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Here’s Your Guide To Techno Bliss At Movement Festival

Movement Music Festival has announced the set times for its 2024 edition, featuring over 115 acts across six stages and three days. Memorial Day Weekend turns into a Techno holiday in Detroit at Hart Plaza.
Set Times
The lineup includes headline sets from dance music legend Fatboy Slim, German-Bosnian superstar DJ and producer Solomun, a brand-new show from Electronic music innovator Richie Hawtin, as well as award-winning artist and producer James Blake (DJ Set); Australian-born House sensation Dom Dolla (coming off a highly acclaimed Coachella Weekend 1 performance), two special performances by Drum n Bass luminary Goldie (Live Band and DJ Set), renowned British actor and DJ Idris Elba performing a b2b set with Detroit Techno legend Kevin Saunderson (the two artists have collaborated on Inner City’s singles ‘We All Move Together’ and ‘No More Looking Back’), legendary Atlanta hip-hop artist Ludacris, plus Channel Tres (DJ Set), Chris Lake, Gorgon City, Honey Dijon, Floorplan, The Blessed Madonna, Masters At Work, Skream, Floating Points, Sama’ Abdulhadi, Boys Noize b2b VTSS, Special Request, DJ Minx, Carl Craig (live), I Hate Models, and many more.
The festival’s stages for 2024 include Movement Stage, Waterfront Stage presented by JARS, Pyramid Stage, Stargate Stage, Underground Stage, Detroit Stage, as well as pop-up sets in the VIP Area from HouseParty, Rocksteady Disco (10 year anniversary), and A Dub Supreme.
This year’s showcases include a special 30-year anniversary celebration of Goldie’s legendary Metalheadz Records, Carl’s Craig’s traveling party series Detroit Love in collaboration with the iconic UK dance label Defected Records, Masters At Work Present, Kevin Saunderon’s KMS Records, and DJ Minx’s House Your Life. A special tribute for Amp Fiddler is scheduled to take place during the Detroit Love x Defected showcase on Day 1 of the festival.
Attendees can also download the official Movement 2024 app to customize their schedule, discover new artists, view the festival map and much more. Movement 2024 app is now available for iOS and Android smartphones. Download the app here.
Amenities
In addition to the on-site music programming, the festival will feature multiple art installations; including Drive In — a dive into music and nostalgia by southwest Detroit-based artist Freddy Diaz (aka @swfreddy) in collaboration with 1XRUN. Diaz sets a beautiful stage where the cars dance and have personalities like the souls attending the festival. With Drive In, Diaz aimed to fuse together some of the most amazing things about Detroit. Drive In is located at the Pyramid Amphitheater (near the Pyramid Stage).
The festival will also host the Respect the Architects and Remembering Amp Fiddler exhibits, curated by Underground Music Academy (UMA). Brought by the partnership with Resident Advisor and Detroit Techno Foundation. The exhibits recognize and celebrate some of Detroit electronic music community’s most impactful and unsung heroes. These include Delano Smith, Mike “Mad Mike” Banks of Underground Resistance, Mike Huckaby, Zana Smith, K-Hand, Ron Murphy, James Pennington, Ken Collier and many more. A special dedication to Amp Fiddler will also be showcased this year. He passed away in December 2023.
We are really looking forward to next weekend. Enjoying the music in Techno City will be a celestial feeling.
About Movement
Each year on Memorial Day weekend, thousands of people from across the globe gather in the birthplace of Techno. They gather to celebrate the heritage of Detroit and its musical influence over countless generations – new and old. Movement Music Festival is one of the longest-running dance music events in the world. It has committed to showcase authentic electronic music and providing an experience unlike any other. The festival takes place in Hart Plaza – Detroit’s legendary riverfront destination.
The post Here’s Your Guide To Techno Bliss At Movement Festival appeared first on EDMTunes.
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Music Publishers Threaten to Sue Spotify Over Lyrics, Podcasts & More

Music publishers are warning Spotify of potential legal action due to their use of song lyrics and music videos without proper licensing. These publishers argue that Spotify’s current approach infringes on their rights and could lead to significant financial losses for songwriters. The National Music Publishers’ Association (NMPA) have sent a formal letter to Spotify, urging them to address these issues promptly or face legal consequences. This dispute highlights ongoing tensions between streaming platforms and music rights holders over the use of copyrighted content.
The letter accuses Spotify of not obtaining proper licenses for using song lyrics on its platform. Typically, these licenses would be granted by NMPA members, which include independent publishers as well as major companies like Sony Music Publishing, Warner Chappell, and Universal Music Publishing Group. Moreover, the NMPA demands that any unlicensed lyrics, music videos, and podcasts available on Spotify be removed immediately, or else Spotify will face copyright infringement liability for continuing to use these works.
Danielle Aguirre, EVP & General Counsel of NMPA, states in the letter:
Additionally in the letter, Aguirre mentions a reported ‘Remix’ feature that Spotify is developing. This feature would allow users to create altered versions of songs by adjusting their speed. The letter warns the streaming giant that releasing such a feature without obtaining proper licenses from NMPA members could result in further direct copyright infringement.
Stay tuned for more news!
The post Music Publishers Threaten to Sue Spotify Over Lyrics, Podcasts & More appeared first on EDMTunes.
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Kaskade to Headline "Sports and Music Festival Experience" by X Games

