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IND:RA Releases New Melodic Techno Single ‘Remember Me’

The London-based Producer and DJ IND:RA unveils his newest Melodic House & Techno release, ‘Remember Me’ via Panda Lab Records. A multi-genre talent, IND:RA is no doubt keeping the bar raised as he brings this brand-new, captivating release for his fans to enjoy; as he continues to build a production catalogue detailed with must-listen tracks, this talented Producer and DJ surely maintains his determined drive, continuing with an unstoppable momentum to stand out and carve a unique way within the world of Electronic Music.
A force whose diversity and penchant for pushing boundaries marks him as a talent to keep an eye on, IND:RA has crafted a musical journey that continues to see him crossing genres to develop a signature sound incomparable to any other: an intricate sonic tapestry of House, Techno, and Acid, IND:RA creates hard-hitting productions that continually place the value of melody at their centre. Having made his mark on the landscape of Electronic Music, playing his part in the evolvement and development of the genre’s culture within his homeland of India, IND:RA is surely on a promising path, appearing as a fresh addition to the scene as he keeps striking out with compelling and dynamic music.
With ‘Remember Me’, IND:RA offers to take listeners on a captivating musical journey, inviting them into a soundscape woven with detailed layers of driving rhythms, underlying pads, thumping basslines, and hypnotising vocal textures. As the track continues to build in momentum, pulsing synth lines, powerful risers, and pounding beats all join to add to the mighty energy of ‘Remember Me’; then atmospheric vibes take over as the track guides through the breakdown, building the tension with intensifying elements and stimulating sonic details. A sonic experience that is certainly original and distinct, listeners are sure to enjoy the mesmerising sound and refreshing energy that ‘Remember Me’ offers to them; an unmissable production within IND:RA’s growing catalogue, the track comes as the ideal listen to discover the unique and innovative style that IND:RA consistently showcases.
‘Remember Me’ is out now via Panda Lab Records and is available to stream and download here.
A talent worthy of attention, make sure to keep up-to-date with IND:RA by following him across social media.
Follow IND:RA:
Soundcloud | Instagram
Follow Panda Lab Records:
Beatport
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Freekbass Offers Up New Remix of ‘I Know You Do’

Freekbass returns with another release, presenting a Funk/Disco rework of his own track, ‘I Know You Do,’ with his ‘I Belong To The Light’ remix. Having just dropped his production, ‘Change My Mind,’ Freekbass is continuing to keep his momentum high as he builds a production catalogue filled with unique productions. With this latest track, Freekbass invites listeners to delve further into his vibrant sonic world as he welcomes them on an auditory adventure through an immersive soundscape.
A versatile and multi-faceted talent, Freekbass has made a name for himself on the music scene, winning accolades for his work across genres like Funk and R&B and touring and recording alongside top Artists such as Bootsy and Catfish Collins. Having just recently been crowned a winner of “TikTok Live Fest”, celebrating the top 30 creators worldwide, Freekbass’ reputation is no doubt set to continue growing as listeners keep discovering his funky sound and originality. As he presents a track detailed with compelling risers, his signature bass sound, and thumping beats, Freekbass breathes fresh life into his ‘I Know You Do’, making the track an unmissable listening experience for all his fans.
As the track presents engaging layers of sound, incorporating catchy vocal hooks and intensifying rhythmic elements that build the tension and guide the listening journey, the production appears as an exemplary expression of Freekbass’ creativity. With the original track’s vocals taking centre stage, Freekbass adds a unique sonic touch, filtering the detailed vocal layers and placing them in conversation with his bold bassline. As underlying textures and subtle synth details add depth to the soundscape, the track keeps driving forward, offering listeners intoxicating grooves and vibes that will surely position this new release high on the list of favourites amongst Freekbass’ fans.
‘I Know You Do (FB’s I Belong To The Light Remix)’ is out now and available to stream and download across platforms here.
So, with Freekbass showing no signs of slowing down soon, be sure to keep an eye on him by following him across social media to stay in the know about future releases, projects, and performances.
Follow Freekbass:
Spotify | Website | Instagram
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Canguru Delivers With New Trap Banger ‘West Goes The Sun’

Canguru unveils his new Trap single, ‘West Goes The Sun’, bringing a production unique in sonic makeup and distinct in musical character: a refreshing listening experience, this latest track from the talented Producer places his originality in the spotlight, offering a soundscape that serves to highlight his diverse range of influences and varied musical background.
With a production style that blends elements from genres like Alternative Dance, Melodic Techno, and Alt-Hip-Hop, Canguru has curated a sound that is both distinctive and fresh. As he drops more and more productions, Canguru’s talents and expansive skillset continue to be marked out, shining through in the impactful music he creates and the energy he exudes. Having been exploring and expanding on his passion for music ever since his youth, beginning with Classical Music and then turning to the infectious energy of Electronic Music later on, Canguru comes to music creation from the perspective of a knowledgeable and experienced talent, continuing to be driven by his love and enthusiasm for music itself. As he drops this latest release, Canguru ensures that listeners are captivated by his sound, setting his reputation to grow even further as more genre lovers discover his infectious vibes and signature sound.
‘West Goes The Sun’ brings a relaxing energy, introducing a soundscape detailed with laid-back beats, a rhythmic guitar hook, underlying textures, and a captivating vocal. With the emotive vocals taking centre stage throughout the track, ‘West Goes The Sun’ keeps the listening experience engaging, layering in panned and filtered vocal elements with enveloping melodic details and subtle rhythmic hits. A listening journey that comes as the perfect introduction to Canguru’s individuality and innovative approach towards music production, ‘West Goes The Sun’ is surely a must-listen for any lover of the style looking to discover the stimulating and unique productions emerging within Electronic Music today.
A Producer whose future within the genre continues to shine bright, Canguru is a talent to keep track of, as he is guaranteed to keep adding exciting and fresh productions to his release repertoire.
‘West Goes The Sun’ is out now and available to stream and download across platforms.
So, make sure to follow him across social media to stay up-to-date with his upcoming releases and projects.
Follow Canguru:
Website | Instagram | Spotify
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DJ Dris Brings The Afro House Vibes With ‘Ethereal’

DJ Dris is back with his next powerful release, this time bringing mesmerizing vibes with an Afro House track titled ‘Ethereal,’ featuring vocals from the talented Olivia London. Released through Born Digital Music, the production offers listeners dreamy vibes, inviting them on an enchanting musical journey that will no doubt captivate.
With a signature style that continually results in impactful music, whether bringing high energy through groovy productions or creating tracks moving in sonic makeup, DJ Dris consistently places his high-quality talents in the spotlight, delivering music that continues to resonate with fans around the globe. Just recently releasing tracks like ‘Work’, and ‘Keep Trying’, DJ Dris is building a production catalogue that works to showcase his varied and original style, incorporating elements from genres like Afro House, Afro Tech, and Funky House, DJ Dris has curated a sonic identity that boldly shines through in each of his productions.
With his latest production, DJ Dris once again shows off his wide-ranging skillset and distinct approach, bringing a track sure to stand out. Introducing chilled vibes, compared to the funky energy of his recent previous releases, ‘Ethereal’ no doubt comes as a unique addition to DJ Dris’ musical collection. As the track offers an atmospheric soundscape layered with the soulful vocals of Olivia London, listeners will surely enjoy the emotive sonic experience that DJ Dris has crafted for them. Featuring relaxed beats, subtle synth chords, delicate sonic details, and hypnotic rhythmic hits, ‘Ethereal’ presents a rich sound whilst bringing a calming energy to listeners.
A fresh production from DJ Dris, ‘Ethereal’ no doubt comes as a striking new release, stimulating in its unique sound and impactful energy: moving, immersive, and soulful, ‘Ethereal’ is a track not to be missed.
So, make sure to discover its powerful sound for yourself and stay up-to-date with DJ Dris by following him across social media as he promises more unmissable releases soon.
Follow DJ Dris:
Website | Spotify | Instagram
Follow Olivia London:
Spotify
Follow Born Digital Music:
Instagram
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DJ Meetch Releases New Tech House Gem ‘Upside Down’

