Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
Show all categories

Agents Of Time Unveil A Breathtaking Remix For Vintage Culture’s Track ‘Nothing Ever Changes’

Quite the stellar combination this one. The Italian project, which consists of Andrea Di Ceglie and Luigi Tutolo, released a new remix today. This remix is exactly what you need to get over the mid-week hump. ‘Nothing Ever Changes – Agents Of Time Remix‘ is out today.
A staple name inside the melodic techno scene, Agents of Time appear to have made a great choice on this remix. The sound that has defined Vintage Culture’s latest years could very well be called a combination of melodic and tech house. Led by rolling basses, big synths, and ethereal vocals, it’s all a big recipe for an ideal melodic techno remix.
Nothing Ever Changes: Melodic Techno Edition
An outstanding remix. Led by a beautiful synth, perfectly paired up with the vocals provided by MAGNUS. Yet another great job by what’s becoming one of our favorite Italian duos. Agents of Time are one of the few artists who’ve managed to maintain a groove while not letting go of the grandiose feeling melodic techno tracks have. This makes their releases some of the most enjoyable out there.
With their new take on Vintage Culture’s latest track, the duo behind some of the biggest hits in Afterlife and other huge melodic techno labels brings a mainstage version that could easily do as the closing track for any festival set. An unreal, goosebumps-giving track, and one of our favorite releases of the month.
A great remix, and one that will most definitely take over the last stretch of the festival season. A season filled with exciting releases and unreal remixes.
Stream Nothing Ever Changes – Agents of Time Remix, by Vintage Culture, featuring MAGNUS out now everywhere! Let us know what you think of this new remix! Do you like it, or do you prefer the original version?

The post Agents Of Time Unveil A Breathtaking Remix For Vintage Culture’s Track ‘Nothing Ever Changes’ appeared first on EDMTunes.
Ravebot
Ravebot

Elements Becomes Best Festival In Northeast After 2024 Edition

Elements Music Festival has my heart after this year’s edition. I cannot say enough good things about this festival and it is amazing to see a great festival in the Northeast once again. If you are from this region, you know we do not have much. And what we do have gets taken away from us. We usually have to go to great lengths and travel on a plane for an amazing experience. After my first Elements, I can confidently say I will be back year after year.
Now Elements has been around for many years but I never could make the trip to Pennsylvania. It has expanded year after year in both its lineup and size. It sits roughly 2 hours away from both NYC and Philadelphia. The festival is situated next to the Poconos Raceway in the middle of the forest allowing them to go late into the night. And the afters go late into the morning (prepare yourself for sunrise sets)!
This weekend was special in many ways. I met some of the most lovely people and feel we will be friends for years to come. Hurricane Debby tried to bring us down the first 2 days but the ravers united for an incredible last 2 days filled with sunshine and love. As for the festival grounds, there were 4 beautiful stages of music. They represented all the elements of life Fire, Earth, Water, and Air.
Elements Music Festival features dance music and its culture at its finest. You will have a new family at the end and be ready to do it all again.
Courtesy of Elements Festival // Yvonne G (@yvonnegphotos) The Grounds
Tucked away in the Pennsylvania forest, Elements sits right next to Poconos Raceway in Long Pond. The location could not be more perfect. Elements has a very unique twist on camping called Vibe Villages. They do have Glamping and GA Camping as well. But what makes Vibe Villages stand out is the after-parties. If you can get a group of 10+ people the festival will establish a zone for you to set up your camp. I was fortunate to be in a 40-person (shoutout to Chaos Council) camp which allowed us to have ample room for activities, hanging, and sleeping.
But back to the afters. The festival will sanction some of the camps to build stages for afters and play from right after the festival ends to sunrise. These stages are impressive! Walking around the campsite you will be in awe that they are built by the community just looking to keep the party going. In addition, there are art cars that roam around allowing people to hop on and off and enjoy music on the move. This unique feature maybe Elements stand out from any other fest I have been to so far.
Courtesy of Elements Festival // Andrew (@ajrphotos) The Stages and Artists
I thoroughly enjoyed all 4 official stages within the fest plus all the mini ones. The Fire stage was the main stage so to speak holding the most amount of people. It had fire exploding out of it at all times and an impressive fireworks show every night. It also had this really cool fire tent to warm people up when it got a tad chilly at night.
Fire Stage featured primarily House with Chris Lake B2B Cloonee, Dr.Fresch, Fly With Us (AC Slater and Chris Lorenzo), Walker & Royce, and so many others rocking the stage. My favorite sets of the weekend happened here with Chris Lake and Cloonee having me move for 2+ hours.
The next biggest stage was Earth which featured all the Bass music you needed + live bands. Excision, Subtronics, LSDream, The Floozies, and others had the festival thrusting and bending their minds. The Earth had the best visuals out of any stage with its trippy outlines and multitude of lasers.
The water stage was the most impressive design in the shape of an octopus. At night it came to life with lasers shooting out of its eyes. It featured a diverse lineup across Bass, DnB, and Techno. Subtronics (sunset), Sub Focus, Dimension, and Sara Landry graced this stage and had the people moving. Dimension was my 2nd favorite set of the weekend and could not recommend him more.
Finally, the Air stage was by far the coolest one. It is built right into the forest as a Pagoda. It has tree houses surrounding the area allowing lucky enough attendees to get a bird’s eye view. Bob Moses, It’s Murph, Township Rebellion, and Slander (Before Dawn) had the forest dancing all night long.
Courtesy of Elements Festival // Lo Morell (@laurenmorell) The Food
I don’t usually comment on the food at a festival because it tends to be subpar, but man Elements had the best festival food I have ever had. It wasn’t terribly pricey and they had an incredible amount of options for both meat eaters like myself and vegetarians. There were unique options from Birria Quesadillas to chicken and waffles to huge flavorful wraps. I rarely ever waited in line to long either.
Also, there were a ton of water stations!! You can never have enough water stations and I was so happy to see this.
Courtesy of Elements Festival // Andrew (@ajrphotos) The Community and Concluding Thoughts
As stated before, I met some of the loveliest people of my life at Elements. Everyone was beyond nice and I didn’t see a hint of negativity or fights throughout the festival. This is also coming right after Hurricane Debby straight-up ruined the first 2 days of the fest (along with my tent and canopy lol). That did not keep anyone down, people still went hard and shared love it all. Hugs were everywhere and random compliments were of plenty. The afterglow from Elements was as real as it gets.
There is no question I will be back at Long Pond next year and hopefully up there playing as well. While Elements is not officially the best festival in the northeast (for now) I have declared the honor in my view. I know it will keep getting bigger and bigger and attracting talent and ravers from around the world.
Till next year Elements, thanks for making me a happy boy 🙂
Courtesy of Elements Festival // Lo Morell (@laurenmorell) The post Elements Becomes Best Festival In Northeast After 2024 Edition appeared first on EDMTunes.
Ravebot
Ravebot

GNDHI Drops Stunning Remix Of Justin Timberlake’s ‘Cry Me A River’