X Games is highlighting the inherent link between music and sports by virtue of a special festival experience featuring Kaskade.
The chart-topping DJ and producer will perform on Saturday night of X Games Ventura 2024, which is taking place from June 28-30 at SoCal's Ventura County Fairgrounds. He returns after throwing down at the X Games in 2018 and 2023 in Aspen.
"Growing up in the suburbs of Chicago my favorite thing to do when I wasn't crate digging for music was to go out and skate in the streets of the city," Kaskade said in a press release. "Half of the sport was seeing how long I could go without getting kicked out of my favorite spots. I never would have dreamed that snowboarding, BMX, skateboarding and all the other amazing sports that are celebrated within the X Games would be so amplified and that I would get to join in. It's such an honor to be playing again, looking forward to seeing everyone there!"
Eight other musicians will take the stage throughout the weekend, including hip-hop icon Wiz Khalifa on Friday night. The rest of the lineup will be announced at a later date and organizers have curated "a diverse mix of genres, from rock and hip-hop to electronic and beyond, with a few surprises in store," according to Rich Bigge, Vice President of Live Events at X Games.
View the original article to see embedded media.
"We have doubled the size of this event, making it possible to have a proper stage experience as well music throughout the venue," Bigge said. "There is such a natural connection between sports and music, so it was a priority for us to be able to bring it back this summer with some really big names."
This year marks the debut of a number of new medaled events, including Women's BMX. The event will also host interactive fan experiences and offer improved viewing options.

Tickets for X Games Ventura 2024 are available here. General admission passes will grant access to all musical performances as well as competition-viewing based on a first-come, first-served basis.
FOLLOW KASKADE:
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Power Couple Subtronics and Level Up Set to Make History B2B at EDC

In a groundbreaking moment for the EDM scene, the dynamic duo of Subtronics and Level Up are set to make history as the first married couple to perform together at Electric Daisy Carnival (EDC) Las Vegas. Their first official b2b (back-to-back) set is set to electrify the festival grounds this weekend, promising an unforgettable experience for fans and a milestone moment for the artists themselves.
Subtronics is known for captivating audiences with his signature blend of dubstep, riddim, and experimental beats. His meteoric rise to prominence has cemented his status as one of the most exciting acts in electronic music today.
Meanwhile, Level Up has been making waves of her own, carving out a name for herself as a talented DJ and producer with a distinct style and infectious energy behind the decks. With a growing fan base and a string of impressive releases under her belt, she has quickly emerged as a rising star in the electronic music world.
The couple’s decision to join forces for a special b2b performance at EDC Las Vegas adds an extra layer of excitement to an already highly anticipated event. They’ve taken the stage together before, but this is their first official b2b set, where fans can expect a showcase of their combined talents, with adrenaline-pumping beats, mind-bending drops, and infectious energy that will keep the crowd on their feet from start to finish.
But beyond the music, Subtronics and Level Up’s performance holds special significance as they become the first married couple to share the stage at EDC Las Vegas, as well as their first time on the EDC Main Stage. Their partnership, both on and off stage, symbolizes a union of passion, creativity, and shared love for electronic music.
Catch their set on Saturday, May 18, 2024 from 1:30 AM to 2:30 AM. For more EDC Las Vegas information, click here.
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House Music 40 Partners with ARC Music Festival on Special Pop-Up Event at Daley Plaza on May 29

In celebration of the 40th Anniversary of House Music, House Music 40 has partnered with ARC Music Festival to kick-off celebratory events throughout the city with a special free pop-up event at the Daley Plaza. The lunchtime mix will feature performances by Chicago natives and international DJs Derrick Carter and DJ Heather, hosted by Mother Diva on Wednesday, May 29, 2024, at 12 noon.
House Music 40’s founder and House music pioneer Vince Lawrence reflects, “I am thrilled to mark this momentous occasion with ARC Music Festival, Chicago’s flagship house and techno festival. They have provided a wonderful platform for DJs and lovers of dance music throughout the years.”
The ongoing mission of House Music 40 is to raise awareness of the significant contributions made by Chicago House Music artists to the global music landscape while providing financial support for Chicago House Music DJs, artists, producers, and promoters facing ongoing health concerns. It’s one that aligns well with ARC, whose foundation lies on educating the next generation of electronic music listeners on its origins.
ARC Music Festival’s co-founder, John Curley celebrates, “I was raised on House music here in Chicago. It’s one of those rare global movements where we can still show our love and appreciation to a lot of the original pioneers and innovators. House Music 40 understands that after everything those DJs have given us, it’s important for us as fans to give back,” he says, “It’s impossible to fully thank someone for the gift of house music, but in every action, we take with ARC we aim to keep letting them know that ARC is a living monument dedicated to them and house music everywhere.”
This year marks four decades since the commercial release of the first wave of House records, including early iconic songs “On and On” by Jesse Saunders and Vince Lawrence, “Jack Trax” by Chip E. and Joe Smooth, “Mystery of Love” by Mr. Fingers, “Jack’n the House” by Farley “Jackmaster” Funk, “Jack Your Body” by J.M. Silk (Steve “Silk Hurley and Keith Nunnally), “Move Your Body” by Marshall Jefferson, and “Your Love” by Jamie Principle and Frankie Knuckles among others.
ARC Marketing Director, Alan Brant adds, “As a team, for us falling in love with house wasn’t a choice, it was a reflex. We see it as our mission to help the world understand that house is from Chicago.”
On behalf of Cook County, there will be a special presentation by Cook County Board Commissioner Bill Lowry to present the resolution of House Music 40. “As a Southsider who grew up enjoying House music, it is an honor to show tribute to the originators of House and its birthplace—launching a global phenomenon that has contributed to our great city and our county. We’re excited to be a part of the kick-off celebrations.” said Lowry.
ARC’s partnership with House Music 40 continues the event’s mission of showcasing House music and the city that birthed it for a globally reaching audience. ARC, which returns to Union Park this Labor Day weekend, remains a stronghold for the continuation of this foundational story and is proud to partner with an entity so committed to the celebration of this artform as an integral piece of Chicago’s cultural fabric.
The post House Music 40 Partners with ARC Music Festival on Special Pop-Up Event at Daley Plaza on May 29 appeared first on EDMTunes.
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10 Years After Show's Debut, Above & Beyond Release 500th Episode of "The Anjunadeep Edition"

