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Market Uncertainty Leads to IPO Delay
Originally aiming for a summer IPO with a valuation target of at least $16.5 billion, StubHub has decided to hold off due to stagnant market conditions. The lack of significant consumer IPOs recently has made it challenging to gauge investor interest accurately. Despite extensive preparations with financial giants JPMorgan and Goldman Sachs over the past two years, the online ticketing service is taking a cautious approach, preferring to wait until the market shows more promise.
StubHub’s Industry Legacy and Rivalry
StubHub, a staple in the ticketing industry since its inception in 2000, has undergone several significant changes over the years. Acquired by eBay for $310 million in 2007, it returned to its roots when co-founder Eric Baker repurchased the company in 2020 through his new venture, Viagogo, for a whopping $4 billion. Meanwhile, rivals like SeatGeek are also eyeing the public market, with reports indicating the involvement of Citigroup, Wells Fargo, and Morgan Stanley in its IPO plans. SeatGeek is aiming for a valuation surpassing $1.35 billion, further intensifying the competitive landscape.
The Booming Live Events Market
The live events marketplace has experienced a renaissance post-COVID-19, with record-breaking ticket sales for major tours like Taylor Swift’s Eras Tour and Beyoncé’s Renaissance Tour boosting revenues across the ticketing industry. This surge in demand for out-of-home entertainment has benefitted companies like StubHub, Vivid Seats, and Live Nation. Should StubHub proceed with its IPO, it will join Vivid Seats, which currently has a market cap of $1.5 billion, and Live Nation, valued just shy of $23 billion, on the public stage.
In conclusion, while StubHub’s IPO delay reflects broader market hesitations, the company remains poised to capitalize on the thriving live events sector once conditions improve.
[H/T] – CNBC
The post StubHub Delays IPO Until After Labor Day, Attributes Market Uncertainty appeared first on EDMTunes.
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Adam Beyer and Green Velvet’s ‘Simulator’ remixes
Odd Mob brings out the first remix on this collection and the Australian rising star amplifies his own innovative style of dynamic, colorful beats to merge with the elemental, rhythmic structure. The remix from Mha Iri unleashes wicked motifs that enhances the bass stabs of the original track, making her remix one to show amazement, particularly as the drops and builds make it an awesome track to listen on repeat. Finally, the remix from Chris Avantgarde shows why he is a maestro in bringing types of genres altogether for a phenomenal music creation. Avantgarde’s remix brings out invigorating breaks alongside the incorporation of bass, electronica, techno and trance to make the remix as memorable as not only the other remixes but also the original track itself.
Photo Credit: Clare Dickins PRThe post Adam Beyer and Green Velvet’s ‘Simulator’ Get Trio of Remixes appeared first on EDMTunes.
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Do You Have The Substance?
Correa and Borusiewicz’s tenacious passion for music has helped to cement RVLTN as one of the most abundant independent electronic promoters in the country, producing a myriad of club nights, concerts and outdoor festivals each year. SUBSTANCE is their latest venture, joining an impressive portfolio which includes ALTURA Presents, Elation, and Jackpot to name a few. At Substance, the RVLTN team will be collaborating with pioneering electronic music promoter, Insomniac, to bring some of the world’s most sought-after dance music artists to the stage every Friday night. Alongside electronic programming, Altura Presents will transform the space with its massively popular Latin events every Saturday night. The venue will also host an array of other genres and promoters, including Mexican regional, Rock, R&B, reggae + more.
Just steps away from The Strip, adjacent to Las Vegas Boulevard and Fremont Street, the new year-round venue will quickly become a homebase for fans looking to enjoy their favorite artists. Partners Marcel Correa and Joe Borusiewicz shared their thoughts:
The space’s brutalist architecture and low ceilings will make guests feel like they’re in a dystopian post-apocalyptic warehouse, with top of the line production amplifying live entertainment across a multitude of genres. The facility is equipped with a cutting-edge audio/visual system that can accommodate a wide range of live entertainment, from intimate DJ sets to live bands and major productions. The venue will boast not only one of the largest indoor LED installations in the area, but immersive design and aesthetics by the illusive graffiti and digital artist, Gear Duran.
Opening
On Friday, July 12, SUBSTANCE officially opened its doors with one of house music’s most dynamic duos, Walker & Royce. On night two, Altura Presents debuted SUBSTANCE’s first Latin Evening with a special guest lineup. The momentous grand opening will be followed by a summer of worldwide talent including Boombox Cartel on July 19th. Moreover, bass music sensation CRANKDAT will perform on July 26th, and many more to come. Tickets for Substance are available here.
About Marcel Correa
The visionary founder of RVLTN Events, has been steering the company as its Chief Executive Officer since its inception. A Las Vegas native with a flair for innovation, Marcel boasts an impressive portfolio of thriving entertainment & hospitality. His “All things Vegas” mentality has fueled his mission to continuously push Las Vegas’s reputation as the ‘Entertainment Capital of the World.’ Marcel’s leadership has grown RVLTN into one of the most dynamic and successful independent entertainment powerhouses in the city’s history. In addition to RVLTN, Marcel has propelled ALTURA Presents to prominence, establishing it as the city’s leading Latin brand. Under his leadership, it has experienced exponential growth, expanding across 12 cities and counting.
