is Flashmob’s first nugget of content towards Sundown, his first-ever album, which is arriving in October. He describes the LP as an exploration of his own soul, and a way to share the music that brings him peace. Sundown was not planned either. As Flashmob himself recalls: “Covid had obliged me to reset, stay home and think about who I am, what I do and mainly why I do it. Why did I decide to get into this in the first place? It wasn’t to be famous nor to make money… I was only looking for happiness”.
Why unveil ‘Twin Flames’ before any other track? Flashmob explains it embodies the core reason behind creating the album. He says it represents liberation from creative restrictions, allowing him to produce a song that he’s been given by a singer. “To make it how it is supposed to be — without following a trend, without imposition, and without a label in mind. Just complete freedom, and this is why it’s the first single: it’s a statement“.
Long-time collaborator, Laila Walker, provides the soulful vocals which sit on top of a stripped-back production, allowing the finer details to take centre stage in this groovy, late-night cut. Walker, whose career credits include touring with Beverley Knight, adds a real depth of emotion to the collaboration, enabling the deeply personal approach that Flashmob has taken with the album to shine through on every beat.
She describes ‘Twin Flames’ as “a song about meeting a kindred spirit whilst being under the influence of anything and everything. It’s about the recognition of another’s soul at a time when you’re tipsy, honest and vulnerable. It’s about speaking that truth simply because it can’t stay in anymore. It needs to come out with some urgency. It’s a story of the night and open to every interpretation. It’s about telling a secret out loud, accidentally on purpose and momentarily not caring about the consequences”.
Listen to Flashmob and Laila Walker‘s brand-new ‘Twin Flames‘, a first insight into a future Autumn favourite, his Sundown LP. Click the Spotify button below to give the track a listen, or click here to support the release over on Beatport. And stay tuned to our page for the latest news and views from our beloved Dance music industry.
The post Flashmob Announces Debut Album Sundown, Lifts First Single ‘Twin Flames’ appeared first on EDMTunes.
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Produced alongside prolific dance music duo Punctual, "Shivers" is a fiery house track that explores the cyclical nature of love and forgiveness. Beneath its energetic surface lies a hauntingly beautiful undercurrent, reminiscent of those pivotal moments when a single grin can shatter tension and rewrite history.
"'Shivers' is about a moment of realization I had when I decided to give something another chance," Cox said in a press release. "It's that wave of forgiveness you feel when one of you cracks a smile and all of the problems disappear. You're falling in love with the same person a thousand times over."
The EDM.com Class of 2024 star is currently experiencing a bona fide breakout in the midst of a year that has seen her perform at EDC Las Vegas and tour with the legendary electronic music trio Nero. She recently won big at the 2024 ASCAP London Awards, nabbing the Hot Dance/Electronic Song prize for co-writing John Summit and Hayla's global dance anthem, "Where You Are."
Listen to "Shivers" below and find the new single on streaming platforms here.
Follow Camden Cox:
X: x.com/CamdenCoxMusic
Instagram: instagram.com/camdencoxmusic
TikTok: tiktok.com/@camdencoxmusic
Facebook: facebook.com/camdencoxmusic
Spotify: spoti.fi/3szd9qJ
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Boasting one of June’s most anticipated releases, Dom Dolla officially unlocked “girl$” on Friday, June 7th. Of similar echelons, Swedish House Mafia, with “Lioness,” and Fred again.., with “places to be,” contributed to the same rock solid foundation underpinning what would be an exceptional month in dance music. Nearing June’s halfway point, the dance community bore witness to a second wave of scene shaping music. Duck Sauce, for example, advanced their revival era with “Can’t Stop,” as John Summit, re-enlisting “Go Back” vocalist Julia Church, joined forces with Kaskade for a pivotal collaboration in “Resonate.”
The final wave of notable arrivals included Rüfüs Du Sol‘s monumental comeback single, “Music Is Better,” Hayden James‘ early release album track (and album announcement), “Deep Diving,” Gorgon City‘s collaboration with NORTH, “Breathe You In,” Charlotte de Witte‘s “How You Move,” and many more. Even Disco Dom, powered by Dombresky, returned after a year-long hiatus with Inferno (No. 2). Also featuring Charli XCX, Seven Lions, Matoma, and KREAM, among others, Pulsar Playback: June 2024 offers summer-primed dance records from industry defining artists.
