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Peggy Gou Lights Up the Dark With Breezy House Track, "Find the Way"

In a world that often feels overwhelming, Peggy Gou's latest single offers a musical sanctuary where, for a few minutes at least, everything feels alright.
Dripping with disco nostalgia, Gou's songs have become warm cocoons where worries dissolve with each sun-dappled synth. That rings true for "Find the Way," out now via her own music and design label, Gudu Records.
Gou's vocals float above the mix like dandelion seeds on a summer wind, carrying a simple yet powerful message. A gentle nudge towards brighter days, her lyricism, though sparse, resonate with anyone who's ever needed to leave their troubles behind and find solace in music.
Meanwhile, her production shimmers with retro flair, marrying classic disco elements with modern house sensibilities. It's a delicate balance, but Gou walks the tightrope with ease, crafting a sound that feels both nostalgic and fresh.
The release arrives in the midst of a breakout for the South Korean dance music superstar, who in June released her debut album I Hear You on XL Recordings. In the live music arena, she threw down high-profile DJ sets at Coachella, Ultra Music Festival and EDC Las Vegas, among others, and she's performing her biggest headline show yet tomorrow at London's Gunnersbury Park.
Check out "Find the Way" below and listen to the new single on streaming platforms here.
Follow Peggy Gou:
Instagram: instagram.com/peggygou_
Facebook: facebook.com/peggygoupeggygou
Spotify: spoti.fi/3w0Xy0b
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FDA Rejects MDMA Therapy For PTSD In Phase 3 Clinical Trials

FDA has delivered a huge blow to MDMA therapy this week. If you have been following over the last few years, MDMA (also known as Molly) has gained increasing psychotherapy support, especially concerning PTSD. The FDA recently announced a negative ruling on MDMA therapy for PTSD. Psychedelic experts are criticizing this. They stated the agency ignored solid overall results from the clinical trials.
The FDA asked Lykos Therapeutics, which had filed a new drug application with the regulatory agency, for an additional late-stage clinical trial to further study MDMA’s safety and efficacy. An effort like this would require significant additional funding and likely take years to complete. The decision immediately drew dismayed reactions from patient advocates and experts involved in developing and studying psychedelic therapies. Jennifer M. Mitchell, a neuroscientist at the University of California, San Francisco had this to say:
Treatments like these are needed for veterans and so many others feeling despair in their lives. Lykos has not made the FDA’s letter of rejection publicly available. But in a statement, the company said that the issues the agency raised mirror those discussed in an FDA advisory committee meeting in June by a panel of psychiatric experts who had voiced concerns about MDMA’s effectiveness and safety.
One major issue the panel raised was the inability to distinguish MDMA from a placebo effect because most trial participants correctly guessed whether they received the drug or a placebo. This issue, called functional unblinding, is a well-known and common problem in many trials that involve psychoactive pharmaceuticals.
The post FDA Rejects MDMA Therapy For PTSD In Phase 3 Clinical Trials appeared first on EDMTunes.
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[INTERVIEW] Glacier Releases ‘enfold’, Talks Upcoming Album, here (not rly) there

We caught up with the artist, just in time for his latest heartfelt single.
We’ve got a lovely piece of music for you to kick off today in full swing. Look no further than Glacier, a versatile artist who’s made waves recently with his approach to blending Electronic and acoustic elements, weaving them together seamlessly. The last time we had him here was for the release of his single ‘not rly‘, which we now are pleased to reveal is going to be part of his partly-homonymously named album, here (not rly) there, to release later in the year.
Glacier is no stranger to music. Having a lifelong commitment to his passion, releases can be found as early as 2015, and a substantial amount of them found a home in Monstercat, so you’d better believe he knows a thing or two about the craft. Highlights for his career include having his single ‘Still‘ featured in Rocket League’s seasonal Lucky Lantern update, launching the song ‘Neos‘ with a simultaneous release in Osu!, and winning a remix contest held by Monstercat, Jauz, and Pegboard Nerds.
‘enfold’
Glacier’s latest single is called ‘enfold‘, and it’s been released today via Seeking Blue. In it, he focuses on navigating through life’s difficulties and using them as a driving force, printing a crucial idea in his listeners’ hearts. The song builds this idea over a careful Electro Pop bed, with elements borrowed from all over, such as Drum and Bass and Future Bass.
Subtle elements such as piano droplets — and full chords — transposed upwards at times to add more flair, meet fast-paced drums, a plethora of elements gracing the stereo field, and, to top it all, a beautiful vocal line, which encourages to take control, in a positive way, with its thoughtful lyrics, “counting days away I feel so light embracing all the things that seem just right”.
Listen to ‘enfold‘ below. Also, click this link right here to support the release on your platform of choice.
Q&A Round With Glacier
To celebrate the release of ‘enfold’, but also to anticipate what’s going to be Glacier’s monumental debut LP, here (not rly) there, we caught up with the artist, for a quick round of questions regarding the project. Check it out below!
What was the main inspiration behind your upcoming album here (not rly) there? 
It primarily explores my tendency to idolize different versions of myself, either by looking back nostalgically and longing for what once was, as if everything used to be better. Or by fixating on future goals and aspirations, imagining that everything will make sense once I reach them. I believe everyone understands the importance of being present, both for themselves and for others, yet it’s easy to lose sight of this. 
The title reflects the struggle of wavering between where I am, where I’ve been, and where I want to go, all while failing to be fully present in any of them. I’ve often found myself wishing to be in a different time or place, thinking about what I could have done better or what I need to change to improve things. While there’s no harm in occasionally focusing on these thoughts, it’s crucial not to let them overshadow the reality of where I am right now. 
How long has the journey been from the initial concept to the final production of here (not rly) there? 
‘not rly’ was the first song I started working on back in September of 2022. The songs were completely finalized at the start of 2024. 
Oddly enough, I initially started with what I thought was an interlude, knowing it would be part of a larger project. As I worked on it, the phrase “not really” just stuck in my head. I recorded a few versions of saying it, and eventually, I built the song — and the entire project — around that feeling of uncertainty. 
I wanted to create an LP so badly. I love diving into big projects as a listener and knew it was finally my time to make something that tells a bigger story than I could with just an EP or a single. I’ve been longing for a project like this as an artist, and I couldn’t be more satisfied with how it turned out — the music, the art direction, the lyrics. I’m extremely proud of the whole thing.
What was your strategy or approach to producing? 
Drums are my first instrument, so I often start with something rhythm-based. I need a solid groove to build around; which makes it easier to imagine everything else. Plus, I really enjoy looping a drum section while I experiment with different instruments — it keeps the process feeling a bit impromptu. I think that’s why my songs tend to be very percussion-focused. 
That said, I’m mindful of not falling into the habit of writing songs the same way every time. If something feels powerful enough to spark an idea, I’ll go with it — whether it’s a vocal melody, a guitar chord progression, or a beautiful atmosphere I’ve created. For example, ‘not rly’ came about from experimenting with flute recordings. I layered them with a vocoder to create some neat ‘flute chords’ and from there, the path forward was clear. 
My workflow often has me jumping around a lot — recording small rhythmic ideas, creating ambient pads, playing synth solos, adding vocal ideas, testing new plugins, browsing for obscure sound effects, playing keys, writing down core ideas, grabbing a guitar, resampling things I’ve made into something new, and more. I tend to add too much and end up trimming things back if it gets too bloated. But hey, it’s all part of the fun! 
Can you share some insights into your creative process? 
Nowadays, I try to stick to a theme when creating music. It could be as simple as key words like “mushy, soil, rocks” or something deeper like “I miss being able to see the people I love as consistently as I used to, and I just can’t seem to express that enough”. I don’t necessarily need a theme to start working, but I usually find one as I go, which then helps everything develop in a more cohesive and meaningful way. 
For example, here are the keywords I wrote down for the LP’s overall sound: wood, trees, stick, stone, moss, mud, rain, dew, fog, mist, stream, spirits, talisman, squish, squash, hollow, wind, fern, green, yellow, auburn, cedar, nostalgia, evergreen, beetle, knots, pedals. I like having something to focus on when deciding which instruments to record, what lyrics to write, what drum samples to use, what synths, etc. It helps everything fit together. 
The music I listen to also has a huge influence on me. I absolutely love music as much as I possibly could, so I let my taste guide my decisions. If I’ve been on an emotional, ambient kick versus a bright, glitchy, jazzy kick, my work will reflect that. I think of my music as a culmination of everything I love, all put together.
Your music often features natural elements. How important is nature to you, both personally and as an artist? 
Nature, in my mind, is everything. We’re all part of it, even if we sometimes feel disconnected in modern times. I’m constantly in awe of how vast and diverse the world is — especially when considering all the things we don’t yet know. There’s always this sense of adventure in the back of my mind, urging me to go out and explore. There’s still so much I haven’t seen for myself. 
I think I’d be a completely different person without my desire to be outside. Without it, I’d probably get too comfortable just staying in my own world, writing music. And while I love that, there’s so much more out there that I just have to see. 
On a smaller scale, I’m constantly impressed by how full of life everything is. Stopping on a hike to look at something on the ground, only to find it teeming with little creatures and plants, all doing their own thing — it’s incredibly inspiring. It reminds me of how small I am, but in a positive way. I love being a part of this grand dance of life. 
This has always been a central focus of Glacier for me. From the name itself to the character on its own journey and the lyrics that question my idea of life itself, the natural world is always at the heart of everything. 
Are there any artists you dream of collaborating with in the future? 
Definitely! A lot of these artists are also huge inspirations to me. Tennyson, Swardy, Anomalie, On Planets, Medasin, Mont Duamel, Haywyre, Floex, Disaterpiece, Koan Sound, Vorso, Mr. Bill, Jacob Collier, Hudson Lee, quickly, quickly, imagiro, Tutara Peak, James Ivy. I’ve had quite the itch to work the others more frequently as of late. I’ve had some recent in-person meet-ups with artists that have really started my spark to work together more.
The post [INTERVIEW] Glacier Releases ‘enfold’, Talks Upcoming Album, here (not rly) there appeared first on EDMTunes.
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5 Secret Collabs That You Didn’t Know Happened!

