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Eric Redd and Hady Tarek Return With Awesome New Single ‘Can’t Figure It Out’

Eric Redd and Hady Tarek come together once again to bring their next collaborative single, ‘Can’t Figure It Out’ via Kollectiv. Having become keen collaborators, joining forces for tracks like ‘Nobody Knows’ and ‘All New’, the pair continue to showcase their collective creative power, bringing sonic synergy with thoughtfully designed productions that highlight each of their signature sounds. As they put forward another Progressive House single, lovers of the style will no doubt enjoy the innovation and originality on display, captivated by the grooving soundscape that Eric Redd and Hady Tarek now deliver in ‘Can’t Figure It Out.’
Having led a four-decade-long career, Eric Redd comes to his creativity with the hand of an experienced professional; with an expansive skill set and a diverse array of influences, his artistic voice continues to evolve, taking to new genres and fresh sounds to showcase his confidence when it comes to pushing the boundaries of his craft. With his signature style coming as a unique fusion of genres, highlighting his rich background as he integrates elements from Funk and Soul with Electronic Music substyles like House, Eric Redd continues to work towards setting himself apart within the genre, aiming to stand out with his musical individuality and vibrant energy.
Hady Tarek has also navigated an eclectic journey within the Electronic Music space, from building his catalogue of work as a Producer to acting as label head of Kollectiv. Now, working alongside Eric Redd yet again, Hady Tarek adds his signature touch to this new track, showcasing his style whilst designing a unique arrangement that complements Eric Redd’s bold vocals.
A rhythmically driven production, ‘Can’t Figure It Out’ starts with groovy beats and a thumping kick, building as Eric Redd joins to add a catchy vocal hook, weaving amongst a bold bassline and energetic synths. With the track propelling forward, the momentum remains high as fresh details join the mix, including vibrant leads, underlying risers, driving melodic lines, and intricately layered vocal parts. A unique listening experience, distinct in the infectious details and Eric Redd’s vocal textures, ‘Can’t Figure It Out’ offers an engaging sonic journey, one not to be missed for fans of Eric Redd, Hady Tarek, or lovers of the style.
With this latest production poised to stand out within each of their discographies, delivering refreshing vibes, be sure to experience ‘Can’t Figure It Out’ for yourself: out now via Kollectiv and available to stream and download across platforms here.
Make sure to stay tuned to Eric Redd and Hady Tarek by following each of them across social media.
Follow Eric Redd:
Website | Instagram | Spotify
Follow Hady Tarek:
Website | Instagram | Spotify
Follow Kollectiv:
Beatport

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Alex Kislov Unveils New Deep House Single ‘Dream Sequence’

Chicago-based Producer and DJ Alex Kislov brings his latest Deep House release, ‘Dream Sequence,’ featuring the vocals of Leo Wood, to listeners worldwide, elevating his discography with a new production that offers high-energy and captivating sound. Infused with a masterful blend of Deep House grooves and melodic elements, ‘Dream Sequence’ showcases Alex Kislov’s sonic originality, displaying his signature style as it delivers an enchanting auditory journey that will surely garner attention.
Coming to his craft with experience on the Chicago Electronic Music scene, Alex Kislov has consistently pushed the boundaries of Progressive House, Deep House, and Techno to curate a sonic identity that excites and impresses. Known for his captivating blend of genres and innovative soundscapes, Alex Kislov has earned himself the opportunity to take the stages of iconic venues like Radius, Spybar, and The Mid; a credit to his talents, the achievements Alex Kislov continues to reach no doubt cement the promise of his future within Electronic Music and establish him as a noteworthy force on the scene.
As he maintains creative focus, remaining motivated to continue taking to new ground through sonic exploration and experimentation, Alex Kislov has now joined forces with the talented Leo Wood to raise the bar of his approach one step further, bringing listeners another impactful collaboration. A diverse talent on the scene, having had releases on some of Electronic Dance Music’s most respected labels, like Anjunadeep, Defected and Insomniac Records, Leo Wood’s contributions to ‘Dream Sequence’ no doubt add sonic depth, positioning the track to become a standout release in both Artists’ discographies.
The track begins with thumping beats, an underlying bassline and evolving synth layers, gradually building as Leo Wood’s haunting vocals join the mix. As the soundscape continues to develop, with the integration of pulsing riffs, atmospheric pads and dynamic elements, ‘Dream Sequence’ progresses into a sonic tapestry of intricately woven details, offering a mesmerizing listening experience that serves to showcase Alex Kislov’s production expertise and ability to evoke emotion through music; a captivating release, this latest track ties the distinctive touch that Leo Wood brings to her work with the impactful signature production style of Alex Kislov, marking ‘Dream Sequence’ as a must-listen for any fan of the style.
So, available now to download and stream, experience the unique sounds of ‘Dream Sequence’ for yourself below and here.
Be sure to keep up to date with Alex Kislov and Leo Wood by following each of them across social media.
Follow Alex Kislov:
Spotify | Instagram | Beatport   
Follow Leo Wood:
Spotify | Instagram
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Breakaway Bay Area Will Return to Bill Graham Civic Auditorium

