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Anjunadeep celebrating 10 years on-air with 500th limited edition episode

In a landmark celebration of musical evolution, Anjunadeep released its 500th episode on May 17th, a day that serendipitously marks the exact ten-year anniversary of their very first broadcast in 2014. Over the past decade, Anjunadeep has transcended the boundaries of electronic music, captivating listeners worldwide.
For anyone new to “The Anjunadeep Edition” concept,  it’s a fantastic gateway into the world of melodic house, ambient electronica, and soulful techno. With a lineup of talented hosts like James Grant, Jody Wisternoff, Dom Donelly, and Lane 8, listeners are treated to a diverse range of sounds and vibes on YouTube and Spotify, every Thursday, at 4 pm UK time.
The Anjunadeep Edition’s 500th episode is a flawlessly crafted auditory experience, reflecting on the commitment that Jono Grant, Tony McGuinness, Paavo Siljamäki, the DJ trio behind Above & Beyond, and the independent record label Anjunadeep, have to innovation and quality. Featuring a carefully selected mix of both classic tracks as well as fresh, unreleased gems, this episode pays homage to the rich tapestry of music that has defined Anjunadeep’s identity.
With notable artists such as Yotto, Ben Böhmer and Luttrell being associated with the label, Anjunadeep continues to nurture new talent, with a commitment to discovering and supporting artists who bring fresh perspectives to the electronic music scene. Adding to the excitement, Above & Beyond, will be closing the Open Air at Finsbury Park, London, in August this year, promising  yet another unforgettable experience.
This 500th episode is not just a look back at the past ten years but a bold statement of what lies ahead. Here’s to the next amazing ten years of Anjunadeep – where every beat tells a story and every episode is a journey.
Photo Credits: Anjunadeep
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Narco's Nightmares Fizzle Under Lights of Tomorrowland's First-Ever Festival in Medellín

We all know about Medellín.
Once a nexus of narco-terror and urban warfare, the city comes with skeletons—both literal and figurative—in its closet. So when the world's leading EDM festival brand, Tomorrowland, announced its expansion into the city, it only served to deepen the mystery.
After the demise of Pablo Escobar in 1993 and the eventual dismantling of the Medellín Cartel, the city was left to grapple with the aftermath of decades of violence and lawlessness. It has a bright future three decades later, but the legacy of the narco era continues to cast a long shadow and the region still faces challenges related to crime, poverty and inequality.
The city and its grim history are inextricably connected, and no festival or event can rupture the link. So it would be ignorant to call last weekend's CORE festival a metaphor for Medellin's metamorphosis.
But that doesn't mean the city can't try to rewrite its own narrative. True to CORE's nature-inspired ethos, the festival was like a butterfly emerging from Medellín's blood-stained chrysalis.
"In all the years I've traveled to Medellín to visit family, I've never experienced anything like [CORE]," said attendee David Contosta. "It's amazing to see how the city has changed over the years and the impact tourism has had on the city itself."
After Tomorrowland sold out the two-day festival "in record time," each beat pulsed with the defiance of a city that refused to be defined by its scars. The collective energy at Parque Norte was electric, a shared heartbeat of a city moving forward—not trapped in the past.
"I know this city has had a dark past, but attending the festival, it gave the opportunity for local talent to perform and for the locals of the city to forget about the violence and struggles of the day-to-day and to embrace the experience," Contosta continued. "I hope this event is the first of many and that when people think of Medellín, they'll think of the amazing people, rich culture and talented music scene, and not its dark past."
An attendee of CORE Medellín enjoying the music.Tomorrowland
It's tough to describe Tomorrowland's CORE Stage and its design—a split human head with visuals where the face should be—to someone who hasn't seen it in-person. It turned into a bio-luminescent giant, combining the humanoid eeriness of Ex Machina with the surrealist nature vibes of Where the Wild Things Are.
In front of the stupefying stage, lasers in the night sky pierced ghosts of sicarios. Behind it, the lights of homes in the hills of Manrique, Versalles II and many other Medellín neighborhoods turned the area into a radiant mosaic.
Engineered and recently debuted by Tomorrowland's industry-leading creative team, the CORE Stage is nothing short of an architectural marvel. The groundbreaking stage inflates and deflates to compactly fit into a single container, making it portable and adaptable to locations around the world.
It's a feat of technological utopianism that could deeply influence the global music festival landscape, especially as as inflationary pressures hike the rising costs of touring to unsustainable levels.
Tomorrowland
The phantasmal CORE Stage saw larger-than-life performances from a slew of leading techno and house music artists, including Agents Of Time, Mind Against, ANNA, Kölsch and Brina Knauss. Speaking with EDM.com, Knauss, an emerging electronic music superstar out of Slovenia, called the festival "a dream."
But it was BICEP who delivered arguably the weekend's best performance. The duo invited us into their entirely one-of-a-kind world, where the sublime textures of ambient music meet the primal energy of breakbeat. It was the kind of set where you close your eyes and lose yourself in the vastness, only to be yanked back by the insistent pulse of BICEP's percussive barrages.
Two new stages also debuted at CORE Medellín. First was AltVerda, which was situated in the woods amidst a series of whimsical light columns. It's here where Chet Faker threw down an exuberant disco-house set, his kaleidoscopic beats taking root underneath our dancing feet.
Deeper in the forest, over at the Arbo stage, glowing white fabrics draped from trees and morphed in real-time as both wind and lasers sliced through. The intimate atmosphere played host to a number of local DJs, like Sinego and WOST, both of whom couldn't stop smiling as they performed for Tomorrowland, the world's quintessential dance music brand.
The Arbo Stage at Tomorrowland's CORE Medellín festival on May 12th, 2024.Tomorrowland
While Tomorrowland reigns supreme as the consummate festival experience, CORE stands as a majestic parallel universe. From a cultural standpoint, it's tough to ignore the differences between its inherent rave culture and that of America.
All of the DJs at CORE Medellín rarely—if ever—spoke on the microphone. We were never told to put our hands up and there wasn't a single countdown before a drop, nor a demand to jump. We also didn't hear any squawking chants of "woo-woo."
Music was the language, and it severed the intense Spanish language barrier. Judgements felt nonexistent and it was impossible not to make new friends. The authenticity didn't just bleed—it hemorrhaged.
Tomorrowland may be the sun that illuminates the festival universe, but CORE is the brilliant moon, shifting the tides of festival culture with its own wellspring of experiences. For those unable to make the pilgrimage to Belgium, CORE is a must.
CORE's next stop is São Paulo, where its stage will appear at Tomorrowland Brasil for the first time in October. In the meantime, you can keep a pulse on the brand as well as its events, record label and radio show here.
Follow CORE:
Web: core.world
Instagram: instagram.com/core.world
Facebook: facebook.com/corexworld
YouTube: youtube.com/@corexworld
Follow Tomorrowland:
X: x.com/tomorrowland
Instagram: instagram.com/tomorrowland
Facebook: facebook.com/tomorrowland
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This is how EDC Las Vegas 2024 new mainstage looks like

