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III Points Drops Phase Two Lineup For 2025

Miami’s III Points festival has shared its second lineup phase for 2025. 
Helmed by Link Miami Rebels and Insomniac, the teams behind the city’s famous Club Space and Factory Town venues, III Points is back at the Mana Wynwood Convention Center for its 12th edition this October 17-18, featuring another roster of more than 100 musical acts spanning dance music, rap, indie, alternative, and more genres across 11 stages.
Featured in today’s lineup announcement are headline sets from house frontrunners Dom Dolla, Black Coffee, and Mau P B2B Seth Troxler, drum & bass icons Sub Focus and Chase & Status, and boundary-pushing Belfast duo Bicep, presenting their CHROMA A/V show, as well as indie heroes Phantogram, R&B songstress Tinashe, and a surely groovy session from Thundercat.  
Other highlights from Phase Two include techno titans such as Nico Moreno, I Hate Models, and Patrick Mason, and house favorites like Damian Lazarus, Hot Since 82, Francis Mercier, and Jayda G—rounded out by even more eclectic acts ranging from the trap beats of G Jones to the edgy electroclash of Fcukers.
They’ll play alongside previously announced acts such as Michael Bibi, Peggy Gou, ANOTR, Barry Can’t Swim, Sean Paul, Nina Kraviz, Turnstile, and many more. Check out the full lineup below.
Tickets for III Points 2025 will go on sale again this Thursday, May 29, at 1:11PM ET. Pre-sale registration for early ticket access at 11:11AM is now open here. 
For more information or to purchase tickets, visit iiipoints.com.

Featured image courtesy: III Points.
The post III Points Drops Phase Two Lineup For 2025 appeared first on EDM Maniac.
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Envato MusicGen Arrives: A Boon for Creators, But at What Cost to the Music Industry?

Photo Credit: Envato
Creative marketplace Envato has launched a new AI-generated music tool for creators to make custom tracks from text prompts within seconds. But what’s the human cost for artists who rely on sync placement for their income?
MusicGen leverages advanced AI models like Google Lyria 2 to deliver royalty-free, customizable music at no extra cost to Envato subscribers. The platform also expanded its partnership with PremiumBeat, adding over 40,000 studio-quality tracks and bringing its total music assets to more than 300,000.
Models like Google Lyria 2 were trained on vast datasets that included copyrighted tracks—often without explicit permission from rights holders. The ‘ask for forgiveness, not permission’ method has allowed Ai systems to learn from the creative output of hundreds of musicians, absorbing their styles and unique artistic signatures—allowing them to generate royalty-free music instantly. This gives content creators a way to bypass traditional licensing and sync placements that provide vital income for human musicians.
Industry data shows that up to 18% of all music uploaded to streaming platforms is now fully AI-generated—directly competing with human-created works. While MusicGen and similar tools allow speedy music creation without licensing headaches, the music industry is left to grapple with the consequences. Without robust labeling, traceability, and fair compensation in place, the rise of AI-generated music risks displacing human talent and collapsing the value of music as a profession for working artists.
In the past, every sync placement or commercial use of a track required a license, ensuring that artists were compensated each time their work was used commercially. With AI-generated music, that income model has drastically shifted. Models trained on vast libraries of human created music can mimic any style and endlessly produce new tracks not tied to an individual artist—eliminating the need for sync discussions, licensing, or royalty payments.
The result is that a once critical revenue stream for artists is effectively erased and replaced by a model that prioritizes unlimited, on-demand access over fair compensation for creators—who helped train these models in the first place.
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Astor Place Theatre, Longtime Home of Blue Man Group, Secures New Long-Term Lease

Photo Credit: Blue Man Group by Léo Pinheiro / CC by 3.0
No Guarantees Productions secures the long-term lease of the historic Astor Place Theatre, with plans to give it a significant makeover.
No Guarantees Productions has announced that it has secured the long-term lease of the historic Astor Place Theatre, with plans to transform it into a dynamic cultural hub. Amplifying artists and shows outside of the traditional Broadway model, the venue’s makeover will utilize the entirety of the space and elevate the audience experience.
For over 30 years, Astor Place Theatre was home to Blue Man Group, one of New York City’s longest-running and most beloved theatrical productions. After 34 years of groundbreaking performances, Blue Man Group announced in November that it would be closing its doors, creating the opportunity for a new chapter for the iconic venue. No Guarantees aims to honor the theatre’s rich legacy while offering a fresh experience for audiences.
No Guarantees plans to transform the Astor Place Theatre into a dynamic cultural hub that amplifies shows that don’t require or benefit from the traditional Broadway model, creating space for innovative artists and distinctive voices.
In addition to reimagining the theatrical experience itself, plans are underway to utilize the full potential of the venue to introduce a West End-style evening-out experience with the future addition of a patrons’ lounge and curated special events. Over time, the goal is to cultivate a loyal community of returning guests and members, offering them early access and insider opportunities to stay engaged with the latest and most exciting experience in New York theatre.
“No Guarantees is proud to take on the long-term lease of Astor Place Theatre, a venue that has been a cornerstone of New York City’s cultural landscape for over fifty years,” said Megan O’Keefe, Executive Vice President of No Guarantees.
“No Guarantees is committed to honoring the incredible legacy of the theatre, including its iconic run with Blue Man Group, while elevating the experience for today’s audience. By investing in new technologies and drawing inspiration from the traditional West End theatre experience, we aim to create a seamless and elevated space that makes attending live performances more accessible, enjoyable, and immersive than ever before.”
With a seating capacity of 298, the famed Astor Place Theatre is located directly across the street from The Public Theater at 434 Lafayette Street in New York City. It’s an iconic off-Broadway venue situated in the historic Colonnade Row. The building’s Greek Revival architecture, with traditional, imposing marble columns, dates back to 1831, almost two centuries ago. It was also once home to the Astor and Vanderbilt families.
Astor Place Theatre opened as a performing arts venue in 1968. Since then, it has hosted many experimental, impressive, and genuinely groundbreaking performances. Until February 2025, the venue was the permanent home of the hugely popular cultural phenomenon Blue Man Group. Since 1991, the show thrilled off-Broadway crowds of nearly 300 people with its unique blend of comedy, music, and inventive scenes. Over its 34-year run at Astor Place Theatre, the show was performed nearly 18,000 times. The theatre is still owned by the three co-founders of Blue Man Group, who purchased the venue in 2001.
“I’m absolutely thrilled that Astor Place Theatre will remain a vibrant off-Broadway venue, and that No Guarantees Productions will lead it into its next chapter,” said Matt Goldman, co-founder of Blue Man Group, co-owner of Astor Place Theatre, and Executive Director of The Town Hall.
“This theatre has a rich and meaningful history, not only as the longtime home of the Blue Man Group, but as one of the most dynamic and intimate performance spaces in the country. No Guarantees is committed to is committed to honoring that legacy while expanding its potential, utilizing the entire venue and introducing a West End-style experience right here in New York. This theatre is special, not just to me, but to the neighborhood, the city, and the cultural fabric of the country. I look forward to seeing No Guarantees bring their vision to life.”
Simon Bogigian, Director of Facilities of Astor Place Theatre for over 20 years and a beloved mainstay of the neighborhood, will continue overseeing the day-to-day management of the venue. Lisbeth Barron of Barron International Group has been acting as the exclusive financial advisor to No Guarantees on the theatre transaction.
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Glastonbury Campers Left Without Tickets After Yurt Company Goes Under