After last year’s thrilling edition at the Bill Graham Civic Auditorium, Breakaway Bay Area will return to the renowned music hall for its 2024 edition. Breakaway Music Festival is a multi-city dance music festival that hosts thirteen very unique events across the United States. One of those unique events is Breakaway Bay Area and this year’s event at the Bill Graham Civic Auditorium will take place on the weekend of Oct. 25-26, one week before the Halloween weekend.
Since the 2024 edition of Breakaway Bay Area will take place one week before Halloween, the event will guarantee tons of stimulating, high-octane music that will ensure the fans continue dancing from start to finish during both nights of the festival. Check out the after-movie of last year’s fantastic festival on the YouTube link below. Also, shown below the after-movie are details about the lineup, the various ticket passes of the festival, and the ticket and hotel packages for fans to choose.
Prominent headliners of Breakaway Bay Area 2024 who will turn up the heat at Bill Graham Civic Auditorium
Readers can check out the lineup poster of Breakaway Bay Area 2024 at the bottom of this article and amongst the top headliners are Marshmello and RL Grime. Joining these two brilliant dance music maestros are prominent names such as Alok, Anabel Englund, Joyryde (in a B2B set with Habstrakt), Nitepunk, and Wax Motif. The set time schedules for both dates of Breakaway Bay Area 2024 will come out soon as the festival closely approaches the Oct. 25-26 weekend.
Ticket choices at the festival
Fans will have the choices to purchase either GA, VIP, or Ultra VIP passes for the two days of the festival. The 2-Day GA pass costs $153.36 while the 2-Day VIP pass costs $277.99 and the 2-Day Ultra VIP pass costs $1,139.07. The GA pass provides the fans with access to the Main Stage, The Launch Pad, and activations and activities. Meanwhile, the VIP pass includes everything that GA has but with preferred Main Stage viewing, an express entry lane, a private bar, VIP lounge, and also a commemorative VIP laminate. Furthermore, for anyone who wants to live it up grand with the Ultra VIP pass, they can still enjoy the amenities that GA and VIP pass holders also have access to.
However, the Ultra VIP pass holders have access to the side main stage viewing platform, second stage viewing area, a dedicated entrance, drink vouchers and merch vouchers, unlimited water, and an exclusive Ultra VIP laminate. To purchase the tickets, click on this link before the tickets sell out. Once the tickets sell out, tickets will continue to be sold at the next tier, while supplies last. Finally, fans will also have the option to choose a Layaway Plan as well and that option will be available at checkout. Get these tickets now, as quickly as possible before they sell out (and before all ticket tiers are exhausted).
Ticket and hotel packages for the festival
For anyone who is planning to stay two-three nights in San Francisco during the festival weekend, they also have the option to purchase three ticket and hotel packages as well. The “Super Fan 2-Day GA Package” is for GA pass holders and they can choose a hotel of their choice to stay for two-three nights and they will also receive a Merchandise Bundle; this package starts from $571 per person and includes fees (and assuming a 3-night stay if that is the case). The “Super Fan 2-Day VIP Package” provides the same perks for VIP pass holders and this package starts from $663 per person (and also includes fees and assuming the 3-night stay).
There is also a very special package that does not include a GA or VIP pass. That package is the “Here for the Party Package” and it starts from $371 per person; this package also provides fans to choose a hotel of their choice to stay in for 2-3 nights but instead of the Merchandise Bundle, they will just receive a Jampack Swag Bag. Last but not least, for anyone who just wants a Merchandise Bundle, it costs $100 to obtain.
Image Courtesy: Breakaway Music Festival / Prime Social Group / Another Planet EntertainmentThe post Breakaway Bay Area Will Return to Bill Graham Civic Auditorium appeared first on EDMTunes.
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Meduza Delivers a Masterclass with BBC Radio 1 Essential Mix

