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Sony Music Group Demands AI Training Firms Seek Permission

Sony Music Group is cracking down on Artificial Intelligence (AI) companies using its copyrighted content without permission. They sent formal letters to over 700 AI firms, banning the use of their music, lyrics, and artwork for text or data mining, web scraping, or AI training. Sony stresses that “innovation must ensure that songwriters’ and recording artists’ rights, including copyrights, are respected.” They want AI to enhance creativity, not replace it, so that artists get the recognition and compensation they deserve.
Under the EU AI Act, copyright owners must publicly opt out if they do not want their content used for AI training. Sony has already issued nearly 10,000 takedown notices for unauthorized AI-generated content using its music. Sony argues that the tech industry often has a “distorted view” of copyright, treating music as fair game for training AI without permission or compensation. This undermines the value of creative works and the rights of creators.
RightsAndAI.com Website Launched
In their letter, Sony outlined principles for responsible AI development, emphasizing that AI should support, not replace, human creators. The company is urging Congress to adopt these principles, setting a standard for ethical AI use in the industry. Recently, major labels launched RightsAndAI.com to protect copyrights and warn tech firms against unlicensed music use. It serves as a resource for understanding the legal landscape and the importance of protecting intellectual property in the AI era.
It’s a brave new world — stay updated on AI advancements in order to protect your art.
The post Sony Music Group Demands AI Training Firms Seek Permission appeared first on EDMTunes.
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Darren Tate Unveils Debut Solo Album, ‘Metamorphosis’

Darren Tate has released his debut solo album, Metamorphosis, on the world-famous Anjunabeats label and the album represents a significant chapter in the marvelous career of the British multi-instrumentalist. Since starting his career in the year 2000, the artist has seen diverse, wonderful journeys through the production of his music. The journeys that Darren Tate took before the release of Metamorphosis include musical creations through the aliases of DT8 Project, Angelic with Judge Jules, Jurgen Vries, Orion, and Citizen Caned.
In 2022, the trance and progressive house producer from London, under the duo project of ‘JODA’ with Jono Grant, jointly produced and released the official, original motion picture soundtrack of the IMAX feature film, The Last Glaciers, alongside legendary trance duo, Above & Beyond. Click ‘Play’ below on the Spotify link to feel the great vibes of Metamorphosis from Darren Tate, an album that definitely represents the perfect Anjunabeats album.
The ongoing wonders that Darren Tate continues to provide
In the beginning of 2024, the producer started off the year amazingly with the collaboration alongside Solarstone and vocalist Julie Scott in the must-hear ‘A Long Way From Home’. Additionally, the track also garnered the support of top electronic music stars, particularly in the genres of deep house and progressive house, such as Nicole Moudaber, ANNA, Joris Voorn, Hernán Cattáneo, Carl Craig, Nora En Pure and more. In addition, the veteran maestro followed up ‘Adrift’, which also saw the likes of Ben Malone, Ferry Corsten, Don Diablo, Ruben De Ronde, and The Thrillseekers putting their unique versions to the track.
As of this writing, Darren Tate is headlining a live set at Anjunabeats Outdoors UK in Manchester on May 18. Furthermore on the 26th, he will headline another live set when Anjunabeats Outdoors UK head to the beautiful oceanside city of Brighton. For anyone who would like to attend the events, click on this link to purchase tickets. Once again, Metamorphosis is an album that everyone should definitely ease down and enjoy the melodies right now.
The post Darren Tate Unveils Debut Solo Album, ‘Metamorphosis’ appeared first on EDMTunes.
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IMANU Collabs With Grabbitz in Unleashing ‘Fire’