Less than a month before Glastonbury begins, dozens of would-be attendees have been left without tickets or lodging for the world-famous festival after the glamping company they booked with went into liquidation.
According to a report from the BBC, festivalgoers paid fees ranging from £10,000 (over $13,000 USD) to £16,500 (over $22,000 USD) for ticket and stay packages offered by Wiltshire, UK-based company Yurtel, but have since received notice that their bookings won’t be honored and refunds won’t be issued, after the company stopped business operations on May 8.
In an email to its customers, Yurtel stated that it has ceased all trading due to insolvency and that formal liquidation proceedings will begin soon, according to the BBC. The company also told clients that their payments “cannot be refunded” and that details on the claims process will be available once liquidation starts.
Speaking to the outlet, a Glastonbury spokesperson called the development “disappointing,” but reiterated that the festival has “no involvement with the operation of Yurtel.”
Glastonbury Festival will return to Worthy Farm in Pilton, Somerset, England, this June 25-29. Its 55th edition will feature performances from Charli XCX, Four Tet, Skream & Benga, KNEECAP, Neil Young, Olivia Rodrigo, Deftones, Gracie Abrams, and hundreds more. 
Last week, Glastonbury’s 2025 site map revealed several newly expanded dance music areas for this year’s festival.
For more information about Glastonbury, visit glastonburyfestivals.co.uk.
The post Glastonbury Campers Left Without Tickets After Yurt Company Goes Under appeared first on EDM Maniac.
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Glastonbury Campers Left Without Tickets After Yurt Company Goes Under

Less than a month before Glastonbury begins, dozens of would-be attendees have been left without tickets or lodging for the world-famous festival after the glamping company they booked with went into liquidation.
According to a report from the BBC, festivalgoers paid fees ranging from £10,000 (over $13,000 USD) to £16,500 (over $22,000 USD) for ticket and stay packages offered by Wiltshire, UK-based company Yurtel, but have since received notice that their bookings won’t be honored and refunds won’t be issued, after the company stopped business operations on May 8.
In an email to its customers, Yurtel stated that it has ceased all trading due to insolvency and that formal liquidation proceedings will begin soon, according to the BBC. The company also told clients that their payments “cannot be refunded” and that details on the claims process will be available once liquidation starts.
Speaking to the outlet, a Glastonbury spokesperson called the development “disappointing,” but reiterated that the festival has “no involvement with the operation of Yurtel.”
Glastonbury Festival will return to Worthy Farm in Pilton, Somerset, England, this June 25-29. Its 55th edition will feature performances from Charli XCX, Four Tet, Skream & Benga, KNEECAP, Neil Young, Olivia Rodrigo, Deftones, Gracie Abrams, and hundreds more. 
Last week, Glastonbury’s 2025 site map revealed several newly expanded dance music areas for this year’s festival.
For more information about Glastonbury, visit glastonburyfestivals.co.uk.
The post Glastonbury Campers Left Without Tickets After Yurt Company Goes Under appeared first on EDM Maniac.
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bitbird's 5th "create together" Compilation Proves Community Still Beats Algorithm

The best musical partnerships have always required a leap of faith between strangers. After teaming up with Audius for their fifth create together compilation, bitbird once again proves that leap no longer needs geography—just good WiFi and better intentions.
In an industry increasingly dominated by algorithmic discovery and manufactured viral moments, projects like create together feel like a return to electronic music's collaborative DIY roots. The series from San Holo's beloved electronic music label brings together artists who meet and collaborate entirely through their Discord server.
It started as a month-long challenge back in 2019 and has grown into something much more significant: a flourishing ecosystem of producers, vocalists and visual artists innovating genres and creating ones that don't have names yet.
"create together has always been about more than music," said Thorwald van den Akker. "It's about building a space where our community can express themselves, collaborate freely, and be seen. Every year, it reminds me why we do this. It's raw, it's real, and it’s where the heart of bitbird lives."
Out now, the fifth installment features 28 artists from 13 countries and speaks to how borderless these digital creative communities have become. It's fitting that the release was facilitated by a partnership with decentralized music streaming platform Audius, whose artist-first mentality helped bring in over 170 participants into the mix. 
Highlights include "RAINBOWS," where Kaiyo laces spacey vocal chops through gritty glitch hop beats; "PETTTT," a cathartic hyperpop track from lillybug; and "land on my feet ~," a collaboration between euphee, Disphing and HYPERSPVCE where vintage electro synths provide the perfect backdrop for lyrics about becoming who you're meant to be.
You can listen to create together vol.5 below.
Follow bitbird:
Instagram: instagram.com/bitbird
X: x.com/bitbird
TikTok: tiktok.com/@bitbird
Facebook: facebook.com/bitbirdofficial
Spotify: spoti.fi/3ORVHGV
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Immersive Airbnb Experiences Coming to Lollapalooza Festivals Worldwide

Photo Credit: DJ Bunt by Wendy Huynh
Airbnb will offer unique experiences at Lollapalooza festivals across the world, hosted by artists and music industry insiders, starting in July.
Airbnb has announced its first global live music partnership, offering unique fan experiences at Lollapalooza festivals in Berlin, Chicago, São Paulo, and Mumbai. Guests will have access to curated Airbnb Experiences, many of which will be hosted by performing artists.
Starting this summer at Lollapalooza Berlin, guests can book daily Airbnb Experiences at several Lollapalooza festivals—plus access to an exclusive onsite Airbnb lounge. Experiences range from concert photography tutorials with professional photographers and behind-the-scenes tours with festival directors to intimate artist performances and more.
“More and more guests are choosing Airbnb for big events, including concerts and festivals, because Airbnb can bring you as close to the action as possible,” said Airbnb co-founder and CEO Brian Chesky. “With our new partnership with Lollapalooza, guests can Airbnb more than an Airbnb—they can unlock once-of-a-lifetime Experiences, rooted in the magic of live music.”
The global partnership kicks off at Lollapalooza Berlin, where one of the featured Airbnb Experiences includes performing artist Bunt. Guests will have access to an exclusive post-show Experience and private performance by Bunt in a hidden spot on the festival grounds. Booking for this event begins on June 5.
At Lollapalooza festivals around the world, a significant number of attendees come from outside the host city: 75% in Berlin, 65% in São Paulo, 57% in Mumbai, and 50% in Chicago.
“Fans are traveling the world to see the artists they love, and festivals like Lollapalooza are leading that demand,” said Michael Rapino, CEO and president of Live Nation Entertainment. “Partnering with Airbnb helps us make those trips even more memorable for fans, connecting them to the culture and community around the music that makes each festival unforgettable.”
According to a recent Airbnb survey, over 70% of travelers said they often book an experience when they travel. The partnership also comes as Airbnb introduces completely reimagined Airbnb Experiences—including Airbnb Originals, “extraordinary experiences” hosted by “the world’s most interesting people” and designed exclusively for Airbnb.
The new partnership’s global rollout will continue throughout the summer, with new Airbnb Experiences at Lollapalooza Chicago (July 31 – August 3), followed by experiences at The Town 2025 in São Paulo, Lollapalooza India, and Lollapalooza Brasil.
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Hybe to Sell Remaining SM Entertainment Stake to Tencent in $175 Million+ Deal

