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Dancing Astronaut’s New Music Friday: April 18, 2025

Words by Alex Lambeau, Zach Salafia, and Ross Goldenberg.
Mary Droppinz – Drop In
Freshly removed from an appearance at Coachella’s famed Do LaB — where she appeared alongside the likes of Sara Landry, Amelie Lens, Indira Paganotto, and more as part of Landry’s BLOOD OATH takeover this past Saturday — Mary Droppinz has returned with her refreshing brand of bass music on her latest single. “Drop In” lands as the debut release on Zeds Dead’s Deadbeats for the first of four Dancing Astronaut Artists to Watch in 2025 included in this week’s release roundup.
LUSU – Siren EP
The second Dancing Astronaut Artist to Watch in 2025 to highlight this week is LUSU, who return to Eli Brown’s Arcane label with a two-track EP. The duo — comprised of Wiwek and Mike Cervello — has been making a name for themselves with a unique combination between high-energy, melodic, and futuristic-sounding techno, with their Sinner offering continuing to reaffirm that. They’ve already gained the support of esteemed labels like the aforementioned Arcane as well as Adam Beyer’s Drumcode and HI-LO’s HILOMATIK.
John Alto & Surf Mesa – Holding On
John Alto is the third Dancing Astronaut Artist to Watch in 2025 to offer something new this week. And Alto did it alongside a Dancing Astronaut Artist to Watch alumni, Surf Mesa. After delivering “Do You Like Bass” back in January via Alesso’s newly minted label Body Hi, Alto doubles his 2025 release tally with “Holding On,” a collaboration he said came together “so naturally” and offers a seamless intertwining of his heavier approach with Surf Mesa’s melodic taste.
Aaron Hibell & Dan Heath – Odyssey
The final Dancing Astronaut Artist to Watch in 2025 Aaron Hibell continues to show off his signature brand of cinematic electronic music on his latest sonic output, “Odyssey.” Together with composer Dan Heath, Hibell was tasked with creating the soundtrack to Cercle’s upcoming Odyssey experience. The record, tabbed “the heartbeat of the entire [Odyssey] project,” is out now via Cercle Records ahead of Hibell’s opening for Ben Böhmer in Paris for Cercle Odyssey on June 1.
Disfreq – Raw Motion EP
Disfreq have returned with a four-track offering via Solomun’s esteemed imprint, Diynamic. The Irish pair have been steadily climbing the ranks, earning coveted live support from the likes of Solomun, Anyma, CamelPhat, Innellea, and many more. Their Raw Motion EP continues to solidify their status as one of dance music’s most exciting duos, showcasing their dynamic production range. And while all four EP cuts are worth noting, t’s the standout track “Sweat” that’s undeniably destined to dominate dance floors in the coming months. As the summer season kicks into full swing, the dance music world should expect Disfreq’s signature sound to be echoing in every corner.
AYYBO & Taylr Renee – Obsession
Our in-person live introduction to AYYBO came at the tail end of 2024 when he appeared at Proper NYE, and his 2025 thus far has only reconfirmed why his dance music stock has continually skyrocketed over the past year. Ahead of his two-show day in Brooklyn on April 19, that pattern now extends with his Experts Only debut. Aptly titled “Obsession,” AYYBO’s second release of the year — following “Demon Time” — had already been a staple in his sets before picking up steam when the label boss began to add it into his tracklists earlier this year. Featuring what he described as a “unique and haunting” vocal from Taylr Renee, “Obsession” puts AYYBO’s distinct brand of house on full display.
Dom Dolla & Kid Cudi – Forever
Dom Dolla and Kid Cudi met in the studio with the intention of writing “the happiness song [they’ve] ever done.” The result is “Forever,” a nostalgic collaboration that serves as the latest installment in Cudi’s rare but impactful forays into the world dance music. Originally debuted live during the first of two sold-out evenings for Dom Dolla at Madison Square Garden — with Cudi also joining during night two and during the Brooklyn Storehouse afterparty — “Forever” channels the euphoric energy of the early 2010s era of dance music, paying homage to the era that catapulted the genre into the mainstream eye.

Featured image: Dom Dolla/Facebook
The post Dancing Astronaut’s New Music Friday: April 18, 2025 appeared first on Dancing Astronaut.
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Atlantic Records, Hard Rock Curate Formula 1 Miami Grand Prix — Kygo, Pitbull, Tiësto, Kaskade, Sofi Tukker, Cedric Gervais Topping the Bill

Photo Credit: Formula 1 Crypto.com Miami Grand Prix
Atlantic Records and Hard Rock International are curating the Formula 1 Miami Grand Prix with chart-topping EDM artists heading the bill.
South Florida Motorsports (SFM), organizers of the Formula 1 Crypto.com Miami Grand Prix, have announced along with founding partner and music lineup curator Hard Rock International and Atlantic Records, a weekend filled with live music and entertainment for the event’s fourth year. Taking place from May 2-4 in Miami Gardens, the event features such artists as Kygo, Pitbull, Tiësto, Kaskade, Sofi Tukker, and Cedric Gervais to keep the party going all weekend.
Hard Rock International will host its Hard Rock Beach Club for a trackside day club experience with chart-topping artists once again. International dance music superstar Kygo will kick off the race weekend with an uplifting dance set on Friday, May 2, followed by DJ and electronic music icon Kaskade on Saturday, May 3. On race day, Sunday, May 4, Grammy Award-winning artist and Miami native Pitbull will keep the trackside party going.
Adding to the lineup is DJ and dance music producer Tiësto, who will perform on the starting grid and post-race podium on Sunday, May 4, igniting the crowd with his iconic sound before the race begins and after it ends. The set will be broadcast live across the entire Miami International Autodrome Campus. Award-winning artist Maffio will take over on Saturday for the sounds ahead of the Sprint.
Before lights out on Sunday, fans will be treated to a heartwarming rendition of the US National Anthem performed by a talented local student from nearby Fort Lauderdale. 14-year-old King Bell, who has previously performed at Hard Rock Stadium for the Miami Dolphins, will sing a stirring version of the anthem to a global TV audience of millions.
Currently a freshman at North Broward Preparatory School, he is also a member of Broward Center Spotlights and has been performing since he was six years old. The pre-race grid ceremonies will also feature a performance by Justin Quiles, showcasing the dance and music styles of the diverse Miami culture.
“As we continue to build on the incredible energy and cultural vibrancy of Miami, we’re thrilled to offer fans an unforgettable weekend that blends world-class racing with top-tier music performances,” says Tyler Epp, President of the Formula 1 Crypto.com Miami Grand Prix. “With a talented local artist singing the National Anthem, DJ Tiësto taking over the starting grid and podium, and global superstars like Kygo, Pitbull, Kaskade, and others performing at Hard Rock Beach Club, we’re delivering an experience that captures the essence of Miami’s music scene alongside the speed and excitement of Formula 1.”
“Hard Rock is thrilled to curate another energy-packed lineup for a nonstop party at the Hard Rock Beach Club,” adds Keith Sheldon, President of Entertainment and Brand Management at Hard Rock International and Seminole Gaming. “We’re continuing to elevate the experience with incredible music that brings fans back year after year.”
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Diddy Says Cassie Hotel Video Was ‘Manipulated’ and Should Be Excluded From Courtroom Proceedings