In the vast sphere of electronic music, some of the most fascinating collaborations remain a mystery. These secret partnerships between artists have produced remarkable tracks that stayed hidden until now. Join as we uncover five surprising and lesser-known collaborations that you probably didn’t know about.
1. Porter Robinson & Zedd “Clarity”
Porter Robinson, along with Matthew Koma, co-wrote the lyrics for Zedd‘s hit song “Clarity.” The track was released in 2012 and features vocals from Foxes. Zedd is credited as the primary producer and crafted the song’s instrumental and arrangement, while Robinson and Koma contributed to the lyrical development. Porter’s involvement in “Clarity” was part of his early career collaborations, showcasing his songwriting skills alongside his work as a producer.
2. David Guetta & The Black Eyed Peas – “I Gotta Feeling”  
David Guetta’s remix of this popular Black Eyed Peas song brought his signature electronic dance music style to the track, adding a new dimension to the original and contributing to its continued popularity in clubs and on the dance floor. His involvement helped shape the track’s distinctive sound, though the primary credit for the song’s success goes to The Black Eyed Peas and their production team. Additionally, David Guetta worked with the group on their 2010 album “The Beginning,” contributing to tracks like “Rock That Body“.
3. Diplo & M.I.A. – “Paper Planes”  
While Diplo’s influence on the track “Paper Planes” is evident through its innovative production, his work is often overshadowed by M.I.A.‘s memorable vocal performance. Diplo’s creative input was pivotal in crafting the track’s unique sound, yet his contributions are not always prominently highlighted in the credits. 
4. Doctor P & Flux Pavillion – “Bass Cannon” 
The collaboration on “Bass Cannon” resulted in a track that features a powerful, resonant bassline and catchy, high-energy drops. The track is celebrated for its impact on the dubstep genre, contributing to the genre’s mainstream appeal during that period. The collaboration highlights how the fusion of different production techniques and styles can create a track with broad appeal and significant influence within electronic music. 
5. Memba & Nostalgix – “LIMIT” 
“LIMIT” is a collaboration between Nostalgix, Evan Giia, and the electronic music duo, Memba. Known for their eclectic mix of electronic, pop, and global influences, Memba worked with Nostalgix, who brings a fresh house and bass-driven style to the table. This partnership created a dynamic and energetic track that combines Memba’s innovative production techniques with Nostalgix’s vibrant beats and catchy melodies. The result is a high energy dance song combining several elements from all 3 artists.
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RAJA Follows Up On Viral Single With Africa-Inspired ‘Babulana’

The artist just unveiled the second single off his upcoming Wakanda EP.
Ukrainian-born, Berlin-based artist RAJA is telling the story of a lifetime this year. Inspired by a profound personal odyssey across Africa, RAJA seeks to bridge cultures by sharing the lives and rhythms of the people he encountered, and he continues this exploration of cross-cultural exchange through music with the release of his new single, ‘Babulana‘.
The artist’s time in Africa was a transformative one. Immersed in diverse cultures, RAJA was captivated by their inherent wisdom, purity, and communal spirit. These encounters ignited his musical creativity. He says throughout his travels, the one consistent thing he can rely on to connect with the people he meets is music. He states music transcends spoken language and has an incredible power to bring us together, to remind us of our shared humanity.
RAJA’s artistic vision has as clear of a sonic voice as it does intention. By fusing Melodic House and Techno with Folk melodies, he’s developed a sound that can be traced back directly to him. It’s become recognisable, and lately, that’s thanks to the viral success of his previous single ‘Animal‘, featuring a video of him playing the song live in Africa, surrounded by wildlife.
‘Babulana’
Lifted from his forthcoming EP, Wakanda, ‘Babulana‘ tells the story of a day in the life of one of the Maasai tribespeople he spent time with whilst in Tanzania. Through this tale, RAJA hopes to share the feelings of hope, joy, and ambition that can be found inside us all. The EP is a broader collection of work celebrating the diversity of global societies.
By sharing the tales and melodies of the Maasai people, RAJA hopes to increase awareness of the vulnerability of ancient cultures and the critical importance of safeguarding their traditions for future generations. But he translates those words — and worlds — in a groovy, irresistible way of crafting Dance music. This one’s ought to have you dancing around, believe us.
Listen to RAJA‘s incredible EP ‘Babulana’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the artist on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post RAJA Follows Up On Viral Single With Africa-Inspired ‘Babulana’ appeared first on EDMTunes.
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Ollie Mundy’s Presents Two New Singles ‘Pa Mi’ And ‘Sitoki’ On His New OVAVA Music Imprint 