Enjoy some of the best this month had to offer by streaming Pulsar Playback: June 2024, below.
‘Dancing Astronaut’ proudly honors Disclosure’s 2024 lead-off single, “She’s Gone, Dance On,” as this month’s featured track.
Dancing Astronaut · Pulsar Playback: June 2024 The post Dancing Astronaut presents Pulsar Playback: June 2024 appeared first on Dancing Astronaut.
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House music is a beautiful thing. And perhaps the most delicate branch of House is Organic House, a genre known for its subtle melodies, progressive-evolving nature, and, of course, a bunch of organic elements, from percussion to real instruments, ambience, and so much more.
Out of Organic House, one of the leading record labels currently atop the game is Lee Burridge’s All Day I Dream (ADID), and out of All Day I Dream, we sat down with one of the best exponents of their sound. That’s right, ladies and gentlemen, we got the chance to interview DIM KELLY.
He who’s been releasing a bunch of stuff lately and is on his fourth consecutive year gracing the ADID grounds with original tracks, is now enjoying a bit of rest and unwind after a North America tour and a three-tracker signed to Lee’s, the Homily EP. And so we’ve asked him a few burning questions we had been holding for a while!
From acknowledging his class and quality to inspirations, struggles, favourites, and everything in between — buckle up, and read on, as we dive into the mind of DIM KELLY.
The Interview
Do you remember a time in your career when you first had that feeling, while producing, that you had something truly magical in your hands?
I remember when I composed the sketch of ‘Nocturna Animal’ and Kid Crème stopped by my studio and said, “Whoa, that’s really good!“, which was extremely rare for him to say. We were living together at the time. We both had this little challenge of wanting to create a track in the style of Pepe Bradock’s ‘Deep Burnt’, which we had listened to a lot at home, and he said to me, “You’re ALMOST holding your Pepe Bradock“, hahaha.
Out of everything that has come to you via your music career, what’s one thing you didn’t expect would happen and surprised you for the good?
That I would be able to bring people together and share on stage. Honestly, I have always been very comfortable in my studio, and the idea of putting myself out there as the center of attention scared me, it was almost paralyzing. But in the end, I’ve learned that something magical happens on stage! I receive a lot of feedback from people who love the vibes and tell me that I radiate positive energy. I’m still surprised whenever I hear this, and it still takes me ten minutes to stop trembling when I get behind the DJ booth every time. So yes, I really threw myself into what scared me the most, and the result is amazing. In fact, I love it!
Where, or when, do you feel inspired to start new ideas?
Anywhere and anytime, and when it comes, you have to catch it because it can leave as quickly as it arrived. Of course, listening to music helps a lot. When I’m in a club, I pick up on the grooves that work, so it’s pretty important to listen to others in the club. In my everyday life, I listen to a lot of rock, folk, classical music, and electronic, but very little actual club music. All of these genres inspire me immensely, as I try to bring an emotional dimension to my music.
What would you consider your biggest struggle while working on a track?
Creating a structure that works, taking people on a journey, and finding the right balance between the energy of the break and the drop. Plus, I don’t really like using the trick of silence between the end of the break and the drop… so that makes things more complicated.
I know this is a tough one but, if you had to pick your favourite track from your discography, which one would it be?
Maybe ‘Glow’, because it has a seemingly simple, self-evident quality that’s actually hard to achieve. It just came to me, and it happened very quickly. In a few hours, the track was done, which is pretty rare for me. Plus, its style is timeless; it could have been released ten years ago or ten years from now. Who knows, maybe one day it will become a classic.
Tell us a bit about how your most recent Homily EP came to be, how it all entwined during the creation of the three tracks.