Above & Beyond are celebrating 10 years of totemic deep house music powered by their Anjunadeep label.
Each week since 2014, the iconic trance trio welcomes some of their favorite producers to The Anjundadeep Edition, a weekly mix showcase hosted on their imprint's YouTube and SoundCloud channels. Since its debut on May 16th, 2014 with James Grant, we've seen mixes over the years from Lane 8, Luttrell, Tinlicker, Eli & Fur, Qrion, TSHA, Yotto and many more.
Now, after 500 episodes, Above & Beyond have hosted one for the first time as a complete unit since #221, which aired five years ago. Unlike most of the mixes, the milestone episode is two hours long. Fans can hear original classics and unreleased songs alike from the prolific trio as well as music by Marsh and Jody Wisternoff, among other Anjunadeep favorites.
The new episode follows news of Above & Beyond's return to Red Rocks this October. While that's limited to those who can make their way to Colorado, fans around the world were able to take part in the group's recent Earth Day celebration, which saw each label in the Anjuna family release a special mix that will collect perpetual royalties to benefit the Ocean Conservation Trust's work to protect our oceans.
Check out the 500th episode of The Anjunadeep Edition below.
Follow Above & Beyond:
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X: x.com/aboveandbeyond
Facebook: facebook.com/aboveandbeyond
Spotify: spoti.fi/3fHhX1z
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Here Are the EDC Las Vegas 2024 Set Times

Every year, ravers from across the globe flock to EDC Las Vegas to dance under the Electric Sky.
The iconic Electric Daisy Carnival is back with another hotly anticipated iteration of dusk-till-dawn music, elite stage design and production, and this year, an array of updates to the festival. Its layout will be rearranged and a slew of new installations and art cars will be onsite.
This year's EDC Las Vegas lineup comprises nearly 300 artists, with many sub-genres of electronic music represented. ILLENIUM, Carl Cox, deadmau5, Peggy Gou, David Guetta, John Summit, Excision, Sub Focus and many more will perform this year. 
Check out the full EDC Las Vegas 2024 schedule and set times below.
EDC Las Vegas Set Times: Friday, May 17th
EDC Las Vegas Set Times: Saturday, May 18th
EDC Las Vegas Set Times: Sunday, May 19th
FOLLOW EDC LAS VEGAS:
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Facebook: facebook.com/electricdaisycarnival
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Late Night Therapy presents ‘GENESIS’

Up-and-coming artist Late Night Therapy has spent the last five weeks living aboard a sailboat with six friends to record their highly-anticipated new single “GENESIS.”
Check his previous works, When You’re Gone and Spinning.
The 24-year-old singer/songwriter/producer set up a fully-functioning recording studio on a boat itself. The goal was to be completely in not just the artistic process, but the driving themes of the new track – the cyclical nature of life and human existence.
To authentically capture those motifs in the music itself, Late Night Therapy decided to take the vagabond recording approach of living aboard a small sailboat with their closest friends and creative collaborators for over a month. The tight quarters and rocking of the ocean waves naturally infused the recording sessions with the metaphorical and literal ebb and flow of life’s cycles.
Late Night Therapy Created with RNI Films app. Preset ‘Agfacolor 40’s Aged’ Working by day and sailing by night, Late Night Therapy and their mates rode out stormy swells that mirrored emotional turmoil, and idyllic calms that echoed inner peace. The intense closeness brought periods of bonding and friction, not to mention soggy recording mishaps when unpredictable waves came aboard.
But through it all, the intrepid musical nomads stayed focused on capturing Late Night Therapy’s highly personal and profound exploration of life’s endless cycle through “GENESIS.” A cycle they experienced first-hand by quite literally living out at sea and at nature’s mercy for over a month.
With both the harrowing and enlightening experiences now immersed in “GENESIS,” Late Night Therapy can’t wait to share the deeply symbolic fruits of this unique labor with fans when the single drops on May 14th.

The post Late Night Therapy presents ‘GENESIS’ appeared first on The Groove Cartel.
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I Hate Models Pulled from Le Bon Air Festival After Requesting Private Jet

Le Bon Air Festival pulled French DJ and producer I Hate Models from its lineup, set to take place this weekend in Marseille, France. Resident Advisor reports the decision came after the producer requested to fly to the festival by private jet for his set this Saturday, May 18th.
The festival posted a statement on their Instagram yesterday, announcing the decision and stating that ‘no artist has ever taken a private jet to come and play at Le Bon Air Festival.’
Le Bon Air went on to further explain the environmental impact of private jets, stating ‘this highly polluting means of transportation consumes 50 times more CO2 than a train.’ They also cited their artist contracts, which states that transport must be approved by the festival before arrival.
I Hate Models’ agent responded in a statement to Resident Advisor, stating it’s a ‘disappointing‘ decision, but that he had actually intended to cover the full cost of the private jet himself and that his request was only that the festival cover his airport transfers.
I Hate Models’ agent also said that the producer was excited for his set, so much so that he even offered to re-purchase his CO2 emissions at his own cost to make up for it.
Le Bon Air has now added MÉZIGUE to the line-up, and replaced I Hate Models’ closing set on Saturday night with a performance from KI/KI.
The post I Hate Models Pulled from Le Bon Air Festival After Requesting Private Jet appeared first on EDMTunes.
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John Summit, Sub Focus and Julia Church Deliver Aching Dance Anthem, "Go Back"