Electric Daisy Carnival (EDC) is introducing its new 2024 mainstage in Las Vegas.
The new stage looks like a cathedral. It combines Gothic buildings with EDC‘s signature psychedelic style. In the middle is a huge, lit-up stained glass design that shines with bright colors. It is surrounded by shapes that look like tall church towers and elaborate organ pipes. Owls, which are a well-known symbol at EDC, are used as decorations on the complicated stage.
Overall, the result is both majesty and otherworldliness, making it the perfect setting for artists to create journeys of euphoric musical transcendence in the middle of the desert.
Year after year, EDC’s stages have amazed guests with their amazing creativity and cutting-edge production. The 2024 cathedral stage looks like it will do even better.
Design and Aesthetics: The stage is crafted with a striking blend of architectural grandeur and modern electronic aesthetics. The design features elements reminiscent of Gothic cathedrals, such as large stained-glass-style displays and organ pipes. Central to the stage is a massive, colorful stained-glass-like window, a design element that enhances the visual appeal and aligns with the theme of a fantastical, dreamlike environment. Owl motifs and intricate patterns contribute to the whimsical and enchanting vibe typical of EDC stages.
The post This is how EDC Las Vegas 2024 new mainstage looks like appeared first on The Groove Cartel.
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Armin van Buuren’s Dance Anthem ‘Blah Blah Blah’ Turns 6 Years Old

“All We Ever Hear From You is Blah Blah Blah” a line that still resonates with people across the world, 6 years after the release of the hit single ‘Blah Blah Blah’ by Armin van Buuren. Released on Armin’s label Armada on the 18th of May, 2018, the track quickly transformed from a catchy hit to a dance floor anthem. 
Whether it be Armin playing it on the mainstages of Ultra Miami or Tomorrowland, you’ll hear crowds chanting along to the titular lines “Cause it’s ya-ya, ya-ya Blah-Blah, Blah-Blah”. It was clear from the get-go that this was not just another feel good song. The repetitive vocals, the catchy drops and electrifying beats all came together in perfect harmony, making this a crowd favorite. 
Having heard the track multiple times over the course of 6 years, I can say that this is not just a song; it’s an experience, and one that has been lived all over the world. The love for this track can be seen and felt all over where as of May 2024, the track has amassed over 700 million views on Youtube. 
‘Blah Blah Blah’ isn’t a song, it’s an anthem and one that’s definitely still making waves. 
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DJ Dime Brings Groovy Side Out With New Song ‘Sing Along’

In recent years, American artist DJ Dime has established himself as a remarkably versatile and talented figure in the music scene, consistently bringing electrifying energy to his music regardless of the vibe. His releases have varied from big room house and electro house to deep house and future house. This kind of versatility has earned him a very loyal following, gaining over 100,000 streams across all of his tracks. Now showcasing his diversity once again, DJ Dime brings out his groovy side with the release of ‘Sing Along’.
Infused with summer feel-good vibes, the single features funky and soulful elements, including a prominent bass guitar that sets the tone from the outset. Infectious and rhythmic vocals, both rapped and sung, take center stage, seamlessly blending with the groovy backdrop to create an irresistibly catchy sound. True to its name, ‘Sing Along’ will have listeners joining in and hitting the replay button in no time.
Stream this single below.
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CAMELPHAT’s Constellations Vol 3: Electrifying Tracks from When Stars Align

CAMELPHAT‘s imprint When Stars Align has once again delivered a stellar offering with the latest installment “Constellations Series Vol 3.” This four-track EP is a cosmic journey through sound. Be ready to be guided by the diverse talents of Arude, Christian Nielsen, Sonickraft, and Rebrn.
Kicking off the EP is the enigmatic Ukrainian artist Arude with “Who You Are“. The record is a hypnotic and gritty track. It showcases the producer’s ability to blend elements of various genres seamlessly. The evolving soundscape and enchanting vocal hook create a fascinating composition that draws listeners in from the first beat.

Next up is Danish DJ and producer Christian Nielsen, who brings his high-energy anthem “Turn Me Up” to the forefront. Masterfully combining melodic techno and house elements, this track is a dancefloor igniter. It also features infectious rhythms and soaring melodies. Nielsen’s production prowess shines through, creating a euphoric experience that will have crowds moving in unison.

Sonickraft takes the cosmic journey to new heights with “Elysium“. Feel the euphoric fusion of indie dance and melodic house & techno. With swirling melodies and uplifting energy, this track transcends time and space. It drives the listeners to a realm of pure sonic bliss.

Closing out the EP is Israeli artist Rebrn with “Finish Line,” a powerful and hypnotic track infused with pulsating rhythms and infectious vocal hooks. From the first beat, “Finish Line” commands attention with its driving energy and captivating melodies, leaving a lasting impression on the dance floor.