About Joe Borusiewicz
Joe Borusiewicz has been a key figure in promoting electronic dance music events for nearly 25 years. His journey began in the late 1990s, falling in love with the Las Vegas underground party scene. From handing out fliers and talent buying for local promoters, Joe quickly ascended into organizing his own events. Over the years, he has overseen the booking, production, and marketing for thousands of events. Since 2013, Joe has been a partner and executive talent buyer at RVLTN Events. He has played a pivotal role in transforming it into one of the most prolific independent entertainment brands in the country. Now, it hosts 300+ events annually.
The post Get Ready to Rage: Substance, Las Vegas’ Newest Rave Venue appeared first on EDMTunes.
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The enigmatic electronic music duo have announced the release of their debut album, soon to arrive in two distinct parts. However, the record isn't merely a musical milestone—it's a deeply personal project that carries significant weighty in the wake of Micky Kasablanca's early-2024 cancer diagnosis.
Shrouded in mystery, often letting their music speak louder than words, the multi-talented live electronic outfit is well-positioned to deliver their most impactful work yet. Titled Higher Resolution, the long-awaited album is set to include previously-released singles "Terminal Feeling" and "Remission," the latter of which is collaboration with Lane 8 released in the wake of Micky's aggressive chemotherapy treatment.
With the announcement also comes Kasablanca's most ambitious tour plans to boot. Fans can catch their "new live experience" on the road starting this fall and, in the meantime, stay tuned for the release of the first chapter of Higher Resolution on October 4th.
Check out the tour's trailer below and register for the pre-sale here.
View the original article to see embedded media.
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10 days after Americans blow off their fingers fireworks in honor of their nation's independence, French citizens take part in similar festivities for Bastille Day, the annual holiday commemorating the major turning point of the French Revolution. While each year sees large-scale celebrations all over the country, 2024 was extra special as the country prepares to host the Summer Olympics in Paris in less than two weeks.
On Sunday night, the City of Paris organized a massive fireworks display featuring 1,000 drones around the iconic Eiffel Tower. From Gesaffelstein and Justice to Kavinsky and Jean-Michel Jarre, many electronic music greats have come from France over the years, so the show's organizers had plenty of choices for its soundtrack. The honor ultimately went to Daft Punk as well as one of today's most beloved dance music artists, Madeon.
Madeon's track "You're On," from his 2015 debut album Adventure, was featured in a portion of the show as the drones coalesced to form a running figure holding a heart. They also shifted into the logo of the Paris 2024 Olympic Games to the sounds of Daft Punk's 2013 single "Contact," which appears on their final album Random Access Memories.
Check out footage of the Bastille Day fireworks show featuring music by Daft Punk and Madeon below.
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Los Angeles, CA — Bigger Than Us, the powerhouse musical duo comprising Marieme and Bosa, has just dropped their much-anticipated single, “Do It Again.” Following the success of their debut single “Transcend,” the pair has set the stage for a summer hit with their latest release, available from June 28.
Bigger Than Us, known for their eclectic blend of dance music and world rhythms, is back with another track that’s sure to get listeners on their feet. “Do It Again,” released on June 28, showcases the duo’s unique sound and their ability to create music that transcends genres.
Marieme and Bosa, the creative forces behind Bigger Than Us, have once again demonstrated their musical prowess with “Do It Again.” is a vibrant mix of retro and modern sounds, designed to evoke joy and a sense of timelessness. The duo’s seamless blend of styles and infectious energy spreads easily in the room.
Marieme, a Senegalese-American artist known for her unique voice and impactful performances, teams up with producer Bosa, also known as Stephan Jacobs. Bosa recently gained attention with a release on the Dirtybird label. Marieme, with her rich background of collaborations, including a notable hit with Paavo from Above and Beyond and upcoming projects with Groove Armada, brings her versatile artistry to the table. Her performances at iconic venues like Red Rocks and Burning Man have solidified her reputation in the music world.
The creative process behind “Do It Again” was a collaborative effort that highlights the strengths of both artists. Bosa aimed to create a track that fused an 80s-meets-modern vibe, utilizing the Juno 60 for the lead synth and chords to achieve this sound. Marieme’s initial vocal take inspired Bosa to rework the track, resulting in the catchy and energetic final version. The inclusion of instruments like the Juno 60 Keyboard, Dulcimer, Korg Electribe EMX, and Roland Sub 37 adds depth and richness to the track.
The apex of “Do It Again” lies in its ability to transport listeners to a different time while keeping them rooted in the present. The nostalgic feel, reminiscent of classic movies like “Flashdance” and “Back to the Future,” combined with modern production techniques, creates a unique listening experience. The track’s breakdown and buildup are meticulously crafted, ensuring that each moment resonates with the listener.
