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All the billboards on the Road to Coachella 2024

If you’re making the journey to the desert for Coachella 2024, get ready to be blasted by a barrage of eye-catching billboards lining Interstate 10. The roughly 50-mile stretch of highway from Riverside to Indio has become a prime advertising battleground as brands and artists aim to capture the attention of festivalgoers before they even arrive.
This year, the billboards are showcasing an eclectic mix of acts from Coachella‘s lineup. British grime pioneer Skepta has a major presence, no doubt promoting his eagerly anticipated new album. Rising Nigerian singer Tems will also be ubiquitous, coming off her breakthrough success in 2023. Expect to see plenty of posters hyping Sabrina Carpenter, BLXST, Peso Pluma, and K-pop sensations LE SSERAFIM as you cruise toward Indio.
The electronic dance music world is represented too, with billboards for veterans like Steve Angello and genre-mashers Purple Disco Machine. Even record labels are getting in on the action, with RCA using the I-10 to push some of their emerging artists.
The Coachella billboard blitz has become an event in itself over the last several years. Brands and musicians know the audience of trendsetting festivalgoers is a valuable one to market to directly. And what better way to make an impression than with bold, eye-catching visuals as they’re en route and eagerly anticipating the festival?
Sam Keywanfar, CEO of MilkMoney which provides content for many of the billboards, emphasized the importance of this targeted advertising. “The festivalgoer is a very hard-to-reach demographic — the tastemakers, the trend-setters, the content creators, the most coveted demographic,” he said. “We’re getting them in the early part of the journey.”
In addition to billboards from specific artists, you’ll likely see some artistic, cryptic advertisements from brands trying to make a splash. Prior years have featured bizarre slogans and visuals meant to go viral and get people talking.
The Coachella billboards have become as synonymous with the festival experience as flower crowns and surprise guest appearances.

The post All the billboards on the Road to Coachella 2024 appeared first on The Groove Cartel.
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Released 5 Years Ago: Avicii ft. Aloe Blacc – SOS

Five years ago, the music world was graced with ‘SOS’, a posthumous release from the globally celebrated DJ and producer Avicii, featuring the soulful vocals of Aloe Blacc. Released in 2019, ‘SOS’ was the first single from Avicii‘s album ‘TIM’, a collection of tracks he was working on before his untimely passing in 2018. The song stood as a poignant reminder of Avicii‘s incredible talent and the deep impact he had on the world of music.
‘SOS’ quickly resonated with the Swede’s fans, becoming an emotional anthem that captured the essence of his distinctive style. The track blends poignant lyrics with Avicii‘s signature melodic electronic sound, underscored by Aloe Blacc‘s powerful vocal delivery. The song addresses themes of help and support, reflecting the personal struggles Avicii faced throughout his career.
This collaboration with Aloe Blacc was not their first; the duo had previously worked together on the massive hit ‘Wake Me Up’. However, ‘SOS’ holds a special place in the hearts of fans as a part of Avicii‘s final body of work. The track is both a celebration of his musical genius and a somber reminder of his absence in the music industry.
‘SOS’ serves as a testament to Avicii‘s enduring influence in the electronic dance music scene. His ability to craft music that touched the hearts of listeners around the world remains unmatched. The release of ‘SOS’ and the album ‘TIM’ allowed fans a chance to connect with Avicii‘s music one last time, ensuring that his legacy continues to inspire and resonate with people across the globe.
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W&W Bring On Italobrothers And Captain Curtis For ‘Jump Jump Jump’

W&W are on fire this year. Now, with their next release on their own label Rave Culture, the Dutch DJ and Producer duo shows no signs of stepping down from their dominance of the mainstage sound. ‘Jump Jump Jump’, a collab with the legendary Italobrothers and Captain Curtis, is an energetic feel-good track that is bound to have crowds jumping left and right…from left to right.
The newest addition to the W&W portfolio captures the essence of what the Rave Culture founders are all about: making people leave all worries behind and let them have a good time. It’s hard to imagine better partners for that than the Italobrothers and Captain Curtis. Together, they combine their joint musical influences, ranging from Hands-Up through Jumpstyle and Trance to Progressive House. The result is this uplifting earth-quaker of a tune that will see dance floors shake everywhere.
With ‘Jump Jump Jump’, W&W, Italobrothers and Captain Curtis have once again shown their uncanny feel for addicting, maximum-impact mainstage sound. ‘Jump Jump Jump’ is now available on all platforms for streaming & purchase! DJ and Producer Duo W&W dominates dance floors and festivals around the globe. Formed in 2007, these two are known for their high energy, genre-blending festival music and have been ranked in DJ Mag’s Top 20 spots for over a decade. Reaching over 8 million monthly listeners on Spotify, their productions are championed by fans and artists alike for their magnitude, diversity and massive appeal to multiple audiences. There is no doubt that they are pioneers in the main stage electronic dance music scene. With the rise of their Rave Culture label, and the impact of their NWYR trance alias, W&W are pushing the limits and making a lasting impact.
Even after more than 18 years, the Italobrothers still don’t get tired of adding more chapters to their remarkable story. Since the worldwide success of ‘Stamp on the Ground’, ‘My Life is a Party’, and ‘Summer Air’, the German sensation has broadened its musical horizon even further
Captain Curtis is a platinum-certified DJ and Producer, that has already worked with Italobrothers and Timmy Trumpet and has released on Revealed Recordings and Maxximize Records. Having only started under this name in 2019, it’ll be exciting to see which heights he will reach.
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CircoLoco Reveals Monumental 25th Anniversary Ibiza Lineup