“Constellations Series Vol 3,” showcases the diversity and talent within the When Stars Align roster. Check Vol. 2 and the first installment as well.
The post CAMELPHAT’s Constellations Vol 3: Electrifying Tracks from When Stars Align appeared first on The Groove Cartel.
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Incive’s Pulsating Melodic Techno Odyssey “Floating Through”

For music lovers, Incive‘s newest atmospheric masterpiece “Floating Through” is about to take you on a melodic dance journey through space like no other.
From the very beginning, pulsing beats and complex synthwork come together. They create an intergalactic journey that is both thrilling and relaxing. “Floating Through” builds like chapters in an interesting sci-fi story, which shows how well Incive knows how to make noises that tell stories.
The smooth mixing of ethereal atmospheres and glitched-out sounds makes for a unique listening experience that engages both the mind and the senses. Soaring melodic motifs create a deep sense of wonder and adventure, and the masterful building of tension leads to a stunning ending that will leave listeners speechless.
Even though the soundscape sounds like something from the future, Incive never loses sight of what melodic techno is all about. They find the perfect mix between stimulating the mind and making you groove. The song “Floating Through” is a great example of this balance; it combines a hypnotic beat with a soaring melody in a way that makes you want to think and move freely.
“Floating Through” is now out on the respected Gravity City Records label and can be heard on all major streaming services. Prepare to take off; you won’t want to miss this trip between the stars.

The post Incive’s Pulsating Melodic Techno Odyssey “Floating Through” appeared first on The Groove Cartel.
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EDMTunes New Music Friday – Week 20

Listen to the most flavour-packed tracks we discovered this week.
Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order.
Mezraa – Never Leave
Genre: House, Progressive Trance
Kicking off this week’s NMF is Montreal’s Mezraa. The artist has developed a sound through the years that borrows a ton of elements from a bundle of Dance genres, and with it he’s created his own delicate broth. ‘Never Leave‘, this release, comes to be the perfect blend of House vibes and a Trance aura of the highest order.
The track makes a sped-up vocal the star of the show, turning into the connective tissue throughout since it’s present at all times. Under the vocal, though, lies a beautiful chord progression, once a soft, shy lead, which as the bars go on, turns into a much more present, open lead. The end result is quite close in spirit to those old early 2000s Progressive Trance gems.
Aaliyah – Try Again (Yazz Min Remix)
Genre: Deep House
“Mmmmmmmm“. That’s the first thing you’ll try to hold when listening to this belter of a remix. Keeping the legacy of Aaliyah alive and present, artist Yazz Min respectfully flipped her iconic ‘Try Again‘ hit and turned it into a different, savoury Deep House tune. True Deep House, as I often say.
Pairing the sexy elements of Aaliyah’s R&B with the iconically oomphy elements of Deep House, this rendition grabs the best sounds of the original and makes it dancefloor worthy. In fact, this would go really well in one of those landscape-ey DJ sets on crowded rooftops. Feel the pianos, the original textures, and fly away.
Clubbing Purposes · FREE DOWNLOAD: Aaliyah – Try Again (Yazz Min Remix) Trance Reserve & Karl Osvan – Unbreakable
Genre: Uplifting Trance
Looking for an uplifting journey? This one is best enjoyed with eyes closed. Trance heavyweights Trance Reserve (quite fittingly) and Karl Osvan joined forces for a tune that lives up to its name, ‘Unbreakable‘. This one is a one-way ticket to musical Heaven, I’m telling you. If you’re into Uplifting, you’ve come to the right place.
Through vocal beds, airy plucks, open saws, and a strong beat, ‘Unbreakable’ tells a story and it makes you levitate. It truly takes the best elements of Trance and makes the most out of all of them. We’re glad to feature this track this week on NMF!
Clark Key – Break
Genre: Techno, Tech House
Rising House star Clark Key hails from South Florida and has a knack for pulling elements and ideas from all across the spectrum of Electronic music. Though his sound leans slightly more to the Techier side of things, his aim is to put out content people will not only love but also groove to, and his tracks truly embrace that extra kick of dynamism.
Tech House comes clean through Key’s latest, ‘Break‘. Detuned synths, tension, silence, crowded areas, every aspect of a fun track makes an appearance in here. And if that wasn’t enough, the cherry on top — or rather, on the bottom — is a jumpy bass, quite resemblant of Psytrance, but turned into the perfect House base for a different tune. Nice.
Krysta Youngs, Stash Konig & Liquid Todd – Let’s Go Back (Wassu Remix)
Genre: Progressive House, Deep House
Did you read the remixer’s name? Read it again. And again. Yup, it’s Wassu. You know it’s going to be a piece of bliss the one you’re about to listen to. Perfect for the summer season ahead, he’s been on top of the situation: crafting the best possible take on a feel-good, quite nostalgic tune.
Using the happy ‘Let’s Go Back‘ by Krysta Youngs, Stash Konig and Liquid Todd, Wassu created the perfect track for those afternoons by the beach, with a good laugh and proper company. Give it a listen and try to imagine anything else other than that warm sandy sunset. We couldn’t.
KRÆK – Architecture
Genre: Drum & Bass
Just out of the oven. In fact, rumours say they had to take this one out of the oven before it burnt the oven itself — this one couldn’t get any hotter. KRÆK is a Drum & Bass DJ and producer from Germany with a passion for precision. You wouldn’t think otherwise of someone with a solid background in Computer Science and Business, and he doesn’t disappoint.
Delicately and finely tuned, ‘Architecture‘ is one of the latest gems from him, and it really elevates the Drum & Bass experience a couple notches. Dark, fast-paced, Jungle-Intelligent-esque, this is the tune which broke the mould. Upon listening, you can distinguish it from most DnB pieces, and it’s that uniqueness which earns KRÆK the spot on this week’s NMF.
MI.LA & Maxxim – Nishati
Genre: Organic House, Afro House
Songuara is back, baby! We’d missed these guys. Out now on Songuara Tales is label boss Maxxim joining MI.LA for quite the ethnic-sounding track, ‘Nishati‘. If you’ve never heard the work of these two, boy are you in for a treat. Organic House at its finest, and this time with that extra kick of tension, aka lacking claps on beats two and four.
‘Nishati’ is written on an unconventional scale, giving it the Middle Eastern treatment. Add to that the incredible percussion, the flutes, and all those little pieces of ear candy, and you have yourself quite the dancefloor rocker. Carrying the essence of Afro House over to its brother genre, this experiment couldn’t have gone better.
Castion – Loose & Dance
Genre: Tech House
We’ve got a fire closer for this week’s NMF. Hailing from Spain, Castion is a Tech House producer making waves in the industry at a fast pace. At the age of 14, he dived into the world of production, and since then he’s grown a discography that accrues to over 80 compositions. Talk about working!
The B-side to his latest EP is titled ‘Loose & Dance‘ can quite make you lose it and dance the night away. The amount of filth of the beat is undescribable, frankly. Between the rolling percussion, the reverse hits, the vocal, the tension, and the oomph and low end this thing carries, we’ll definitely be blasting this one during the weekend. Nonstop? Won’t specify details…
Final Words
Stay tuned, for more of our compilations every Tuesday and Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!
The post EDMTunes New Music Friday – Week 20 appeared first on EDMTunes.
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Afrojack and Steve Aoki Unite as AFROKI On Latest Track ‘Save My Soul’