Summer is approaching and the weather is currently warming up and what better way to enhance the heat is by listening to ‘Fire’, the latest collaborative track from IMANU and Grabbitz. ‘Fire’ from IMANU and Grabbitz came out on May 10 and so far, the fiery vibe of the track continues to heat up dance floors, lounges, bedrooms, and living rooms worldwide. In fact, the track is out via Zeds Dead‘s awesome label, Deadbeats, and it brings out powerful, heavy-hitting bass rhythms from both producers. Furthermore, vocals from Grabbitz, who’s also a singer, gives the track a chill mood that perfectly complements the upbeat energy that the track certainly gives out for every listener who is jamming to it. Click ‘Play’ on the Spotify link below to stream ‘Fire’, a track that is perfect for workouts, pool parties, festival environs, and also personal, private spaces.
IMANU and Grabbitz provide melodic intensity in ‘Fire’
Harmonic vocals of Grabbitz, alongside the ingenious musical production skills of IMANU, made ‘Fire’ a track that will for sure become a summertime hit of 2024. This track is also perfect for anyone who is a big fan of hard-hitting bass music that is also tranquil in regard to the smooth vocals that are in the music. Additionally, the vocals, basslines, chops, and ultimate drop allow the listeners to involve themselves in an innovative style of bass music.
Shown below are the tour dates of IMANU as he just wrapped up his last North American tour stop in Detroit. Next Friday, May 24, he will start the European leg of his tour by perform at the Balter Festival in Chepstow, UK. After that, he will then head to Japan for two stops in Osaka and Tokyo before heading back to Europe for stops in Paris, Lake Como, and Chotevice, Czech Repulic. Then, he will return to North America for performances at Escapade in Ottawa and Soundbar in Chicago before crossing the Atlantic again for Rampage in Rommel, Belgium, Liquicity in Alkmaar, Netherlands, the world-famous Tomorrowland in Boom, Belgium, and Let It Roll in the Czech city of Milovice.
Tour stops of IMANU
05/24 – BALTER- CHEPSTOW – UK 06/01 – TRIANGLE – OSAKA – JP 06/02 – CIRCUS- TOKYO – JP 06/08 – OHLALA – PARIS – FR 06/15 – NAMELESS FEST – LAKE COMO – IT 06/20 – DARKSHIRE – CHOTEVICE – CZ 06/23 – ESCAPADE – OTTAWA – ON 06/28 – SOUNDBAR – CHICAGO – IL 07/05 – DE VERT – RAMPAGE, LOMMEL – BE 07/06 – RAMPAGE – LOMMEL – BE 07/21 – LIQUICITY – ALKMAAR – NL 07/28 – TOMORROWLAND – BOOM – BE 08/01 – LET IT ROLL – MILOVICE – CZ The post IMANU Collabs With Grabbitz in Unleashing ‘Fire’ appeared first on EDMTunes.
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Steve Angello Launches New Radio Show on SiriusXM's "Diplo's Revolution"

Swedish House Mafia's Steve Angello has announced a new radio show, SIZE SOUND SYSTEM, launching on SiriusXM's Diplo's Revolution satellite channel.
Angello is set to host the show alongside his younger brother, AN21, an acclaimed dance music producer in his own right with releases on SIZE, Anjunabeats, Ministry of Sound and more. It's set to air every Monday at 9pm ET and broadcast "a mix of classic dance tracks and the latest in electronic music" curated by Angello and AN21, per a press release.
SIZE SOUND SYSTEM is an offshoot of the brothers' popular podcast of the same name, which launched back in June 2023. Listeners can also expect exclusive previews of new music and mixes that showcase "the evolution of electronic dance music across the globe."
Angello has remained busy both as a solo artist and a member of Swedish House Mafia. The DJ in April closed out Coachella's iconic Sahara stage and is now set to join his SHM bandmates in Ibiza for the group's first DJ residency on the island in over a decade. The legendary electronic music trio will then perform at Tomorrowland in Belgium as well as Ultra's festivals in Bali and Korea, among other major events.
You can tune into SIZE SOUND SYSTEM here.
Follow Steve Angello:
Instagram: instagram.com/steveangello
X: x.com/SteveAngello
Facebook: facebook.com/steveangello
Spotify: tinyurl.com/4nfc2ucf
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Keinemusik's Rampa Unveils Hand-Painted Version of Quirky Baby-Like Synth, "THE TOYYY"