Meetch unveils his newest Tech House track, ‘Upside Down’, inviting listeners on an enthralling sonic journey with a release that places his unique sound at its centre. Known as a talented DJ on the live circuit, Meetch is continuing to build his production catalogue, now adding a fresh, new single to his collection to once again spotlight the originality of his signature sound.
Having carved out a place within Electronic Music, Meetch continues to find motivation through his passion and love for music itself, continually appearing confident in his pursuit to push the limits of the genre. With a live performance style that is no doubt unique, adding a visual element to his live sets with his robot helmet, and a production approach that sees him pushing the elements of House music to curate a sound that is individual in character, Meetch continues to impress. As he consistently offers fans the opportunity to discover the depths of his creativity, delving further into his artistry with weekly episodes of his radio show ‘Digital Dance Radio’, Meetch is breaking apart from others on the scene to establish a reputation as a talent to take note of.
With ‘Upside Down’ coming as the debut release to his 2024, Meetch has ensured the production captivates, keeping the standard raised with a refreshing soundscape. Featuring potent beats, a compelling lead, a groovy bassline, vocal hooks, and intense risers, ‘Upside Down’ brings the party-starter vibes, delivering dancefloor-ready energy that positions it to become a staple in the playlists of DJs around the world. As the track guides through tension-building breakdowns, leading the listener with filtered vocals and pulsing synths, ‘Upside Down’ presents its intricately detailed soundscape, incorporating anthemic sonic details and hypnotising melodies. A production poised to enthral listeners, ‘Upside Down’ surely appears as a must-listen from the talented Producer and DJ Meetch.
So, be sure to keep up-to-date with Meetch by following him across social media, as he surely remains a talent not to miss.
Stream this single below and purchase here.
Follow Meetch:
Spotify | Soundcloud | Instagram
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Cyazon Drops New Melodic Dubstep Single ‘Nexus’

Cyazon unveils his latest Melodic Dubstep single, ‘Nexus’, treating fans to an uplifting production that incorporates hard-hitting beats, euphoric melody lines, and powerful sonic details into an intricately layered soundscape for them to enjoy. Cyazon’s status within the realm of Electronic Music continues to grow with each new release; as he shows himself to have the talents and skill set of a high-quality Producer, Cyazon’s name keeps climbing to new heights within the genre, positioning him amongst some of the top talents to keep an eye on.
Cyazon’s ability to keep developing as his inspirations change and evolve sees him continually offering exciting productions; with the confidence to strike out with fresh, new sounds, Cyazon keeps pushing boundaries, taking his sound to enthralling and original sonic territories. Having been steadily building his release catalogue throughout his musical journey, Cyazon now emerges with an expansive collection of productions, all of which serve to showcase his skillset when it comes to curating impactful music. With a signature style defined by its powerful sound and innovative blend of elements from genres like Dubstep, Drum and Bass, and Electro House, Cyazon’s music continues to captivate fans around the globe, resulting in a reputation that only keeps growing.
‘Nexus’ brings together driving arpeggiators, glowing synths, and emotive vocals, quickly introducing listeners to its electrifying energy as intense beats and gritty basslines join the mix. As bold leads and electrifying layers of sound add to the soundscape of ‘Nexus’, Cyazon ensures the track continues to drive forward, building in momentum as it leads through tension-filled breakdowns and powerful drops. With a punchy vibe, ‘Nexus’ is surely a striking example of Cyazon’s signature sound, making it the perfect track to discover the talents and extensive abilities of this skilled Producer.
‘Nexus’ is out now and is available to stream below and download here.
So, one to keep following, make sure to stay up-to-date with Cyazon across social media so as not to miss any future releases or upcoming projects.
Follow Cyazon:
Instagram | Beatport | Spotify
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In Conversation With El Hornet

