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Picture this: sunset at Coachella on the brand new Quasar stage. What’s better? Well, maybe the fact that Australian electronic trio RÜFÜS DU SOL took the decks for an unprecedented 3+ hour DJ set.
Once you get there, you are immediately struck by the massive LED panels that make up the performance area. The striking futuristic design radiated an almost extraterrestrial energy. As RÜFÜS took their place behind the towering DJ booth, those panels blinked to life with abstract, ever-evolving geometric visualizations. We were about to embark on a true audiovisual journey.
The opening warm-up saw the group ease us in with understated, atmospheric soundscapes zoning in on a hypnotic, rolling groove. Melodic synth pads ebbed and flowed as RÜFÜS effortlessly blended new unreleased tracks with deeper cult cuts from respected underground imprints. The visual accompaniment matched the vibe – hazy, colored clouds and fractalized natural scenery pulsated organically.

Slowly but surely, the intensity was ratcheted up. Acapella vocals from the group’s anthemic hits like “Underwater” were deftly weaved in between punchy, driving kick drums. The visuals shifted too, morphing into hyper-realistic urban environments that disintegrated into otherworldly alien landscapes. We were being transported to another realm.
As the night reached a feverish climax in the set’s final lush third, RÜFÜS kicked up the energy into an irresistible techno frenzy. Remixes from scene heavyweights like Adriatique got funky reworks, while the iconic “The Runner” by Foals got a thunderous club edit. Laser rave sticks danced feverishly as the crowd moved as one pulsating organism.
Watching RÜFÜS seamlessly flow between underground house, techno, melodic grooves and more was a true clinic in technical wizardry and creative versatility. But it was the fully immersive, symbiotic audiovisual experience that left me in awe. The Quasar stage’s visuals were as much a “performer” as the three artists themselves, transcending standard concert visuals.
As the final thumping kicks faded and RÜFÜS raised their arms in triumph, the human ocean roared its approval. We had all just witnessed a historic, boundary-pushing statement that raised the bar for what a DJ “performance” can be.

The post Watch RÜFÜS DU SOL Coachella Groundbreaking 3+ Hour DJ Set appeared first on The Groove Cartel.
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Two of electronic music’s greatest made the most of their time overseas. Illenium and Martin Garrix both played Creamfields in Hong Kong a couple of weeks ago. And over the weekend, both posted that they met up in the studio in Tokyo to work on some music! Martin is seen holding a guitar but other than that, no other information has been released.
To no one’s surprise, the internet is all for it. With intense die hard followings for both artists, it’s going to be hard to not get excited to hear what the two can create. Hopefully we can get some teases of whatever they have created during festival season. If anything, we’ll hope to have an official release by the end of the year!
b2b’s and collabs are popping up all over lately. Just this weekend, Anyma and Eric Prydz dominated Coachella on the new Quasar stage. It’s great to see artists pushing themselves out of their comfort zones to provide us with fresh & interesting tunes for our ears.
The post Illenium & Martin Garrix Tease Collaboration with Social Media Posts appeared first on EDMTunes.
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Dimension and Alison Wonderland hold nothing back in their first collaboration, a soaring dance track called "Satellite."
"Satellite" is the perfect fusion of both artists, seamlessly intermingling their signature sounds through an arrangement dripping in nostalgia. The intro sees Wonderland step into the spotlight as her airy vocals lead to a bouncy four-on-the-floor sequence.
Her catchy songwriting is yet another highlight in a track brimming with matchless talent. She calls out to those feeling lost, offering herself as a guiding light by virtue of uplifting lyrics that make for a perfect singalong moment during live sets.
Then comes a breathtaking drum & bass drop to bring "Satellite" home with a flourish, ultimately delivering an anthemic track that'll prove a staple for both artists all summer long.
"Alison Wonderland was the only artist I wanted for this record, her voice is a perfect fit for the 90s-trance influence and it’s a true honour to have her feature," Dimension said in a statement. "When we first met, there was instant chemistry. I remember encouraging her to go on a first date with a man who she is now engaged to and has children with! Releasing a track together is a beautiful full circle moment and we’re both in love with the track."
You can listen to "Satellite" below and find the new collaboration on streaming platforms here.
FOLLOW DIMENSION:
Facebook: facebook.com/dimension
X: x.com/dimension_uk
Instagram: instagram.com/dimension
Spotify: spoti.fi/3sbzWE9
FOLLOW ALISON WONDERLAND:
Facebook: facebook.com/awonderdj
X: x.com/awonderland
Instagram: instagram.com/alisonwonderland
Spotify: spoti.fi/3clhKRg
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Excision has revealed the lineup for the return of Bass Canyon in 2024.
Alongside Excision and the three sets he plays every year, he's enlisted the help of some of the biggest bass music acts in the world. Zeds Dead, Ganja White Night, Ray Volpe, Space Laces and Kill The Noise are all set to throw down at the scenic Gorge Amphitheatre in August.
The dubstep superstar has diversified the Bass Canyon lineup further, tapping drum & bass artists like 1991, Kanine and Friction while also booking house music producers Habstrakt and Jake Shore. Per usual, some of the hottest rising talents are on the lineup as well, including DRINKURWATER, OMAS and Viperactive as well as EDM.com Class of 2024 stars Levity and Hamdi.