Electronic music aficionados are in for a treat as Rampa signs off on a hand-painted version of "THE TOYYY," a quirky, baby-shaped multi-fx processor.
The byproduct of a collaborative effort between the Keinemusik crew member and Moon Armada and DJ Tennis, this bizarre piece of hardware offers an eclectic mix of audio effects and a light theremin oscillator.
For those seeking a synthesis of eccentricity and innovation, "THE TOYYY" delivers in spades. Born out of a joint venture initiated during the COVID-19 pandemic, the limited-edition instrument has finally come to life with an array of eight different audio effects, including reverb, delay and ring modulation.
TEILE Elektronik
The TEILE version of "THE TOYYY" is entirely hand-painted and signed by Rampa, ensuring that each piece is a distinctive work of art. The journey to create the instrument began during the height of the pandemic, with Moon Armada, DJ Tennis and Rampa each contributing their unique design perspectives to the project.
Moon Armada has an existing history of crafting unusual and intriguing synthesizers. Their "Baby Bot Light Theremin: Powland Edition," introduced in 2022, showcased their penchant for eerie and captivating designs.
Priced at €599, THE TOYYY is a one-of-a-kind statement piece for those looking to add a touch of avant-garde to their music production suite. The unit is available exclusively at the TEILE website while supplies last.
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Baauer's New Single "All My Ladies" Is Where Funk Meets Flex: Watch the Music Video

Baauer is about to have the summer in a chokehold like Michelle Falsetta after releasing his latest single, "All My Ladies."
Falsetta, the celebrated bodybuilder, stars in the quirky music video for the four-on-the-floor track, which promises to be a staple of the 2024 summer season. Baauer, an avid crate-digger and expert sampler, has once again dipped into the archives and sampled Issa's 2007 track "Boss Lady," giving its original vocals a fresh twist.
View the original article to see embedded media.
The production of "All My Ladies" is a masterclass in blending house music with the unexpected. At its core lies a playful saxophone lead melody, injecting a vibrant dose of funk that showcases not only Baauer's knack for pushing the boundaries of electronic music, but also tapping into nostalgia to create something refreshingly new.
Accompanying the track is a music video that's as entertaining as the song itself, with Falsetta taking center stage in a quirky slow-motion visual of a playful chokehold in real-time.
Check out the official music video for "All My Ladies" below and stream the track here.
Follow Baauer:
Instagram: instagram.com/baauer
X: x.com/baauer
Facebook: facebook.com/baauer
Spotify: spoti.fi/3zwWEvk
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Sexual Abuse Allegations Made Towards Tale Of Us Member MRAK Through Social Media Post

On May 17th, Liliana Nuno took to Instagram her thoughts and possible experiences that she proposes to have truly shared with Carmine Conte, also known as MRAK from Tale Of Us. In the long, descriptive post, Liliana accused the DJ of sexual abuse, saying that at an ‘Afterlife‘ event that she was invited to in Argentina, she had lost consciousness despite not drinking or taking any drug, and woke up in extremely bad mental and physical condition. To describe the state of her body, the young woman mentioned “I had blood running down my legs.”
After realising what happened, the Mexican said she decided to return to Mexico, and during a stop in Guadalajara, she rushed to emergency where the doctor would’ve confirmed the case of rape and suggested she sues the person who had done this.
As the Italian artist has not spoken on the topic yet, and no legal action has been taken either, the allegations made are not even known to be at least substantially true.
Besides explaining what would’ve happened between her and MRAK, Liliana also opened up about Carmine’s spiritual beliefs, and the meaning at the foundation of the visuals presented at ‘Afterlife‘ shows. The Mexican has said to have had a conversation with the artists about religion, where he stated that he is a believer of the “little devil,” unveiling to her tattoos on his both arms depicting demons.
Regarding the visuals, MRAK would’ve mentioned that they are supposed to represent ‘Transhumanism,’ which identifies as the evolvement of humanity using the power of technology and softwares such as artificial intelligence. We have seen this during the ‘Afterlife‘ shows, but as nothing is confirmed, all these facts can be just an opinionated detail from the accuser, claiming that MRAK has explained it this way.
The public are still awaiting the artist’s response in defence of the allegations made, as well as to see where Liliana is going to go with the case. Various discussions have erupted between followers of both parties, some supporting the Mexican woman, while the others disagreeing with everything said. However, Liliana supports that she has evidence such as real time locations, pictures with the DJ’s production team and prescriptions from the doctor who consulted her in Guadalajara.
Source:
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Galantis Unveils "Rx," an Album Embracing Life As a Neurodivergent Creative