Launching last month, Ollie Mundy set up Ovava Music to serve as an outlet to release his own brand of Melodic Techno and House whilst offering a platform to release artists of similar ideals.
Debuting with the heartfelt track Master Of The Ocean, the exciting new label has quickly gained widespread support from tastemakers and industry mainstays alike. Renowned figures such as Marco Carola, Andi Durant, Paco Osuna, Ruben Mandolini, Steve Lawler, Milk & Sugar, Don Diablo, and Hard Rock Sofa have all offered overwhelmingly positive feedback. Additionally, Master Of The Ocean has garnered instant online recognition and support from renowned publications such as Cafe De Anatolia, Madorasindahouse, Mr Afro Deep, and Afro House United. Moreover, the track has also become an instant hit amongst the wider electronic music community impressively achieving chart success on Traxsource with a top 20 spot in the overall Single chart, Top 100 spot in the overall ‘Tracks’ chart and a top 5 spot in the Melodic / Progressive House chart. This immediate acclaim underscores the significant impact both Ollie and Ovava are making on the Afro and Melodic House scenes.
Following Master Of The Ocean, Ollie returns with his second offering for Ovava with a brand new Afro Melodic House cut titled Pa Mi.This captivating track features the soulful vocals of Argentinian vocalist Estefa Silvera, adding a layer of beautiful tones to the rhythmic tapestry crafted by Ollie Mundy. ‘Pa Mi‘ invites listeners on a melodic journey, where intricate rhythms blend seamlessly with emotive vocals to create a mesmerising sonic experience.
The collaboration between Ollie Mundy and Estefa Silvera infuses the track with a unique energy, transporting listeners to a realm of euphoria and introspection. In addition to the main version of ‘Pa Mi,’ this EP showcases a wonderful beatless rendition that allows the beauty of the music to shine through in a new light.The different versions of the track provide a versatile listening experience, catering to a variety of moods and settings.
Shortly following, Ollie presents his next Ovava offering, Sitoki, a captivating afro house track enriched with the enchanting vocals of Kenyan rising star Tashie Wamz.  With its fluid rhythm and soaring vocal ascension, this track highlights the seamless fusion of afro house with modern melodic elements. The magical lyrics by Tashie Wamz seriously lift the piece and translate to a personalised dance floor experience.
The collaboration between Ollie Mundy and Tashie Wamz creates an irresistible sonic alchemy that is bound to captivate listeners instantly, transporting them to euphoric realms and relaying true emotion. Celebrating the melodious journey of this release, it promises a spellbound connection complete with infectious beats and unbridled energy and with this new addition, OVAVA Music’s discography is fast positioning as the label of the summer. 
Although OVAVA is fresh to the scene, Ollie Mundy certainly is not. Globally recognised for his powerful and highly emotive Melodic House and Techno productions, and his impressive DJ sets earning him centre stage at some of the world leading events including Burning Man, We Are Festival, Secret Garden Party and the iconic Back To Mine in Ibiza. Ollie has become synonymous with creativity and actively pushing the envelope.
His acclaimed “Deep Tunes For Deep Playa” series, which has amassed millions of streams, along with standout performances at major festivals this year, showcases his rapid rise as a producer. Additionally, his residencies and Bloop radio shows further underscore his growing influence. Ollie is also making significant waves in the industry with releases on prestigious labels such as Sondela and My Other Side of The Moon, signalling an exciting future ahead.
With Ollie at the helm, OVAVA Music is set to become a home for well crafted artistic expression. Expect a vibrant fusion of Melodic House & Techno with Afro House influences that takes inspiration from every corner of the globe, procreating a sound that is unique to the label.
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Art Of The Wild Festival Unveils Stacked Lineup for 10th Installment

Wynn Nightlife and Framework have unveiled an action-packed lineup for this fall’s Art Of The Wild event, which will celebrate the bi-annual music festival’s 10th edition. Thursday, Oct. 31 through Sunday, Nov. 3 at the iconic nightlife destination XS Nightclub at Wynn Las Vegas, Art of the Wild’s upcoming installment will expand from a three-day event to a four-day affair and showcase a carefully-curated selection of underground luminaries.
Headliners for the upcoming Art Of The Wild will include festival veterans such as Platinum-selling artist Eric Prydz, the Bronx-bred, Ibiza-mainstay house duo The Martinez Brothers, British dance music pioneer Fatboy Slim, ABRACADABRA-label boss BLOND:ISH, Brazilian house selector Mochakk, Turkish DJ/producer Carlita, and a b2b between fellow-German house/techno producers Âme and Dixon. The upcoming event will also feature British techno artist Eli Brown, who will make his Art of The Wild debut.
The lineup is rounded out by a bevy of talented support acts also making their debut, including Madrid-based DJ and producer duo Sparrow & Barbossa, Maccabi House-founders Adam Ten b2b Mita Gami, British electronic and pop producer SG Lewis, genre-blending afro-house producer Nico De Andrea, UK-based global house purveyor Ben Sterling, Brazilian beatmaker Maz, and Parisian afro-melodic artist Alex Wann.
Passes for Art of the Wild are on sale now. For additional information and table reservations, please visit WynnNightlife.com.
The post Art Of The Wild Festival Unveils Stacked Lineup for 10th Installment appeared first on EDMTunes.
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SoundCloud Launches Merch Platform, Artists to Keep 100% Profits

Online streaming platform SoundCloud has expanded its services to Indie artists with a new merch marketplace called the SoundCloud Store. This service will allow artists to list their own designs to sell to their fans.
For now, the SoundCloud Store is only available to select Next Pro artists — SoundCloud’s paid-for subscription tier that offers more pro features and functionality — in the United States, European Union, and Canada. Artists can submit a design, and SoundCloud will handle the rest including mock-up and shipping. The German company will also handle social media marketing for your new merch. The best part is? They won’t take a fee from artists, passing on 100% of profits from sales.
The SoundCloud Store also offers the Essentials Collection — SoundCloud-branded merchandise that lets fans show support for their favorite music platform. This collection includes a range of high-quality items such as t-shirts, hoodies, hats, and more, all designed with SoundCloud’s signature style.
Find out more about the SoundCloud Store on their website.
The post SoundCloud Launches Merch Platform, Artists to Keep 100% Profits appeared first on EDMTunes.
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Kavinsky’s ‘Nightcall’ Becomes Most-Shazamed Song In A Day Following Olympics Closing Ceremony