Conflicting sounds and emotions collide in "Go Back," Sub Focus and John Summit's new collaboration, but they fuel each other to deliver one of the year's best dance records so far.
Teaming up with the surging singer-songwriter Julia Church, they weave a latticework of house and drum & bass using threads of longing. Her lyrics, a poetic exploration of the indestructible bond forged between two kindred spirits, evoke a sense of being frozen in a cherished moment.
Embracing her role as a dreamer, Church invites her muse to take her deeper and deeper into a hypnagogic state while questioning whether their connection is more than a fleeting memory. Her vocals come to life through raw vulnerability before Summit chops them up in an atmospheric, four-on-the-floor drop.
It's then Sub Focus' time to shine as he implements a seamless BPM switch before dropping a euphoric drum & bass sequence, a masterful exercise in tension and release. As his kinetic basslines and soaring synths swell, Church's desperation intensifies, her vocals a quavering promise to give a part of her soul to be kept forever.
"Loved getting in the studio with John last year," Sub Focus said in an Instagram post. "We came up with the idea of speeding up the tempo in the middle of the song between House and Drum & Bass, and the crowd reaction has been amazing every time we play it. Shouts to Julia for such an incredible vocal."
The new single arrives as Summit records his debut album, which he announced back in November 2023. He then released a handful of singles: "Hungover" (with Mathame and Camden Cox), "Shiver" (with Hayla), "Eat The Bass" and a remix of The Temper Trap's 2008 classic "Sweet Disposition" alongside Silver Panda. Summit has not yet announced the album's title or release date.
You can find "Go Back" on streaming platforms here.
Follow Sub Focus:
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6EJOU announces his longest live-set ever, to be played at a secret event

6EJOU, the DJ and and hypnotic industrial techno producer who embarked on his musical journey in 2019, but has already impressed the techno crowds with his performances at events such as Verknipt and Wonderland Festival – has just announced that he’s taking things to the next level.
In a story posted on Instagram earlier today, 6EJOU revealed that he will be playing the longest live set he has ever played – a mind-blowing  10 hours, at an event in the Netherlands. He couldn’t disclose any more information about the event, when or where it will take place at this moment, but does mention that an official announcement will be made on Monday.
Something that 6EJOU already does mention however, is that the first 1000 tickets will be availabe to a cheaper price so everyone has a chance to witness the show. So make sure to add a reminder so you can tune back in on Monday, because on 6EJOU’s very first 10 hour live performance that certainly will be packed with all kinds of amazing surprises, is not something you want to miss.
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Alison Wonderland To Present FMU Beauty During EDC Weekend

As the Electric Daisy Carnival Las Vegas approaches, the multi-talented artist and entrepreneur Alison Wonderland is set to expand her FMU empire with the exciting launch of her newest venture, FMU Beauty. Known for her groundbreaking music and innovative approach, Alison Wonderland is now bringing her creativity and passion to the world of beauty with a line designed to empower festival-goers and makeup enthusiasts alike.
The FMU Beauty line is a reflection of Alison’s dynamic and expressive style, offering products that allow individuals to personalize their look and make a statement. With the festival season in full swing, these products are specially crafted to withstand the exhilarating and unpredictable environment of music festivals, ensuring that users can express themselves confidently and boldly.
To kick off the launch in style, the FMU Beauty website has officially gone live just in time for EDC weekend, where Alison herself will be gracing the iconic Kinetic Field stage on Saturday, May 18th. But the excitement doesn’t stop there – Alison will also be hosting a pop-up event at Zouk Las Vegas’ Ayu DayClub on Sunday, May 19th 2:00 pm – 4:00 pm, offering fans a chance to free samples, special giveaways, photos and meet and greet opportunities, and more.
FMU Beauty Product Line
At the heart of FMU Beauty are three innovative products that cater to the needs of festival-goers and makeup enthusiasts looking to elevate their style:
1. Hyper Hue pH Lip & Cheek Tint: This versatile product is perfect for adding a pop of color to your lips and cheeks, giving you a fresh and vibrant look that lasts all day and night. The unique pH formula adapts to your skin tone, creating a personalized hue that complements your natural beauty.
2. UFO Body Art Stamp & Pen: Get ready to unleash your creativity with this fun and easy-to-use body art stamp and pen. Whether you’re looking to add a touch of sparkle or create intricate designs, the UFO Body Art Stamp & Pen allows you to express yourself in a unique and playful way, perfect for festival season.
3. Waterproof FMU Fanny Pack: Keep your essentials close and your hands free with the stylish and practical FMU Fanny Pack. Designed to withstand the elements, this waterproof accessory is the perfect companion for music festivals, offering both style and functionality in one sleek package.
Don’t miss your chance to be a part of this exciting new chapter in Alison Wonderland’s FMU empire. Visit the FMU Beauty website, explore the innovative products, and join the celebration at the Ayu DayClub for an unforgettable experience that brings together music, beauty, and creativity in a way that only Alison Wonderland can.