Italian DJ trio Meduza recently took listeners on an unforgettable journey through the history of Italian electronic music with their two-hour Essential Mix on BBC Radio 1. The mix, aired on July 13th, 2024, has been hailed as a career highlight for the group, who have long expressed their admiration for the iconic radio show.
Rather than focusing solely on their own hits, Meduza used this platform to showcase the breadth and depth of Italian electronic music. The set was a masterful blend of classic tracks, contemporary anthems, and exclusive remixes, demonstrating Italy’s enduring influence on the global electronic scene.
The full tracklist is available and offers a tantalizing glimpse into the mix’s content. Highlights include a Meduza remix of The Weeknd’s “In Your Eyes,” a reimagining of Depeche Mode‘s iconic “Enjoy The Silence” by Mavee, and a captivating blend of Meduza’s “Lose Control” acapella with Notre Dame‘s “Soda.” The mix also featured a number of exclusive IDs and unreleased tracks, leaving fans eager to discover the identities of these mysterious cuts.
From the nostalgic sounds of Giorgio Moroder to the cutting-edge productions of contemporary artists, Meduza’s Essential Mix was a celebration of Italian electronic music at its finest. The trio’s ability to seamlessly blend different eras and styles into a cohesive narrative is a testament to their talent and deep-rooted passion for the genre.
For those who missed the live broadcast, the full mix is available to stream online and just bellow.
The post Meduza Delivers a Masterclass with BBC Radio 1 Essential Mix appeared first on EDMTunes.
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EDM.com Fresh Picks: 1111, Dazzle Camouflage, Chris Malinchak & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
1111 - Better Days
glittr - don't u know
Dazzle Camouflage - Head High
LAMANT - hold on
Yoste - Kaya
oh caroline - Skin and Bones
Chris Malinchak - Keep Tryin
Rachika Nayar - hawthorn
Oneohtrix Point Never - Auto & Allo
Joshua, Léon - HAUNTED BY A EMPTINESS IN MEMORY,
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A year since it debuted at Burning Man, Local Singles and Sam Blacky release ‘Hotsteppa’

Sam Blacky has teamed up with the producer/DJ duo Local Singles for their latest single “Hotsteppa,” a mesmerizing Afrohouse-influenced track that blends both artists’ unique sonic signatures.
Local Singles bring their rhythmic expertise to the table, crafting a euphoric tune that builds with an air of mystery while Sam Blacky, known for her incorporation of global sounds brings afrohouse touches to the table. Her contribution fuses deep bass undertones with tribal instrumentals and vocals, resulting in a genuine international sound. “Hotsteppa” is infectious, manifesting a sunrise groove session deep in the jungle. It’s no wonder the track has already received support from industry leaders, with Diplo and Francis Mercier debuting it at Burning Man last year. The single follows Local Singles’ recent track “Fever” on BLOND:ISH’s label and Sam Blacky’s collaboration “Ronaldinho” with Niniola.

The collaboration came about after a serendipitous near-miss at a Keinemusik show in Brooklyn Mirage. Sam Blacky explains, “We laughed so hard when we saw each other’s stories, and I couldn’t believe we missed each other that night. We decided we had to collaborate soon to memorize that funny moment and show our love of the tribal and Afrohouse sound, and this is how ‘Hotsteppa’ was born.”

Local Singles added, “Getting ‘Hotsteppa’ out was a labor of love. From finding the right collaborator in Sam Blacky, to finding the right vocalist, and last but not least, finding the right label in Spinnin’ Deep. It’s taken over a year, but we can finally say… here comes the ‘Hotsteppa.'”
The post A year since it debuted at Burning Man, Local Singles and Sam Blacky release ‘Hotsteppa’ appeared first on Dancing Astronaut.
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Bureau of Land Management Imposes Temporary Restrictions on Black Rock Playa

The Bureau of Land Management (BLM) has announced temporary closures on the Black Rock Playa, home to the annual Burning Man festival. These closures are designed to safeguard public resources and ensure public safety in the area.
The closures will be implemented in two phases over a period of approximately 66 days each year through fiscal year 2027. The first phase will affect a smaller area, while the second phase will cover a significantly larger portion of the playa. However, it’s important to note that the remaining 67% of the playa will remain open for dispersed recreational use.
Closure Details
Phase 1: Covers approximately 9,941 acres and lasts 66 days. Phase 2: Covers approximately 51,149 acres and lasts 20 days. Closure Dates
The specific dates for the closures will vary each year:
YearPhase 1Phase 22024July 25 – September 28August 19 – September 72025July 24 – September 27August 18 – September 62026July 30 – October 3August 24 – September 122027July 29 – October 2August 23 – September 11 The BLM has emphasized that these temporary closures are necessary to protect the delicate ecosystem of the Black Rock Desert. This will also allow to ensure the safety of visitors. While the closures may impact recreational activities during certain periods, the majority of the playa will remain accessible to the public.
Impact on Burning Man
The BLM has emphasized that the majority of the playa will remain open for public use. However, the temporary closures will undoubtedly impact the Burning Man festival.
Logistical Challenges: The event organizers will need to adapt their plans to accommodate the restricted areas. This may involve adjustments to camp layouts, infrastructure, and transportation. Reduced Space: The closures will limit the available space for the festival, potentially affecting attendee capacity and the overall experience. Increased Costs: Implementing changes to accommodate the closures is likely to increase costs for the event organizers. Environmental Concerns: The festival has faced criticism for its impact on the environment. The closures could be seen as a step towards mitigating these concerns and promoting sustainable practices. It’s important to note that the Burning Man organization has a strong track record of working collaboratively with the BLM to ensure the event’s sustainability and minimize its impact on the environment.
The post Bureau of Land Management Imposes Temporary Restrictions on Black Rock Playa appeared first on EDMTunes.
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R3HAB and Deorro join forces for the 1st time in decade on Latin-dance heater ‘Gózalo’

