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Visa Issues Prevent Benga From Joining Skream for Coachella, U.S. Tour Dates

Fans across the global electronic music community are sending their love to Benga after he revealed he's pulling out of his upcoming U.S. tour with Skream due to last-minute visa issues. 
One of dubstep's most influential figures, the U.K. producer said his visa process "hit a snag," ultimately delaying his ability to travel and perform stateside this month. Benga took to social media to share the unfortunate news with fans.
"I am absolutely gutted, my team and I have worked tirelessly on making this happen," Benga said. "But hey, I'm respecting the process and staying positive. I've [sic] am doing well and have had the best two years health wise and I am ready to get back out there. The journey hasn’t been easy, but getting the chance to tour again with Skream has been amazing."
View the original article to see embedded media.
The affected shows include Benga's four-night run with Skream and SGT Pokes in Denver. Skream will now take the stage with fellow dubstep icon Mala for a show in San Francisco later this month.
In place of Benga's helping hand, he said they've "called on some of the OG’s to step up in my place" in an effort to fill the void while he sorts out his unfortunate travel issues.
One bright side in the announcement is that despite not being able to join Skream at Coachella for a b2b set later this week, they've announced a performance together at the iconic Indio festival's 2025 edition.
FOLLOW BENGA:
Facebook: facebook.com/iambenga
X: x.com/iambenga
Instagram: instagram.com/iambenga
Spotify: spoti.fi/3q2b4A1
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DJ Snake and Crankdat Kick Off Festival Season With Supercharged Dubstep Anthem, "Big Bang"

Just in time for festival season, DJ Snake has tapped Crankdat for an unexpected collaboration, "Big Bang."
While the French superstar doesn't often cross into the world of dubstep, he teamed up with Crankdat, a rising superstar in the world of bass music, for a dip into the heavier side of electronic.
Like any good festival anthem, the track opens up with a dramatic introduction replete with grinding synths, sirens and epic strings. After warming up, the duo unleashes an explosive bass drop with screeching leads and spring-loaded drums. They then plunge headlong into a pounding electro house sequence to send future crowds into a groove before switching back to a halftime arrangement and opening the bass floodgates one more time.
"Big Bang" arrives just days before Snake's performance at Coachella's Sahara stage. He's also recording a brand-new album, he revealed last year. Crankdat, on the other hand, in June will head to California for his "Absolute Annihilation" tour run in partnership with Insomniac.
Check out "Big Bang" below.
Follow DJ Snake:
Facebook: facebook.com/djsnake.fr
X: x.com/djsnake
Instagram: instagram.com/djsnake
Spotify: spoti.fi/2Ydtfoq
Follow Crankdat:
Facebook: facebook.com/crankdat
X: x.com/crankdat
Instagram: instagram.com/crankdat
Spotify: spoti.fi/3YNQF0G
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Pyramid Ibiza Reveals Huge Lineup for 2024 Amnesia Season

Pyramid Ibiza returns to Amnesia in 2024 with a clear motto: appreciate the past, live the present and dance into the future. Amnesia has announced their star-studded lineups for their in-house residency this season which returns every Sunday from 9th June. 
The hotly anticipated summer lineup includes island exclusives from renowned French techno producer I Hate Models, DJ titan Nina Kraviz, acid techno superstar Charlotte de Witte, ‘Techno Queen of Naples’ Deborah De Luca, Detroit techno legend Richie Hawtin, and acclaimed Chilean-German DJ Ricardo Villalobos, with more artists and special acts still to be announced.
Amnesia’s in-house night Pyramid has become one of Ibiza’s most respected house and techno parties. It features vast line-ups that bring not just one headliner but many different top-level talents to the world famous club. The party is well known for its legendary opening and closing events and regular sets from international DJ stars. Pyramid has recaptured the essence of early Ibiza parties with its focus on standout headliners, all night long dances and cutting edge technology all heightening the unique experience.
Sunday’s program is based exclusively on music, in the energy that it delivers and the atmosphere that it creates. From June 9th until October 6th, join the community that fights against the established order and enjoy what really matters: music. Pyramid Ibiza, as its name implies, was born in Ibiza but its spirit is global. In its philosophy there is no room for nationalities, flags or passports.
Make sure you secure your tickets here for a journey that is set to reshape the landscape of dance music and clubbing.
Stay tuned for more news!
The post Pyramid Ibiza Reveals Huge Lineup for 2024 Amnesia Season appeared first on EDMTunes.
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Jamie Jones Announces Return Residency at Amnesia Ibiza

Luminary DJ, producer, and label owner Jamie Jones has announced the lineup for his legendary Paradise event series at the iconic Ibiza venue Amnesia Ibiza this summer. Under this season’s theme of Temples of The Sun, Jamie will take over Amnesia every Wednesday from 19th June to 2nd October 2024, joined by an array of new and returning artists from all around the globe. Bolstered by Jamie Jones’ visionary curation and Amnesia’s legendary atmosphere, Paradise promises to elevate midweek clubbing to new heights. Tickets for this unmissable event series are available now – book your place here.
Prepare yourself for the pinnacle of Ibiza’s club culture as Paradise turns Wednesdays into the most sizzling night on the island. Big-name additions to the lineup include The Martinez Brothers, Hot Since 82, Skepta, Skream, Manda Moore, Seth Troxler, Nicole Moudaber, Ben Sterling, Joseph Capriati, Fleur Shore, Apollonia, Archie Hamilton, Toman, Richy Ahmed, Ilario Alicante, Chris Stussy, East End Dubs and many more. Also making their first ever appearance at Paradise in Ibiza are AJ Christou, Cloonee, Cristina Lazic, Elliot Schooling & Liam Palmer, Gaskin, Jaden Thompson, Josh Baker, Prunk and TSHA to name a few. 
The post Jamie Jones Announces Return Residency at Amnesia Ibiza appeared first on EDMTunes.
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Vintage Culture and MAGNUS' New Single Intertwines Human Emotion and Nature's Steadfast Rhythm

Tapping into nature's eternal rhythm, Vintage Culture and MAGNUS have joined forces for a new single, "Nothing Ever Changes."
As the latest cut from Vintage Culture's forthcoming debut album, Promised Land, the single blends the soul-stirring vocals of UK talent MAGNUS with melodic house synths. Shakers and hand percussion soup up the groove, which mirrors the effortless flows of the natural world.
The result is a listening experience that drives the piece's core message home: amidst the inevitable shifts of life, certain things—like the power of a compelling melody—remain steadfast.
"I wanted my first collaboration with Vintage Culture to have an emotional impact through the songwriting and production, plus a melody that would connect with fans around the world through Lukas’ massive shows," MAGNUS said in a press release shared with EDM.com. "'Nothing Ever Changes' reflects how I was feeling during a challenging time. We all go through these stages in life. The trick is to not allow it to consume you, but to harness these feelings and keep striving for improvement." 
Vintage Culture's Promised Land album is slated for release on May 24th, 2024. You can watch the official music video for "Nothing Ever Changes" below and stream the new single here.
Follow Vintage Culture:
Facebook: facebook.com/vintageculturemusic
X: x.com/vintageculture
Instagram: instagram.com/vintageculture
Spotify: spoti.fi/2PWdehz
Follow MAGNUS:
Facebook: facebook.com/magnusuk
Instagram: instagram.com/magnus_uk
Spotify: sptfy.com/OC6T~s
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FREE DOWNLOAD: Slowdive – Kisses (Nick Stoynoff’s Smoochy Bootleg)