Paul “El Hornet” Harding is a founding member of Pendulum and has been the man behind the decks since their inception.
He’s played an important role in the D&B scene for the past 20 years and Pendulum have very much come back with a bang in recent years. 
They released a new EP at the back end of 2023 and the live band are fresh off the back of a hugely successful UK arena tour.
There is more going on behind the scenes for the Aussie DJ and producer though, who also has solo music on the horizon and a new label project called The Hornet’s Nest Records – with a 60-tune compilation about to come out soon.
David Harrison caught up with Paul during the recent arena tour to hear more about the busy developments for him personally and for Pendulum…
We’re speaking as the band are on the UK arena tour, how has it been going?
Numbers have been ridiculous, the shows have been great, we’ve debuted a new song on this tour too, playing it live for the first time before anyone had even heard it in a club – which is a new one for us.
As we’re speaking the guys are playing in Birmingham tonight and tomorrow is the O2 in London and I’ve just had a sneak peak at the numbers – bigger than anything we’ve ever done. The O2 is pushing 15,000, that’s a big room and I was terrified when I heard we were going there, because I’ve watched Prince and Metallica there, massive bands like that.
Sometimes you second guess yourself, but we did 11,000 at Ally Pally last time, so this is progress. 
The UK must feel like a home away from your Aussie home these days after all the years you’ve spent here?
It actually has been home since 2003. Every year we would go back to Australia for one week if we were lucky and some years not at all. Even though we’re proud to be Australian, we left that behind and we felt more at home here. 
I still do now, even though I live in Perth again. I was back in London walking around Soho just now, visiting some of my favourite spots, it felt like home – it’s weird because I wasn’t born here, but it feels like this is where we belong.
What role do you think the UK community and D&B scene has had in Pendulum’s career then?
I think it’s been very important for us to be here from day one and we knew we had to leave Australia to progress to where we wanted to be – it made most sense to be where D&B came from. The English fans just got what we were about from day one. 
You’ve been busy in a personal capacity recently, away from Pendulum. What have you got coming up with the new label – The Hornet’s Nest? 
I’ve been working on a lot of solo stuff. I’ve also got a compilation I’m putting together on the label and that’s taking way more time than anything I ever expected. I’ve got a couple of remixes I’m putting together, it’s been a really interesting time to make music and I’m just trying to write what I feel like and not be influenced by anything or anyone, that’s really hard.
What kind of tunes are you looking to make, what sort of sound? 
I always air to the side of uplifting. There are people like Matrix and Futurebound that I cite as my number one influence in terms of what I would like to hear in a club and what I love to DJ the most. It’s positive uplifting euphoria, but with power. That’s hard to do though, they’re hard to write. When I listen back to their back catalogue, I’m always floored, how do they make me feel so good and they have so much weight?
That song is ridiculous. I actually have just done a remix of singer from Manchester called Kintsuku, which is just being pressed to vinyl now, it’s an El Hornet remix, totally solo.
That song I was like, how do I give it “Control” vibes. I’ve been trying to mimic that “Control” tune for years. You wouldn’t believe how many cast off versions I’ve made myself and shouted “I can’t do it”. The euphoria of it is ground zero for me, that’s what I want to listen to and make.
When do you hope to have that remix out? 
First I’ve got to release the label artist compilation. It’s called the 90 Second Maximum and I have 60 tunes on it, which is complete insanity. 
58 of the tunes are other artists and two of them are by me. That is due to come out soon on The Hornet’s Nest Records. The premise for that compilation is to do something with all these abandoned tunes that I was just talking about, everyone has them. I have 20 year’s worth of parts of tunes, which I think “fuck that was so good” – I might have lost the project file or deleted it or whatever. I put feelers out and asked people if they had loads of these little clips and they were like “of course we do.” 
Next minute I had one from Rusko, I had one from Ekko and Sidetrack and I thought, I reckon I could ask newer people as well if they’re interested in putting a song in this compilation. Next Stamina MC sends me a song, he’s only every produced one song ever on his own under his alias Armour and he’s like “I’ve got one for you”. I thought, I’m on to something, next thing you know I’ve got 60. I’m not too hell bent on getting names or big guys. Some of them are people I’ve been friends with for ages, but there are also people I’ve never met or spoken to before. I hope that it’s a springboard for some people too.
It’s been painstaking putting this together and a long process. If I was going to do something I wanted it to be something unique, that I hadn’t seen anyone else do. We’re going to push go on 12th April on that, which will go to the streaming services, but I’m also producing it on a cassette tape. It’s being printed right now, 30 songs on side A and 30 on side B. I’ve listened to it fully on the tape and it’s sick. I really want to do physical products for my releases. After the mixtape I’ll be following that up with the Kintsuku remix and her original song on a 12-inch vinyl. Occasional releases of things I really enjoy, rather than just banging out tunes.
Have you enjoyed the experience of bring together sounds you like? 
It’s been hugely enjoyable because for so long we just let Pendulum do its thing and that was handled by our major labels and I didn’t have to do a lot of anything myself, aside from me DJing and Rob making tunes. But this compilation project has been really hands on, getting to know people kind of affair, boy it’s hard work.
People who run labels, wow. It’s a real labour of love and anyone who does this more often, I really respect it. Hopefully I can do a few releases a year, good projects and some physical medium – a record or a tape or even a CD. They’re telling me CDs are coming back, but everyone’s new cars don’t have CD players, so where are you going to play them?
What do you have coming up DJ wise this year? 
Quite a bit of stuff actually. I’m going back to Australia and playing right up in the northern end, near Darwin, somewhere we’ve only ever played twice in 20 years.
We’re playing somewhere big as a DJ set in August in the UK, but I don’t think it’s been announced yet, so I won’t say much more, oh and there is another one in the UK, which I don’t think has been announced yet. 
And you’ve been pretty busy recently in the Southern Hemisphere haven’t you? How did all the shows go?
Fantastic, I did a run through New Zealand, the equivalent of doing student unions in the UK. The students get a 2-week run of parties, with mad UK headliners doing these welcome to university parties. I decided to do that, which were so good. There was one which wasn’t so good actually.
I think I saw, was it in Dunedin?
Yeah, I felt so bad because Georgie Riot had flown from Coventry to New Zealand to play, at the end of the earth. I stuck my head around and there was four people at the barrier. It was about 8 degrees, raining and the last day of two weeks of gigs, where students get a ticket and you get entry into every gig. 
All these students were broken and cooked and didn’t come. I took it in my stride and asked the stage manager if they can come up on the stage instead. It was great fun in the end. In contrast two days later I played down the road to 1,000 kids, so I thought “you can’t win them all”.
I also did some fantastic gigs in Adelaide for The Fringe. The Edinburgh Fringe being as big as it is, has a sister one in Adelaide and one in Perth. The Adelaide Fringe is a massive event, I did two nights there, 2,000 people, 2 weekends in a row – it was fantastic. It was great to play down there. 
What has it been like to straddle two different scenes? It’s pretty unique with Pendulum, there aren’t a lot of groups who can play the likes of Liquicity or D&B club shows, but the same tunes appear at a big rock festival like Rock am Ring or Download?
We have had an interesting progression from the purest rave scene through to the almost the rock scene – taking rockers into a rave setting without them even knowing it and that just seemed easy in the UK, it wasn’t a hard sell.
One moment we would be playing Global Gathering and the next moment at Glastonbury and the next at Download – those audiences are vastly different, but culturally bass music and dance music was just an easy sell over in the UK. It makes perfect sense to me, that’s what we always wanted. We always came with our production from a dance music perspective, but we were also musicians who had come from live projects before and we were more about instrumentation, rather than just pure sample manipulations.
Being able to straddle those things was a long process and it didn’t come over night. We definitely left some fans behind along the way, I’m very mindful of that, but every time we did that we seemed to grow 10x more in whatever direction we had chosen. 
I think it’s fantastic – like you say, let’s go and play Liquicity, I’ll play modern D&B, some Pendulum and some D&B classics, then the following night the band will play 20 Pendulum tunes at a rock festival. Those rockers will be dancing to D&B without entirely being aware of it. It’s a masochistic pleasure.
Pendulum played an important role in many people’s musical journey I think, transporting many young people of a certain age, who grew up listening to punk, rock, metal etc. and opening their eyes properly to D&B and rave culture. I’d include myself in that bracket 20 years ago. Are you aware of that role you played in many people’s musical journeys?
I think it’s a generational thing, the same thing happened to us. I was playing in a punk band that sounded similar to NOFX and the other guys were in a band that sounded like the Deftones. When you’re into that scene, it’s quite an extreme, left of centre world and then you hear D&B – you think to yourself “wait, this is the electronic version equivalent of what we like already. It’s not house music or sexy or all white parties with Tiësto. It’s dirty, it’s underground, it’s wicked, what is it?”
The same happened to us a generation earlier, the fact that I saw that generationally every 8 or 10 years pleases me greatly, it’s so cyclical. For me those groups were The Prodigy and Chemical Brothers – I was like hang on, I like Slayer, but I’m cutting some shapes to these guys, hang on a sec. Enter Shikari are another who’ve played a role in that development, when they started to add electronic elements into their songs. All of a sudden all these screamo kids, with the cool fringes and painted finger nails, are like “hey Mum, I think I like D&B”. 
Pendulum had a break at one point and stopped making new music. What happened back then and what brought you back? 
I think it was just a case where Rob had got to a point where he felt he had explored as much as he could and he didn’t see that there was an immediate need for more of that. Rather than just constantly rehashing what we’ve done, he was quite inspired by the world of EDM at that point and decided to have a crack at it – that’s why Knife Party was born.
During that period I just kind of maintained the Pendulum DJ sets and stayed in touch regularly. Whatever makes the guy happy is important because he’s such an amazing creator and if he’s not in a happy place with what he’s creating then there isn’t any point of putting energy into it.
We had done 3 albums, the last one went to number one in the UK, they had all gone platinum, so we thought what is next? Do we keep going over and over again? If you’re a DJ you can hold down a club residency for 10 years quite happily and because the music is fresh and continually changing, that’s fine. But if you’re a band playing the same 20 songs weekly, you think we’ve already headlined everything, we’ve done Glastonbury playing before Beyonce, what’s next? Do you just keep going? 
I enjoyed a period of just playing D&B for a long time, outside of the Pendulum live world and I just played Pendulum DJ sets. It was a good time, because I had time to make a lot of music of my own, which I hadn’t had chance to do for years.
Rob and Gareth really enjoyed Knife Party and made some huge noise in that scene, which was great, and then when it felt right to come back again, that’s what we did.
What reignited the spark that brought you all back to it? 
I’m not sure. I think we got to a point where we thought we’ll either never do this again or it will feel right and it could have gone either way. Rob started writing again and I thought do you reckon there’s an EP here? I mean there is probably 10 albums of unreleased Pendulum albums that never got done.
I think also a lot of it is relevant to what other people are doing, when you see other people in the scene doing things which are inspirational, you’re like ok, I’m inspired by this overall scene and I like where things are at – now it’s time to pop back in. 
It wasn’t long ago that Pendulum brought out a new EP, there are quite a few different sounds in there, including a heavier one with a Bullet For My Valetine collab, called “Halo”. How did that come together?
That is just a testament to doing what we want and Rob just producing what he’s feeling. There was a desire to work with the Bullet guys and I think he’s at a point where he looks at people that he finds inspirational and says “let’s make a record”. We used to procrastinate for a decade, trying to do a collab, now it’s just like, “fancy making a tune?” – “Great, let’s do it”. 
In this new period of Pendulum things seem to be coming out easily, comparatively, there used to be a lot of procrastination. It’s a healthy time for us.
Pendulum teased a chunky sounding new D&B intro on Instagram the other day – that sounds very punchy indeed?
That’s call “Napalm” and we debuted that in Leeds on the tour. It’s a straight up, no nonsense, Pendulum banger. That’s what they started the live show with. We sent it out to a few DJs already too and it sounded great at the live shows, it really lit up.
When do you hope to have it out?
don’t know, no idea actually. The song got done and we’re playing it, which is all I know know. 
You must be pleased to see how things are blossoming and growing continually D&B wise in your homeland and the Southern Hemisphere in general?
I forget that I was responsible for some of it to be honest. I think to myself, this is good, what a great scene – oh wait, we put a lot of hard yards in there. People used to say no to D&B and put us in room three, next thing you know, particularly in Western Australia, I think it’s the biggest genre that exists. I don’t just mean in just the dance music sphere, the biggest consistent numbers and events are D&B gigs. I have to pinch myself, every week there is some multi-headliner event.
I just remember thinking when I got home recently, that there are more gigs here than in London on a monthly basis and they always seem to be good. It’s from one end of the scene to the other – they had Roni Size and LTJ Bukem, then they have Sota, the new and the old. A strong mix, it’s great. 
Do you think what is being produced locally in Australia is keeping up with the pace of the number of gigs being put on and the number of visiting international artists arriving? 
I think so, I’ve lost track of how many producers there are in Perth and in Australia in general. Quite often I don’t realise that’s where they’re from, because the scene is so global. I sometimes don’t know that they’re even from my home town.
Like Luude, when he blew up, I thought “where did he come from?” I find out he’s from Tasmania, but grew up half in Perth, I was like what? He is from the scene in my town?
On New Year’s Day I played a bootleg of “Circles” by Adam F and I go back to the hotel and looked at my phone, and see the dude who made the bootleg (Mystik) was actually in the crowd at the gig and I didn’t even know. 
How have you seen things change over the years and where do you think we’re up to now in D&B?
I think we’re at the point where it isn’t a hard sell anymore, we don’t have to convince anyone anymore. D&B is cornflakes now, it’s everywhere and you can’t avoid it. It has taken a long time to get like that. We’re at a point now where it is so normalised and so ingrained in history that it’s undeniable. I think there must be more people listening to D&B than house music now? I mean come on. 
When you see how fast things are moving and progressing, does that fill you with confidence to keep on flying the flag with Pendulum?
I think more inclined than ever. I want it, let’s go. We worked too hard to rest on our laurels and watch this thing explode without being at the forefront of it. I think that is one thing with this scene, you get very motivated by seeing other good things happen and we have worked really hard to get to this place. So we must be at the front of it and strike. 
I get FOMO – I want to be on all the gigs and of course that isn’t possible, there is a lot of strategy around Pendulum and important things for the long run, but I’m a damn bull in china shop and want to be on every rave. When I see things like the USA kicking off, I think “right, I’m moving there tomorrow”. I want it to be done properly and not taken the piss of, by people who aren’t motivated by the scene and the sound, but rather by the self.
That can happen a lot when there is an explosion of something, capitalists come in for their own gain. I want D&B be looked after. Out of all the Pendulum group I’m the D&B guy predominately, I’m the purest one, it’s deep in my soul. I don’t want D&B to be watered down to please people. 
Do you think with social media there is a danger of that? 
There is always a danger of that and it’s always been prevalent. There will always be people who see something that pops off and has success, and that’s followed by 20 versions of it that are progressively worse. That is probably the same in every genre of music. Look deeper past just those big tunes that people are producing and look at the other material, there is always gold, there is always the next thing waiting to pop. There is always honest creativity in D&B and I want to be the guy to find that. 
Who are you enjoying listening to at the moment?
Sota who I mentioned earlier is very impressive. I did a virtual B2B mix with him on Radio 1 not long ago and he’s the first one in a while who made me stop and go damn this kid is crazy. There is a lot of people – A.M.C’s remix of that Sota tune is just killing me and everything he sends me I’m just blown away by. Ed Rush’s new album actually, which is due to come out soon, is just ridiculous. Someone who is a pioneer of this sound, 30 years in, coming with brand new record, which sounds brand new.
ShockOne is on tour with us at the moment with Pendulum and he’s just brought out an album, which is remarkable. It’s a life’s work and I’m really stoked for him. He was in the band that Rob and Gareth were in before Pendulum existed, he was the drummer. So he’s been around us, before I even knew the other guys. Flowidus from Perth/New Zealand- they’re fantastic. The kid I mentioned who heard his own tune at my show is called Mystik, he’s doing some great stuff. 
You mentioned “Napalm” coming out, can we expect any more music from Pendulum? 
That’s all I’m telling you for now. There is more stuff to come on the next EP, but I think the next EP, might be an album. We’ll see.
What does the future hold for you as an artist? You’ve already achieved so much in the world of D&B.
Me personally, I would like this little label to gain some momentum and for me to use this as an outlet to bring newer people into the fold. Or just present something that I love, more than just DJing it. I want to channel some of my energy and experience into getting newer music into the world. I put this off for so long. I’m going to put energy into that outside of Pendulum and work on some solo stuff – I really enjoyed making a couple of tunes lately and that’s something I haven’t done a great deal of by myself.
It seems like the fire is very much within your belly? And long may it continue.
It definitely comes and goes, but seeing the state of affairs globally with D&B at the moment. It’s like, this is what we’ve always dreamed of, it’s as good as it’s ever been.
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EDC Las Vegas 2024: Ultimate Party Experience with One N Only Shuttles (95% Sold Out)!