A live performance from SM Entertainment act Aespa. Photo Credit: Plumflower Snow
Hybe has officially moved to sell its remaining SM Entertainment stake – encompassing almost 10% of the rival K-pop agency – to Tencent for north of $175 million.
The Big Hit parent disclosed the sizable selloff in a regulatory filing, which regional outlets promptly covered. According to the document, Hybe intends to exit its SM position altogether, exchanging 2.21 million remaining shares for a cool ₩243.35 billion (currently $176.85 million).
Per Google’s translation of the same text, the trade will take place after the market closes this coming Friday, May 30th. While Hybe doesn’t appear to have identified the precise reasons behind the selloff – its second such divestment in a year – the writing has been on the wall for some time.
To be sure, the Belift Lab owner only secured an interest in SM as part of an ugly takeover battle. Kakao, itself partially owned by Tencent, ultimately emerged victorious in that much-publicized showdown.
Post-takeover confrontation, there doesn’t seem to be a compelling reason for Hybe to possess a piece of SM. Notably, the forthcoming stock sale will bring a per-share price of $79.94/₩110,000, up from $65.40/₩90,000 or so when Hybe shaved about 3% of its SM position in May 2024.
(Earlier in 2024, however, Hybe had purchased close to 900,000 different SM shares from founder Lee Soo Man.)
On the opposite side of the transaction, Tencent Music’s latest earnings report emphasized the company’s growing number of tie-ups and artist-specific initiatives in K-pop. Among those initiatives are Babymonster’s “debut pop-up store in mainland China” and Aespa’s “first-ever exhibition” in China, to name a couple.
Against this backdrop – and bearing in mind the relevant talent’s global appeal – it’s not a bad idea for Tencent proper to pick up an SM interest. And the investment may well be indicative of the Universal Music stakeholder’s music-space strategy moving forward.
(Plus, maintaining a positive professional relationship with Tencent won’t hurt Hybe, which is continuing to push into gaming. As something of an aside, it’s worth noting that Hybe chairman Bang Si-hyuk’s cousin Bang Jun-hyuk is the founder of South Korean mobile-gaming giant Netmarble, about 18% of which belongs to Tencent.)
When trading wrapped today, SM Entertainment stock (KOSDAQ: 041510) was down 2.1% at $94.40/₩129,900 per share; the price still represents a nearly 82% boost from 2025’s beginning. Hybe stock (KRX: 352820), in part due to the expansion-minded business’s strong Q1 financials, is also up big on the year.
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AMF Completes Its 2025 Line-up With John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens & Sub Zero Project

AMF is breaking boundaries with the official reveal of its 2025 lineup, featuring returning legends and surprising names who are stepping onto the AMF decks for the first time. The already announced king of trance, Armin van Buuren, leads a stacked AMF 2025 lineup, joined by fellow Dutch heavyweight and true fan favorite Hardwell, making his long-awaited return to AMF after eight years, following five legendary performances in past editions.
Now also joining the 2025 lineup are Afrojack and Gregor Salto, who will premiere together as AfroSalto, alongside John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens, and Sub Zero Project.
The fiery kick-off to the night comes in the form of an exclusive pre-show act – AfroSalto (Afrojack B2B Gregor Salto) – making their debut festival set at this edition of AMF, accessible only to fans with an early entrance ticket. The main show will feature a powerful mix of house, big room, techno, and hardstyle, with performances from some of the most in-demand names in electronic music today. Expect driving beats, high-energy moments, and genre-spanning sets from artists like Miss Monique, MORTEN, John Summit, Oliver Heldens, Hardwell, Armin van Buuren, Sara Landry, and Sub Zero Project – each bringing their own unique sound to the AMF stage. Once again, on Saturday, October 25, AMF will transform the Johan Cruijff ArenA into the world’s biggest nightclub, solidifying its reputation as the must-attend event of ADE.
AMF is breaking new ground this year by branching out beyond its signature EDM sound and embracing a wider range of genres with a lineup full of unexpected names. Rooted in the vibrant heart of Amsterdam – our home and creative foundation – AMF has grown over the past twelve years to become the undisputed flagship event of Amsterdam Dance Event. As the city continues to shape the global dance music landscape, AMF is evolving with it, broadening its horizons to reflect the dynamic sounds of today’s electronic scene while continuing to deliver an unforgettable night for dance lovers from around the world.
AMF is also proud to announce the continuation of their partnership with Fun Radio and 1LIVE alongside the long-time Dutch collaborator Radio 538, ensuring that AMF reaches a wide audience and continues to grow as the premier electronic music event of Amsterdam Dance Event. 
Tickets are on sale through amf-festival.com – with Early tickets sold out already. Regular phase tickets are available and start at €99 ex. service fee.
The post AMF Completes Its 2025 Line-up With John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens & Sub Zero Project appeared first on EDMNOMAD.
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Will Smith Music Video Shoot Resumes Following Union Shutdown

Photo Credit: Gage Skidmore / CC by 2.0
Will Smith’s latest music video shoot became the center of a high-profile labor dispute over the weekend. The incident highlights the ongoing tensions between production companies and unionized crews working in Hollywood.
The drama unfolded on the set of a video for Will Smith’s album Based on a True Story at Quixote Studios in West Hollywood, drawing attention from both industry insiders and the public. Breathe Entertainment, the Toronto & Miami-based production company behind the shoot dismissed its entire 10-person crew after a disagreement over health and pension benefits.
The crew, represented by the International Alliance of Theatrical Stage Employees (IATSE) requested union recognition and corresponding benefits—which producers refused to grant. In response, the IATSE members formed a picket line outside the studio, halting production and attracting media attention to the dispute.
While the production was initially set up as a non-union shoot, the crew sought to ‘flip’ the job to union status so they could accrue health and pension hours. “While this music video features a globally recognized artist, it was independently financed and produced outside the scope of major studio or label backing,” Stephen Trivieri, President of Breathe Entertainment told Variety. “Like many artist-driven creative projects, this shoot was built around a clear non-union structure with transparent terms and fair compensation across all departments.”
When Breathe Entertainment declined to negotiate, they fired the entire crew, hoping to continue with non-union replacements. Many replacement workers walked off the set after learning about the shoot—causing the shoot to be further delayed.
After an entire day of picketing and public scrutiny, Breathe Entertainment and IATSE reached an agreement that included health and pension benefits for the crew. The original union crew was reinstated and returned to work the same day, allowing production on the music video to resume. The swift resolution was reportedly aided by Smith’s intervention, which allowed the music video shoot to move forward.
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Chewna Reveals New Tech House Gem ‘Light It Up’

Producer and DJ Chewna reveals his newest single, ‘Light It Up,’ a dynamic Tech House track that offers a glimpse into his creative vision, direction, and approach. With an instinct for blending genres, he is shaping a sound that feels both fluid and grounded, drawing from a range of influences to ensure his work reflects originality and skill. Now, with his latest release, he further explores the intersection of immersive grooves and melodic elements, adding another confident entry to his steadily expanding discography.
‘Light It Up’ pairs a groovy bassline with shuffled percussion and an expressive vocal, evolving with momentum to build an arrangement rooted in both warmth and movement. As the vocal guides the listening journey, layering in dynamic lines, the track continues to weave a rich sonic tapestry, integrating chordal stabs and infectious textures that elevate the mix, balancing rhythm and melody in a precise and considered way. Throughout, the track maintains a strong, driving flow, moving through evolving breakdowns and fluid drops that showcase Chewna’s knack for crafting immersive listening experiences, carefully structured to ensure listeners remain engaged and locked into the sound.
With this release, Chewna continues to push himself forward, building on his artistic foundations to ensure his music retains a fresh and original feel. As he sets his sights on sharing his sound with the global Electronic Music community, he continues to harness his creative energy, pursuing connectivity with his listeners while shaping an identity rooted in authenticity. Having secured recent milestones that include entering the Beatport chart with his track, ‘Infinity,’ Chewna remains an exciting force on the scene, with ‘Light It Up’ marking the next step in both his artistic growth and rising presence within the genre.
Available to stream and download across platforms, listen to ‘Light It Up’ now, and be sure to keep Chewna on your radar by following him across social media for the latest updates on new music and live shows.
Listen and Buy ‘Light It Up’ here:
Chewna Online
Beatport | Soundcloud | Instagram 
Marked Music Online
Beatport
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Heritage Listed Releases 5-Track ‘Feelin It’ EP On Basics Recordings