Music Treasures · FREE DOWNLOAD: Slowdive – Kisses (Nick Stoynoff's Smoochy Bootleg) Chicago is home to some great artists and Nick Stoynoff is one of them. If you have not heard Nick’s music then allow us to introduce you. Born and raised in Chicago Nick has been developing his skills as a DJ, producer, recording engineer and sound designer and his talent speaks for itself.
With the cookie-cutter EDM tracks being released daily, Nick’s tracks show the attention to detail and production that few seem capable of today. He has released original tracks on many labels including Armada, Black Hole, Afterglow, Cr2, Baroque, Proton, Solaris, and Stripped Digital.
His production skills have earned him support from some big names including Tiesto, Armin Van Buuren, Solarstone, Blake Jarrell, Paul Van Dyk, Jaytech, James Grant, Hernan Cattaneo, Nick Warren, and Sasha.
The post FREE DOWNLOAD: Slowdive – Kisses (Nick Stoynoff’s Smoochy Bootleg) appeared first on Decoded Magazine.
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No Lack of Substance on Channell’s first TNQ EP

At 25 years young, Alfie Channell brings style and prowess beyond the number. He gets it from a variety of sources, both externally influenced, and from the heart. 
His mother and father’s eclectic tastes had him hooked at an early age. Growing up in South London between two households, each of his parents indulged him in everything from soulful 4-4 to indie-rock. On top of being surrounded by tasteful rhythms, he’s inherited a natural feel for them too – picking up the bass in his young teens and playing licks without any lessons. That funk and melody you hear in his productions today comes almost effortlessly from within.  
Moving up to Manchester to sharpen his musical edge was the catalyst for a focus on drum & bass. Encountering new friends on the same journey, having formidable moments in nightclubs, and starting to get serious about digital production. Here, he started releasing on labels like Fokuz, Celcius, and Inform – his 2021 track ‘Imagination Runnin’’ with 2b.Frank providing an early highlight of the soulful D&B to come. Later that year came ‘An Untitled Summer / Less Talk’ on Innerground – a milestone for any producer – releasing one of the very labels that had a major influence on him at the outset.
After many nights standing in awe of musical geniuses like dBridge, Calibre, and The North Quarter roster, he decided this was his sound. It turned out that Lenzman agreed after hearing ‘Intrigue’, and inking it for release on his label. Channell fits the NQ sound like a glove: soulful, energetic, melodic music that’s appreciative of 2000s liquid funk. 
With Channell’s debut NQ EP next up, it’s a pivotal moment. ‘Full Circle’ is the title – a nod to it all coming together, and the spectrum of sounds and tempos he’s included on the 6 track release. We sat down with this bright, young talent to discuss his journey towards finding such a distinctive sound, and how he’s keeping liquid D&B moving in an exciting direction. 
Let’s start from the top. Do you remember when you first became interested in music?
Well it was way back now. I actually feel old when I think about it, but I guess 25 is not that old. It started with my parents. My mum and dad split up when I was young – so I sort of see them separately – and they’ve each got music tastes that are different in some ways, and similar in others. 
My mum comes from a real soul background. She loves her neo-soul, soulful house, deep house. Artists like Incognito, Reel People, Tortured Soul, Giles Peterson – she had a lot of Giles Peterson compilation CDs that we’d listen to in the car. I feel like as a kid, the soundtrack to your childhood is whatever CDs you’ve got in the car – and my Mum was always playing that deep, soul music. So that’s my Mum. 
And how about your dad?
Well my dad’s probably the main reason for getting me into music. 
I was a big indie alternative kid at school. I loved Arctic Monkeys, The Horrors, Franz Ferdinand, Kasabian, Gorillaz – all those sorts of bands growing up between the ages of like 6 to 12. My dad would be just thumping those tunes, and as a kid I just loved it. 
I was also never taught music or anything either. I just taught myself. I got my bass guitar for my 13th birthday, and all I used to do was play basslines to my CD player in my room – and that’s how I taught myself!
No lessons, no books, no YouTube?
No, I just felt it I guess, as cringe as that sounds. Playing with friends really helped too. When you play with people that are better than you, you kind of rise to it. I always had good friends who were really into their music and we’d always play together.
But then at around 14 or 15 years old I started to listen to a lot of dance music. My dad has always been playing dance music – he was a record producer in the 90’s, him and his friend. They were called Mau Mau. He always claimed to me that they could’ve been like Chemical Brothers or Basement Jaxx – but I would always tell him to do one! 
He’s had a load of productions, pressed to vinyl. Only in my later years did I appreciate it. Because when you’re a kid, you don’t get the dance music explosion sort of thing until you’re old enough to start going out. 
And this is all going down as you grew up in Kingston?
Yeah – and we were so close to town [London], which was massive really. We had the chance to go to so many gigs. I can’t tell you the amount of times I’ve been to Brixton Academy with my dad and with my friends, seeing my favourite bands – Massive Attack, Primal Scream, Cypress Hill…
When did digital production come into the fold for you?
Throughout most of school, I just wanted to play guitar and bass, be in bands, and perform. I wasn’t too bothered about the…. mathematics of the subject, or the whole theory side of it. I never really learned theory until I chose music for my GCSEs. This is where production took over. 
We had this room of computers at school where I discovered Logic 9, and I learnt how to use it during the rest of school. I bought my own laptop, and I just started making music in my bedroom. I had this silly little 15 watt bass-amp which I used to plug my laptop into. Looking back on it, I can’t believe I used to make tunes on that – it was a horrible little thing. 
Who were your influences at the time?
It was a mixture between hip-hop, electronica and indie. I was really into Jagwar Ma, King Krule, early Joey Bada$$. And because my dad was big into all that progressive house stuff – Andy Weatherall, Leftfiield, Orbital – that rubbed off on me. So that was what I was making at the start – ambient, boom-bappy, experimental type of stuff. 
I started to DJ, learning on my Dad’s 1210s with his records. Then I got a cheap Numark Mixtrack Pro [DJ Controller] when I was 14. I bought a load of music, including those D&BA compilations, and one of the first tunes that I really got into was ‘Yellow Shoes’ by DJ Marky. Along with that, High Contrast was another – High Society was big in introducing me to the genre at that age. What an album! 
Later on when I had finished school, I moved up to Manchester to study music production. The first person I met in my class was Jonny Porter (Motiv). He was in my class and had been making drum & bass for years – and it was after class one day I went back to his house, and he was showing me what he’d been making. I thought it was really cool – and that I could get into it. 
Building a friendship with him, I was really into what he was doing, and I was inspired to do it too. That’s how I started producing and releasing music under Channell. 
With TNQ – how did that relationship kick off?
It was just before summer 2021, and I was really loving what those guys were doing. Everyone on TNQ is a great artist and they’ve all got their own path – when you hear Zero T, you know it’s him, same with FD, Lenzman, Redeyes, all of them. They’ve all got their distinctive sound, I was just obsessed with that. 
So I started sending music to Julien, before he had Five Alley, and he was really supportive and positive, and just gave great feedback.
Then he played one of them on a Hit & Run livestream. Lenzman was tuned in, and he apparently asked what one of the tracks Julien played. It happened to be ‘Intrigue’ which then came out on the NQ State of Mind compilation. So that’s how it all started with TNQ. 
I like what you said about how every artist has a distinctive sound on TNQ. Totally agree. Do you think that you’re getting towards that level of distinction, or an established sound?
Yeah… I’d like to think so! I feel that what I’m doing is fresh. I’m still working everyday, developing my craft and sound and over the next few releases, so I hope people can recognise it. 
When we discussed you having a musical background and learning the ‘analogue’ way to a large extent – I feel like I can hear that in your music…
Oh definitely. I mean I’m listening and creating all sorts … deep house, techno, disco, indie and other things all the time. And I feel like with the stuff we’re [TNQ] making, it’s like… BPM doesn’t define the style. 
Some of the tunes I make, if you took out the drum and put it to 120 bpm, it’s probably just a straight house tune. So that’s where I draw a lot of influence from. And obviously I have a huge appreciation for drum & bass as well – my favourite era is probably about 2000 to 2008. That to me is the pinnacle of why I love this genre so much. 
TNQ definitely gets a lot of influence from that era. 
It’s the more funky, deep sort of liquid tunes that would go off in a club. I feel like when you say ‘liquid’ to someone, people often think more mellow, listening at home, more emotional sort of thing. But what we love is high energy – we love to dance to high energy with melody and harmony. And a prime example of one of the greatest to ever do it is Random Movement, in my opinion. You can probably hear a lot of his influence on my tunes. 
‘Substance’ – the first single on this EP – is another perfect example of a high-energy liquid track…
That’s it, man. It’s rolling, and it’s got melody and harmony, but it’s also got that grit to it – it goes from sections where everything drops out and gets a bit dark, then it brings it back to the melody and harmony side of things – that’s just the best. It’s all about the groove. 
So that’s out today [as we do this interview]. How’s the response been?
Yeah it’s been great. It’s got a lot of support from inspiring producers like LSB, Skeptical, FD and the big one really is, Laurent Garnier! He was playing my track with 2b.Frank ‘Where We Go’ on his radio show recently, and he said he’s really loving ‘Substance’ too. That is just… amazing. Laurent Garnier, French house legend! 
And my dad, like I said earlier, is a fanatic about this music. He knows everything about everything. And for him, Laurent Garnier is up there as one of his favourite DJs. For me to turn around say: “Oh Dad, Laurent Garnier is liking the tunes, playing them on his radio show”. He was gobsmacked. 
He must’ve been proud.
He was! Obviously, being a house producer and DJ. 
I don’t know how good he was, he always puts himself on a pedestal. There’s a funny story he always tells me that he could’ve toured the world – but he didn’t because I came along. I say “Yeah, whatever Dad… you’re talking rubbish!”. That’s the type of guy he is and how we joke around. 
Do you have aspirations to tour a lot?
I would love to. That would be amazing. But we’ve still got a long way to go. I’m here to stay though, that’s the thing. I don’t just think it’s gonna happen overnight, but I’m here to put the work in. 
I’d love to be touring every weekend, and that’s the dream really. But for now I’m just going to keep working and releasing music. 
What’s making up the rest of the EP?
The idea is to release the next single – which is another funk fuelled track, but more on an amen-roller vibe. It’s a new spin on the amen break. 
It’s one of those tracks where, when I listen at home it sounds decent. But then once you play it in a club, I don’t know what happens, but it just changes and becomes this huge track. Some tracks have the ability to change like that and tear up the dance floor in certain situations. When we were at Phonox, Lenzman played it and I thought, this doesn’t sound like it does in the studio? It has a new aspect to it. 
I feel like that about a lot of tracks. I think where DJs still hold a lot of value is being able to find those ones, and recontextualise what we thought we knew about it by putting it in the mix, or dropping it in a club… 
Exactly. It’s all about context isn’t it. You’re in a club, it’s full of people, everyone’s having a good time, there’s smoke machines and lasers, a big loud sound-system. It’s a completely new experience. 
When I was at Phonox a few years ago one of my favourite D&B tracks of all time got dropped – ‘Astral Travel’ by Bungle on Soul:r – Calibre played it and it was a religious experience, I was in another world, I couldn’t believe how it sounded in that moment!
I had the same experience, on that same night! But the track for me was ‘Steady’ – Marcus Intalex. 
Oh man – what a tune. You get goosebumps talking about it. 
Anyway – the plan is to release the next single, where there will be a feature on it, but we haven’t recorded it yet and I can’t reveal who it will be. The EP will likely be six tracks in total, four of which are drum & bass. There’s two house tunes on there as well – but more kind of soulful house. 
The house productions on the new EP and your Five Alley EP are great.  
The thing is, I just love music! I find it hard to just stick to one genre. Obviously if you look at my back catalogue it’s predominantly drum & bass, but I do make loads of other stuff – experimenting with disco, deep house, down-tempo. I want to start pushing that more and present myself as an artist. Rather than being pigeonholed in one style. 
You’re well on your way! Do you have any final thoughts before we finish up?
Yes, actually. There’s something I didn’t mention earlier when talking about how I got into D&B. 
Quite a pinnacle moment for me was going to Hit & Run nights. They would show the deeper side of bass music, and bring you things you wouldn’t usually see. One of the first things that really stood out to me, and inspired me to believe I could do this was a TNQ night in 2018. I remember being at the front the whole time. I was thinking wow. This is what I want to do. Dancing to deep, soul and melody in drum & bass was so fresh to me, and TNQ were the guys to show me that. 
There was another Hit & Run with Calibre B2B dBridge, with Tyler Daley and DRS on the mic. It just blew me away. They go deep, dark and wonderful – it’s just so forward thinking. So in terms of going out, those are the nights that are hugely influential to me. 
It’s a good reminder to go out and see artists you love or have an interest in – those moments are waiting!
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Tomorrowland Announces Theme & Dates For Brasil 2024