EDM veterans Steve Aoki and Afrojack are back under their electrifying alias, AFROKI, with a brand new single guaranteed to set dance floors ablaze. Titled ‘Save My Soul,’ this energetic electro anthem features the soaring vocals of rising star Jordan Grace, fresh off her stint on The Voice season 24.
‘Save My Soul’ continues to show the undeniable synergy that unfolds when these two musical titans join forces. Their decades-long friendship translates into a seamless fusion of Aoki’s signature, high-octane electro production and Afrojack’s mastery of infectious big-room rhythms. But wait, there’s more! Accompanying ‘Save My Soul’ is a festival-ready B-side cut, ‘Diss You’ offering a double dose of dancefloor ammunition. This one-two punch follows the success of their previous single, ‘Everything You Do,’ which is currently riding high at #15 on the Mediabase Dance Radio Chart.
The post Afrojack and Steve Aoki Unite as AFROKI On Latest Track ‘Save My Soul’ appeared first on EDMTunes.
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[Event Review] ILLENIUM Throws Down At Official HITC Afterparty At Terminal 5 NYC

After performing the first ever ILLENIUM B2B Dabin set at 88Rising’s Head In The Clouds Festival NY, the Denver producer went on to perform at the official afterparty taking place at Terminal 5 this past weekend. This wasn’t the first time that ILLENIUM has performed at T5 and this one was another one for the books.
Starting up the night was the NYC based group Sadbois, warming up the venue with a good mix of melodic dubstep and heartfelt beats. Then when the clock hit 12am, LA based producer Elephante took the decks. At this point in the night, Terminal 5 was pretty packed with a steady flow of people arriving to the venue from the festival. Elephante propelled the night forward with his dynamic transitions and upbeat drops. He played out crowd favorites such as ‘Dynasty‘, ‘Catching On‘, and ‘Glass Mansion‘. What’s unique about his sets is that he is not afraid to take the mic, as he got the whole venue singing along to his vibeful tracks. One highlight of his performance was when he played his latest track ‘Say It Like You Mean it‘ with Sabai, which saw an immediate response with many in the crowd singing along to it.
At 1am, ILLENIUM took centerstage and the venue was completely packed with it being a sold out show. The excitement was in the air as many in the crowd were brandishing their ILLENIUM jerseys. Everybody was ready at this point of the night and ILLENIUM took no time to start his set with his heavy hitters. The energy was at an all time high with Illenials headbanging to each and every track. After seeing ILLENIUM more than a dozen times, his performances always have a perfect mix between the heavier bangers and heartfelt melodies. His tracks always have a way to connect with the crowds, with everyone singing along to each soulful vocal. ‘Good Things Fall Apart‘, ‘Takeaway‘, and ‘All That Really Matters‘ were just some of the tracks that he dished out in his arsenal. A personal highlight of the night is his most recent collaboration with Seven Lions, ‘Not Even Love‘ which already has over 4 million streams since its release in March. After the night was over, it’s safe to say everyone in attendance left in a high mood.
For those who didn’t have enough ILLENIUM over the past weekend, they can catch him playing Friday at EDC Las Vegas.
The post [Event Review] ILLENIUM Throws Down At Official HITC Afterparty At Terminal 5 NYC appeared first on EDMTunes.
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[Event Review] Head in The Clouds NY Festival Celebrates 2nd Edition In Style