Last Sunday’s Closing Ceremony of the 2024 Summer Olympic Games in Paris saw the return of ‘Nightcall’, the 2010 banger from French DJ/producer Kavinsky that allowed fans to turn back the musical clock. The Closing Ceremony provided a lot of musical thrills coming from the likes of French singer-songwriter Yseult, Belgian artist Angèle, Cambodian rapper VannDa, American lead vocalist and guitarist Ezra Koenig from Vampire Weekend, and French Indie Rock band Phoenix.
This is the same Closing Ceremony that also had Justice, the iconic French Electronic music duo, providing a grand performance for the world to marvel too. As for Phoenix, most notable for hit songs ‘1901’ and ‘Lisztomania’, the band brought on their fellow countryman, Kavinsky, himself to the delight of the crowd inside the Stade de France stadium, and especially when he played ‘Nightcall’. What happened during and after the performance was A LOT of people worldwide pulling out their phones and Shazaming the track.
‘Nightcall’ From Kavinsky Brought A Lot Of The World’s Eyes And Ears To Experience The Vibes Of The Track
According to an article from Billboard, the minute the track got a lot of Shazams was 04:50 p.m. ET. The top three countries that had the most people Shazaming the track were France, the United States, and Mexico. The day before the Closing Ceremony, the track had 281,000 total global on-demand streams according to music data and insights company Luminate. During the live performance of the track, which also featured the appearance of the aforementioned Belgian artist Angèle, there were 6,921,000 Shazams of it.
In addition, on the artist page of Kavinsky on Spotify, ‘Nightcall’ now has over 404 million streams. Click ‘Play’ on the Spotify link below to stream ‘Nightcall’ from Kavinsky, which featured in the official soundtrack of 2011 film Drive and has the legendary Daft Punk member, Guy-Manuel de Homem-Christo, as its producer.
The post Kavinsky’s ‘Nightcall’ Becomes Most-Shazamed Song In A Day Following Olympics Closing Ceremony appeared first on EDMTunes.
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Ollie Mundy’s Unveils Two Brand New Singles ‘Pa Mi’ And ‘Sitoki’ On His New OVAVA Music Label

UK Melodic House mastermind Ollie Mundy has made an immediate impact in the scene with the launch of his imprint OVAVA Music.
Launching last month, Ollie Mundy set up Ovava Music to serve as an outlet to release his own brand of Melodic Techno and House whilst offering a platform to release artists of similar ideals.
Debuting with the heartfelt track Master Of The Ocean, the exciting new label has quickly gained widespread support from tastemakers and industry mainstays alike. Renowned figures such as Marco Carola, Andi Durant, Paco Osuna, Ruben Mandolini, Steve Lawler, Milk & Sugar, Don Diablo, and Hard Rock Sofa have all offered overwhelmingly positive feedback. Additionally, Master Of The Ocean has garnered instant online recognition and support from renowned publications such as Cafe De Anatolia, Madorasindahouse, Mr Afro Deep, and Afro House United. Moreover, the track has also become an instant hit amongst the wider electronic music community impressively achieving chart success on Traxsource with a top 20 spot in the overall Single chart, Top 100 spot in the overall ‘Tracks’ chart and a top 5 spot in the Melodic / Progressive House chart. This immediate acclaim underscores the significant impact both Ollie and Ovava are making on the Afro and Melodic House scenes.

Following Master Of The Ocean, Ollie returns with his second offering for Ovava with a brand new Afro Melodic House cut titled Pa Mi.This captivating track features the soulful vocals of Argentinian vocalist Estefa Silvera, adding a layer of beautiful tones to the rhythmic tapestry crafted by Ollie Mundy. ‘Pa Mi‘ invites listeners on a melodic journey, where intricate rhythms blend seamlessly with emotive vocals to create a mesmerising sonic experience.
The collaboration between Ollie Mundy and Estefa Silvera infuses the track with a unique energy, transporting listeners to a realm of euphoria and introspection. In addition to the main version of ‘Pa Mi,’ this EP showcases a wonderful beatless rendition that allows the beauty of the music to shine through in a new light.The different versions of the track provide a versatile listening experience, catering to a variety of moods and settings. 
Ollie Mundy – Pa Mi (ft Estefa Silvera) 

Available On OVAVA Music Now
Buy/Stream https://tr.ee/ijtbXIXqDH
Shortly following, Ollie presents his next Ovava offering, Sitoki, a captivating afro house track enriched with the enchanting vocals of Kenyan rising star Tashie Wamz.  With its fluid rhythm and soaring vocal ascension, this track highlights the seamless fusion of afro house with modern melodic elements. The magical lyrics by Tashie Wamz seriously lift the piece and translate to a personalised dance floor experience.
The collaboration between Ollie Mundy and Tashie Wamz creates an irresistible sonic alchemy that is bound to captivate listeners instantly, transporting them to euphoric realms and relaying true emotion. Celebrating the melodious journey of this release, it promises a spellbound connection complete with infectious beats and unbridled energy and with this new addition, OVAVA Music’s discography is fast positioning as the label of the summer. 
Ollie Mundy – Sitoki (ft Tashie Wamz)Available On OVAVA Music August 30th
Pre Order/Save https://tr.ee/b54yHwvVMg
Although OVAVA is fresh to the scene, Ollie Mundy certainly is not. Globally recognised for his powerful and highly emotive Melodic House and Techno productions, and his impressive DJ sets earning him centre stage at some of the world leading events including Burning Man, We Are Festival, Secret Garden Party and the iconic Back To Mine in Ibiza. Ollie has become synonymous with creativity and actively pushing the envelope.
His acclaimed “Deep Tunes For Deep Playa” series, which has amassed millions of streams, along with standout performances at major festivals this year, showcases his rapid rise as a producer. Additionally, his residencies and Bloop radio shows further underscore his growing influence. Ollie is also making significant waves in the industry with releases on prestigious labels such as Sondela and My Other Side of The Moon, signalling an exciting future ahead.
With Ollie at the helm, OVAVA Music is set to become a home for well crafted artistic expression. Expect a vibrant fusion of Melodic House & Techno with Afro House influences that takes inspiration from every corner of the globe, procreating a sound that is unique to the label.
Find Out More & Follow: 
Ollie Mundy: Linktree
The post Ollie Mundy’s Unveils Two Brand New Singles ‘Pa Mi’ And ‘Sitoki’ On His New OVAVA Music Label appeared first on Electic Mode.
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Armin van Buuren Announces ASOT Ibiza and Drops ‘Who’s Afraid of 138?!’ Mix