Heritage Listed unveils his newest project, ‘Feelin It EP,’ a five-track House collection via his label, Basics Recordings. With a versatile approach as a Producer, DJ, and label owner, he continues to build a presence on the Electronic Music scene, guided by a clear sense of direction and purpose. As he steps out with this latest release, he further aligns his creativity with a forward-thinking mindset: continuing to carve a sonic identity where grooving beats and melodic nuance meet, offering tracks marked by jazzy vibes and funky energy. 
Having relocated from Australia to Amsterdam, pursuing the vibrant musical culture and opportunities at play in the city, Heritage Listed has appeared on the scene as a motivated force; whether behind the decks or in the studio, his journey remains led by passion, commitment, and his expansive creative energy. Alongside his musical projects, he co-founded Basics Recordings with French Producer and DJ Le Hutin, creating a platform to freely release their own material, curate vinyl compilations featuring various artists, and host label showcases across Europe and South Africa. Now, with the release of his ‘Feelin It EP,’ Heritage Listed adds another distinctive entry to his catalogue, preserving the refreshing energy and immersive quality that define his sound, aiming to continue drawing listeners in with his unique signature style. 
Across the EP, groovy rhythms, funky melodies, and dynamic motifs converge to form five high-energy soundscapes, all poised to evoke movement on the dancefloor. With uplifting piano progressions, punchy beats, shuffled percussion, grooving basslines, and jazzy textures, the productions are arranged with a clear sense of direction, sustaining momentum to keep the sonic journey evolving in an engaging and considered way. Vibrant in instrumental detail, with melodic horns and soulful vocal lines, the ‘Feelin It EP’ stands as a cohesive collection, where each piece enhances the overall sound and adds a fresh dimension to the listening experience.
As he showcases a thoughtful approach to sound design, balancing rhythmic detail with a focus on melody, Heritage Listed brings a sense of musicality to his work, shaping a sound that feels both deliberate and expressive. 
With his trademark grooves and signature style on full display, the ‘Feelin It EP’ offers a deeper glimpse into Heritage Listed’s sonic world, presenting tracks that reflect his creative vision and approach. So, with diverse soundscapes on offer, listeners are invited to explore Heritage Listed’s latest collection, listening to his ‘Feelin It EP,’ out now via Basics Recordings and available to stream and download across platforms. 
Make sure to keep up with his journey by following Heritage Listed across social media to stay tuned for his latest updates and news.   
Listen to ‘Feelin It EP’ below and buy here.     
Heritage Listed Online 
Spotify | Beatport   | Instagram 
Basics Recordings Online
Beatport   | Instagram 

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AMF Locks In Full Lineup For 2025 Stadium Blowout During ADE

AMF has locked in its full lineup for the arena blowout’s 2025 edition this fall.
For one night during Amsterdam Dance Event (ADE), on Saturday, October 25, the 40,000-capacity festival will turn the city’s Johan Cruijff ArenA into the world’s biggest nightclub, with return performances from dance music’s storied legends and event debuts from its rising stars until 6AM.
Trance icon and previously announced headliner Armin van Buuren will be joined by several fellow Dutch legends, unveiled today, including Hardwell, making his awaited return to AMF after eight years, as well as Afrojack and Gregor Salto, who will debut their collaborative “AfroSalto” project in a festival-exclusive pre-show set.
As it has for more than a decade since its launch in 2013, AMF continues to spotlight the “sound of today” with further performances from surging names across the spectrum of dance music, including John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens, and Sub Zero Project. Check out the official announcement below.
The event, helmed by Insomniac Europe, has also confirmed its returning 2025 radio partners, with longtime Dutch collaborator Radio 538, French outlet Fun Radio, and German station 1LIVE set to promote the event and its artists as part of a continental campaign.
Early tickets for AMF 2025 are currently sold out. For more information or to purchase regular phase tickets, visit amf-festival.com.

Featured image courtesy: AMF.
The post AMF Locks In Full Lineup For 2025 Stadium Blowout During ADE appeared first on EDM Maniac.
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Hotboxx Drops Dope New EP Titled ‘What Is Jazz’ On Dobar House

Hotboxx has returned to deliver his latest project, unveiling a two-track EP titled ‘What Is Jazz’ via Dobar House. As he blends Deep House energy with his unique sonic touch, the Producer and DJ delivers more music that speaks to his influences, approach, and forward-thinking vision.  
Throughout his journey on the scene, Hotboxx has consistently recognised the value of collaboration – whether in the studio, behind the decks, or across his wider creative pursuits – and this latest project appears no exception.  Teaming up with fellow Producer and DJ Billy Cave for the EP’s title track, ‘What Is Jazz,’ he adds another collaborative track to his discography, highlighting the creative synergy he fosters when working with other artists, all while ensuring his own style remains clearly defined. As he balances the collaboration with ‘Deep Down Inside,’ the second, solo production on the EP, Hotboxx provides yet more insight into his versatility and genre-blurring style, aiming to push his creativity forward and introduce a fresh dynamic to his growing catalogue of studio work.  
Through both tracks in the collection, listeners can immerse themselves in the dynamic grooves and vibrant sounds that define Hotboxx’s signature style. From the intricate rhythms, jazzy melodic licks, and the spoken vocal sample of the title track to the bouncy synths and shuffled beats of ‘Deep Down Inside,’ the EP unravels in an engaging and considered way, maintaining a strong sense of identity whilst bringing in sounds that feel fresh. The result is a bold and refined collection that showcases Hotboxx’s abilities for curating captivating musical journeys: a reflection of over ten years’ experience on the Electronic Music circuit and the developed skillset he continues to cultivate.   
With the release of his ‘What Is Jazz EP,’ Hotboxx taps deeper into his artistry, reaffirming his commitment to crafting music that resonates with listeners while maintaining the signature energy that keeps his tracks primed for the dancefloor. 
So, out now via Dobar House, discover the funky, driving soundscapes of Hotboxx’s ‘What Is Jazz EP’ and be sure to keep the Producer and DJ on your radar by following him across social media.  
Listen and Buy ‘What Is Jazz EP’ here: 
Hotboxx Online 
Spotify | Instagram | Beatport   
Billy Cave Online 
Spotify | Instagram | Beatport   
Dobar House Online 
Website | Instagram | Beatport
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Martin Garrix and Lauv Turn Romantic Desperation Into Dancefloor Gold With New Single, "MAD"