As Marieme and Bosa continue to innovate and push the boundaries of their sound, “Do It Again” stands as a testament to their artistic vision and chemistry. The track is more than just a song; it’s an experience designed to make listeners feel uplifted and nostalgic. With upcoming releases and collaborations on the horizon, Bigger Than Us is poised to make a significant impact on the music scene.
Do It Again Is Out Now
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The post Bigger Than Us Releases New Single “Do It Again” appeared first on Electic Mode.
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This fall, Saturday Night Live icon Will Ferrell will host "Ultimate DJ House Party," a charity event to support Cancer For College. Described as a "unique and wild celebration of house music," the philanthropic show will see Ferrell take the stage with some of the biggest electronic music artists in the world.
While the event's website promises "some of the biggest DJs in the world," only one act has been announced thus far. Ferrell, who in late-2023 went viral after DJing at his son's USC frat party, has revealed that the superstar Swedish House Mafia trio will perform at his "Ultimate DJ House Party" in Chicago.
Ferrell joined Axwell, Steve Angello and Sebastian Ingrosso in Stockholm to film a video and reveal the news. In it, the iconic comedian and actor is seen "performing" the trio's influential debut single "One" before bringing out "his band" to share the event's time and location.
VIP tickets are available for purchase now with the general sale to follow on Thursday, July 18th. VIP packages include a pre-show onstage photo opportunity, red carpet experience, food and beverages, premium seating directly in front of the stage and more.
Proceeds from the event will benefit Cancer For College, which provides college scholarships to cancer survivors and helps them connect with employers to find jobs after graduation. The organization was formed 30 years ago by Ferrell's college friend, Craig Pollard, a three-time survivor, according to a media alert shared with EDM.com.
Ferrell's "Ultimate DJ House Party" is scheduled for October 26th, 2024 at Chicago's Wintrust Arena. Learn more about the upcoming event and purchase tickets here.
FOLLOW SWEDISH HOUSE MAFIA:
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TikTok: tiktok.com/@swedishhousemafia
Facebook: facebook.com/swedishhousemafia
Spotify: spoti.fi/36uoBWe
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Officially dropping on the LA-based TH3RD BRAIN Records, ‘Back It Up’ delivers an electrifying blend of UK garage and high-energy dance beats, perfectly complemented by the dynamic rap prowess of Michael Aristotle. Whether you’re in the club, at a festival, or cruising in your car, ‘Back It Up’ is your ultimate anthem for summer 2024. With several more singles lined up for this project, ‘Back It Up’ also marks the debut single from the forthcoming EP titled ‘Leap 9’, slated for release on October 18th!
“I met Irad (ALRT) when I first moved out to LA and was writing and producing new material.”, Sam Silver explains. “One night, we were both at Gravity Studio in West Hollywood, where I had just started working. We instantly connected, and this was the first of many records we produced together over the past three months. We became obsessed with blending the chill, upbeat jazzy vibe of the Rhodes electric piano with pretty pluck sounds. We found a captivating sample to bring in right before the drop. Once the track was done, I added a vocal from an unreleased rap song I had cut back in NY with my good friend Michael. It took the song to another level. I always love putting the pieces together in the production process. My personal belief is that Michael made the record pop because his voice and the message of the lyrics really are cohesive.”
ALRT shares: “I remember when we just started this track, I immediately had a good feeling about it. It’s a fun, feel-good track with a lot of attitude. It works for festivals and clubs, but you can also just rock it in the car.”
“I’m honored to be a part of this song. I honestly think it’s just a fun song about being better and doing better despite whatever obstacles are in front of you.”, says Michael Artistotle. “I don’t expect everyone to get that off rip because it’s a fun song you can dance to, where you may not pay attention to the lyrics, but I’m saying some real stuff on there. That’s also why I think this song is dope all around. It’s energetic and moves any issue to the back of your mind.”
Leap 96, the brainchild of Sam Silver and ALRT, draws inspiration from the vibrant late ’90s and early 2000s rave scene, where garage and drum and bass first took hold. This collaborative project merges vocal-driven dance music that fits seamlessly into both uptempo and downtempo settings, offering a nostalgic yet fresh sonic experience.
The name Leap 96 holds special significance, representing the middle year between Sam and ALRT’s birthdays and marking a leap year. This period symbolizes the fusion of their unique musical journeys: ALRT, rooted in the prosperous old-school rave scene, and Sam, emerging from the new-age garage, rap, and ethereal house movements.
Their music marries elements of garage, rap, and drum and bass with an indie pop sensibility. This collaboration brings a perfect contemporary edge to dance music, appealing to a wide array of listeners.
Sam Silver and ALRT’s partnership began serendipitously in a Hollywood studio, co-founded by ALRT and renowned artist/producer JOYRYDE. What started as a casual co-writing session quickly evolved into an intense two-month co-production period, resulting in four powerful tracks for their upcoming EP and numerous works in progress.
The post Sam Silver And ALRT Unveil New Leap 96 Single ‘Back It Up’ ft. Michael Aristotle appeared first on Electic Mode.
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Supernova’s known for crowd-pleasing DJ sets. They mix it up for newcomers and old hands alike. They’ve played in the world’s best venues. Elrow in Barcelona and Ibiza. Ministry of Sound in London. Space in Miami and Ibiza. Tenax in Italy.