Photo Credit: CNN
Diddy requests the video footage of him brutally beating Cassie Ventura to be excluded from evidence at his trial, claiming it has been manipulated.
Sean “Diddy” Combs has requested the hotel video footage that showed him beating ex-girlfriend Cassie Ventura be excluded from evidence at his trial. The disgraced music mogul and his team claim the footage, which was released by CNN in May last year, has been manipulated.
“Mr. Combs seeks to exclude all available video files related to an incident from March 5, 2016, in the Intercontinental Hotel,” his lawyers wrote in a 15-page motion, which was submitted to the US Southern District Court of New York on Thursday.
“There is no longer any dispute that the CNN footage from March 5, 2016, at the Intercontinental Hotel, offered by the government at three separate bail hearings, is wholly inaccurate, having been altered, manipulated, sped-up, and edited to be out of sequence,” they claim. “CNN paid [redacted] for footage, copied that footage in unknown ways, presented that footage out of order, and destroyed the original. Accordingly, all the footage from CNN is inaccurate and inadmissible as well.”
Combs’ team also requested a pre-trial hearing to “present testimony and video evidence” from a forensic video analyst, Conor McCourt, “so that the court can better understand the ways in which each of the available videos are unreliable and not a fair and accurate reflection of the actions depicted.”
CNN denies all claims of manipulate footage, asserting that none of the footage was ever altered. “CNN never altered the video and did not destroy the original copy of the footage, which was retained by the source,” said a CNN spokesperson. “We aired the story about the video several months before Combs was arrested.”
Combs’ trial begins on May 12, with jury selection beginning on May 5. A New York City judge has denied his request to delay the federal trial by two months, determining there should have been ample time for his team to prepare.
Diddy has been charged with five counts of racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. He has pled not guilty to all charges.
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Infinite Reality Outdoes $207 Million Napster Acquisition with $500 Million AI Company Touchcast Purchase

Photo Credit: Infinite Reality
Hot on the heels of its $207 million Napster acquisition, Infinite Reality has announced the acquisition of AI company Touchcast for $500 million in a combination of cash and stock.
The acquisition is Infinite Reality’s largest yet and the transaction agreement values the company at $15.5 billion. Touchcast’s powerful agentic AI platform, known as Mentorverse, generates an infinite universe of specialized AI mentors who engage in natural face-to-face video conversations, and unlike traditional chatbots or static web experiences, combine consistent personalities with deep domain expertise to deliver genuinely helpful guidance through multimodal interactions.
The integration of Touchcast’s technology across Infinite Reality’s portfolio of products and services will enable IR customers to tap AI agents for a number of tasks that drive user engagement, customer support, and sales.
For example, within Napster, Touchcast tech will enable subscribers to easily generate immersive social listening spaces and leverage knowledgeable AI agents for music playlisting, community management, and music trivia among other engaging features.
Touchcast is built on OpenAI and delivered on Microsoft Azure via a $50 million strategic partnership that provides a suite of groundbreaking AI delivery systems to improve response times for AI interaction. For businesses, this means the delivery of seamless, human-like experiences while boosting efficiency and reducing costs—a vital edge in today’s competitive digital landscape.
Touchcast’s platform is turning what once required entire teams and years of work into one-click solutions with multiple products ranging from AI mentors to transforming websites into interactive AI experiences and more. The company holds 27 patents related to AI and interactive video technology, including systems for coordinated presentations, video conferencing enhancements, and intelligent virtual assistant systems.
“The acquisition of Touchcast marks our largest transaction thus far, and represents a perfect continuation of our strategic growth trajectory, building on the momentum from the iconic Napster acquisition and recent $3 billion funding round,” says Amish Shah, Co-Founder and Chief Business Officer, Infinite Reality.
“The addition of Touchcast’s agentic AI technology serves as a powerful building block for our platform as we look to provide our customers with the tools they need to succeed in the modern AI-powered era.”
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TikToker Sues Roblox Over ‘Apple Dance’ Emote — ‘Confident’ Company Says It ‘Looks Forward to Responding in Court’

Roblox is facing a copyright infringement lawsuit centering on the viral ‘Apple Dance.’ Photo Credit: Oberon Copeland
A copyright infringement battle over dance moves? TikToker Kelley Heyer has named Roblox Corporation in a lawsuit centering on its emote for the viral “Apple Dance.”  
The self-described artist and creator Heyer submitted the straightforward complaint to a California federal court, naming Roblox as the sole defendant. As laid out in the eight-page suit, the plaintiff “created and choreographed the viral Apple Dance” last summer.
Set to the Charli XCX track of the same name, the dance is said to have made its way onto TikTok in an upload from Heyer on June 15th, 2024. And at least according to the filing party, the Apple Dance took off from there; a multitude of posts and the better part of a year later, Coachella attendees did the apple last weekend.
Evidently, though, there’s more to the “Apple Dance” story than a nice bit of promotion for Charli XCX (as well as Warner Music) and an advantageous wave of exposure for Heyer, who looks to have attended the VMAs.
Per the legal text, the dance is a “work of authorship” resulting from “Heyer’s ingenuity, creativity and artistry; it is literally her brainchild.”
Roblox purportedly contacted the plaintiff “to license her viral Apple Dance as an emote.” And Heyer allegedly consented to the usage on August 12th pending “an executed agreement on the license terms.”
It probably goes without saying in light of the suit, but this executed agreement doesn’t seem to have materialized. Instead, Roblox allegedly began selling the dance emote on August 17th “while engaged in active negotiation with Heyer.”
Heyer claims to have “submitted her copyright registration application in the Apple Dance” on August 30th, before negotiations with Roblox “ground to a halt” in November, according to the action. Incidentally, November also saw Roblox cease selling the emote, the suit indicates.
While the emote was available via Roblox, it sold an astonishing 60,000 “units” to generate around $123,000, the complaint estimates.
“Notably,” the text claims, “other similar entertainment platforms, such as Fortnite and Netflix, HAVE licensed (following extensive negotiation and full execution) the Apple Dance for emote or skin release, PRIOR to commercial exploitation of such.”
Suing for copyright infringement as well as unjust enrichment, Heyer is seeking damages, a piece of Roblox’s Apple Dance profits, and more. In a statement, a Roblox spokesperson told DMN that the company is confident about “the propriety of its dealings in this matter.”
“As a platform powered by a community of creators,” the Roblox rep said to DMN, “Roblox takes the protection of intellectual property very seriously and is committed to protecting intellectual property rights of independent developers and creators to brands and artists both on and off the platform. Roblox is confident in its position and the propriety of its dealings in this matter and looks forward to responding in court.”
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Alesso Headlines Free Downtown Miami Concert for Miami Worldcenter Grand Opening in May

Photo Credit: Miami Worldcenter
Downtown Miami’s cultural landscape is about to reach new heights as Miami Worldcenter celebrates its grand opening. The $6 billion mixed-use destination will celebrate with a free, star-studded concert and block party on May 22.
The event is a showcase of international talent and a testament to Miami’s growing stature as a global music and entertainment hub. The evening’s programming will kick off with Lee Greenwood singing “God Bless the U.S.A.” to set a patriotic tone before the stage ignites with performances by superstars including Flo Rida, Nicky Jam, and Shaggy. The night culminates in a high-energy block party set by Swedish DJ and producer Alesso. Miami’s own DJ Irie and DJ Scotty B will host.
Beyond the free concert, the event is a strategic platform for Miami Worldcenter’s 300,000 square feet of retail, dining, and lifestyle experiences. Attendees will enjoy immersive street activations, food and beverage tastings, and experiential performances throughout the 27-acre pedestrian-friendly development. The grand opening official sponsors include Openbank by Santander, Ray-Ban, CitizenM, Lucky Strike, E11EVEN Vodka, Nestlé, and Rentyl Resorts.
Admission is free with RSVP, making the event accessible to the public. The location at 850 NE 2nd Avenue is transit-friendly with nearby access to Brightline, Metrorail, Tri-Rail, and Metromover as well as ample parking available in adjacent garages. Anyone interested in attending the grand opening concert should RSVP through Eventbrite. Doors open at 6 pm and the concert will begin at 7:30 pm.
Miami Worldcenter was brought to life by master plan developers Miami Worldcenter Associates, led by Managing Partners Art Falcone and Nitin Motwani, in partnership with Los Angeles-based CIM Group, a community-focused real estate and infrastructure owner, operator, lender, and developer. Together they have assembled a best-in-class development team that is transforming Miami’s urban core into one of the country’s largest mixed-use lifestyle destinations.
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Gorgon City Kicks Off The Summer Season With ‘Run It Back’