Armin van Buuren just announced that the A State Of Trance (ASOT) Ibiza compilation, mixed by the man himself, will be released soon. He made the announcement on his ASOT radio show on Thursday (August 15). On the same show, Armin also premiered the Who’s Afraid of 138?! Mix.
Those are exciting news for ASOT listeners. The 10th ASOT Ibiza album announcement is a treat for fans of the genre. We can’t wait to see who will be featured on the compilation.
Armin is already coming off a hot summer on the music side. As a matter of fact, the producer and DJ released tracks like ‘Es Vedrà‘, a light-hearted, spiritual, and uplifting, the song transports you to a tropical realm. The groovy basslines and atmospheric chanting results in a hot and sweaty dance banger.
Moreover, Van Buuren teamed up earlier this summer with none other than David Guetta for their first ever collaboration named ‘In The Dark‘, an uplifting anthem that merges each artist’s signature sound, underscored by empowering lyrics sung and co-written by two-time Grammy-winning songwriter Aldae. Created during a collaborative session in L.A., ‘In the Dark’ embodies the artists’ shared passion for music and spreads the inspiring message that one special person can be your lightning ‘In The Dark’.
Stay tuned for more news!
The post Armin van Buuren Announces ASOT Ibiza and Drops ‘Who’s Afraid of 138?!’ Mix appeared first on EDMTunes.
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Katy Perry’s Production Team In Hot Water Over Ibiza Video Shoot

Oh my! Pop Star Katy Perry and her team are under investigation for a video shoot they did in Spain on a protected beach without permission. The singer was shooting a video for her single ‘Lifetimes’ on the island of Ibiza in a national park with protected wildlife, and authorities were not having it.
The Ministry of Agriculture, Fishery, and Natural Environment announced that they opened an investigation into the video shoot that took place in the Parc Natural de Ses Salines. This region is a UNESCO World Heritage Reserve that covers the islands of Formentera and Ibiza.
Katy Perry In Ibiza
Given the reports, the artist was involved in a video shoot on the dunes islet of s’Espalmador, which serves as a protected sanctuary for flora and fauna. The government has explained that it is not illegal to film without authorization. However, Perry’s team did not request a permit to shoot the video, hence the investigation taking place.
The production team WeOwnTheCity and director Stillz guided Katy Perry in her ‘Lifetimes’ music video, which premiered Thursday. The video shows the singer dancing around the dunes and on a boat, leading into a nightclub.
Although the investigation is still in process, we can expect the government to hold the team accountable for the lack of authority on the shoot. Formentera has been UNESCO World Heritage since 1999 and it nests over 200 species of birds. Moreover, it grows an endemic species of seagrass that’s necessary in the Mediterranean Sea’s ecosystem.
So what do we think? Do you think Katy Perry and her team should have been more cautious with the matter?
The post Katy Perry’s Production Team In Hot Water Over Ibiza Video Shoot appeared first on EDMTunes.
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Duke Dumont Returns With ‘Ain’t Giving Up’

Following ‘ENERGY‘ last month, 2x GRAMMY-nominated DJ/producer Duke Dumont is back with a new collaboration featuring rising star Clementine Douglas: a dance anthem entitled ‘Ain’t Giving Up.’ This electrifying track is set to ignite dance floors with its infectious energy and powerful message of resilience and determination. ‘Ain’t Giving Up’ showcases Duke Dumont’s signature blend of House beats and synths, combined with Clementine Douglas’s soulful vocals. Check it out below!
The track coincides with the producer’s sold-out headline shows in London at HERE at Outernet on October 18th and in Dublin at Index on October 19th, both of which sold out within minutes. Following ‘Ain’t Giving Up,’ Duke will headline another show at the Brooklyn Mirage, returning to the iconic venue 12 months after his memorable open-to-close set. 
About Duke Dumont
Duke has steadily and not-so-quietly been building a formidable live show, becoming internationally recognised for his stellar production. Since his infamous Coachella ‘22 set where his awe-inspiring visuals coupled with a reconstruction of his music was unveiled, Duke has doubled down on what it means to offer an experience to the listener, truly emphasising the live experience. Duke’s taken his live show across the globe, with notable shows in Australia, including Splendour In The Grass and America, including The Shrine in LA, Red Rocks in Colorado and Coachella.
Dumont’s presence and influence within the global Dance space need no reminding. His approach to putting the art first has still resulted in him being one of the world’s most successful Electronic artists and somewhat of a commercially successful behemoth with over 7 million monthly Spotify listeners. His catalogue flows with multiple platinum-selling singles such as ‘Ocean Drive’, ‘I Got U’, and ‘Need U (100%)’ that have amassed over billions of streams to date, along with 3 UK #1s and 5 Top 40s. His music has not only dominated the charts but has also become an integral part of dance music culture worldwide. With ‘Aint Giving Up,’ Duke Dumont reaffirms his position as a leading force in electronic music.
You can purchase tickets to Duke Dumont’s upcoming shows here. 
The post Duke Dumont Returns With ‘Ain’t Giving Up’ appeared first on EDMTunes.
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Peggy Gou Lifts The Veil On New Single ‘Find The Way’

Dropping just ahead of her biggest headline show to date at London’s Gunnersbury Park this weekend, today the artist, producer, DJ and cultural trailblazer Peggy Gou returns with her latest single ‘Find The Way‘ on Gudu Records. The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain.
Making a midsummer bid for song of the season, on ‘Find The Way’ Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s House beat lush with mellow keys, acid-tinged synths and hypnotic basslines. The year 2024 has been a huge one for Gou already with the release of her hotly anticipated debut album I Hear You on XL Recordings in June. Alongside glowing reviews from The Observer, NME, The Line of Best Fit and more, she’s also graced the covers of Billboard (US), Vogue Germany and L’Officiel Italia.
A huge year for her in the live arena too, having played to over a million people in 2023, 2024 has seen a string of high-profile appearances at the likes of the Coachella, Ultra, EDC and Primavera festivals alongside a headline slot on Glastonbury’s Park Stage. Her biggest headline show to date at London’s Gunnersbury Park lands on August 17th.
You can listen to Peggy Gou’s new record ‘Find The Way‘ below and on all available streaming platforms.
Stay tuned for more news!
The post Peggy Gou Lifts The Veil On New Single ‘Find The Way’ appeared first on EDMTunes.
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Lilly Palmer’s Double-Trouble EP, ‘All You Got To Do’ And ‘Surrender The Night’