Ready to take your EDC Las Vegas experience to the next level?
Look no further than the One N Only shuttles, offering the ultimate pre-party experience for festivalgoers. With 80% of tickets already sold out, now’s the time to secure your spot and kick off EDC Vegas in style.
One N Only is going all out for EDC 2024 by providing a full resort takeover at the luxurious Serene Resort in Las Vegas. In addition to convenient shuttles to and from EDC, they’re hosting kick-off parties and day parties at the resort, ensuring the fun never stops.
Each shuttle pass includes one seat on their daily private shuttle to EDC, departing from either Serene Resort or their Downtown Fremont location. You don’t need to stay at these locations to use the shuttle service!
What really sets these shuttles apart is the non-stop party atmosphere. You’ll enjoy unlimited alcohol, cocktails, shots, and select chasers throughout the entire journey, fueling your energy for the night ahead. Large motor coaches with AC, bathrooms, water, and sound systems keep you comfortable while One N Only reps lead the festivities.
One N Only works directly with the EDC Las Vegas organizers to ensure seamless transportation with hassle-free pickup and drop-off right next to the festival entrance.
Safety is paramount, with trained staff and convenient options pick-up and drop-off locations. Leave the driving and navigation to the professionals while you focus on having an incredible time.
But the VIP experience doesn’t stop there. Your shuttle pass also scores you free entry to the One N Only Kick-Off Party on Thursday night and their incredible Resort Takeover Day Parties each day of the festival Friday, Saturday, and Sunday. at Serene Resort each day of the festival. You’ll receive exclusive One N Only merch and have a chance to party with the One N Only EDC Family before and after the main event.
Don’t miss out on this unparalleled, all-inclusive EDC adventure. The shuttle passes are 95% sold out, so act fast!
If you want to find out more, click here: https://onenonlyedm.com/vegas/ono/10.
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Hior Chronik presents dreamy single ‘Chase the Shadows’