With his latest album, Galantis transforms the intricacies of neurodivergence into an auditory remedy for the heart and mind.
A spiritual successor to 2015's Pharmacy, his new album Rx stands as an exploration of his experiences with neurodivergence and the downstream impacts to his creative process. At its heart is his openness about his ADHD diagnosis and the therapeutic role of music in his life.
"Pharmacy was when I knew I was neurodivergent and I knew the studio was like a pharmacy for me," Galantis, whose real name is Christian Karlsson, said. "I was the patient. Rx is when I found medication. For me, it was key, but of course, everyone walks their own path."
From the euphoric "Koala" to the introspective "Side Effects," the album traverses a range of emotions. Each track is a chapter in the broader narrative of Karlsson's journey of self-discovery, acceptance and triumph. At the core of the effort is "BANG BANG! (My Neurodivergent t Anthem)," a single that embodies the familiar euphoric highs that fans have come to expect out of Galantis' production, coupled with some his most personal songwriting sentiments to date.
Check out the full album below and find it on streaming platforms here.
FOLLOW GALANTIS:
Facebook: facebook.com/wearegalantis
X: x.com/wearegalantis
Instagram: instagram.com/wearegalantis
Spotify: spoti.fi/31COzFD
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Toolroom Taps Trifecta of Beloved Producers for Soulful House Track, "I Got All This Love"

A trio of house music luminaries have teamed up via Toolroom Records to drop a stellar new house track.
Mark Knight, Toolroom's founder and recent winner of the coveted EDMA Icon Award, joined forces with Darius Syrossian and James Hurr to release "I Got All This Love." The track breathes new life into the iconic 90's sample, "Let's All Chant."
The energetic reinterpretation of the sample rises into a euphoric house drop that's sure to heat up any dancefloor this summer.
"Linking up with Darius and James on this one was like striking gold," said Knight about the new release. "That 'Let's All Chant' sample just jumped out at us, and from there, the track practically wrote itself. It’s built to be a powerhouse that captures the essence of those peak-time moments with a nod to the nostalgic hits of the '90s. I’m super proud of how it turned out—it's exactly the tune to keep everyone moving as we head into the summer."
Listen to "I Got All This Love" below.
The song marks the first time Syrossian has joined Knight on Toolroom. He's the mastermind behind Moxy Muzik, a record label and party concept that has exploded across the globe.
Hurr, the London-based sound engineer and producer, has collaborated with the likes of Armin van Buuren, Tiësto, Vintage Culture and many more. Knight and Hurr have worked together on a slew of tracks, including "The Greatest Thing Alive" with Green Velvet.
Fans can catch Knight at upcoming performances in Ibiza for David Guetta and MORTEN's "Future Rave" residency as well as in London for Cafe Mambo's In The Park Festival.
FOLLOW MARK KNIGHT:
Instagram: instagram.com/djmarkknight
Facebook: facebook.com/djmarkknight
Spotify: spoti.fi/44KXzHr
FOLLOW JAMES HURR:
Instagram: instagram.com/jameshurrmusic
Facebook: facebook.com/jameshurrmusic
Spotify: spoti.fi/3QLSQje
FOLLOW DARIUS SYROSSIAN:
Instagram: instagram.com/darius_syrossian
Facebook: facebook.com/darius.syrossian
Spotify: spoti.fi/4bjwbD8
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Armin Van Buuren Unveils Ushuaïa Ibiza 2024 Lineup

Electronic music pioneer Armin van Buuren is returning to Ushuaïa Ibiza‘s iconic outdoor stage to serve up five monumental musical journeys this summer. The GRAMMY-nominated artist will play every Sunday from 1st to 29th September, soundtracking a musical escape to another dimension, alongside a tasteful mix of friends, peers and fellow dance music legends. 
 
By any measure, Armin van Buuren is a dance music icon. He is one of the most widely respected and influential figures in the global trance scene and someone who has been driving it forwards for more than two decades. His devotion to the art has ensured the genre has constantly evolved for millions of fans all over the world. The Dutchman has been the unstoppable force behind the influential Armada Music label, as well as the iconic ‘A State of Trance’ radio show, which attracts over 44 million monthly listeners from 80 countries who are all keen to hear him join the dots between the past, present and future of the genre.
 