In the studio, they’re just as impressive. They’ve put out loads of tracks on Defected.
Remember that Kerri Chandler remix? ‘Hallelujah‘? That was them. They worked with Ben Westbeech and KON on it.
Now they’re back on DFTD. Their last EP, ‘You Have House‘, dropped in 2021.
‘AlonE‘ is pure modern club music. It’s Supernova at their best. Marco Carola’s already playing it. He’s the boss at Music On. If he likes it, you know it’s good.
The production is top-notch. It’s minimal, but there’s a lot going on. Every bar brings something new. SLM’s vocals add grit. It’s got a wicked, hedonistic vibe.
This track could be huge. It’s got all the ingredients. The beat is relentless. It’ll keep you moving all night.
I can already imagine it in a packed club. The bass thumping. The crowd going wild.
Supernova knows how to build tension. They drop little hints of what’s coming. Then boom – it all kicks off. It’s clever stuff.
The vocal samples are used sparingly. Just enough to hook you in. It’s the kind of track that DJs will love. Easy to mix, but with plenty of impact.
I reckon this will be in a lot of sets this summer from underground clubs to big festivals.
It’s not easy to stay relevant in electronic music. Trends come and go so fast. But Supernova’s managed it. They’ve evolved without losing their essence.
This track feels fresh, but it’s still unmistakably them. It’s a balancing act. Give the fans what they want, but surprise them too.
If you’re into house music, you need to hear this. If you’re not, it might just convert you.
‘AlonE’ is out now on DFTD. Get ready to hear it everywhere.
The post Supernova returns with club banger ‘AlonE’ on DFTD appeared first on The Groove Cartel.
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This album is a comprehensive concept album spanning a number of alternative electronic genres, from drum and bass to industrial. It features six innovative remixes along with a special remake of PAIN’s hit ‘Shut Your Mouth’ by festival headliner Vion Konger as a bonus track. This release marks the culmination of a successful 10-month release cycle for the new PAIN album.
First remix to be highlighted, we’ve got Harddope putting their touches on ‘Go With The Flow’. This duo turns the single into a vibrant, fast-tempo, G House/Slap House remix, infusing a dark atmosphere with heavy synths and dancing grooves. Next up we have Zardonic & Levia showcasing their signature sound with a bright, fierce, and super-fast Drum & Bass remix. This is followed by the Infraction remix of the title track ‘I Am’. Infraction combines elements of the original with a stylish, rhythmic dubstep arrangement. And last but certainly not least we’ve got Vion Konger who breathes new life into the massive hit of ‘Shut Your Mouth’ with a new remake, expertly utilizing the original along with his own elements. These 3 remixes and a remake are accompanied by 3 more exceptional remixes that are not to be ignored themselves.
The ‘I Am (Remixes)’ album stands out for its diversity and creative unity. Featuring artists from various countries and backgrounds, including the talented Levia, the album represents a fusion of different genres and ideas, from Metal and Drum & Bass to G House. This conceptual and complete project is produced by Wool Music.
The post PAIN Unveils Massive Remix Pack For Album ‘I Am’ appeared first on Electic Mode.
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You may have heard elements of this single before, Mark from Luv Foundation (UK) goes on to say “I remember going to TRADE back in 1995, I was only 16 years old and heard this track played by the legendary late Tony De Vit in his set, I remember going into the record exchange shop in Soho, London and grabbing a compilation album called FLYING HIGH where the track was featured, it has been a huge part of my life and DJ sets and I regularly use the Original for GYM sets and cardio sets to this day”.
It’s no surprise that Mark would reach out to Keith Mac and ask if they could rework this underground 1994 classic, and with permission to add a new vocal around the hook line of the original. Ashley teaming up once more with Lucas Marx have added a new verse and re-tweaked the original hook line and we have to say they capture something pretty amazing around the hook line, which will captivate you instantly.
Mark from Luv Foundation (UK) came up with the concept of the artwork, social and lyric video, bringing a nostalgic feel using stickmen dancing with Sean Keepin bringing Mark‘s vision to life.
Dance(U Gotta) Is Available On All Platforms
The post Ashley Paul And Luv Foundation (UK) Team With BootlegBoys Unveil Brand New Single ‘Dance (U Gotta)’ appeared first on Electic Mode.
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The EP features two new original tracks. Both are collaborations with the German duo Ramverk.
It also includes a remix. This comes from respected producer Recondite.
This release follows Hunter/Game‘s ‘Stars‘ EP. It came out in late May to international acclaim.
‘Last Hour‘ is the title track. It opens the EP. This five-minute piece showcases Hunter/Game’s signature style. They blend raw emotion with dancefloor-ready rhythms. Ramverk provides vocals. These sit atop layers of sound. The result is atmospheric. It sets the tone for the entire EP.
Track two is called ‘Let Love’. It takes listeners on an introspective journey. Again, Ramverk contributes lyrics with a melancholic feel.