UK house music titans Gorgon City, the duo comprised of Kye Gibbon and Matt Robson-Scott, have dropped their latest single, ‘Run It Back,’ just in time to soundtrack the approaching warmer months. Released today (April 18, 2025), via their own REALM Records imprint, the track marks their second offering of the year and continues their prolific run following the 2024 album, Reverie.
‘Run It Back’ features the captivating vocals of Caroline Byrne, a collaborator who previously lent her talents to the track ‘All That You Need’ from Gorgon City’s Reverie album. Byrne’s contribution is once again a highlight, infusing the song with what the duo describes as an “authentic garagey, R&B feel.” Her voice glides smoothly over the production, adding a layer of soulful warmth.
Musically, the single is a quintessential Gorgon City creation, blending their signature bass-driven house sound with infectious energy. Described as a “nostalgic, feel-good banger” and a “sun-drenched single,” ‘Run It Back’ leans into a vibrant, grooving house style. It strikes an effective balance, delivering lush melodies and a catchy chorus that feels both ready for radio play and cool enough for underground club sets.
The track embodies a sense of looking back with affection while keeping feet firmly on the dancefloor. It’s built for repeat listens, capturing a bright, optimistic mood perfect for ushering in summer vibes. With ‘Run It Back,’ Gorgon City demonstrates their consistent ability to craft high-quality, memorable house anthems that resonate with their global fanbase.
The post Gorgon City Kicks Off The Summer Season With ‘Run It Back’ appeared first on EDMTunes.
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LEGO Review Board Evaluating Daft Punk "Alive" Pyramid Design for Official Production

Five years after its initial rejection, a father-son LEGO tribute to electronic music legends Daft Punk has evolved into a creation that could soon sit on store shelves worldwide.
The pyramid stage that defined the robots' groundbreaking "Alive 2007" tour may soon be manufactured as an official LEGO set thanks to the persistence of Patrick Harboun and his son.
The duo's stunning design, a meticulous recreation of the stage containing over 2,000 bricks, won the Grand Prize in LEGO's global "Music To Our Ears!" competition back in 2020 but was passed over for commercial production. However, it has now earned a second chance at immortality in plastic after receiving the requisite 10,000 public votes on LEGO's Ideas platform to advance in the company's approval process and face its notoriously exacting Review Board.
Patrick Harboun
The genesis of Harboun's project speaks to the peculiar alchemy of lockdown creativity. While others baked sourdough or discovered Peloton, the father-son team channeled their shared Daft Punk obsession into LEGOs. His son, eight years old at the time, built a prototype cobbled together from his existing brick collection before the elder Harboun used his engineering background to expand the concept digitally.
At its heart, the design features a rotating transparent-brick box nestled inside the iconic pyramid, powered by a motor with hanging lights that recreate the pulsing light show that accompanied tracks like "One More Time" and "Around the World" during Daft Punk's career-defining tour. It's a fitting tribute to a tandem whose aesthetic sensibility has always straddled the line between retrofuturism and meticulous attention to detail, qualities that LEGO's own design philosophy mirrors with uncanny similarity.
Patrick Harboun
Should the project survive LEGO's rigorous review process, which scrutinizes everything from "playability" and safety to brand alignment, it will enter development later this year. Every potential LEGO product goes through this process and must meet the same standards, according to the company.
If approved, the set will enter the Development phase, the longest stage of the process. During this time, LEGO's model designers will refine the concept and prepare it for release while the team develops all supporting materials, including packaging, instructions and marketing assets.
The final verdict will be made and announced toward the end of 2025, Harboun tells EDM.com. As the robots themselves might put it, he and his son are "doin' it right" the second time around.
The LEGO review process will officially begin in May 2025. You can find out more about the project here.
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Dabin Unveils Fourth Studio Album ‘Aura Park’: An Aura Sanctuary For All

Dabin has once again captivated the electronic music landscape with his fourth studio album, Aura Park. Dropping a week ahead of his highly anticipated second annual Stay In Bloom festival at Stanford, CA this multi-talented instrumentalist and producer delivers his most sonically diverse and emotionally stirring project to date, a collection of thirteen tracks that individually have its own “aura“, a unique emotion, a different energy. Aura Park is Dabin’s love letter to the music that’s shaped him as an artist and dedicated to all his fans that’ve been with him on his musical journey.
Aura Park marks a significant evolution for Dabin, showcasing his signature melodic bass foundation while fearlessly venturing into an ever-widening spectrum of styles and genres. The album has already generated buzz with its compelling singles, including the introspective ‘Hollow‘ and the powerfully emotive ‘I See You’ featuring the iconic vocals of Skylar Grey. These tracks highlight Dabin’s ability to transcend the traditional EDM boundaries, crafting music that remains authentically his while drawing in fans of pop, rock, and indie music alike.
Aura Park brings in an impressive roster of collaborators, each adding their unique flavor to the tapestry of Aura Park. Featuring the talents of FRND, Said The Sky, Grabbitz, Blanke, Lo Spirit, Tiffany Day, Frosttop, and more, the album showcases not only Dabin’s multifaceted influences but also the creative synergies of those around him.
The album feels like a deeply personal and introspective masterpiece, laced with intense emotions from every artist involved. Dabin’s music is always meant to uphold a safe sanctuary where listeners can find solace and connection, offering a little something for everyone who steps inside its welcoming gates. With its blend of familiar melodic brilliance and bold stylistic exploration of genres, Aura Park is a testament of Dabin’s growth and we’re all excited to see how his “aura” continues to grow.
Here’s what Dabin took to Instagram to say about this album:
“Aura Park is a culmination of both the old and new me. Each track represents a different “aura”, a unique emotion, a different energy… My hope is that everyone who listens can find their “aura” within one of these songs. Whether you’ve been here since the beginning or you’re just discovering the music, I’m so excited to finally share this with you.”
Next week is the second edition of Dabin’s Stay in Bloom festival in Standford, CA and the following month is the debut of Stay in Bloom in New York. Come experience Aura Park at the festival and see for yourself the Aura sanctuary that Dabin has built for his fans.
Dabin is a JUNO nominated music producer/instrumentalist from Toronto. Having spent his teens learning to play the piano, drums and guitar, Dabin started producing electronic music in 2011. He quickly attracted the attention of Kannibalen Records and released his first tracks on the ever growing independent label only a year later. Now Dabin has increased his exposure by supplementing releases with Mr. Suicide Sheep’s Vancouver label, Seeking Blue.
Dabin has gained hundreds of millions of plays while refining his musical style into what it is today. His “Wild Youth” LP has seen Dabin solidify his signature sound which blends acoustic elements with electronic ones through a dance-pop lense, while his “Between Broken” LP further evolved his creative output. His high level of musicality has caught the ears of collaborators including Seven Lions, SLANDER, Said the Sky and Black Tiger Sex Machine, as well as Illenium who Dabin has collaborated with for “Hearts On Fire” and numerous tours together as a live band.
Now, Dabin has formed his own Sanctuary Live Band alongside members including Grabbitz that debuted in 2023. Dabin will also continue his unique live solo show at venues and festivals across the globe, including his very own festival, Stay In Bloom, which sold out its inaugural weekend and will return for 2025 in both the bay area and Brooklyn.