Bass Canyon will once again be hosted at the Gorge and feature three stages. The festival will span three days from August 16th through 18th, as well as a camping pre-party on the 15th. 
Check out the full Bass Canyon 2024 lineup below. Those interested in attending can find tickets and information here.
FOLLOW BASS CANYON:
Website: basscanyon.com
Facebook: facebook.com/BassCanyon
Instagram: instagram.com/BassCanyon
X: x.com/BassCanyon
Ravebot
The electronic music community is constantly evolving with new sounds every week as artists become more innovative with their compositions. EDM.com's weekly Fresh Picks series is helping uncover the latest and greatest tracks from the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Manu Dia - Often Inside
Sideluv - No Feelings
Jouska - Why'd You Leave Me in the Red
Shallou - Losing Focus
Juelz - Freaks & Geeks (Tails Remix)
Bossa - Go Crazy
Zanski - Somnolence
Afternoon Bike Ride - Dog Years (weird inside Remix)
Errance, Hologramme - Guidance
Alex Baker - Distant
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Chinese-American producer and DJ HELANG has officially imparted the penultimate single, “No One,” ahead of her forthcoming Lovers of the Unknown EP. Now streaming on her self-founded record label, Dauntless Recordings, “No One” materializes a direct follow up to her March-released one-off, “Wise Devil.” Having tended decks alongside the likes of Eli Brown, CamelPhat, Joris Voorn, and deadmau5‘s Testpilot alter ego, HELANG aims to capitalize on her snowballing traction with the May 17th release of Lovers of the Unknown. Speaking on her latest single, HELANG mused,
An intricately-percussive, club-ready techno offering, “No One” triumphantly embodies the Asian-American producer’s sonic signature. As HELANG gears up to deliver her debut EP of 2024, stream “No One” via Dauntless Recordings below.
Featured image: Aram Constantin
The post HELANG shares penultimate single, ‘No One,’ ahead of upcoming EP appeared first on Dancing Astronaut.
Ravebot
When it comes to the world of electronic dance music, collaborations between superstar DJs and producers are always highly anticipated events. These joint efforts often result in massive hits that dominate festival stages and mainstream charts alike. However, some truly memorable collabs have flown under the radar over the years, overshadowed by the constant influx of new music. In this article, we revisit five forgotten EDM collaborations that deserve to be rediscovered and appreciated.
David Guetta & Afrojack – “Louder Than Words”
Released in 2010, “Louder Than Words” was a electro house tour de force that brought together two of the biggest names in the genre at the time. Featuring powerful vocal hooks and a high-energy drop, the track perfectly captured the sound that had propelled both David Guetta and Afrojack to superstardom. Despite its undeniable dance floor appeal, the song is often overlooked as both David Guetta and Afrojack have a repertoire of bangers both individually and collectively.
Hardwell & Tiësto – “Written in Reverse”
In 2014, Dutch powerhouses Hardwell and Tiësto joined forces for “Written in Reverse,” a melodic big room house anthem that showcased the producers’ respective strengths. Blending euphoric breakdowns with hard-hitting drops, the track was a quintessential festival banger that deserved more attention than it received. Perhaps overlooked due to its release amidst an oversaturated market during a time where big room house was booming, “Written in Reverse” remains a hidden gem in both artists’ discographies.
Calvin Harris & Nicky Romero – “Iron”
Calvin Harris and Nicky Romero made an unlikely pairing on the 2012 track “Iron.” Fusing Harris’ pop sensibilities with Romero’s signature progressive house sound, the result was a high-octane, synth-laden banger that deserved more recognition. “Iron” was the first single from Nicky Romero’s label to reach number one Beatport and was much a crowd hit during the time, however today it’s one we don’t hear as often. The 2010’s era is often known as the golden era of EDM and this track was certainly one we jammed to then and hopefully can bring it back again this festival season!
Skrillex & Kaskade – “Lick It”
In 2017, dubstep pioneer Skrillex and house music veteran Kaskade joined forces for the unexpected collaboration “Lick It.” Blending their respective styles into a genre-defying hybrid, the track was an experimental departure for both artists that showcased their creative versatility. Unfortunately, “Lick It” flew under the radar, overshadowed by the artists’ more mainstream releases.
Porter Robinson & Mat Zo – “Easy”
Before embarking on their respective artistic evolutions, Porter Robinson and Mat Zo crafted the electro house gem “Easy” in 2013. A melodic, emotive offering that perfectly captured the sound of the era, the track deserved more recognition than it received. Perhaps overlooked due to its subtlety amidst the bombastic trends of the time, “Easy” remains a standout in both producers’ early discographies.
While these five collaborations may have been forgotten by the mainstream, they remain cherished by dedicated fans and serve as reminders of the creative potential that arises when talented artists join forces. As the ever-evolving world of EDM continues to explore new sounds and styles, it’s worth revisiting these hidden gems and rediscovering the magic that made them special in the first place.
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Since its inception in 2019, Peggy Gou‘s Gudu label has established itself as a truly international house for electronic music talent from around the world. The label’s latest release, Gudu & Friends Vol. 2, doubles down on that cosmopolitan ethos, compiling a wildly diverse array of artists from Korea, Italy, the US, and beyond.
