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Max Styler & Oscar L Team Up For Two-Tracker ‘Addiction / Yapper’

Oscar L, a veteran of Beyer’s Drumcode imprint with Again EP (2023), and of Truesoul including solo EP Vulture (2022) and a collaboration with Dosem in the Aircargo EP earlier this year, now brings his revered Techno/Tech-House chops to this collaboration with Californian Max Styler, a Beyer stable up-and-comer, whose ‘Main Stage/Indie Dance’ blend of House with dark Euro vibes has soared in the last two years on Experts Only Records and Diynamic. ‘Addiction/Yapper’ is out now on Adam Beyer’s imprint Truesoul, listen here.
Of course, each track has a personality and a message to carry:
‘Addiction’: straight in with spoken vocal mantra/manifesto – ‘We’ve got an addiction…to rave life’ over a driving beat, rattling drums, dark basslines of teeth-tingling, juddering notes rich in reverb, echo and hoover FX, while in the long central breakdown, synth chords build like approaching sirens heralding the mighty drop. Compelling and compulsive dance fuel. 
 
‘Yapper’: the fast, powerhouse beat, ominously growling bass and stabby melody of deep reverb paired with high keening synth are joined by a pitch-shifted distorted vocal staccato babble which is strangely hooky, bringing a more alien, other-worldly feel.
The post Max Styler & Oscar L Team Up For Two-Tracker ‘Addiction / Yapper’ appeared first on EDMTunes.
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Mat Zo Makes Triumphant Return To mau5trap With ‘Disco Boy’

Mat Zo returns to mau5trap with his ‘Disco Boy,’ available now on all platforms. The track marks a triumphant return to the Electro House and Progressive House sounds that dominated the Electronic music scene in the late 2000s, offering a fresh yet familiar vibe that fans of Zo and deadmau5 will instantly recognize and appreciate. Listen here.
A whirring blend of intricate layers of House, ‘Disco Boy’ is a fresh take on Electro and Progressive sounds. Best characterized by its driving energy and intoxicating bassline, ‘Disco Boy’ continues to push the boundaries of Electronic music, creating a track that is both a celebration of the past and a bold step forward.
Zo’s signature production style and meticulous attention to detail craft a compelling feature to dive back into over and over again. Mat Zo pays homage to the aughts of mau5trap, drawing inspiration from deadmau5 and the label’s early releases that helped define the aforementioned genres.
The track’s driving beats and melodic progression evoke the sound of deadmau5’s early work, with a modern twist that breathes new life into the classic mau5trap aesthetic. Fans of the 2009/2010 era of the label will find themselves transported back in time, while new listeners will discover a track that perfectly encapsulates the essence of what makes mau5trap a legendary name in Electronic music.
As one of the most innovative and influential artists in the scene, Mat Zo proves once again that his music is as timeless as it is groundbreaking. Mat Zo is on tour this fall and winter, hitting major cities across North America. For tickets and more information, please visit: https://matzomusic.com/. 
The post Mat Zo Makes Triumphant Return To mau5trap With ‘Disco Boy’ appeared first on EDMTunes.
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Le Youth Unveils New Track, ‘seven-twenty-four’, With Robby East

The innovative Deep House producer Le Youth has released his latest track, ‘seven-twenty-four’, with Dutch Melodic House producer Robby East. Le Youth, born in Toledo, OH as Wes Quinonez, released ‘seven-twenty-four’ as his third installment lifted from his collaborative project, Le Youth &. This track contains vocal support from the one-of-a-kind vocalist Julia Church and it also has drumkicks that complement perfectly alongside melodic keyboard notes and rising synths.
The producer released the track on This Never Happened, the exciting label of Lane 8, and the track also comes in an EP with two other entertaining tracks. These two tracks are ‘golden’, a low-key yet upbeat track alongside MYRNE and Bernie Scott, and ‘every-little-part’, a dreamy and uplifting jam alongside Otherwish and LeyeT that is perfect for listening in any situation. Le Youth has already released the two tracks prior to ‘seven-twenty-four’. Click ‘Play’ on the Spotify link below to stream ‘seven-twenty-four’, a track that is a perfect listen for the end of this amazing summer of 2024.
The post Le Youth Unveils New Track, ‘seven-twenty-four’, With Robby East appeared first on EDMTunes.
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Patrick Topping And Green Velvet Tag Team to Drop “Mad Motion” After Teasing Us

After hearing “Mad Motion” teased across multiple stages at last weekend’s Arc Music Festival, there was no way I could get this track out of my head. The infectious rhythm, playful vocals, and undeniable energy had festival-goers buzzing, and I found myself waiting in anticipation for its official release. Today, that wait is over. Patrick Topping and Green Velvet have finally dropped “Mad Motion,” and it’s every bit as captivating as it was live.

Patrick Topping, known for his infectious beats and groovy basslines, has solidified himself as one of the leading figures in modern house music. His collaborations with artists like Green Velvet have been instrumental in pushing the boundaries of the genre, and “Mad Motion” is no exception. Green Velvet, a legend in his own right, brings his signature blend of quirky vocals and techno-infused rhythms to the track, creating a synergy that can only be described as electric. Having previously worked together on universally sampled statement pieces like “Voicemail,” the duo continues to show their chemistry and understanding of the scene with this new release.

“Mad Motion” is a track designed for peak-time club sets. It’s built around a pulsating rhythm that gets under your skin from the moment the first beat drops. The lyrics echo the theme of movement and confidence, with a cheeky twist. Lines like “Clowning on the beat, HAHA-ing, body and my feet in motion” and “Their motion’s way too slow can’t hang with my tempo” emphasize the unstoppable energy the song aims to deliver.
The repetition of “Mad Motion” drives home the sense of kinetic energy, as the track pushes listeners to let loose on the dance floor. It’s a command to get up, move, and embrace the vibe, leaving all inhibitions behind.

The lyrics of “Mad Motion” are simple yet effective, weaving between a sense of fun and self-assuredness. “Don’t talk about it, be about it” is a motivational mantra embedded in the track, encouraging people to take action instead of just talking. The verses challenge people to break out of their comfort zones, exemplified by the line “Comfortably uncomfortable, where’s the outcry?”