Nine years ago, founder Sean Miyashiro planted the seeds of 88rising in New York City. His vision was clear: to champion the voices of immigrants, both Asian and beyond. Fast forward to today, 88rising has blossomed into a global music powerhouse, renowned for its trendsetting curatorial style and groundbreaking collaborations. The media collective has become a champion of diversity and inclusivity, representing underrepresented artists and creating a platform where performers and fans can unite and celebrate Asian culture and music.  This growth has spawned various ventures, including the crown jewel, Head In The Clouds (HITC). This vibrant festival celebrates the music, culture, and cuisine of Asian culture.
This past weekend, HITC touched down in Forest Hills Queens on May 11th and May 12th, to celebrate AAPI month. NYC, especially Queens is known to be a melting pot of the world and that was reflected in not only the lineup but the diverse crowd in attendance. Over 10,000 fans flocked to the stadium over the weekend to see their favorite artists from across the world, including South Korea, Japan, the Philippians and more.
One big part of asian culture is the diverse food options. HITC did very well in bringing in local food vendors that truly represented a big part of how Asians grew up. Some of the vendors included 5ive Spice, Gai Chicken and Rice, OBAO Noodles & BBQ, Potluck Club, Silk., Tabetomo, and Tomokase.
photo credits: lindseyblane On Saturday, the Korean group Balming Tiger came out strong with their irresistible charm and upbeat energy. They really knew how to work their stage with their intricate choreography which would constantly erupt cheers amongst the crowd. Next up, New York native Juliet Ivy has been a young star to watch seeing her meteoric rise through her viral social media videos. The 22 year old songstress is known for combining pop, indie, hyperpop, and R&B into one seamless sound. During her performance, she captured the heartstrings of all in attendance with her cheeky lyrics and playful melodies. Following directly after was Vietnamese American singer thuy. With a nostalgic R&B sound and stories of love and self-empowerment to tell, she has been making big noise in the industry. Songs like ‘playing tricks‘, ‘chances‘, and ‘no ties‘ were all the vibes throughout her performance. She went on to close with ‘girls like me don’t cry‘ which has over 67 million streams alone on Spotify.
photo credits: lindseyblane photo credits: estherjy.kim Another sensation act that performed on day 1 was wave to earth, a three-member band consisting of singer-songwriter Daniel Kim, drummer Dong Kyu Shin, and bassist John Cha. The rock band’s soulful vocals and soothing compositions was a calming experience in attendance before the next act. Taking the stage at 7:45pm was ILLENIUM and Dabin who performed their first ever B2B set in history. It was at this point during the day in which the atmosphere changed up dramatically. Their performance was high strung peak energy, commanding the 10,000 in attendance with their melodic dubstep set. The production was spectacular as well, with no shortage of pyrotechnics and vibrant visuals. To close out day 1 was the five member South Korean girl group (G)I-DLE. Walking onto stage with a drumroll, the group opened with ‘Super Lady’ which was fitting for what they embody. Their whole performance was packed brim with electrifying energy as they sang out popular tracks such as ‘LION’, ‘LATATA‘, ‘Wife, and ‘Queencard‘. They then closed out in epic fashion with ‘I DO‘.
photo credits: Bryan.Kwon .
photo credits: lindseyblane Starting off day 2 was Chinese Vietnamese American rapper Spence Lee, who wowed the early attendees with his crowd pleasing rap bars. Next up was Indonesian rapper, singer, songwriter and producer, Warren Hue, who continued to hype up the crowds with his rap verses. American singer-songwriter Lyn Lapid took centerstage at 5pm, and this was when the venue was really filling up. Besides her intricate lyrics, what’s interesting is that her 2023 EP to love in the 21st century, is an ode to the messy 21st century love romances. She drew inspiration from Gen Z romantic comedies like To All The Boys I’ve Loved Before and The Summer I Turned Pretty to tell the story of falling in love. She went on to sing crowd favorites such as ‘In My Mind’, ‘Comatose’, all while wowing the crowd with her guitar riffs. Next up was the Japanese girl group ATARASHII GAKKO!. The group is known for eclectic-pop tracks, idiosyncratic choreography, and schoolgirl aesthetic. This was the first time I saw them perform live and their crowd presence is even more immense than what you see on videos online. Deafening cheers echoed through the venue throughout their whole performance. The group started off with ‘Toryanse‘ and ‘Omakase‘ which immediately got the crowd moving. Their intricate choreography is definitely one to applaud for as they performed perfectly in sync. They even utilized broomsticks in their performance for ‘Arigatou‘. Next up was South Korean singer Bibi who doesn’t need an introduction. She stuns in her performances with her unique sound that’s like a pop mix with contemporary. Some notable highlight of her performance was when she sang ‘City Love‘ and ‘Sugar Rush‘. To close out the festival was Joji who has become synonymous with Head in the Clouds, so much that he has a track called ‘Head In The Clouds‘ which has over 88 million streams on Spotify. It was a full hour of being serenaded with crowd favorites such as ‘Sanctuary‘, ‘Daylight‘, and ‘Pretty Boy’. He went on to close out the night with ‘Glimpse of Us‘, with everyone waving their phone flashlights in the air.
photo credits: lindseyblane photo credits: lindseyblane
The post [Event Review] Head in The Clouds NY Festival Celebrates 2nd Edition In Style appeared first on EDMTunes.
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The Iconic ‘Café Del Mar’ Gets Two New Remixes From Orbital And Michael Mayer

A dancefloor timeless classic just got reimagined by quite the heavyweights.
Looking back a couple of decades, certain songs grew to be turning points in the history of Dance music. Acts such as John Summit’s appearance changing how we perceive Tech House, or how Afterlife came by and redefined Techno from the warehouses and dark rooms to the open air, although recent, are clear examples of points in time when music changed.
And perhaps one of the first huge turning points in Dance music came with the Trance movement back in the 90s. Kind of like the 80s equivalent in Electronic music, so many iconic tunes come from that decade. ‘For An Angel’, ‘Children’, ‘Played-A-Live’, and so, SO many more. Well, one of those special tracks in Dance music history has got to be Energy 52‘s timeless ‘Café Del Mar‘.
Café Del Mar
The 1993 release became an absolute anthem of Trance. Produced by German DJs Kid Paul and Cosmic Baby and named after the famous Ibiza beach bar, the track became synonymous with the island’s euphoric, sun-kissed club scene. With its mesmerising melodies and uplifting harmonies, it became a staple for DJs at sunset sets the world over. It even topped Mixmag’s ‘Top 100 Tunes of All Time’ back in 2001.
The double-edged sword of a classic track is precisely that. Everybody loves it, and everybody wants to get their hands on it. Can you count the amount of remixes they’ve done to ‘Silence’ over the years? Me neither. That’s what I’m talking about. With a track with such a rich history, it’s bound to happen that over the years people flood the internet with their own takes. And it’s tough to separate the “meh” from the really good renditions.
Well, two really good renditions were just unleashed today. Meet the remixers, Orbital and Michael Mayer.
Orbital
Pioneering British duo Orbital, known for their ground-breaking live shows and seminal tracks like ‘Halcyon and On and On‘ and their remix of Golden Girls’ ‘Kinetic‘, are still shaping the scene after three entire decades. Their 2024 album — Orbital (The Green Album Expanded) — and following tour show they can blend modern sounds with their signature style, solidifying their legendary status.
Their take on ‘Café Del Mar’ is a nod to the past, a lovely blend of elements from yesterday that are so tasty when combined. Highly resonant saws meet the soft plucky tones of the original track, surrounded by nostalgic pads, all resting gracefully over a Breakbeat platform. A true example of minimalistic productions gone absolutely right. No element is a filler: every sound has a purpose.
Michael Mayer
One of the largest in Cologne’s scene, Michael Mayer co-founded the influential Kompakt label. His work spans genres as varied as Microhouse to Ambient Techno. Renowned for his meticulous remixes and collaborations, he adds yet another milestone to his discography today.
His remix explores all things hypnotic, tribal, highly energetic and uplifting. Back to the four-on-the-floor vibe, Mayer’s take makes use of more open synths, slightly distorted drum patterns, white noise, and delivers something that we can only describe as the perfect in-between of past and present.
Listen to these banging new remixes for ‘Café Del Mar‘, courtesy of Orbital and Michael Mayer, below. Stay tuned to our page for the latest news and views from our beloved Dance industry.
The post The Iconic ‘Café Del Mar’ Gets Two New Remixes From Orbital And Michael Mayer appeared first on EDMTunes.
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Vintage Culture Plans Extended Set Under a Bridge in Brooklyn