If the walls of DC-10 could talk, they’d tell tales more salacious than the wildest club night stories. Hushed whispers of fashionistas and rock stars losing themselves on the dance floor. Secret after-party lore spreading like wildfire through the White Isle’s clubs. Chance encounters sparking iconic brand partnerships and album collaborations.
For 25 years, the CircoLoco party has been the beating heart of Ibiza’s underground scene and a bastion for the most influential figures in dance music culture. What started as a free, morning after-hours event at the infamously grotty DC-10 has exploded into a globally renowned institution. Its famous Mondays have become a rite of passage and safe space for generations of ravers and artists to let loose without inhibition.
The 25th-anniversary lineup in Ibiza
On April 29th, CircoLoco will kick off its landmark 25th anniversary season on the island, celebrating its unique power to unite scenes and minds from every corner of the world. The lineup reflects the party’s transcendent spirit, a multi-generational mix of dance music’s most vital voices and forward-thinkers.
Of course, you’ll find all the CircoLoco heroes returning to their spiritual home. Legends like Seth Troxler, The Martinez Brothers, Loco Dice, Tale of Us, and Luciano have become inextricably linked to the party’s legacy over the decades. But the program takes thrilling turns into uncharted territory as well. Rising stars like Bambounou, Aurora Halal, and VTSS will bring experimental electronics into the sweat-drenched DC-10 atmosphere. Even pop renegades Grimes and Romy from The xx will make rare Ibiza appearances.
CircoLoco has never just been about headliners though. It’s a tight-knit community, a chosen family of like-minded artists and diehard revelers. As such, the resident DJs who have grown up within those hallowed stone walls are just as vital to the experience. Chloe Caillet, Rampa, and Mochakk – they’ve transformed from fresh-faced ravers into icons before our eyes. Theirs are the hands that keep those infamous parties going until dawn … and well beyond.
CircoLoco Soul is not just a party, is a whole lifestyle
Circoloco Records Chloé Caillet Even from its earliest days, CircoLoco has held an undeniable allure beyond just the music realm. It’s a place where the worlds of fashion, celebrity, art, and entertainment ecstatically collide with dance culture. Ricardo Tisci heard the Martinez Brothers at DC-10 before making them the soundtrack of Givenchy’s shows for years. Virgil Abloh was inspired to design an Off-White capsule with the party’s avant-garde spirit. It’s the kind of interdisciplinary cultural exchange that can only happen in a space as mythical and forward-thinking as CircoLoco.
From founder Antonio Carbonaro’s free morning party roots to international tours, brand partnerships, and even its own record label, CircoLoco has become a verifiable lifestyle. Yet at its core, the party remains a gritty, no-frills celebration of the underground’s most brilliant minds and the pursuit of transcendent dance floor experiences.
So while the two-and-a-half decade milestone inevitably sparks nostalgia, CircoLoco’s 25th season proves its countercultural spirit remains as vital as ever. When those DC-10 doors open again on April 29th, the island’s biggest annual family reunion begins anew. And you’d better be there.
The full 2024, 25th-Anniversary CircoLoco lineup at DC-10 Ibiza includes &ME, Acid Pauli, Adam Port, Adam Ten, Adriatique, Afriqua, Ageless, Ahmed Spins, Amaliah, Âme, Âme live, Anyma, ANOTR, Antal, Anz, Apollonia, Arabic Piano, Arapu, Aurora Halal, Audrey Danza, Axel Boman, Bambounou, Bedouin, Beltran, Ben UFO, Black Coffee, The Blessed Madonna, Blond:ish, Bradley Zero, Butch, Call Super, Carl Craig, Carlita, Cezar, Chaos in the CBD, Chloé, Chloé Caillet, Chris Stussy, Christian AB, Cici, Cirillo, Clara 3000, Cristi Cons, Curses, Damian Lazarus, Daniel Avery, Dan Andrei, Dan Ghenacia, David Squillace, Denis Sulta, Dennis Cruz, Demi Riquísimo, DESIREE, Disclosure, Dixon, DJ Holographic, Dj Koze, DJ Lag, DJ Seinfeld, DJ Tennis, Dyed Soundorom, Eliza Rose, Enoo Napa, Enzo Siragusa, Francesco del Garda, Gene On Earth, Gerd Janson, Golfos, Grimes, Henrik Schwarz, Hiver, Honey Dijon, Hunee, I. Jordan, Interplanetary Criminal, INVT, Isabella, Ivan Smagghe, Jessy Lanza, Jex Opolis, Jennifer Cardini, Jimi Jules, Job Jobse, Joy Orbison, Jonny Rock, Joseph Capriati, Josh Baker, Josh Caffé, KETTAMA, Kilimanjaro, Kollektiv Turmstrasse, Konstantin, Krystal Klear, Leafar Legov, Loco Dice, LP Giobbi, Luciano, Maceo Plex, Mahmut Orhan, Makèz, Mano Le Tough, Map.ache, Marcel Dettmann, Marco Carola, Mathew Jonson, Maz, Mind Against, Mink, Mita Gami, Mochakk, Monolink, Moodymann, Mrak, Max Cooper, Nandu, O.Bee, Pablo Bozzi, Palms Trax, Pascal Moscheni, Pawsa, Peggy Gou, Piece Control, Pional, Polo & Pan, Praslea, Priku, Prospa, Quest, Rampa, Recondite, Ryan Elliott, Romy, Rony Seikaly, RY X, Salute, Saoirse, Sarah Story, Seth Troxler, Shonky, Skream, Sofia Kourtesis, Sonja Moonear, Sossa, Suze Ijó, Sven Väth.
The post CircoLoco Reveals Monumental 25th Anniversary Ibiza Lineup appeared first on The Groove Cartel.
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World Record for DJing a Marathon Being Attempted by Entrepreneur