Multi-platinum Dutch-Moroccan DJ and producer R3HAB has reunited with Mexican-American producer Deorro for their latest track, “Gózalo,” marking their first collaboration in a decade. The release blends the best of both artists’ signature styles, seamlessly fusing Deorro’s expertise in Latin rhythms with R3HAB’s high-energy, driving basslines that border on hardstyle. The result is a genre-defying track that bridges the gap between Latin-inspired beats and pure EDM. The summer-ready hit evokes images of peak time partying with an infectious groove and driving pulse “Gózalo” is destined to become a crowd favorite. This collaboration comes ten years after R3HAB and Deorro’s last joint effort, “Flashlight,” which that quickly track became an iconic piece of the big-room EDM golden era, amassing over 130 million streams and maintaining its popularity in DJ sets to this day. As “Gózalo” drops, fans of both artists can expect a fresh, exciting sound that honors both artist’s roots while creating something as unique and exciting as their first collaboration, proving that R3HAB and Deorro’s chemistry is as strong as ever.
The post R3HAB and Deorro join forces for the 1st time in decade on Latin-dance heater ‘Gózalo’ appeared first on Dancing Astronaut.
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Popping the Cork with Dutta

Souped Up veteran, label-boss and rowdy beat maker, Dutta, returns with ‘Dom Perignon’, a three-track project ready to turn summer 2024 into a wobbly wonderland.
‘Dom Perignon’
Raising the bar of his own dutty-excellence after committing to an intense seven-month stint of musical up-skilling, this bouncy new EP is proof of the Mancunian producer’s hard work, slight change of direction and eagerness to focus more on the musical elements of his tracks.
New flavours, new techniques, same old Dutta. We pulled him in to find out more.
Dutta! Highlight of the week so far?
I met a really nice woman the other night! Work’s going well too. I feel like a lot of good things are landing on my lap at the moment. I’ve been making a lot more healthier choices, putting a bit more love back into the cup and the universe gives back to me tenfold. So yeah – I’ve had a great week this week!
The wholesomeness we all wanted. Let’s talk about your new EP on Souped Up – was there anything different you wanted to do with this one?
Realistically, for the last 7 months I’ve been taking a lot of time off shows and working on my music, knuckling down on my songwriting and stuff like that. Kind of taking a bit of a different approach with my songwriting, how I’m making my tunes and the direction I’m taking my sound in. So yeah, I wanted my music to be a bit more mature, a bit more songwritey! I wanted to reinvent myself, come with a fresh new sound. Show everyone how much I’ve been working. I wanted to showcase the new skills I’ve been learning over the last 7 months in terms of my production.
What brought on this change in direction?
I just feel like I kind of needed to reinvent how I was making my tunes. Up the levels of everything, instead of making the same old stuff I’ve been making. I started noticing that there were a lot of things that I could do to improve on. There are things I didn’t struggle with, but the things that I did struggle with I just knuckled down and went back to basics with everything. You find yourself writing the same sort of music. It’s kind of good to step away from the style you’re writing and learn new things and make other types of music. I found after doing that, when I went back to the style I was creating, my confidence in the studio was a lot higher. My consistency is getting a lot better. I think I needed to work on that over the last 7 months and take my music into a new direction.
A natural progression for an artist! Is it easy to clock when it’s the right time to step towards a new sound and start upskilling again?
I think right now because of people’s attention spans, when you’re making too much or something, people are just getting bored of it. I personally wanted to start writing much more exciting music, so I needed to go back to the drawing board. Personally speaking. You could be an artist who has had one big tune, then you go off and carry on writing thinking your tunes are the best but they’re not. It depends on what sort of artist you are. I’m very self-critical. There’s a lot of ideas that I write that go straight in the bin. All the stuff I’ve been putting out have been tracks I’ve really liked and genuinely wanted to put out.
Having a big hit very early on in your journey as an artist must create a huge amount of pressure, perhaps anxiety too?
It creates a lot of pressure because everyone is watching. Even being a one trick pony, there’s no consistency there. The proof is in the pudding. You’ve got to be consistently releasing good music. That one trick-pony thing would give me a lot of anxiety. I’ve been making music for about 14 years so it’s a walk in the park. I really enjoy it. It’s what I do in most of my spare time, for fun. So I don’t really feel pressured in the studio or anything like that, but I can imagine if you made a hit, and it’s early on in your career, it’s a lot of pressure because then you need to make a tune as big as that hit.
Making music for fun is the one. There’s a lot of value in doing things for fun instead of doing things for money.