There's a particular kind of torture reserved for dance music fans: when a song makes you want to simultaneously throw your hands up and throw yourself dramatically onto your bed. Martin Garrix and Lauv have weaponized this cognitive dissonance in their new single "MAD," out now via the former's STMPD RCRDS.
The collaboration feels inevitable in hindsight—Garrix, the Dutch wunderkind who's been soundtracking EDM festivals since he was basically a fetus, teams up with Lauv, the king of making millennial heartbreak sound like a vitamin deficiency commercial. Together, they've created something that belongs equally on mainstage festival lineups and in the "songs to cry to in your car" playlist we all pretend we don't have.
The track's genius lies in how it encapsulates that specific modern relationship anxiety where you're desperate for someone and also furious about it. Lauv's tortured lyrics bottle that feeling while Garrix's classic dance-pop formula drives it home with anthemic, synth-fueled production.
"Martin and I have been friends for years and it’s so amazing to finally have a record together," Lauv said. "What an inspiring DJ, producer, songwriter and human."
You can watch the "MAD" music video below and find the new single on streaming platforms here.
Follow Martin Garrix:
X: x.com/martingarrix
Instagram: instagram.com/martingarrix
TikTok: tiktok.com/@martingarrix
Facebook: facebook.com/martin.garrix
Spotify: spoti.fi/2YszVxQ
Follow Lauv:
X: x.com/lauvsongs
Instagram: instagram.com/lauvsongs
TikTok: tiktok.com/@lauvsongs
Facebook: facebook.com/lauvsongs
Spotify: tinyurl.com/4dkm9tkb
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Arturia’s new “future-proof” AstroLab 88 keyboard will receive regular firmware updates

Arturia has launched a new stage keyboard, the AstroLab 88, which the brand describes as “future-proof”.
The new keyboard offers a responsive hammer-action keybed with 40 onboard instruments and over 1,600 presets (powered by the Arturia V Collection and Pigments), updated CPU for improved polyphony and load times, and a “forward-thinking ecosystem that lets artists perform with all their signature sounds – laptop-free”.
READ MORE: At $60, Arturia’s MicroLab MK3 MIDI controller could be perfect for bedroom producers AstroLab 88 has a performance-first design, and is the first stage keyboard that integrates seamlessly with your DAW through Analog Lab Pro (included). Users can take their studio-crafted sounds to the stage, with no computer required, and the AstroLab Connect app is also included, which acts as a command centre for browsing, organising, and tweaking your sounds on the go.
The keyboard will continue to evolve and improve via regular firmware upgrades, with a major update due by 17 July set to bring new and updated V Collection 11 instruments, playlist transfer between Analog Lab Pro and AstroLab, plus the ability to send programme changes to external devices, and more.
Other key features include:
A navigation wheel and OLED screen Four macro controls 10 preset buttons for one-touch access to sounds and setlists Integrated effects: Two dedicated FX (Delay and Reverb) and two assignable FX slots Chord, Scale, and Arp modes Multi-instruments: AstroLab 88 lets you assign different sounds across the keyboard with programmable split points Loop and record (with up to 32 bars of MIDI looping) A vocoder engine Additional useful appointments include wireless playback, a ‘one-finger’ song mode (combine the Chord, Scale and Arpeggio modes to play a full song with one finger), a playlist mode to organise and build live sets directly on the keyboard, and a curated selection of sounds from iconic artists, all on board.
To find out more, check out the video below:
Find out more about the AstroLab 88 keyboard via Arturia. 
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Marco Carola Selling His Gorgeous Miami Condo Fully Furnished

Techno icon Marco Carola is listing his high-end Florida condo for $6.33 million, Gimme Shelter has learned. The residence is located in Miami’s striking Aston Martin Residences, a sleek 66-story tower that touts itself as the tallest residential-only building south of New York City.
Carola’s unit sits on the 31st floor at 300 Biscayne Blvd. and includes a 300-square-foot terrace. The Italian DJ, often dubbed the “global ambassador of techno” and slated to perform in Ibiza this weekend, purchased the home during pre-construction for an undisclosed amount, according to listing agent Carlo Dipasquale of Compass.
Spanning 3,536 square feet, the furnished apartment features four bedrooms, 5.5 bathrooms, and interiors curated by luxury Italian brand Minotti. All furnishings and artwork are included in the asking price.
The condo also grants access to an array of upscale amenities: a hot tub, sauna, fitness center, barbecue area, putting green, valet and parking services, and a private super-yacht marina.
Inside, the expansive home boasts a gourmet kitchen, an open-plan living and dining space, and sweeping views that stretch from the city skyline to Biscayne Bay and Coconut Grove.
The sail-like tower comprises 391 residences and features a dramatic infinity pool perched on the 55th floor. Carola, we hear, loves Miami and is not looking to leave. Instead, friends say, he’s scouring South Beach, looking for a bigger residence.

The post Marco Carola Selling His Gorgeous Miami Condo Fully Furnished appeared first on EDMTunes.
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Verknipt ArenA To Attempt Guinness World Record For Largest Laser Show

After setting unofficial records as the largest hard techno rave in the world, Verknipt ArenA is leveling up this year with a Guinness World Records attempt for the largest laser show ever.
When the renowned Dutch promoter’s 40,000-capacity massive returns to Amsterdam’s Johan Gruijff ArenA on July 19, Verknipt has unveiled plans to unleash more than 1,000 lasers across the iconic soccer stadium in an attempt to surpass the current record of 824, set at the Dubai World Cup horse races in 2021, and write its name into Guinness’ famous book of history-making achievements.
According to a press release, the official Guinness World Records attempt will take place during a specially timed moment in the show, at exactly 11:50 PM local time—just under three hours into the 10-hour event—enveloping the entire venue in a sea of laser beams synchronized to the beats of hard techno’s best DJs. Verknipt’s planned deployment of more than 1,000 lasers is over 20 times the number used at last year’s Verknipt ArenA, which utilized 50 lasers.
“The idea of programming 1,000 lasers still blows our minds—especially when last year’s 50 already felt unreal,” organizers wrote. “This has been months in the making, and we’re pulling out all the stops to deliver a once-in-a-lifetime experience. We can’t wait to share this monumental night with over 40,000 fans. It’s going to be nothing short of historic.”
Verknipt ArenA’s immersive audiovisual spectacle will also feature a new 360-degree stage design, hosting sets from a powerful lineup of established heavyweights and rising stars across the hard dance spectrum. French frontrunner Nico Moreno will headline, joined by high-octane B2Bs like Cloudy B2B NOVAH, DYEN B2B Fantasm, CARV B2B Holy Priest, and Basswell B2B Onlynumbers. Other highlights include a B3B from APHØTIC, NYCO, and XRTN, a set from hardcore icons Paul Elstak B2B Cynthia Spiering, and a Verknipt Arena 2025 Album Showcase.
For more information or to purchase tickets to Verknipt ArenA 2025, visit verknipt.org/arena-2025.