Gus Fraser is taking on quite the challenge – to set the Guinness World Record of “Fastest Marathon while DJing.” Fraser will attempt to run the London Marathon on April 12th and has a goal of raising £100,000 for Cancer Research UK.
Preparing for this record attempt has been no small task. Fraser has spent six months in negotiations with the Guinness World Records, working out the specific terms and conditions. The rules stipulate that he must complete the marathon in under five hours while DJing – a “tough” challenge, according to Fraser, as his DJ kit weighs a substantial 8kg.
Despite the added weight, Fraser remains optimistic that the music will provide him with the necessary motivation. “I am going to play a few crowd-pleasers,” he told ITV. The entire DJ set and marathon will be documented on video, and the track list will be submitted afterwards.
Video interview from @itvchanneltv The Inspiration for a World Record Attempt
This endeavor holds deep personal significance for Fraser, as he aims to complete the marathon in memory of his father, who passed away from pancreatic cancer. Fraser describes the quest as his “personal crusade against cancer,” fueled by witnessing more loved ones suffer from the disease.
Fraser’s determination to take on this unconventional challenge stems from his desire to make a meaningful impact in the fight against cancer. While he has completed Iron Man and cycling challenges, he felt compelled to do something truly unique for the cause, stating, “A regular marathon wouldn’t be enough.”
As the world awaits the outcome of this Guinness World Record for DJing attempt, Gus Fraser’s determination to honor his father’s memory and support the fight against cancer serves as an inspiration to all.
The post World Record for DJing a Marathon Being Attempted by Entrepreneur appeared first on EDMTunes.
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Jaenga Returns with Mesmerizing EP, ‘Ancestors’

Following the impressive success of Jaenga’s groundbreaking 2022 EP Field Trip, Subcarbon Records eagerly announces the return of the versatile producer with his latest musical exploration, Ancestors. The EP marks a vibrant homecoming to Subcarbon Records, a label known for pushing the boundaries of innovation under the guidance of the duo Ganja White Night.

Ancestors is a four-track collection that invites listeners on a sonic odyssey. Jaenga’s signature blend of deep, resonant bass and intricate soundscapes spans the spectrum of electronic music. Listen in to the remarkable EP below.
Each track on Ancestors highlights Jaenga’s inspiration, innovative spirit and dedication to the art of electronic music and transport listeners on a journey that is sending waves through the bass music scene.
“I felt so inspired writing my “Toulambi” EP a few years back because the story of the Toulambi tribe was so interesting to me. A tribe living on an island, completely isolated from the rest of the world. Only knowing the friends, family, and technology that they’ve built and cultivated themselves. So I decided to revisit those roots with this new EP, “Ancestors.”
– Jaenga

With this latest offering, Jaenga extends an invitation to listeners to immerse themselves in an EP that not only resonates with the soul but also captivates the mind and moves the body, heralding a new chapter in the ever-expanding universe of electronic music.
The post Jaenga Returns with Mesmerizing EP, ‘Ancestors’ appeared first on EDMTunes.
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Perfecto Turns 30 – Paul Oakenfold and Carl Cox Drop First-Ever Collab

Two titans of electronic music, Paul Oakenfold and Carl Cox, have joined forces on a new banger called “Concentrate.” The track marks their first-ever collaboration and kicks off the year-long 30th anniversary celebration for Oakenfold’s iconic Perfecto label.
Oakenfold and Cox have been friends and frequent touring partners since the early 90s heyday of raves and clubs. Cox was even signed to Perfecto back in the day. Though they’ve shared stages all over the world, including the historic Stonehenge performance in 2018, the two scene legends had surprisingly never worked on a track together until now.
“Concentrate” seamlessly blends their unique styles into an exhilarating slice of techno showcasing cutting-edge sounds and infectious rhythms.
The single kicks off Perfecto 30 – a huge milestone celebration for the iconic dance label that will include special releases, remixes, collaborations, live events, and even a documentary called Welcome to Perfecto. Oakenfold himself will tour internationally revisiting classics like “Starry Eyed Surprise” while also shining a light on the label’s latest offerings from artists like Velvet Cash, Danny Stubbs, Blink, Adam White and Nat Monday.
From its beginnings helping launch the careers of artists like Hernán Cattáneo, Mark Ronson, and David Guetta, to bringing underground sounds to the mainstream, Perfecto has touched nearly every dance movement across its various imprints. As Oakenfold looks to the label’s future, he’s going back to its roots:

The post Perfecto Turns 30 – Paul Oakenfold and Carl Cox Drop First-Ever Collab appeared first on The Groove Cartel.
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Coachella To Have NFL Style Multiview For Livestream

Coachella is going all in for its livestream this year. Featured on YouTube, music fans will be able to view up to four stages at once and switch between audio. Many football fans have become familiar with this view thanks to Redzone. It is about to we got this for music festivals.
There will be a total of six stages on the livestream to choose from. Coachella will take place across two weekends: April 12th- 14th and April 19th- 21st. YouTube and Goldenvoice, the producer behind the Coachella Valley Music and Arts Festival, have had an exclusive content partnership for 12 years, enabling fans to stream both weekends of the iconic music festival on its official YouTube channel for free.
Tickets for Coachella have been on the slowest sales pace in 10 years. There are even still tickets available for Weekend 2 right now. Some theories as to why are the ticket prices, the quality of the lineup, or just people are tired of Coachella.
The Coachella lineup includes headliners Lana Del Rey, Tyler, The Creator, Doja Cat and No Doubt. Other high ticketed EDM performers include Charlotte de Witte, ISOxo & Knock2, Peggy Gou, Adriatique, Mall Grab, LE SSERAFIM, Reinier Zonneveld, Purple Disco Machine, and BICEP.
The post Coachella To Have NFL Style Multiview For Livestream appeared first on EDMTunes.
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David Guetta Teams Up With OneRepublic on ‘I Don’t Wanna Wait’