The compilation is the second installment of Gudu‘s various artists series. It follows last year’s eclectic Gudu & Friends Vol. 1. This new edition sees familiar Gudu associates like Korean techno maverick Mogwaa, Italian house mavericks Hiver and Dukwa, and Gou’s fellow Blessing Recordings alumni Matisa return alongside a fresh crop of global voices.
Among the newcomers is Alinka, whose “Night Train” is a hypnotic late-night house roller. L.A.-based Jordan Nocturne links up with vocalist Coco Cole for the sultry deep house vibes of “Thrill of Desire.” Gina Breeze brings a skipping electro/UK funky fusion on “Rebound,” while Minju channels nostalgic ’90s piano house energy on “‘90s Street.”
The collection runs the gamut from the glacial, atmospheric techno of Mogwaa’s “Arctica” to Matisa’s sugary sweet house delight “Yummy.” Dukwa’s idiosyncratic “Coco” and Nyra’s dreamy “Every Night You” showcase the compilation’s more leftfield experimental sides.
Tying it all together is Seoul illustrator Jin Young Choi’s cover art reflecting the lunar year of the dragon. It’s a fitting symbol for the international, mythic journey the compilation takes across its multicultured tracks.
Gudu & Friends Vol. 2
Hiver – Drama
A tense, cinematic techno roller from the Italian producer, building an atmosphere of brooding suspense.
Alinka – Night Train
A late-night, hypnotic house groover with moody chords and rattling percussion evoking an after-hours journey.
Gina Breeze – Rebound
Rubbery basslines and skipping rhythms make this a snappy electro/UK funky fusion primed for the dancefloor.
Mogwaa – Arctica
The Korean producer crafts an icy, ethereal techno soundscape filled with glacial pads and muted percussion.

Dukwa – Coco
Funky, off-kilter rhythms and warbling synths come together in this idiosyncratic, adventurous house cut.
Matisa – Yummy
A sweet, sugary house delight from the Italian artist, with playful vocal samples and buoyant grooves.
Minju – ’90s Street
Retro breakbeats and irrepressible piano house vibes transport you to the golden era in this nostalgic stormer.
Jordan Nocturne (feat. Coco Cole) – Thrill of Desire
Breathy vocals and hypnotic deep house pulsations create a seductive, alluring after-hours ambiance.
Nyra – Every Night You
Skittering percussion and waves of atmospheric pads underpin this entrancing, dreamlike techno odyssey.
With Gudu & Friends Vol. 2 leading the way, Gou’s label is firing on all cylinders in 2024. They’ve already launched a new dancefloor-focused single series called Club Gudu, with Gudu’s eagerly anticipated debut album still to come later this year.
After establishing themselves as a vital launchpad for global underground talent, Gudu’s latest V/A is asolid evidence that their international outlook remains as vibrant and vital as ever.
Gudu & Friends Vol. 2 is out digitally and on limited cassette on May 2nd.
The post Peggy Gou’s Gudu Label Announces “Gudu & Friends Vol. 2” Compilation appeared first on The Groove Cartel.
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Armin van Buuren co-founded label Armada Music, based in Amsterdam has set up a new parent company, Armada Music Group as it continues to grow through acquisition. Its latest acquisition is Netherlands-based label and publisher Cloud 9 Music. The new parent company which will encompass Armada’s label, publishing and investments arms. Last year, the label announced the BEAT Music Fund, which it described as the first-ever dance music investment fund and a plan to spend $100 million on catalog acquisitions in its first two years. Now, the newly formed parent company has annouced it’s planning am additional $500 million in investments within the next five years.
The new parent company is designed to “seamlessly offer label, publishing, and catalog acquisition services under one roof with a mission to bolster creativity for current and prospective representation,” the company said on Tuesday (April 16).
The post Armada Forms New Parent Company, Targets $500M In Investments appeared first on EDMTunes.
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Fusion Remixes 02​/​03 by Len Faki Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out on his label imprint Figure.
Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.
Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high-octane screamer.
On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old-school feel.
Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low-end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.
Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s grand finale, a hair-raising take on the stunning ‘Waver’.
Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…
The post Len Faki releases second instalment of his ‘Fusion’ remix trilogy appeared first on Decoded Magazine.
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Ten years ago, the electronic dance music scene was rocked by the release of ‘Tremor’, a monumental collaboration between Martin Garrix and the powerhouse Belgian duo Dimitri Vegas & Like Mike. Released on April 21, 2014, ‘Tremor’ quickly became a festival anthem known for its seismic bassline drops and unforgettable melody, defining the sound of a generation in EDM.
First teased during the DJ Mag Top 100 DJ party in Amsterdam in October 2013, ‘Tremor’ captured the attention of the global dance music community with its raw power and energy. By the time it was featured in the official TomorrowWorld 2013 Aftermovie, anticipation had reached fever pitch, setting the stage for its explosive full release.
The collaboration between the then-rising star Martin Garrix and established EDM icons Dimitri Vegas & Like Mike was a perfect storm of talent and creativity, resulting in a track that not only dominated playlists but also became a staple in festival sets around the world. Its impact on dance floors was immediate, with its pulsating rhythms and catchy drops commanding massive crowd reactions.