Brazilian powerhouse Vintage Culture is making waves in the electronic music scene once again, with the highly-anticipated announcement of his return to Brooklyn this Fall. Set to take place at Under The K Bridge Park on September 28, attendees can expect an immersive experience like no other. Vintage Culture, known for his forward-thinking artistic vision and passion, will be delivering an hours-long set that promises to captivate and inspire all who are in attendance. Presented by EMW, CLOSED SESSIONS, and GRAY AREA, this event is set to be a highlight of the Fall music calendar.
This exciting news comes just a week before the official release of Vintage Culture’s debut album, Promised Land. With 16 tracks that put various electronic music genres together, this album is a testament to Vintage Culture’s talent as a producer. Fans can expect a deep listening experience that showcases his creativity and skill in crafting compelling electronic music.
For those eager to secure their spot at this unforgettable event, pre-sale registration tickets will open on Tuesday, May 21 at 10:00 AM EST, with general on-sale beginning on Wednesday, May 22 at 10:00 AM EST. For more information and to purchase tickets visit www.vcutk.com.
Vintage Culture’s Musical Journey
Vintage Culture, also known as Lukas Ruiz, has been making waves in the electronic music scene with his unique blend of house, techno, and bass music. His artistic vision transcends traditional genre boundaries, creating a sonic experience that is both innovative and captivating. With a keen eye for detail and a passion for pushing boundaries, Vintage Culture’s music takes listeners on a journey through different moods and emotions.
His debut album Promised Land set to officially release on Friday, May 24, is a testament to his artistic growth and musical evolution. Each track is carefully crafted to evoke a specific feeling or atmosphere, showcasing his versatility as a producer. From high-energy dancefloor anthems to introspective melodic pieces, Vintage Culture’s music resonates with a wide range of listeners, making him a truly versatile artist in the electronic music world.
By returning to Brooklyn for an extended set at Under The K Bridge Park, Vintage Culture is not only sharing his music with fans but also inviting them to immerse themselves in his artistic vision. Through his performance, attendees will have the opportunity to experience firsthand the passion and creativity that drive Vintage Culture’s music, creating a truly unforgettable night of electronic music.
The Brooklyn Experience
Brooklyn, known for its vibrant music and arts scene, is the perfect backdrop for Vintage Culture’s return this Fall. Under The K Bridge Park, with its stunning views of the Manhattan skyline and waterfront location, provides a picturesque setting for an extended set from the Brazilian DJ and producer. Attendees can expect to be surrounded by like-minded music lovers, all coming together to celebrate the power of music and creativity.
As the sun sets over the East River and the city lights begin to twinkle, Vintage Culture will take the stage and transport the audience on a musical journey like no other. With his eclectic mix of tracks from Promised Land and other fan favorites, Vintage Culture will create an atmosphere that is both intimate and electrifying. From the pulsating beats to the infectious melodies, attendees can expect to dance, sing, and lose themselves in the music.
So mark your calendars, secure your tickets, and get ready for an unforgettable night under the Brooklyn sky. Vintage Culture is coming back to Brooklyn, and this is one performance you won’t want to miss.
The post Vintage Culture Plans Extended Set Under a Bridge in Brooklyn appeared first on EDMTunes.
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Lawrence Lui Returns With Genre Bending Single ‘M83 IDM OST MHZ’

NY based experimental producer Lawrence Lui returns to the drawing table with his first single of 2024, ‘M83 IDM OST MHZ‘. Now what does the song name even stand for?
M83 = cool French shoegaze act
IDM = 90s ‘intelligent dance music’
OST = original soundtrack
MHZ = megahertz
Known for his eclectic sound design, Lui continues to blur the fine line of genres on ‘M83 IDM OST MHZ.’ The track is a genre bending of ambient techno, and as lo-fi as it is futuristic. Like yin and yang, the track is a fluid balance between smooth and distorted. It’s a playful ode against conformity. with hints of Hans Zimmer and Scanner woven through the ambient static.
Lawrence Lui defies the mold of your typical EDM artist, crafting a distinct path in the musical landscape. His debut EP, Retroism, hit over 5 million streams, and is known for its classful experimental sounds and retro aesthetic. Subsequent releases like ‘The Genius Of Time‘ showcased his dynamic artistic flair, blending cosmic techno with Buddhist chanson and experimental elements. Amidst the global pandemic, Lui’s creativity took a personal twist with Isolation Loops, an EP inspired by his battle with Covid-19, offering an introspective lo-fi ambient based sonic journey.
The post Lawrence Lui Returns With Genre Bending Single ‘M83 IDM OST MHZ’ appeared first on EDMTunes.
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You Need to Hear the Tale of “Walmart Summit”

The social media age is a wild thing, and a living meme can be created with just one social media post. Have you heard the tale of “Walmart Summit”? We’re not talking about baldie John Summif. It’s the hilarious but tragic tale of a John Summit fanboy who learned a very hard lesson from John. He had his dreams come true (in more ways than one) only to have his entire world crumble before him as a result, all in the span of about an hour.
As the story goes, a young guy blind texts John Summit a selfie, apparently right after a sexual encounter with a girl who knows the real DJ. The girl reportedly told him she only had sex with him because he looked like a “Walmart version” of John Summit. The story must check out because she gave this guy John’s real number and his text was received. John Summit posted a screenshot of the text to his Instagram story.
The thing is, Walmart Summit has a girlfriend (WHOOPS!) and now his infidelity has been broadcast to the entire world. He then proceeds to blow up John’s phone begging him to delete the post because he’s going to get caught and his life would be ruined.
He was forced to learn a hard life lesson from the Experts Only boss. John said “sorry, but you made your bed and now you have to lay in it.” Are we sure John wasn’t a life coach, in addition to an accountant, prior to his DJ life?
It’s not all bad though. We’re pretty sure Walmart Summit will get plenty of fresh attention now. Plus, John promised to list him for an upcoming show and “put in a good word to the ladies” for him.
The post You Need to Hear the Tale of “Walmart Summit” appeared first on EDMTunes.
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EDM.com Fresh Picks: pluko, BAMBII, SAVI MINDS & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
pluko, Evalyn - GET RIGHT
Clear Eyes, Madalen Duke - HIGH STAKES
SAVI MINDS - WHERE'D MY EYES GO?
FINNfm - Givemeafeeling
r.em.edy - I'm Fine
BAMBII - One Touch
Modern Modern Life - London Wants You There
Amy Douglas, Saison - Dare Myself
French 79 - Teenagers
Alex Lustig - Awake (Ambient Edit)
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Esther Anaya sets free empowering new single, ‘Higher Self’