GNDHI, the globally acclaimed music producer and multi-instrumentalist, is back with his latest release ‘Cry Me A River’. The track is a mesmerizing remix of Justin Timberlake’s iconic track ‘Cry Me A River,’ featuring XANE. GNDHI has once again showcased his exceptional ability to blend timeless melodies with cutting-edge production.
In this latest remix, GNDHI infuses ‘Cry Me A River’ with his unique style. He transforms the classic song into a modern masterpiece. The remix, featuring XANE’s soulful vocals, seamlessly combines atmospheric synths, driving basslines, and intricate percussion to create a captivating auditory experience. GNDHI’s expert production breathes new life into the beloved track. He makes it resonate with both longtime fans and new listeners.
Originating from Bangalore, India, GNDHI has left a significant mark on the global music scene. Trained as a drummer, percussionist, and saxophonist, he skillfully incorporates these influences into his evolving sound. He is able to craft timeless and euphoric experiences. As a former member of the duo Argenil, GNDHI has been a pivotal force in the industry for over six years.
His impressive discography features releases on internationally recognized labels, and his live performances have electrified audiences at top venues and festivals across India, China, and the United States. Make sure to check out ‘Cry Me A River’ below!
The post GNDHI Drops Stunning Remix Of Justin Timberlake’s ‘Cry Me A River’ appeared first on EDMTunes.
Ravebot
Ravebot

Inglewood Mayor Cracks Down on Loud Events After HARD Summer Complaints

HARD Summer 2024, held at the Hollywood Park Complex in SoFi Stadium, attracted thousands of electronic music fans with performances from top acts like Disclosure, Major Lazer, and Sofi Tukker. However, the event also sparked a wave of noise complaints from residents, including those as far as El Segundo, prompting swift action from Inglewood city officials.
Mayor James T. Butts Jr. responded quickly to the complaints, noting that the noise issues began during soundchecks on August 2. Unlike previous concerts at the venue, this event caused significant disturbances due to specific bass frequencies. After investigating, city officials identified these frequencies as the primary cause of the excessive noise and vibrations that affected the community.
As a result, Mayor Butts decided to ban future events from setting up stages in the American Airlines Plaza, which was the main source of the problem. He stressed the need for stricter sound management and engineering to avoid similar issues in the future.
To address the situation during the festival, the city implemented several adjustments, including deploying additional sound engineers to manage noise levels in real time. These efforts led to a significant reduction in complaints by the second day of the event. Moving forward, Inglewood plans to enforce stricter monitoring and sound-level controls to protect the surrounding community during future events.
Be sure to check out our in-depth review of Hard Summer 2024, here.
[H/T] – Uproxx
The post Inglewood Mayor Cracks Down on Loud Events After HARD Summer Complaints appeared first on EDMTunes.
Ravebot
Ravebot

Moog unveils Labyrinth

Moog Music has announced the release of Labyrinth, a semi-modular analogue synthesizer designed to inspire and elevate musical creativity through an endless journey of sonic rabbit holes. Departing from traditional Moog instruments, Labyrinth introduces a new voice architecture with unique oscillators, a different filter topology, wave folding, and parallel processing. This innovative design also features unique dual intertwining generative sequencers to help inspire new compositional ideas.
As part of Moog’s semi-modular family, Labyrinth stands out as a unique tool for auditory exploration. Its dual generative sequencers and parallel voice architecture enable the creation of evolving soundscapes and intricate polymetric melodies. More than just an instrument, Labyrinth is an idea machine, offering limitless sonic potential that adapts to both live performances and studio sessions.
 In a compact 60HP format, Labyrinth excels both as a standalone synthesizer and an integral part of larger Eurorack setups. Its flexible architecture allows musicians to add colour and depth to any musical arrangement, from ambient soundscapes to dynamic rhythmic patterns. The instrument’s patch bay facilitates extensive modulation and connectivity with other modular gear, making it a versatile addition to any setup.
From Percussive Inspiration to Generative Innovation
Inspired by classic percussion synthesizers and modern generative techniques, Labyrinth combines a newly designed voltage-controlled wave folder with a state-variable filter, allowing for both additive and subtractive synthesis. This approach enables users to create rich, evolving textures and dynamic sequences. The dual sequencers, inspired by shift register sequences commonly found in Eurorack systems, offer intuitive and flexible control over melodic and rhythmic patterns.
“Labyrinth is designed to be an engine of sonic exploration. It allows users to create evolving sequences and rich timbres. It’s like having a compositional companion that navigates through a labyrinth of sound, constantly reconfiguring and surprising you with new sonic landscapes,” says Moog’s Rick Carl, System Architect and Lead Hardware Engineer on Labyrinth.
Key Features of Labyrinth:
Dual Generative Sequencers: Construct intertwining melodies and rhythms that mutate over time, uncovering new patterns and textures.
Parallel Voice Architecture: Features a unique combination of a voltage-controlled wavefolder and a state-variable filter for complex sound shaping.
Comprehensive Patch Bay: Integrates seamlessly with other modular systems, offering 32 patch points for extensive modulation and routing options.
Analog and MIDI Sync: Easily sync Labyrinth with other equipment using analogue clock or MIDI.
The post Moog unveils Labyrinth appeared first on Decoded Magazine.
Ravebot
Ravebot

A new class of synthesizer

Austrian synthesiser manufacturer Mayer EMI presented its MD900 desktop synthesizer for the first time at Superbooth 2021. Development has continued rapidly over the  last three years including a redesign of their system architecture. The result is VIBES, a more compact, powerful, and new class of synthesizers.
With its 24 stereo voices, powerful Extended Virtual Analog (XVA) Engine, full integrated  Digital Audio Mixer, improved Clip Launcher, comprehensive Drum Engine and the new  Resonator Oscillator, VIBES becomes a unique synthesizer, that helps sound designers and  artists to reach their full creative potential.
Combining a new state-of-the-art platform design, craftsmanship, sound quality and rich connectivity, VIBES sets a new benchmark in modern synthesizer design. Furthermore, all  important parameters can be easily accessed by the combination of macro controls and a super  responsive 5” touchscreen.
The core technology of VIBES MD850 is the new AIS platform (All Integrated Synthesizer),  which allows 24 stereo voices inside VIBES and more powerful and exciting instruments for the  future based on its modularity. Existing MD900 users will benefit from the same future software  updates like new customers. AIS is also the key element of Mayer EMI’s future vision of  synthesizers as the central hub for music production.
Key Features
• 24-voice polyphonic synthesizer
• True stereophonic audio signal path
• XVA sound engine with various oscillator models incl. the new Resonator Oscillator • Arpeggiator and step sequencer for each synth part
• Clip launcher with 7 tracks and up to 8 clips per track
• Drum computer and synth and live effect stacks
• Integrated digital audio mixer with 19 stereo input channels and 2 stereo output channels • Extensive MIDI connectivity
• Web interface for preset and sequence management
• 14 GB internal storage for presets and samples
• 5″ color touchscreen and extensive control elements
• Robust housing with walnut wood elements
• Various inputs and outputs, including USB and Wi-Fi
SRP incl. VAT: 2.299,00 €
Dimensions: 32,2 x 17,4 x 7,6 cm
Weight: 2 kg
Mayer EMI’s goal is to use the possibilities of modern technology to create tools for musicians and encourage  interaction with them bringing out their full creativity. Everyone who uses their products will appreciate the technology  and attention to details. Leveraging their industrial automation experience, Mayer EMI ensures highest quality  standards across hardware and software. Resulting in outstanding products which are manufactured in collaboration  with their partners across Europe and assembled in Austria.
The Vibes marks an important milestone in product development and gives an insight into the vision of Mayer EMI: All  Integrated Synthesizers (AIS). The drastic shift of the pro audio industry in the last years requires rethinking of existing  setups and workflows. Usually, synthesizers can only be integrated into existing setups with a set of limited options.  Mayer EMI strongly believes that this should be the other way around: the synthesizer as the central hub for music  production. Rather than being integrated, every Mayer synthesizer integrates the peripherals around him. From  controllers to other audio devices and more. Whether at stage, in the studio or at home.  
The post A new class of synthesizer appeared first on Decoded Magazine.
Ravebot
Ravebot