The feminine power delivers insane Techno once again. This time, it comes at the hands of German DJ Lilly Palmer, brought to you by Armada Music and Kontor Records. Her double stacked release ‘All You Got to Do’ and ‘Surrender The Night’ will have you with a permanent “stank” face, stomping on the dancefloor into the sunrise.
‘All You Got To Do’
Already garnering high praise during her live shows, Lilly Palmer’s release once again showcases her versatility without compromising her identity. The spearhead offering ‘All You Got To Do’ doubles down on energy alongside the hypnotic “Dance With The Groove, All You Got To Do Is Move” mantra. The track possesses incredible Psy-Trance and Techno influences. This resonates with today’s Psy-Techno movement, with artists like Indira Paganotto, I Hate Models, and Sara Landry blending the genres into their sets. Armada Music made the right call with this one!
The harder and darker B-side piece ‘Surrender The Night’ guarantees nighttime ecstasy. This track ranges from Palmer’s very own sexy dark vocals. Moreover, one can for sure hear the insane bass and kicks, which add up to magnificent build ups, and even nastier drops. Both tracks complement each other with a smooth synergy.
More of Lilly Palmer
Lilly Palmer has stormed the scene with her electrifying basslines and hypnotic grooves. With major support from iconic labels such as Drumcode and Armada Music themselves, the German DJ continues to tour the world, showcasing her talents. With 1.5 million followers on Instagram, her popularity follows her skills to make heavy, darker songs into massive club hits. Watch out for this modelesque artist! Next up, the ‘Hare Ram’ producer continues to tour in Europe, touching down in France, Spain, and Croatia. Later in the fall, Palmer will visit the US. She will appear in Hocus Pocus in Miami, Time Warp in New York, and Dallas’ Newest EDM Venue Silo, opening next month.
Now, are you going to “dance with the groove”, and “surrender the night” with us?

The post Lilly Palmer’s Double-Trouble EP, ‘All You Got To Do’ And ‘Surrender The Night’ appeared first on EDMTunes.
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Rave Scenes: Denver