Hunter/Game pair these words with deep basslines. Eerie samples add to the mood. Pulsating beats drive the track forward. It’s a dark, understated piece.
The final track is a remix. German producer Recondite takes on ‘Let Love’. This marks Recondite’s first appearance on Just This. It’s a highly anticipated single.
Recondite is known for his haunting sound design. He brings this skill to his version of ‘Let Love’. His remix is dynamic and spirited. It’s purely instrumental. It provides a fitting end to the EP. Recondite’s style complements Hunter/Game’s original work.
The ‘Last Hour’ EP showcases Hunter/Game’s evolving sound. It builds on their previous success. Collaborations are key to this release. Ramverk’s input adds a new dimension to Hunter/Game’s production. Recondite’s remix brings a fresh perspective. It reinterprets Hunter/Game’s work through a different lens.
Just This continues to champion innovative electronic music. This EP is another strong addition to their catalog.
Hunter/Game’s productivity is noteworthy. This is their second EP in two months.
The duo’s ability to craft emotive, dancefloor-friendly tracks is clear. Each piece on ‘Last Hour’ demonstrates this skill.
From the brooding title track to the introspective ‘Let Love’, the EP covers the emotional ground. Recondite’s remix adds yet another layer.
The release is available now across digital platforms. Fans can stream or download the EP.
This EP solidifies Hunter/Game’s position in the electronic music scene. It also strengthens Just This as a label to watch.
As Hunter/Game continues to release new music, anticipation grows. What will they produce next?
For now, listeners can immerse themselves in ‘Last Hour‘. It’s an EP that rewards repeated listens.
The post Hunter/Game Release ‘Last Hour’ EP appeared first on The Groove Cartel.
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Since her first performance as the lead singer of ii0, Nadia Ali’s long and successful career in electronic dance music has made her one of the most recognized voices in the genre.
With hits like “Rapture,” Nadia Ali has become famous all over the world. She has worked with famous artists like Armin van Buuren, Avicii, and Alesso, and has been nominated for GRAMMY and Juno Awards.
Nadia Ali is known for her haunting voice and poetic lyrics. For her return to dance music, she teams up with CAMELPHAT on their new song “Endlessly.”
With its moving melodies and enchanting piano chords, “Endlessly” is a stunning vocal anthem that captures the spirit of summer.
The track is made even more magical by Nadia Ali’s ethereal singing. It seamlessly blends happiness and longing. “Endlessly” is sure to charm people worldwide with its smooth production and catchy melody.
It will strengthen CAMELPHAT and Nadia Ali’s reputation as electronic music stars.
After working with acts like Echonomist and Frankey & Sandrino recently, Nadia Ali is back at the top of the dance music world thanks to the release of “Endlessly” with CAMELPHAT.
The post CAMELPHAT & Nadia Ali team up for “Endlessly” appeared first on The Groove Cartel.
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The album itself is stacked with a wide variety of genres and features including Ayah Marar and Blak Diamon. SK83 (The Prequel) is not just an album of club singles, but a concept piece that takes a nostalgic journey through the sounds of Dublin in the year 1998 – delivered with contemporary finesse. With his sights set on nurturing the Irish bass music scene and releasing more compelling music, MathMan is a unique producer due to his Dublin upbringing and his continued commitment to producing art.
We had the pleasure of sitting down with him to discuss the intricacies of his new album, the challenges of releasing music independently, and the state of bass music in Ireland.
Before we delve into it. What does SK83 (The Prequel) mean? And how do I say it? Is it Skate Three?
I never thought of pronouncing it like that. It’s Pronounced S.K.83. How it’s spelt out. In terms of what it means, as much as I’d love to tell you, I won’t give it away exactly. It’s very personal, but I like the fact that it can be kept as a mystery.
Will we ever find out what it means in the future?
Possibly. I’m not against it. If people really want to know I can let them know, but for now there’s no need. The meaning does unfold throughout the wider meaning of the entire album. This is only the prequel so it’s meaning hasn’t been revealed yet. People can attach their own meaning to it over time.
Sounds good. So, in a time of algorithms, singles coming out every week from artists and almost 100 thousand tracks uploaded to Spotify a day, why did you decide to go for an album?
For two reasons. I’m from a generation where albums mattered. I care about a body of work from an artist. Taking a journey through an album; or four or five albums from an artist, allows you to paint a wider and larger picture of where you’re at, rather than you can with a bunch of singles. Music these days is incredibly transient and it’s a terrible thing. Without sounding too egotistical, I like that people can sit with a body of work and let it sink in.
The second reason is that, what’s expected of artists these days isn’t right. Because of this Tik Tok generation and the transient nature of music, we’re not valuing the depth that artists go to. Music and art are not singularly a commodity; they are meant to move cultural movements forward. I don’t like popular playlists that change every week. If my music fails because of it, then I don’t care. I’d rather deliver my art on my own terms rather than to platforms that aren’t going to support me anyway.
Ironically, this album was meant to be released on two different labels, but both deals fell through because they wanted me to split it up. The first label wanted to split it up into two Eps and the second wanted to split it up into singles, which commercially makes a lot of sense, but I just didn’t want the overall project to be delivered that way.