iPhone 17 Air Coming for Those Who Prefer Looks Over Performance

Apple’s high-end version of the iPhone – the iPhone 17 Air is in the works. Now, this version has sparked confusing thoughts as it is marketed as a device for those that prefer looks over performance. We know that the device sits between the standard and Pro models. Additionally, rumors say it might be priced higher than both variants. Said to be thinner, the iPhone 17 Air will “not boast amazing specifications” as its predecessors. But perhaps those wishing for an aesthetically pleasing handheld should keep an eye on this model though.
What’s more, the iPhone 16 lineup is shaping up to be a great successor to the iPhone 15 lineup. All thanks to its new Capture Button and camera hardware improvements. However, the company also has a lot more in store for users on the software front as well. That includes Apple Intelligence and the new chips enabling AI utilities.
What We Know About the 17 Lineup
All four 17 models come with an LTPO display so ProMotion can make its way to the standard version of the iPhone. They’ll also boast 120Hz refresh rate, 12GB of RAM and a triple-lens camera setup. Upgraded sensors and internals like the A19 Pro provide enhanced computational and graphical performance.
iPhone 17: 6.27-inch LTPO display with a $799 price iPhone 17 Pro: 6.27-inch LTPO display with a $1,099 price iPhone 17 Pro Max: 6.86-inch LTPO display  with a $1,199 price iPhone 17 “Slim”: 6.65-inch LTPO display with a $1,299 price For the iPhone 17 Air, the model will forgo a Plus version, in order to debut this “slim” version. Equipped with an A19 Pro chip, it also features a single rear camera design with aluminum-titanium hybrid chassis and 8BG of RAM, and 5G modem from Apple. Unfortunately, rumors make this version comparable to the specifications of the iPhone SE 4. Again, this version is not meant to replace the 17 Plus version but merely offers a standalone device with the selling point of design. No further details on this model have been released so we shall have to wait.
If the design is successful, we may see it alongside the 17 model lineup. What are your thoughts on this audacious attempt?
Source: WCCFTech
The post iPhone 17 Air Coming for Those Who Prefer Looks Over Performance appeared first on EDMTunes.
Ravebot
Ravebot

Defected Records Founder Simon Dunmore: "Festival Lineups Have Been Stagnating"

Simon Dunmore, the influential founder of Defected Records, has opened up about the cookie-cutter nature of today's electronic music festival lineups.
Many would argue that dance music's cutting edge has gone dull, blunted by years of recycled festival rosters. Dunmore, who in July 2022 sold his label to its former CEO Wez Saunders, took to Threads to discuss this phenomenon and the urgency for new artists to "challenge the monopoly of the established hierarchy."
"Festival line ups have been stagnating 4 yrs, w the same 50 acts on rinse & repeat," Dunmore wrote. "New talent needs 2 break through 2 challenge the monopoly of the established hierarchy?"
He then lauded Keinemusik and ANOTR, a pair of red-hot house music acts, as trailblazers uprooting the trend.
View the original article to see embedded media.
Whether or not the festival scene is in need of a shake-up is subjective, but the conversation has only continued to swell in recent years. Booking the same artists ad nauseam ensures a reliable draw and satisfies longtime fans who look forward to seeing their favorites, but the approach often leads to a homogenized experience that strips away the essence of what made electronic music festivals special in the first place: discovery and innovation.
This shortsighted approach has sparked debate within the dance music industry concerning its vitality—and the ripple effects are far-reaching. Promising artists are starved of crucial exposure while dyed-in-the-wool headliners grow complacent, perpetuating a vicious cycle and stifling progress within the genre.
While relying on proven headliners may seem financially safe in the short-term, questions arise about long-term sustainability and the cultivation of future headline-caliber acts. By failing to elevate new talent and niche subgenres, it's fair to wonder if festival organizers are alienating the next generation of ravers and producers—and inadvertently laying the groundwork for their own irrelevance.
The economic implications of this booking trend are, of course, complex. As lineups continue to evolve, finding a balance between established crowd-pleasers and fresh talent remains a key challenge for festival organizers.
Defected Records, EDM.com's best label of 2022, is revered for its mastery of that balancing act. The brand organizes its own festivals in Malta, Croatia and Ibiza, among others, and recently announced an unprecedented New Year's celebration spanning all six inhabited continents.
Reflecting on his sale of the business this week, Dunmore praised Saunders for continuing to spotlight promising artists and break new ground.
"Defected 2.0 is now very much Wez's vision," Dunmore said in an Instagram post. "For any business to succeed the direction has to be consistent and come from the top down and, as with me, it has has taken a moment for him to adjust. It is great to hear that Defected is marauding in new waters, discovering new musical treasures."
View the original article to see embedded media.
Ravebot
Ravebot

From Charting Her Path Leading To Global Domination In The Hardstyle World, Meet Mish

Australian-born artist Mish has taken the Hardstyle world into her own hands as the global superstar ignites the scene with her signature blend of kickrolls, and a furious energy like no other. Since relocating to the Netherlands in 2017 to pursue her dream, Mish has quickly ascended the ranks to become one of the leading female figures in the Hardstyle and Rawstyle scene.
Mish’s journey is a testament to dedication and passion. Her debut release in 2020 was just the beginning of an extraordinary career marked by standout solo hits like ‘Rave In Paradise’ and ‘I GO HARD’. Her collaborations with industry heavyweights Sickmode and Krowdexx, including tracks such as ‘Time To Shine’, ‘Rave Love’, ‘One and Only’, and ‘Hate Or Love It’, have only cemented her position as a powerhouse in the scene.
The release of the ‘Rave Love Pt.2’ album in 2023 and the creation of the REBiRTH Festival Anthem of 2024, ‘Discover The Mayhem’, alongside Sickmode, further exemplify her motivation to push her signature ever-evolving sound forward.
Mish’s star power is undeniable. Her magnetic presence has graced some of the world’s most iconic stages, including Defqon.1, Tomorrowland, EDC Mexico, Parookaville, Decibel Outdoor, Intents Festival, Creamfields and many more. Renowned for throwing it down on stage and leaving her global fan base in awe for more, Mish brings unparalleled intensity, delivering meticulously curated tunes that keep the dancefloor alive and conquering during
festival season.
Her influence extends beyond live performances. As the most prominent female international Rawstyle DJ, Mish continues to break barriers. She made history as the first female Rawstyle artist to perform at Tomorrowland, and her track ‘Tell Me Why’ a cover of Supermode’s 2000s hit, was released in June 2024, adding to her impressive repertoire. Additionally, ‘One and Only’, her collaboration with Sickmode, recently surpassed 10 million streams, reflecting her
global impact in the music industry.
In 2024, Mish has experienced a year of firsts, as she shares: “This of the year is filled with firsts for me, First time on multiple mainstages (Rebirth Festival, Intents Festival, Decibel Outdoor) First time at EDC Mexico and multiple first times in venues all over the world. Not to mention my upcoming first time in Chile and first time at Knockout Outdoor in my home country Australia. I have exciting collabs coming up (can’t say with who yet) and also another Solo release which I’m incredibly proud of. I’m incredibly excited and grateful for each experience and opportunity. Not to mention excited to keep meeting new and old fans along the way!”
With an unwavering commitment to her craft and a bright future ahead, DJ Mish is poised to continue her extraordinary journey, leaving an indomitable legacy in the world of Hardstyle.
Photo Credits: KVDM Photography
Ravebot
Ravebot

