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EDM.com Fresh Picks: Fox Stevenson, Pocket, heartaake & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Pocket - Knot
Fox Stevenson - Memories
JEV - Doses
rĂŒĂŒdy. - for my old me
Sam Silver, informal., Babsy. - We In London
Jetta - sicklysweet (Tobiahs Remix)
heartaake - i have zero care
Oscar Farrell - Running Free
Dita Redrum - Dark green
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Gryffin, Excision and Julia Michaels Soar to New Heights With Buoyant Bass Anthem, "Air"

Festival season is rapidly approaching liftoff, and "Air," the new collaboration from Gryffin, Excision and Julia Michaels, feels like its first moment of weightlessness. 
Out now via 10K Projects, the track leans into its emotional core rather than chasing the extremes on which Excision is known to hang his hat. Built on Gryffin's signature cinematic textures, "Air" opens with bright piano chords and luminous synths that swell like a rising tide.
Michaels’ momentous vocals land with real weight, anchoring the arrangement as it glides into a drop that’s more subtle surge than full-on explosion. There's tinctures of Excision’s dubstep influence in the design, especially in the second drop, but it’s filtered through a melodic lens to inspire movement without overwhelming force. 
To that end, "Air" feels like a shared vision more than a clash of styles. It's a soaring, anthemic dance record that evokes the cathartic euphoria of early 2010s progressive house while staying rooted in modern melodic bass. 
As Gryffin continues his "PULSE: PHASE 2" tour and heads into a loaded festival season, "Air" lands like a mission statement. His first foray into dubstep and co-production with Excision signals his intent to continue growing and demonstrating his elite versatility within a multitude of dance music sub-genres.
You can listen to "Air" below and find the new single on streaming platforms here.
Follow Excision:
X: x.com/excision
Instagram: instagram.com/excision
TikTok: tiktok.com/@excision
Facebook: facebook.com/excision
Spotify: spoti.fi/3lLJ5jl
Follow Gryffin:
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TikTok: tiktok.com/@gryffin
Facebook: facebook.com/gryffinofficial
Spotify: spoti.fi/3gl5Jg1
Follow Julia Michaels:
Instagram: instagram.com/juliamichaels
TikTok: tiktok.com/@juliamichaels
Facebook: facebook.com/JuliaMichaels
Spotify: tinyurl.com/3spbut5v
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Majority of Young DJs Believe Social Media Numbers Matter More Than Talent: Report

A striking survey presented at this year's International Music Summit in Ibiza indicated that 61% of emerging DJs believe social media numbers carry more weight than actual musical skill when it comes to career success.
The data comes from a 15,000-person survey conducted by the Pete Tong DJ Academy, per Mixmag. It illuminates growing concerns of a music industry so saturated and insular that breaking through often depends less on artistry and more on whether or not you can strike fool's gold with gimmicky viral moments.
62% of respondents feel the music industry operates like a "closed club," according to the report, leaving little room for those without established connections or marketing muscle. Many pointed to a growing reliance on metrics like follower counts and engagement rates as gatekeeping tools for bookings, label signings and playlist placements.
While 35% of respondents remain hopeful that persistence pays off, the numbers paint a picture of an ecosystem increasingly shaped by optics over originality, leading hopeful producers to believe that long-term sustainability hinges as much on algorithms as it does on the decks.
Elsewhere in the survey, over half reported experiencing burnout or anxiety. "Every post feels like a test," one 24-year-old French DJ lamented. "If it flops, I feel like a failure."
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Dance Through Dissociation With Tiësto, Clean Bandit and Leony's New Single, "Tell Me Where U Go"

Tiësto, Clean Bandit and Leony serve escapism with a side of dance music therapy in their new collaboration, "Tell Me Where U Go."
The track seamlessly fuses Tiësto's masterful trance sensibilities with Clean Bandit's orchestral pop prowess, creating something greater than its already formidable parts. The latter's candid admission about dissociation provides a psychological depth that resonates against the record's euphoric flourishes.
In other words, it makes the body move while the mind wanders elsewhere.
"My therapist said I dissociate sometimes," explains Clean Bandit's Jack Patterson. "She said to me, 'Tell me where you go.' After the session I went to the studio and we made this song."
That cerebral approach permeates the track as Leony's intoxicating vocals float over a pulsing four-on-the-floor beat, her urgent lyrics transforming a therapist's clinical inquiry into a dancefloor confrontation: "Tell me where you go, when you look into my eyes." Meanwhile, the production builds with the restrained confidence that only veterans of Tiësto and Clean Bandit's chart-topping caliber could execute.
The string arrangements, the band's perennial ace card, cut through Tiësto's immaculate production with dramatic precision, creating moments that feel both intimate and stadium-sized. It's a collaboration that respects the signature sounds of both while pushing them into refreshingly vulnerable territory.
You can listen to "Tell Me Where U Go" below and find the new single on streaming platforms here.
Follow Tiësto:
X: x.com/tiesto
Instagram: instagram.com/tiesto
TikTok: tiktok.com/@tiesto
Facebook: facebook.com/tiesto
Spotify: spoti.fi/3dVvySo
Follow Clean Bandit:
X: x.com/cleanbandit
TikTok: tiktok.com/@cleanbandit
Instagram: instagram.com/cleanbandit
Facebook: facebook.com/cleanbandit
Spotify: spoti.fi/33i5bnl
Follow Leony:
Instagram: instagram.com/leony.music
TikTok: tiktok.com/@leony.music
Spotify: tinyurl.com/hbd8yuxr
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Bass Meets Bikini Bottom in Hairitage's New Dubstep Track, "Lemons"