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Enrico Sangiuliano ‘Discipline’ EP 

Techno titan Enrico Sangiuliano, known for his melodic/driving production, has just released Discipline EP on his NINETOZERO Imprint. This 3 track release includes tracks from Secret Cinema & About Sofiya (‘You Know What I Was Thinking’) and Zimmz (We Build And Reset’) who join Enrico Sangiuliano alongside Charlotte de Witte, Antonio d’Africa, Mattia Saviolo, GMS, Alex Lentini, STOMP BOXX for a release on NINETOZERO. Listen here.
‘The Techno Code’ (Enrico Sangiuliano ) is both a manifesto and a commentary on techno itself, with a portentous voiceover announcing ‘“These are my rules – the Techno Code.” The Voice takes us through a march of kick drum & hi-hats, the subtly captivating main theme with its melodic synths, a dash of acid, before all elements converge in a powerful surge.
‘We Build And Reset’ is from Rotterdam’s enigmatic talent Zimma. Featuring a complex beat with building static hiss, melodic pulsating synth layers in an upbeat, bounding main theme adorned with fuzzy stabs and spacey swoops.
‘You Know What I Was Thinking’ is from Dutch luminary Secret Cinema & Japanese artist About Sofiya. The track is an intriguing soundscape invoking imagery of some alien factory still functioning in an overgrown planet – percussion breaks, bongo-like ear candy, machine-like synth strands, occasional vibrato female vocal whispering sweet nothings.
The post Enrico Sangiuliano ‘Discipline’ EP  appeared first on EDMTunes.
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Barkin Drops Groovy and Sultry House Track ‘Soak It In’

Barkin is back with his 2nd record of the year. Off the heels of his Hexagon debut with ‘Percolator’ comes ‘Soak It In’ out on 2Dutch Records. The energetic house track takes influence from both the Bass and Tech House genres. The breaks feature sultry and inviting female vocals that pull you in. The track has a simple message: soak in and soak up every moment that you can. And of course, enjoy it.
The drops feature a groovy bassline and punchy drums. While the bassline is plucky, it has these nice, smoother moments. Little ear candy synths come in and out, giving your ears all they can handle. Falsetto and spicy vocals join the drop halfway through, reinforcing the moment. A driving 2nd break and even bigger tension-filled build open the doors to the 2nd drop with a cheeky fakeout.
‘Soak It In’ shows off Barkin’s signature producing skills. He blends genres, taking influence from the more bass-dominant side of dance music. The New York born and raised producer is bringing heat to House. Make sure to check it out below!

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Artificial “Brain” Grown From Composer’s Blood is Making Music After His Death

The future is now. Alvin Lucier died in 2021, yet he is still making music. How, you ask? A team of artists and scientists have joined forces to create a lab-grown ‘mini-brain’ made from the blood cells of the American experimental composer. His resurrected brain is currently making music at an exhibition in Australia.
The project is known as Revivification and is hosted at the Art Gallery of Western Australia in Perth. Admission is free until August 3rd. Lucier led the way in neurological sound generation. His 1965 work ‘Music for Solo Performer’ made him the first composer to use brainwaves to make music. The video and experience feel way ahead of its time.
The Revivification team began talking to Lucier in 2018, and he eventually agreed to donate his blood in 2020. At age 89, he was sadly suffering from Parkinson’s disease. He met with the team comprising artists Guy Ben-Ary, Matt Gingold, and Nathan Thompson, and neuroscientist Stuart Hodgetts, every night over Zoom.
The process involved advanced neuroscience, reprogramming his white blood cells into stem cells, which were then transformed into 3D cell structures that imitate brain activity known as cerebral organoids. These organoids are now inside a sculpture which houses 20 brass plates that are connected to the two ‘in vitro brains’. The Guardian reports:
This has raised ethical questions about the use of artificial intelligence. It doesn’t seem like it will be very long before it is available to the public in various ways.
The post Artificial “Brain” Grown From Composer’s Blood is Making Music After His Death appeared first on EDMTunes.
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Laidback Luke & Nostalgix Release Bold Tech House Banger ‘1000 BPM’

Dutch producer Laidback Luke has consistently proven his ability to evolve and surprise, and his latest offering, ‘1000 BPM,’ is no exception. Teaming up with the formidable bass house force Nostalgix, Luke delivers a raw and hard-hitting tech house monster that lives up to its audacious name. Out now on Dim Mak Records, this track is a chaotic, BPM-shifting journey that will leave listeners breathless.
‘1000 BPM’ wastes no time establishing its stomping groove. Punchy drums and a driving bassline lay the foundation for a hypnotic vocal hook, courtesy of Nostalgix’s vocal delivery The energy steadily builds, promising an explosive release. But what happens next is anything but predictable. True to its moniker, the track throws a curveball with a wild tempo switch, spiraling into a drop that plunges the listener into a high-octane frenzy. Nostalgix’s vocals slice through the production, acting as a powerful anchor amidst the shifting BPMs. Her confident delivery perfectly complements the track’s relentless energy, making this track a certified party-starter.
Luke reflects on the track, “I enjoyed being physically with Nostalgix when creating this collab. I was so impressed by how organized and fluid she is in the studio. Pushing production boundaries and taking the track to an actual 1000 BPM after I jokingly said that she only plays high BPM stuff. When we figured out the lyrics for it, everything fell in place. We’ve got your hot-girl bloghouse anthem right here!”
Nostalgix adds; “1000 BPM is all about being in your party girl era—living in the moment, letting loose, and prioritizing fun above everything else. It’s about dancing with your friends, not caring what anyone thinks, and just enjoying life. Making this with Luke was such a blast! He’s insanely talented, and we instantly clicked in the studio.”
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MEDUZA Reimagines 2011 House Anthem ‘Around’ by Noir & Haze

Defected Records is thrilled to announce the highly anticipated rework of Noir & Haze’s seminal deep house track ‘Around’ by the renowned Italian trio, MEDUZA. The updated version of this certified Defected staple is set to drop on April 18th, promising to inject a fresh, techy energy into a beloved classic.
Initially released in the early 2010s, a golden era for house music, ‘Around’ quickly became an underground sensation, particularly Solomun’s iconic Vox remix, which dominated dance floors throughout 2011. The track garnered support from influential DJs such as Deetron, Jimpster, and Adam Port, solidifying its place in house music history.
Now, MEDUZA, the most prominent streaming Italian artist in history, renowned for their chart-topping hits and electrifying performances on the world’s most prestigious stages, including Creamfields, Detroit’s Movement Festival, and DJ Mag’s #1 club Hï Ibiza in 2024, brings their signature sound to ‘Around’. Their rework infuses the track with a hard-hitting, tech-driven intensity, characterized by stadium-ready builds and euphoric releases guaranteed to ignite their massive global fanbase. Noir expressed his excitement for the new rendition:
MEDUZA has already been teasing its rework in recent sets, generating significant buzz amongst its followers on Instagram and TikTok. Furthermore, early support for the track has been spotted online, with videos showcasing renowned DJs like Pete Tong, Vintage Culture, BLOND:ISH, and Miss Monique dropping the energetic new version in their performances. You can listen to it below and on all available streaming platforms
Stay tuned for more news!
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STVW Teams Up with Micah Martin on Punk Rave Track ‘Alone Here’

STVW is back, and this time he’s teamed up with powerhouse American vocalist Micah Martin to deliver their new single, ‘Alone Here.’ Following the raw energy of “Welcome to My Life,” STVW doubles down on their signature punk rave aesthetic, crafting a track that’s less a gentle nudge and more a full-force shove onto the dancefloor.
‘Alone Here’ is a thrilling collision of gritty rock energy and high-impact dancefloor power. From the moment the track starts, you’re thrown into the relentless production. Think distorted synths that snarl and pulse with an almost violent intensity, coupled with a driving beat that feels less like a rhythm and more like a relentless engine pushing you forward.
Enter Micah Martin, whose raw and anthemic vocals are the perfect fuel for STVW’s track. Martin’s voice is laced with a bold energy that cuts through the dense production like a razor. His lyrics come with a passionate urgency, making you just want to fist pump and rage throughout the listen.
The post STVW Teams Up with Micah Martin on Punk Rave Track ‘Alone Here’ appeared first on EDMTunes.
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Swedish House Mafia Launch New Label “Superhuman” and Tease New Single