It’s a big escape for me. Saying that though, even when I’m at my happiest and I’ve got good stuff going on, that also inspires me to sit and make music. It helps me express my emotions a lot better and helps me control what I’m feeling too. It’s more therapy to me than a get rich sort of thing. Even if I didn’t do what I do in drum & bass, I’d still be writing music regardless.
That sounds like a very healthy way to make music. Keeping the love for our creative ventures is important, paying your rent off your creativity can sometimes be exhausting.
It just becomes a chore. It can be difficult doing the music thing full-time. I left my job when music was paying me more than my job but even then, it’s still good to have a stable income. You might get your first big pay out or you might be going out for a grand a gig or whatever, but if you have other work too, you have stability. It’s healthy to separate your work from your art. You don’t want to be in the studio choring. Like urghhh I need to finish this project. It should be fun. I found myself doing it. I have been releasing music since 2015 so over the last 10 years, I’ve felt a few of the emotions you know. I’ve just tried to not bring any more stress into my life. Life is hard enough as it is, you don’t want to make it any harder regarding the work that you’re doing every day. Especially when that thing is something you love and your art, something you really do pour yourself into it.
You’re an independent artist who works across different labels whilst self-releasing too – what are the pros and cons of working in this way?
I work with the people I work with, sort of thing. I keep my circle small and I work with the people I’ve worked with for a long time and built a relationship up with. I think it’s good to have creative control over your music. So doing the self-releases and stuff like that fills in the gaps when you don’t have a release on a big label or big artists to work with. Then that creative control keeps the consistency with releasing. Work with big artists and labels too though. Working with labels opens doors for new fanbase, new fans who follow the label and like what the label do too. New people might check you out and then you might become their favourite artist! It opens a lot of doors. Not that it can’t be done independently. If I’ve got any advice for artists, I’d say it’s good to stay with a team and work with a team. You don’t want to be releasing with every label under the sun. Don’t be sending the same demos to all the labels. Wait until you hear back from them, wait til they’ve spoken to ya, then go elsewhere if they turn you down. Don’t be sending all ya tunes to every Tom, Dick and Harry. No ones going to want to hear it. Only if people don’t get back to you after a week or two should you go elsewhere. People like exclusivity. It shows loyalty, which goes a long way in this industry.
Artists that you’re rating at the min?
Absolutely! I want to shout out Parallel, Hexa, if you’re reading this, go and check those out. They’re making wicked tunes, tunes that are going off in my sets at the minute. Flipnosis too, everyone I’m working with at the min, Serum, Trigga, Upgrade. I’ll leave that there. There’s loads of people.
 What do you think the best thing, and also the most challenging thing, is about being an artist in 2024?
Wow! TikTok. For both! Nah, the most challenging thing in 2024 as a musician is that it’s very saturated. I feel like everyone wants to do it. Everyone wants a quick buck. The music was from the underground and it will always go back round to that… I’m just hoping that it does sometime soon! Things are a bit difficult at the minute. Everyone is still skint from lockdown. All the clubs are shutting. The promoters don’t have the same budgets they had before lockdown. There’s a lot of things affecting the industry that’s out of everyone’s control and a lot of artists are really taking it out on themselves at this time, regarding gigs and feeling disheartened about work and stuff like that. I’m hearing it a lot across the board from a lot of my peers when we’re catching up. Everyone’s finding it difficult. We’re in a massive recession. No one has any money. People at the minute are more than happy to sit at home with a pair of decks, listening to tunes they want to listen to, a load of mates chip in on a nice bottle of vodka for a tenner each, or you go out and spend £100. So what you gunna do. I get it. But people need to support the local scene and support the underground scene because if they don’t and they stop, it’s just going to disappear. 
Any final words of wisdom?
Everyone eat your veggies, everyone support the underground scene and everyone support each other too. Also – everyone reading this, I have an event in Manchester on August 30. Boiler Room style rave with a sick lineup that I’ve catered myself. Very limited ticket capacity. There is a rule that your front camera and back camera will be covered on entry. There’s a policy- no videos in the rave. You can use your phone, if you’ve got too mash-up and you need to find ya friends, you can still do that but otherwise, no phones in the rave. I want people to be locked in the moment and to have a special experience.
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DJ Mag and Twisted Lines Present a Groundbreaking 360-Degree Techno Experience Underneath an Atlanta Bridge 

Image Source: @haptix.atl, 08/09/2024
In an electrifying showcase of innovation and music, DJ Mag and Twisted Lines brought a one-of-a-kind techno experience to the heart of downtown Atlanta. Held under a bridge near The Underground, this event redefined the boundaries of techno performances in Atlanta with its unique 360-degree ‘boiler room’ setup.