The story of ‘Adscendo’ continues as the People of Tomorrow can start preparing for a magnificent new chapter in the history of Tomorrowland, as Tomorrowland Brasil 2024 will revolve around the mythical ‘Adscendo’ theme, turning Parque Maeda into a magical destination high on the horizon. Pre-registration for the ticket sales opens on April 10 at 15:00 CEST | 10:00 BRT, the Worldwide Ticket Sale starts on May 2. Discover all ticket info and prices on brasil.tomorrowland.com.
Tomorrowland Brasil will take place on October 11-13, 2024, in the beautiful festival area of Parque Maeda in Itu, a municipality of São Paulo. Last year, Tomorrowland celebrated its grand return to Brazil with people from around the world uniting as one. This year’s Brazilian edition will introduce people into the world of ‘Adscendo’, turning Parque Maeda in Itu into a magical destination high on the horizon.
Following many years of tradition, the captivating ‘Adscendo’ stage was brought to life by Tomorrowland’s creative team and is 100% crafted in-house at Tomorrowland, from idea to realization and made with love and passion. The breathtaking stage was first unveiled at Tomorrowland Belgium in 2023 and will now find a new home in Brazil, taking the People of Tomorrow along to embark on a secret journey toward a peculiar destination and witness the rise of a magnificent tale at the festival grounds of Parque Maeda.
The ‘Adscendo’ MainStage in numbers
100% locally crafted 43 meters high 160 meters wide 740 square meters of video tiles – 1.517 video tiles in total 1.050 lamps 230 speakers & subs 30 lasers 48 fountains 15 waterfall pumps
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Tube & Berger and Lina Colada Team Up for: Like Addiction