Featured image courtesy: Verknipt.
The post Verknipt ArenA To Attempt Guinness World Record For Largest Laser Show appeared first on EDM Maniac.
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AMF Completes 2025 Line-Up with John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens & Sub Zero Project

AMF, the world’s biggest nightclub during ADE, unveiled its full 2025 lineup last week by announcing one artist each day, featuring debut appearances from Sara Landry and KI/KI, a massive AfroSalto pre-show.
AMSTERDAM (May 27, 2025) – AMF is breaking boundaries with the official reveal of its 2025 lineup, featuring returning legends and surprising names who are stepping onto the AMF decks for the first time. The already announced king of trance Armin van Buuren leads a stacked AMF 2025 lineup, joined by fellow Dutch heavyweight and true fan favorite Hardwell, making his long-awaited return to AMF after eight years, following five legendary performances in past editions. Now also joining the 2025 lineup are Afrojack and Gregor Salto, who will premiere together as AfroSalto, alongside John Summit, Sara Landry, KI/KI, Miss Monique, MORTEN, Oliver Heldens, and Sub Zero Project. 
AMF continues to embrace a broader spectrum of electronic music, standing for the sound of today and the talents shaping the global scene. This year, the festival welcomes a dynamic lineup of artists—many of whom will be making their AMF debut. 
The fiery kick-off to the night comes in the form of an exclusive pre-show act—AfroSalto (Afrojack B2B Gregor Salto) – making their debut festival set at this edition of AMF, accessible only to fans with an early entrance ticket. The main show will feature a powerful mix of house, big room, techno, and hardstyle, with performances from some of the most in-demand names in electronic music today. Expect driving beats, high-energy moments, and genre-spanning sets from artists like Miss Monique, MORTEN, John Summit, Oliver Heldens, Hardwell, Armin van Buuren, Sara Landry, and Sub Zero Project – each bringing their own unique sound to the AMF stage. Once again, on Saturday, October 25, AMF will transform the Johan Cruijff ArenA into the world’s biggest nightclub, solidifying its reputation as the must-attend event of ADE.
AMF is breaking new ground this year by branching out beyond its signature EDM sound and embracing a wider range of genres with a lineup full of unexpected names. Rooted in the vibrant heart of Amsterdam – our home and creative foundation – AMF has grown over the past twelve years to become the undisputed flagship event of Amsterdam Dance Event. As the city continues to shape the global dance music landscape, AMF is evolving with it, broadening its horizons to reflect the dynamic sounds of today’s electronic scene while continuing to deliver an unforgettable night for dance lovers from around the world.
AMF is also proud to announce the continuation of their partnership with Fun Radio and 1LIVE alongside the long-time Dutch collaborator Radio 538, ensuring that AMF reaches a wide audience and continues to grow as the premier electronic music event of Amsterdam Dance Event. 
Tickets are on sale through amf-festival.com – with Early tickets sold out already. Regular phase tickets are available and start at €99 ex. service fee. 
Event information
Event: AMF
Date: Saturday October 25th, 2025
Location: Johan Cruijff ArenA, Amsterdam
Times: Doors early access: 7:30 PM 
Show early access: 8:00 PM – 06:00 AM
Doors regular access: 9:00 PM
Show regular access: 9:00 PM – 06:00 AM
Line-up A-Z
Armin van Buuren
Hardwell
John Summit
KI/KI
Miss Monique
MORTEN
Oliver Heldens
Sara Landry
Sub Zero Project
+ exclusive pre show set by AfroSalto (Afrojack B2B Gregor Salto)
Tickets
AMF is offering five different ticket types this year, including Regular, VIP, and VIP Premium tickets. Early Access tickets grant attendees exclusive entry to a pre-show experience, while VIP Premium tickets provide access to an exclusive lounge, delivering the ultimate AMF experience with a curated selection of food and drinks. Secure your tickets via amf-festival.com. 

About AMF
Since 2013, AMF has been the largest and most anticipated event of the Amsterdam Dance Event. Held annually on the Saturday of ADE, the festival has become a cornerstone of the global EDM scene, attracting over 40,000 fans each year to the iconic Johan Cruijff ArenA. Over the years, artists like Armin van Buuren, Martin Garrix, David Guetta, Tiësto, and Hardwell graced the AMF stage several times, solidifying AMF’s reputation as a must-attend celebration of electronic music. In 2025, AMF will evolve to reflect the dynamic changes within the EDM genre, expanding its musical range and spotlighting the next generation of cutting-edge DJs. This evolution will ensure AMF continues to lead the way in providing an unforgettable music experience that merges both legendary acts and the future of electronic dance music. AMF is produced by Insomniac Europe.
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Downtown Music Publishing Africa Sets Sail Following Sheer Rebrand, Tees Up ‘An Expanded Suite of Services’

Downtown Music Publishing Africa managing director Thando Makhunga. Photo Credit: Seventwo Creative Agency
Another high-profile expansion in Africa – this time from Downtown, which has rebranded its Sheer Publishing Africa subsidiary as Downtown Music Publishing Africa (DMP Africa).
Downtown reached out with word of South Africa-based Sheer’s new identity and broader operational scope. On the former front, the name change is said to be indicative of “a deeper alignment with the global vision of Downtown,” which bought 29-year-old Sheer in 2020.
“Our new name reflects our ability to plug directly into Downtown’s global expertise,” added DMP Africa MD Thando Makhunga, “while staying rooted in the nuances of the African music landscape. We’re expanding our scope and partnering with major global companies to deliver tailored, transparent, and future-forward services.”
Among DMP Africa’s existing partners are Warner Chappell, Concord, and Saregama, besides a number of indie publishers operating throughout Africa, the company relayed.
Per higher-ups, the transition from Sheer to Downtown Music Publishing Africa (which will retain its “same dedicated local team”) is also “more than a visual refresh.”
Here, DMP Africa is teeing up “an expanded suite of services,” among them neighboring rights admin and the implementation of Downtown’s Curve royalty accounting system.
Furthermore, the newly named division will “be moving away from outdated contracts to build agreements designed around each creator’s unique goals,” Downtown confirmed. Though time will tell exactly what this transition entails, CEO Pieter van Rijn drove home plans to double down on “long-term, equitable partnerships.”
“This marks an important new chapter in our presence across Africa, a region rich in creativity, culture, and talent,” van Rijn specified. “DMP Africa reflects our belief in the region’s creative power and our responsibility to support its continued expansion.
“By partnering local expertise with global access and investing in long-term, equitable partnerships, we will ensure that talent from across the African diaspora is rewarded on a global scale,” the Downtown head concluded.
Moving forward, it’ll be worth keeping an eye on the commercial byproducts of those partnerships – especially given the growth behind several African music markets and the often-discussed sales potential of promoting domestic releases globally.
Of course, Downtown isn’t alone in looking to capitalize on this growth by bolstering its reach in Africa. Earlier in 2025, Warner Music Group opted to scoop up the remainder of Africori (in which it already had majority ownership), and Universal Music Group in 2024 took a controlling interest in Lagos’ Mavin Global.
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How Thom Yorke, Mark Pritchard, and Jonathan Zawada produced ‘Tall Tales’ in a Miro board

When Thom Yorke, Mark Pritchard, and Jonathan Zawada started creating their new collaborative audiovisual album, Tall Tales, they did not set out to thematically bind it to the real world like a traditional tall tale. In fact, their approach serves to reject any sort of salient meaning.
As the musicians behind the project, Yorke and Pritchard leaned into their decades of experimentation with instruments and techniques. They’ve crafted alien marching band suites in Back in the Game, melancholy progressive dark wave on A Faker in a Faker’s World, and alternative minimalist synth pop on This Conversation is Missing Your Voice.
READ MORE: Who is the next Aphex Twin? Meet the producers warping the future of electronic music
Zawada, who has created imagery for notable artists including Flume, Röyksopp, and The Avalanches, directed a melange of random visual pieces for the accompanying film. The first shot after the opening credits is a lighthouse piercing the dark with prismatic frequencies. Later on, viewers see children playing in garbage dumps and robot arms painting on canvases in unison. The only uniting factor between these sporadic depictions is a psychedelic avian-human hybrid navigating a virtual floating island between clips.