Headlined by the phenomenal Sara Landry, the night was a high-octane journey through techno. Landry captivated the crowd with her vibrant energy, ecstatic dance moves, and an array of high-energy beats. Her set included both classic tracks and new hits like “Pressure” and “Heaven,” which had the audience in a continuous state of exhilaration.  
 

Supporting acts Sam Wolfe and YSNXS also delivered stellar performances, each bringing their distinctive style to the stage and adding depth to the evening’s lineup.  
 
What set this event apart was the lack of traditional LED screens, replaced instead by breathtaking lasers that created a mesmerizing visual experience. Combined with an outstanding sound system, the atmosphere was immersive and unparalleled, marking it as one of Atlanta’s sweatiest and most unique recent events. 
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Afrojack’s ‘Take Over Control’ Turns 14 Years Old

‘Take Over Control’‘ was released 14 years ago today, propelling Amsterdam native Afrojack into the EDM spotlight. This track launched the Electro and Progressive House producer’s name globally with its hypnotizing beats, especially its catchy chorus and hook. It quickly became a must-dance-to anthem worldwide.
‘Take Over Control’ dominated the charts in 2010, holding the #1 spot for six weeks on the US Billboard Dance/Mix Show Airplay, Hungary’s Dance Top 40, and Poland’s Dance Top 50. It achieved 2X Platinum status in Australia and Platinum in the United States.
Since this breakthrough, Afrojack has continued to make waves in the industry. He founded his own record label in 2014, Wall Recordings, where he released his debut album, Forget the World. He is currently on tour, continuing to cast his spell on new and old audiences alike.
To date, ‘Take Over Control’ remains a summertime anthem and brings back the nostalgia of summer 2010 when it first dropped.
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Celebrating 10 Years of Porter Robinson’s ‘Worlds’ Album

It’s fair to say that Porter Robinson has carved a path to the top with his very unique take on EDM which stems back 10 years to ‘Worlds’ where he created a masterpiece that no one else could have thought up. His debut album is one that wasn’t aimed to follow trends, but rather to be true to his own vision of what he wanted to make and has become one of the highest regarded electronic music albums ever created.
In the early 2010s Porter Robinson was making a name for himself and gaining traction in the music scene incredibly fast with some great tracks like ‘Say My Name’ and ‘Spitfire.’ It would only be 2 years after his debut single that he would release his breakthrough track ‘Language’ which is without a doubt an iconic track that would launch his career in a big way. Despite the success of his early tracks, he didn’t feel like what he was making was authentic of his true style, and from this revelation ‘Worlds’ was born.
With the release of his debut album came a whole new side of Porter Robinson for everyone to hear. Taking inspiration from the legendary Daft Punk and ‘The Legend of Zelda: Ocarina of Time’ game, he would produce a beautiful soundscape of 80s synths and retro video game sounds with a tempo much slower than what he had been previously working at. The music was unlike anything that had been heard before because it wasn’t trying to be anything else. It was simply what Porter Robinson wanted to make as he would explain in an interview in 2015 saying “Worlds was, me taking a break from what I was doing and doing something that was honest, authentic and real.”
Despite it being a long way from following the trends of EDM that was hitting the charts, ‘Worlds’ debuted at number one on Billboard’s Top Dance/Electronic Albums and has since gone on to garner over 300 million streams on Spotify. Porter Robinson’s honesty on this album has brought him a great deal of success and huge respect from fans and fellow artists. He has continued in this vein ever since, making music that he loves and music that we love.
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Victor Ruiz Provides Powerful LP, ‘THIS IS NOT AN ALBUM’

*Featured Cover Photo Credit: Luke Eastman / Victor Ruiz
Victor Ruiz, the Brazilian Techno producer and one of the world’s most creative producers in the genre, has released a new LP by the name of THIS IS NOT AN ALBUM. This 8-track masterpiece is definitely a wonderful collection of blissful tracks that will make the listener feel a great amount of exhilaration flowing through their body. Victor Ruiz has released THIS IS NOT AN ALBUM on his own label, VOLTA, and this exciting label is now Techno’s fourth-best-selling label — and the producer only founded said imprint two years ago.
The album is also a piece of music that serves as another grand step in the Techno genre, especially as it remains to strengthen its already-strong popularity within the Dance/Electronic music industry. THIS IS NOT AN ALBUM is available on all streaming platforms and it also shows why Victor Ruiz is a Techno maestro who continues to enhance his artistry in the music world. Click ‘Play’ on the Spotify link below to stream the album and prepare to embrace the mesmerization of techno in its ever-growing innovative form.
Victor Ruiz Brings Out An Invigorating Techno Style Through THIS IS NOT AN ALBUM
When Victor Ruiz released THIS IS NOT AN ALBUM, he released an album that was already a creation that took years of careful and precise production. This careful and precise production brings out an invigorating Techno style that reminds the listeners of the Brazilian producer’s love and appreciation for diverse genres and sounds, particularly the sounds coming from various sub-genres. Whether it is Melodic Techno, Dark Techno, etc., the production of each track gives off bountiful influences from those sub-genres that for sure allow the listeners to feel a lot of euphoria.
The post Victor Ruiz Provides Powerful LP, ‘THIS IS NOT AN ALBUM’ appeared first on EDMTunes.
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[Event Review] HARD Summer 2024: A Festival For The Books At Hollywood Park