The track seems to play with the idea of superiority in rhythm and energy, mocking those who can’t keep up with the fast-paced vibe while flexing an almost rebellious confidence. The final lines, “The greatest flex is when you wave bye-bye,” add a playful yet assertive ending to the track, making it a perfect blend of empowerment and fun.
The Conclusion: Another Resilient Club Hit
Patrick Topping and Green Velvet have once again proven why they are such a powerful duo in the world of house and techno. “Mad Motion” isn’t just a track—it’s an experience, combining high-energy beats with witty lyrics that make you want to hit the dance floor immediately. With its hypnotic basslines and irresistible groove, “Mad Motion” is poised to be a staple in club sets around the world.
If you’re looking for the next dance floor staple, “Mad Motion” is absolutely it. You can listen to the track on all major streaming platforms, out today.

The post Patrick Topping And Green Velvet Tag Team to Drop “Mad Motion” After Teasing Us appeared first on EDMTunes.
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Armin van Buuren And Hardwell Reunite After A Decade On ‘Follow The Light’

Two icons came together to release a hotly-anticipated piece of music.
Peak Dance music right here. And also top-notch collaborators. We’re talking about the conjoint effort of two masters at work, the legendary Trance act Armin van Buuren, and a man who flipped the entire scene on its head in 2013, Hardwell. Two undoubtedly iconic figures of the EDM sphere, they had an ID cooking for a while, and today it finally came out.
After nearly a decade, Armin and Robbert have joined forces once again for the highly anticipated ‘Follow The Light‘. The duo’s collaboration blends Armin’s signature euphoric Trance melodies with Hardwell’s cutting-edge Big Room Techno, creating a powerful festival anthem. The track has already become a staple in both artists’ sets throughout 2024, and it could become one of the most-played records this season, now that it’s finally out.
‘Follow The Light’
You might remember ‘Off The Hook’, their first — and for years only — collaboration. While that track had an intense Hardwell vibe, this time the tables have flipped slightly, and ‘Follow The Light’ has a shiny Trance personality, in Big Room trousers. Not staying behind on any front, the record features singalong vocals to really make of this instance a memorable one.
Both Armin and Hardwell are renowned for their groundbreaking contributions to the Dance music scene. Armin, a five-time winner of the Top 100 DJs poll, is known for his genre-defining weekly radio show A State of Trance, while Hardwell, a former No. 1 DJ, is celebrated for his hit anthems and remixes. Their combined talents and influence have made them two of the most iconic figures in the industry.
Listen to Armin van Buuren and Hardwell‘s spellbinding collaboration ‘Follow The Light’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Armin van Buuren And Hardwell Reunite After A Decade On ‘Follow The Light’ appeared first on EDMTunes.
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Watch FISHER Share Heartwarming Congratulations With Paralympics Gold Medalist Alexa Leary

A wholesome moment between two Australian legends was caught on camera at the Paris 2024 Summer Paralympic Games.
Thanks to her incredible swimming performances, Alexa Leary has been making waves—literally and figuratively—at the Paris sporting event. The Australian athlete broke the world record 100m freestyle time twice within 24 hours, according to Yahoo Sport Australia.
Seeing as she's the new world record holder, Leary, of course, picked up a gold medal win for her performance in the pool. The swimmer, a fan of electronic music, was then pulled aside after her victory to receive a congratulatory message from none other than her Australian compatriot, FISHER.
The DJ and house music superstar called Leary an "absolute legend" before telling her that he and his newborn will be watching her perform later in the Summer Paralympic Games. She expressed shock and excitement over the surprise message and said it made her day before expressing interest in joining him onstage at a future event—and maybe even babysitting.
"Come on, bring it home girl!" FISHER said. "We love you, you're such an inspiration."
Check out the heartwarming moment between FISHER and Leary below.
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Don Diablo and Sandro Cavazza's "Young Again" Is a Bubbly Reminder to Cherish Every Moment

With his uplifting new single, Don Diablo reminds us that youth isn't just a number, but a state of mind—one we can choose to inhabit regardless of age.
Memories and melodies intertwine like DNA strands of nostalgia in "Young Again," out now via Diablo's HEXAGON label. And in its pulsing heart, we find a paradox: a celebration of youth wrapped in the wisdom of age.
The song features a powerful vocal performance from Sandro Cavazza, whose lyrics skate on the razor's edge between nostalgia and urgency, pleading with us to devour the present before it evaporates. His soaring falsettos and evocative words paint familiar scenes: laughter echoing in twilight, the touch of a hand, eyes bright with possibility. Meanwhile, Diablo's effervescent production shimmers and flows, mirroring the way memories blur at the edges, yet remain vivid at their core.
But beneath the bubbly house track lies an even deeper truth: we're all hurtling towards an unknowable future. To that end, "Young Again" is, at its core, a call to action to live life to the fullest as our moments disintegrate with each breath.
Listen to "Young Again" below and find the new single on streaming platforms here.
Follow Don Diablo:
X: x.com/dondiablo
Instagram: instagram.com/dondiablo
TikTok: tiktok.com/@dondiablo
Facebook: facebook.com/officialdondiablo
Spotify: tinyurl.com/3cvw6am4
Follow Sandro Cavazza:
X: x.com/sandrocavazza
Instagram: instagram.com/sandrocavazza
TikTok: tiktok.com/@sandrocavazza
Facebook: facebook.com/sandrocavazza
Spotify: tinyurl.com/dvx75fuy
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Fred again.. Releases Introspective New Album, Ten Days

Renowned artist Fred again.. has recently released his latest album — his fourth studio LP titled ten days. This highly anticipated album features a stellar lineup of collaborators including Obongjayar, Jozzy, Jim Legxacy, Sampha, SOAK, Anderson .PAAK, CHIKA, Duskus, Four Tet, Skrillex, Joy Anonymous, Emmylou Harris, The Japanese House, and Scott Hardkiss.
“these are ten songs about ten days. theres been a lot of BIG mad crazy moments in the last year but i realised that almost all the ones that i was most sorta shaped by were the really very small quiet intimate moments. some of them are like the most intensely joyful things ive ever felt, and some of them are not that.” Fred Again
The release of ten days comes on the heels of Fred’s outstanding headline performances at the Reading & Leeds Festival during the August bank holiday weekend. Notably, he made history by becoming the first Dance act to headline the festival, receiving critical acclaim for his groundbreaking performance.
Finding beauty and art in the most intimate and “regular” moments of life, Fred has made a name for himself due to the versatility of his sound and the way he approaches the creation of his tracks. This album is certainly no exception, portraying a journey through a story he tells through the entire sonic voyage.
Upcoming Tour Dates
Looking ahead, Fred again.. will be embarking on his ‘places we’ve never been‘ headline tour in North America. The tour will include stops in cities such as Denver, Seattle, Detroit, Buffalo, Toronto, and more throughout September and October. For a complete list of tour dates and ticket information, make sure to check his website.
The post Fred again.. Releases Introspective New Album, Ten Days appeared first on EDMTunes.
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NERO Releases Third Studio Album, ‘Into The Unknown’