I didn’t really plan to create three tracks for my next EP all at once. I tend to work a lot; I’m in my studio almost every day for eight to ten hours per. I composed ‘Rising Child’ in winter, during a period when I was listening to a lot of classical music and wanted to create something orchestral, but which still bordered on club music — essentially, a club track to listen to at home. I’ve been working with Maya Safar for a long time. We’ve had several collaborations together, some of which have been released on All Day I Dream. I love her voice and lyrics; she has a powerful soul. We have other tracks together that we haven’t released yet, but they’re more folk than electronic oriented. Someday, I think I’ll do a folk EP with Maya.
As for ‘Homily’, a friend once played me a track he made with Mondingo, and I was totally struck by his voice and melodies. So, I contacted Mondingo and visited his beautiful studio by a river in the Belgian countryside. It was incredibly inspiring! We created a track together there, which I think will also be released soon with All Day I Dream. When I got back home, I had the instrumental for ‘Homily’. I sent it to him, and two days later, he sent back his vocals, which I loved. I then spent a month trying to piece everything together, finding the right structure, the perfect break, and the ideal drop. I’m not a pianist, so I do all my piano parts with a mouse, which takes an insane amount of time because I have to imagine things without hearing them. But that’s just how I work.
If you could go back in time, say, 5, 10 or more years. Was there anything young Dim worried about more than necessary? What would you tell him to do, or not to do?
Stop thinking and release your tracks!
How do you think your life would look like had you not ventured into the musical path?
I think I would have worked in visual arts, probably drawing, because it’s what I’ve been doing since I was young and it’s also what I was studying before meeting Kid Crème, who completely steered me off course, haha, for the better in the end.
(End of the interview)
Final Words
We’re incredibly thankful for this interview. It’s always not only interesting but also nurturing to hear things from another point of view, and even more so when the words come from an artist as passionate and talented as Dim. Thank you to him and the team behind who made this one happen. We truly hope you can get something from this interview and apply it to your life — I know I do!
Keep in touch with DIM KELLY by following him on his socials. Also, be sure to check out his latest Homily EP, right here. And stay tuned to our page for the latest news and views from our beloved Dance music industry.
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Firstly, ‘The World Is Yours‘ featuring vocalist braev combines somber piano keys and urgent strings alongside energetic synth layers. It’s got a dark, brooding tone befitting the Afterlife brand. Secondly, ‘The Process‘ works from a hypnotic low end, supporting a solid melody that increases in intensity as the track develops. For ‘Their Law‘, MRAK teams up with David Lindmer, crafting an undulating track with captivating melodies and harmonies.
With ‘Portal’, the realm of consciousness beckons us in. The female vocal reverberates intermittently, complementing the dark bassline and bright synth lines. ‘The Flame’ again features braev and Canadian vocalist Wasiu for a three-way collaboration steeped in emotion. It utilizes a heartfelt vocal alongside a spoken-word segment, striking the balance between emotion and high energy. Lastly, MRAK collaborates with Omnya on the remix of ‘Never Ends’. The main melody provides an uplifting vibration, juxtaposed with the darker elements of this journey to the close of the EP.
MRAK aka Carmine Conte aka the enigmatic half of Tale of Us, spent more than two decades in the music industry. His compressive body of work focused on the evolution of house. Now with more clout through Afterlife, his rich history of hard work stretches to the beyond. Together, Take of Us receives global recognition. Apart, ANYMA and MRAK master their own fate. And altogether, they make the Afterlife a techno haven through events and their releases.
Listen to The Pledge below.
MRAK – The Pledge EP | Buy/Stream
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Promoted by Diplo on social media, the party drew significant attention after photos outed the hundreds of people that attended. The consequences for Diplo could be severe if he is found responsible. Reports suggest he may face a fine of up to €300,000 (around $321,500 USD) for organizing the event. Both the City Council and Policía Local de Sant Josep are conducting the investigation.
Community Reaction
The incident sparked widespread attention and controversy in the electronic dance music and local Ibiza communities. Many Ibiza residents voiced anger on social media, commenting on Diplo’s posts with messages like “Respect Ibiza!” and “Shame!”
The Sant Josep City Council condemned the party, emphasizing the location’s protected status and environmental vulnerability. Ocio de Ibiza, a hospitality and nightlife association, issued a statement criticizing the event as “tremendously damaging to the leisure sector on the island.” Local authorities highlighted risks from illegal activities, including fire hazards, noise pollution, waste, and attendee endangerment.