In Conversation With Saka

His Instagram handle reads ‘sounds like Saka’, and even though he may not have realised it yet, Saka is well and truly on his way to creating a sonic universe that’s true to his artistic vision. The distinctive characteristic of this vision is Saka’s ability to combine the myriad of influences that he learned his craft with, and infusing them into the powerful and thought-provoking soundscapes that he’s been assembling for half a decade.
The result is an eclectic sound palette that spans across the functional, and experimental strands of dubstep, drum & bass, and UK Garage to name a few. These sounds have been consistently presented in the most futuristic and experiential manner ever since his debut in 2019.
Saka hails from Hong Kong, a culturally diverse region that is home to both the most cutting-edge modern ideas, and one of the most prominent cultural hubs of Asia. With nearly every release Saka puts out, you’re guaranteed to be struck by the rich and captivating oriental undertones that shine through his creations.
Over the years, Saka has released his futuristic music on labels like Deadbeats, Inspected Records, and Gud Vibrations, but we’d like to draw your attention to his most recent release on Memory Palace. This release perfectly encapsulates his creative genius and his unwavering vision of musical storytelling by impeccably combining diverse cultural influences.  
Currently, in the middle of his tour in the United States, we caught up with Saka while he was in the middle of sorting some tunes for his upcoming shows. Naturally, the chat began with a deep dive into his ‘Monomyth’ EP. Typically, an album is where you establish a connection with the artist and their musical journey, but in this case, Saka delivers a masterclass of soaking bass vibrations, stark atmospheres and intricate drum work, with an EP.
“The EP was kind of a return to my original writing style. It dates back to my very first EP, where I carefully planned out the sonic journey of the release. I had a clear vision of the chronological order in which I wanted things to progress and how I wanted them to sound.”
Remember the in-depth exploration of different emotional experiences that we mentioned earlier? Here’s the man himself discussing them, “For this EP, the storyboard/timeline existed before the songs were actually written. I knew what I wanted to make for each one except for the opening track ‘Soul Ties.’ This one was pure emotion and a tune that just took its own course. But a lot of the EP is in the Joseph Campbell and Monomyth style of writing and concept.
I wanted to make it a bit full circle and have a dream like narrative to the release. It starts with death and rebirth with ‘Soul Ties’. Then it moves on to the ‘Ghoul’, where I return to my 140 sound. From a mythological viewpoint, there are these two demons, or obstacles – Shenlong & Ifrit. You defeat them, you overcome them, whereupon ‘Ichiban’ is our hero’s revelry in their victory. You move on and then ‘Phantasm’ is more like hero’s realization that the whole journey has been in the hero’s head – just a dream.”
What the “Monomyth” EP does exceptionally well is take you from one state of mind to a completely different one at the conclusion. From the gentle and comforting opening of “Soul Ties” to the gratifying final track, “Phantasm,” the EP takes its protagonist on a journey that is both fascinating and terrifying; and Saka details how he managed to construct it in his head and then translate it into the release. 
“As a person of mixed heritage as well as being from a part of the world where geopolitical tensions can be quite tumultuous; ‘Shenlong’, the god of storms, was written about said conflict. ‘Ifrit’ on the other hand, denotes the conflict in the Middle East. Both in my eyes have to do with modern-day neo-imperialism to varying degrees. The affairs of the world constantly weigh on my mind, and I can’t help but think about it considering where I come from. Fortunately, I have music as an outlet – and while abstract, I’m enthused to be able to synthesize all these emotions and thoughts into something artful.”
In addition to Saka passionately expressing his emotions through the release, the ‘Monomyth’ EP also delves into ancient mythologies and cultures, a theme that Saka has consistently explored since his debut. It’s his appreciation for different cultures blended with contemporary bass music that helps you form a deeper connection with his form of art.
We asked if there was a defining moment that led him to this path,  “I think the moment was when I saw CloZee play live. I wouldn’t say we make the same kind of music, but that was first time where I saw Asian sound ballads used in an electronic format. If someone from a different culture can infuse Chinese soundscapes, then me bring a form of that to the world, I think it only made sense that I embraced my culture and dispensed it in the way I know best. I have always found Shinto mythology super interesting and ancient Chinese mythology as well, and I draw a lot of my inspirations for track names and samples as well.”
Then it was time to take Saka on a little trip down memory lane and talk about when his musical excursions began. Before making his debut in 2019, there was an immersive experience Saka went on where he explored electronic music of many forms before landing on his formative style that speaks multiple sonic languages.
“Specifically, with the kind of music I make, it took me a little longer. But ever since I was a teenager, I was going to underground raves in Hong Kong where they would play a lot of jungle, drum & bass, breaks and everything around it. Then in my college years, I started going to more house music events which eventually led me to Dirtybird Records shows. That was before I dug deep into acts like Ivy Lab, Eprom, Sam Gellaitry, Shades, and G Jones. 
They’re all different in terms of styles, but they introduced me to a totally different world of music that I hadn’t really paid attention to. SoundCloud helped a bit of course because I started listening to acts even though they weren’t exactly future beats, I started making stuff that leaned more towards Soda Island kind of music, but then it got darker and darker.”
Thanks to the progressive culture and incredibly receptive audiences, Hong Kong has been a major touring destination for bass music artists. Celebrated names like Flowdan, Ivy Lab, and Bryan Gee have recently performed there, while local legends like Magnetic Soul have been passionately driving the scene forward with their unique and creative approaches. 
Having spoken about Hong Kong from a political perspective,  and how it influenced the making of his ‘Monomyth’ EP, it was time to explore the club landscape of Hong Kong. 
“The scene in Hong Kong is definitely underground. I think my favourite thing about Hong Kong in general is the local affinity with electronic music, and not EDM or Big Room, if you’d like to call it such. Most events aren’t large-scale, so naturally, it leans towards the underground. You have your drum & bass, you have your dubstep, your techno. All the flavours you’re looking for are there, but in an underground capacity, and I think it’s a factor that becomes conducive for artists to come, interact with the culture, and play what THEY want.”
The discussion then shifted to Saka’s ongoing tour in the United States, a destination he is quite familiar with. Saka has been witness to the rapidly expanding bass music scene in the country, which has seen the art form transition from clubs to festival main stages, with the potential for even greater growth in the future. He gave us a peek into the tour and his thoughts on how bass music is received in America.
“So I did my first headline tour this year, and the response was solid. All the major markets that I wanted to play my music and do well in were all sold out. I can’t ask for more, especially in this economy and considering the kind of music I make, I am definitely very grateful for that.
Coming to how I feel bass music has progressed in the United States – First and foremost, I think bass music is really young and I think it’s America’s first foray into the less noisy type of EDM. Tech House for example, because I remember the flavour of that year was still Complextro. Then the first time Chris Lake’s track played, I think history was made at EDC. It grew massively, then there was this massive over-correction that followed, which I think will be the case with bass music as well.”
Right after the tour will be his debut UK show which he recently announced and this will be followed by his European debut as well. It’s needless to say the anticipation is off the scale, “First time in London, first international headline, first time in Europe. I’m definitely a bit nervous, but also excited. I think a lot of music I have made has been in consideration for how the UK and Europe might perceive it, and I feel quite inspired by the sounds from that side of the pond. I’m really excited to see how the shows pan out.”
Saka’s music traverses through such a wide range of styles that immerse you into his rich tapestry of emotions. For him to achieve this, he relies on a steady stream of motivation and inspiration. Equally important is his ability to reset and transition smoothly from one project to the next. 
“I think hitting the reset button is exactly why I stay motivated. I like moving chapter to chapter and project to project, and I don’t stay in one area for too long to avoid the possibility of burnt-out. Last time I was close to burning out was when I was making ‘Halftime’. In my head, I was like “Oh shit” this is the thing I do that people like and respect me for, and this the thing that does well,  I should just keep making this.
When I had that mindset, I was literally running on fumes. I was like fuck, being able to expand and just be a little more eclectic has made me a lot more patient because, for me, it has to do with how much of your emotions you’re able to put in the tune. If you’re feeling super sad, and you go and write a happy liquid song, and you’ll think to yourself, this doesn’t make any sense. So, I try to be as honest as I can be with my emotions when I am writing music.”
This has also helped Saka manage his expectations and his growth at the pace at which he wants it “It feels consistent and easier to manage, because there are moments where you feel you’ve grown too fast and not many things are in your hands, and there’s an external power that’s holding the reigns of your music and your creativity.”
Coming to the end of our conversation, Saka gave a glimpse into his upcoming music and his progress towards what could be an album in the making. It might be heading our way sooner than we think. There are also a few creative trenches Saka intends to explore with his upcoming music and 
There’s an EP I am working on with Fly so that’s the next thing from a music standpoint, between that I have a series of festival shows, then after that is the tour with Off The Trees. Me and Fly are going to be doing a bunch of shows together. After that, we will have our EP out, and we’ll do some shows together. But at some point in 2025, I will look at working on an album and start channelling my thoughts in that headspace.
When you are writing an album, it is lot more serious, that’s why I am leaving my autumn season open so I get more space to write music. I have a couple of the tracks that I know will be on the album, but besides that, it’s just an idea right now. I want to combine the style of the ‘Monomyth’ EP and the ‘Silk’ EP. writing this EP felt very cathartic, and I am keen to see how my emotions and my love for cultures and mythologies converge into an LP.
I also think my album is going to be the proper vehicle to put out some of the drum & bass I have been working on. The two tunes I mentioned I have ready for the album are drum & bass and it’s definitely some of my favourite work so far
Finally, a tour in the region Saka honed his craft in? That’d be a proper full-circle moment, wouldn’t it? “I really hope to play and tour in Asia very soon. I played my first show in China this year and it was awesome. I really want to tour China, India, and Japan and play some shows in Korea as well. 
The realistic time to look at an Asia tour will be once the album is out; it will just be a better setting for me to bring the tour to fruition; and yes, that would definitely be a full circle moment.”
Ravebot
Ravebot