GRAMMY-winning trio NERO just released their long-awaited third studio album, Into The Unknown. The album arrives nine years after its predecessor, Between II Worlds, and after much anticipation built with singles ‘Truth,’ ‘Blame You,’ ‘Draw Energy,’ ‘Too Many Questions,’ and ‘Solar.’
Into The Unknown is NERO’s post-apocalyptic tale of humanity’s dichotic destiny, where science and fantasy, beauty and brutality, creation and destruction meet in harmony. It’s reflection of the stories NERO foretold with their first two albums: the disconnectivity of a worldwide epidemic, the rise of technology, and the need for society’s rebirth for the progression of humankind. 
Encompassing the genre-defying phenomena that has always projected NERO to the forefront of electronic music, Into The Unknown references dance music through the ages: from the UKG, jungle and drum & bass of the 90s and early 00s that served as their inspirational foundation to the dubstep and dance pop of the 2010s that cemented their status beyond the clubbing landscape. The album is a celebration of NERO’s past, present, and future, sonically cataloging the band’s roots in London’s underground with songs like ‘Blame You’ and ‘Too Many Questions’ countering futuristic tracks like ‘Truth’ and a new version of their 2022-released RL Grime collaboration ‘Renegade.’
The album serves as the final piece of NERO’s trilogy, a cinematic three-part audio-visual story from bandmates Daniel Stephens, Joe Ray, and Alana Watson that has unfolded over their 20-year career, beginning with Welcome Reality, continuing with Between II Worlds, and now concluding with Into The Unknown. 
Stream NERO’s new album, Into The Unknown, available now on all platforms ahead of their headlining Into The Unknown Tour.
The post NERO Releases Third Studio Album, ‘Into The Unknown’ appeared first on EDMTunes.
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Mochakk releases the second part of ‘Locomotiva Ibiza 2099 II’ EP

We heard it all summer love but finally, the second part of Mochakk EP, Locomotiva Ibiza 2099 II has been released. The release features three new tunes and it is out now on CircoLoco Records.
Locomotiva Ibiza 2099 II defends the strong collaborative focus of the EP’s six tracks with ‘No Boys Allowed (OG House Mix).‘ The tune features Canadian artist Tommy Genesis, known for her collaborations with JPEGMAFIA, Charli XCX, and Lana Del Rey. Her sultry vocal style will draw you into the rhythm, intertwining hypnotically with Mochakk’s masterful production. The tune is already a dancefloor essential.
‘Estribeira‘ follows, featuring rising Brazilian artist, personal videographer, and close friend Artisian. They blend vocals and siren samples with heavy kick drums and a punchy bassline. Each element waves together and creates a masterpiece highlighting both artists’ strong Brazilian influences.
‘No Boys Allowed (Street Mix)‘ closes out the EP with Mochakk delivering a fresh, downtempo reinterpretation of the original. While it still integrates Tommy Genesis’ vocals seamlessly, this version introduces a more relaxed, atmospheric vibe. The perfect counterpart to the high-energy house mix. This one features the heavy bass you may are waiting.
If you have missed the first installment, ‘Locomotiva Ibiza 2099 I’ captivated audiences with its innovative sound and energy. The first part of the EP featured the title track, a collaboration with VTSS, and ‘The Line,’ a solo track from Mochakk featuring his own vocals.
The first part of the EP concludes with ‘Locomotiva Ibiza 2099 (Dub Mix),’ a stripped-back version of the original. Together with the second part of this EP, Locomotiva Ibiza 2099 further elevates the project and continues to demonstrate why Mochakk is a giant in the electronic music scene today.
Fans can experience all six tracks from both parts of ‘Locomotiva Ibiza 2099’ live during Mochakk’s upcoming shows and via CircoLoco Records.

The post Mochakk releases the second part of ‘Locomotiva Ibiza 2099 II’ EP appeared first on The Groove Cartel.
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Sensu's Raw "Pieces" EP Is an Autopsy of Club Culture: Listen

With her new EP Pieces, Sensu doesn't just evoke emotions—she weaponizes them to redefine dancefloors as hubs for shared experiences.
Out now via London's Attack Decay Sweet Release label, the EP arrives in the midst of a breakout for the surging Swiss producer, whose music recently received spins on the acclaimed BBC Radio 1 shows of Pete Tong, Jaguar and Sarah Story.
Pieces is less an EP and more an autopsy of club culture, laying bare its beating heart and ragged lungs through four emotive dance bangers. A raw blend of jungle, breakbeat and 4x4, it's the sound of a rave eaten alive by its own hunger for catharsis.
Sensu flexes her versatility throughout, delivering a collection that lives in the tension between introspection and movement. "My Luv" is an undeniable standout, leaving listeners deliriously dancing on the graves of romance. A central lyrical grenade ricochets off walls of sweat-slicked synths: "Driving me crazy, I thought you were my love."
Another standout comes with the EP's final track, the jungle-inspired "Switch Up." Here, she produces claustrophobic drums underneath icy vox to close with a paradoxical beast that's somehow both frenzied and brooding.
Listen to Pieces below and find the new EP on streaming platforms here.
Follow Sensu:
Instagram: instagram.com/sensu
Facebook: facebook.com/sensumusic
Spotify: tinyurl.com/yjcbr9ca
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"You Get It Or You Don't:" Exploring the Badass Femininity of Ninajirachi's New Album, "girl EDM"