David Guetta, multi-Grammy-winning DJ/producer superstar, has partnered up with pop rock icons and recent iHeartRadio Music Award winning group, OneRepublic. The partnership between David Guetta and OneRepublic resulted in the artists to release this addictive track, ‘I Don’t Wanna Wait’. During the recent Ultra Music Festival in Miami that occurred a couple weeks ago, David Guetta had played ‘I Don’t Wanna Wait’ alongside OneRepublic frontman Ryan Tedder. For many fans who witnessed Guetta’s set at Ultra, it was truly a sweet moment to hear the track before anyone can hear it until April 5, the track’s release date. Click ‘Play’ on the Spotify link below to stream ‘I Don’t Wanna Wait’, a track that aims to motivate and enlighten everyone who listens to it. Additionally, check out the YouTube video below of Guetta’s performance of the track for the first time alongside Tedder at Ultra 2024.
David Guetta releasing ‘I Don’t Wanna Wait’ alongside OneRepublic signified another phenomenal release for the global EDM icon
The release of ‘I Don’t Wanna Wait’ shows that Guetta is still one of the top global superstars in not just electronic dance music but also throughout the music world as a whole. The 2023 smash hit, ‘Baby Don’t Hurt Me’ featuring Anne-Marie and Coi Leray, which is the cover of the unforgettable 1993 banger from Haddaway, ‘What Is Love’, gained numerous worldwide accolades. Gaining over 700 million streams on Spotify, ‘Baby Don’t Hurt Me’ has also received Grammy and iHeart Music Radio nominations. as well as Top 10 and Top 20 Billboard chart rankings.
The track followed up another global dance jam, ‘I’m Good (Blue)’ featuring Bebe Rexha, which attained a ranking of #1 on the Spotify Global chart. The track had gained over 2.7 billion streams and also ranked #1 in 11 major music markets, in particular #1 on the US Top 40 and US Dance Radio charts. One can only imagine how many streams can ‘I Don’t Wanna Wait’ will receive very soon in the upcoming months. This track will surely be an unforgettable banger for any music fan, regardless of which genre they prefer.
The post David Guetta Teams Up With OneRepublic on ‘I Don’t Wanna Wait’ appeared first on EDMTunes.
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Over 200 Leading Artists Rally Against AI Tech In Call for Responsible Music Innovation

Amid the era of AI, when technology's rapid evolution often blurs the lines between enhancement and infringement, over 200 artists have banded together in an unprecedented plea for respect and responsibility. 
The Artist Rights Alliance has published a scathing open letter, titled "Stop Devaluing Music," to issue a timely rebuke of AI developers in the music industry. In a clarion call for action, the petition urges tech companies to pledge against releasing generative music tools and technologies that could diminish the human artistry of songwriters and producers.
"Make no mistake, we believe that, when used responsibly, AI has enormous potential to advance human creativity," the letter asserts.
This acknowledgment of artificial intelligence's potential underscores the artists' stance not as anti-innovation, but pro-accountability. Their grievance lies not with the technology itself but with the manner in which it's currently being deployed by big tech platforms and developers.
The heart of the issue, per the petition, is the irresponsible use of AI that compromises artists' ability to protect their privacy and intellectual property. It's a predicament that stems from some of the world's largest companies taking liberties with AI model "training" based on existing music—without regard for the original creators. This practice not only undermines the intrinsic value of music, but also poses a threat to the livelihood of those who create it.
"Unfortunately, some platforms and developers are employing AI to sabotage creativity and undermine artists, songwriters, musicians and rightsholders," the letter continues. "When used irresponsibly, AI poses enormous threats to our ability to protect our privacy, our identities, our music and our livelihoods."
Among the high-profile producers throwing their weight behind the initiative are industry luminaries like Billie Eilish, Metro Boomin, FINNEAS, Hit-Boy and Chase & Status. Their participation, along with superstars the likes of Sam Smith, Kim Petras, J Balvin, Pearl Jam and more, amplifies the petition's message and highlights the widespread concern among artists of all walks about the future of music creation in the face of advancing AI.
Read the full open letter here.
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EDMTunes New Music Friday – Week 14