The skilled Greek electronic music producer, neoclassical composer, and multi-instrumentalist Hior Chronik‘s most recent work, “Crave for More,” explores the complex feelings of people, focusing on themes of hunger and desire. Through haunting tunes and driving beats, each track on the EP serves as a poignant reminder of how people always want more.
Hior Chronik‘s EP ‘Crave for More’ will be released on May 10th, 2024 via Christian Löffler’s Ki Records.
The artist: Hior Chronik
Hior Chronik is from Athens and now lives in Berlin. He has had a deep link with music since he was a child.
Classical and jazz music on the radio when he was young sparked his interest, and as a child, Hior wrote down his favorite songs in a special notebook.
As a radio director at Athens’s JazzFm station and as an editor for several music magazines, he moved faster on his path. He found his real calling by playing around with melodies and rhythms, which led to the creation of his first simple ambient piano patterns, which he later mixed with electronica and vocals.
Hior Chronik says of this time of change, “It was a process to discover my hidden charisma.”
The single Crave for More and his experiments
Hior Chronik is known for blending classical instruments with electronic beats in a way that sounds natural. In his previous works, he has created a unique electro-ambient landscape. ‘Crave for More‘ was his attempt to make a record that is both musically adventurous and easy for a wide range of people to listen to, including fans of both ambient and techno music.
Hior Chronik focused on the dancefloor and filled the EP with different types of music, like Techno, Drum ‘n’ Bass, and Jungle, so each track stands out on its own.
Hior Chronik likes to try new things. He starts his creative process with Midi devices, virtual instruments, and sampled loops. With the help of effects tools, he mixes layers of samples with natural sounds to make textures that are all their own. Electronic drum machines create the strong rhythms that power the beats and have a big impact on the EP’s soundscape.
Chase the Shadows
The beautiful mix of electronic, ambient, and chillwave sounds in the lead song, “Chase the Shadows,” sets the mood. The track puts listeners in a hypnotic haze with its complex breakbeat beats and cinematic soundscapes.

“Chasing shadows can feel like an endless pursuit, as they often elude our grasp,” Hior Chronik says about the single. But chasing shadows can also mean looking for knowledge or the truth, even if it seems hard to find at times.
“Subway Straps” captures the fast-paced energy of city life with driving beats and ethereal synths that make you think of busy streets and links that don’t last.
The main track, “Mend,” takes you on a cinematic trip with its shifting rhythms and hypnotic, minimal sounds. It was inspired by a poem by Martin Crimp. According to Hor Chronik, the music is based on a poem by Martin Crimp and builds and swells to reflect the ups and downs of human experience that Crimp writes about in his writing. In a busy club, words are what make a solo dance stand out.
The main idea of the EP is shown by Hior Chronik’s sound effects that can conjure up strong images and deep feelings. Each song takes the listener on a cinematic trip, telling a story of longing, self-reflection, and the never-ending search for happiness. “The music implies a feeling of insatiable yearning, reflecting a desire to satisfy an intense appetite,” he adds.
The post Hior Chronik presents dreamy single ‘Chase the Shadows’ appeared first on The Groove Cartel.
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Miami’s Eran Hersh Unites With South African Phenom Kasango On Their New Collab ‘Ascension’ For Insomniac.

Miami-based house producer Eran Hersh connects with South Africa’s Kasango for their captivating collaboration “Ascension,” a sensational single catapulted by mystifying Afro house vibes, serving as the latest offering to rise from the Insomniac Records imprint. 

With the power to lift spirits into another realm, “Ascension” is the melding of two authorities over the global house scene. Eran Hersh and Kasango have both been leaving their mark on the afro house movement and are now oscillating in perfect unison together with their new single. Propelled by soul-touching incantations, the tribal vocal chants help underpin the track’s brooding energy. Its arresting harmonies and moody hook articulate an air of enlightenment, while perfectly layered percussion accents the spaces between awe-inspiring pads, echoing vox, graceful piano chords, and swirling synth leads. 

Kasango asserts that “Ascension” strikes an optimal balance between their signature styles. “This track is more than just a mix of our energies,” he says. “It symbolizes our individual journeys in the music industry and how we’ve evolved in our unique paths.” 
The South African producer also doesn’t hold back his excitement over collaborating with his Miami-based counterpart for the first time. “I’ve long been a huge fan of Eran Hersh‘s music. We finally got on a call, and then, over the following month—despite our hectic touring schedules —we figured out the perfect song to work on together. We made it happen with ‘Ascension.’” 

The collaboration arrives at a time when both producers are reaching new heights for their respective careers; some would say they are charting their own ascension musically. 
Steadily honing his craft in South Africa over the past decade, Welkom-born Kasango broke through to worldwide recognition in 2021 with the back-to-back success of his singles “Osama” and “Closer,” both of which were categorized as ‘Song of the Year’ by premiere outlets Mixmag and DJ Mag. With household names like Black Coffee, Miss Monique, Nora En Pure, Themba, and Eelke Kleijn championing his music, Kasango is looking to retain his explosive trajectory in 2024.

Originally hailing from Israel, Eran Hersh is a Miami transplant making waves in house music. The fast-rising producer returns to Insomniac Records after his internationally renowned debut last year, which saw him delivering a riveting rendition of Madonna’s dancefloor classic “Sorry” alongside BLOND:ISH and Darmon. The track has amassed more than 28 million streams to date, drawing support from Billboard, Beatportal, EDM.com, as well as garnering radio plays from BBC Radio 1 (‘Saturday Dance Anthems’), Kiss FM, Diplo’s Revolution, KCRW, and many more. 