Immersing us in her singular world of glitched-out, glitter-showered electronica, Ninajirachi has released a brand-new album, girl EDM.
The virtuosic producer, one EDM.com's best artists of 2022, has been on a furious rise through electronic music's ranks. Last year's scintillating 4x4 EP fanned the flames of her ascent, but girl EDM pours gasoline.
"There are girls and EDM and there is girl EDM… Cat ears, furry paws, Angel Music, headphones on world off, sci-fi fantasy ren-fair cosplay windows down hands in the air Nintendo 3DS at the beach until the sun sets," Ninajirachi tells EDM.com. "Late night all up in the car seat, blue energy drink, kandi bracelet, producer girls, computer girls, cyborg girls, all roads lead back to plur… The next step in evolution and a window to the soul."
Ninajirachi.Aria Zarzycki
She kicks off girl EDM with "Angel Music," in which we're immediately engulfed by the album's neon-drenched production. The track, as bright in sound as the technicolor anime that inspires Ninajirachi, urgently reminds us that "girls like this come straight from heaven."
This fantastical hyperpop journey only grows more visceral with supersonic beats that saturate the album in the singular whimsy of Ninajirachi. "Hand on my heart" and "Wayside" are prime examples, pulsating with the glitchy sounds of chiptune. Meanwhile, tracks like "1x1" and "Ninacamina" carry a darker, denser ambience and exploring more brooding sounds.
In a strategic and skillful move, "Undo U" appears twice on girl EDM: once in its whimsical, resounding original version and again in four-on-the-floor form. The remixed "4x4" version carries the same wintry message, "I know something that could undo you," but the words burrow themselves into a frenetic, hyperactive beat.
To close out the album, its titular track begins with a heart-racing cadence, its kickdrums slicing through effervescent, digitized harmonies. However, behind its rousing production lies a weighty message of strength and resilience through feathery vocals. The drop then detonates with distorted synths and a bassline that refuses to relent, beautifully echoing of the album's prevailing ethos of self-discovery.
girl EDM is out now via Nina Las Vegas' NLV Records. Listen below and find the new album on streaming platforms here.
Follow Ninajirachi:
X: x.com/ninajirachi
TikTok: tiktok.com/@ninajirachi
Instagram: instagram.com/ninajirachi
Facebook: facebook.com/ninajirachi
Spotify: spoti.fi/3hVlbBm
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Andrew Bayer & Oliver Smith – 4U

Anjunabeats stalwarts Andrew Bayer and Oliver Smith teamed up for their third collaborative single titled ‘4U’. They’ve released on the label for over a decade. What’s more, they became closer friends as both producers developed into mainstays in the trance and progressive house scene. Now, the duo reunite on their new single together as we see its release on Anjunabeats.
‘4U’ combines both artists’ love for the UK bass scene of the ‘90s and ‘00s. Fans state it brings a ‘Ghost Voices’ vibe to the track, bringing their signature trance and progressive styles to a modern era. Though it is not the original Anjunabeats sound, it could be something for the new wave. It takes a little bit to start, and crescendos in with a synth melody reminiscent of the Virtual Self track we know and love. A groovy bassline accompanies the melody as the vocal sample riffs along in the beginning. The chorus repeats itself until the end. Well, we could see this little diddy transition between songs of either artist’s set.
This track follows the success of their recent collaborations ‘Rude Boyz’ and ‘Like DAT’. It’s been a while since we’ve seen Bayer, the GRAMMY-nominated producer responsible for some experimental artist albums on Anjunabeats. He debuted in 2011 with ‘It’s Artificial’, a merger of glitch-hop, electronica, and prog house. Then his fourth studio album, Duality, ranked #1 on the US / Canada iTunes Dance chart. Last year, Andrew successfully executed a North American tour and appeared at Above & Beyond’s Group Therapy Weekender at The Gorge.
Oliver Smith is Anjunabeats’ first signing and one of the label’s oldest and dearest friends. Remember when he mixed the Anjunabeats Worldwide 08 compilation in 2018? It featured ten of his own tracks and reached the #1 spot on the iTunes dance chart in the USA, UK, Canada, Australia, and more. Oliver kicked off this year by releasing ‘Everything’, with Tom Bailey that featured on Anjunabeats Worldwide 11, by Alex Sonata & TheRio. You can catch Oliver on an international tour with stops in LA, New York, London, Delhi, Mumbai, and beyond.
Anjunabeats continues its new era. Listen to ‘4U’ below.
Andrew Bayer & Oliver Smith – 4U | Buy/Stream
The post Andrew Bayer & Oliver Smith – 4U appeared first on EDMTunes.
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Adam Ten's "3 Days Later" Is a Melodic Homage to Burning Man: Listen

Adam Ten is dusting off his playa gear and returning to the default world just in time to drop his new Burning Man-inspired track, "3 Days Later."
Hot off the heels of his official remix of RÜFÜS DU SOL's "Lately," the Israeli beatsmith is continuing to push the boundaries of melodic house and techno while staying grounded in his signature style. Breathing new life into Rhye's acclaimed 2013 track "3 Days," his breezy edit transports us to a dreamy desert soundscape.
According to a press release, Ten originally created the rework to play in his Burning Man sets. After an overwhelming response to the song, he decided to play it for Rhye, whose team cleared the sample before its release this week on Diplo's Higher Ground imprint.
"I loved how the original makes you feel something deep," Ten said. "I remember the first time I heard it, and it brought tears to my eyes. I went to the studio on a mission to catch that feeling and transcend it to the dancefloor, to make people feel connected to themselves and their loved ones."
True to form, Ten is fresh off a handful of larger-than-life DJ sets within Black Rock City, where he performed at some of Burning Man's most beloved sound camps, including Robot Heart, The Playground and Mayan Warrior's Galaxyer, among others.
Listen to "3 Days Later" below and find the new single on streaming platforms here.
Follow Adam Ten:
Instagram: instagram.com/adamten_
TikTok: tiktok.com/@adamten_
Facebook: facebook.com/adamtendovgummy
Spotify: spoti.fi/4cNufTe
Follow Rhye:
X: x.com/rhye
Instagram: instagram.com/rhye
TikTok: tiktok.com/@rhye
Facebook: facebook.com/rhyemusic
Spotify: tinyurl.com/t59ummfs
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Adam Ten & Rhye Deliver New Single “3 Days Later” Reimagination of Rhye’s Acclaimed 2013 Track “3 Days” Out Now via Higher Ground

Today, rising house music maverick Adam Ten links up with ethereal R&B star Rhye to officially release “3 Days Later.” The new single, which expands the scope of Adam’s distinct sound, is out now via Higher Ground. 
 