Today, ‘Tremor’ remains a beloved classic in the EDM genre, a testament to its enduring appeal and the unique synergy of its creators. It continues to be celebrated for its contribution to shaping the big room house genre, cementing the reputations of Martin Garrix, Dimitri Vegas & Like Mike as leading figures in electronic music.
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Located on the beachfront with views across the Mediterranean, Playa Soleil is a multi-sensory oasis, designed to nourish mind, body, and soul. Following its debut season in 2023, which saw the immersive beach experience become one of Ibiza’s most talked-about hotspots, Playa Soleil will open its doors for the 2024 season on Friday 26 April. The Grand Opening Party is scheduled on Sunday 28 April, and carefully curated music residencies are set to inspire and energise guests on Ibiza’s sun-drenched coastline all summer long.
Platja d’en Bossa’s premier beach bar, restaurant and club invites guests to indulge in the finer things and soak up the island’s spiritual energy and natural beauty, surrounded by tropical palm trees, crystal-clear waters and glistening sand. The grown-up paradise offers a perfect blend of music, food, art, and wellness. Relax by day at the beach experience, indulge in world-class gastronomy at the restaurant, and dance from day into night with invigorating soundscapes from globally renowned DJs and exceptional talent.
GRAND OPENING PARTY 2024
Sunday 28 April
Playa Soleil’s Grand Opening Party will take place on Sunday 28 April 2024, offering a taste of the music residencies for the 2024 season. Get ready for scintillating sets from Guy Gerber and Andrea Oliva, two artists who were instrumental in shaping the music experience at the venue last summer with their respective residencies RUMORS and All I Need. They will be joined by Argentine DJ KINTAR who will bring his revered Ibiza party SUMMERIANS to Playa Soleil for the first time this summer, and Spanish artist Arodes, whose deep, melodic soundscapes always take the dancefloor on an unforgettable journey. Register for free entry at playasoleil.com.

Looking ahead into the season, here’s what’s coming up…

ALL DAY I DREAM
Monday | 17 June – 30 September
Lee Burridge’s singular party concept All Day I Dream is to host its debut residency at Playa Soleil this summer, taking over Mondays from 17 June to 30 September. The blissful beach venue will provide the perfect canvas for the many musical fantasies served up by All Day I Dream founder Lee Burridge, a long-standing underground figure who has helped define many musical niches over the years,  and his core team of label associates. Synonymous with house music that brings emotion, storytelling, and dreamy synths, All Day I Dream is packed with subtle details and infectious grooves and has a superb array of artists from around the world who all make it the truly special experience it is today.

ALL I NEED
Sundays | 5 May – 9 June

For those seeking a Sunday escape filled with culinary delights and soul-stirring beats, All I Need at Playa Soleil is the ultimate destination. Helmed by the renowned DJ and producer, Andrea Oliva, All I Need expertly blends captivating music and laid-back ambience, to create a unique day-to-night experience. The “All I Need” founder will curate and perform alongside an impeccable lineup of guest DJs every Sunday from 5 May to 9 June.
KINTAR PRESENTS SUMMERIANS
Saturdays, 25 May – 5 October
Prepare to embark on a sonic journey as visionary Argentine DJ/Producer KINTAR makes his debut at Playa Soleil with SUMMERIANS. Renowned for his authentic mystical and ethnic sound, KINTAR seamlessly blends organic and ancient instruments from diverse cultures with cutting-edge synthesizers to craft a truly unique electronic experience. Every Saturday from 25 May to 5 October, SUMMERIANS promises an unparalleled experience of immersive multi-sensory delights.
PALMARAMA
Sundays | 16 June – 6 October
Playa Soleil’s flagship Sunday party Palmarama returns for a second season, bringing world-class sounds to the idyllic beachfront location. Last summer, the buzzing event played host to acts including Luciano, Sven Väth, The Martinez Brothers, Damian Lazarus, and Joseph Capriati, and music fans can expect plenty more surprises this year as it returns for its biggest season to date. Every Sunday from 16 June – 6 October, Palmarama will showcase a top-tier selection of international DJs, special guests, and exceptional talent.
RUMORS
Fridays | 7 June to 4 October
The debut season of RUMORS by Guy Gerber at Playa Soleil proved a huge hit with music lovers last summer and this year the iconic Ibiza DJ, musical tastemaker and multi-instrumentalist Gerber, returns alongside another carefully curated mix of international artists from across the electronic spectrum. For those who like to get down in intimate and beautifully naturalistic surroundings with a true Ibiza spirit in the air, there is no finer party than Guy Gerber’s RUMORS at Playa Soleil, every Friday from  7 June to 4 October.
With its unparalleled gastronomy, breathtaking views of the Mediterranean, expertly curated soundtrack, and unrivalled atmosphere, Playa Soleil is once again set to be an unmissable island experience. For beach and restaurant bookings, and to register for free entry to the Grand Opening Party, visit playasoleil.com.

PLAYA SOLEIL 2024 – KEY DATES & RESIDENCIES
Sunday 28 April                        GRAND OPENING PARTY 2024
Monday | 17 Jun – 30 Sep         ALL DAY I DREAM
Sundays | 5 May – 9 Jun            ALL I NEED BY ANDREA OLIVA
Saturdays | 25 May – 5 Oct        KINTAR PRESENTS SUMMERIANS
Sundays | 16 Jun – 6 Oct           PALMARAMA
Fridays | 7 Jun to 4 Oct             RUMORS BY GUY GERBER
The post Ibiza beach club Playa Soleil announces summer 2024 events appeared first on Decoded Magazine.