Swedish House Mafia has unveiled their latest venture: Superhuman, a new music label that marks a bold step into the future of electronic music. Superhuman aims to become a creative platform that blends music, art, and technology to push the boundaries of the genre.​
A New Era for Swedish House Mafia
Superhuman represents a fresh chapter for the iconic trio, known for their groundbreaking contributions to electronic dance music. The label’s launch is accompanied by a series of innovative releases that showcase their commitment to artistic evolution.​
Notable Releases
“Skip“: The debut single by Ingrosso and Angello, released on February 23, 2024. The track has inspired several remixes, part of Superhuman. “Flood“, released on October 18, 2024, is a solo track by Ingrosso featuring amazing vocals by Tove Burman. “Lioness“: A Swedish House Mafia track that rocked festivals around the world since its release.​
But the story doesn’t end there. A mysterious teaser titled SH05 just dropped, suggesting a new release is on the way.
SH05: A New Track in the making
But the story doesn’t end there. A mysterious teaser titled SH05 appears on the website, indicating a new single is on the way. The artists teased as ” XXXXXXXXX XXXXXXXX & XXXXX XXXXXXX (FEAT. XXXXXXXXX)” are likely to be Steve Angello & Sebastian Ingrosso, extending the artists’ duo direction. The title is yet unknown but likely to be “No Enemies”, a massive track that the trio have been playing in their latest sets.
What’s Next?
If SH05 is any indication, 2025 could be a landmark year for Superhuman and Swedish House Mafia. Whether it’s solo projects, full trio collaborations, or new artist signings, one thing is clear: Superhuman is shaping up to be one of the most exciting new labels in the game.
For more information and to explore their latest projects, visit superhuman.music.
The post Swedish House Mafia Launch New Label “Superhuman” and Tease New Single appeared first on EDMTunes.
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NITTI and Levity Throw Down Wonderful Bass in ‘Like This’

The track ‘Like This’ dropped on Wednesday, April 9th, and it’s an exciting first collaboration between bass music powerhouse NITTI and the genre-blurring trio Levity. This catchy anthem combines Levity’s signature gritty bass style with NITTI’s fresh production touches, and it’s already getting a lot of love on social media. Plus, it gives fans a sneak peek of Levity’s upcoming EP, which looks like it’s going to be one of their most adventurous projects yet.
From the get-go, ‘Like This’ brings the energy! In fact, it kicks off with a trap-influenced beat and bold vocals, leading into an electrifying buildup that really gets your heart racing. When the drop hits, it’s a wild ride of twisted bass textures and exciting rhythms that are sure to get festival crowds hyped up and dancing.
Levity and NITTY crafted a wonderful partnership in ‘Like This’
This amazing collaboration comes at a perfect time as both NITTI and Levity are gaining serious momentum in 2025. NITTI just wrapped up his successful genre-blending single, ‘Windows’, alongside rock star Social Repose, and he’s gearing up for headlining shows this May across New Mexico, North Carolina, and South Carolina. Furthermore, his rocktronic movement—full of viral remixes, metal-dubstep originals, and his ALT/RAVE pop-up events—are truly pushing the envelope in electronic music.
On the other hand, Levity are having an incredible year too! Their sold-out Full Circle Tour in 2024 showcased a next-level live production setup, and their latest track, ‘Postman’, released on Ultra Records back in February, has already racked up over 1.8 million streams on Spotify. With exciting performances lined up for Bonnaroo, Shambhala, Breakaway, Project GLOW, Rampage Open Air, and Elements Festival, Levity is really making waves in the modern bass scene!
A sneak peek of what is next to come for bass music’s rising artists
Overall, “Like This” is not just a celebration of the fantastic partnership between two of bass music’s brightest stars; it’s a hint at the amazing year ahead for both NITTI and Levity, filled with innovative sounds, captivating releases, and unforgettable performances. Get ready for what’s next to come! Click ‘Play’ on the Spotify link below to stream ‘Like This from NITTI and Levity, a track that gets heart beats pumping at a delightful pace as the bass elevates in perfection.
Levity explains how the upcoming EP series will unveil themselves
”While we continue building toward our next project, one that tells a more cohesive story, we wanted to launch a new series of EPs for tracks that may not fit into that narrative but still deserve to be heard. ‘Front to Back’ and ‘Postman’ were the first two releases from this series, and we have two more to follow ‘Like This’ that we are really excited to share. We cannot wait for everyone to hear this one.”

The post NITTI and Levity Throw Down Wonderful Bass in ‘Like This’ appeared first on EDMTunes.
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EDMTunes Chats with Dark Heart