With great beard comes great responsibility, and Hairitage wields both to unleash "Lemons," a track born from nostalgic cartoon villainy.
The new single is built on a sample from a fictional organization in SpongeBob SquarePants called E.V.I.L., an acronym for Every Villain Is Lemons. Consisting of antagonists like Plankton, Man Ray and The Dirty Bubble, the group is a goofy parody of classic supervillain tropes and first appeared in the Season 3 episode titled "Mermaid Man and Barnacle Boy V."
In an era where virality is both manufactured and measured, the track's true accomplishment lies in its distribution. While major artists rely on blitzkrieg marketing offensives and industry muscle, "Lemons" was fueled by an organic groundswell of fan enthusiasm on platforms like Reddit, bridging millennial nostalgia with Gen Z's internet-fueled music consumption.
From the jump, Hairitage's brassy stabs blare like SpongeBob's band in the Bubble Bowl (cue their iconic performance of "Sweet Victory"). They set the stage for a screeching dubstep drop so filthy it would make Squidward quit clarinet for good.
You can listen to "Lemons" below.
Follow Hairitage:
X: x.com/hairitagemusic
Instagram: instagram.com/hairitage_music
TikTok: tiktok.com/@hairitage
Facebook: facebook.com/hairitagemusic
Spotify: https://spoti.fi/2PMnMzN
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A Decade and 100 Million Streams Later, Scott Benson Band's "Requiem for a Dream" Reimagined by tyDi

In the pantheon of timeless film scores, Clint Mansell's haunting Requiem for a Dream theme stands alongside the giants. Scott Benson Band's famous rock adaptation gave it new life back in 2015, and now tyDi has reimagined it yet again, with results that are nothing short of spectacular.
The influential DJ and producer's stunning rework is part of a new remix bundle called Requiem for a Dream Rewired. It's releasing in celebration of the 10-year anniversary of SBB's original track, which charted around the globe before surpassing 100 million collective streams and half a billion TikTok views.
If you've seen Darren Aronofsky's iconic Requiem for a Dream film, you know that calling it "intense" is an understatement. It's a spiraling fever dream of addiction, electro-shock and irreversible loss that sticks with you like a nightmare you can't quite shake.
tyDi's production maintains that sense of mounting dread, transforming the band's rendition into a claustrophobic, glitched-out odyssey infused with contorting synths and sharp breakbeats. Those familiar, eerie strings now pierce through layers of distortion, creating a tension between classical grandeur and digital decay that perfectly mirrors the film's exploration of deteriorating dreams.
Nostalgia these days is all too often regurgitated for cheap commercial consumption, but tyDi approaches his remix with reverence. The same goes for Jared Robinson, a founding member of Scott Benson Band, whose own spellbinding remix rounds out the group's new two-track anniversary release.
You can listen to Requiem for a Dream Rewired below.
Follow Scott Benson Band:
Instagram: instagram.com/scottbensonband
Facebook: facebook.com/scottbensonband
Spotify: tinyurl.com/bdcwt55d
Follow tyDi:
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Instagram: instagram.com/tydi
Facebook: facebook.com/tydimusic
Spotify: tinyurl.com/hm62er3r
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Damon Sharpe, AXON and Kirsten Collins Drop Hedonistic House Track, "Gucci Lemonade"