Hollywood Park: A Vibrant Urban Playground
HARD Summer 2024 marked its debut at the sprawling Hollywood Park, nestled right next to the iconic SoFi Stadium. As the first festival of its kind at this location, expectations were high, and the event did not disappoint. The open-air setup, with stages spread across the massive venue, brought a unique energy to the festival. As the sun dipped below the horizon, airplanes soared overhead, painting a picturesque backdrop for an unforgettable weekend. While the vastness of the venue meant long treks between stages, the breathtaking views and urban setting gave off heavy EDC-like vibes—a true cityscape spectacle.
Matt Winkelmeyer for Insomniac Events Vibes That Took Us Back To The Roots
From the moment the gates opened, the festival exuded an electric atmosphere. The energy was palpable as festivalgoers from all walks of life embraced the PLUR (Peace, Love, Unity, and Respect) ethos that has long defined the scene. It was a reunion of sorts, reminiscent of the early days of HARD Summer when the community and the music came together in perfect harmony. Whether it was exchanging kandi with new friends or vibing to the beats under the setting sun, the sense of unity was ever-present. Even with a few minor issues, like the long lines and cramped restroom areas, the positive vibes overshadowed any inconveniences. The spirit of HARD Summer was alive and well, making every moment of the festival truly magical.
Quinn Tucker for Insomniac Events A Sonic Journey Worth Every Step
The music lineup was a festivalgoer’s dream. Acts like Mochakk, Sidepiece, and Zeds Dead brought the house down with electrifying performances. Additionally, Channel Tres and Elderbrook stole the show with their incredible sets. The open layout of the stages allowed for a dynamic auditory experience, where the music flowed freely across the venue. That said, the spread-out stages did present a challenge; a 10-15 minute walk between performances was a reality for those eager to catch their favorite acts. Some technical hiccups, like muffled vocals during Nelly Furtado‘s performance and Wax Motif‘s mic issues, were noticeable, but they didn’t detract from the overall experience. The festival organizers did a commendable job with the stage setups, but a little more polish on the technical side would elevate future editions.
Priscilla Rodriguez for Insomniac Events Talent
One of the most unforgettable aspects of HARD Summer 2024 was the incredible lineup of musical talent that graced the stages. Even with a packed schedule, the moments I spent at each set were absolute highlights of the festival. Wax Motif delivered a high-energy performance that was made even more special by a surprise guest appearance from Ty Dolla $ign, sending the crowd into a frenzy. Elderbrook and Disclosure both brought their signature sounds, weaving a sonic tapestry that left everyone wanting more. Mochakk kept the energy high, and the Fisher + Chris Lake (Under Construction) set was pure perfection—hit after hit, keeping the vibes alive. Etari kicked off the festival with an exceptional opening set on day one, setting the tone for the weekend.
Jamal Eid for Insomniac Events We even managed to make it to an after-party at Academy LA, where Sosa and Cloonee went b2b, delivering an experience that was nothing short of phenomenal. If they’re ever in town, I can’t recommend their performances enough. The newly added Jose Cuervo Locals Only Stage, along with the Boombox Art Car presented by Beatbox, were also standout additions, showcasing the vibrant local talent from Los Angeles. I caught sets from Cherry and Lechuga, who both impressed with their unique sounds. If you’re searching for new artists to follow, keep an ear out for them—they’re sure to make waves in the scene.
Gina Joy for Insomniac Events A Stellar Debut Amid Noise Concerns
While the festival was an overwhelming success, the loud beats and powerful bass didn’t go unnoticed by the surrounding community. Inglewood’s Mayor James Butts has already stated that future events at this location might face stricter regulations, especially after a surge of noise complaints. It’s a bittersweet note for HARD fans—this might have been the first and last time we experience HARD Summer at Hollywood Park. Despite this, the festival left an indelible mark on all who attended, and the memories will surely linger long after the echoes of the final bass drop fade.
Final Thoughts: Hoping For A Return
As a first-timer at HARD Summer, I was blown away by the sheer scale and energy of the festival. Additionaly, the urban environment added a fresh twist to the experience, and despite a few areas needing improvement, the weekend was nothing short of epic. Whether or not HARD Summer returns to Hollywood Park, one thing is certain—I’ll be back for more. Furthermore, here’s to hoping the stars align for another unforgettable chapter in the HARD Summer legacy. Lastly, for more information on all things HARD, be sure to check out their official website, here.
Gina Joy for Insomniac Events Follow HARD Events:
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The post [Event Review] HARD Summer 2024: A Festival For The Books At Hollywood Park appeared first on EDMTunes.
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Tale Of Us brought dark techno back at Space Riccione