“When I think about what the film is about to me, from the very beginning, the feeling I got was one of disorientation or confusion,” Zawada says. “It’s quite tricky to construct something to get a feeling of confusion and disorientation across, because in making something, you have to do something concrete. Then, especially once you start talking about it, all of that confusion sort of dissipates.”
Zawada was right in anticipating that the shroud of confusion would be lifted from the project. As the work has been finished and shared, an underlying meaning has begun to form between its elaborate layers. The ostensible story is artistically incredulous, just as in tall tales like that of the giant Paul Bunyan, who dragged his axe across the southwest to form the Grand Canyon. As outrageous as that is, the Grand Canyon is real.
Tall Tales was written and visualised completely uncurated, delineating a profound truth: the world is uncurated. There is no one way forward. Everyone is doing their best to make sense of the insanity every day.
“The tall tale is that anybody is in control of anything,” Zawada continues. “When I was doing research for stories with the videos, it was during COVID. So everything felt like it was about COVID. Everybody’s telling you this is a completely unique time. Then that period faded into the past, and as I was working on other stuff, uncovering all these other crazy stories that were informing what I was doing. You slowly realise it’s like this all the time. The world is just a swirling mass of craziness.”
To create an album that represents the absurdity of the world, the three contributors worked through a unique process that was both separate and collaborative. Yorke, Pritchard, and Zawada were never once in the room together over the several years they spent on it, and they only had a handful of Zoom calls to align their progress.
They trusted each other’s creative abilities because they had all worked together in the past. Zawada designed visuals for multiple projects from Pritchard, including his 2016 album, Under The Sun, which features a co-production between Pritchard and Yorke entitled Beautiful People. Pritchard had also remixed one of Yorke’s solo productions, Not The News.
With that preexisting trust (and a lack of deadlines from their label, Warp), the trio were free to let the project evolve at its own pace and lean into its uncurated nature. On Pritchard’s part, creating much of the backing music while Yorke mostly handled lyrics and vocals, he explored a vast range of synths. Some were rare and esoteric, such as the Korg PS 3100, Roland CR-78 drum machine, and a Triadex Muse.
While Pritchard does own a Minimoog, Arp Odyssey, and other impressive synths after over 30 years of producing music, he accessed many of the more obscure synths through Melbourne Electronic Sound Studio. By paying a membership fee and then a separate fee for each studio session, anyone can experiment with the same arsenal Pritchard used to create Tall Tales.

“You get a chance to play on these synthesizers that are really hard to keep working, let alone afford,” Pritchard says, also being sure to mention he used numerous bits of tech that were very cheap. “You could pick up Casios, old Yamahas, cheap toy things for between $30 and $100. There’ll be something in there. There’ll be a sound. There’ll be a source. It’s good to limit yourself to something [and think] ‘I’m going to make something out of this today’. Sometimes it doesn’t work, but it’s fun to try things out.”
As Pritchard tried these different synths, he would place new ideas in their shared Miro Board, an online collaborative workspace often used by corporations. All three of them would populate the board with updates, allowing each other to see everything evolve in real time, both taking and fueling inspiration.
“It was really useful to me to see the world growing, even though I might not know what some of the imagery was on the Miro Board,” Pritchard says. “It helped keep me excited because when you’re doing weeks of technical, painstaking work, it’s nice to have a lift where you see Jonathan working on a clip, and I see something come to life.”
Zawada adds, “So much of the time, nobody shows me anything until [the album’s] been mixed. In this instance, working on everything while Mark and Thom were working on the music, even if we weren’t necessarily feeding back, the outcome of the work, because it was all evolving in tandem, all felt much more meshed together. It gave me an opportunity to hear the layers of the songs build and respond to those with more nuance.”

Before the music came together, Zawada didn’t even intend for Tall Tales to have an accompanying film. He only knew he wanted to make a separate visual piece for each song, but as the musical layers built up, one core narrative that was in Zawada’s head was a protagonist washing up on an island where all the absurdity in the songs was taking place. This character would make its way through the madness and come out on the other side.
That’s where the floating island and the avian lead came from. They were the last pieces of visuals Zawada created for the project, and they bound it all together into a singular visual piece.
“It was based on something that Thom said when we were watching videos. He didn’t make the suggestion of the island, but said something about the way they all connect. That made me think I need something to give people something to latch onto, so you’re not just floating in space amongst all this material. But at the same time, we’re not forcing a connection between these things that may or may not be there,” Zawada says.
The connection is for the listener and the viewer to decide, which emphasises the prevailing sentiment of the project. Everyone is doing their best to make sense of all the craziness in the world. Tall Tales is what happens when three artists create the space for one another to make sense of it towards a common goal.
Learn more about Tall Tales at warp.net.
The post How Thom Yorke, Mark Pritchard, and Jonathan Zawada produced ‘Tall Tales’ in a Miro board appeared first on MusicTech.
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HUGEL Teams Up With BRØDER And Spijker On ‘Las Avispas’

Acclaimed French DJ and producer HUGEL unveils his latest single, ‘Las Avispas’, on May 23rd, delivering a bold and electrifying reinterpretation of the legendary Juan Luis Guerra classic. Released via his own imprint, Make The Girls Dance Records, the track features powerhouse collaborators BRØDER and Spijker, uniting French, Dutch, and Afro House influences into a global sonic celebration.
A trailblazer in the Afro-Latin House movement, HUGEL has become one of the most influential names in electronic music. With over 4 billion streams, multiple multi-platinum certifications, and a string of #1 hits on Beatport, his sound dominates clubs and festivals around the world. His label, Make The Girls Dance Records, has become a hub for cutting-edge Afro-infused dance music.
‘Las Avispas’, originally penned by Dominican icon Juan Luis Guerra, is a joyful anthem of faith, resilience, and divine protection. Released in 2004 on the Grammy-winning album ‘Para Ti’, the original fused merengue with gospel elements and earned critical acclaim, including Latin Grammy Awards for Best Tropical Song and Best Christian Album, along with Billboard Latin Music Awards for Gospel-Pop and Tropical-Merengue Song of the Year.
In this 2025 reimagining, HUGEL injects the track with an energetic Afro House pulse while honoring its soulful essence. He is joined by BRØDER, the French electronic duo of brothers Thibault and Arnaud from Marseille, known for their cross-genre innovations, high-profile remixes, and over 60 million Spotify streams, and Spijker, a rising Dutch DJ and producer whose Afro-Tech fusion and global performances, from Burning Man to Brazil, have marked him as one to watch.
‘Las Avispas’ is more than a cover, it’s a tribute to a legendary artist, reinterpreted through a modern, global lens.
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Now, It’s Official: Fred Again.. Confirms First Asia Shows in Four Cities This July