Esther Anaya ushers in 2024 with her spirited, vocal-centric new single, “Higher Self.” This release marks Anaya’s first of the year, following a prolific 2023 that saw the DJ and musician drop three impactful tracks: “Sweet Dreams,” “Fiesta,” and “Before I Go.”
“‘Higher Self’ is a song that talks about your transition from the lowest version of yourself to your best version and mastering your higher self. [It’s] inspired by a period of time in my life where I felt vulnerable, and lost, trying to follow what everyone else wanted me to do [and] finally realizing that we’re all unique and have our own purpose and trademark in life. Getting out of my comfort and tapping into my spiritual higher self for guidance and forgetting about all the negativity & obstacles around me that were trying to pull me down in life,” Anaya shared.
Anaya’s latest effort stands as a testament to her dynamic career, which includes being the official DJ for the LA Chargers and performances at the Super Bowl and NBA All-Star Game. In 2022, she collaborated with Snoop Dogg on his 2022 single “BAYC” and previously played the violin on Lil Yachty’s 2017 album, Teenage Emotions.
“Higher Self” is among more than 10 new records slated for release this year, heralding Anaya’s versatility and hinting at a promising year ahead for the artist. Stream it below.
Featured image: Esther Anaya/Instagram
The post Esther Anaya sets free empowering new single, ‘Higher Self’ appeared first on Dancing Astronaut.
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Trance Icon ATB Announces Final Studio Album

Trance music's celestial architect, ATB, has announced his final studio album, bringing a poignant closure to a career that soundtracked a generation's daydreams.
The German dance music legend, who has been active for roughly three decades, is releasing his last studio album in 2025, according to a press release shared with EDM.com. He has not announced a concrete release date at the time of this writing.
10 studio albums and over 55 Gold and Platinum records later, ATB's euphoric music continues to enrapture fans. From the timeless vocals of "9PM (Till I Come)" to the blissed-out grandeur of "Ecstasy," many of his songs are considered generational classics in trance lore.
Back in 2021, we asked the influential producer what drove him to continue making music.
"You know, when I was five and 10 years old, I used to take instruments and create new melodies. It's always been a goal for me to make melodies that survived over the years," ATB told us in an interview at the time. "Whenever someone comes to me and tells me that a song of mine brought them through really rough times, I tell myself, 'Okay, that's why I'm doing music.' So this is what drives me to do more music. I can be in other people's lives through my music and it's a good feeling."
As the final radiant crescendo echoes from his studio, ATB is launching a 2024 tour, ironically billed as "Don't Stop." Kicking off today, the summer tour "will allow the fans to hear all the ATB classics but with special attention given to unreleased music that will appear on the final studio album," per the press release.
You can check out the full list of tour dates below and purchase tickets here.
The flyer for ATB's "Dont Stop" tour.c/o Press
Follow ATB:
Instagram: instagram.com/atbandre
X: x.com/atbandre
Facebook: facebook.com/ATB
Spotify: spoti.fi/3svUgR6
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Trilium ‘Spread Your Wings (Ornery Remix)’ Lands On

Ornery returns with another Melodic House & Techno remix via the label Revelation, this time breathing fresh energy into Trilium’s ‘Spread Your Wings’. Known for his Techno sound, Ornery has been taking Electronic Music by storm, pushing boundaries as he continues to elevate his own creativity. With a busy release schedule that has seen him dropping tracks like ‘Sulfur’ and, recently, a remix of Sundrej Zohar’s ‘Blackout’, Ornery is surely retaining his momentum as he drops a new must-listen release once again.
Versatile in his talents and musicianship, working as a Producer, DJ, Label Owner, and Sound Engineer, Ornery comes to music production from the perspective of an experienced professional. Having had releases on top labels like Stellar Fountain and Kitchen Recordings, along with appearances at some of Berlin’s most renowned venues and showcases worldwide, Ornery is fast establishing a place within the genre, continuing to captivate with each expression of his creativity.
As he appears on the scene with commitment and determination, an attitude that has seen him providing a platform for new music both through his label, Daydreaming and monthly mixes for his Audere Radio, Ornery should remain high on the list of talents to watch closely.

With ‘Spread Your Wings’, Ornery ensures his powerful signature sound shines through, invigorating the track with pounding beats, risers, and shimmering synth hooks, all woven together with the mighty low end, staggering pads, and underlying bass. With the intensity continuing to rise throughout, as the track introduces more sonic layers, adding in pulsing details, shuffled rhythms, and melodic elements, Ornery’s rework of ‘Spread Your Wings’ serves as the epitome of his dynamic style, incorporating in his signature energy and magnetising vibes.
As he shows no signs of slowing his creativity down soon, Ornery no doubt remains an exciting talent on the scene and one not to be missed. So, be sure to follow Ornery across social media to dive further into his exhilarating sonic world. Ornery’s remix of ‘Spread Your Wings’ is out now via Revelation and is available to stream and download across platforms.
Listen and Buy ‘Spread Your Wings (Ornery Remix)

Out Now Spotify | Beatport 

Ornery Online
Website | Soundcloud
Trilium Online
Spotify | Beatport
Revelation Online
Instagram | Beatport
The post Trilium ‘Spread Your Wings (Ornery Remix)’ Lands On appeared first on Electic Mode.
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Lilly Palmer Fuses Techno & Rap In ‘New Generation’ EP