Originally writing the track (which serves as a reimagination of Rhye’s “3 Days,” off his seminal 2013 debut album Woman) as an edit to play at his Burning Man sets last year, Adam was frequently called upon by fans to find a way to release it. After getting Rhye on board, who enthusiastically approved of the new version, the track was cleared just in time for this year’s edition of Burning Man. The track returned to the playa as beloved as ever. You can check out clips of Adam playing the song during his return to Robot Heart at Burning Man this past week here. “I made this edit around one year ago for my morning set at Robot Heart art car in Burning Man. I loved how the original makes you feel something deep. I remember the first time I heard it, and it brought tears to my eyes. I went to the studio on a mission to catch that feeling and transcend it to the dancefloor, to make people feel connected to themselves and their loved ones. The feedback has been amazing and people are always asking for it. We reached out to Rhye, and he loved it and approved the sample, so I’m very excited that ‘3 Days Later’ as we called it, is finally being officially released on Higher Ground!”     — Adam Ten
“3 Days Later” is the latest milestone of a massive 2024 for Adam Ten, who has become one of the hottest names in house music thanks to his particularly unique psychedelic take on the genre. On top of debuting at Coachella (right before RÜFÜS DU SOL at the new Quasar Stage) and sharing his first Essential Mix for Pete Tong earlier this year, Adam has garnered cosigns from dance music titans like Solomun, Black Coffee, and Damian Lazarus while playing coveted slots at EDC, Burning Man, and Circoloco.
Built upon a close-knit culture of supporting one another, Tel Aviv’s dance music scene has seen a recent boom of up-and-coming artists led by Adam Ten and his label Maccabi House. His playful and sometimes wonky sound is rooted in the regional staple genre of his hometown of Tel Aviv’s psytrance and a departure from the sounds of traditional reigning tech house genres. He skillfully winds down the often rapid tempos of psytrance while keeping its buzzing synths and warping basslines. “3 Days Later” sees Adam branching out on the more melodic side of his sound, with shades of potential pop sensibilities.
Adam Ten Upcoming Tour Dates
August 15 – Momento, Marbella, Spain
August 16 – Akasha, Ibiza (Maccabi House), Spain
August 23 – Stereo, Montreal, Canada
August 26-31 – Burning Man
September 6 – Hive, Zurich, Switzerland
September 7 – Voodoo Village, Grimbergen, Belgium
September 7 – La Clairière, Paris, France
September 8 – Kiesgrube, Dusseldorf, Germany
September 15 – La Petite Plage, St.Tropez, France
September 17 – Pacha, Ibiza (w/ Camelphat), Spain
September 19 – Bar Americas, Guadalajara, Mexico
September 20 – LooLoo, Mexico City, Mexico
September 21 – Brooklyn Mirage, New York (Higher Ground)
September 28 – Brunch Electronik, Madrid, Spain
October 1 – Pacha, Ibiza (b2b Pete Tong // Camelphat Closing)
October 10 – Electric Rush, Queenstown, New Zealand
October 11 – The Mothership, Auckland, New Zealand
October 12 – The Civic Hotel, Sydney, Australia
October 13 – Revolver, Melbourne, Australia
October 31 – Art of the Wild, Las Vegas (b2b Mita Gami)
January 11 – Day Zero, Tulum, Mexico Connect with Adam Ten
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The post Adam Ten & Rhye Deliver New Single “3 Days Later” Reimagination of Rhye’s Acclaimed 2013 Track “3 Days” Out Now via Higher Ground appeared first on Electric Mode.
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Kasablanca – Breathe

Kasablanca is resynthesizing The Prodigy’s iconic single ‘Breathe‘. You may have heard the viral release first at their Group Therapy Weekender set at The Gorge Amphitheater. While the song was never intended to see an official release, the fans wanted it. So, with the blessing of The Prodigy themselves, Kasablanca’s cover of ‘Breathe’ is now commercially available. 2023 held some good music moments, and this was no exception. The duo captivated the audience with this track, a surprising, thumping live-oriented take. It’s no wonder social media skyrocketed its infamy and now fans can indulge in its sweet release.
Firstly, this official tribute to the original hit blends modern tastes of acid house and techno in true mainstage form. Secondly, it rocks out hard as their fourth single of their upcoming debut album Higher Resolution (Side A). You’ll want to save this viral official cover of theirs, as it breathes new life into the 1996 classic. It follows their three previous album singles, ‘Remission’ with Lane 8, ‘Terminal Feeling’, and ‘Daydream’ with anamē, with the first half of their recently announced debut album Higher Resolution dropping on October 4th. And don’t forget to catch them on their Higher Resolution tour if you can. ‘Breathe’ topped charts in the late 90s, the second single from The Prodigy’s third album The Fat of the Land. It saw widespread critical acclaim worldwide, even topping UK Music charts, earning a spot of dance music’s most recognizable tracks. What’s more, it certified platinum twice.
So, listen to ‘Breathe’ resynthesized by Kasablanca below.
Kasablanca – Breathe | Buy/Stream
The post Kasablanca – Breathe appeared first on EDMTunes.
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Patterns Brighton Announce Autumn/Winter Lineups With Chicane, Daniel Avery, Hunee, Ewan McVicar, Sofia Kourtesis, Mr Scruff, Dusky, Eats Everything, Stanton Warriors, Anjunadeep + More.

All night long sets, debuts, Shogun Audio’s 20-year birthday celebrations and much more make this Patterns’ biggest season to date.