Photos courtesy of Periodico de Ibiza.
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Easing fans into a new side of his ever-changing style, TroyBoi released "Dhunga" and "Híbrido" in April and May, respectively. The full EP features a pair of fresh tracks, "Viper" and "Petrunko." While they signal a departure for the renowned trap music producer, fans can easily identify the signature sultry vibe that permeates each release in his catalog.
"Viper" blends house and reggaeton with the help of Guaynaa, a Puerto Rican rapper and singer. An energizing beat undercuts his vocals, mixing with the mirthful blaring of trumpets to deliver a track designed for packed-out dancefloors. Meanwhile, "Petrunko" is a return to form with its slower—but no less ecstatic—trap arrangement, where skittering vocals slice through whimsical sound design.
"I'm an artist who loves to experiment with multiple genres," TroyBoi said in a press release. "This project is a moment that shows my appreciation of house/four on the floor type rhythms and showcasing it through my production."
The new EP arrives amidst a series of high-profile sets for TroyBoi, who in 2024 has performed at Coachella and EDC Las Vegas, among other major festivals. Now on the horizon are Beyond Wonderland, EDC Orlando and a concert at Colorado's iconic Red Rocks Amphitheatre, to name a few.
You can find 4 ON DA FLOOR on streaming platforms here.
Follow TroyBoi:
X: x.com/troyboimusic
Instagram: instagram.com/troyboi
TikTok: tiktok.com/@troyboi
Facebook: facebook.com/troyboimusic
Spotify: spoti.fi/3n0XzNf
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As you listen, enhanced, alluring vocals are accompanied by a striking synth line and driving bass. This latest record fuses melodic techno with progressive elements to achieve a truly magnetic atmosphere. He utilizes his years of formidable experience to deliver us another enchanting addition to his repertoire. This hybrid cut showcases diversity to his sound while maintaining that signature production quality.
Maurizio Colella founded Sirup Music in 2002, and his imprints have chartered hits by iconic acts including Avicii, Armin van Buuren, Steve Angello, Tiësto, and more. What’s more, he launched his weekly radio show NoXcuses in 2011 on SIRIUS XM’s Electric Area Channel. That captured his stateside audience. Now, Colella performs and produces music on mainstage festival sets, the most prestigious events and dancefloors in the world. Those include Tomorrowland, World Club Dome, Euforia Festival, Hï Ibiza and Ushuaīa Ibiza, Airbeat One Festival. And even his regular Vegas residency with the Wynn Group (Encore On The Beach, Intrigue, XS). He is well-known for chart-topping original productions and remixes that amass one billion streams on Spotify alone. Plus, he attracts an adoring international fanbase while touring.
He keeps his momentum high for 2024 and is ready to showcase the magic he has been cooking up in the studio. His impressive musical output keeps him at the helm of the scene and as one of the most cherished acts in dance music. Listen to ‘Anamnesis’ below.
EDX – Anamnesis | Buy/Stream
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The track appears on the ascendent hip-hop artist's sophomore album The Last One, out today via Sony UK. It features the free-flowing rap stylings of Headie One and fellow Brit AJ Tracey as well as BEAM, a frequent collaborator of Skrillex, whose production swirls with hypnotic melodies and resounding bass.
The languid beat contrasts the pace of Headie One's spitfire lyricism throughout the song's entirety, creating a compelling ebb and flow. He sends a message of proverbially spinning straw into gold, and trusting yourself to "Make a W" even when obstacles arise.
Skrillex is no stranger to hip-hop collaborations, releasing fan-favorite tracks alongside the likes of Rick Ross ("Purple Lamborghini"), The Game ("El Chapo"), 2 Chainz ("Febreze") and Pusha T ("Burial"), among other rap icons. "Make a W" follows his immensely popular collaboration with Hamdi and TAICHU, "Push," which dropped in May.
You can check out Headie One's full The Last One album below.