“Ascension” is a breathtaking afro house single from two talents that continue to raise the bar for the global genre. 
Eran Hersh and Kasango’s new single “Ascension” is available on all platforms via Insomniac Records.
The post Miami’s Eran Hersh Unites With South African Phenom Kasango On Their New Collab ‘Ascension’ For Insomniac. appeared first on Electic Mode.
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What happened at Coachella’s Do LaB stage? A recap

As the desert sun set over the dusty polo fields this past weekend, an otherworldly transformation took place in one corner of the Coachella campgrounds.
The familiar sights and sounds of the iconic Do LaB stage emerged once again, but this year brought an entirely new vibe and scenery.
After years of awe-inspiring but somewhat uniform tent-like structures, 2024 saw Do LaB return to its roots with a wildly imaginative “trippy forest” design that stunned festivalgoers from the moment they stepped inside.

The trippy forest stage design: something new but iconic
The first glimpses through the treeline revealed soaring bamboo stalks interwoven with glowing mushroom sculptures, enveloping the crowd in a canopy of vibrant purples, greens, and blues.
Passing through the initial thicket opened into a wide clearing filled with even more natural wonders – towering willow trees sculpted into mesmerizing light installations, babbling LED brooks crisscrossing underfoot, and dense foliage erupting into synchronous pulsations with every kick of the bass.
Fanciful woodland creatures peeked out from every direction, their piercing eyes and robotic movements evoking the familiar yet unsettling feeling of wandering too far into an enchanted forest after dark.
And let it run wild, it did. The three-day weekend path was lined with hidden glens, exploration was not just welcomed but necessary to unlock all of the forest’s secrets. Passing through an unassuming willow branch archway revealed a secluded faerie ravine filled with swinging benches and soft techno soundscapes.
A RedWood hollowed into a spiral staircase deposited explorers into a canopy village of sculptural bird’s nests and pillow bances. No matter where you wandered, the environment shifted and evolved like a living entity.

Who played at the Do LaB stage on Coachella weekend 1?
Of course, the soundtrack to this psychedelic playground was just as mindblowing as the visuals. The weekend’s programmed talent represented the cutting-edge across genres like dance, bass, house, and eclectic beats – but the unannounced “wildflower” performances often stole the show.
Friday saw on the Do LaB lineup a blistering headline set from Anderson .Paak‘s vinyl DJ persona Pee Wee, who brought out respected underground rappers like Cordae, Freddie Gibbs, and a show-stopping rendition of “Brokenhearted” by Mario himself.

SOFI TUKKER‘s surprise dancefloor-friendly DJ set the next afternoon whipped the crowd into a frenzy.
But even those highlights paled in comparison to Saturday’s stunning cameo from Billie Eilish and Friends. In what was one of the most-buzzed events of Coachella Weekend 1, the multi-Grammy winner debuted three brand new tracks from her forthcoming album while backed by a dazzling audiovisual spectacle tailored perfectly for the forest setting.
The set seamlessly melted from slinky future beats into raucous rap bangers like Tyga’s “Rack City,” a living embodiment of the stage’s gender for smashing styles and vibes together.
Sunday saw the surprises continue with high-energy back-to-back sets from Bonobo and Barry Can’t Swim, a DJ throwdown from Alesso‘s new house music alias Body Hi, and an unannounced Mia Moretti set that transformed into an impromptu house party when close friend Katy Perry popped up. Between the endless array of mind-bending art installations, soundscape scenery, and rotating talent that could rival any festival’s main stage, it quickly became apparent that the Do LaB stage is truly a spectacle and destination unto itself within Coachella.

The Do LaB stage highlight during weekend 1
Friday, April 12
DJ Pee .Wee, the vinyl DJ alias of prolific rapper and singer-songwriter Anderson .Paak, played a headlining surprise set to close the night. He also brought out surprise guests of his own including Cordae, Freddie Gibbs, and MARIO.
Crossover electronic duo SOFI TUKKER filled the stage with an energetic midday surprise DJ set.
Additional previously announced day-one programming featured acts like Channel Tres, salute, The Dare (DJ Set), Anna Lunoe, Melé, and more. Saturday, April 13
For one of the most stunning surprises of the festival, Billie Eilish & Friends took over the Do LaB stage for a party that featured three unreleased tracks performed off her forthcoming album, Hit Me Hard And Soft. The set also featured a variety of party-starting tracks DJed throughout, plus a live performance of hit ‘Rack City’ by Tyga.
Pioneering dance act Kaskade played the second surprise set of the day, joined by fellow fan-favorite electronic act Alison Wonderland during the set.
Swiss Electronic duo Adriatique teamed up with dance icon BLOND:ISH for a surprise back-to-back set to finish out the night.
Additional previously announced day two programming featured Sam Gellaitry, VNSSA B2B Nala, Ahadadream, Jersey, AZZECCA, and more. Sunday, April 14
Eclectic electronic acts Bonobo and Barry Can’t Swim finished the weekend off with a high-energy surprise back-to-back set. Dance titan Alesso unveiled his new house music-driven project and label BodyHi. Veteran DJ, producer, and style star Mia Moretti brought out close friend and surprise guest Katy Perry during her Sunday afternoon set. Additional previously announced day three programming featured Nikki Nair x Hudson Mohawke, Chase & Status, Hamdi, and more.
As the weekend drew to a close, permanently dilated pupils and buzzing endorphins accompanied festivalgoers back through the forest entrance, emerging once again into the “real world” of Indio’s sun-baked polo grounds. But judging by the delirious grins and animated retellings amongst friends, pieces of the magic realm had clearly taken root.
The 2024 Do LaB was a full-fledged escape from reality – a mesmerizing marriage of music, art, technology, and production that repeatedly left jaws on the dancefloor.
Next up for Do LaB is the Lightning in a Bottle festival
“This is just a taste of what’s to come at Lightning in a Bottle next month,” Josh Flamming teased when asked what other surprises Do LaB has in store. The flagship five-day camping festival born from these same creative minds will undoubtedly extrapolate this forest fantasy into a fully immersive alien dimension.
But for now, the Coachella edition of these psychedelic woods has already etched its impression into the minds and memories of weekend one attendees.
As far as truly transformative festival experiences go, Do LaB is once again in a class by itself – and planting their roots deeper than ever before.

The post What happened at Coachella’s Do LaB stage? A recap appeared first on The Groove Cartel.
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Defected’s Sam Divine Kicks Off Summer at XOYO Birmingham With May Bank Holiday Roof Garden Day Party

Ibiza superstar and ‘Queen of Defected Records’ Sam Divine has been enlisted to help usher in summertime at XOYO Birmingham with a hotly anticipated Roof Garden daytime party on Saturday 4th May. This May Bank Holiday special called ‘Divine By Day’ will also star house music selectors Marc Spence, Danny Kane, Orio (Alt Soph B2B Shelby), Alex White and Nina Mckendrick. Decked out with faux grass and with foliage dripping from overhead, the XOYO Roof Garden is a hidden oasis. Soundtracked by the best of soulful house sounds at ‘Divine By Day’, clubbers can enjoy this rare spot to watch the incredible sunset with city skyline views.