Patterns Brighton, the south-east’s most cultured venue, has programmed another irresistible season of sound to see out 2024 in style. Between now and mid-December, the taste-making likes of Chicane, Hunee, Anjunadeep, Sofia Kourtesis, Dusky, Eats Everything, Dan Shake, Fat Tony, Mr Scruff, SOSA, Voltage and Shogun Audio will all play a multi-genre mix of parties. These events always sell out so get your tickets now at; patternsbrighton.com. 
Patterns is a cult seaside venue that holds a dear place in the hearts of real electronic music lovers. It has long since offered the most tasteful and forward-thinking DJs, live acts, bands and brands in the region from across the underground spectrum with a mix of legends, pioneers and new school heroes. 
Stopping by through autumn and winter are many great names with standouts including exclusive All Night Long sets from the deep digging Rush Hour man Hunee, acclaimed house pair Dusky and speed garage, UKG and bassline star Silva Bumpa all of whom will be able to really delve into their collections and offer a fulsome musical journey.  
There will also be extended sets from Bristol bass lover and party starter Eats Everything, emotive house and disco specialist Dan Shake, plus Bakey and Narciss, while you can get down at some
Day Sessions headlined by vital scene veteran Fat Tony, eclectic maestro Mr Scruff, trance and prog forefather Chicane and legendary breakbeat duo Stanton Warriors. 
The breakout tech house titan that is SOSA also makes his long-awaited Patterns debut, while pioneers Shogun Audio will be celebrating 20 years of cutting-edge drum & bass with a super lineup, plus the heavyweight likes of Culture Shock and Voltage also roll into town. 
In amongst all that are many more treats from the underground including a Boundary Festival After Party with Ewan McVicar, a DJ set from Ninja Tune’s Peruvian star Sofia Kourtesis, classic house and trance from the Insomnia crew, Eye to Eye with Papa Nugs, Memory Box with dark drone, techno and synth magician Daniel Avery, the debut of La Discothèque in Brighton and much more. 

Autumn/Winter 2024 Lineups
A-Z
Bakey, Chicane, Culture Shock, Dan Shake, Dana Montana, Daniel Avery, Denham Audio, Diffrent, Duskee (MC), Dusky, Eats Everything, Ewan McVicar, Fat Tony, Fleetmac Wood, Hunee, Main Phase, Monrroe, MPH, Mr. Scruff, Narciss, Papa Nugs, Pola & Bryson, Prozak, Silva Bumpa, SOSA, Stanton Warriors, Voltage.
Patterns Brighton continues to lead from the front across the next season with an untouchable mix of sounds and scenes in a space that is perfectly set up for making thrilling musical memories. Join the fun and get tickets and full information now at patternsbrighton.com. 

The post Patterns Brighton Announce Autumn/Winter Lineups With Chicane, Daniel Avery, Hunee, Ewan McVicar, Sofia Kourtesis, Mr Scruff, Dusky, Eats Everything, Stanton Warriors, Anjunadeep + More. appeared first on Electric Mode.
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Above & Beyond Reunite With Richard Bedford for Stunning Trance Track, "Heart Of Stone"

Above & Beyond chisel away at emotional barriers with their stunning new single, "Heart Of Stone."
The iconic dance music trio reunited with Richard Bedford, the voice behind a pair of their most prized tracks, "Sun & Moon" and "Thing Called Love," for their latest release. His return to the fold breathes life into this bona fide trance anthem, out now via Anjunabeats.
Bedford's lyrics map the journey from isolation to connection, painting a vivid picture of a soul thawing after years in emotional permafrost. His familiar voice cascades like a mudslide of honesty through Above & Beyond's visceral production, excavating layers of solitude and secrecy: "I used to have a heart of stone, but it's melting now / I used to live my life alone, but that's changing now," he warbles.
Meanwhile, vintage trance synths from Above & Beyond liquefy the mix, flowing into the cracks of our own hardened exteriors and reminding us that even the most impenetrable facades are just a phase in the rock cycle of human emotion. To that end, "Heart Of Stone" isn't just a return to form for Above & Beyond—it's a homecoming for anyone who's ever felt trapped behind walls of their own making.
Above & Beyond debuted the track back in 2022 at the trio's Group Therapy 500 celebrations in Los Angeles and it quickly became a fan-favorite, appearing in the trio's EDC Las Vegas 2023 set and their performance at London's famed Printworks venue, among others.
Listen to "Heart Of Stone" below and find the new single on streaming platforms here.
Follow Above & Beyond:
Instagram: instagram.com/aboveandbeyond
X: x.com/aboveandbeyond
TikTok: tiktok.com/@aboveandbeyondofficial
Facebook: facebook.com/aboveandbeyond
Spotify: spoti.fi/3fHhX1z
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David Guetta and Alesso Drop Long-Awaited Collaboration, "Never Going Home"

As the sun sets on another epic summer, EDM fans are being treated to a fitting finale: the release of a high-profile collaboration between David Guetta and Alesso, "Never Going Home."
In a monumental first, the two esteemed dance music titans have joined forces for a track that's already become a festival favorite. "Never Going Home" has emerged as a standout moment in the DJ sets of both Guetta and Alesso throughout this year's festival circuit, resonating with fans at Tomorrowland and Creamfields, among many other major events.
The new single, which fans had speculated was collaboration with Lana Del Rey, features LA-born singer-songwriter Madison Love, whose voice beautifully complements its soaring melodies. With its uplifting energy and cathartic drops, the progressive house anthem harkens back to the golden era of 2010s festival music, evoking a sense of nostalgia while feeling fresh and contemporary.
Listen to "Never Going Home" below and find the new single on streaming platforms here.
Follow David Guetta:
X: x.com/davidguetta
Instagram: instagram.com/davidguetta
TikTok: tiktok.com/@davidguetta
Facebook: facebook.com/davidguetta
Spotify: spoti.fi/3fHbpAC
Follow Alesso:
X: x.com/alesso
Instagram: instagram.com/alesso
TikTok: tiktok.com/@alesso
Facebook: facebook.com/alessoofficial
Spotify: spoti.fi/3kHFy5c
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Youtube Unveils Voice Detection Tool, Targets AI Synthetic Singing