This summer, the multi-award winning DJ and producer renews his legendary relationship with Ushuaïa Ibiza for five more superb shows that pair his electronic music mastery with the cutting edge production and unbeatable sound system of the unique open air club. Next to Armin’s own high-octane, emotionally charged and euphoric sounds will be plenty of top tier guests. They include, in alphabetical order, Avalan Rokston, which is the fusion of GRAMMY-nominated vocalist and producer Avalan with producer and songwriter Rokston whose bold and emotional sounds have taken the world by storm.
Then comes breakout UK sensation Ben Hemsley with his high energy house, Daniel O’Donnell, better known as D.O.D, who mixes up prog, bass, electro and future house into a signature sound that has seen him hit the UK charts, and Dutchman Fedde Le Grand who has long been synonymous with fresh house and prog grooves that are high in expressive synth-craft. Up-and-coming talent J.Ribbon will show his skills on Ushuaïa Ibiza’s towering main stage, along with LA-based house maverick Jaden Bojsen, and the deep progressive sounds of Laura van Dam. Add in the uptempo sounds of master producer Oliver Heldens, young French talent Rivo, dynamic rhythm and electrifying drop king Seth Hills, psychedelic Israeli trance DJ duo Vini Vici and big room and EDM duo W&W and you have another stunning month of Sundays.
Book your place at theushuaiaexperience.com.
Stay tuned for more news!
The post Armin Van Buuren Unveils Ushuaïa Ibiza 2024 Lineup appeared first on EDMTunes.
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Oliver Huntemann links up with Marc Romboy

Teufelsfisch by Oliver Huntemann & Marc Romboy Oliver Huntemann & Marc Romboy go straight in with this sublime slice of stripped-down techno on Senso Sounds. The two veterans of the scene co-produce the slick and deadly Teufelsfisch – building the irresistible vibe over 7 minutes – the tension builds and releases, as the guys pour their combined skills into this absolute weapon
Stream / buy here
The post Oliver Huntemann links up with Marc Romboy appeared first on Decoded Magazine.
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The Mechanical Licensing Collective brings legal action against Spotify for unpaid royalties

The Mechanical Licensing Collective (The MLC) announced today that it has filed a legal action against music streaming platform Spotify USA Inc. (Spotify). 
The action seeks recovery of unpaid royalties under the compulsory mechanical blanket license obtained by Spotify to reproduce and distribute musical works in the United States via its consumer music streaming platform.  
The action states that beginning in March 2024, Spotify asserted that its Premium Individual, Duo and Family subscription streaming plans were now Bundled Subscription Offerings because those plans included access to audiobooks. Applying the rate formula applicable to Bundled Subscription Offerings results in a reduction of the Service Provider Revenue that Spotify reports, which results in an underpayment of royalties. 
The MLC believes that Spotify’s position does not comply with applicable laws and regulations. The MLC has statutory authority to address Spotify’s noncompliance with its royalty payment obligations. The MLC is taking legal action to enforce these obligations and ensure that Spotify pays all royalties due from its use of songs on Premium plans.
The MLC seeks corrected usage reporting and associated unpaid royalties for periods dating back to March 2024, along with an order requiring compliance going forward. A copy of the complaint can be found here. 
The post The Mechanical Licensing Collective brings legal action against Spotify for unpaid royalties appeared first on Decoded Magazine.
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Released 11 Years Ago: Hardwell & Dyro t. Bright Lights – Never Say Goodbye

11 years have passed since the release of ‘Never Say Goodbye’, and it certainly hasn’t said goodbye to being a massively popular song that can still rock a festival. This collaboration between Hardwell and Dyro would get its premiere at Ultra Music Festival 2013 during Hardwell’s set to an incredible reaction from the crowd and has gone on to accumulate almost 20 million streams on Spotify following its release on the album ‘Hardwell Presents Revealed Volume 4.’
By this point in time Hardwell was already a well-established name in electronic music, and Dyro was starting to make a name for himself having been signed to Hardwell’s record label Revealed Recordings. Dyro would go on to release a remix of Hardwell and Dannic’s ‘Kontiki’ which appeared on ‘The Sound of Revealed 2012.’ The following year the two would combine to create the masterpiece, we all know and love today that would blast around festivals for years to come. The track also received a beautiful vocal performance from the incredibly talented Bright Lights who had previously recorded vocals for ‘Call Me A Spaceman’ but didn’t make the final cut. A year on she got her chance to shine on ‘Never Say Goodbye’ delivering a beautifully powerful vocal performance.
During the premiere of ‘Never Say Goodbye’, Hardwell called Dyro the “world’s biggest upcoming DJ” and he has since gone on to create his own record label WOLV Records and release more massive tracks including his collaboration with Martin Garrix, ‘Latency.’ Also, recently Hardwell and Bright Lights have collaborated again on the hard hitting 2023 track ‘Shotgun (It Ain’t Over)’ adding to the list of massive hits Bright Lights has contributed her vocals to.
Since its release ‘Never Say Goodbye’ has become an unforgettable track that stands out in an era full of incredible electronic music. The tracks high energy has never faded with its melody still being undeniably irresistible to throw your hands in the air to and forget the world around you.
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[Opinion] DJ Snake Left His Professionalism at Home