Sam Divine, known as The First Lady of Defected, has risen from humble beginnings to become a prominent UK house music figure, headlining some of the world’s most significant clubs and festivals. The KISS FM radio presenter is also Founder of the highly successful imprint DVINE Sounds, which has launched over 100 releases to propel the careers of emerging talents into the spotlight. As well as balancing extensive touring and studio work, Divine’s charitable arm, D-Vita, has raised over £50,000 for Breast Cancer Research and mentored up and coming female artists via Divine’s association to Lady In The House. Expect a day party like no other when Sam Divine unleashes her unique blend of soulful house floor-fillers at XOYO Birmingham.
Joining Ms Divine are Birmingham born and bred producers, Mark Spence and Defected label mate, Danny Kane. Together they’re known as the prolific outfit Jakkin Rabbit for their unique blend of all things house, signing to the biggest house labels on the planet including, Jamie Jones’ Hot Creations, Jonny White’s No19, and Low Steppa’s Simma Black. Individually, they’ve got equally impressive discogs working with Kane remixing for such legends as Chaka Khan and Tom Findlay, and Spence owning the #1 Beatport Tech House track ‘Nasty’ via This Ain’t Bristol. Expect two quality sets and a catalogue of the finest house music when they take to the decks.

The rest of the lineup at ‘Divine by Day’ is a further showcase of Birmingham’s best electronic music up and comers, including a debut appearance from Orio comprising of local talents Alt Soph and Shelby, XOYO resident Alex White, and Nina Mckendrick, together cementing the venue’s status as for and by the people of Birmingham.
Since opening in September 2023, XOYO Birmingham has consistently captivated Birmingham and beyond with unforgettable clubbing escapades to the score of electronic dance music’s finest. Despite its relatively short existence, XOYO Birmingham has swiftly demonstrated its prowess, inheriting the esteemed reputation of its London counterpart while forging a path as a trailblazer in Birmingham’s vibrant nightlife scene. Comprising five distinct venues and a capacity to host near to 3,000 partygoers, XOYO Birmingham offers a truly unparalleled experience for club-goers in the West Midlands.

Photo by Monica Martini
For those unable to travel the White Isle, XOYO Birmingham has it covered at ‘Divine By Day’ when it brings a slice of Ibiza magic to the Roof Garden, courtesy of one of electronic music’s most respected figureheads, Sam Divine. 
Tickets are selling fast and are already on Fourth release, priced at £15+bf from https://xoyobirmingham.co.uk.
The post Defected’s Sam Divine Kicks Off Summer at XOYO Birmingham With May Bank Holiday Roof Garden Day Party appeared first on Electic Mode.
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Michael Bibi Returns With Spectacular Comeback Set At Coachella

British DJ Michael Bibi had a challenging year as he battled against CNS Lymphoma. However, Michael Bibi emerged victorious and recently returned to Coachella after his remission. This past weekend, he had an outstanding performance at the new Quasar stage, featuring several surprise appearances, which was highly anticipated by his fans. His set was truly mind-blowing and left the audience in awe.
Bibi had the 7:15 pm time slot at the brand new Quasar stage on Saturday of Weekend One during Coachella. He performed an extended set that included several IDs that took fans by surprise. To truly appreciate the legendary performance, you had to be there in person. The Quasar stage was created in response to the growing popularity of electronic performances at Coachella. It features prolonged DJ sets on a pedestal, which is a major move for the festival. Bibi’s performance was even more special as it marked his mother’s first time attending Coachella, and she clearly had a great time.
Michael Bibi Press Pictures Bibi’s diagnosis last year with cancer, put a halt to his life as he battled through Lymphoma. He underwent five rounds of chemotherapy and emerged successfully in remission. The whole journey gave Michael a renewed sense of purpose and gratitude. His performance at Coachella marked the return of the titan, and he is now embarking on his One Life tour later this summer. You can check out the dates for his tour here and be sure not to miss out! Stay tuned to EDMTunes as we follow Michael Bibi’s journey this summer.
The post Michael Bibi Returns With Spectacular Comeback Set At Coachella appeared first on EDMTunes.
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Loreno Mayer Amazes With Latest Release ‘I Don’t Wanna Be’

Listen to a banging track we recently came across.
Struggling to get the week started? Worry no more, we’ve got you covered. We’re always on the lookout for new, exciting music to share. And we believe we’ve hit the nail on the head this time with a powerful, festival-calling tune. The culprit of our excitement? Meet Loreno Mayer.
Loreno Mayer
Coming to you all the way from Croatia, Loreno Mayer is a DJ and music producer of the highest order. Counting with releases on prestigious labels such as Revealed, Enhanced, Black Hole, Cr2 and more, his approach to Progressive House, Trance, Electro House and other Dance subgenres has truly impacted the giants of the industry.
Quite fittingly, ‘Giants’ is one of his songs that blew up a couple of years ago, with ARTY using him in the form of a mashup when DJing. Pair this with the fact that he’s caught the attention of — and worked with —brands like Samsung and Deezer, and you’ve got an artist who’s cooking up every aspect of his name, slowly simmering them to perfection.
‘I Don’t Wanna Be’
Mayer’s recently released one of his most Electro-leaning tracks to date. ‘I Don’t Wanna Be’, signed on the Revealed imprint BODYWRMR, has it all, from raspy saws and acid sounds, to whistly leads and tons of tension.
The very moment you hit Play you start to notice there’s a pleasant throwback feeling on the creative side of this single. Tons of elements will fly you back directly to 2014-15, with sounds that resemble Jordy Dazz, Vicetone, and the Revealed roster from back then. Truly a mesmerising experience!
Listen to Loreno Mayer’s ‘I Don’t Wanna Be’ in full by clicking the Spotify button we’ve provided. Also, be sure to follow him on his socials. And stay tuned to our page for the latest news and reviews from our beloved EDM industry.
The post Loreno Mayer Amazes With Latest Release ‘I Don’t Wanna Be’ appeared first on EDMTunes.
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ODESZA Reveal First-Ever Live Album, "The Last Goodbye Tour Live"