Following their recent EP releases, Forever Yang and Deep Inside, German industry disruptors Tube & Berger return to their ZEHN Records imprint for their debut collaboration with Bahrain-based DJ Lina Colada – Like Addiction. Alluding to society’s digital dependency, Like Addiction offers a hypnotic groove that captivates from start to finish. With spoken vocals taking control, Tube & Berger and Lina Colada craft a deep, rhythmic soundscape, enhanced with striking synths and powerful percussion. Maintaining a compelling downtempo pace, this cut showcases the producers’ commitment to following their own path with their magnetic output. Listen here.
Embarking on musical journey in 2014, Lina Colada has spent the past decade touring around the planet as an open-format DJ, playing shows from the Middle East to Europe. Her passion for music was ignited at a young age through piano, eventually leading her to graduate from a prestigious music school in Moscow. After performing in numerous cities across her homeland, she made the move to the Middle East, where she has since built a thriving career as an artist. With boundless love and energy for music, Lina Colada delivers electric performances guaranteed to keep crowds moving all night long. Signing to ZEHN Records marks a new chapter and milestone in her career as a releasing artist.
Globally renowned for infusing their rock & roll attitude into the world of tech house, Tube & Berger’s influence can be felt throughout the depths of the dance music scene. Emerging from the punk rock circuit, the friends discovered dance music through Daft Punk and The Chemical Brothers, and began making their own electro-influenced tracks. Amassing over 100 million Spotify streams, and rocking the world’s most iconic stages, such as Pacha and Ushuaïa Ibiza, Printworks UK, Green Valley Brazil, Parookaville Germany and Tomorrowland Belgium, Tube & Berger never fail to incorporate their emphatic sound and energy into every release and performance. Founding their own imprints, the duo also run Kittball Records and ZEHN Records, releasing carefully selected records from producers from both revered artists and up-and-coming acts. Collaborating with a long list of influential musicians, Tube & Berger have released tracks with the likes of NERVO and Like Mike, and most recently Vintage Culture and Kyle Pearce with their global hit, Come Come. As a Top 20 Beatport all-time bestseller, the duo has undoubtedly helped to shape the house genre, crafting several scene-defining records, including Imprint of Pleasure, which was named Beatport’s 9th best-selling track of all time and received an official remix by Adam Beyer.
The post Tube & Berger and Lina Colada Team Up for: Like Addiction appeared first on EDMTunes.
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Short-Term Rental Bookings For Coachella Down From 2023, Data Shows

After Coachella experienced historically low ticket sales, there is now data circulating showing that vacation rental bookings are down from last year. The data comes from AirDNA, which tracks short-term rental data from Vrbo and Airbnb, and shows that bookings for both weekends of the Indio festival are down from last year.
According to AirDNA, three months ago, bookings were down by 26% compared to the same time last year. While that gap has since narrowed, it’s still not where one would expect; AirDNA also reported that three weeks out from the festival, 48,000 nights had been booked, down 12% from the same time in 2023.
This news follows the slowest ticket sales the festival has seen in years. Historically, Coachella tickets have sold out in within just a few hours, after stressed-out fans endured long virtual ticket queues. This year, tickets went on sale Friday, January 19th, and took almost a month to sell out. Tickets for Weekend 2 are actually still available.
Coachella is set to return April 12th-14th and 19th-21st in Indio, California. This year’s lineup features Doja Cat, Tyler the Creator, Lana Del Rey, No Doubt, Charlotte de Witte, ISOxo & Knock2, Peggy Gou, Adriatique, Mall Grab, LE SSERAFIM, Reinier Zonneveld, Purple Disco Machine, BICEP, Anyma, Steve Angello, John Summit, Dom Dolla, Gesaffelstein, and more.  
[H/T]: SFGate
The post Short-Term Rental Bookings For Coachella Down From 2023, Data Shows appeared first on EDMTunes.
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Coachella 2024 set times revealed: plan your dancing

The day music fans have been waiting for is finally here – Coachella has dropped the highly anticipated set times for the first weekend of the 2024 festival!
If you’re headed to the Empire Polo Club grounds in Indio over the next few days, you’ll want to study these schedules closely to map out your ideal weekend. As always, there are some brutal set conflicts to grapple with across the various outdoor stages and tents.
Let’s break down some of the biggest highlights and challenges:
Friday, April 12th
The opening night kicks off with rising Mexican star Peso Pluma hitting the main Coachella stage at 9:05 pm, leading into the weekend’s first headliner Lana Del Rey at 11:20 pm. But you’ll have to choose between several can’t-miss acts in the preceding hours, including French indie dance icons Justice, British alt-rockers Deftones, and Australian singer-songwriter Faye Webster (whose sets all partially overlap).
Saturday, April 13th
The weekend’s biggest surprise was the last-minute addition of Vampire Weekend to the lineup. They’ll play the Outdoor Theatre at 5:00 pm, while legendary ska/rock band No Doubt reunites on the main stage at 9:25 pm before headliner Tyler, The Creator closes out the night. Schedule conflicts abound in the evening with Grimes vs. Bleachers vs. Oneohtrix Point Never vs. Ice Spice among the most difficult choices.
Sunday, April 14th
The final day is headlined by Doja Cat at 10:25 pm, following a stacked lineup including J Balvin, Jhene Aiko, Khruangbin, and Taking Back Sunday earlier in the day. Underground indie bands Feeble Little Horse and Mandy, Indiana offer a welcome palate cleanser between bigger acts. Lil Yachty and DJ Snake also have unfortunately overlapping set times.
No matter which acts you prioritize, agonizing choices will have to be made. Arguably the biggest struggle is choosing between new and emerging artists getting their big break on smaller stages versus established festival veterans.
Those tough decisions are all part of the classic Coachella experience! For those stuck at home, YouTube will be livestreaming select performances across multiple channels all weekend long.

The post Coachella 2024 set times revealed: plan your dancing appeared first on The Groove Cartel.
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CircoLoco Ibiza Reveals 25th Anniversary Season Lineup

Hey there! Exciting news – CircoLoco Ibiza has just announced its full program for the twenty-fifth anniversary Ibiza season! The season will run from April 29th to October 14th at DC-10, bringing together scenes and sounds from around the world for an unforgettable experience.
For 25 years, CircoLoco has been the go-to place where legends are born, and the avant-garde takes center stage. This season, the iconic club is paying homage to their legacy with marquee billings featuring some of the biggest names in the underground electronic landscape, such as Apollonia, Seth Troxler, The Martinez Brothers, Tania Vulcano, Peggy Gou, Rampa, Loco Dice, DJ Tennis, Sonja Moonear, Tale of Us, Anyma, ANOTR, Butch, and Luciano.
Circoloco is also thrilled to bring some of experimental electronic’s foremost flag bearers to the stage, like Ben UFO, Daniel Avery, Joy Orbison, Aurora Halal, Bambounou, Bradley Zero, I. Jordan, Eliza Rose, and VTSS. They’ll be joined by genre pioneers like Moodymann and Carl Craig, and crossover icons like Grimes and The XX’s Romy.
House music’s perpetual evolution will be showcased by its new school icons like The Ghost, Sweely, Christian AB, Gene on Earth, and Quest, as well as 4/4 heroes like Young Marco, Antal, Hunee, and more.
At CircoLoco, it’s all about fostering moments of connection like nowhere else, and its tight-knit family of artists who know the club best that continue to earn the attention of the island each season. This year, CircoLoco is particularly excited to see Chloé Caillet rise within and beyond the four walls of DC-10 following her CircoLoco Records debut and launch of her own Smile label earlier this year. Keinemusik’s Rampa remains a fixture of the CircoLoco movement, crisscrossing sonic styles and representing the fashion-forward lens of the community. And let’s not forget Mochakk, who continues to amaze us with his monumental superstardom this season, much of which can be traced back to peak moments on the CircoLoco dance floor, with a crazed smile on his face and impeccable energy in the booth.
We hope you’re as excited as we are about the twenty-fifth anniversary Ibiza season at CircoLoco! See you there! Grab your tickets HERE!