The post Alison Wonderland To Present FMU Beauty During EDC Weekend appeared first on EDMTunes.
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Android 15 Will Detect Your Phone Being Stolen

In a bold move to bolster security for Android users, Google has unveiled a series of advanced features in its second beta release of Android 15. Among these features, a standout is the new theft detection capability designed to sense when your phone might be snatched unexpectedly. Scheduled for a fall release, Android 15 promises not only to enhance modern smartphones but also to bring significant updates to older models, ensuring comprehensive protection across the board.
Enhanced Security At Your Fingertips
The freshly introduced Theft Detection Lock is particularly intriguing. It’s engineered to detect sudden, unusual movements — like your phone being jerked out of your hand or grabbed from a table. Once such motion is identified, the device locks immediately, preventing any unauthorized access. This feature is backed by additional layers of security that monitor for other theft-related signals, including attempts to disconnect the phone from network services, ensuring your data remains secure under all circumstances.
Remote Solutions And Beyond
Alongside on-device innovations, Google is rolling out remote capabilities to secure devices that end up in the wrong hands. By navigating to android.com/lock, users can swiftly lock their phones by simply entering their phone number and completing a security challenge. This can be a lifesaver when you only have access to a friend’s device. Furthermore, Android 15 introduces ‘private spaces’ — hidden areas within your device for storing sensitive apps and information, accessible only through a unique PIN. Additionally, new protocols for resetting phones will require owner credentials, bolstering defense against unauthorized factory resets.
Future-Proofing Android
As part of its ongoing commitment to user safety, Google continues to enhance Android’s Play Protect services. The update expands on-device AI to scrutinize how apps use sensitive permissions, working in tandem with the Private Compute Core to ensure user data privacy. This mechanism is pivotal in detecting and mitigating phishing and fraud risks, with suspicious apps being flagged for further examination. Notably, several leading smartphone brands, including Google Pixel and OnePlus, are set to incorporate this technology later in the year.
Conclusion
While Android 15’s features are still under wraps as it remains in beta, the sneak peeks into its capabilities are promising. Google’s proactive approach in extending these advanced security features to older Android versions as well, demonstrates their commitment to user safety and accessibility. As we await further details and the official roll-out, it’s clear that Android users have much to look forward to — making it more challenging than ever for wrongdoers to compromise mobile security.
[H/T] – The Verge
The post Android 15 Will Detect Your Phone Being Stolen appeared first on EDMTunes.
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Alison Wonderland Launches EDM-inspired Makeup Line

Alison Wonderland, the Aussie DJ and producer, isn’t just about dynamic performances and Future Bass beats—her style is as whimsical as her music. And now, she’s stepping it up a notch with her very own makeup line, Fuck Me Up Beauty.
Seeing a chance to blend her love for tunes and makeup, Alison created a brand that’s all about the wild energy of the festival scene. But this isn’t Mary Kay—it’s for those who want to rock out boldly, whether they’re raving at Tomorrowland or hitting up EDC. Fuck Me Up Beauty is all about owning your vibe and expressing yourself freely. 
The first release is called Hyper Hue Lip + Cheek Tint and adjusts to your skin’s pH. Vegan, cruelty-free and with no parabens, items start at $16, with the full kit priced at $77. Her $20 UV glow-in-the-dark UFO Pens come in green, pink, and orange for body art stamping. We’re sure you’ll see Alison Wonderland confidently showcasing FMU Beauty throughout the coming months.
The post Alison Wonderland Launches EDM-inspired Makeup Line appeared first on EDMTunes.
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Celebrate Dimitri Vegas’ 42nd Birthday With His Top 10 Streamed Tracks

Today, May 16th, marks the birthday of Dimitri Thivaios, professionally known as Dimitri Vegas. If you are a Big Room House fan, then you might have heard of Dimitri Vegas & Like Mike and if the name does not ring a bell, then maybe the tracks ‘Tremor’, ‘Hey Baby’ or ‘Mammoth’ will do. The Belgian duo are considered pioneers of the Big Room genre and festival scene, being also for a long time, the image of Tomorrowland, or as some may name them, “The Kings of Tomorrowland.”
Part of this long time bromance on stage, Dimitri has also produced a lot of memorable tracks together with his brother Like Mike (Mike Thivaios). Let’s have a look at the 10 most streamed of them as we celebrate Dimitri Vegas’ 42nd birthday.
10. ‘Mammoth’ with Moguai [80m Streams]
9. ‘Hey Baby’ with Diplo and Deb’s Daughter [83m Streams]
8. ‘Repeat After Me’ ft. Armin van Buuren, W&W [87m Streams]
7. ‘Boomshakalaka’ ft. Afro Bros, Sebastian Yatra, Camilo, Emilia [90m Streams]
6. ‘Higher Place’ with Ne-Yo [95m Streams]
5. ‘The Hum’ ft. Ummet Ozcan [98m Streams]
4. ‘Tremor’ with Martin Garrix [124m Streams]
3. ‘Thank You (Not So Bad) featuring Dido, Tiesto, W&W [157m Streams]
2. ‘Say My Name’ ft. Regard [171m Streams]
1. ‘Complicated’ with David Guetta & Kiiara [173m Streams]
Photo credit: Paul Jongeneelen
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Paradise City Festival announces full line-up