UNDERMOON injects melodic techno into ‘Walking on a Dream’

What about some solid melodic techno on one of Empire of the Sun‘s classics? That’s what UNDERMOON have done with Walking on a Dream.
Hailing from Ukraine, Skober and R.A.N. form UNDERMOON. They have been waves recently released on international techno labels such as Drumcode, Terminal M, Tronic, and many more. They both use digital and analog gears but in the latest period have been experienced with analog synthesizers and drum machines.
Their take on Walking on a Dream is made most by it. If you listen closely you can hear organic and warm sounds.
Designed for big dance floors and festivals, this track features epic melodies and a driving rhythm. A standout moment includes a vocoder effect in the middle, adding a unique digital twist to the overall composition.
It introduces dark and mysterious harmonies with hypnotic and kind of unclear harmonies.
The tune is chill but at the same time obscure, creating a mix of emotions into the listener.

The post UNDERMOON injects melodic techno into ‘Walking on a Dream’ appeared first on The Groove Cartel.
Ravebot
Ravebot

Omorphita Cornershop: Serge Bulat’s Dance Escapade

Serge Bulat’s “Omorphita Cornershop” is out now. Ten tracks of pure dance energy. Balkan rhythms meet electronic beats. It’s a wild ride.
Bulat’s immigrant story shines through. You can feel the struggle. The triumph. The resilience.
“Vrzka” kicks things off. Theodosii Spassov’s kaval weaves magic. It’s haunting. Mesmerizing. Sets the tone perfectly.
Field recordings add authenticity. Greek and Turkish Cypriot sounds blend seamlessly. It’s a musical bridge across divides.
Genre-wise, it’s Aphex Twin territory. Bonobo’s realm too. But Bulat carves his own niche. Fresh takes on familiar styles. Exciting twists. A unique voice in electronic landscapes.
The album pulses with life. Each track is a story. A journey. An experience.
Nicosia’s divided spirit echoes throughout. It’s a metaphor for our times. For Bulat’s own journey.
From Moldovan-Ukrainian border town to global acclaim. Bulat’s path wasn’t easy. This album proves it was worth it.
Ukraine. Moldova. Gaza. The world’s turmoil fuels Bulat’s creativity. He turns pain into art. Despair into hope.
The cornershop concept is brilliant. A place for stories. For connections. For unexpected discoveries.
You can almost see the shelves. Hear the chatter. Feel the vibrant energy of this imaginary space.
The album in depth
Crossing kicks off strong. Cinematic vibes. Organic sounds blend with drums. Chill harmonies wash over you. It’s a gentle invitation. A warm welcome to Bulat’s world.
Borgomuth Lokum takes a dark turn. Experimental. Downtempo beats pulse. Glitched synths surprise. It’s unsettling. Intriguing. Pulls you deeper into the album’s depths.
Here Lies Othello cranks up the energy. Hypnotic percussion hits hard. Fast. Relentless. The snare drives you forward. Euphoria builds. It’s a rush. Pure dance floor magic.
Hoipolloi shifts gears. Downtempo again. Glitch-organic harmonies intrigue. Deep melodies intertwine with dark percussion. Mysterious. Moody. It’s a journey into shadow.
Nekyia brings the light. The plucked theme catches your ear. Rolling percussion propels. Dreamy melodies float above. It’s a perfect balance. Catchy yet complex. You’ll hit replay.
Vrzka introduces the human voice. Theodosii Spassov’s vocals soar. Chill harmonies support. Feel-good vibes abound. It’s the album’s heart. A celebration of collaboration.
Ibraheem Charm goes deeper still. Soft. Mystical synths weave spells. It’s meditative. Trance-like. You’ll lose yourself in its gentle waves.
CO-PI-I might be the dreamiest track. Drums and percussion ground the floaty vibes. It’s a lullaby for the dance floor. Gentle yet insistent. Soothing yet engaging.
Araf City is a sonic adventure. Three-dimensional melodies surround you. Organic and tribal percussion grounds you. It’s immersive. A world unto itself.
Cikis closes on a soft note. It’s a gentle goodbye. A come-down after the journey. Leaves you reflective. Satisfied. Ready to start the album again.
Each track has its own world. Yet they flow seamlessly. Bulat’s vision unites them all. It’s a masterful sequence. A true album experience in the age of singles.
You’ll have your favorites. They’ll change with each listen. That’s the mark of a great album. Always something new to discover.
Bulat’s range impresses. From dark to light. Experimental to accessible. He does it all. With style. With purpose.
The percussion work stands out. Complex. Varied. It’s the album’s backbone. Drives the energy. Shapes the mood.
Melodies linger in your mind. You’ll hum them later. Unexpected earworms from an electronic album. That’s skill.
It’s a journey worth taking. Again and again. Bulat’s “Omorphita Cornershop” delivers. On every level.