The post CircoLoco Ibiza Reveals 25th Anniversary Season Lineup appeared first on EDMTunes.
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Hedex to Headline Charity Rave in Memory of Friend's Death From Brain Tumor

Hedex is set to headline a charity rave in the UK to pay tribute to his late friend, Dan Cracknell, who tragically died last year.
Cracknell passed away from a rare and aggressive brain tumor, according to Rainbows, a Loughborough hospice caring for babies, children and young people facing severe and terminal illnesses. The facility provided him and his family with care and support in the final days of his life.
One of Cracknell's visitors at the time was Hedex, a rising superstar in the world of drum & bass music. The EDM.com Class of 2024 star was his favorite DJ, per Rainbows.
Hedex and Dan Cracknell.Rainbows
"Drum & bass was Dan's life," his mother Francesca told Rainbows. "He loved to party and he was always out at a rave."
In addition to a performance by Hedex, the show promises a performance art lineup of fire breathers, stilt walkers and face-painters for an unforgettable night dedicated to celebrating Cracknell's life and supporting Rainbows.
The charity rave kicks off at Ashby's Ciros Nightclub on April 19th and tickets are £20. You can visit the Rainbows website for more information.
Follow Hedex:
Facebook: facebook.com/hedexuk
Instagram: instagram.com/hedexuk
Spotify: sptfy.com/QqbV
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Chris Lake’s Black Book Takeover Returns to NYC for 2 Days at Brooklyn Army Terminal

Legendary British producer Chris Lake is gearing up for a massive two-day takeover of Brooklyn’s historic waterfront venue, Brooklyn Army Terminal. Mark your calendars for July 19th and 20th, 2024, as he headlines this unique open-air venue, showcasing the dynamic appeal from his Black Book Records label.
Chris Lake, a household name with hits like ‘Turn off the Lights,’ ‘Beggin’,’ and ‘In The Yuma,’ launched Black Book in 2016 as a platform for his own music. The label quickly morphed into a powerhouse, nurturing talent like Walker & Royce, Eli Brown, and Cloonee. Now, Black Book brings its signature sounds and curation to Brooklyn, promising an unmatched experience featuring a picturesque waterfront view for fans at this new venue.
EMW Presents fuels this electrifying showcase, presenting Chris Lake in a dynamic setting unlike ever before. Black Book Records events are known for consistently selling out iconic dance music venues worldwide, and the Brooklyn Army Terminal is soon to join that prestigious list. The event promises a heady mix of casual warehouse vibes and a summertime soiree, making this a can’t miss house event.
Joining Chris Lake are a slew of special guests guaranteed to keep the energy high. Green Velvet, Chris Lorenzo, Harry Romero, Book Club Radio’s Jojo Lorenzo, Andruss, and Cole Knight are just a few names on the stacked lineup.
Don’t miss your chance to be part of the upcoming Black Book takeover! Sign up for pre-sale tickets will start on April 16th at 12 PM EST at blackbook.nyc. General sale opens on April 17th at 12 PM EST.
ABOUT EMW PRESENTS
EMW (East Meets West) is fueled by passion, creativity and music. The purveyors of dance music culture in New York City are committed to providing top-notch production in rooms of all sizes, from intimate clubs to dark warehouses to open-air rooftops.
ABOUT BROOKLYN ARMY TERMINAL
The historic Brooklyn Army Terminal offers a unique experience and unobstructed waterfront views of the Manhattan and New Jersey skylines. The military base turned manufacturing campus in the Sunset Park neighborhood features a large outdoor area and a “raw” warehouse space that form a premier setting for music events. Brooklyn Army Terminal is located at 140 58th Street in Brooklyn, NY 11220.
The post Chris Lake’s Black Book Takeover Returns to NYC for 2 Days at Brooklyn Army Terminal appeared first on EDMTunes.
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Expecting His First Child, FISHER Extends Ibiza DJ Residency

As FISHER queues up life's next big track, his Ibiza residency is adjusting to acommodate a new set of dates to close out the 2024 summer season.
The changes arrive after FISHER and his wife Chloe announced that they are eagerly anticipating the arrival of their first child, setting the stage for a brief intermission in the barnstorming DJ's touring schedule from June 19th to July 10th.
During this time, the decks at Hï Ibiza will be entrusted to fellow house music star Patrick Topping. As a result, FISHER has promised to extend his residency to October 2nd, making up for the brief time off and ensuring that the summer season at Hï will not only continue its tradition of unforgettable nights, but also add an extra week of FISHER's signature performances.
With its unparalleled sound system and avant-garde design, Hï provides the perfect canvas for FISHER's hyperactive sets, which have consistently been regarded as among the island's most compelling. Fans can purchase tickets to his residency here.
View the original article to see embedded media.
Follow FISHER:
X: x.com/followthefishtv
Instagram: instagram.com/followthefishtv
Facebook: facebook.com/followthefishtv.tv
Spotify: tinyurl.com/ywmrm645
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Eli & Fur ink new musical chapter with ‘Insomnia’

London music duo Eli & Fur present a brand new audiovisual recording, “Insomnia,” kickstarting a refreshed musical journey piloted by the esteemed indie-electronic outfit. Now streaming via [PIAS] Électronique, the “Pegasus” co-producers’ latest dazzles and inspires, marked by a tastefully repetitive vocal chop, its crisp and entrancing vocal topline, and the melodically addictive stutter effects that cut through each drop section. In an Instagram post announcing the track release, Eli & Fur expressed,
Evidently, a sophomore album from the Found In The Wild co-creators may not be too far off the horizon. “Insomnia” arrives alongside its paired visual component shortly after the release of “Halo,” Eli & Fur’s first collaborative single of 2024 on NYX Music, which may or may not be apart of the act’s apparent “new journey.” Regardless, “Insomnia” will surely go down as one of Eli & Fur’s flagship solo records. Indulge in “Insomnia” by viewing the track’s official visualizer below.
The post Eli & Fur ink new musical chapter with ‘Insomnia’ appeared first on Dancing Astronaut.
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Future-Proofing Festivals: CAA Vet Alex Becket on Why EDM is the Sound of Success for Coachella and More