That sounds like a tough decision to make.
I think it’s probably something that a lot of artists deal with. What it comes down to is what you are prepared to accept and what works for you. Just for me, it wasn’t right.
Did the idea of releasing it over a long period of time put you off as you would have to be constantly promoting and pushing out more content?
The main thing was that the album wouldn’t have translated as well as singles. I don’t enjoy the social media side of things, but not enough that it would deter me from making art. The social media promotion is just a biproduct of where we’re at in music. I know I have to engage with it to a certain degree, and I don’t enjoy it, but that will never stop me from putting out music.
What was it like releasing independently for a physical and digital release?
I suppose it’s similar to any independent release. There’s a long run-in to bring it to life. It was stressful. Unfortunately, the pressing plant I initially went with, Dublin Vinyl, who I’d worked with previously went into liquidation three months before the release date. So that knocked out timelines, events, pop-ups, launch parties, and the digital release. All of it got messed up. I’m a one-man team – both as the artist and head of the label, so all the spinning plates came crashing down. With the help of a couple of people behind the scenes, we were able to get it back on track, but we missed every single deadline, and it ended up costing so much more money. It went arseways, but we got there in the end.
I absolutely love the artwork. Who did it and what’s the story behind it?
An Irish photographer named Jacobi Hoff. I’ve admired his work for some time. This particular piece is set in suburban Dublin during a particular era. Working with Jacobi really brought the SK83 universe to life with the visuals. I put together some short narrative-based videos to help promote the album. It’s really important that all the artists who help you get your work out there are acknowledged and compensated.
Let’s get into the music. Is it a concept album?
It certainly is. It is a concept album that tells a story from beginning to end. It’s intentionally nostalgic in it’s sound. The sonic palette harkens back to that era, but is delivered in a contemporary style. It’s meant to evoke the late jungle era. I was trying to capture Dublin in 1998 where the story takes place. Although it’s rooted in club music, the underlying theme of this album a love story, which is a universal theme – and frankly, we’ve all been there.
What’s your favourite track?
I have two. First is ‘Young Hearts’ and then ‘Friends Are First’. Both of those songs are the emotional manifestation of what I was trying to capture. The mood and the feeling of what it felt like to be in those moments. ‘Young Hearts’ is a story about being young and in love – exciting and scary. ‘Friends Are First’ is on the back end of the album, where the love story really starts to reveal itself. With those two tracks, I feel like I got the emotions to where I wanted them to be.
The way you talk about your music is very much like how a songwriter talks about music rather than a producer.
I think for these projects certainly. For these albums or bodies of work, they are designed and written as songs. They’re interconnected and tell a story about falling in and out of love. When I’m making club tunes, I side-step the artist side of things.
What was that process like? How long have you been working on this album?
I began around 2020, just over COVID. I was able to connect with some brilliant artists over that time. I feel like this is a story that has lived with me for years. It took about 12-18 months at most to finish.
You did a collaboration with Ayah Marar called Home, how did that come to be?
I’ve been a huge fan of hers in every capacity. As a singer-songwriter, DJ, live MC, everything. She has a really good voice in the bass music scene, at all levels and across genres. She represents all that’s good with it. I always thought it would be cool to work with her and during COVID, I had this song that I thought she would be incredible on. Initially I reached out to her just on a conversational basis then when I had this song I just asked if she’d have a listen and she loved it. We took it from there.
What’s Home about?
‘Home’ is about the idea of home and what that means to people. It’s not just a place, but a feeling. Home can be a group of people or a community. We discussed this idea, and I couldn’t be happier with it. Ayah’s got the huge vocal but also the authenticity in the lyrics and the songwriting side, which is really important.
Tell us about Weapon of Choice.
Weapon of Choice has been around since 2016. It lived in various guises. The first release was a collaboration with Hypnotic Brass Ensemble. It was all hip-hop then. Up until this point, the label was just a home for my artist output. It’s meant to be a conduit for bass music in its entirety, whether it’s jungle, drum & bass, breakbeat, grime. All of that lives in a family tree that’s rooted in many things. I think it’s important that there’s a label that supports that so it’s not just house and techno. There was a label that would put on nights in Dublin called Bassbin who were a big inspiration. They did incredible work pushing drum & bass in Ireland. There has to be an evolution that supports bass music coming out of Ireland.
Will Weapon of Choice be putting out other artists?
I think as the label grows, that would be the ambition. I have people sending me music every week, but it’s just that I don’t have the time or resources. I want to be someone who nurtures the bass music scene in Ireland. In time.
UKG and Breakbeat are having their moment in Ireland. Let’s talk a bit about that.
Playing bass music in Ireland for as long as I have, you’re always playing for half the room. Bass music, whether it was breaks, garage, or drum & bass, has always been niche. However, where we’re at right now, I think that the Irish club-goer is so enthusiastic about everything these days. The palette for electronic music is so much wider. We have so many artists and producers making music that were once fringe genres. The whole thing is growing and becoming more and more healthy. The Irish music fan is definitely more open-minded now.