Our take on the album
Each track has a different aisle. A new flavor. A fresh perspective on life and art.
Bulat invites us to try new things. To listen. To learn. To grow.
The album’s strength lies in its universality. It speaks to the immigrant in all of us. The seeker. The dreamer.
Dance beats drive the narrative. They’re relentless. Infectious. Impossible to resist.
But there’s depth here too. Layers of meaning. Of emotion. Of shared human experience.
Bulat’s synth work shines. It’s complex. Nuanced. A far cry from his single-keyboard days.
Yet that DIY spirit remains. You can hear the passion. The determination. The sheer joy of creation.
This is music as survival. As therapy. As a bridge between cultures and experiences.
It’s also just damn good fun. You’ll move. You’ll groove. You’ll lose yourself in the rhythms.
Standout tracks abound. Each listen reveals new favorites. New nuances. New reasons to hit replay.
Production is top-notch. Crystal clear. Every element is distinct yet cohesive.
The album flows beautifully. A journey from start to finish. No filler. All killer.
Bulat’s growth as an artist is evident. He’s found his voice. His sound. His message.
It’s music with a purpose. To unite. To inspire. To heal.
But never preachy. Never heavy-handed. The message is in the music itself.
You’ll hear echoes of conflict. Of displacement. Of longing for home.
But also of hope. Of resilience. Of the power of human creativity.
This is dance music with a soul. With a story. With something to say.
Bulat doesn’t shy away from complexity. From contradiction. From the messiness of life.
Instead, he embraces it. Transforms it. Makes it beautiful.
The result is an album that feels both timely and timeless. Rooted in today’s world yet reaching for something universal.
It’s a celebration of diversity. Of cultural exchange. Of the richness that comes from blending traditions.
But also a reminder of what we share. Our common humanity. Our shared struggles and joys.
Bulat’s immigrant perspective is crucial. It gives the album its unique flavor. Its emotional resonance.
You can hear the influences. The musical journey from Moldova to Cyprus and beyond.
But it never feels like pastiche. Like tourism. This is a lived experience transformed into art.
The album’s energy is infectious. It’s impossible to listen passively. You’re drawn in. Swept along.
Yet there are moments of reflection too. Of quieter introspection. Of pause amidst the rhythm.
These contrasts give the album its depth. It’s staying power. Its emotional impact.
You’ll want to dance. To move. To lose yourself in the beat.
But you’ll also want to listen closely. To unpack the layers. To hear the stories within the music.
It’s an album that rewards repeated listens. That reveals itself slowly. That grows with you.
Bulat has created something special here. A true artist’s statement. A masterpiece of electronic dance music.
But more than that, a testament to the human spirit. To our capacity for joy in the face of adversity.
To our ability to create beauty from pain. To find a connection in a divided world.
“Omorphita Cornershop” is more than just an album. It’s an experience. A journey. A celebration.
Of life. Of art. Of the power of music to transform and unite us.
Listen. Dance. Feel. Let Serge Bulat take you on a journey. You won’t regret it.
This is electronic music at its finest. Thoughtful. Innovative. Deeply human.
Bulat has set a new standard. For himself. For the genre. For what music can be and do.
“Omorphita Cornershop” is a triumph. A must-listen. An album that will stay with you long after the last beat fades.
The post Omorphita Cornershop: Serge Bulat’s Dance Escapade appeared first on The Groove Cartel.
Ravebot
Ravebot

Levi Soundtracks Sunny Days With Breakout Afro House Record, ‘Jump’

This track has become one of the unofficial anthems of the summer, flipping a beloved record from the 90s into Dance.
Sydney-based DJ Levi has rapidly ascended the global music scene, winning audiences over with a blend of South African Amapiano, House, and Techno, plus a sparkle of 90s nostalgia — a unique pairing that has become his trademark. His sets, which embody this combo, have become a sought-after experience, selling out shows across Australia and India.
Riding the wave of his success, Levi has embarked on an extensive European tour, gracing the stages of renowned festivals like Street Parade in Zurich. His tour will continue to captivate audiences in Portugal, Dubai, Canada, and Switzerland before Sunice Festival. One of the strongest points of his sets is ‘Jump‘, the track that arguably propelled him to new heights.
‘Jump’
Not long ago, Levi’s career skyrocketed with the release of his breakout single, ‘Jump‘. The track, which amasses over 12 million combined streams across platforms, is a fresh and innovative take on Ginuwine’s classic ‘Pony‘, a 1996 R&B record that claimed the top spot of Billboard’s US Hot R&B/Hip-Hop Songs chart, and made an appearance on countless others all over the world.
And why does this track do so well? It boils down to the success of the original track, which is embedded in many minds, plus the groovy spin Levi put on it, turning the original piece into a Peak-Time Afro House tune, perfect for packed gigs out on the open — which is exactly the kind of shows Levi offers. It’s frankly irresistible.
Listen to Levi‘s fresh ‘Jump’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Levi Soundtracks Sunny Days With Breakout Afro House Record, ‘Jump’ appeared first on EDMTunes.
Ravebot
Ravebot

Decadence celebrates 10th anniversary with deadmau5, ISOxo, Mau P, and more on phase one [Giveaway]

It wouldn’t be the end of the calendar year without another edition of Decadence Arizona. The Relentless Beats-hosted festival is formally returning to the Phoenix Raceway on December 30 – 31, now revealing its phase one billing for its 10th anniversary festival that’ll see the likes of deadmau5, Dancing Astronaut 2022 Breakout Artist of the Year ISOxo, Dancing Astronaut 2023 Breakout Artist of the Year Mau P, Excision, and more.
And for those currently in the midst of their end-of-year planning, Dancing Astronaut is here to assist with that by giving one person the opportunity to say their final goodbyes to 2024 with an A-list festival roster—solely from Decadence’s phase one group—with a giveaway. To enter, simply tag a friend on the linked Instagram post below before August 20.
Pre-sale registration is currently available here here.

Featured image: @speyerphoto/Instagram
The post Decadence celebrates 10th anniversary with deadmau5, ISOxo, Mau P, and more on phase one [Giveaway] appeared first on Dancing Astronaut.
Ravebot
Ravebot

Barclay Crenshaw Announces ‘Open Channel’ North America Tour

The renowned Bass artist is running an extensive round of gigs throughout the greater part of North America this autumn.
Following the critical acclaim of his latest studio album, Open Channel, which includes sites such as Forbes, Clash, UKF, and SPIN, Dance music producer Barclay Crenshaw embarks on a comprehensive North American tour this upcoming autumn. This expanded tour itinerary is a direct response to his album’s great reception among fans and critics alike.
The Open Channel Tour showcases a selection of Claude VonStroke’s Bass moniker, from which stand out hits like ‘Stay Together‘ featuring TeeZandos, ‘Do My Ting‘ featuring Flowdan and Stush, and the chart-topping ‘Big In The Game‘ featuring Snowy & Manga Saint Hilare.
Although named after the LP, Crenshaw’s sets are planned to extend beyond Open Channel, paying homage to the genre with a blend of modern and classic Bass music, weaved with his signature Hip-Hop favourites and eclectic edits. To elevate the whole experience a couple notches, Barclay Crenshaw is collaborating with visual artists Gabriel Hall (LightBender) and Daniel Martin Diaz, to craft a visually stunning backdrop that complements the music.
This tour will see Barclay perform the largest shows of his career so far, including headlining Mission Ballroom in Denver — a 4,000 capacity venue — on December 6th, Jannus Live in St. Petersburg, Florida on November 30th, and a special Day of the Dead performance with Detox Unit at Skydeck in Nashville on November 2nd.
Take a peek! Below you’ll find the full schedule of Barclay Crenshaw’s Open Channel Tour. Secure your tickets by clicking this link right here.
Cover image credit: DeadLeafArts
The post Barclay Crenshaw Announces ‘Open Channel’ North America Tour appeared first on EDMTunes.
Ravebot
Ravebot

Twitch Launches DJ Program After Partnering With Major Labels

Earlier this year, Twitch announced the Twitch DJ Program, a major step forward for the DJ community, the music industry, and the millions of music fans on Twitch. DJs have historically faced serious challenges on the Internet because their content is complex and doesn’t fit into traditional music structures. Thanks to a historic partnership with major labels like Universal, Warner, Sony and hundreds of independent labels, Twitch will be the first major service to provide a long-term home for DJs to legally livestream using the vast majority of popular music.
The Program allows DJ’s to grow and engage with their communities, but does so within a framework that also fairly compensates musicians. Joining the program means you are cleared to stream a catalog that includes tens of millions of tracks representing the vast majority of popular music, and you’ll be eligible for new promotional opportunities too. You can view the catalog of music the program allows you to stream here.