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John Graham, known to dance floors as Quivver, makes his debut on Franky Wah’s cutting-edge imprint, SHÈN Recordings.  Still riding high on the wave of his Beatport chart-topping success with his Balance Music Mix compilation, alongside Dave Seaman, Quivver’s two-track release for SHÈN, road-tested on dance floors globally by Wah, is a testament to Quivver’s enduring ability to resonate with the ever-changing landscape of electronic music. Graham, under his moniker Quivver, remains a true legend in the melodic music space. A former DJ Mag Top 100 regular, his past label releases are featured on the who’s who of industry giants, including Anjunadeep, Toolroom, and Bedrock. Quivver’s ‘That Place You Know’ aligns perfectly with SHÈN’s ethos of releasing forward-thinking progressive sounds with a touch of tribal and emotion. Complementing this is ‘Dovetail’, a track that’s solely aimed at dance floors.
To mark the milestone of the success from his Balance release, Quivver is about to embark on a global tour with Dave Seaman, with the following dates announced and more to be confirmed. Quivver Tour Dates: – April 19th – Bali, Indonesia – April 21st – La La Land, Brisbane, Australia – April 25th – Howler, Melbourne, Australia – April 27th – Café Del Mar, Sydney, Australia – May 9th – Bar Americas, Guadalajara, Mexico – May 10th – Vagalume, Tulum, Mexico – May 11th – Hookah Condesa, Mexico City – May 18th – Islamabad, Pakistan – July 12th – Noisily Festival Quivver’s ‘The Place You Know’ is available to download/stream via Franky Wah’s SHÈN Recordings.  Download/stream it here The post Quivver Debuts on Franky Wah’s SHÈN Recordings With ‘The Place You Know’ appeared first on Electic Mode.
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Etherwood is launching his own label, Stillness Music. After 10 years at Med School and Hospital Records, he thought it was time for something new. Drawing from his third album, In Stillness, Etherwood was inspired by nature, meditation, and mental health. He hopes to bring this same ethos of peace to his new label. “The idea behind Stillness Music is a focus on the more chilled and serene side of drum and bass, creating a space to find calmness and stillness among the chaos of everyday life,” he explains. 
With the first single announced, it’s safe to say Etherwood is staying true to the sound we all know and love him for: liquid drum & bass, deep melodies, and a hint of nature. You might have heard the track at Liquicity or Shogun Sessions, but on April 25, it’s finally out on Stillness Music.
We caught up with Etherwood and talked about the new label and life lately.
Congratulations on the label! Can you start by telling us the story of how it started?
Thank you! When I started producing, I never thought I’d start my own label, but the idea has been slowly forming over the past few years. After ten years, four albums and an EP with Hospital, I felt it was time to start something fresh and exciting. My contract was naturally coming to an end, and I’d seen some of my friends and artists starting their own labels. I was very inspired to do the same. I’ve always had a very strong vision and notion of who I want to be as an artist and for my music to reflect the themes that I live by, so I think this has ultimately led to me wanting to take more control. I owe so much to Hospital and Med School, it’s been an amazing ride, but it feels like I’m ready for the next chapter to further hone my vibe as an artist and create a platform to release my own tunes and music I love. 
What’s that vision you’re talking about?
I chose the name ‘Stillness Music’ because I wanted something relevant as an artist. My third album is called In Stillness, and for that one, I went out into isolation and stayed in a little cabin in the Finnish woods for 10 days. It invited all these calm and chilled vibes without any distractions. Since then, I’ve felt connected to the idea of stillness and figured it’s a perfect name for the label and its ethos. Listening to music can be an escape from the present, but it also makes us feel connected, grounded and alive. During a hectic time, we can put our headphones on and return to what’s real, special and important. Drum & bass has this beautiful ability to make us feel a million different ways in one. To me, it’s all about the calmer, deeper side, the stuff that hits you where it matters. The idea behind Stillness is to create a platform for the more chilled and serene side of D&B, a soundtrack to a drive through the mountains, a walk through the forest or a stroll on the beach. That’s the vision. That’s the vibe that I yearn for as an artist and a listener. 
Talking about stillness, it’s also been a while since you released music. How was it to take some time off?
It was really, really important. It feels like a long time now, but I have been doing loads since the last album came out. I was converting a camper van so that I could travel to gigs and write music in there, be away from home, and enjoy being in nature. I was finishing that off, and then after a little while, I moved into a flat on the south coast. It was a very busy time for me, so I couldn’t get into the studio as much as I’d have liked. I also felt like I needed to take some time off to assess where I am as an artist and gain more inspiration from travel. Try to figure out what I want to do. That’s when the idea for the label really took form. 
The whole Stillness theme has become a bit of a mantra for me, especially recently. 10 years in, it’s obvious that the DJ lifestyle is really intense and really hectic… It’s easy to get carried away. Sometimes, you feel like you struggle to stay grounded and keep your feet on the ground. I think after that period of time, when my contract with Hospital Records was coming to an end, I felt like that was a good time to take a step back and assess everything. I was meditating a lot and grounding myself, essentially. I really needed that time off. Otherwise, you just carry on. You burn out and get stuck in a loop, then it’s another 10 years, and you’re in the same place as you were before. Musically, as well, I didn’t want to keep writing the same stuff. I took some time to learn new production techniques, got some new synths and changed the software I use for production. It’s been nice. I feel like I’m coming back refreshed and renewed.