Follow Headie One:
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Facebook: facebook.com/officialheadieone
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Follow Skrillex:
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Spotify: tinyurl.com/naka2dyv
Follow AJ Tracey:
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‘Back To Me’ tackles the critical issue of self-love and empowerment, a message that resonates deeply in our image-conscious world. Featuring the soulful vocals of Donna Tella, ‘Back To Me’ showcases MVSE’s signature analog sounds and his talent for crafting breathtaking sonic landscapes. It’s a powerful melodic anthem, where he adds his signature melodic bass elements to the mix. He carefully sculpts the basslines, seamlessly blending them with Donna Tella’s vocals.
MVSE also known as Martin Nguyen is a multi-instrumentalist, songwriter, and electronic producer on a mission to redefine dance music with his affinity for adventure. Fueled by a lifelong musical journey and a restless spirit of adventure, MVSE crafts immersive soundscapes that blur the lines between ethereal electronic textures and organic, earthy elements. As a musician, he incorporates piano, guitars and a lot of live instruments into his musical production and isn’t afraid to experiment. Imagine gentle electronic swirls infused with the whispers of nature and the warmth of acoustic melodies. An interesting component of his music and exemplifies his love of nature is that he will incorporate bird chirp sounds into many of his tracks. That’s the magic of MVSE’s sound – music that’s both deeply emotional and undeniably catchy, leaving a lasting chirp in your mind.
Besides cranking away at more music in the studio this summer, MVSE will be making a festival appearance at Summer Dreams Festival in Vancouver on June 29th.
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We’ve got huge news over on the Trancier side of the Dance spectrum today! A collaboration of gigantic size hits the stores, as veterans Pete K and Paul Arcane have come together to unleash ‘Hold Me‘, a project in the works for a long while. The single has come out today on Armin van Buuren’s mythical imprint, A State Of Trance.
Pete K
Hailing from Portugal but currently residing in the City of Lights, Pete K has carved out a strong reputation in the Dance scene for years. His tracks have found homes on esteemed labels like Axtone, Release Records, and Zerothree, among others. Pete’s sonic palette leans towards Progressive House, but also ventures into other realms like Trance, Techno, and House.
Paul Arcane
Taking the Trance scene by storm, Paul Arcane’s infectious melodies and tireless work ethic have built a global fanbase over his years as a producer. Elliptical Sun, Enhanced, and even Anjunabeats have received Arcane’s works, solidifying his spot. For the Trance community, he’s already a star, after a meteoric rise and solid stay atop.
Amy J Pryce
A rising star based in London, Amy J Pryce has been making a name for herself on the DnB and Trance corners of the vast Dance world over the past few years. Her most remarkable work to date is her part on Oliver Smith’s Anjunabeats release from 2018, ‘Lovingly’, played all over the world and famously supported by label heads Above & Beyond.
(Left to right) Paul Arcane, Amy J Pryce, Pete K. ‘Hold Me’
In a fusion of sorts that sees Pete’s groove and Paul’s hypnotic nature, ‘Hold Me’ comes to be a sort of Deep Trance / Progressive Trance hybrid, with a full, boomy low end, and textures that invite you to close your eyes and let the music carry you away. Enjoy classical arpeggios, optimal tension and release games, and Amy’s voice being the final piece to the puzzle.
Regarding the creation of the single, the artists had a chat with us and told us their views on the project. Paul recalls, “Almost 3 years in the works, Pete K and I started ‘Hold Me’ in late 2021. I always wanted to collab with him, as I’m a huge fan of his tracks (his ‘Traveller’ is probably my favorite, and actually a big inspiration for this track). Originally the track name was going to be a French word – because we found out that we both spoke French! But then Pete suggested adding a vocalist, so Amy came into the project and it was a perfect fit! We went through a few more revisions and then the song came to life“.
Likewise, Pete says he had a similar view of Paul: “I love the kind of emotion he puts in his tracks and it’s something I always try to do in my music too. So it just felt like the perfect fit to create something together. Amy then joined the track with her amazing voice and turned something good into something great!“
Lastly, Amy told us, “It’s been a pleasure working with Pete and Paul, both huge talents in their scene, and it shows in this music. I’m so happy with how the track has turned out. I wanted it to feel like walking into a festival on a beach, at sunset, on a hot night. Exciting, heady, full of possibility. We live so fast and busy these days, but working on this track I was thinking about having nothing to do but dance the night away, be present and be in the moment“.