Adam Beyer’s Truesoul has long been a breeding ground for next wave talent. Artists including Cirez D, Hot Since 82 and Patrick Topping all released on Drumcode’s little brother label, long before they were the headliners we know today. Next up for the imprint is rising US artist Dark Heart, a former Hollywood talent agent, who has his label debut ‘XYZ’ out now, featuring contributions from LA vocalist Amarha and John Cala, a Columbian, Barcelona-based musician/producer with Latin influences.
For those unfamiliar, please introduce yourself.
Oooo hi my name is David but I go by Dark Heart. I used to be a talent agent for actors & actresses in Hollywood but I quit to make music and somehow ended up becoming a DJ (it’s a long story). I currently live in LA and spend most of my time making music. 
Your new EP XYZ on Truesoul featuring Amarha and John Cala is out this week. Share a bit about the creative process and how the record came to fruition. 
Each song truly has its own story. For ‘XYZ’, Amarha and I wrote that when she was sick and had a bit of a raspier voice. She was worried her vocals wouldn’t sound good but it ended up being perfect. I think happy accidents are one of the most fun things about making music so I’m glad that one came about how it did. For Damn Good, I wanted to juxtapose the “happy” vocal (“I feel so damn good right now”) with a darker beat that hits hard. I wasn’t sure if it would work, so I played out an early version at one of my shows and it absolutely slammed. I was so thrilled with the reaction and immediately finished it in my hotel later that night (or early morning I guess). It’s a massive highlight in my sets and I love how it builds. Cigarette was a wild idea that Amarha and I started with her vocal. We wanted something a bit unhinged and different from what you hear in a lot of dance songs today so we tried to go as weird as possible both with the instrumental and the vocal. At this point John and I had been talking about working on something and we thought this would be a perfect time to put our sounds together. He’s an absolute wizard at production and I think everything he does sounds expensive and tasteful. We kicked it back and forth a bit and finally got it to a point where we absolutely loved it. 
Tell us how the link up with Adam Beyer’s Truesoul happened.
Adam has always been a huge inspiration for me, a few years back he had been supporting a record of mine and I think that’s how we initially connected. I’ve always loved Truesoul as a label, creatively fearless and always pushing the boundaries. As an artist that’s really encouraging because you don’t feel like you have to fit inside of a box. I have always wanted to be a part of the label and I spent a lot of time discerning which of my records could make sense. Needless to say I can’t imagine a better home for these records and I’m thrilled to be making my debut on Truesoul with this EP. 
Any advice for those looking to gain the attention of a Tier 1 label like Truesoul?
I think you just have to make what you love and what’s authentic to you. Don’t worry about the outcome. If you’re being authentic to who you are as an artist, labels and other artists will take notice and want to help you build your vision. 
Share three Truesoul releases that have inspired you on your musical journey. 
This is going to be hard because there’s a lot more than three haha. 
Adam Beyer – Ignition Key – I think I have to go all the way back to the Ignition Key album that I believe launched Truesoul. My favorite song on the album is probably Flamethower but the composition as a whole is just incredible. You can listen to the whole thing front to back and it takes you on a journey. This was inspiring to me as I hope to do something that ambitious and robust in my career at some point.
Cristoph – Sleepless Nights – this one came out just before the pandemic hit and I remember listening to it over and over and over during that tough time. It’s one of those records that just takes you on a journey and I think unintentionally captured a vibe that helped me get through that year. It’s quite dark but also has so much emotion in it and that can be hard to achieve without a vocal
Roberto Capuano – Move It Man – this record has stuck with me since I first heard it and I couldn’t figure out why until I listened with a more critical ear. I love the acoustic-sounding drums (particularly the snare) and the way the vocal contrasts with the lead synth. This song inspired me to use more acoustic drums in my own records. 
Before you got into music you were a Hollywood talent agent. Did you always have music bubbling away in the background? Tell us a bit about your background and progression into working on music full time. 
I definitely always had music bubbling in the background. I used to promote shows at my college and I tried my hand at production back then but didn’t quite go for it all the way. I loved being a talent agent, but I’ve always known that I am a creator at heart. I am from a small midwest town where there isn’t any entertainment presence to speak of, but I had always had artistic inclinations. I studied business in college and I always thought I would do something on the executive side in entertainment. When I graduated college I moved to LA with the sole intention to become a talent agent and when I achieved that, I eventually came to the realization that I needed to create to feel fulfilled. You can’t really have time-consuming hobbies as an agent (which is understandable, it’s a very important job and you need to give your full effort to it) and I realized that I either had to take a shot at music or just put that dream to rest forever. I chose to give it a shot, so I quit my job and got to work in the studio. It took a while to get good, but it was one of the best decisions I’ve ever made and I couldn’t be happier with the outcome. 
You’ve produced for Dizzee Rascal and Martin Garrix no less. How did those projects come about?
I never thought I would be a DJ, my initial intention was to produce for other artists in hip hop and pop. So, a lot of my early production background was focused on that side of things. The Dizzee Rascal one came about because he and Ocean Wisdom had a vocal that they needed a new production on so I built that out from scratch for them. I actually found it quite easy to produce because I already had the main component (the vocal) and I wanted to accent that and find sounds that would compliment their work. The Martin Garrix one is a much longer story, initially that was going to be a collab between myself and another artist, but as any artist reading this will know, sometimes songs take on a life of their own and make sense for someone else. I was very proud to be a part of that record on the production side and it’s still one of my favorite things I’ve worked on. 
Release and gig-wise, how are the next months looking for you?
I actually can’t announce anything right now haha I’m sorry. But I’ve got a big show coming in Los Angeles this summer which I will be announcing soon so stay tuned for that. Next release is looking like May and I think that’s going to be another big one. I also have a ton of new records that I will be going out with in the near future, right now I’m focused on creating things and sharing this EP with the world. Stay tuned on all fronts, I’ll be announcing a lot soon so consider this me announcing my announcements (BIG THINGS COMING hahah).


The post EDMTunes Chats with Dark Heart appeared first on EDMTunes.
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Georgi Unveils ‘That Night (AI-P MSTRKRFT Remix)’

Emerging goth-pop artist, Georgi drops a remix of her single “That Night” by Al-P of MSTRKRFT on April 18 via Bitch House Records.
‘That Night (AI P MSTRKRFT Remix)’ is a taste of what’s coming from remixes of tracks off her forthcoming debut album Love After Dark by artists such as Aesthetic Perfection and Coatie Pop. It seamlessly blends dance floor elements from the techno, indie dance, darkwave, and EBM genres.
Georgi continues her collaboration with Al-P with studio sessions planned in New York in May 2025. Furthermore, she is working on an upcoming dance EP with producer Matia Simovich, known for his work on Boy Harsher‘s “Machina” and other dance floor anthems.
“As someone who came up in the techno scene, I am excited to see Al go in this direction. I wasn’t sure if he would do a more electro-sounding production similar to MSTRKRFT, but to see his sound grow into something different is special,” Georgi says. 
Al P adds, “From the beginning of meeting Georgi, one of my constant thoughts was that I want to do a song with her. Working remotely during the production of ‘That Night’, I was instinctively excited to enter a studio and write from scratch. Georgi really impressed me with her attention to detail and passion for her project.” 
Fans can also catch Georgi DJing an EBM and industrial set at the Dark Force Festival in May.
‘That Night ft Sanjay [AI-P MSTRKRFT Remix]’ is available April 18 on all streaming platforms.
The post Georgi Unveils ‘That Night (AI-P MSTRKRFT Remix)’ appeared first on EDMTunes.
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New ‘Avicii Forever’ Album Will Feature An Unreleased Song

Tim Bergling—known globally as Avicii—left us in 2018, yet his melodies forever echo through clubs, bedrooms, and city streets. Seven years after his passing, the Swedish innovator’s creative spark fuels countless playlists and late‑night drives. His posthumous compilation, AVICII FOREVER, arriving May 16, 2025, gathers nineteen anthems and one unreleased jewel into a single, purposeful heartbeat. The collection promises commemoration rather than nostalgia, framing his evolution instead of freezing him in time. Each track reminds listeners that, though Avicii left the stage far too soon, his music continues writing new chapters forever.
20 Avicii Tracks Fueled by Eternal Beats
Interscope, Pophouse, and the Avicii Estate assembled the 20-track AVICII FOREVER album with archivist precision and protective care. They sequenced timeless hits like Wake Me Up, Levels, and Heart Upon My Sleeve beside fan‑favorite deep cuts. Each track reminds listeners how effortlessly Avicii fused folk, soul, and stadium dance into one universal language that lives forever in our hearts. Sequencing rises with Let’s Ride Away, creating a narrative arc that ends exactly where it once began. The compilation album’s storytelling mirrors Bergling’s own artistry. It constantly revisits themes while exploring fresh emotional terrain.
AVICII FOREVER Releases ‘Let’s Ride Away’
Let’s Ride Away started as a writing session with country luminary Kacey Musgraves during quieter 2017 evenings in Nashville. Studio fragments later leaked, stirring mythic whispers across dedicated subreddits and festival parking‑lot speakers. After Avicii’s passing, trusted collaborator Carl Falk reopened the session files, respecting every synth stab and acoustic strum. He invited powerhouse vocalist Elle King to record fresh takes that matched Musgraves’ heartfelt blueprint without imitation. The result carries dusty warmth layered over Avicii’s crystalline house cadences, evoking headlights, open highways, and halogen dreams. Fans will soon hear his meticulous kick pattern beneath a chorus urging listeners to embrace their memories.
Avicii, Milestones, and Legacy: Forever Breaking Records
Meanwhile, Hey Brother quietly crossed 1 billion streams last spring, becoming Avicii’s fifth track to enter Spotify’s elite club. The milestone proves that Avicii and his cross‑genre experiments resonates forever gracefully without aging out. Netflix’s December documentary I’m Tim reopened global conversations about touring pressure, vulnerability, and work‑life balance inside electronic music. The film’s closing scene, showing Avicii serenading Ushuaïa Ibiza one last time, still sends festival veterans into hushed silence. Combined, these cultural touchpoints keep his catalogue circulating in dorm rooms as actively as within boardroom playlists.
Guardians of Avicii’s Shared Light
The Avicii Experience in Stockholm welcomes visitors with interactive stems, handwritten notes, and unreleased melodies humming beneath glass floors. Souvenirs no longer gather dust; they power Tim Bergling Foundation’s mental‑health initiatives fueled by last year’s $750,000 charity auction. Avicii’s father, Klas Bergling steers the project. He stresses responsible stewardship during recent interviews surrounding mental‑health advocacy. Fans echo that sentiment daily, posting gratitude videos and tattoo photos beneath each new teaser.
On May 16 the world will not merely replay music; it will relive countless evenings of communal euphoria. Those collective efforts ensure new listeners meet AVICII FOREVER through creativity first, and philanthropy second, cementing an expansive remembrance. Pre-order AVICII FOREVER here and be one of the first to listen to the unreleased song ‘Let’s Ride Away’.
The post New ‘Avicii Forever’ Album Will Feature An Unreleased Song appeared first on EDMNOMAD.
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Watch “Modern Romance” by Chloe Qisha