What’s the plan for the label? I don’t really want to restrict myself to being a drum & bass label only. I hope to release anything that ties nicely into the label’s ethos. It would be nice to incorporate some wellness and mindfulness, maybe some yoga, and perhaps work with some mental health charities. What’s important for me is to try and use this platform to promote wellness and ultimately create a sense of peace and well-being for everyone involved. 
Where did your relationship with nature start?
I’ve always been kind of obsessed with nature. I used to go camping a lot when I was younger. I used to go to the woods, go wild swimming whenever I could… enjoying everything nature offered. It always gave me this strong feeling of peace. I guess that ended up coming through in my music, and that’s where I still find most of my inspiration. I discovered meditation around the same time that I started making music. I started getting into Buddhism, and I was meditating more and more. I think it really helps, and for me, it’s really important to balance this mad DJ lifestyle. It’s very up and down and very mentally challenging. You need something to keep you happy and peaceful, and that’s what meditation did for me. 
I talk to a lot of people about it, but I try not to preach about it too much. There’s a big mental struggle for anyone in this industry. For me, meditation was the thing that allowed me to move past that and stay on top of everything. A few years back, I struggled a lot with my mental health, particularly when I first started life as Etherwood. It was a huge culture shock, and it took some time to adjust to that, but the more you meditate, the more you learn to navigate life a little better. You don’t find yourself getting quite so stressed. Even things like nerves when you’re DJing, lack of confidence, or judging yourself. Meditating helps you with all of this. I’m hoping to do some Stillness Music events with all the usual joys of a D&B rave, but it could be cool to have meditation sessions at the event as well, or a gong bath or some sound therapy. It’s not normally the kind of thing you’d find at a drum & bass rave, but it’d be great to have that or just an area where you can sit and find your chill. In the long run, I’d love to try and do some sessions to try and introduce more DJs and producers to meditation cause it’s helped me so much.
How does that tie in with your relationship with traveling? 
I’ve always felt quite nomadic. I don’t tend to stay in one place for too long, which is why I decided to convert a van into a camper. I travel a lot because of my job, and I love being amongst nature, so I thought it would be great to combine the two. I have a small studio set up in there, which is cool. When you’re on the move a lot, you need those times of stillness to reflect. 
It’s been three years since your last album, Neon Dust. How have you grown as an artist?
I think there’s a lot of self-discovery. When I’m writing, I always find I have to remove myself from the day-to-day and step away from my home for a bit to get that inspiration. I feel more settled now as a person and artist. On Neon Dust, I experimented a bit with different genres and listened to a lot of 60s music while writing it. There were some slow bits in there. There were some more housey bits. This bit of time between releases has allowed me to focus more on developing my sound. For this first release on Stillness, I’m fixed on drum & bass, trying to put as much of myself into it as possible and not stray too much into different genres. I do feel as though I’ve learned a lot when it comes to songwriting and production, and I hope that carries through.
On social media, you posted something about learning how to drone. Is it important for you to keep learning new stuff?
Well, it’s funny you mention that because I had a bit of an accident this weekend involving the drone and a tree that literally came out of nowhere. But yeah, I love learning new stuff. I’m quite a creative person anyway. I’ve just started painting a lot. The great thing about the drone is that there are so many awesome spots because we travel a lot. I figured it would go hand in hand. The drone footage looks really nice when combined with music. But yeah, I’m always creating. Music is where my heart and soul go, but I love learning new stuff when possible. 
You’ve had some gigs recently, like Shogun Sessions, for example. How was it to go back out there and tease your upcoming music?
It’s always nice. I’ve been playing ‘Lucid’, my new single, a lot, and it’s getting a nice reaction. My music isn’t particularly made for dancefloors. It doesn’t have this huge mega filthy drop or anything, so it’s nice to see people reacting well to that kind of music in a rave setting. 
How would you like people to listen to your music, then?
I don’t know, really. I guess my music comes from a place where I feel very relaxed, at peace, and comfortable, and that’s when I can create. It’s all coming out as naturally as possible. Because it’s all very inspired by nature, and I know I keep talking about nature a lot, but I would say it’s probably better appreciated there. A lot of people tell me that they listen to my music when they’re travelling, which is really nice. It’s like the soundtrack to people’s travels. I love it when people share those kinds of stories. I suppose any time when you feel like you just need some comfort, that’s what I’m trying to do with my music, like an audio hug. I’m speaking from my own point of view here, but there’s something about liquid drum & bass and the feeling it gives you. The soul and the passion… there’s so much energy in it, but then at the same time, you’ve got some serious feels from all the pianos and the guitars and the vocals and that deep sub.  It’s just the best. 
What else do you have planned for this year?