Denver, Colorado is widely considered the “Bass Capital of America.”
Thanks, in part, to Colorado’s iconic Red Rocks Amphitheatre.
Located on the foothills of Colorado’s Rocky Mountains, Red Rocks Amphitheatre is a short 20-minute drive from Denver and offers a one-of-a-kind concert experience. The famed venue, which hosted its first concert in 1941, is located between two massive red rocks (hints the name), and is home to some of the most iconic performances in music history, including The Beatles (1964), Jimi Hendrix (1968), The Grateful Dead (1978), and Daft Punk (2007). 
But, in recent years, Red Rock’s annual schedule has shifted toward a more electronic-leaning lineup (especially dubstep), including yearly, multi-day events like Zeds Dead’s annual Dead Rocks, Liquid Stranger’s WAKAAN Rocks and REZZ’s REZZ Rocks. 
It all started when Nicole Cacciavillano (founder of the Sub.Mission Agency and owner of The Black Box, Denver’s premiere venue for underground bass music) brought the “Global Dub” event to Red Rocks for the first time in 2012.
“I remember being on stage at Global Dub and looking at the crowd, kind of shocked that dubstep had made it this far,” Cacciavillano said. “But when I saw all the lasers and neon lights, I realised dubstep was changing. It wasn’t underground anymore.”
“Everyone listens to dubstep now; it’s a mainstream thing. Dubstep is on target commercials. 30,000 people gather in stadiums to see a dubstep show. Middle school kids are learning about dubstep in class. And Denver is the mecca for this kind of music and culture.” – Nicole Cacciavillano
In the years since Global Dub’s inaugural event in 2012, Cacciavillano has continued to water Denver’s underground bass community through her nationally recognised “The Black Box” music venue (known for its incredible hybrid Funktion-One sound system) in the heart of Denver’s Capital Hill, and her Sub.Mission agency – which features acts like Ternion Sound, The Widdler, Chef Boyarbeatz, Sicaria, and Parkbreezy.
The Black Box is known as the “home of the underground”; the venue hosts 3-night residencies for artists like Ternion Sound to play 6+ hour sets, and special appearances by UK legends like Skream, Benga, Hamdi, and more.
But The Black Box isn’t just a place for established artists to lead the underground – it’s also where DJs learn their craft, thanks to Electronic Tuesdays. 
“Electronic Tuesdays is, and always has been, a platform for bedroom DJs to step on stage and play in front of their first crowd,” Cacciavillano said. “But it’s also become so much more than that. It’s become a local hub for ravers to come together and celebrate the undiscovered talent Denver has to offer.”
Electronic Tuesdays has incubated countless now-mainstream artists before anyone knew their name – including Wreckno, Dirt Monkey, and ILLENIUM, who recently broke the record for the highest-selling EDM headline show in North America. That show, dubbed Trilogy: Colorado, happened right here, in Denver’s Empower Field at Mile High Stadium.
“Denver is where I started my career,” Nicholas D. Miller, AKA ILLENIUM, said. “Driving by the Mile High stadium throughout the past 10 years, playing a show there was always a far-out goal that I never really took seriously because of how large it is. But when it became feasible, I jumped at the opportunity because I knew how special it could be.”
The event sold over 33,000 tickets and set a new bar for large-scale EDM concerts, not only in terms of tickets sold but also in terms of production. “We were able to do things at that show which have never been done before,” Miller said. “It was in its own league, really.”
Why did Miller choose Denver to host this massive event? 
Aside from the city being Miller’s hometown, it’s also a place that embraces creativity and community. In these efforts, Denver is virtually unmatched across North America.
“Denver has always had a very special acceptance for creativity, especially when it comes to music,” Miller said. “Also, fans fly in from all over the world to see a show at Red Rocks – it’s such an iconic venue, and that keeps a very fresh and competitive market here.”
“Denver has always been a music city that deeply supports electronic music and DJ culture. From the earliest raves, there was always a fabric of connectivity that made this city special. I was lucky enough to have watched it happen from almost day one. And to see where we are today makes me extremely proud.” – Jonas Tempel, founder of Beatport.
Miller makes a good point – according to Billboard’s 2023 Year-End Boxscore Charts, Red Rocks reportedly sold 1.65 million tickets in 2023, making it the most-attended outdoor venue in the U.S., and the fourth-most attended venue, of any kind, in the world.
No matter who’s playing, the rave scene is alive and well at Red Rocks all year long.
When artists headline Red Rocks, it’s always a special occasion – pre-parties, meet-and-greets, and merch pop-ups happen across the city in the days leading up to the events. Headliners also routinely debut new production and immaculate drone shows.
And, on a sunny day (which, in Colorado, happens 300 days a year) ravers from across the country gather in the Red Rocks parking lots to tailgate, grill, and party to their hearts’ content long before the concert officially starts.
As soon as the venue opens its door, fans are routinely blessed with lineups that include 5+ artists before the headliner steps on stage. When the headliner does eventually come on, the spectacle is always immaculate. The colourful castle Of The Trees (who is also based in Denver) built for his debut Red Rocks headline in 2023 is a prime example
When Morison County’s (where Red Rocks technically resides) strict 11:30 PM sound ordinance swiftly – and sometimes quite suddenly – shuts the music down, 9,000 ravers scatter out of the venue to their cars, party busses, Ubers, and Lyfts to begin their decent into Denver’s metro area. 
But the night is young, and people still want to rave, which means it’s time for the after-party. Usually, that means it’s time to go to the OffBeat warehouse.
“I think one of the reasons people love OffBeat afterparties is because we’re always providing a different experience than you get at the main events,” OffBeat’s Co-Founder and Owner, who prefers to be called by his nickname “Bry,” said. 
The raves that happen at Denver’s most respected venues like The Ogden, Mission Ballroom, and Red Rocks, are often dominated by massive LED screens and multi-coloured strobe lights – an elaborate spectacle of what The Glitch Mob calls “the EDM production arms race” that accompanied EDM’s rise to mainstream appeal throughout the last decade.
That’s great, but OffBeat wants to provide a different experience – one that represents rave culture’s minimalist warehouse origins.
“When we throw an afterparty, the main thing we focus on is the sound,” Bry said. “Because the earlier shows might have been in a bigger room where the sound gets lost sometimes. We probably won’t have a massive LED screen, but we will always have an insane sound system.”
But OffBeat after-parties wouldn’t exist without the bigger venues that define the weekly agenda for concert-goers and ravers year-round. In fact, Bry says these venues are the main reason Denver has such a thriving rave scene in the first place.
“Denver has the best, most die-hard and committed fans in the country,” Bry said. “I think that’s because the main venues here – Mission Ballroom, The Ogden, The Black Box, and Cervantes – are so incredible.”
Bry, like most of the rave community in Denver, holds a special place in his heart for Cervantes, a venue he calls “the perfect place to see live music.”
“Cervantes has always held it down in terms of paying attention to the up-and-coming artists, nurturing the culture, and fostering the music community in Denver.” – Maddy O’Neal, Denver-based DJ and producer
That’s because, while OffBeat is the king of after-parties, Cervantes is the heart of Denver’s music community at large – and when it comes to bass music, their flagship weekly event series, SHIFT Thursdays, is leading the charge.
“Selling out a Cervantes Ballroom show, especially a SHIFT show, is a rite of passage that many artists who are now headlining Red Rocks have celebrated on their path to stardom,” Evan Marks, the lead talent buyer for the SHIFT Thursday shows, said. “Promoters and agents from all over the country are taking notes about which artists are selling out shows in Denver. That includes SHIFT shows, so these events are taken very seriously from all sides.”
In 2024, the lineup of SHIFT headliners is a who’s-who of the hottest acts in bass music, including Ahee, LYNY, SubDocta, Jason Leech, Moody Good, Canabliss, and Super Future. 
But SHIFT events aren’t just about great music – they’re about celebrating the rave community at large. “SHIFT events have a real community vibe,” Marks said. “We have vendors, live painters, things like that, which make SHIFT shows more of a congregation for ravers rather than just a concert.”
“SHIFT Thursdays, and the entire bass music community in Denver, owes a lot to Nicole [Cacciavillano]. In a lot of ways, SHIFT is a by-product of Nicole’s Electronic Tuesday shows, which called Cervantes home for many years.” – Evan Marks, talent buyer for Cervantes Masterpiece Ballroom
Cervantes is one of many beloved music venues in Denver. And, compared to other venues like Mission Ballroom, and clubs like Church and Temple, it’s a relatively small room. When an artist sells out Cervantes (capacity: 1,000), they move up the ladder. Usually, that means their next headline is the Ogden Theater on Colfax.
If you sell out the Ogden Theater (capacity: 1,600), it’s time for the big leagues. Mainly, Mission Ballroom.
Mission Ballroom isn’t just a hometown favorite — it’s a country-wide favorite, for fans and artists alike. That’s because Mission Ballroom (capacity: 3,950) is the blueprint for modern music venues. 
Built in 2019, the $28 million, 60,000 square-foot venue has all the bells and whistles: a retractable stage, five full-service bars, a state-of-the-art sound system (d&b Audiotechnik KSLs), and an 800-pound LED disco ball to top it all off.
Mission Ballroom hosts the biggest names in EDM every year — Excision, Zeds Dead, REZZ, and Truth are among the venue’s headliners in 2024. If house music is more your speed, SIDEPIECE, Mau P, and Chris Lake (who has a residency at Mission Ballroom) are also performing this year.
The venues mentioned up to this point are more traditional music venues, but there’s also a vibrant club scene in Denver’s South Broadway neighborhood. If you’re looking to cleanse your sins, The Church nightclub is waiting for you.
The Church is exactly what it sounds like — a nightclub located inside of an actual church building. 
Once a traditional St. Mark’s Church, The Church was converted into a nightclub in 1996. Today, artists like San Pancho, Borgore, and Manic Focus deliver musical sermons below stained-glass windows and gothic architecture while ravers worship together on the dancefloor.
Across the street, Temple and Club Vinyl offer similar sanctuaries for club-goers throughout the year, especially during the summer.
During the summertime, when Red Rocks season is in full swing, the raves and dance music concerts are seemingly endless. It’s not uncommon for ravers to attend three to four events in a single weekend, bouncing from a dubstep show at Red Rocks to afterparties frequently hosted at The Church and Temple, then to the late-night spot at OffBeat’s warehouse.
Absent a vicious hangover, ravers might spend the next day at The X Denver, soaking up the sun while Manic Focus (a Denver-based producer and DJ who’s shared stages with Pretty Lights, Zeds Dead, Big Gigantic, and countless others) spins some groovy bass music poolside. Before GRiZ announced his indefinite hiatus last year, he was also known for throwing free, impromptu pop-up shows at smaller venues across the city.
When Sunday finally comes around, Cheeseman Park, one of Denver’s biggest public parks, lights up with hippies, ravers, flow artists, and music lovers while local DJs set up their decks and soundtrack the evening’s affairs.
“There’s always so much going on in Denver, it’s honestly crazy how many shows happen here every week. It feels like every day a friend calls me and says ‘hey, I’m in town to play a show tonight.’ – Chloé Herry, AKA CloZee
But fans aren’t the only people who call Denver home. 
It’s also a creative hub for artists looking to escape the high-octane lifestyle of other musical cities in the US like Los Angeles and New York City in exchange for a vibrant, connected musical culture that’s unmatched in the States. 
Mitch Draper, aka Tvboo – a bass artist with a redneck flair who grew up in Jackson, Mississippi, and moved to Denver in 2022 – is a great example.
“Denver is a passion city,” Draper said. “It’s not the sexiest place, but people want to be here because they know there’s opportunity, and people here actually care about the music.” 
This mentality is at the forefront of Draper’s podcast, TVLKS with TVBOO. 
On his podcast, Draper chats casually with artists and friends in his Denver studio about life, music, aliens, shotgunning beers, comedy, psychedelics, and everything in between. According to Draper, his podcast is the main reason he moved here – because there’s no other place in the country that lives and breathes bass music like Denver.
“I knew Denver would be the best spot to grow my podcast, because it’s the Bass Captial, right?” Draper said. “Everyone plays here, whether it’s a tour or a special event. I don’t think there’s any other market in the US where an artist will play three times a year.”
Draper isn’t the only artist who feels this way. In the last few years, countless bass artists, both big and small, have migrated to Denver, including Mersiv, Black Carl!, VCTRE, Space Wizard, Smoakland, and CloZee (who moved all the way from Toulouse, France). As Draper puts it, “Denver is like an orphanage – we’re all just looking for a home, and Denver stepped up to the plate.”
Of course, the vibrant rave community isn’t the only reason people move to Denver. 
The city also appeals to a whole other demographic of nature lovers, snowboarders, and college attendees thanks to universities like the University of Colorado Denver, Metropolitan State University of Denver, and the neighboring University of Colorado Boulder – a campus that has incubated countless stars including Disco Lines, Big Gigantic, and Maddy O’Neal.
When Maddy O’Neal moved to Boulder to attend the University of Colorado Boulder in 2008, she had no intentions of becoming a DJ or producing music. She was much more concerned with snowboarding. 
“I think the people who move to Colorado for the mountains and outdoor sports are also the people will go out of their way to see three shows a week. Those people are often pretty passionate about music, especially electronic music.” – Evan Marks
But there was a new sound bubbling up in EDM music across the country in the late 2000s, defined by funky rhythms, live instruments (especially the saxophone), and upbeat grooves associated with the electro-soul genre. The epicenter of this evolution took place in Boulder, Colorado, and O’Neal couldn’t get enough of it.
“Moving to Colorado in 2008 changed my trajectory drastically,” O’Neal said. “There was this explosion of sample-based, electro-soul sounds from Colorado artists like GRiZ, Pretty Lights, and Big Gigantic. It was all kind of a new thing, but as soon as I heard it, I was blown away. I knew I needed to figure out how this music was being made.”
Today, Colorado is known as the bass capital of the U.S. However, while Dubstep is certainly a pillar of Colorado’s modern music community, the regional sound remains tethered to the electro-soul and funky bass music genres coined by the state’s most iconic electronic acts like the aforementioned Pretty Lights, GRiZ, and Big Gigantic.
In 2024, the funk-laden bass music that defines the Colorado sound lives on through artists like Maddy O’Neal, Manic Focus, Late Night Radio, and Homemade Spaceship. Still, other Colorado-based artists like Mersiv, ILLENIUM, Smoakland, Space Wizard, Black Carl!, and countless others, continue to push dubstep and experimental bass music to new heights.
Whether you’re headbanging at Red Rocks, jamming to some electro-soul at Cervantes, or grooving to house music under Mission Ballroom’s giant disco ball, the vibes (and the people) are always high in Colorado.