Renowned French DJ and producer DJ Snake found himself at the center of controversy following his recent performance at the Electric Daisy Carnival (EDC) in Las Vegas. The “Turn Down for What” hitmaker, known for his electrifying stage presence and chart-topping hits, took aim at one of the most prestigious electronic dance music festivals in the world, Tomorrowland.
Surprisingly, DJ Snake directly attacked Tomorrowland, one of the most famous festivals in the business, by saying, “Fuck Tomorrowland.”
It’s fine to say you like one event over another, but DJ Snake’s rude words and lack of interest in Tomorrowland, a festival known for its high-quality production and global appeal, has no sense.
What the producer said didn’t end there. Once DJ Snake was done with his EDC set, he went on social media to say again, “EDC VEGAS > TOMORROWLAND.”

People in the music business work together, be creative and value each other. DJ Snake’s behavior is not professional enough for an artist of his caliber.
Artists, especially those who have fans all over the world, need to know how much their words and deeds matter. Even though everyone has their own tastes, voicing them in a rude and insulting way makes the person and the business as a whole look bad.
What made DJ Snake’s comments even more perplexing was the fact that they appeared to be entirely unprovoked. There was no apparent catalyst or reason for the French DJ to lash out at Tomorrowland, a festival he has performed at multiple times in the past.
So why did DJ Snake push against Tomorrowland so hard? Some speculated that perhaps DJ Snake’s comments were fueled by a personal grievance or behind-the-scenes disagreement with the Tomorrowland organizers (he’s not on the lineup). However, in the absence of any concrete evidence, these theories remained mere speculation.
It seemed like the only reason he said those mean things was to hurt the image of Tomorrowland, a festival that has long been praised for giving music fans around the world unforgettable experiences.
DJ Snake’s unprovoked attack on such a prestigious event showed not only a lack of professionalism but also a lack of respect for the hard work and dedication of Tomorrowland organizers, performers, and the many other people who help make the festival a success every year.

The post [Opinion] DJ Snake Left His Professionalism at Home appeared first on The Groove Cartel.
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Wiwek drops Jungle Terror vol. 4 after 4 years

When Dutch super-producer Wiwek comes back to Yellow Claw’s Barong Family with vol. 5 of his famous “Jungle Terror” EP series, new songs are added to celebrate the idea’s 10th anniversary.
The EP: Jungle Terror vol. 4
“Jungle Terror vol. 4” EP from Wiwek hasn’t been released in 4 years.
“Cola” with Emy Perez starts the party with heavy bass, strong kick drums, and vocals that sound like they were recorded in an urban setting. This is a theme that runs through all three songs.
In “Scream” with Holly, the production is influenced by reggaeton, and there is an epic drop.
“Crash The Party” features crazy betas that are great for dancing. This EP shows how Wiwek’s art has changed over time. It has themes of freedom, ethnic research, and cultural identity.
Here is what he had to say about the most recent part of “Jungle Terror.”
In Wiwek’s words
Wiwek is not only a DJ, he’s also a pioneer in his field. He’s a real rebel with a cause. Wiwek made his own sound with “jungle terror,” a crazy mix of electronic chaos, tribal percussion, and animalistic energy.
His music has been used in international movies, he has worked with Skrillex on genre-bending hits like “Killa,” and he has created Maha Vana Records, a label that lets artists go wild. Wiwek’s first record, “Cycles,” just came out, and now he’s ready to start a new sound adventure that will push the limits and get people dancing.
He also made the “The Free and Rebellious” EP, which was used as the soundtrack for a movie shot in Bangkok.
This adds to his unique style of combining music and stories. With new songs coming out all the time and exciting projects in the works, 2024 is looking like it will be another big year for Wiwek.