In the realm of emerging alt-pop artists, it is undeniably Chloe Qisha‘s world in 2025, and we are merely living in it. Her meteoric rise as a singer-songwriter is nothing short of astonishing. More so when especially considering she only took the stage for her very first live performance to support her self-titled debut EP last year. Music industry influencers are rapidly recognizing Chloe as one of the most promising talents on the scene this year. With her unique blend of observational storytelling and distinctive, thoughtful lyricism, Chloe stands out as a captivating artist filled with authenticity and relatable experiences, making her a force to be reckoned with in the pop landscape.
Chloe Qisha is on such an exhilarating trajectory these days that makes it nearly impossible to keep up. Hot on the heels of her latest 2025 releases, “21st Century Cool Girl” and “Sex, Drugs and Existential Dread.” She has just premiered the title track of her highly anticipated sophomore EP, “Modern Romance,” on BBC Radio 1’s prestigious New Music Show with Jack Saunders. This milestone, featuring prominently on one of the UK’s leading radio stations, not only underscores the magnetic appeal of her music. Furthermore also serves as a striking confirmation of Chloe’s remarkable artistic talent.
Notably, the songs centre around themes gravitating towards love, relationships and well-being. Mostly the human condition is a big interest, to be expected of someone making the most of a psychology degree. In the instance of “Modern Romance,” Chloe blends intimate lyricism and realism in her distinctive sing/speak style as she breaks down aspects of modern dating. Under the guise of an 80s analogue synthesizer pop, meets 00s indie-pop influence. Moreover, this music is buzzy, earworm-worthy and notably distinct.
Aside from mastering the musical side of things. Chloe is notably making a name for herself, excelling in visual elements. Her image is androgynous chic and her music videos, echo this cool imagery. Moreover, with cover features for Rollingstone UK magazine, and co-signs from Kelly Clarkson and Chris Martin of Coldplay. There is definitely a sense building around Chloe Qisha that her break out is inevitable.
Connect with Chloe Qisha
Facebook: https://www.facebook.com/chloeqisha
X: https://x.com/chloeqisha
Instagram: https://www.instagram.com/chloeqisha/
The post Watch “Modern Romance” by Chloe Qisha appeared first on EQ Music Blog.
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MYRNE and Shallou Create the Sonic Blanket We All Need Right Now

There’s dance music that assaults you, and then there’s dance music that actually gives a damn about your emotional wellbeing. MYRNE’s “Heal EP” falls firmly in the latter category – four tracks of what the Singapore producer has aptly dubbed “emotional dance music,” and in this chaotic world, it’s exactly the sonic medicine we needed.
The EP opens with the title track “Heal” featuring Shallou, immediately establishing that this isn’t what you reach for when you want to lose your mind; it’s what you play when you need to find it again. Those milky synth textures feel like the audio equivalent of someone wrapping you in a weighted blanket after a rough day.
“Salve In The Mist” deepens the atmosphere with evolving progressions that unfold like chapters in a good book, while “Light Through The Leaves” delivers exactly what its name promises – those expansive chords feel like actual sunshine filtering down through a forest canopy. By the time closer “Lily” arrives with its minimalist flourishes and smooth basslines, you’re fully immersed in MYRNE’s world.
For a producer who cut his teeth on Mad Decent and has since conquered Ultra Miami and Tomorrowland, this EP shows remarkable restraint. With 383,000 monthly Spotify listeners and tracks like “Feels Right” crossing 20 million streams, MYRNE could easily chase trends. Instead, he’s crafted something that works as well at home as it does on a dancefloor.
The post MYRNE and Shallou Create the Sonic Blanket We All Need Right Now appeared first on Dancing Astronaut.
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Listen to “Popstar of your Dreams” by Kai Bosch

Following an exhilarating sequence of single releases in recent months. The final and titular track from Kai Bosch, the latest EP, “Popstar of Your Dreams,” has finally arrived. In this new chapter, Kai fully embraces the electronic pop genre, showcasing a bold and dynamic musical style that surpasses his previous works. This EP marks a transformative phase for him, featuring a captivating collection of anthems that weave in emotionally rich and vulnerable lyrical narratives. Most importantly, Kai is revelling in the freedom of creating music that truly reflects his unique artistic vision.
Moreover, he’s confidently dialled the pop dynamics up to eleven, and the response to this bold musical evolution has been nothing short of extraordinary. To top it all off, his single “Rodeo Romeo” has been honoured as the BBC Music Introducing Track of the Week on BBC Radio 1. Kai reflects on this transformation, stating…
The track, “Popstar of your Dreams,” showcases Kai in his most defiant and thought-provoking form yet. With a punchy, almost punk-pop aesthetic, he brings an invigorated energy to the song, all while channelling an alter ego. Kai courageously delves into the emotional battleground of chasing success in the ruthlessly competitive music industry. This powerful anthem lays bare the inner turmoil of an artist wrestling with imposter syndrome, the crushing weight of burnout, and the relentless pressure to excel on all fronts.
With the “Popstar of Your Dreams” EP, Kai Bosch is undeniably on a new trajectory. He crafts a fresh ethos in his artistry that demands attention. This project is an essential listen for anyone who truly appreciates interesting narratives and electric musicality.
Stream the “Popstar of Your Dreams” EP HERE
Diary date: May 28 – (Headline show) Paper Dress Vintage, London – Tickets HERE
Connect with Kai Bosch
Facebook: https://www.facebook.com/kaiboschmusic
X: https://x.com/kaibosch
Instagram: https://www.instagram.com/kaiboschmusic/
The post Listen to “Popstar of your Dreams” by Kai Bosch appeared first on EQ Music Blog.
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New EDM Friday: Dom Dolla, Kid Cudi, PAWSA, Gorgon City & More