Imagine it's 2013. Skrillex's brostep is decimating crowds, Avicii is triggering spiritual dancefloor awakenings, a 17-year-old Martin Garrix drops "Animals" and the retina-searing lasers of Ultra are changing eyeballs forever.
While that EDM serotonin rush still remains, the industry looks different over a decade later, when its consumers often prioritize the intimate, walk-on-air euphoria of a dark warehouse rave over the regurgitated frills of a major festival. From a cultural standpoint, the chasm between those two formats keeps growing—but for its artists, the road between the two is paved with uncertainty and hardship.
So where exactly do DJs fit into this industry in flux? And what challenges do they face?
Without the peace of mind that comes with blitzkrieg marketing offensives and veteran negotiators like CAA's Alex Becket, most must navigate choppy waters solo as inflationary pressures hike the rising costs of touring to unsustainable levels. For those artists, it's a lonely masterclass in DIY hustle.
Becket is the powerhouse agent behind—among many others—RÜFÜS DU SOL, Bedouin, Monolink and G Jones, the lattermost of whom was recently named by EDM.com as one of the world's best electronic music producers. He has been with CAA for nearly two decades and became the firm's first electronic music agent in 2012 before nabbing a spot in Billboard’s venerable "Dance Power Players" list in 2019.
It's no secret that leading agencies like CAA wield industry tentacles to curate prime festival real estate as a means to nurture the eggs of their mainstream golden geese. In other words, the stages of major festivals are the ultimate slingshots for new albums. Meanwhile, their electronic artists—as well as those repped by independent bookers across the nation—are left tasting the dust of their hip-hop and pop contemporaries.
But if there's any silver lining, blue-chip agencies and festivals today are acutely focused on unearthing and booking EDM talent, according to Becket, who tells us he expects to see more dance acts on big stages in the near future.
Alex Becket, a music agent at CAA, one of the world's most influential entertainment and sports talent agencies. c/o Creative Artists Agency
Once relegated to the fringes of the festival circuit, dance music producers are now commanding top billing and drawing massive audiences to marquee mainstream events like Bonnaroo, Lollapalooza and Austin City Limits, all of whom tapped ODESZA to headline last year.
Meanwhile, Coachella's organizers in 2023 approached the trio of Skrillex, Fred again.. and Four Tet to close out the world's quintessential music festival in lieu of a spurned Frank Ocean. Prior to their last-minute headlining set, Coachella counted only Calvin Harris and Swedish House Mafia—themselves replacements after stepping in for Kanye West in 2022—as their only other DJ headliners in the last decade.
Now, after a year teeming with unforgettable EDM moments, Coachella is introducing a brand-new stage to serve as the festival's de facto epicenter of rave music. The ambitious stage, Quasar, will feature three-hour DJ sets by RÜFÜS DU SOL and a cancer-free Michael Bibi, among other deeply influential dance music artists.
Ahead of Coachella's return this weekend, we caught up with Becket to discuss Quasar as well as the evolving relationship between major festivals and the electronic dance music community.
EDM.com: After Coachella made the decision to blend Sahara's lineups with more mainstream artists, it seems Quasar is the festival's new epicenter of electronic dance music. Why now?
Alex Becket: The way "underground" house and techno music has become so popular in recent years, and arguably is now the mainstream dance music of the day, the traditional home at the festival for that sound, the Yuma Tent, has become too small to service all the demand. It’s a great sign for the health of our industry that the festival needs a stage like Quasar for this growing audience.
EDM.com: Take us behind the scenes of your discussions with your artists about Quasar. What about the new stage was so appealing to them?
Alex Becket: Coachella has been such a pioneer for dance music over the years and they’ve done it again with Quasar. The opportunity to play an extended three-hour set is unheard of amongst multi-genre contemporary festivals and represents the core culture around DJs and raves. It's exciting for these artists to have the freedom to take fans on a journey without the constraints of 60–75-minute sets that are typical at the festival.
EDM.com: We've seen a surge in EDM bookings at festivals like Coachella. Can you elaborate on the strategic advantages—beyond pure popularity—that booking EDM artists brings to major festivals?
Alex Becket: Coachella has been booking electronic artists for decades but it's true this year feels particularly dance-heavy. For whatever reason, I think other genres are down right now and electronic is filling up a lot of that void on festival lineups. Dance music appeals to a broader audience than a lot of other genres, and that drives mass appeal.
EDM.com: What role, if any, has technological advancements in live production and stage setups played in making EDM acts more appealing for festival organizers? And to what extent does this focus on live spectacle factor into a festival's decision-making when executing lineups?
Alex Becket: Festivals want big shows and big moments so it factors in a lot for them. Big production was an essential part of the "EDM" boom in the early 2010s and has always been a big part of the EDM experience. "Underground" shows with no production emerged in response to that, and now you’re seeing the pendulum swing back the other way in many cases with underground artists building big shows. In this way we're seeing big productions with better music and it's a winning combo.
EDM.com: Are there any particular up-and-coming artists or sub-genres that you anticipate will gain even more traction in the festival circuit in the near future?
Alex Becket: Hard techno is definitely having a moment with younger generations, and we're having a ton of success at CAA in the minimal tech and minimal deep tech space. Our new colleague Julian Teixeira has a lot of the best up-and-coming artists in this world like Chris Stussy, Dennis Cruz and Ben Sterling.
RÜFÜS DU SOL, who will perform at the debut of Coachella's new Quasar stage, are part of Alex Becket's roster at CAA.Michael Drummond
EDM.com: What challenges or obstacles do EDM artists face when it comes to securing prominent slots at major festivals dominated by more traditional rock, hip-hop and pop acts?
Alex Becket: DJs and electronic artists have been sharing the top lines at festivals with rock, hip-hop and pop acts for years. In the past, relatively few dance artists headlined hard tickets and their value was closely tied to VIP sales (still does) which is harder to quantify and not public information. That’s a different metric that made direct comparisons difficult and worked against dance artists for prominent slots or billing, but many dance artists live in the hard ticket world now and it’s not much of a thing.
EDM.com: How do you see the festival landscape evolving in the next five to 10 years when it comes to the representation of EDM and other electronic music genres on major lineups?
Alex Becket: The sky's the limit! One of dance music's greatest strengths is diversity, both of the audience and the music. I expect to see more dance acts on big and small stages alike, and different music thrives in different settings.
I love the variety of experiences Coachella offers in this way. You can go see an insane visual spectacular like Anyma at the Sahara Tent, then pop over to the Do LaB for the best dance party at the festival, then head to an immersive experience with RÜFÜS DU SOL (DJ SET) at Quasar, then end your night with Adriatique at the Yuma for a true nightclub experience in the middle of a festival. The options are incredible!
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Coachella Wants This STD Awareness Billboard Taken Down

Coachella is right around the corner and billboards are popping up on the road to Indio, California. On your way up 10 Freeway you might notice a funny one, well at least to us, not Coachella.
The AIDS Healthcare Foundation (AHF) is behind a Coachella-themed billboard that says: “Catch more than vibes? FreeSTDcheck.org.” That is certainly a statement. Coachella has contacted them to take it down but the billboard will remain there for both upcoming Coachella weekends on April 12-14 and April 19-21.
On the billboard, you can see a clear picture of the festival. You can see why the festival is unhappy but also this is helpful information for anyone that might catch an STD.
Coachella just announced an NFL-style livestream that will include 6 stages this year. You will be able to play up to 4 stages at once on YouTube and change audio as you need!
The Coachella lineup includes headliners Lana Del Rey, Tyler, The Creator, Doja Cat, and No Doubt. Other high-ticketed EDM performers include Charlotte de Witte, ISOxo & Knock2, Peggy Gou, Adriatique, Mall Grab, LE SSERAFIM, Reinier Zonneveld, Purple Disco Machine, and BICEP.
The post Coachella Wants This STD Awareness Billboard Taken Down appeared first on EDMTunes.
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The Story Of ‘Adscendo’ Continues At Tomorrowland Brazil

Prepare for a magnificent new chapter at Tomorrowland Brasil 2024, pre-registration for ticket sales opens on April 10
Tuesday, April 9, 2024 – The story of ‘Adscendo’ continues… People of Tomorrow can start preparing for a magnificent new chapter in the history of Tomorrowland, as Tomorrowland Brasil 2024 will revolve around the mythical ‘Adscendo’ theme, turning Parque Maeda into a magical destination high on the horizon. Pre-registration for the ticket sales opens on April 10 at 15:00 CEST | 10:00 BRT, the Worldwide Ticket Sale starts on May 2. Discover all ticket info and prices on brasil.tomorrowland.com.

Tomorrowland Brasil will take place on October 11-13, 2024, in the beautiful festival area of Parque Maeda in Itu, a municipality of São Paulo. Last year, Tomorrowland celebrated its grand return to Brazil with people from around the world uniting as one. This year’s Brazilian edition will introduce people into the world of ‘Adscendo’, turning Parque Maeda in Itu into a magical destination high on the horizon.

Following many years of tradition, the captivating ‘Adscendo’ stage was brought to life by Tomorrowland’s creative team and is 100% crafted in-house at Tomorrowland, from idea to realization and made with love and passion. The breathtaking stage was first unveiled at Tomorrowland Belgium in 2023 and will now find a new home in Brazil, taking the People of Tomorrow along to embark on a secret journey toward a peculiar destination and witness the rise of a magnificent tale at the festival grounds of Parque Maeda.