One of techno’s current phenomenal stars, Lilly Palmer, has brought out a unique, innovative fusion to her music style for her latest EP, New Generation. The EP contains three tracks and signifies a new era in the wonderful career of this wonderful artist. Shortly before the release of this EP, the spectacular techno artist had released her sonic masterpiece, ‘Hare Ram,‘ and it now has over 2.7 million streams on Spotify. Fast forward to today, Lilly Palmer continues to provide her magnificent fusion style of techno for the New Generation EP. In fact, the techno style of this EP is a new experimental, rap-techno style, ‘gangsta techno.’ The three tracks in the New Generation EP of Lilly Palmer proves why ‘gangsta techno’ will become a powerful force in the techno genre.
The electrifying title track of the EP provides an instant, energetic feel for anyone who wants to get their groove on right away. Afterwards, ‘Escape’ is a track that exudes heart-pumping, synth-rolling melodies that makes fans want to hear more. The third track, ‘Let’s Make One’ has darker tones that also gives off festival-like vibes when the music starts playing. Click ‘Play’ on the Spotify link below to stream Lilly Palmer’s fantastic new EP, New Generation, which will have everyone blasting the tunes on repeat throughout the night.
The post Lilly Palmer Fuses Techno & Rap In ‘New Generation’ EP appeared first on EDMTunes.
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DJ Dris Delivers ‘Lose My Breath’ Release

DJ Dris is keeping his momentum high as he drops another release with his House production, ‘Lose My Breath’ via Born Digital Music. As he appears to be continuing to drive his creativity into exciting territories, fulfilling an impressive release schedule that has seen him offering fans high-quality tracks, including recent releases like ‘Work’ and ‘Ethereal,’ DJ Dris is surely paving his way within Electronic Music, ensuring he makes an impact with his music.
Inspired by the infectious grooves of Afro House, Deep Tribal, and Funky House, DJ Dris presents a sonic identity that marks him out; as he marries elements from across genres, DJ Dris’ music continues to appear as a unique display of his passionate love for music itself and his continued commitment to exploring and expanding his artistry.
With a signature style characterised by his originality and enthusiasm for bringing together catchy melodies with funky rhythms, DJ Dris ensures that each of his productions delivers engaging sonic experiences; whether poised to invigorate dancefloors or create emotive moments for his listeners, DJ Dris’ music continues to demonstrate his talents and innate abilities when it comes to crafting detailed soundscapes.
 
With ‘Lose My Breath,’ DJ Dris invites listeners on a sonic journey through vibrant rhythms and beats, glowing synths, mighty basslines, and infectious melodic hooks. As the female vocal line enters, leading through the first breakdown, ‘Lose My Breath’ keeps building momentum, driving forward with relentless energy. As the tension continues to intensify throughout, with repetitive sonic details and hypnotising elements, the track surely makes for an exciting listen, one that will no doubt have listeners hitting repeat.
Appearing as an unstoppable force, continuing to grow his production catalogue with must-listen releases, DJ Dris remains a talent to keep following closely, so stay up-to-date with him via social media as he is guaranteed to continue bringing productions for fans around the globe to enjoy. ‘Lose My Breath’ is out now via Born Digital Music and is available to stream and download across platforms.
Listen and Buy ‘Lose My Breath’

Out Now Spotify | Youtube
DJ Dris Online
Website | Spotify | Instagram
Born Digital Music Online
Instagram
The post DJ Dris Delivers ‘Lose My Breath’ Release appeared first on Electic Mode.
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John Summit & Sub Focus Team Up On ‘Go Back’

John Summit and Sub Focus are among the top names today in the house and drum & bass genres respectively and they have unleashed an awesome track, ‘Go Back’, on May 15. This track also has Julia Church providing the vocal support and it blends top-notch, high-quality melodies of house and drum & bass altogether. ‘Go Back’ utilizes John Summit’s talents in house music production while the second half has that powerful DnB kick that made Sub Focus a household name in the genre, particularly the rhythmic builds and drop that made the track a must-hear for the weekend.
The two artists debuted their collaborative track back at an event at the Hollywood Palladium in Los Angeles, which also featured Dimension, Culture Shock, and 1991 as the headliners, when Sub Focus brought out John Summit on stage. John Summit and Sub Focus debuting ‘Go Back’ at that event got the crowds dancing right from the start. Additionally, the track’s debut proved it will become a hit that fans will never cease to stop playing repeatedly. Click ‘Play’ on the Spotify link of the track below, which will become a huge fusion banger in the forthcoming summer.
John Summit explains his love of DnB and how he combined his house sound on the collaborative ‘Go Back’ alongside Sub Focus and Julia Church:
Sub Focus brings out details of how the production of ‘Go Back’ came into fruition:
The post John Summit & Sub Focus Team Up On ‘Go Back’ appeared first on EDMTunes.
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Damian Lazarus Implements A ‘No-Phone’ Policy For His Upcoming Hï Ibiza Residency

In a modern world where everything is documented through cell phones, nobody ever really experiences an event first-hand. Well now, more and more artists are taking action to change that by implementing a ‘no phone’ policy at their shows. The latest to join the trend and the first to officially enforce it in Ibiza is Damian Lazarus, who just announced his upcoming Hï Ibiza shows will be cell phone-free.
The world-renowned DJ and producer will perform a summer residency at Hï Ibiza’s Club Room on Saturdays from May 18th through October 5th. He announced the ‘no phones’ policy on social media earlier this week, stating he promises to ‘deliver the very best underground electronic music’ in one of the ‘best club spaces in the world.’
The ‘No-Phone’ Movement
Others have joined in on the global ‘no phones’ movement, including James Hype and MEDUZA, both of whom are scheduled to perform at Hï Ibiza this summer as well. Just last October, The DJs announced their own campaign against excessive phone use at shows.
MEDUZA and Hype also explained constant recording of live events can also jeopardize individual privacy, in which fellow attendees may feel uncomfortable being recorded without their consent.
Others to join the trend include popular dance music trio Wavedash, who recently announced an initiative to cover attendees’ smartphone cameras with stickers that read, ‘Social media? No thanks.’ Lane 8 implemented a similar initiative a few years back, which one could argue kicked off the movement altogether. As far back as 2018, the producer’s This Never Happened shows have required attendees to place a sticker over their smart phones or place their phones in a pouch at the door.
It will be interesting to see how this movement plays out in the coming years, as technology continues in its ubiquity. In the meantime, you can enjoy the magic of a cell phone-free live experience at Lazarus’ upcoming residency at the world renowned club this summer. Tickets are available here.
[H/T]: EDM.com
The post Damian Lazarus Implements A ‘No-Phone’ Policy For His Upcoming Hï Ibiza Residency appeared first on EDMTunes.
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