The post Wiwek drops Jungle Terror vol. 4 after 4 years appeared first on The Groove Cartel.
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EDC Las Vegas 2024 special guest is… Fred Again!

The energy at EDC Las Vegas 2024 hit a whole new level just minutes ago, when Fred Again.. played a surprise set that stunned everyone there.
In the hours before his surprise set, Fred Again.. made a lot of people guess with a number of cryptic Instagram stories. His posts showed views of Las Vegas, like the Sphere and the huge EDC festival grounds reflected in his sunglasses.
The energy at circuitGROUNDS was evident as the night went on. There were a lot of excited fans on the huge stage. At exactly 11:30 PM, the lights went out and everyone quieted down. All of a sudden, the stage went wild with lights and sounds as Fred Again.. took his place behind the decks.
Fred Again.. gave a master class in live computer music for the next 90 minutes. His set was a smooth mix of emotional tunes and high-energy beats that made everyone feel completely happy. Tracks like “Turn On The Lights Again” played over and over again, and the crowd sang along to their catchy choruses.
What the crowd did was nothing short of amazing. From the first drop to the last note, the crowd of ravers danced and cheered. It was clear that the artist and the crowd were on the same page. Each beat and melody made a unique tapestry of sound and feeling that people will never forget.
One excited fan who goes to EDC often said, “I’ve seen some amazing sets at EDC over the years, but Fred Again…’s surprise performance tonight was next level. Everything was great—the energy, the music, and everything else.”
The full set record is coming soon…

The post EDC Las Vegas 2024 special guest is… Fred Again! appeared first on The Groove Cartel.
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Oliver Wickham’s Cinematic Debut EP on Colorize

The name Colorize has come to mean sounds that are on the cutting edge of progressive house and blur the lines between dreamy and mysterious harmonies. Oliver Wickham, a Canadian producer and singer, is a relative newcomer to the scene, but his latest release on the respected label shows a musical growth and artistic vision that belies his youth.
Wickham’s first EP as a solo artist is a captivating three-track journey. It shows how deep and dynamic he is as an artist. From the first few notes, it’s clear that we’re going to have a musical experience that goes beyond typical song structures and styles.
The EP: Let’s Go Back / Machines / Heart
“Let’s Go Back,” the first song on the EP, takes the listener right away to a lush, cinematic environment painted in widescreen sounds. Thunderous basslines rumble with an almost tectonic force. All these sounds give Wickham’s carefully layered grooves a solid base on which to pivot and undulate. A beautiful synth tune rises and falls like a vapor trail, calming and hypnotic at the same time. Scattering percussion hits give the smoothness an exhilarating sense of movement. It’s a tempting way to start, hinting at big areas that haven’t been explored yet.
Oliver Wickham If you’re feeling a little too comfortable, the second song on the EP, “Machines,” will break you out of it. From the first sounds on, there is a feeling of dread and digital menace. It’s like hearing the future of cyberpunk in music. Wickham’s vocals repeat the scary theme “the machines are coming,” and industrial clangs and whirrs come together to make an uprising metallic beat over which cold machine zombies of melody stagger. When you think that all humanity has been taken away, soft piano refrains cut through the sound like beams of light, their melancholy refrains going straight to your soul. The way the emotions are juxtaposed and the different types of music blend so well that the viewer is both haunted and riveted.
While “Heart And Mind” is a beautiful song, it’s the last one that really shows how talented Wickham is. It’s an amazing singing performance built on top of a very funky progressive house groove. It’s an example of hooks, melodies, and atmospheres. They are all meant to make you feel good. Wickham’s vocals soar and glide through a maze of catchy harmonic motifs and carefully processed loops, holding the rhythm in place and breaking it up with virtuosic energy. In the fantastic last few seconds of the song, angelic choirs rise above a flood of arpeggiated joy and rubber-band basslines. It’s rapturous music played with superb poise and control.
Oliver Wickham‘s first EP on Colorize is a thrillingly broad statement that moves smoothly across stylistic lines in a scene that is often divided into narrow sub-genres and microniches. With sound design that is as precise as a surgeon and music and ambiance that are almost like paintings, he’s made a debut that is greater than the sum of its parts. This beautiful three-track odyssey from a big new talent is required listening for anyone looking for truly progressive and emotional electronica.

The post Oliver Wickham’s Cinematic Debut EP on Colorize appeared first on The Groove Cartel.
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