The ‘Adscendo’ Mainstage in numbers
100% locally crafted 43 meters high 160 meters wide 740 square meters of video tiles – 1.517 video tiles in total 1.050 lamps 230 speakers & subs 30 lasers 48 fountains 15 waterfall pumps
Global Journey & DreamVille
​Offering a unique camping experience with a wide range of accommodations, DreamVille is a vibrant city where over 20.000 People of Tomorrow eat, sleep, live and enjoy their 5-day experience from Thursday to Monday. Welcoming festival visitors after an exuberant day at Tomorrowland Brasil, DreamVille features a Marketplace with shops, food stands, a bakery, a tattoo shop, a barber shop and much more, as well as a Yoga Dome with daily morning yoga classes. DreamVille guests will also be able to enjoy daily Daybreak Sessions from Thursday to Saturday. DreamVille is the People of Tomorrow’s home away from home – the place to make friends for life, share experiences and recharge your batteries.

Thanks to Global Journey, Tomorrowland’s official travel program, festivalgoers from every corner of the world can travel all united in an all-in travel experience to Tomorrowland Brasil by plane or bus from different cities all over Brazil and other countries, ​ and stay at DreamVille, for a unique camping experience or sleep in one of the Tomorrowland hotels, making it the easiest way to come discover the beautiful scenery of Parque Maeda in Itu. The Global Journey packages and tickets go on sale from April 22.

Tomorrowland Brasil 2024 will gather the planet’s best electronic artists at its fabulous stages to create memories of a lifetime, while festivalgoers from all corners of the globe will come together to celebrate love, music and unity during three spectacular days in the lush and green scenery of Parque Maeda, about 90 kilometers from São Paulo. More info about the line-up will be announced in the coming months.

Pre-registration for the Tomorrowland Brasil 2024 ticket sales opens on April 10 at 15:00 CEST | 10:00 BRT and people can discover all ticket options, info, and prices on brasil.tomorrowland.com. Use your Tomorrowland Account or create one to pre-register to be able to buy tickets during the different ticket sale dates.
Global Journey & First 20 Ticket Sale: starts on April 22 at 15:00 CEST | 10:00 BRT
Worldwide Ticket Sale: starts on May 2 at 15:00 CEST | 10:00 BRT

Tomorrowland Brasil 2024
​October 11-13, 2024
​Parque Maeda, Itu
​Pre-registrations & ticket info via brasil.tomorrowland.com
 
The post The Story Of ‘Adscendo’ Continues At Tomorrowland Brazil appeared first on Electic Mode.
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Heineken Balaton Sound completes full lineup and reveals boat party details

The epic open-air and lakeside escape that is Heineken Balaton Sound is one of Europe’s most accessible and must visit festivals for lovers of world class electronic music. Today it reveals its final line up, so now playing on the gorgeous shores of Lake Balaton in Zamárdi, Hungary from 3 – 6 July 2024 will be Sama Adbulhadi, Laidback Luke, HoneyLuv, Henri Bergmann and Mau P on top of previous names like Adam Beyer, Amelie Lens, Stephan Bodzin (live), Reinier Zonneveld (live), Mathame, Marshmello, Paul Kalkbrenner, James Hype, FJAAK, Mind Against, Maceo Plex, Miss Monique and hard dance techno stars Sara Landry, Trym and 999999999 amongst many more. 
4-Day Passes are available for the main festival for just €249 from https://balatonsound.com/tickets, and it all kicks off with a special Warm Up party on June 7th at Buda Bay in the nearby city of Budapest with US duo and organic deep house craftsmen Bedouin headlining.
Heineken Balaton Sound’s always unmissable boat parties are back once again in 2024 and offer the ultimate daytime fun on Lake Balaton with brands such as House Picnic on Thursday and Be Massive on Friday plus more to be announced. Each one invites you to dance to the freshest sounds while taking in the panoramic views, ice-cold drinks and endless beaming sunshine. Hosted daily from July 3rd – 5th but tickets are of course limited!
This latest wave of names adds more irresistible quality to the soundtrack with stars from across the house and techno spectrum including cutting edge sounds from Palestine’s iconic Sama’ Abdulhadi, big future house beats from the notorious Laidback Luke, red hot house from US star HoneyLuv, elegant melodic tech from Henri Bergmann and plenty of the freshest club anthems from Dutch breakout hero Mau P amongst much more including Alfa Romero, Marino Canal, Estella Boersma, Cassian, Marwan Dua, HUGEL, Afriqua, David Löhlein, Airrica, Baugruppe90, Malugi, and Olympe, while the internationally renowned Manuals, Meaghan and Nina Black will perform at The Lookout.
This year, we aimed to compile the music lineup of Heineken Balaton Sound in a way that condenses the wide range of the electronic music universe into the four days of the festival. Heineken Balaton Sound has become a cross-genre party celebration where lovers of electronic music can freely choose from the offerings, discovering new favourites and musical genres throughout the festival beach,” began Anna Filutás, the project manager of Heineken Balaton Sound, announcing the full lineup. The main organiser of the festival explained that one of the highlights of this year is the extension of the program time on the Heineken Balaton Sound Main Stage, “from the second day onwards, the programs will continue until 3 am, and on Sunday, transitioning into dawn, a huge Endshow bidding farewell to festival-goers will be presented by the world-famous Dutch Q-dance team.” 
Heineken Balaton Sound isn’t just a festival—it’s a perfect fusion of holiday, travel, culture, and music set against the breathtaking backdrop of Lake Balaton. The beautiful location offers the ideal getaway where you can bask in the sun, groove to the beats, and immerse yourself in a world of vibrant experiences in and around the local region, explore the 1 km long beach section, enjoy waterfront relaxation and all manner of water games day and night, while the spectacular city of Budapest is just 90 minutes away.
All of this is highly accessible to travellers from all over Europe and once you arrive, you are free to embark on an endless adventure with walkabouts, fashion shows, sports, dance workshops, techno yoga, and more to make this a trip like no other. Musically of course it is also second to none with a monumental Main Stage adorned with a vast LED wall and the famous B tage, with each venue boasting top-tier audio-visuals and sound systems.
With camping options onsite and nearby hotels in Zamárdi or Siofok, Heineken Balaton Sound is the ultimate summer holiday destination from July 3rd to 6th, 2024.
For the full schedule and passes for the Warm Up Party, Boat Party and Festival head to www.balatonsound.com or visit the official app to get tickets before the prices go up. 
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Roskilde Festival Unveils Full 2024 Lineup

Denmark’s Roskilde Festival completes the lineup for this year’s festival with 53 new music acts, including 21 Savage, PinkPantheress, Amaarae, Barry Can’t Swim, Belle & Sebastian, Fridayy, Gloria Groove, Tinashe, and Young Nudy. The non-profit festival also adds many new names to its Art and Activism programme.

From June 29 to July 6, close to 200 acts will play Roskilde Festival, Northern Europe’s biggest music festival. Today, the festival presents its full lineup, with SZA, Doja Cat, Kali Uchis, Foo Fighters, and Skrillex among its previously revealed headliners.
Today’s announcement features 53 new music acts, including 21 Savage. In January, the Atlanta rapper climbed to the top of Billboard 200 for the fourth time with the album American Dream, proving once again that he is among the biggest artists in the world right now. The show at Roskilde Festival will be 21 Savage’s first in Denmark.
PinkPantheress, Amaarae, Belle & Sebastian, Tinashe and Young Nudy are also new additions, as well as Denmark’s very own Erika de Casier, who will be playing her biggest show yet on home soil.

Furthermore, festival participants will get the chance to experience Kakuma Sound, a group based in one of the world’s biggest refugee camps, playing in Europe for the first time. There’s also ritual dance from Western Java with Tarawangsa Sunda Lugina, a full-scale party with iconic Brazilian drag queen Gloria Groove, and much more to discover.
This year’s music lineup spans across 43 countries and five continents.
“Roskilde Festival is the place to explore some of the biggest artists of our time next to a rich and groundbreaking musical treasure from all corners of the globe. Our lineup will undoubtedly give rise to a lot of intriguing and inspiring encounters,” says Anders Wahrén, Roskilde Festival’s Program Director.