Fred Again.. has officially confirmed that he’s bringing his live shows to Asia for the very first time. After long speculation, the loved electronic artist announced his first three headline dates in Asia: Singapore on July 18, Bangkok on July 21, and Seoul on July 23, just ahead of his already-confirmed appearance at Fuji Rock Festival in Japan. Fans across the region have long been hoping for this moment, and it’s finally happening.
Where is Fred Again Playing in Asia this July 2025?
Fred Again.. is playing in four Asian cities in July 2025: Singapore, Bangkok, Seoul, and Yuzawa, Japan. His Asia tour kicks off July 18 in Singapore, followed by shows in Thailand on July 21, South Korea on July 23, and Fuji Rock Festival in Japan on July 25.
The newly announced shows will mark Fred Again..’s Asia debut this 2025. He’ll perform at Pasir Panjang Power Station in Singapore, UOB Live in Bangkok, and KINTEX Hall 10 in Seoul. These three cities are now the first official stops on what appears to be a rapidly unfolding Asia tour. In true Fred Again.. fashion, the announcement was intimate and heartfelt. He shared the news with fans, “Our first live shows of the yearrrrr,” followed by the exact dates and locations. The post immediately sparked a wave of excitement, especially from fans who had been decoding cryptic hints for weeks.
Ahead of Asia Shows, Fred Again.. Asks Fans for Local Advice
More than just dates, Fred Again.. used the moment to connect with fans in a personal way. “This is the first time I’m coming to basically all of these places,” he wrote. “And I reallllyyyy don’t want to get it wrong.” He’s asking fans for help: if you had just 24 hours in each city, what’s the one thing he should see, do, or experience?
“It never won’t be insane to me or any of us that we get to go to new places and play music concerts,” he added, echoing the sense of gratitude that has defined his public persona since his live journey began.
How to Get Tickets for Fred Again..’s Asia Tour 2025
To get tickets for Fred Again..’s Asia Tour 2025, sign up through the official link in his Instagram. Early access will be granted to those who register, with ticket links sent out the following week. Act fast—his shows typically sell out within hours. Given Fred Again..’s history of selling out massive venues within hours—like London’s Alexandra Palace, New York’s Forest Hills Stadium, and multiple arena dates in Australia—fans are being encouraged to sign up early and stay alert.
His performance at Fuji Rock Festival on July 25 remains his only confirmed show in Japan, but with these new dates, momentum for a larger Asia tour is officially underway. Whether more cities will be added remains unknown—but based on Fred’s track record, it wouldn’t be surprising.
The post Now, It’s Official: Fred Again.. Confirms First Asia Shows in Four Cities This July appeared first on EDMNOMAD.
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Too Lost Will Host “World Building for Music Creators” Panel at Dream Con 2025

Photo Credit: Too Lost
Too Lost, a leading digital music distribution and rights management company, is hosting a panel at Dream Con 2025. Titled “World Building for Music Creators: Weaving It All Together,” the panel addresses the evolving landscape for today’s artists.
The following is in collaboration with Too Lost, a proud partner of Digital Music News.
Too Lost specializes in empowering independent creators by providing tools for music distribution, rights management, and monetization as a one-stop shop across digital platforms. The company’s mission is to help these creators release music and build sustainable, multi-faceted brands that thrive in today’s digital landscape.
Too Lost’s extensive distribution network includes not just traditional streaming services (Spotify, Apple Music, TikTok, Deezer, etc.) but also emerging platforms like SoundExchange, Gracenote, Shazam, Peloton, Canva, and a host of digital streaming providers (DSPs) across China, Africa, the Middle East, and Korea.
“World Building for Music Creators: Weaving It All Together” will address the evolving landscape that today’s artists must face. No longer is it enough to simply release music—creators are now expected to build entire ecosystems around the work. Superfans have become an important component of artist success and capturing their attention can mean the difference between making it or breaking it. This panel will explore how musicians can connect their passions—ranging from comedy and gaming to streaming, podcasting, and education—into a cohesive narrative.
Attendees will learn strategies for storytelling, community growth, and business development, helping them unlock new opportunities for connection, monetization, and career longevity. With active listening becoming a huge part of success in the music industry, engaging superfans goes beyond releasing compelling music on DSPs.
Meet the Panelists
Roxxy Haze — A dynamic comedian, writer, and musician who is known for blending humor with insightful commentary on pop culture and music. Her work spans stand-up, digital sketches, and content creation—making her a multi-platform talent who brings a unique perspective on creative world building.
Irv Da Phenom — With a career tooted in hip-hop and entrepreneurship, Irv Da Phenom is celebrated for his versatility as a rapper, songwriter, and brand strategist. He has collaborated with major artists and has built a loyal following by integrating music with digital content in his community initiatives.
Dende — Dende is a genre-bending rapper, songwriter, and producer whose soulful sound and storytelling have brought him critical acclaim. Beyond music, he engages his audiences through live performances, an active social media presence, and educational content—exemplifying what it means to be a multi-hyphenate content creator that spans the digital sphere.
Stockz — Stockz is an innovative artist and entrepreneur recognized for merging music with technology and finance. His approach to brand building includes leveraging digital tools and cross-industry partnerships, offering valuable insights into monetization and audience engagement.
This Too Lost panel is designed for creators looking to expand their reach beyond traditional music releases on major DSPs. Attendees will gain actionable advice on integrating multiple interests, building a unified brand, and navigating the complexities of today’s creator economy. Too Lost’s expertise and the diverse experiences of the panelists make this session a must attend for anyone who wants to elevate their creative business.
This Too Lost Dream Con panel will be hosted on June 1 at 2:30 PM. “I’m excited to moderate this panel at Dream Con because many of today’s music creators are building entire worlds beyond music—through gaming, comedy, streaming, and more,” shares Damien Ritter, Too Lost’s Director of Marketing. “This conversation is about helping artists connect it all, tell a clear story, and turn their creativity into a movement.”
Dream Con 2025 will take place from May 30 to June 1, 2025 at the George R. Brown Convention Center in Houston, Texas. This three-day event brings together fans of anime, gaming, music, and pop culture for a dynamic and inclusive celebration.
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HUGEL, BRØDER, Spijker Bring Out Fresh Cover of ‘Las Avispas’

French DJ and producer HUGEL will release his new single, ‘Las Avispas’, on May 23rd. This track is a fresh take on the classic song by Juan Luis Guerra. It will be available through his label, Make The Girls Dance Records. The song features artists BRØDER and Spijker, mixing French, Dutch, and Afro-House styles into a joyful global music celebration.
HUGEL has made a name for himself in the Afro-Latin House music scene. He has over 4 billion streams, many multi-platinum certifications, and numerous #1 hits on Beatport. His music is popular in clubs and festivals across the world. The Make The Girls Dance Records label, which HUGEL is also a fan of, also supports innovative Afro-infused dance music.
The roots of ‘Las Avispas’
The original ‘Las Avispas’, written by Dominican artist Juan Luis Guerra, is an uplifting song about faith, resilience, and protection. It was released in 2004 on the Grammy-winning album, Para Ti. The song blended merengue and gospel elements and earned several awards, including Latin Grammy Awards for Best Tropical Song and Best Christian Album, as well as Billboard Latin Music Awards for Gospel-Pop and Tropical-Merengue Song of the Year.
In this 2025 version, HUGEL adds an energetic Afro-House beat while keeping the song’s soulful feel. He collaborates with BRØDER, the French duo of brothers Thibault and Arnaud from Marseille, who are known for their creative music and have over 60 million Spotify streams. Spijker, a rising Dutch DJ and producer, brings his unique sound and experiences from events like Burning Man and performances in Brazil. ‘Las Avispas’ is more than just a cover; it honors a legendary artist through a modern lens.
The post HUGEL, BRØDER, Spijker Bring Out Fresh Cover of ‘Las Avispas’ appeared first on EDMTunes.
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