Listen to the most flavour-packed tracks we discovered this week.
Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order.
xoxodubstep – DROP EM
Genre: Dubstep
We’re kicking off this week in full force. And what better way to embody full force than a proper Dubstep track? Well, here’s ‘DROP EM‘, the latest belter from underground artist xoxodubstep. Get your strobe lights ready — you’ll need them.
From a tense Ambient intro, the song evolves into a festival Dubstep arrangement, and once it starts ascending, there’s no way to stop it. Spot the fake drop, and get ready to experience quite the release once it hits. This one makes you involuntarily raise the volume of your speakers, with all its unpredictable changes and unmeasurable power.
Pretty Ghosts – 4am In Vegas
Genre: Chillstep
After the last track, hit ‘Play’, breathe in, close your eyes, fly away, and breathe out. You guys know very well we don’t usually share these laid-back tunes with you, but this one is simply too good to let go. Meet Pretty Ghosts‘ after-midnight tale, ‘4am In Vegas‘.
Warm pianos? Here you are. Airy vocals? Have them your way. Great atmospheres and eternal reverbs? All yours. This is the perfect soundtrack for getting home after a night of dancing out in the highest of the ecstasies. Unwind, relax your muscles, and give this piece the benefit of the infinite loop.
Mike Oasyss – Out Of Control
Genre: Tech House
One of the leading up-and-coming talents in the Tech House corner of Dance music is this guy right here. Mike Oasyss, a student of the famous Icon Collective, his tracks are known for combining Pop-flirting vocals with street-resembling Los Angeles Tech House instrumentals, to achieve quite the winning formula time and time again.
‘Out Of Control‘ is a case in point. With dirty percussion, octaved vocals, House stabs, and masterful tension which makes you move like a wave on the beach, the tune leaves a lasting impression. We at least had to play it over five times in a row to really soak in all the flavours.
Flexfade – Concrete Eden
Genre: Tech House
All the way from Siegen, Germany, we welcome DJ and producer Flexfade. His style of production is described as the product of years of influences of Trance, House and Techno, as he developed and masterfully polished a unique Tech House path, one that includes subtle hints of those early sounds he used to love.
A song with a story as its backbone, his latest, ‘Concrete Eden‘, tells the tale of a girl who once roamed the streets of a city that embodied both magic and grit, one named, you guessed it, Concrete Eden. The song is her point of view, narrating the utopia she knew turned into disappointment and nostalgia.
Steve Angello – Rave ‘N’ Roll (Corey James Remix)
Genre: Tech House, Big Room
Fancy a rework, anyone? We sure do. Out today is prodigy Corey James‘ current-year take on a Steve Angello classic, ‘Rave ‘N’ Roll‘. Did the original make you want to dance your heart out? Sit tight and fasten your seatbelts: you’re about to live everything again. We’re glad to see the remix being released to the public, though, as previously, it made its way into the best festivals while played exclusively by Swedish House Mafia and label boss Angello himself.
Having been around for close to two years already, the remix not only pays homage to the original’s vibrancy but also propels it into the realm of mainstage anthems, ensuring it will captivate festivals left, right and centre.
https://open.spotify.com/track/1lsxzFdqOOloUfskIEwNxR} Jasper Junior – Pleasure
Genre: Bass House
Looking for a hard-hitting composition? We’ve got the work of Jasper Junior this week as well. A very young producer is behind one of the most promising European names to look out for in the near future, constantly proving his Bass House kingdom is a bit larger than we thought at first glance.
‘Pleasure‘ is a track that delivers precisely that: pleasure. It’s a sexy blend of dark Techno kicks, prominent hats, odd textures, and intense drops. Start learning this one by heart from now. Chances are, you’ll be hearing it at your local club very soon.
Conrad Taylor & Hookline – Craving More
Genre: Tech House
The last entry on this week’s NMF is this, a powerful clash of two strong forces. Conrad Taylor, a tasty multi-genre banger provider and former New York politician, meets the unmatched power of Hookline to unveil ‘Craving More‘, a single capable of living up to the expectations presented by its title.
Showcasing the best Tech House has to offer, ‘Craving More’ enchants and entrances listeners with mysterious vocals, cinematic tension and release games, detuned leads, and stadium-grade beats and percussion. Crowds would know, though, as it has been played by Dance leaders such as The Chainsmokers, Alesso, Jauz, Chris Lake, Dillon Francis, and others.
Final Words
Stay tuned, for more of our compilations every Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!
The post EDMTunes New Music Friday – Week 14 appeared first on EDMTunes.
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Red Rocks Falls Victim To Dangerous Winds For Upcoming Shows

Inclement weather continues to hit major events across the US. This time, the Red Rocks Amphitheater is subject to hazard wind that forced the venue to cancel and reschedule this weekend’s shows April 6-7. Today’s Dom Dolla show remains unchanged. However, the two-day event faces the cancellation of the second show.
Wind in Red Rocks
The Red Rocks Amphitheater was forced to cancel tomorrow’s Dom Dolla and announced that refund information will be emailed to ticketholders. Moreover, Sunday’s Daybreaker event is set for next Sunday April 14th. Tickets will be valid for next weekend as well. Daybreaker is day party/wellness and yoga event that inspires community throughout the country.
It’s saddening to see how many events are being postponed, cancelled, and altered due to weather. Nevertheless, we got to respect mother nature and give her the time she needs so that we can honor her on the dancefloor.
More information on their website here.
The post Red Rocks Falls Victim To Dangerous Winds For Upcoming Shows appeared first on EDMTunes.
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Vintage Culture Unveils New Single ‘Nothing Ever Changes’ from Debut Album

Vintage Culture released his latest single, ‘Nothing Ever Changes‘, from his much-anticipated debut album, Promised Land. Following the success of ‘Weak‘, Vintage Culture’s latest track will help solidify his position in the electronic music scene.
‘Nothing Ever Changes’ features ethereal vocals from Magnus, a UK-based producer, singer, and songwriter. The track is a mesmerizing blend of rhythmic beats, ambient textures, and captivating melodies, showcasing Vintage Culture’s signature production style.
In a recent statement, Vintage Culture expressed his excitement about the new single and pride in the collaborative process with Magnus (see below).
Ravers can experience ‘Nothing Ever Changes’ on all streaming platforms as Vintage Culture continues to build anticipation for the release of Promised Land.
The post Vintage Culture Unveils New Single ‘Nothing Ever Changes’ from Debut Album appeared first on EDMTunes.
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Malóne’s WHYNOTUS Unveils Debut Compilation, ‘MIAMI GROOVE VA’

All the Afro-Tech-House bangers you needed, all in one conveniently sized package.
In need of some extra crispy music? Say no more. Out today is a super tasty six-pack. Not beer, not abs, but music. Cuban-born, Miami-based DJ and producer Malóne brings the heat to the entire world today. He’s not only a Space Miami resident, a Beatport Afro House chart-topper and a 1001Tracklists’ Future of Dance artist, he’s also the founder of the WHYNOTUS record label.
After ‘444’ and ‘Un Beso’, Malóne figured it was time to introduce some new faces to the label. And so, a Various Artists release came to mind. The idea would be to showcase new talent, and ultimately shape the future of Dance through underground artists with otherworldly potential.
MIAMI GROOVE VA
MIAMI GROOVE VA is the first-ever WHYNOTUS compilation, and also the VA concept debut on the label. Across six amazing tracks, you’ll get the premise of the title delivered right to your door. The compilation is just what it says: it’s tropical, and it’s groovy. You’ll notice straight away that this is a sound rooted in percussion, Afro House, and Tech House. But it’s none. Or rather, all of them together. It’s gigantic. Take that from me.
A handful of artists wave hello to the imprint via this EP: Amal Nemer, Morpei, Damelo, Sounds Of Rituals, Pablo Alhach, Des & Del, DZR, and Sabrosura Boyz. And they all have a tale to tell in their tracks.
WHYNOTUS — MIAMI GROOVE VA Tracklist
Get It by Amal Nemer Tu Sabor by Sounds Of Rituals and Pablo Alhach BAPU by DZR and Sabrosura Boyz No Me Importa by Morpei Funky Work by Damelo That’s It by Des & Del Filled to the brim with an immense amount of groove, and the potential to revive an entire crowd, take any of these tracks and play it when you’re in the mood. Let me tell you, for all of you caffeineaholics out there, there’s a better energiser, and it’s this very compilation.
This is one you’ll surely won’t want to miss. Feeling the MMW blues? This way, good sir. Listen to WHYNOTUS‘ MIAMI GROOVE VA below, by hitting the ‘Play’ button on your Spotify streamer, attached ahead. Also, check out the release on YouTube, and follow this link to support the release on your platform of choice.
The post Malóne’s WHYNOTUS Unveils Debut Compilation, ‘MIAMI GROOVE VA’ appeared first on EDMTunes.
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Bossfight Unleashes Bass Heavy Banger ‘Decimate’ on Monstercat