ODESZA have revealed their first-ever live album, The Last Goodbye Tour Live.
The release of the duo's fourth LP, The Last Goodbye, ended a five-year wait between albums and led to a stunning tour throughout 2023. ODESZA are now set to tie a bow on the TLG era by virtue of a momentous finale run, but not before crystallizing its live music for fans to stream.
Featuring live recordings from the tour, the new album will drop on May 31st, ODESZA announced today. Fans can stream two tracks ahead of its release, live versions of "Forgive Me" and "A Moment Apart."
"We love the opportunity to interpret our work for the live show setting and share it with you on stage," ODESZA said in a statement. "Through the release of these live recordings, we hope that people will be able to revisit and relive the live performances that have brought us so much joy and connection throughout our careers."
Fans of the duo can now pre-order a special vinyl edition of The Last Goodbye Tour Live, a "ghostly clear" 3LP print in a 12" reverse board trifold sleeve with central die cut. Check out the full tracklist below and pre-save the album here.
ODESZA - The Last Goodbye Tour Live Tracklist
1. This Version of You (Live)
2. Behind the Sun (Live)
3. All We Need (Live) (ODESZA VIP Remix)
4. Love Letter (Live) (ODESZA VIP Remix)
5. Say My Name x Late Night (Live)
6. In the Rain (Live)
7. Pretty Lights - One Day They'll Know (Live) (ODESZA VIP Remix)
8. Wide Awake (Live) (feat. Charlie Houston)
9. Bloom (Live) (ODESZA VIP Remix)
10. Equal x Boy (Live)
11. All My Life (Live)
12. Better Now (Live) (feat. MARO)
13. Line Of Sight (Live) (feat. Mansionair & Naomi Wild)
14. Forgive Me (Live) (feat. Izzy Bizu) (ODESZA VIP Remix)
15. La Ciudad (Live) (ODESZA VIP Remix)
16. Sudan Archives - Selfish Soul (Live) (feat. Sudan Archives) (ODESZA VIP Remix)
17. BRONSON - TENSE (Live)
18. BRONSON - KEEP MOVING (Live)
19. Sun Models (Live) (ODESZA VIP Remix)
20. Hopeful (Live)
21. Across The Room x Falls (Live) (ODESZA VIP Remix)
22. Loyal (Live)
23. Don't Stop (Live) (ODESZA VIP Remix)
24. Just A Memory (Interlude) (Live)
25. Higher Ground (Live) (feat. Naomi Wild)
26. A Moment Apart (Live) (ODESZA VIP Remix)
27. The Last Goodbye (Live)
Follow ODESZA:
Instagram: instagram.com/odesza
X: x.com/odesza
Facebook: facebook.com/odesza
Spotify: spoti.fi/3hCvE32
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Grimes Apologizes After "Major Technical Difficulties" Derail Coachella Set

Grimes has issued an apology after "technical issues" interrupted her DJ set at Coachella.
Fans watching Coachella's livestream over the weekend could hear her shrieking in frustration at times as she performed on the festival's iconic Sahara stage on Saturday night. She ultimately addressed the situation in a post on X.
"I want to apologize for the technical issues with the show tonight," Grimes said. "I wanted to come back rly strong and usually I always handle every aspect of my show myself - to save time this was one of the first times I've outsourced essential things like rekordbox bpm's and letting someone else organize the tracks on the sd card etc. i had a bad feeling beforehand not having run everything thru the cdjs myself and tho I flagged it I wasn't insistent."
Grimes' ill-fated performance is an all-too-familiar predicament for DJs. Working in Rekordbox, the industry-standard program for DJ performance and music management, comes with high stakes. An artist may not have the proper drivers installed for the software to communicate with their device's operating system, leading to corrupted files and incorrect metadata, like tempo and key.
The tempos appearing on the Pioneer DJ CDJ3000 units at Coachella, Grimes added, were reading as high as 370 beats per minute. To put that into perspective, "Welcome to the Opera," her hit collaboration with Anyma, has a BPM of 125.
Grimes' polarizing response sent ripples through the DJing community on social media. While many criticized her lack of preparation ahead of a high-profile performance at one of the world's most popular music festivals, others empathized due to the technological pitfalls of Rekordbox's software.
"Oh man I feel so bad for her," What So Not said in a post on X. "Girl needs a tech up there! It’s such a simple thing to fix/solve. Where’s her team at??"
"Nothing about grimes statement makes any sense lol I feel like she did this all on purpose for attention because, what? Stressing over your set for 'months' but not checking your music even once makes 0 sense," Azzecca wrote.
Grimes also promised to fix the issues ahead of Coachella's second 2024 weekend.
"I will personally organize all the files next week," continues her post, which you can read below. "I will not let such a thing happen again. I've spent months on this show, making music and visuals, and admittedly am not in the best mood atm But, yeh - next week will be flawless, everything will run thru my hand."
Follow Grimes:
Facebook: facebook.com/actuallygrimes
X: x.com/Grimezsz
Instagram: instagram.com/grimes
Spotify: spoti.fi/3gO9s6D
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Grimes Apologizes For Disastrous and Awkward Set At Coachella

If you haven’t seen yet, Grimes had quite the performance at Coachella. She experienced extreme technical difficulties when her mixer did not work as intended. It appears Grimes was trying to use the Sync button on the DJ controller. This button was not working, however.
This is easily the worst nightmare for any performer. Having it happen at Coachella in front of thousands and for millions to see online, is probably the worst thing that can happen. Her struggle mixing songs led to many awkward moments of her explaining over the mic what was happening.
For non-DJs, the sync button basically connects tempos automatically between two songs. It’s almost like a cheat code when mixing. What I don’t understand is how no one from Tech helped her out. For such a massive festival, she was left up there alone to struggle.
Grimes continued to try to explain that she had trouble before the set programming her songs. Sounds like she didn’t prepare well enough… She took to Twitter yesterday to apologize to everyone for her performance.
As a fellow DJ, I do feel bad for her, and truly this is a a learning lesson for all! I do appreciate that she tried live mixing rather than some artists playing a pre-recorded mix. Make sure to practice.
The post Grimes Apologizes For Disastrous and Awkward Set At Coachella appeared first on EDMTunes.
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Kaleena Zanders Drops Soul-Stirring Collaboration With House Gospel Choir, "SAVE ME"

Kaleena Zanders has unveiled "SAVE ME," a collaborative masterpiece featuring the London-based vocal group House Gospel Choir.
With its invigorating melody and soul-stirring lyrics, "SAVE ME," which arrives three years in the making, promises to leave you feeling rejuvenated and uplifted. Complemented by uplifting synths, its deep and infectious house beat serves as a captivating backdrop for the soulful vocals of Zanders and House Gospel Choir, which take center stage in the enchanting track.
Produced by Solardo and co-written with Camden Cox, Autumn Rowe and Moya Angela, "SAVE ME" is out now via Helix Records. Check out the new single below.
Zanders recently appeared at our "EDM.com & Friends" party during Miami Music Week on the lavish Uma House rooftop in South Beach, where she joined Sunday Scaries for an her electrifying performance. Check out a clip below.
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FOLLOW KALEENA ZANDERS:
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ILLENIUM, Tycho, LSDREAM b2b CloZee to Headline Backwoods Music Festival 2024

Returning to the scenic Mulberry Mountain with a bang in 2024, the organizers of Backwoods Music Festival have announced its biggest lineup to-date.
Scheduled for June 6-9 in Ozark, Arkansas, this year's fest marks Backwoods' 16-year anniversary. With more than 100 acts spread across four stages, festival-goers can expect a diverse array of musical talent across the genre spectrum.
The lineup is impressive, featuring headliners ILLENIUM, Jai Wolf, STS9 and a "new live experience" from renowned electronic music producer Opiuo, among others. The headline bill also features the long-awaited live debut of LSZEE, the collaborative alias of bass music superstars LSDREAM and CloZee.
Elsewhere on the lineup are The Crystal Method, Kasablanca, Slow Magic, Manic Focus, Emancipator and EDM.com Class of 2022 star Wreckno. As part of the festival experience, attendees can also look forward to a plethora of special experiential activations, including a "Tycho Taco Party" and a stage takeover by CloZee's Odyzey label.
Inspired by spirituality and consciousness, LSDREAM's side project, Lightcode, also joins the programming—a surefire highlight in conjunction with Backwoods' many surrealist art installations. It's complemented by three days of R&R workshops spanning yoga, meditation, breathwork, flow arts and philosophy sessions.
Check out the full lineup for Backwoods Music Festival 2024 below and head to its official website website to secure your tickets and find out more.
c/o Press
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