As the days get warmer and the sun shines brighter, all is set for another summer filled with friends, music and good times. With only six weeks left to go, the Paradise City team is more than ready to welcome visitors for its biggest edition to date. Guests can expect extraordinary music and positive vibes across three days and nights. Besides its legendary dancefloor energy, the electronic music festival is famous for its lush green waterside location, impressive stage design, and high-quality light and sound productions.
Today, the organisation has dropped the complete line-up for the upcoming festivities:
There are some interesting picks amongst the newly announced artists. David August, for example, will present his highly anticipated new live AV show packed with the producer’s melancholic, emotive, organic electronica. In the same lane, Rival Consoles and Rex The Dog are also set to bring entertaining shows to our Live Stage, showcasing the deeper and creative sides of live electronic music. With UK’s house DJ sensation, Sally C going back to back with Brussels’ very own Driss Benis aka OCB, the ecstatic energy on Saturday’s Contrast Stage is sorted. But Paradise City would be nowhere without the support of local artists – and so the team is excited to give proper slots to some of the most exciting homegrown talent around, including Bjeor, Catalina, Eline Anne & r.omy, Odymel and RIET.
Saturday and Camping tickets almost sold out
Ticket sales for the Paradise City weekend have been rolling smoothly, and the demand is not slowing down – at all. Day tickets for Saturday and Camping tickets are almost sold out – only a few hundred of each remain – so the clock is ticking for those who haven’t made their move yet. Once these sell out, they’re gone.
Tickets available here
The post Paradise City Festival announces full line-up appeared first on Decoded Magazine.
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Molecular Respects The Heritage And Stamps His Own Sound