That’s how it’s done. Tale Of Us are back for the usual Italian summer stop in Riccione with a set we were all waiting for. This time, the techno titans debuted on the newly opened Space Riccione. As expected they played a 2+ hours set, mixing classics and brand new tunes. They even dropped some never-played-before gems.
Space Riccione is located in an area of the Italian Riviera which is intrinsically linked with electronic music history. Its open-air setting, composed by three dancing area, makes Space Rirccione the perfect settings for Tale Of Us.
The massive LED wall, incredible light design, and crystal clear sound system made the experience even more enjoyable.
We talked about LED walls so, you could think of the iconic Anyma’s and Afterlife visuals but, no, this time Tale Of Us went dark and deep.
The giant dancefloor surrounded by vegetation and filled with palms made everything poetic.
Like what happened some weeks before at the Freedom stage at Tomorrowland, the duo delivered a series of IDs and new music, including some brand-new MRAK material.
The duo was not alone. Opening the night, Afterlife’s new wonderboy SCRIPT set the stage for a night that can’t even be told.
This was one of the few chances you get to experience Tale Of Us in the dark and mysterious mood, without distracting visuals and festivals’ limitations. A club night for the clubbers.
Next on the list for Space Riccione is Carl Cox’s Invites on the 14th of August.
If you want to catch Tale Of Us, they are currently running Afterlife Residency at Hi Ibiza and they’ll bring their iconic party to Milan this September.
More videos and photos are on our Instagram account.

The post Tale Of Us brought dark techno back at Space Riccione appeared first on The Groove Cartel.
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Celebrating 8 Years of “Without You” – Avicii

Avicii’s hit single “Without You,” was released 8 years ago on August 11, 2017. The track stands out as a touching reflection on the themes of loss, resilience, and the enduring impact of relationships. The track features emotional vocals from Sandro Cavazza. It showcases Avicii’s signature blend of uplifting melodies and profound lyrical expression, encapsulating the essence of his musical legacy. 
It is one of the lead tracks released on his fourth and final album, “Avici (01) “. The track is a tribute to personal growth and the strength found in overcoming adversity. The lyrics convey a deep sense of longing, and the realization of how pivotal a person can be in shaping one’s journey. These emotions are taken to a deeper level by Avicii’s masterful production, which combines the driving beat with melodic hooks. 
The release of “Without You” also marks a significant point in Avicii’s career, serving as a reminder of his talent for crafting music that connects deeply with his listeners. It lives on as a testament to his ability to channel complex emotions into his work, creating songs that are as introspective as they are enjoyable. The infectious rhythm and compelling chorus make it both a dancefloor anthem and a heartfelt ballad. 
Overall, the track remains a powerful example of how music can capture the ambience of human experience, blending the heartfelt lyrics with an engaging musical backdrop. It continues to resonate with listeners, serving as a lasting reminder of Avicii’s impact on the world of music and the emotional depth he brought to his craft. 
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Calvin Harris Drops "96 Months," a Pulse-Pounding Retrospective of Dance Hits

Unleashing a torrent of memories, Calvin Harris has delivered a new compilation album, 96 Months, that encapsulates the essence of his work over the past eight years. 
Aptly titled to reflect the time span it covers, the album brings together 17 tracks that have not only defined Harris' career, but also shaped the global dance music landscape.
96 Months is Harris' victory lap, featuring everything from chart-topping hits like "One Kiss" (with Dua Lipa) to the atmospheric groove of "How Deep Is Your Love" (with Disciples). The compilation doesn’t shy away from showcasing Harris’ knack for crafting anthems that resonate with millions, including the Rihanna-assisted "This Is What You Came For" and his recent collaboration with Ellie Goulding, "Free."
With over nine billion streams in aggregate on Spotify, per Billboard, the tracks are a powerful testament to Harris' enduring influence and his uncanny ability to evolve his sound. The project also includes two tracks produced under his Love Regenerator moniker.
Listen to 96 Months below and find the album on streaming services here.
Follow Calvin Harris:
X: x.com/calvinharris
Instagram: instagram.com/calvinharris
TikTok: tiktok.com/@calvinharris
Facebook: facebook.com/calvinharris
Spotify: spoti.fi/3mmhsk7
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