Dom Dolla x Kid Cudi – Forever
Dom Dolla links up with Kid Cudi for ‘Forever’, a genre-blending house anthem that pairs Kid Cudi’s unmistakable vocals with Dom Dolla’s signature groove. The track fuses emotional depth with a club-ready beat, creating a crossover hit that feels both introspective and euphoric.
PAWSA ft. Malachiii – BANG BANG
PAWSA teams up with Malachiii for ‘BANG BANG’, a high-energy tech-house banger with bouncy basslines and a bold vocal hook. Designed for peak-time dance floors, the track delivers pure club heat with a slick, minimal edge.
Gorgon City ft. Caroline Byrne – Run It Back
Gorgon City returns with ‘Run It Back’, featuring Caroline Byrne on vocals. The track blends their classic deep house sound with lush melodies and a catchy chorus, striking a perfect balance between radio-ready and underground cool.
Mike Candys – Make Some Noise
Mike Candys drops ‘Make Some Noise’, a high-octane big room techno anthem built for festivals and mainstages. With rocking kicks, soaring synths, and explosive drops, it’s a certified energy booster for any mainstage set.
Honorable mentions:
4 Strings – Don’t You Ever Go Away
Alexander Popov, Sam Bagira, LexMorris, SLYOZY ALYASKI – Empty Streets
Andrew Rayel – Trance Is the Rhythm
Barely Alive – Chicken Jockey
Bart B More – Rave Alert
Bassjackers – Beethoven’s Aria Fur Elise
Bhaskar, Bruno Be – 5 Days In Búzios
Bingo Players – Take It Slow
Boys Noize, Human Resource – Dominator
Chapter & Verse – Boss It
Chicane – Watching Over Me / Epilogue
David Puentez x ISAAK – Peace In the Pieces
Emie, Zack Martino, Sam Noton – Ghost
Fedde Le Grand & Funkerman ft. Smokin’ Jack Hill – Turntable Truth
FOVOS – Why do I want you
Gabry Ponte, Village People – Frequency (Go West)
GRAVEDGR, NZGÛL – TAKE YOUR SOUL
Harris & Ford x Robin White – Paradise
Koven – Moments In Everglow (album)
Laidback Luke, Nostalgix – 1000 BPM
Leandro Da Silva, Johnnie Ernest, JEEN SEIGO – Subala Y Bajo
LIZOT x Widemode – Yo Te Daré
Markus Schulz & Tim Clark featuring Linney – You Belong
MARTEN HØRGER ft. Sarah de Warren – Make It Right
Martin Jensen x Jaimes – Say No More
MOTi – One Time For Your Mind
Olly James – Needed Me
Plastik Funk, Esox, 3NRGY – Loco
Popof, Markus Volker, Enveak – Back & Forth
Ray Volpe – PAYBACK
SIDEPIECE – Lick
Still Young x BRØMANCE – Do It Again
STVW x Micah Martin – Alone Here
Sunnery James & Ryan Marciano, Flama khaleeji – Mothershift
SVDDEN DEATH, yvm3, Nimda & PeelingFlesh – MIDNIGHT
Tchami, BL3SS – R 2 ME
Tokyo Machine & Guy Arthur – WATCH OUT!
Tujamo ft. Andreas Moe – All This Time
Will Atkinson – La La La
Wiwek, Mike Cervello, LUSU – Siren
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Scaler 3 is packed with music theory power, but is it still too niche?

$99 ($79 introductory price until 30th May)
scalermusic.com
Scaler 3 is the most advanced chord progression generator on the market, but it’s far more than just that. It’s a complete platform for creating and editing MIDI parts.
READ MORE: Best free plugins: free drum machines that’ll help you make beats faster Scaler can now be used as a standalone creative app with support for your plugin instruments and effects. The newly redesigned interface is divided into three main sections. First, the Browser tab lets you explore templates, chord sets, and scales, while the Create tab gives you access to the deeper features for creating chord progressions. Finally, the Arrange tab lets you sequence and edit each chord region and choose instruments and effects in the mixer. With this three-pronged approach, you have a wide range of tools for creating compositional elements from scratch or using existing audio or MIDI as a reference point.
If you’re a beginner looking to improve your music theory, Scaler is an incredible tool to help you learn as you go. With the range of 860 chord sets and 929 motions to choose from, you can explore chord progressions in different genres and moods to find out what resonates with you creatively.
How do I start using Scaler 3 in my music-making process?
While Scaler 3 presents you with a prescribed workflow, moving from browsing presets to exploring chord possibilities, and on to arrangement, you don’t have to follow this to the letter to get decent results. Naturally, you’ll want to investigate everything that’s on offer at first, but ultimately, you’ll develop a collection of favourite tools you regularly rely upon to help you create chord progressions, melodies, and basslines.
To get an instant idea of what Scaler is capable of, I start by selecting one of the templates from the main presets browser. As the template loads, Scaler 3 immediately takes me to the arranger, where I can see chords and MIDI data on the main track, the bass track, the chord follow track, and the melody tracks.
As I select each arranger track, the corresponding voicing settings, as well as the mixer and MIDI editor, appear on the tab below. The standard sounds are rather General MIDI-esque, but each mixer track allows you to replace instruments with ones from your own plugin library as well as a chain of effects plugins on each channel, including the master output bus.
Scaler can also be used as your primary MIDI generation tool. This way, you can make use of the wealth of scales and progressions accessed in the Browser tab. Selecting a scale is intuitive, as you have a small keyboard and a list of modes and moods to help you filter the main list of scales below.
The keyboard is extremely useful for beginners, as you can select notes to find a scale to work in. For instance, if I create a bassline using the notes G, A, C, and D, and need some help building a moody chord progression around it, I can input the notes on the scale browser’s keyboard and select ‘Dark’ from the mood list.
Instantly, a single search result reveals a Dorian b5, a mysterious-sounding scale I would never have discovered without Scaler’s help. As I select the scale in the Current Scale tab, it immediately reveals the chord degrees (numbered I to VII) that can be edited and transferred to the Main Track, or even dragged onto a DAW channel.
Although Scaler’s functionality adds value to your DAW workflow, there are a few areas where it falls short as a standalone app. Without audio recording or music notation, there will still be professional composers and producers who see Scaler as a luxury rather than a necessity. Having access to your plugin library is an impressive feature, but on the still-to-be-released iOS version of Scaler 3, for example, you will be limited to the availability of plugins on your iOS device.
What deeper features does Scaler 3 offer?
You’ll notice that, as you add chords to the main track, you can use the lightbulb to help you out when you get stuck. Let’s say you’ve got the first two chords of your progression down, but you’re looking for something less ordinary for the third; the Suggest window can give you a range of results, either based on the tonal input or the specific scale you’ve selected.
Once you move from the Browser to the Create tab, the fun can truly begin. Here, you’ll find five sub-tabs that allow you to access Scaler’s more advanced features. With the first tab, you can access chord suggestions based on the circle of fifths. Meanwhile, the next tab provides you with extensive chord modulation options, taking you deeper into music theory than you may have gone before.
The Explore tab within the Create section is refreshingly straightforward, and this is where I got the most instant gratification personally. With nothing more than a few clicks around the chord wheel, I immediately stumbled upon some really interesting chords. Next, the Colors tab presents a range of different voicing variations, while the Sketch area lets me match progressions with different phasings and articulations in the Motions library to bring them to life.
Who actually needs Scaler 3?
If you make music professionally as a pop producer or film composer, your ability to diversify your creative output is crucial in your career. Over time, using Scaler 3 will sharpen your skills and give you a deeper understanding of chord progressions and music theory in general. Even a music theory savant will find features that are too convenient to avoid using.
Sure, there may be some limitations as a standalone tool, with the absence of both audio recording and staff notation. However, the undeniable ability to dive so deeply into chord theory as a keyboardist, guitarist, or MPC button-basher makes Scaler 3 the best option in its class for music production. Even if you only use it as a musical mood board, you’re bound to come up with interesting chords and have plenty of fun doing it.
At $99, Scaler 3 fits in right next to Mixed In Key’s Captain plugin bundle with a relatively similar scope, although MIK software is focused towards the EDM world. However, if you’re only looking for chord generation without all the music theory, there are more affordable options like EVAbeat Melody Sauce 2 and Audiomodern Chordjam that offer instantly gratifying results.
No matter how you make your music, it’s important to note that until you master a tool like Scaler and it becomes a seamless part of the machine, it remains an additional step in the creative process. While most users will find the music theory aspects a little archaic, this side of Scaler will be particularly worthwhile for those making a career in commercial music composition for advertising, motion pictures, and games.

Key features
Standalone app and AU/VST/AAX plugin for MacOS and Windows Instrument and effects plugin support Keyboard or guitar orientated workflows MIDI arrangement and editing Advanced chord modulation features Extensive Motions library The post Scaler 3 is packed with music theory power, but is it still too niche? appeared first on MusicTech.
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