Growing up in Porto, inspired by Call Of Duty montages and internet lore – Molecular AKA Rafael Pinto’s introduction to drum & bass was not filled with sneaking into raves, or digging through a friends-older-sibling’s tape pack collection. 
It was a steady diet of Noisia, Spor, DJ Die and other legends of that 2010s era, as well as countless hours of YouTube and forums to learn the art of music production – all through the headphones and screens. The culmination of these inspirations and graft shaped Raf’s future, building that trademark funk into his productions today. 
On top of the unmistakable groove he purveys, Molecular has become equally renowned for some of the tightest engineering. It’s a combination of talents that’s reasonably rare at this level. But when you think of a satisfying shuffle in tandem with boundary-pushing production – the Bristol names like DLR and Break come to mind, too. 
So the question is, how can you take it one step further, in a new direction? As Molecular hits a crucial stage in his music career – the debut album – this has been the mission he’s trying to conquer. 
‘Heritage & Sound’ takes inspiration from dub music and culture in a variety of ways, from the more obvious things like samples and effects to the more nuanced details like track arrangement and bass texture. In true soundclash culture fashion, Molecular makes a statement with this new LP. Bringing 12 super-heavyweight tracks to the table that show the world not only his abilities in the studio, but his ability to bring in new elements and establish his own, patented sound… 
It’s been a while since we spoke to you. You were still at university at the time. What’s been up since then? 
Well, music kicked off! So I didn’t have any time to finish my uni. I’ve only got three or four subjects to go, but I haven’t been there for 2 years now…
The degree was interesting – and I’m very passionate about management and digital marketing. And actually, the marketing subjects were the ones I did the best in terms of grades. I was good at it, and I do take some stuff from it, but a lot of it you can just learn online. 
I just got to this point during covid where I didn’t have time – there was so much going on with music, and I was trying to build my Patreon, and build my platform and everything. It started working out so quickly that I realised I could do music full time – not because of royalties, but because of Patreon, allowing me to be closer to my fans and allowing them to support me. So that’s what happened during covid – I quit my job, stopped doing uni, and it worked. 
Do you think having that study helped get a head start on the business side of music, seeing Patreon as a good revenue stream for example?
I guess it does help you in the first couple of months. But a lot of the stuff you learn in uni… it’s all theory. You don’t get practical management courses, I didn’t get any internships through uni. You do learn some stuff and it’s cool, but I would say that anyone else without that sort of experience can achieve the same thing, they would just be one or two months behind. They would catch up quickly. 
It gives you confidence though. It did for me – I knew I knew the basics of marketing and management so I felt confident to try it. But once you get there, it’s completely different… it doesn’t prepare you very well. 
Well take it from someone who has that very same degree you were studying for – I think you might be right. 
There’s so much theory – but it’s all basic! You can pick it all up, you know. If you’re smart. 
YouTube was my friend, and Reddit. Uni didn’t teach me how to set up my website, or how to sort of my accounting, it was YouTube, Reddit, and forums to understand all these other real life situations. 
Was it the same for music then, in terms of how you learned?
It was. I started reading and watching tutorials when I was about 12 or 13 years old. And I think that’s one of the other reasons that I was able to understand English so well – because everything was in English. 
I did this music production course – a 6 month course – when I was like 16. But I feel like I already knew pretty much everything. So I guess I’m just self taught on music – pressing buttons, troubleshooting on YouTube, trying things.
How long have you been producing?
I started messing around on FL Studio when I was about 11 years old. But I wasn’t doing anything interesting until I was about 14 or 15. Those first few years I was barely even making loops. 
So where did the influence come from to make drum & bass? I can’t say I know of a huge D&B scene in Portugal… I could be wrong! 
It’s not huge, it used to be pretty big 10 or so years ago. But now it’s not. 
But at that time, I wasn’t going out to raves anyway, so I didn’t catch that ‘train’, if you know what I’m saying. I guess the inspiration came from when I used to play Call Of Duty (COD) – I loved watching the COD montages on YouTube, and they all had D&B tracks on them.
I’d heard of house and techno and things, but this fast music with snares and stuff – it was sick. The first track I heard was The Qemists – On The Run (feat. Jenna G). I listened to that track all day, everyday, until YouTube began recommending me more… Noisia – Block Control… I was hooked. There was no turning back.
There wasn’t really any ‘real life’ situation that pulled me into D&B. It was more of me first finding out D&B on my own, and then starting to look at who the DJs are, and who’s into it around where I live. I then started making some connections locally. But that was way later on, when I was like 16 or 17. 
Do you remember wanting to go out and be a part of that ‘real life’ or live rave scene?
Yeah 100%. I remember when I started looking into live sets on YouTube, there were some cool videos – there was this live Break set from like 10 years ago, everyone was vibing, and I would think “I wish this would happen here!”.
So how did you get more involved in it? Was it production that took you there?
Yeah pretty much. I started messaging anyone that was related to drum & bass here in my hometown, Porto. That’s how I met Martim, who runs Counterpoint Recordings. Which is a local label from my town.
When I met him I sent him loads of music, and he said it was not good enough – so I kept trying. I don’t really like to take no for an answer. If you’re telling me no, I want to eventually make you say yes. So I kept sending music, and he eventually wanted to meet up and start releasing the tunes. 
At the same time as this, I was meeting a lot of other people who enjoy D&B, just to network and see what’s up. I remember going an hour by train to meet some guy I met on Facebook to spin records because he had decks. It’s like Tinder for D&B. 
I love that. 
Yeah, it’s really cool, and we’re still friends to this day. I’ve played B2B with him a few times, and he’s still one of my favourite DJs from Portugal. 
So anyways, Martim signed some tunes and let me play at some events, so I started meeting more and more people, including the artists we were booking. Jack Workforce, Icicle, and that’s how I met DLR as well. He came over when I was like 19, and that’s how I got introduced to Sofa Sound, J (DLR) said I could send some music, so I did. 
You fit Sofa Sound like a glove… that funky, raw, from-neurofunk sound. How did that relationship with DLR tighten once you met him?
So once I met him, I sent him music and he played it. We had a few phone calls about getting releases on Sofa Sound.
He could tell my sound was heavily influenced by him, Break, and the old-school Bristol sound with a touch of neurofunk. I remember him saying the tunes were really cool, but that I should try to do something different, because it obviously sounds a bit too similar. That was 100% true. One thing I like to do as a production exercise is to literally immitate something I like, because that’s a good way to learn. And I remember trying to imitate DLR, Break, Noisia, DJ Die, and all those types of artists. 
Up until a couple of years ago, people would say I’m a ‘DLR rip-off’, or I’m ‘DLR’s son’ – I’ve heard that one multiple times. So I’ve been trying to fight this off, and make it obviously different. Running away from the classic ‘wobbly’ sound that he does, that’s so nice and so prominent in Bristol. I’m not going to change my drums, because I love them, so I needed to find where else I could change stuff. 
In a way, my latest releases and the album does that. Because I wanted to show people- this is who I am. Although a lot more people are recognising it, I still feel like a lot of people are associating me with DLR, or Break, or The Sauce – so I want to stay away from those and just do my own thing. 
That’s a tough place to be. You do want to integrate with Sofa Sound when you’re releasing on it, but you also need to differentiate.
It’s a common issue I’ve been hearing about recently. Alix Perez doesn’t want more Alix Perez’s making replicas of his tunes on 1985. 
So what are the key things you’re doing to differentiate?
I try to play around, and create my own samples. The main thing that starts to set me apart now is textures, samples, and the way I’m using basses. I would go with that wobbly bass for a long time – but now I’m trying to go for things like a sustained bass or an 808, and I’m trying different ways of processing it. 
It takes me back to the album too – because it’s really influenced with dub and dub music, it’s got like the simplest basslines ever. Three notes, sustained, so there’s no wobbliness whatsoever. There’s a lot of texture and reverb in the bass – and in every sound – in dub music. So I started messing around with these processes on my bass, and just really simplifying the notes. My older tracks would have a lot of notes in the bass, and it’s cool to complicate it sometimes for sure, but I’m just trying to simplify it as much as possible and keep it true to its form. Just drums, bass, simple bassline, good texture, one or two cheeky samples, and that’s the track. 
I’ve also been trying different arrangement styles. One thing you can find in the album a lot is just tracks that don’t have a breakdown. It’s just the first drop, and a sort of interesting middle section, but not the typical breakdown where everything stops and it rolls back into the second drop. This is something I take from dub influence too. 
Because, in dub – which I believe to be the first electronic music genre ever, back in the 70s, they were the first genre to have the ‘drop the bass’ thing – they had no breakdowns. There might be a section without bass, or without drums, but it’s never really a stop, it would just keep rolling and rolling for 4 or 5 minutes. And they would use effects and texture to simulate that sense of direction, and create that tension you would normally have in a classic 16 bar D&B breakdown. 
They would high-pass out the bass, or roll out the drums, doing loads of echoes and things. So I tried to play around with that as well, using loads of effects and textures.
But the drums are a hard one to differentiate – I love my drums and it took me a long time to get them to that level. 
Have you been spending quite a bit of time engrossing yourself in dub and reggae recently?
Well when I was a teenager I used to listen to loads of reggae, and there would sometimes be the odd dub track in there. I always knew about dub, but it’s only when I started getting older, is when I started really listening to it and appreciating it. I think my love for dub grew after drum & bass – maybe my brain was able to connect the dots on the similarities or something. 
I remember when I was like 19 or 20, I saw this documentary about dub and how it was made. It blew my mind that they could do something like that with only an 8-track mixer, and that they created all these classic effects that we use now – like the dub siren, where they had a tuning button in the mixer that they put some echo on, it and it created the classic ‘bleep’ sound. 
A lot of effects that we use now, echoes, reverbs, spring reverbs – that I use a lot in my music – was founded in dub. The texture in dub was crazy, and they did this like 50 years ago! 
Dub isn’t something I discovered recently, but I discover more about it every year that goes by, I try to delve a little more into it. I’ve been really into studying recording techniques for drums in dub, like in the 70s and 80s because the drum sound is so amazing. I don’t think I’ll be recording my own drums, but it’s good to know these techniques so I can simulate them.   
What’s your favourite track on the album?
The first track, ‘Cold Hands’, was possibly the track I enjoyed doing the most. Because it’s so simple. It started as a tester track for a sample pack that I did. I wanted to test the viability of the sample pack before I sold it. And the drums sounded really nice, and I thought I might as well build it out. It’s one of those ones that wrote itself in like one or two short sessions. And I just kept going back to it and adding sounds and it was just easy.
Then there’s two others – ‘Soundclash’ and ‘Low End Craze’. I like these a lot. Everytime I play them I get such a good reaction, so in a way it’s a couple of tracks that put me in a good place, they make me feel good, so I have a good relationship with them. It’s like me giving myself a pat on the back.
Why did you decide it was time for an album? They’re becoming less and less popular…
Yeah they definitely are becoming less popular. People just want to release singles and that’s what works best for Spotify. 
I don’t think people often have the time or attention span to listen to a full album. Even I struggle a lot when one of my favourite artists releases an album – I feel like I can’t give one hour of my time to listen in one go, so I’ll split it over a few days. So I do understand that it’s difficult right now for artists with albums. 
But I really needed to make a statement. I wanted to show people: “Here I am, I can write 12 club tracks, with my own sound, takes, and influences”. Going with the culture of sound-clash: “If you can make something better, then prove it!”. Not saying I’m the best or anything, I more just mean that soundclash mentality, proving to people my sound and my ability. 
I thought about naming the album ‘my sound’ but obviously that’s Dillinja’s – but that’s where ‘Heritage & Sound’ comes from. Heritage that I take from these other genres like dub, african music, and Jamaican music and culture – this is our heritage that we have in D&B and jungle. We have so much of that influence, and sometimes people forget about it, and just use it without paying any respect to it. And then there’s my ‘sound’ and how I use that heritage, and respect that heritage, to build it on my own sound. 
And I guess this is also very much an album for DJs? A collection of rough and ready tracks…
Exactly, just 12 club tracks, like Ed Rush & Optical did with ‘Wormhole’. I might want to do a concept album with interludes and weird tracks some time, but I feel like that’s a lot more difficult to do. Heritage & Sound is really more of a ‘DJ album’. I don’t expect this album to be doing a load of streams for me – I just want this to be a statement for me, I want DJs to play these tracks, and I want people to dance to it. 
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Paco Osuna’s Now Here Announces Massive 2024 Hï Ibiza Lineup