If you enroll in the program during the first year, you’ll qualify for a Twitch subsidy that helps cover the new music costs for partners and affiliates. This starts at 100% for the month of August. Learn more about the subsidy program here. The program comes with some changes to your account that you should understand before you join. You can learn more here, and find answers to questions we’ve heard from the Twitch DJ Community here. You’re free to opt out at any time, but if you plan on streaming DJ content, you are responsible for making sure you have the necessary authorizations from rights holders to do so.
The DJ Program is now live, and you can join it here.
Stay tuned for more news!
The post Twitch Launches DJ Program After Partnering With Major Labels appeared first on EDMTunes.
Ravebot
Ravebot

Monolink Releases Extended Mix of ‘Light Up My Dark’

On July 26th, German DJ/producer, singer-songwriter and multi-instrumentalist Monolink released his latest single, ‘Light Up My Dark’, on Berlin-based record label Embassy One. This track is the artist’s second release of the year since dropping ‘Shelter’, a collaborative track he produced alongside Innelea and CamelPhat. On August 9th, Monolink has released the Extended Mix of ‘Light Up My Dark’.
Although it is nearly four minutes longer than the original release, this Extended Mix provides the same bright vibes and mesmerizing soundscapes that definitely can inspire the listener to feel great emotions all around them. Monolink, whose birth name is Steffen Linck, also enhanced the lyrics to flow perfectly through the air with great efficiency, especially as the lyrics continue to resonate in sync with the melodies and beautiful percussive sounds in this Extended Mix. Click ‘Play’ on the Spotify link below to stream the Extended Mix of ‘Light Up My Dark’ from Monolink, a track that anyone can still enjoy listening to on repeat at home or jam out with hundreds (or thousands) of other fans next to a stage.
Upcoming tour dates of Monolink
Aug 14 – Turkey Antalya – Cullian Aug 18 – Germany Frankfurt (Oder) – Bucht der Träumer Aug 23 – Egypt AHM Sahel Aug 25 – Sep 2 – Burning Man The post Monolink Releases Extended Mix of ‘Light Up My Dark’ appeared first on EDMTunes.
Ravebot
Ravebot

Universal Music Group Inks Deal With Meta

Universal Music Group (UMG) announced a new deal with Meta, which will enhance creative and commercial opportunities for UMG artists and Universal Music Publishing Group songwriters across Meta’s global platforms. These platforms include Facebook, Instagram, Messenger, Horizon, Threads, and, for the first time, and WhatsApp.
Users can now share licensed music from UMG within WhatsApp. UMG highlighted that this partnership with Meta to license music for WhatsApp creates “new value for UMG artists and songwriters moving forward.”
Additionally, UMG and Meta plan to collaborate on addressing unauthorized AI-generated content that could impact artists and songwriters.
This announcement comes two weeks after UMG mentioned Meta in its Q2 earnings report, covering the three months ending in June. Despite UMG’s overall revenues increasing by 9.6% year-over-year, the company reported a 3.9% decline in ad-funded streaming revenues. UMG’s CFO, Boyd Muir, explained that part of this decline was due to Meta’s decision in May to stop licensing premium videos for Facebook from UMG, as these videos were “less popular with Facebook’s user base than other music products.”
However, UMG and Meta have now finalized a “multifaceted renewal,” expanding monetization opportunities for UMG artists and songwriters through short-form videos and other areas of music content. In a joint statement, the companies emphasized their continued innovation and collaboration in the music space.
In summary, while UMG faced some revenue challenges due to Meta’s decision to halt licensing premium videos on Facebook, the new agreement has opened up new revenue streams for UMG, particularly in the short-form video and WhatsApp licensing spaces.
UMG’s new agreement with Meta builds on the “strategic framework” established with their 2017 “landmark agreement,” which made UMG the first major music company to license its catalogs across Facebook’s platforms. UMG noted that Facebook played a pioneering role as music’s first fully licensed partner among major social media platforms.
This partnership follows a 2022 deal in which UMG and Meta expanded revenue-sharing and enhanced engagement with UMG’s catalog. That agreement included the use of UMG’s music within Meta’s user-generated content (UGC) video payout model, with Meta sharing a portion of advertising revenue with music rights holders for certain user-generated video content on Facebook that is 60 seconds or longer.
The post Universal Music Group Inks Deal With Meta appeared first on EDMTunes.
Ravebot
Ravebot

Mindchatter confirms third studio album, announces tour extension, on-site at Outside Lands [Q&A]

Bryce Connolly, professionally known as indie dance connoisseur mindchatter, delivered an electrifying live set at a jam-packed Sutro Stage during Outside Lands‘ 2024 installment. At the start of the year, Connolly issued an official remix of Poolside and Ben Browning’s “Ride With You,” streaming via Counter Records. Soon after, the New York City-bred producer shared two new singles, “Brain Pills” followed by “Corporate Shakespeare,” rounding out his second EP materializing on ODESZA‘s esteemed Foreign Family Collective, titled This Is A Reminder That You Are Not Behind Your Face.
After a major appearance alongside Walker & Royce at The Shrine, plus sold-out headline tour dates in Los Angeles, New York, and Denver, mindchatter co-signed a pair of official remixes for his two latest releases. Ahead of his climactic Outside Lands performance, symbolizing a culmination of his North American tour, mindchatter recruited Familiar Faces, who turned in a minimal tech rendition of “Brain Pills,” and Azzecca, who shared her acidic interpretation of “Corporate Shakespeare.”
Now that Outside Lands has come and gone, mindchatter is already gearing up to get back out on the road; this time, out overseas. In an exclusive Q&A with ‘Dancing Astronaut,’ the Foreign Family artist revealed a slew of fresh tour datest, bringing his A Chorus of Monologues Tour to over 35 dates across 5 different countries. What’s more, the acclaimed DREAM SOUP producer confirmed that, yes, his third studio album is indeed in the works.
Browse mindchatter’s extended tour dates and read the exclusive Q&A below.
You’re no stranger to major festivals. How has your live set evolved over time?
Last year, you put out “Got Cash” with Emmit Fenn, who you also worked with on “Hips” in 2022. Aside from those records, mindchatter operates pretty independently. Is this by happenstance or do you like working solo?
DREAM SOUP officially landed over two years ago, in April 2022. Has it felt that long? How much do you still identify with the project?
You’ve maintained a consistent aesthetic since launching your artist project in 2019. What inspired this vision?
What goes into deciding on the producers who remix your original works?
Do you have any upcoming shows in cities you’re excited to perform in?
Can fans expect another full-length album anytime soon?
Lastly, even though you tend to work independently, is there someone out there you’d love to put out a record with?
The post Mindchatter confirms third studio album, announces tour extension, on-site at Outside Lands [Q&A] appeared first on Dancing Astronaut.
Ravebot
Ravebot