What’s next for MathMan?
I’m trying to push this album. SK83 (The Prequel) is basically the beginning. In total, this project will be a 3 album series. The second album is written, ready, mixed, and mastered. Part II should come by year end. I’m really happy and excited to get that out there.
SK83 is out now on MathMan’s label Weapon of Choice. Be sure to check it out and enjoy the sonic journey that has been carefully crafted.
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A masterful creation that finds its groove within the laid-back echelons of deep house, "Love Me Right" is a shimmering reverie. His latest track captivates from the outset with alluring, pitched-down vocals that whisper like a clandestine secret in the night. The song's vocals, reminiscent of a smoky lounge, draw you into a world where time slows down, and each note drifts like a wisp through the air.
Out now via Tchami's Confession, "Love Me Right" epitomizes charm, effortlessly melding catchy rhythms with a laid-back vibe. It's the perfect soundtrack for those moments when you need to unwind and let the day's stress melt away. With crisp, clean production, the track offers a brief reprieve from the chaos of the outside world.
The single marks Damaged Goods' return to Confession for the first time since 2022's "Save Me."
Listen to "Love Me Right" below and find the new single on streaming platforms here.
FOLLOW DAMAGED GOODS:
Facebook: facebook.com/iamdamagedgoods
Instagram: instagram.com/iamdamagedgoods
Spotify: tinyurl.com/3wb72mtx
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Have a look at this! All the way from Turin, Italy, this may become the perfect soundtrack to kick off the week. Dance icon Tiësto played an hour-and-a-half set over there, for the annual festival that has turned into one of the boot-shaped country’s most awaited gatherings, Kappa FuturFestival.
On the hours that succeeded the upload of the set — which can be replayed in its entirety and in up to 4K resolution — people all over the internet expressed their awe and openly shared how much they liked the journey Tiësto drew this time. In particular, because he’s seen having a longer slot to express himself, and going down a memory lane kind of route.
Some Of The Gems Played
Among the long tracklist, we spotted some true gems, such as Tijs’ very own ‘Lethal Industry‘, Departmento’s Progressive Trance revamp of ‘Rhythm Is A Dancer‘, Rui Da Silva’s timeless ‘Touch Me‘, Wippenberg’s ‘Pong‘, and even Hardwell’s hit ‘Spaceman‘ and a defining track of the pre-2010s era of Dance music, ‘Strobe‘ by deadmau5.
Without a doubt, this is one set you cannot miss, and even if you used to be a diehard fan of Tiësto and fell out of love when he changed genres, this one has some gifts for you. Give it a try. It makes us wonder what this man can achieve when in the right mindset, which, in this case, was borderline marvellous.
Watch the set below! Alternatively, head over here to watch it over on YouTube. Stay tuned to our page for the latest news and views from our beloved Dance music industry.
The post [WATCH] Tiësto Walks You Down Memory Lane At Kappa FuturFestival appeared first on EDMTunes.
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From the opening lines, ‘Looking up there’s always sky, Rest your head, I’ll take you high’, Avicii sets a tone of comfort and reassurance. These lyrics serve as a beacon of hope, a promise that even in the darkest times, there is always a glimmer of light to guide us. The repeated refrain, ‘We won’t fade into darkness’, reinforces this message of resilience and perseverance.
The song’s metaphorical use of darkness alludes to the prevalent issues and challenges that we face in life. Avicii‘s words serve as a reminder that although it sometimes seems like things are cool and gray, there is warmth and connection to be found in our relationships and in the moments of support we offer each other. ‘Nothing to fear but fear itself, We’ll be okay just keep the faith’, he encourages, urging listeners to face their fears with courage and trust.
‘Fade into Darkness’, a song that centered on Avicii’s journey, was released in July 2011 and included Andreas Moe‘s soulful vocals. The song showcases Avicii’s ability to incorporate a variety of musical influences into his work and is based on a sample from Penguin Cafe Orchestra‘s ‘Perpetuum Mobile’. This song demonstrates both his musical brilliance and his capacity to resonate with audiences all over the world.
‘Fade into Darkness’ gains poignancy from Avicii‘s untimely passing in 2018, turning it into a permanent tribute to his spirit and the solace he offered via his music. The song’s themes of resilience and optimism speak to us much more now, serving as a constant reminder of the light he brought into the world and the comfort his music still provides. It’s a heartbreaking experience to listen to ‘Fade into Darkness’ now since it captures the essence of Avicii‘s message of tenacity and artistic talent.
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Scheduled from June 21-23, the massive fest once again captured the hearts of Canada’s loyal dance music crowd throughout its first two days and nights. Unfortunately, unsafe site conditions due to heavy rain forced organizers to cancel Escapade’s third and final day, prioritizing the safety of attendees, artists and staff.
A special "No Redemption" set from Tchami and Malaa was one of the first day’s highlights, alongside DJ Diesel’s traveling festival brand, "Shaq's Bass All-Stars," which hosted a special stage takeover. The first day’s lineup also included sets from emerging superstars such as ISOxo, Knock2, Mau P and EDM.com Class of 2024 trailblazers Levity as well as performances by dance music icons Zedd and Steve Angello.