Media giant YouTube is on its way to addressing the recently viralised “synthetic singing” AI can provide via deepfaking a singer’s voice. The company has worked to design and make available a new tool designed to protect creators and combat unauthorised AI-generated content — which, funnily enough, also runs on artificial intelligence.
The software, scheduled for release in 2025, will identify and manage “soundalike” vocals, a type of synthetic singing that mimics the voices of real artists through feeding it material of said singers. This algorithm is expected to be particularly beneficial for rightsholders who wish to further protect their artists’ voices.
VP of product management for creator products Amjad Hanif said this new piece of technology will be available directly through YouTube’s Content ID. And even though further details are not really public yet, they’ve said eligible partners will be able “to automatically detect and manage AI-generated content that simulates their singing voices”.
Tools like this one emerge as concerns rise regarding the increasing prevalence of “deepfake” content and the potential for the misuse of AI technology. YouTube’s efforts align with a stronger industry trend, as most media and streaming giants are coming up with solutions to tackle the AI-generated content deal.
[H/T] Digital Music News
*Cover image: rafapress
The post Youtube Unveils Voice Detection Tool, Targets AI Synthetic Singing appeared first on EDMTunes.
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Exclusive Mix & Interview – GHEIST

Decoded Magazine · Decoded Magazine Presents – GHEIST Regulars at one of Berlin’s landmark venues, Watergate, where they kickstarted their project, and since have experienced a meteoric rise, playing audiences across the globe with their rich and emotive sound. Fusing progressive with house and techno textures, the German natives have forged a deep, melodic sound of their own, which is melancholic and euphoric in equal measure.
The band, have played a across the world at of clubs and festivals, having built a reputation as a versatile group, alternating between a full-on live performance and a hybrid DJ set. As every good live act, GHEIST’s prowess in the booth stems from their incredible studio productions, which have landed them on various imprints, including Sasha’s seminal Last Night On Earth.
We caught up with the duo during our 10th birthday celebrations for a quick chat and an exclusive mix
Thank you for being part of Decoded Magazines 10th birthday, it’s been a memorable time for us, but for yourselves, you’ve been conquering some of Berlin’s best dancefloors for the past three years. Can you share some of your most memorable experiences from touring?
Happy birthday, and congratulations on 10 years of Decoded! What a great achievement! And thank you very much for having us.
We have come around quite a bit in the last few years and had some incredible times. Most memorable to us are the people we meet and the friends we make along the way. We have a lot of respect for the love and dedication some people put into the organization of their events; they literally spare no effort to make a night as smooth and memorable for everyone as anyhow possible. These guys are the backbone of what we are doing, and they deserve all the appreciation.
How does performing at landmark venues like Watergate compare to playing at festivals or clubs around the world?
For us, everything started at Watergate; we were lucky enough to play our very first show ever at this amazing place. We will forever be grateful for that. But in the last two years, we have been playing a lot less at Watergate as we are touring much more outside of Germany. We usually have a great Festival Season in Europe, but the rest of the year, we are touring in South and North America. To play in Berlin will always be special and unique to us, as we are also home here, but we love the energy of a good festival and the crowd in South America or the feeling when you arrive in New York.
How has the Berlin music scene influenced your sound and artistic direction, are there any local artists or venues that have particularly inspired you?
Berlin definitely is an amazing place when it comes to the music of any genre or art in general. Being cultivated in a club scene that gives you artists from all over the world is something amazing. We are kind of spoiled that way. Even though Berlin as a city has a strong vibe and a feeling that weighs kind of heavy, when it comes to electronic music, we had the chance to be influenced by mostly international artists, most of them moved to Berlin eventually anyway ;).
But at some point, you stop going out in clubs as you are touring on the weekends, and if you’re home, you’re in the studio or meeting your friends, having dinner, or enjoying being by yourself for a moment. Nowadays, we pick up on new artists when we’re on the road.
But yes, Berlin had a huge impact on us, clubs with no phones, the way people party and allow themselves to let go is unique and left a big impression of how a rave should feel.
Live acts have certainly been emerging and making a point of difference in the industry over the last 10 years. Can you describe your live setup and the key elements that make it unique?
Our live setup is less technical as it is a state of mind. We use Ableton as a DAW; we bring several MIDI controllers, an SP-16 drum machine, an electric guitar, and live vocals. What makes every live performance unique is the approach and the idea behind it.
When we play a live set, it becomes more of a concert to us than a rave. Everything gets more intimate and personal. At the same time, we want everyone to experience a party and dance.
What are the main differences and challenges you face when performing a live set compared to a DJ set?
When it comes to curating a live show, you will always face the problem of selecting songs. Especially in the beginning, when you only have a small repertoire to choose from, it can get really difficult to create a storyline that fits and works in the club.
One of the biggest issues is the sound; on one hand, you need very good monitoring to be in control of your sounds, and on the other hand, it is tough to compete with a DJ sonically. Obviously, the qualities of a Live set are different from those of a DJ set, and in a perfect world, there is no need to compare them to each other, so we can simply enjoy the variety of different feels and musical identities.
Something we love to do quite a lot is play a hybrid of both worlds. We basically use a DJ set-up and add life elements to it. This way, we can choose from basically all the tracks out there, create edits, and make them our own, and we’re still able to create the feel of a concert whenever we intend to. This gives us a lot of freedom and countless possibilities.
How has the music industry changed since you first formed GHEIST? What are some of the biggest challenges and opportunities you’ve encountered in the industry over the years?
The biggest shift of values goes hand in hand with the presence of social media. There are still artists out there who benefit from the time they started their career, a time when it was more about your community and music than about the number of followers.
But nowadays, there is no way around social media; it has become a reference for your value, which also leads to a rising number of “DJs” who are, in actuality, “influencers”. So, in reality, you also have to be a content creator on social media to be able to succeed as a musician. Another thing is streaming platforms, which clearly underpay artists, which also leads to less money on the label side, especially for smaller labels. This means less money to spend on new artists and their music. It has become so normal for everyone that music is just accessible at any time for nearly nothing, which leaves upcoming artists with only one choice to survive: you have to tour as much as possible.
At the moment, as there are so many artists out there, we have the feeling that your productions and the quality of your music become key again, which is actually very nice. It’s always been a tough business, and it always will be, but it’s also very rewarding to create and express yourself. Everything is constantly in motion anyway, and there is always a way.
With technology changing rapidly and more affordable to the average user, how has advancements in music technology influenced your production process and live performances?
To be honest, it’s great that we’ve been given all these wonderful tools. They allow you to create so quickly and effortlessly, especially in the initial moment of an idea, which is amazing. But it’s just a different way, and you still have to do the work and have a great idea. When it comes to our live shows, it allows us to travel quite light and still bring endless possibilities, and we are grateful for that.
Much has been written and said about the demise of the artist and album. What do you think it takes to produce and release an album in today’s music landscape?
Producing and releasing an album has never been easier. You don’t need a lot of equipment, you can basically do everything at home on your laptop, and you don’t need a label to put your record out. You can do it all by yourself, which is great, but there is a big chance no one will even know that you just released an album. The amount of music being released every single day is insane.
So before you think of an album that also has to be really good, you must create awareness of your act. To do that, you have to put in a lot of work that is not just related to making music.
It’s simply tough to stand out when there is so much going on, but it’s possible.
Since launching Radau Records in 2018, how has managing your own label influenced your artistic vision? Are there any key learnings and milestones you’ve achieved?
The idea behind Radau Records was to give us the freedom to release whenever and whatever we want, without any restrictions or guidelines to follow. Since we started Radau, we not only achieved that, but we also learned what it means to release music and what’s possible when you put some love and effort into the process. This helps a lot when it comes to releases on other labels. We can articulate better what our needs and goals are, and we can see quite quickly if someone is doing a good job. Radau is our little island on which we can rely at any time we see fit.
What advice would you give to emerging artists looking to break into the electronic music scene? How important is it for new artists to have a unique sound or identity in today’s music industry?
First of all, just do your thing; that’s by far the most important. Don’t get discouraged by setbacks; building your path in this industry will take a while. If you’re in the position to do so, build a community, a musical home where you can support each other; this will help you along the way. If you are not lucky that way, you just have to be stronger and fight a little harder.
It all begins with your music, do what comes naturally to you and be aware of your strengths; everything else follows. Don’t try to copy your favourite acts, but you can learn a lot from them. And most of all, enjoy what you are doing, and it will reflect on your feedback; nothing is more infectious than passionate people who love what they are doing.
With exciting releases on the horizon, can you give us a sneak peek into what’s next for GHEIST?
We‘re constantly working on new music, that‘s for sure. We have some exciting collaborations coming up, which we can’t wait to share with you. Our next release will be on Anjuna in October. As you might have noticed, we‘ve been giving away our remixes of   „You and Me“ and „Numb“ to our fans on our social media. There are some more remixes like that coming up, which we are playing in our live shows. We‘ll keep on touring; at the moment, we‘re finishing the festival season in Europe, but in October, we‘ll be back in the States.
We‘re looking very much forward to seeing you all on tour up till then stay safe and happy :)
Gheist x Decoded Mix Tracklist
1: Night Flight I GHEIST Edit.
2: Hans Zimmer- Interstellar I GHEIST Remix
3: GHEIST – Marimba I Robag Whrume Rmx.
4: GHEIST – Frequent Tendencies 2024 edit.
5: Disclosure – You & Me I GHEIST remix
6: DJ Seinfeld – If U Like Me
7: GHEIST – ID
8: GHEIST – Sysygy 2024 Edit.
9: Christoph, Franky Wah – The World You See
10: GHEIST – Auditorial (Stream / Download here)
The post Exclusive Mix & Interview – GHEIST appeared first on Decoded Magazine.
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Linkin Park Is Back — And There’s A Connection To Illenium