Erik Bjärngard, better known by his electrifying stage name Bossfight, has once again shaken the foundations of bass music with his latest release, ‘Decimate‘ via Monstercat. Bossfight is no stranger to the spotlight, with a resume boasting performances at illustrious festivals like Tomorrowland and Rampage, coupled with a discography that’s propelled him to millions of streams worldwide. His unique fusion of dubstep, metal, orchestral, drum and bass, and trance has cemented his status as a revolutionary force in the music scene. ‘Decimate‘ is a testament to his raw, unbridled energy, featuring a concoction of rattling basslines and a meticulously solid arrangement that transcends conventional electronic music paradigms.
The Unstoppable Rise of Bossfight
Since making his grand entrance on the Monstercat roster in late 2017, Bossfight, real name Erik Bjärngard, has been on an unstoppable ascent. His music, a rich tapestry of genre-blending soundscapes, has not only captivated global audiences but has also earned nods from industry titans such as Excision, SLANDER, and NGHTMRE. Beyond the music charts, Bossfight’s tracks have ventured into the world of video gaming, securing sync placements in titans like Fortnite and Rocket League, showcasing his versatility and broadening his reach beyond the confines of traditional music venues. This multifaceted approach has garnered him over 50 million streams across digital service platforms (DSPs) and significant placements on Spotify’s premier playlists, further solidifying his position as a beacon of innovation in the electronic music domain.
Decimating Expectations
‘Decimate’ is not just another addition to Bossfight’s impressive catalog—it’s a declaration of his mastery over the craft. Released under the Monstercat banner, this track is a potent showcase of Bossfight’s unparalleled ability to merge intense basslines with cinematic flair, setting it miles apart from the vast ocean of bass music releases. It’s an immersive experience that underscores Bossfight’s attention to detail and technical prowess, making it an essential listen for aficionados of the genre. As Bossfight continues to redefine the contours of bass music, ‘Decimate‘ stands as a towering testament to his innovative spirit and sonic dexterity.
In the ever-evolving landscape of electronic music, Bossfight’s ‘Decimate’ emerges as a colossal banger, reminding us why he remains at the forefront of the genre’s innovators. With each release, Bossfight not only pushes the boundaries of bass music but also reaffirms his deep-rooted connection to its vibrant pulse. Dive into the adrenaline-inducing world of ‘Decimate‘ and witness the sheer magnitude of Bossfight’s musical prowess.
The post Bossfight Unleashes Bass Heavy Banger ‘Decimate’ on Monstercat appeared first on EDMTunes.
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Empire of the Sun Returns With First Single in 8 Years ‘Changes’

Electro-pop pioneers Empire of the Sun, the duo of Emperor Steele and Lord Littlemore, are back with a brand new single, ‘Changes.’ Marking a triumphant return after nearly eight years, ‘Changes’ signifies a new chapter brimming with the band’s signature ethereal soundscapes.
The track pulsates with infectious melodies and driving beats, showcasing a sonic shift from their signature sounds while staying true to their beloved style. With its airy synths and brighter tones ‘Changes’ is the gentle invitation to their lush soundscape that they’ve masterfully crafted.
The track comes with an accompanying music video. Filmed amidst the breath-taking landscapes of Thailand, Empire of the Sun and Michael Maxxis invite audiences to embark on a visually stunning, cinematic odyssey, one that will captivate and enthrall viewers with its otherworldly allure.
The post Empire of the Sun Returns With First Single in 8 Years ‘Changes’ appeared first on EDMTunes.
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Tomorrowland Brasil Will Return This October 11th-13th

Tomorrowland Brasil will officially return in 2024. The event will take place at Itu, São Paulo from October 11th-13th. While no further information has been released at this time, future attendees can rest easy knowing the festival is officially in the works.
After two amazing festival editions in 2015 and 2016, Tomorrowland Brasil took a several-year hiatus before making its grand return October 12-14, 2023. The astonishing festival area of Parque Maeda in Itu, São Paulo, was the perfect backdrop for a long-awaited reunion. The festival revolved around ‘The Reflection of Love,’ symbolizing the unity and positive energy Tomorrowland stands for with the whole world coming together as one. People of Tomorrow from all corners of the planet enjoyed a magical three-day gathering with a collection of the best electronic artists.
Last year’s Tomorrowland Brasil lineup featured artists like ACRAZE, Alok, Afrojack, Don Diablo, Lost Frequencies, Martin Garrix, Sebastian Ingrosso, Steve Aoki, Sunnery James, Tiesto, and more. We can only hope this year’s lineup is as drool-worthy.
According to Tomorrowland’s socials, more info is coming next week. So stay tuned for more details regarding the lineup, ticket sales, and more. In the meantime, head on over to the festival website here to reserve your tickets and check out the official 2023 after movie here.
The post Tomorrowland Brasil Will Return This October 11th-13th appeared first on EDMTunes.
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We Need To Talk About Spectral