Knock2 performing at Escapade Music Festival 2024.Dylan Hanna
Headlined by FISHER, ILLENIUM and Steve Aoki, Escapade’s second day was equally as impressive. Exciting dubstep and bass music acts like Ganja White Night, OddKidOut and Tape B took the decks alongside a wide array of stars including Chase & Status, ACRAZE, Maddix, Vini Vici, Lucas & Steve and more.
Following the unfortunate cancellation of Escapade’s final day, organizers swiftly issued an official announcement to provide clarity and information regarding refunds.
"We definitely understand the disappointment and emotions and share in your frustration," the statement reads, "however, the unpredictable nature of the weather left us with no choice but to prioritize safety above all else."
As a result of the cancellation, billed artists who didn’t end up performing included Armin van Buuren, The Chainsmokers, Claptone, GG Magree, James Hype, Kayzo, MORTEN, SLANDER and Subtronics, among others.
It remains to be seen what organizers have in store to make up for the lost day in 2025, but considering their pedigree, fans of the fest can expect a huge rebound. You can keep a pulse via Escapade's website.
FOLLOW ESCAPADE MUSIC FESTIVAL:
X: x.com/escapadeMF
Instagram: instagram.com/escapademf
Facebook: facebook.com/escapademusicfestival
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In an intimate interview with Zane Lowe on Apple Music 1, Summit opened up about the new album while reflecting on the duality of his life as a musician.
"The whole theme of this is duality," Summit explained. "I've lived two lifestyles—being at home in the studio my myself as comfortable as possible. And then being on stage, which is the chaos."
Financial security was another key topic Summit addressed, reflecting on his humble beginnings and unlikely journey from CPA to world-touring DJ.
"The only thing I ever want in life is financial independence because I come from normal middle class background and I worked the accounting job," he explained. "And the reason why I took that job is just for financial security, so that's everyone. Because then when I went and did this fulltime, I was very broke living in my parents' basement. That's how I produced literally 300 records during 2020."
The conversation also touched on the addiction to success and finding a balance. Summit emphasized the importance of having a clear vision and not getting lost in the pursuit of more.
"You can get addicted to success," Summit said. "And I know a lot of people, and I don't want to name names, but they just keep adding business after business or do a venture and they just keep expanding and kind of losing a vision... I could just do everything and I have offers to do everything, but I did have to sit back and figure out where I actually want to go in life, what I want to be able to look back on. Because I do want to slow down one day. I do want to have family and stuff. I want to be a normal person and there's a lot of DJs that... sacrifice that."
Listen to the rest of Lowe's wide-ranging interview with Summit on Apple Music 1.
Follow John Summit:
X: x.com/johnsummit
Instagram: instagram.com/johnsummit
TikTok: tiktok.com/@johnsummit
Facebook: facebook.com/itsjohnsummit
Spotify: spoti.fi/3oVz7hG
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With his musical journey marked by a rich tapestry of experiences, from his early days developing a foundation in Classical Music to now seeking to make a name for himself within Electronic Music, Andrew Canlon has landed on the scene with creative determination. Having been carving his way with an innovative approach, in which he brings storytelling into the Electronic Music space, incorporating his vocals into his productions and performances, Andrew Canlon is no doubt poised to become known for his originality and musical individuality: continuing to put forward an ever-evolving signature sound, Andrew Canlon keeps pushing the boundaries of his craft with each release.
As he joins forces once again with Dmitry Libman, Andrew Canlon ensures listeners continue to be drawn to his production output. With Dmitry Libman himself coming to the track with his own set of skills and abilities, having been working within the creative sphere taking on a myriad of roles like Producer, Songwriter, and Composer, ‘Gemini Man’ appears as a track that not only highlights both Producers’ individual strengths but also underscores their synergy as collaborators.
Featuring inspiring piano figures, shuffled rhythms, underlying melodic lines, and a solid low-end, evolving into a full-bodied soundscape, ‘Gemini Man’ continues to build in energy, driving forward to introduce soaring synths, atmospheric pads, and dynamic beats. With the arrangement showcasing a complementary blend of Andrew Canlon and Dmitry Libman’s approaches, ‘Gemini Man’ puts forward a powerful message that appears intricately woven throughout the signature vocals of Andrew Canlon. As the track delves into the concept of duality, exploring the complexities and contrasts within us all, ‘Gemini Man’ highlights Andrew Canlon‘s knack for addressing topical themes through music, offering listeners a production that is both meaningful in depth and uplifting in sound.
Distinctly exemplifying the creative power between Andrew Canlon and Dmitry Libman when they come together in collaborative unity, be sure to dive into the immersive sound and nuanced musical landscape of ‘Gemini Man’ to discover its impactful energy and message.
‘Gemini Man’ is out now and available to stream below.
As they continue to cement themselves on the scene, stay tuned to Andrew Canlon and Dmitry Libman by following them across social media.
Follow Andrew Canlon:
Instagram | Spotify
Follow Dmitry Libman:
Instagram | Website
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