I’ve got some cool shows that I’m looking forward to. I’m heading to America in May for the first time in quite a while, which will be good. I’ve got some great shows in the summer, one in Bali, which I’m looking forward to. Another thing I’m hoping to start is a YouTube mix series. This will be a stream from the camper van. A lot of the time when I’m parked up somewhere nice, I’ve got the decks out, and I’m having a mix, so I think it would be really nice if we filmed this. So that’s the plan. Also hoping to explore lots of other avenues related to the label, but I’d better not say too much for now…
Follow Etherwood: Instagram | TikTok | Facebook/Meta | SoundCloud
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Recently spotlighted by DJ Mag as an artist to watch and having graced SiriusXM’s Chill channel, Nico de Andrea continues his impressive run following a standout performance at Miami Music Week alongside Black Coffee. He’s now releasing the deluxe edition of his critically acclaimed debut artist album, “Love Therapy.”
This expanded version—available digitally and on high-quality vinyl—deepens the emotional narrative of the original with three new tracks: “Legion,” “Lose Your Love” (featuring Rony Seikaly), and “Kingston Groove.” These additions, along with various acoustic mixes, explore themes of nostalgia, longing, passion, and hope, drawing from Nico’s personal experiences with love, conflict, and separation.
The focus track, “Kingston Groove,” features Caribbean vocals by D-Prezzy and a tribal house bassline, designed to captivate dance floors. Complementing the new tracks are several reworks and remixes by house music legend Harry Romero and the Paris-based duo Birds of Mind, cementing the album’s club worthy status.
Nico has been showing off the album across his North America tour, which began with shows in major cities including NYC, Toronto, Chicago, and Los Angeles.
North American Tour Dates
May 3 – 1134 Broadway – Denver, CO
May 4 – The Flamingo House – Sacramento, CA
May 10 – Audio – San Francisco, CA
May 11 – Sound – Los Angeles, CA
The post Nico de Andrea drops Deluxe version of ‘Love Therapy’ appeared first on Dancing Astronaut.
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The tech house juggernaut keeps on rolling: John Summit, the Brooklyn-bred DJ/producer behind a string of massive dancefloor anthems, has unleashed his latest high-octane offering – the appropriately titled “Eat The Bass.”
Released via his own Darkroom/Experts Only imprint, the new single sees the EDM superstar and label boss at his gritty, groove-laden best. A true club weapon from the first pulsating kick drum, “Eat The Bass” brings enough power to fuel both the twilight warm-up and 5 a.m. after-hours sessions.
The track’s addictive power lies in its gloriously simple but effortlessly effective production. Before the hammering, low-end-loving beats even kick in, an intoxicating spoken word vocal repeats the chorus hook: “I just need to eat the bass, so let me dance.”
From there, Summit’s masterful sound design takes centerstage as growling synth refrains and hypnotic percussive motifs steadily layer, whipping ravers into a frenzy. It’s a tried-and-tested main room techno formula, but one that few can execute as compellingly as Summit currently.
The single arrives as the first appetizer from Summit’s highly anticipated debut album. The full-length effort reportedly features a mouth-watering lineup of collaborators including Elderbrook, Tape B, Sub Focus and Of The Trees.
If “Eat The Bass” is the opening salvo, then dance music fans have a serious dancefloor feast to look forward to from one of the scene’s hungriest talents.

The post John Summit Returns with New Tech House Track “Eat The Bass” appeared first on The Groove Cartel.
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Having already impressed with his previous albums ‘Infinity’ and ‘Polyton’, Teho presents us with his most exciting project to date, his third studio album titled ‘Shifting’. The build for this album began all the way back in October 2023 with the release of the single ‘Lyra’ and now the wait is finally over as Teho gives us the 13 track album in its entirety,
The album shows Teho‘s growth as an artist, continuously evolving both personally and sonically as a producer. Always one to take us on a journey with his music, Teho wanted to understand his deepest fears, anxieties and traumas, but above all, to heal them. Crossing bright phases full of hope contrasted by darker moments where fury takes over, ‘Shifting’ is the reflection of a quest towards inner peace, and of a cure which would recover the traumas of an artist who does not understand not the reasons for his unhappiness when everything seems to be smiling on him.
With 13 tracks total, it’s hard not to get caught on this journey of sound. As you listen you’ll notice each single meticulously blending together to bring you on that journey. Deep and melodic tones are found at the heart of this all with rhythmic and groovy elements carrying that dancefloor flavor. Another tremendous piece of music, Teho knocks it out of the park with this one.
Stream this album below.
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Balance Series · Essential Progressive Breaks mixed by Danny Bonnici || Balance Music This week we head to Melbourne with Danny Bonnici with a driving Essential Progressive Breaks Mix.
Around the turn of the millennium, Danny Bonnici, as part of Nubreed, was at the forefront of an emerging sound known as progressive breaks—a golden era in electronic music. Celebrating that, he has curated a 2-hour mix featuring tracks from Luke Chable, Nubreed, Sasha, Andy Page, and more for Balance Music
The post Mix of the Week – Danny Bonnici appeared first on Decoded Magazine.
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In just two weeks, Mitis’ Unity tour is about to go ham. Not only does his tour finally land in the Lone Star state, but he’s also joining forces with Ham Choi Production, to deliver an unforgettable fusion of music and southern hospitality. Coming to Houston’s 9PM Music Venue on 5/2, Austin’s Concourse Project on 5/3, and Dallas’ The Factory in Deep Ellum on 5/4, be prepared for a Texas- sized celebration that you can’t miss because everything is bigger in Texas. 