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New EDM Friday: Tiesto, Afrojack, Hardwell, DJ Snake, Don Diablo & More

Tiësto x Afrojack – Light It Up
Two DJs who have collaborated with countless other DJs across the years, it’s a shock to say Tiësto and Afrojack have not once put something out together but today that ends. The two EDM powerhouses unite together to deliver a massive dose of mainstage energy with ‘Light It Up’.
Hardwell x AVAO – I’m The Devil
Played as a demo at Lovestream Festival in Slovakia, ‘I’m The Devil’ has been a sought after ID for months and now it’s being unleashed on the world. A collaborative effort between Hardwell and AVAO, this single packs a major punch and delivers a huge dose of that big room techno that has been taking over the festival circuit.
Don Diablo x Jamiroquai – Deeper Underground
A master of remixes, Don Diablo has already put his touches to iconic acts such as Bastille, Ed Sheeran, and Avicii, and now he adds the dance music iconic act of Jamiroquai to that list. Taking ‘Deeper Underground’ and turning it into a electro-driven future house anthem, the Dutchman adds yet another gem to his catalog.
DJ Snake – Complicated
Following on from ‘Teka’ with Peso Pluma, DJ Snake releases new single ‘Complicated’ featuring Fridayy. The superstar collaboration fuses Pluma’s crisp vocals with Snake’s dynamic production skills resulting in a pulsating anthem transcendent of cultural genre boundaries.
Honorable mentions:
Atmozfears – pale blue dot
AXMO – Sitting Down Here
B-Front x Adrenalize – Eternal
Cheat Codes x Train – Bloom
Dada Life – 5 Notes from Paradise
Dr Phunk – Welcome to the Weekend
Duke Dumont x Clementine Douglas – Ain’t Giving Up
Gabry Ponte x Tai Woffinden – Body (feat. Yasmin Jane)
Good Times Ahead x 4B – Magnificent
Justin Mylo x Vluarr – So Close
K-391 x Sielo x Nick Strand – Mindscape
KSHMR x 7 Skies – Out of Control
Nero – Into The Unknown
OBS x JSTJR – Kick Drum
Plastik Funk x Firebeatz – Don’t Call Me Baby
Robin Schulz x Joel Corry x KOPPY – Upside Down
Tujamo x Vion Konger – La Tentación
Wuki – Pump the Bass
Stream all these tracks and more in our New EDM Friday playlist – follow here.
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Duke Dumont Explores the Power of Perseverance In New Single, "Ain't Giving Up"

A poetic storm brews in the heart of Duke Dumont's latest track, "Ain't Giving Up," 
Melancholy meets determination in the new single, which finds Dumont teaming up with "Miracle Maker" songstress Clementine Douglas to construct an evocative journey that encapsulates the sheer essence of human resilience. Out now via Astralwerks, the song's lyrics unfold a powerful emotional narrative as its influential producer crafts cascading waves of melodic synths and deep sense of rhythm.
In the verses, Douglas' voice flutters like a leaf caught in a gentle breeze, tinged with a melancholia that reflects the struggle of holding on when all seems lost. As the chorus arrives, there's an awakening, a surge of soulful energy that brings a sense of hope and unwavering determination. 
Meanwhile, Dumont's production is characterized by a robust melodic undercurrent that steadily bubbles to the surface. His synth work seamlessly intertwines with his signature house grooves, grounding the track in a rhythmic pulse that fans will find both fresh and familiar. As the arrangement progresses, it swells with an intensity that mirrors the emotional journey of its lyrics, making each listen feel like an act of catharsis.
"Ain't Giving Up" follows the recent release of "ENERGY," a high-octane anthem that marked Dumont's first single of 2024. While that track was a celebration of vitality and movement, today's release dives deeper, exploring the quiet strength found in persistence. 
Check out "Ain’t Giving Up" below and find the new track on streaming services here.
Follow Duke Dumont:
X: x.com/dukedumont
Instagram: instagram.com/dukedumont
TikTok: tiktok.com/@dukedumont
Facebook: facebook.com/dukedumont
Spotify: spoti.fi/3isP7o0
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