Photo Credit- Khali Ackford
‘We live in a world where urgency culture can be so toxic. I hope that my journey inspires other artists to take their time.’ – Spectral
Nowadays, you are an anomaly if you are taking your time. Drop culture, quick-hit videos on the gram and a saturated market have driven artists and labels to release more frequently than ever before. The fear of being drowned out is rife, and if you’re not releasing every few months (at least), there’s a risk you’ll be left behind… or so they say. Spectral, however, sees things quite differently.
Three years after her stint as one of the first ever EQ50 mentees, Spectral, a producer and DJ from Bristol, has just dropped her debut EP on Critical Music. After being paired with Critical for the mentorship, the relationship between the label and Spectral soon began to flourish.
The EP is part of Critical Music’s ‘Binary’ series, which has given some of D&B’s most promising new artists a platform to showcase their skills and future potential.
For its 27th instalment, Spectral showcases a tantalisingly dark 4 track EP. We needed to know more so we pulled her for a good ole natter, and her low-down on the project.
Spectral – you just had your debut EP out on Critical Music, as part of their Binary series. It sounds wicked! 
Thank you so much! It’s very surreal to be honest. When you’ve worked on a project for so long, you’re so close to it. It’s been such a journey, lots of emotions. Lots of highs and lows. After this long time I’m finally ready to let it go. It’s like my little baby! 
Talk us through the curation of the EP and the tracks featured.
The Binary series is for new producers coming up on the label. Kasra suggested that I should start to work on it during my EQ50 mentorship in 2021, which is where my journey as an artist really began. At that time, I was relatively new to electronic music production and didn’t have a huge back catalogue of tunes ready to go, so it was a very daunting project, to say the least. It’s been a journey finding my sound and growing into the producer that I want to be, all whilst working towards a career defining goal like the Binary series, so I wanted to take my time. The project needed to confidently hold its own alongside the rest of the roster, which is full of giants and the best of the best, in my opinion. Part of the curation was just feeling the inspiration that came with performing on the same lineups as so many of my idols over the last few years. I remember having 4 tracks at the start of 2022 and not wanting to play them or push them as much as I wanted to play and push other people’s tracks, so I knew I had to scrap most of those and keep going! 
Did any of those original tracks make the cut?
Only one out of four of the tracks ‘Submerge’ is an original, the other three were written in a huge creative explosion at the end of 2022, so the last year has solely been about the mixdown side of things, which I’d be lying if I said there weren’t times that I thought the process was actually going to kill me. I had people telling me that if I wanted help, I could get help, and that lots of artists have tunes mixed down for them, but I didn’t want to do that. No disrespect to anyone that does, but on a personal level I would not feel authentic if I’d let that happen. I knew that I could do it if I kept working, and Kasra never put any deadlines on me so there was never any external pressure. I’m proud of the final four tracks, there is a lot of variety in there which is important to me. When I am DJing I will almost always start with some 140 and then work my way up through 160 before getting into the drum & bass. I try to cover a lot of ground sonically. Although this EP is just drum & bass, I still needed it to feel like a journey, in the same way my sets do. My favourite track is the last one, ‘Ikigai’. The name is a Japanese word and actually translates to ‘reason for being’ which defines all of the emotion poured into the project.
So much consideration and thought went into this project – it’s no surprise you were emotional letting it go!
I wanted the project to be right. My journey as an artist has changed a lot since I joined EQ50. Back in 2020 when I applied for EQ50, at that point, I was new to everything and hadn’t even done that many DJ gigs. I was very much deep, dark, minimal drum & bass. That was what I wanted to do and that was who I was at the time. As the years followed, I realised that as a person who loves electronic dance music, that’s not all that I’m about. I realised that you don’t have to put yourself into a box, you can go on stage and play loads of different genres and people love that. I needed to feel proud of it and I needed to feel excited about it. It’s been an absolute labour of love and as I said, it’s taken 3 years to come into fruition so it’s a really big deal for me. 
How has your relationship with the Critical progressed since the EQ50 mentorship and how have they helped with the release?
When I applied for EQ50, you couldn’t select the label that you wanted to work with. It was just an application form where you would answer questions about yourself as an artist and why you wanted to do the mentorship. Critical heard the tune that I’d submitted and wanted to work with me, which was totally surreal as they would’ve been the label I wanted to work with if I got to choose. Once I was doing the mentorship, I wasn’t expecting Kasra to suggest I do an EP, as that wasn’t part of the project, so it was a big surprise. I thought that when the mentorship was over that that would be it, I certainly didn’t anticipate becoming one of the new core artists. I guess my passion and hunger shone through as I am part of the family now, which is a dream come true! They’ve been very nurturing with the release, never pushing any deadlines on me. It was very much when it’s ready, it’s ready. Kasra told me: ‘You don’t make good music when you’re stressed’ and he’s right, you don’t! I’m just so glad to have not had that pressure. It enabled me to have space to step into the sound I want and to go at my own pace. You can’t rush these things, I would rather take the time that I did to release something of high quality.
Looking back at the programme itself (EQ50), in what other ways did it help you?
It gave me a lot of confidence. I think when you’re picked for something like this, it forces you to change your perspective. You have to accept  that you are good enough for the opportunity. Thinking you’re not worthy will get you nowhere as a creative. It’s a really special programme, run by Sweetpea, Mantra and DJ Flight who are all so powerful and inspiring. As a young woman aspiring for a career in a male dominated industry, it’s really important to have these successful female role models around you. That in itself becomes a powerful driving force for your own success.
What have been some of the music related challenges that you’ve faced since that time?
I think the main challenge for me has been balancing working on all the necessary practical elements of production whilst trying to step into my sound and letting the music write itself. I have a big musical background. I’ve been playing classical piano since I was 5 years old, then I started singing and songwriting, playing the guitar. I went on to study popular music at Falmouth University when I was 18  so composition and musicality has never been a challenge for me, it’s more that there is so much  technicality that needs to be learnt when it comes to electronic music. You need a lot of patience and you have to train your ears, which can only come in time. It’s not something you can rush.
Do you think in the future you will want to do something with the songwriting again?
People ask me this a lot. I really don’t know. For some reason, I see them as totally separate artforms which I guess is silly because I know a lot of producers are looking for vocalists to work with and if I am a vocalist myself, why wouldn’t I use that within my own productions? To be honest, my songwriting, at that point in my life, was very much an outlet for my own feelings and in a way, it almost depended on me being in more of a sad state of mind. Mental health is something that I’ve struggled with on and off throughout my life, but quite significantly when I was a teenager. As I got older, I started raving then got some decks for a bit of fun and realised that I really loved DJing. I could pour that same passion for music into it, but it actually relies on me being happy, whereas songwriting was all about being sad and getting that out into the lyrics. Unfortunately I feel I had to put a pause on my singing and songwriting in order to be the happiest version of myself as I had a bit of a strange relationship with it. My tracks ‘Crazy’ and ‘Ikigai’ don’t have my own lyrics in them but on a personal level, I was still able to pour emotion into them, in a healthier way through the chords and melodies. I’m not having to transport myself back to this place where I’m writing lyrics about a particular thing, it’s more about the raw feelings that go into the track rather than words.
What advice would you give to people who were in your position a few years back but perhaps don’t currently have a mentorship or opportunity like EQ50?
A lot of people may laugh when I say this because if you don’t live in this way, it might sound a bit ridiculous but honestly, law of attraction is everything. I believe that the universe responds to our feelings so if you’re aiming for a career in this industry, obviously you need to work hard, but if you’re telling yourself and others that you’re not getting anywhere or it’s not happening fast enough then you’re blocking yourself energetically. Whereas if you’re consistently cultivating gratitude, in my opinion, you become a magnet for everything you want to achieve. I genuinely believe the reason why I’ve gotten this far and played so many of my dream gigs is because I’m using the law of attraction and having an abundance mindset. Success welcomes success. Try and feel genuinely excited for the people that are already doing what you want to do and it’ll come back in your favour. To reiterate, you still need the skills though!
Future plans for Spectral?
Keep writing more music, keep playing more shows! I really want to get to a point where I can do this full time without working alongside. This summer incoming is my third professional summer having bookings and doing festivals, but I still have a day job so I’m aspiring to be doing music full time within the next few years. If anyone knows my sets, they’ll also know that dubstep is a core part of my musical identity. I have been working on writing some, which will hopefully see the light of day at some point. My sound encompasses a variety of different speeds and flavours of bass music so I guess I’ll say you can expect to see a lot of different sounds within my production too, this is really just the start.
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Arcando Drops Gritty Drum & Bass Track, "Don't Tell Me"