Established in 2017, Ham Choi Production has emerged as one of the top hosting production teams in Houston, TX. Founded by Elvis Nguyen, whose two decades of dedication to the nightlife industry paved the way for the company’s success. Hailing from the small town of Port Arthur, Elvis left on a journey to make a big splash in the nightclub scene at just 20 years old. After gaining experience as a nightclub promoter, he finally took the leap of faith to form his own production crew. Giving homage to his Vietnamese roots, Elvis named his team “Ham Choi,” a term familiar to both Vietnamese and non-Vietnamese speakers, translating to “love to play.” This ethos is reflected in Elvis’s unwavering commitment, consistently delivering sold-out shows week after week in not just Texas but across the nation. If you need assistance to book an event in Texas, he is your man to go to.
Mitis’ upcoming tour promises an experience you don’t want to miss, featuring tracks from his latest album, Unity. This captivating album, a heartfelt tribute to his devoted fans, showcases a diverse composition of 10 songs, each expressing a narrative of love, hope, and community. The melodic dubstep producer is celebrated for his ability to infuse his music with profound messages and aim to set a reminder that, no matter our differences, we are all connected by the universal language of music. Joining him on tour will feature a wide range of amazing talented guests and support, like Haliene, Yetep, Nurko, MVSE and more. Additionally, Houston will witness Psytrance artist Blastoyz’s debut, offering hypnotic beats for a mesmerizing experience.
Embracing the theme of unity, Mitis and Ham Choi productions will be bringing together a unique, elevated experience to the Texas shows. From the tour’s heart-pounding beats and soul-stirring melodies to premier hospitality, expect an explosive night with a little Southern flare. For those seeking a VIP experience, Ham Choi can arrange exclusive tables for you and your rave crew, ensuring a luxurious night like no other. For those who’ve experienced a Ham Choi party, they know things are about to heat up, but for those anticipating Mitis’s show, get ready for an even wilder ride.
For tickets and table reservations for the shows, visit here.
The post Mitis Is Bringing His Unity Tour To Texas For 3 Shows appeared first on EDMTunes.
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The Norwegian electronic music star, Kygo, has teamed up with rising British singer-songwriter Zak Abel and legendary producer-guitarist Nile Rodgers in dropping this beautiful new track, ‘For Life’. This track makes everyone who listens to it feel very good about themselves. Also, Modjo‘s classic hit single, ‘Lady’, provides a noticeable influence on the track. In particular, the lyrics in the chorus are, ‘Lately, I just feel like. I can’t get you out of my mind. I feel love for the first time. And I know that it’s true. Me and you. I could love you for life’.
Kygo’s innovative production skills (and mesmerizing talent on the piano), Zak Abel’s soothing vocals, and Nile Rodgers’ mastery of the guitar makes ‘For Life’ a track that will become a springtime banger. Click ‘Play’ on the Spotify link below to stream ‘For Life, a track that brings out vast emotions of euphoria. Additionally, view the music video of ‘For Life’ as well, which contains personal, emotional clips from fans worldwide.
‘For Life’ signifies Kygo’s ongoing success in releasing memorable music
The release of ‘For Life’ comes after Kygo released ‘Whatever’ featuring Ava Max. ‘Whatever’ has since gained over 177 million streams since its release in the beginning of this year and it is now an international hit. According to an article from RCA Records, ‘Whatever’ just reached #1 on the European Airplay Chart. As for the release of ‘For Life, there is no doubt that the track will bring out all the feels and it may remind the listeners about their own unforgettable memories as well. Most definitely, this track will for sure reach a “Top 10” ranking on music charts worldwide with its energetic vibe.
The post Kygo Partners With Zak Abel and Nile Rodgers in ‘For Life’ appeared first on EDMTunes.
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Camelphat’s ‘Spiritual Milk’ Round 3 Remix Album Features Massano, Cristoph, and Adana Twins
Camelphat has collaborated with an impressive group for remixing their album Spiritual Milk. The remix lineup includes Massano, Cristoph, Adana Twins, Layla Benitez, Arabic Piano, Samm & Ajna, and the Scenarios collective. Released via When Stars Align and under exclusive license to The Nations, CAMELPHAT continues to enchant listeners with their melodic tracks.
Among the remixes, Massano delivers an eagerly awaited and dynamically structured version of ‘Turning Stones.’ Cristoph, known for the hit single ‘Breathe’ contributes a sincere and euphoric edit to ‘Hope’. Meanwhile, the up-and-coming duo Samm & Ajna offers a blissful and groovy rework of ‘Home’.
Arabic Piano and Adana Twins also put their unique spin on ‘Home’, infusing it with soulful renditions. The Scenarios collective, featuring Emanuel Satie, Maga, Sean Doron, and Tim Engelhardt, adds a funky and nifty touch to the lead single ‘Compute’. Lastly, Layla Benitez debuts her first official remix of ‘Bloom’, which also receives its inaugural rework on the album.
Camelphat finished up tour in follow up the release of their highly-anticipated second album, Spiritual Milk, in 2023. Currently they are set for a residency at the legendary night club Pacha in Ibiza, Spain.
The post Camelphats ‘Spiritual Milk’ Round 3 Remix Album Released appeared first on EDMTunes.
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