Listen to Pete K, Paul Arcane, and Amy J Pryce‘s ‘Hold Me‘ down below for your Spotify play. Also, click here to support the release on your platform of choice. And stay tuned to our page for the latest news and views from our beloved Dance music world.
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The breathtaking album has the feel of a bona fide breakout for Syzy, one of today's most promising producers of dubstep and riddim music.
Whether or not you're willing to admit it, riddim has sadly grown prosaic, falling victim to repetition and stagnation as artists recycle the same presets and arrangements en masse. Syzy, however, stands out as a contrarian producer infusing the grating genre with an emotional core, producing bitcrushed dreamscapes unburdened by the expectations of others.
That approach is in the bone marrow of The weight of the world, wherein she captures the essence of a generation that wears its emotions like QR codes—instantly scannable yet infinitely complex.
Syzy.Corson Agency
An undeniable highlight is "HEART123," which beautifully weaves the growling bass of dubstep with the raw, melodic undertow of digicore. Syzy's effervescent production here is a masterclass in tension and release, with glitched-out drops that plummet like a like a broken elevator, only to be caught by gossamer threads of synth. Meanwhile, kmoe's quavering vocal delivery teeters between whispered confessions and bold declarations, mirroring the push and pull of a budding romance.
Elsewhere in the album, Syzy shows out with the melodic riddim stunner "Take my energy!." The SoCal producer kicks off with a hometown callback by sampling an MLB broadcaster's call of the first career home run hit by Angels legend Mike Trout back in 2011. She then drops a fizzy banger where distorted synths slice through chugging subs.
Syzy's tenacity comes to a head in the album's cathartic closer, "Dancing on my own," a captivating rush of hyperpop that unshackles her from society's judgmental gaze. The track is a microcosm of the full project, a commentary on shared struggle and resilience in the face of apathy's fog.
Listen to The weight of the world below and find the new album on streaming platforms here.
Follow Syzy:
X: x.com/syzymusic
Instagram: instagram.com/syzymusic
Facebook: facebook.com/syzydubs
Spotify: tinyurl.com/4cw9ry37
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Stewart’s smooth vocals draw you in from the beginning, weaving a tale of a relationship gone wrong. Then, the beat drops – a powerhouse explosion of sound complete with a funky horn section. This is where the twist comes in: Stewart declares, “I finally wrote you a song, I hope you take it the wrong way.” This ain’t your typical heartbreak anthem. “Wrong Way” flips the script, offering a sassy and playful send-off to a past love. The accompanying visualizer features electrifying clips from Two Friends’ sold-out Red Rocks show, where Stewart surprised the crowd with a live performance of the song for the very first time.
‘Wrong Way’ marks Two Friends’ hottest collab yet in 2024. Earlier this year, they teamed up with Arizona Zervas on the infectious ‘Hiding'(April) and joined forces with Cheat Codes for the high-energy dance-pop anthem ‘The Way It Is’ (February), which has racked up millions of streams. This track builds on their impressive streak, following last year’s smash hit ‘If Only I,’ a collaboration with diamond-selling dance duo Loud Luxury and chart-topping pop star Bebe Rexha.
You can check out all of Two Friend’s upcoming tour dates below.
UPCOMING TWO FRIENDS LIVE DATES
July 13 – Miami, FL – Bass Drop University Festival
July 19 – Cleveland, OH – FWD Nightclub
July 27 – Chandler, AZ – Wild Horse Pass Casino Pool Party
July 28 – Las Vegas, NV – XS Las Vegas
August 3 – Las Vegas, NV – EBC Nightswim
August 4 – Calgary, AB – Chasing Summer
August 10 – Boston, MA – Boat Cruise Summer Series
August 10 – Boston, MA – The Grand
August 17 – Las Vegas, NV – EBC Nightswim
August 17 – Baltimore, MD – TailGOAT
August 24 – New York, NY – Madison Square Garden
August 25 – Las Vegas, NV – XS Las Vegas
September 1 – Chicago, IL – North Coast Music Festival
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