In the midst of a breakout year, Arcando has unveiled his latest single, a gritty drum & bass track called "Don’t Tell Me."
The red-hot producer is buzzing off the success of his official remix of "Jungle," a global hit by the The Chainsmokers and Alok featuring Mae Stephens. That track is gaining steam as a festival favorite, especially after Martin Garrix rinsed it during his recent headlining Ultra set in Miami.
"Don’t Tell Me" expertly showcases the heavier side of Arcando’s production talents, leading with an infectious vocal sample and atmospheric pads before an explosive drop highlighted by frenetic synth stabs. Catching listeners by surprise, the second drop switches to a half-time pattern before transitioning back to drum & bass for an anthemic coda.
Take a listen to "Don’t Tell Me" below and find the new track on streaming platforms here.
FOLLOW ARCANDO:
Facebook: facebook.com/arcandomusic
X: x.com/arcandomusic
Instagram: instagram.com/arcandomusic
Spotify: spoti.fi/3LSdCIz
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BiXX Joins Christopher Corrigan On Uplifting Trance Gem ‘Alignment’

Enjoy a beautiful Trance track to play through the entirety of your weekend.
Friday everyone! Congratulations, you’ve fought and are now looking at Friday night, Saturday, Sunday, and resting. We’d like to do our part in that regard and pick music for your entertainment, perhaps to unwind, and some others, like the track we’re about to show you, to close your eyes and let the melodies carry you away.
Meet BiXX. He’s a DJ, producer, mentor and entrepreneur from Alabama, and resonates with all things Trance. He first discovered the world of Dance while spinning at his university, and slowly became more and more hooked to the genre. It was when he encountered Trance, though, that he found the passion that would be a part of his story ever since.
Today, he’s released on labels like Future Sound Of Egypt, Nocturnal Knights, and Naz Ritzan Music among many others, always showcasing a fine, polished rendition of Uplifting Trance built to lift the spirits and connect with the innermost version of oneself.
‘Alignment’
This time, BiXX is joined by Belfast-based Trance producer Christopher Corrigan on a heartwarming single, ‘Alignment‘. The track perfectly embodies the concept of Uplifting Trance, carrying all core elements to your ears, from stomping kicks, to beautiful melodies, to a break that gives room to ascend, eyes closed, and maybe even let out a tear or two.
About the track, BiXX recalls, “Christopher and I have been admiring each other’s work for the last three years“. He then goes on to say:
Listen to BiXX & Christopher Corrigan‘s ‘Alignment‘ below, by hitting the ‘Play’ button on your Spotify streamer, attached ahead. Also, check out the song on YouTube, and follow this link to support the release on your platform of choice.
The post BiXX Joins Christopher Corrigan On Uplifting Trance Gem ‘Alignment’ appeared first on EDMTunes.
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