FNGRS CRSSD Announces PROPER NYE/NYD 2024 Lineup

This week, FNGRS CRSSD has revealed the phase one lineup for PROPER NYE/NYD’s highly anticipated return to San Diego’s iconic Petco Park on December 31 and January 1. Ringing in the new year, the multi-stage event will feature performances from electronic music’s brightest stars to set the tone for 2025.
Southern California’s premier New Year’s Eve destination, PROPER draws top-tier talent from across the globe to the expansive grounds of Petco Park, perfectly situated in the heart of San Diego. Since its debut in 2022, PROPER has consistently delivered forward-thinking sonic curation, unparalleled production, and world class hospitality the FNGRS CRSSD brand is renowned for.
The lineup is spearheaded by performances from dance music visionary Eric Prydz, who will also perform under his techno alias Cirez D, Belgian techno powerhouse Charlotte de Witte, GRAMMY-nominee and in-demand hitmaker Dom Dolla, global tech house sensation John Summit, and UK tastemaker Patrick Topping.
The stacked lineup continues with Night Bass head AC Slater, Grammy-nominated vocalist and songwriter Elderbrook, Berlin’s underground maestro Boys Noize, GRAMMY-award winning producer and mixing engineer Cassian, and melodic house virtuoso Lane 8 — who will be performing a special back-to-back set with Sultan + Shepard.
PROPER’s techno curation is exemplified with the likes of Italian heavyweight Enrico Sangiuliano, Bristol-born Eli Brown, techno titan Fatima Hajji, and the heavy-hitting Drumcode alumni Layton Giordani.
Modern house luminaries on the bill include breakout star Mau P, the ethereal soundscapes of Le Youth, Peruvian producer Sofia Kourtesis, Haitian DJ and producer Francis Mercier, tech house sensation Matroda, and Sweden’s electronic music extraordinaire Kasbo.
PROPER will also feature top-tier takeovers courtesy of Above & Beyond’s deep house imprint Anjunadeep and Lane 8’s independent record label and event series This Never Happened.
With clear views of Downtown San Diego and expansive, grassy lawns right in the city’s core, Petco Park remains an idyllic setting to ring in the new year. PROPER will once again be held on the field at Petco Park with stage activations throughout the surrounding property.
PROPER is presented by FNGRS CRSSD, the team behind the flagship CRSSD Festival. PROPER will round out a strong year from the brand, including a wildly successful Spring and Fall edition of CRSSD.
Alumni presale will begin on Tuesday, 8/20 at 12PM PT and is available to Weekend Pass purchasers from CRSSD Spring 2024 & Fall 2023 and PROPER NYE 2023/24.
CRSSD SMS Community presale will begin on Wednesday, 8/21 at 12PM PT. Fans can opt-in to the SMS presale by texting “PROPER24” to (855) 912-1457 or signing up at this link.
General Public on-sale will begin on Wednesday, 8/21 at 2PM PT.
GA and VIP passes will be available. Layaway will also be available for a limited time with 25% down.
PROPER NYE/NYD is a 21+ festival.
Ravebot
Ravebot

Shaquille O’Neal Announces Lineup For 2nd Edition Of Shaq’s Bass All-Stars Festival

After a sensational inaugural year with 15,000 fans, Shaquille O’Neal’s Shaq’s Bass All Stars Festival is set to return, promising to be bigger and better than ever before. This November 16, 2024, the Panther Island Pavilion in Fort Worth, Texas will again become the heart of the bass music scene.
T
Anticipation for “the largest bass music festival in Texas returns” is building nationwide. The festival, produced in collaboration with Medium Rare and Disco Donnie Presents, promises an array of local Texas flavors, interactive brand activations, and unique photo opportunities, alongside a state-of-the-art audio-visual experience.
The 2024 lineup at Shaq’s Bass All Stars Festival showcases a dynamic array of talent from the bass music scene, featuring renowned and emerging artists such as (in ABC order) DIESEL, Dion Timmer, Dirt Monkey, Eptic, and Space Laces, along with NGHTMRE, Dimension, Peekaboo, Celo, Grabbitz, Muerte, Perry Wayne, Rated R, Sora, Kozmoz, Space Wizard, and Stoned Level.
DIESEL’s relationship with music extends far beyond his iconic NBA career. Known for intertwining rhythm with his life, DIESEL finds solace in beats and basslines. This event is a celebration of his musical evolution, echoing the profound impact of dubstep that continues to resonate within him. This milestone follows the success of his debut electronic album, ‘GORILLA WARFARE,’ released last fall on Monstercat, which received acclaim from Rolling Stone and Variety and was featured in a viral moment on Bobbi Althoff‘s Really Good Podcast.
Get ready for an unforgettable experience on Saturday, November 16, 2024, as Panther Island Pavilion transforms into the ultimate bass music destination with Shaq’s Bass All Stars Festival. With two massive stages and 17 of the top acts in bass music, this electrifying event promises a high-octane, immersive experience that will leave you buzzing long after the last beat drops.
Ravebot
Ravebot

FNGRS CRSSD Announces PROPER NYE 2025 Lineup

Today FNGRS CRSSD has revealed the phase one lineup for PROPER NYE/NYD’s highly anticipated return to San Diego’s iconic Petco Park on December 31 and January 1. Ringing in the new year, the multi-stage event will feature performances from electronic music’s brightest stars to set the tone for 2025.
The lineup is spearheaded by performances from dance music visionary Eric Prydz, who will also perform under his techno alias Cirez D, Belgian techno powerhouse Charlotte de Witte, GRAMMY-nominee and in-demand hitmaker Dom Dolla, global tech house sensation John Summit, and UK tastemaker Patrick Topping.
The lineup continues with Night Bass head AC Slater, Grammy-nominated vocalist and songwriter Elderbrook, Berlin’s Boys Noize, GRAMMY-award winning producer Cassian, and melodic house virtuoso Lane 8 — who will be performing a special back-to-back set with Sultan + Shepard.
PROPER’s techno curation is exemplified with the likes of Italian heavyweight Enrico Sangiuliano, Bristol-born Eli Brown, techno titan Fatima Hajji, and the Drumcode alumni Layton Giordani.
Modern house luminaries on the bill include breakout star Mau P, Le Youth, Sofia Kourtesis, Francis Mercier, Matroda, and Sweden’s Kasbo.
The event will also feature top-tier takeovers by Above & Beyond’s deep house imprint Anjunadeep. Lane 8’s independent record label and event series This Never Happened will also be taking over.
With clear views of Downtown San Diego and expansive, grassy lawns right in the city’s core, Petco Park remains an idyllic setting to ring in the new year. PROPER will once again be held on the field at Petco Park with stage activations throughout the surrounding property.
Alumni presale will begin on Tuesday, 8/20 at 12PM PT and is available to Weekend Pass purchasers from CRSSD Spring 2024 & Fall 2023 and PROPER NYE 2023/24.
CRSSD SMS Community presale will begin on Wednesday, 8/21 at 12PM PT. Fans can opt-in to the SMS presale by texting “PROPER24” to (855) 912-1457 or signing up at this link.
General Public on-sale will begin on Wednesday, 8/21 at 2PM PT.
GA and VIP passes will be available. Layaway will also be available for a limited time with 25% down.
The post FNGRS CRSSD Announces PROPER NYE 2025 Lineup appeared first on EDMTunes.
Ravebot
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.