Get ready for an exhilarating day in the Rock music scene! Linkin Park is making a spectacular comeback with new music after seven years. There are several exciting changes in store as Linkin Park welcomes their new vocalist, Emily Armstrong, and introduces a new drummer, Colin Brittain. To top it all off, the band has announced six upcoming arena shows. Be sure to check out their new single, ‘The Emptiness Machines’, and share just how much you’ve missed this iconic band!
Linkin Park’s Comeback, Origins of FROM ZERO
Isn’t it incredible how Linkin Park brings back so many memories? Time flies – it’s been 7 years since the passing of their beloved singer, Chester Bennington. As time passes, we are thrilled to welcome back one of Rock music’s greatest bands with new faces. The band’s new lineup features Emily Armstrong as the co-vocalist and Colin Brittain as the new drummer. Armstrong, the former lead singer of Dead Sara, brings a powerful and energetic vocal presence that complements Mike Shinoda’s voice, helping to redefine the band’s sound for this new era. Colin, replacing founding drummer Rob Bourdon, is a well-known figure in the EDM world. He is a renowned songwriter/producer for Illenium and has also collaborated with G-Flip and One OK Rock. What an amazing day, where EDM meets Rock!
Linkin Park with new members Emily Armstrong and Colin Brittain. Credit: James Minchin III In recent years, Shinoda, Delson, Farrell, and Hahn have quietly reconnected. They were driven by a desire to spend more time together and rediscover the creativity that has always defined their friendship. They welcomed various friends and collaborators into the studio, ultimately forming a strong bond with Armstrong and Brittain. As they invested more time in the studio, a natural chemistry emerged. Reflecting the uncontainable energy of a new beginning for this group of lifelong musicians. This season of reconnection and creativity led to the birth of FROM ZERO. Shinoda stated, about their new era:
‘The Emptiness Machines’
‘The Emptiness Machines’ is a track from their upcoming album, From Zero, set to be released on November 15, 2024. The album title aptly mirrors the band’s heritage and their present artistic exploration, seamlessly fusing their classic sound with innovative elements. Emily Armstrong and Colin Brittain have artfully infused the band’s evolving sound with fresh elements. Notably, Armstrong’s vocals command attention as a notable enhancement. Her raw, powerful voice introduces a new dimension. It creates a compelling contrast to Mike Shinoda’s, particularly as she delivers an intense scream leading into the chorus. This fusion of vocal styles breathes new vigor and emotional depth into the track. It feels both familiar and distinctly divergent from the band’s previous work.
Colin Brittain’s drumming brings a modern and dynamic rhythm to the track. As a producer and songwriter, his influence is evident in the updated soundscape, blending Linkin Park’s classic vibe with contemporary Rock elements. Brittain’s drumming enhances Armstrong’s vocal performance, infusing the track with a revitalized, aggressive, and polished feel.
The iconic band shared a deluge of treats for fans: with a global livestream performance (below, available only for 24 hours). They are launching 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the From Zero World Tour. LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info. Pre-order/Pre-save From Zero here.
The group joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park. Stay tuned to EDMTunes for all your latest music updates!
The post Linkin Park Is Back — And There’s A Connection To Illenium appeared first on EDMTunes.
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