Art and activism address big issues
Roskilde Festival 2024 also offers a wide range of talks, performances, workshops, and artworks created specifically for the festival, focusing on some of the most current themes right now. In addition to today’s music announcement, 43 acts are added to the festival’s lineup of art and activism.

Prominent additions include Denmark-based Jordanian-Palestinian artist Banaan Al-Nasser, exhibiting the art installation ‘In Memory of Home’, reflecting on who has the right to a home and a voice. The Danish artist Ragnhild May presents a breathtaking over-the-top glamour-pop performance that offers a critical perspective on music and media culture, while the Dutch-American artist Lara Schnitger focuses on the struggle for women’s equality with a hybrid of performance and protest.
At Flokkr, the festival’s stage for activistic events, participants can listen to stories from refugees, participate in workshops on biodiversity, attend a celebration of artistic and cultural diversity with a focus on marginalized LGBTQ+ individuals, and much more.
“Roskilde Festival is an eight-day celebration of community that flickers between euphoria and intimacy, between transformation and salvation. Being a non-profit festival aimed at creating a positive impact, it is important for us to present music and art that introduce new ideas and thoughts, and activism that directly addresses the way the world is and could be. I think we truly accomplish that with this programme,” says Anders Wahrén.
Luftfoto af Roskilde Festival 2023
Roskilde Festival has added the following 53 music acts:
21 Savage (US/UK), PinkPantheress (UK), Amaarae (INT), Barry Can’t Swim (UK), Belle and Sebastian (UK), Fridayy (US), Gloria Groove (BR), Tinashe (US), Young Nudy (US), 9T Antiope (IR), Abadir & Hogir (EG), Asbjørn (DK), Balming Tiger (KR), Barbro (DK), Barselona (DK), Bathsheba (DK), Bclip (CO), The Beaches (CA), Bixiga 70 (BR), Cakes da Killa (US), Cristale (UK), Dean Johnson (US), Debit (MX), Decisive Pink (INT), Decorticate (DK), Erika de Casier (DK), Faizal Mostrixx (UG), Frode Haltli (NO), Gobs (DK), Greta (DE), The Hirs Collective (US), Kakuma Sound (INT), Lyra Valenza (DK), Mariam Rezaei (UK), Mdou Moctar (NE), Melissa Carper (US), Prison Religion (US), Ragana (US), Rosa Pistola (CO), Sam Lee (UK), Selvhenter (DK), Sho Madjozi (ZA), Smag På Dig Selv (DK), Staples Jr. Singers (US), Tacobitch (NO), Tallah (US), Taqbir (MA), Tarawangsa Sunda Lugina (ID), Water From Your Eyes (US), While She Sleeps (UK), Y-Bayani & Baby Naa (GH), Yamê (FR), Zar Paulo (DK),
And added the following 43 names within Art & Activism:
Alberte Skronski (DK), Banaan Al-Nasser (JO/PS), Baum & Leahy (DK/UK), Delta (NL), Emma Holten & Human Rights Watch (DK/INT), Lara Schnitger (NL/US), Nina Rask (DK), “Alternative Fashion Week Cph, Trashgirls 8000, MC Dommedag & Klimahystaden (DK)”, Amalie & Floras Middage (DK), Anna Lin & Klimapsykologisk Ungdomsforening (DK), Asta Olivia Nordenhof & Ilinx (DK), Axel Berger (SE), Boss Ladies FGU (DK), The Danish Red Cross Youth (DK), DFUNK (DK), “Elyes Lariani, Monia Sander Haj-Mohamed & Mouayed El Ghazouani (DK/TN)”, FLOR (DK), Folkehuset Absalon (DK), Følsomt Broderi & Københavns Radiobiograf (DK), The Green Youth Movement (DK), Iben Zorn (DK), “Ida-Sophia, Oliver Herlitschek, Solaf Masoud & Zelma Feldman Lewerissa (DK)”, “Ingrid Magnifique Baraka, Kathrine Graa & Sofie Riise Nors (DK)”, Jean Marc Routhier (DK/CA), Jonas Kjeldgaard Sørensen (DK), “Kai Merke, Luka Holmegaard & Mija Milovic (DK)”, La Saramuya & Turbomaradona (INT), Melodi Soltani & Sidsel Ana Welden Gajardo (INT), “Moeisha Ali Aden, N.E.Girl & Strictly Silk (INT)”, Mother Tree & Wanjiku (KE), Nicholas William Johnson (US/UK), Nordic Elite Wrestling (DK), Ragnhild May (DK), Rasmus Søndergaard Johannsen (DK), Sabaah (DK), “Sanne Cigale Benmouyal, Caspar Eric & Maya Tekeli (DK)”, Sexualia (DK), Spræng Danseteater (DK), Therese Bülow & Faun Vium (DK), Tænketanken Frej (DK), Tænketanken U-Turn (DK), World Dance Academy (DK), Yujin Jung (KR)
 
Today’s new acts join:
AURORA • DOJA CAT • FOO FIGHTERS • GILLI • ICE SPICE • JANE’S ADDICTION • J HUS • JUNGLE • KALI UCHIS • PJ HARVEY • SKRILLEX • SZA • TEMS  • TYLA
ALVVAYS • BAD GYAL • BLONDSHELL • BRUTALISMUS 3000 • FRANK CARTER & THE RATTLESNAKES • HEILUNG • IDA LAURBERG  • JESSIE WARE • KHRUANGBIN • KIM GORDON • LANKUM • MARINA SENA • MEDINA • NIA ARCHIVES • NONAME • OMAH LAY • OVERMONO • RHIANNON GIDDENS • RÓISÍN MURPHY • ROMY • SEXYY RED • TAINY • TRUENO
47SOUL • LES AMAZONES D’AFRIQUE • AMEN DUNES • ANGEL DU$T • AYSAY • BAR ITALIA • BETTER LOVERS • BLANCO TETA • BRÌGHDE CHAIMBEUL • DEENA ABDELWAHED • DINA ÖGON • EARTHEATER • ENGLISH TEACHER • ESTEE NACK • GEL • HAEPAARY • HHY & THE KAMPALA UNIT • HUMAZAPAS • ICEKIID • ISABELLA LOVESTORY • IVAN$ITO • JULIE CHRISTMAS • JULIE PAVON • KADER TARHANINE • KARA JACKSON • KARI FAUX • KIND MOD KIND • KVELERTAK • LALALAR • THE LAST DINNER PARTY • LIV.E • LORENZO SENNI • LOVEBITES • LSDXOXO • MABE FRATTI • MANDY, INDIANA • MAJUR • MARINA HERLOP • ML BUCH • MYRKUR • NICK SHOULDERS • PIL • PÖ • RAN CAP DUOI • SHOVEL DANCE COLLECTIVE • SLAUSON MALONE 1 • SNÕÕPER •  SOFIA KOURTESIS  • THE ARMED • TITI BAKORTA • VALENTINA MAGALETTI  • VIOLENT MAGIC ORCHESTRA • WAQWAQ KINGDOM • YAEJI   
ART & ACTIVISM
ANANSI’S WEB • CASSIE AUGUSTA JØRGENSEN • CTM & SKJOLD RAMBOW  • MATT COPSON • MOUNIA NASSANGAR • RUTH REBEKKA HANSEN • THJERZA BALAJ 
Find more information about artists and lineup at roskilde-festival.dk.
Follow Roskilde Festival:
IG: @roskildefestival  FB: @orangefeeling TW: @orangefeeling 
The post Roskilde Festival Unveils Full 2024 Lineup appeared first on Electic Mode.
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