The Now Here familia is gearing up for its biggest season yet at its spiritual home of Hï Ibiza. This will be its third consecutive year taking over the iconic Club Room.
Paco Osuna‘s beloved house and techno concept has pulled together a lineup of 30 artists over 15 parties. Mark your calendar as every Tuesday from June 18th through September 24th you’ll dance with Paco Osuna at Hï Ibiza.
2023 was the peak but 2024 will be even bigger
Fresh off a globe-trotting 2023 that saw Now Here touch down everywhere from Miami to Medellin, the brand returns to its Balearic birthplace reinvigorated and ready to cement its reputation as one of Ibiza’s most musically daring and artistically coherent parties.
At its core, Now Here was conceived to provide an immersive dancefloor experience fueled by a forward-thinking vision of melodic and grooving four-on-the-floor sounds.
“To live and experience music with passion and enjoy the moment to the fullest” has been the mantra driving Osuna’s inspired programming since year one. This summer the quality will be reflected in the caliber of acts tapped to soundtrack sultry Ibiza nights at Hï.
While anchored by resident Paco Osuna himself and a cast of longtime Now Here favorites, the 2024 line-up sees fresh new faces and sounds. Established scene leaders like Nicole Moudaber, Chelina Manuhutu, Mason Collective, and Latmun are expected. They will be joined by a host of bright up-and-comers including Ariel Rodz, Blackchild, De La Swing, Melainie Ribbe, Reboot, Reelow, Rsquared, Sosa, Toman, Tomi & Kesh, and Youniverse.
For brand founder Osuna, each year represents an opportunity to further refine and recalibrate based on what works.
Full 2024 Now Here lineup at Hï Ibiza 30 years in the industry for Paco Osuna
Summer 2024 marks a major milestone for Osuna himself too. He celebrates an incredible 30 years behind the decks. Across 15 jubilant weeks, the Club Room will bear witness to the next chapter in this Spanish great’s iconic career – one built on true passion, relentless hard work, and an eternal love for music.
From the looks of this year’s armada of talent, that passion burns brighter than ever in the Now Here ranks. With a finely-tuned sonic vision, world-class Hï Ibiza production, and the unbreakable spirit of the White Isle backing it, Paco Osuna’s 2024 residency is undoubtedly shaping up to be the hottest one yet.
Full 2024 Now Here lineup at Hï Ibiza
The full 2024 Now Here lineup at Hï Ibiza’s Club Room is: Agus O, Ariel Rodz, Blackchild, Chelina Manuhutu, De La Swing, DJ Oliver, Fer BR, Francis De Simone, Hector Couto, Iglesias, Latmun, Mahony, Manu Gonzalez, Mason Collective, Melainie Ribbe, Mendo, Miguelle & Tons, Nicole Moudaber, Paco Osuna, Rafa Barrios, Reboot, Reelow, Rendher, Riaz Dahnani, Rsquared, Sosa, Toman, Tomi & Kesh, Wheats, Youiverse.

The post Paco Osuna’s Now Here Announces Massive 2024 Hï Ibiza Lineup appeared first on The Groove Cartel.
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