Somewhere between midnight champagne and sunrise regrets, Damon Sharpe, AXON and Kristen Collins' new single "Gucci Lemonade" finds its perfect listening hour.
An unabashed celebration of bottle service and caviar dreams, the house track is the 100th release on Sharpe's record label, Brainjack Music. Collins serves as its sultry narrator, her unapologetic vocals sliding between the pulsing bassline like a black card through a platinum reader.
The production, meanwhile, is polished and pumping. Those familiar with Sharpe's Billboard-charting pedigree will recognize his signature polish, and together with AXON, bass drops like designer ice cubes into a glass of something far too expensive to spill on the dancefloor.
But the track doesn't apologize for its materialistic fantasies. When Collins purrs about setting her "purse on fire," it's less a declaration of financial recklessness and more an anthem for momentary escape.
Listen to "Gucci Lemonade" below and find the new single on streaming platforms here.
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A Step Towards Training Fairness? ‘Efficient and Effective’ Generative AI License Slated for Q3 Release in the UK

The Copyright Licensing Agency is set to release an AI training license later in 2025. Photo Credit: Igor Omilaev
An AI training license is expected to launch just months from now in the UK – albeit with an initial focus on the writing and publishing side.
London’s Copyright Licensing Agency (CLA) announced its “ambitious plans” for the license in a brief release. With a rollout teed up for Q3 2025, the system will enable gen AI developers to purchase one-stop training authorization for “text-based published content,” per the CLA.
On this front, although the 42-year-old entity deals in licenses for both writing and visual art, it’s working with two member organizations, the Authors’ Licensing and Collecting Society (ALCS) and the Publishers’ Licensing Services (PLS), to get the ball rolling here.
But logic suggests that the generative training license could later expand to include other types of media – or encourage the development of different licenses yet.
Closer to the present, the CLA opted against diving into compensation and opt-in specifics. The non-profit did clarify that the model will be “[d]esigned to complement direct licensing deals,” which are comparatively common in the writing and journalism worlds.
(Nevertheless, not all the spaces’ leading players are on board with AI giants’ proposals, pertaining to training and more.)
That’s a noteworthy contrast to the music universe, where some generative platforms are licensed but scores of others have allegedly trained on protected works without authorization.
Despite leading AI companies’ arguments to the contrary – and the uncertain outcome of related litigation for rightsholders – those alleged usages seem far from fair. For better or worse (with a strong emphasis on the latter), however, free-for-all training is in many ways the norm.
Not helping the less-than-ideal situation are controversial regulatory proposals – and adjacent calls to “delete all IP law.” Moreover, evidence indicates that several nations don’t intend to establish any protections at all when it comes to AI training.
In short, the CLA’s forthcoming license could represent a concrete step towards unlocking new compensation and much-needed control for rightsholders.
“Training AI models on copyrighted content requires permission and compensation,” longtime CLA CEO Mat Pfleger added in part. “CLA’s collective licence will further demonstrate that licensing is the answer and can provide a market-based solution that is efficient and effective.”
Last month, Sony Music led AI licensing startup Vermillio’s $16 million Series A, while Vobile earlier in April kicked off an audio buildout by acquiring Pex. And in a relatively early AI partnership, Universal Music inked a deal with content-attribution platform ProRata.ai in August 2024.
The ProRata tie-up now appears to include some sort of licensing arrangement. At the time of writing, ProRata’s “AI-powered search engine,” Gist, was seemingly producing the complete lyrics to a variety of well-known tracks when prompted accordingly.
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Pyramid Ibiza 2025: Underground Sundays Return with a Stellar Lineup at Amnesia

Pyramid Ibiza is set to make a triumphant return to Amnesia for its eighth consecutive season, running every Sunday from June 8 to October 5, 2025. Renowned for its commitment to underground electronic music, Pyramid continues to be a beacon for clubbers seeking authentic experiences on the White Isle.
A Two-Room Format, Two Distinct Vibes
Pyramid’s success lies in its dual-format setup, maximizing Amnesia’s iconic architecture:
Terrace: Expect hypnotic rhythms, immersive lighting, and deep grooves. This space will host names like Ricardo Villalobos b2b Raresh, Bicep (DJ set), and Maribou State (Live). Main Room: A sanctuary for techno lovers, featuring hard-hitting sets from Nina Kraviz, Amelie Lens, Richie Hawtin, I Hate Models, and 999999999. Opening Night: June 8
Kicking off the season, Pyramid comes in hot with a carefully curated lineup:
Main Room: Nina Kraviz, Deborah de Luca, Marco Faraone, and Luca Donzelli. Terrace: Ricardo Villalobos b2b Raresh, Josh Baker b2b Rossi, and Mar-T. This powerful launch sets the bar high for what’s to come.
The Season’s Pulse
Each Sunday promises a unique blend of styles, live acts, and B2B sets that keep the crowd guessing:
Techno Titans: Performances from Amelie Lens, Richie Hawtin, I Hate Models, and 999999999 are locked in. Live & Experimental: Bicep and Maribou State bring their signature live energy to the Terrace. Back-to-Backs of Note: Look out for Villalobos b2b Luciano, Sidney Charles b2b Luuk Van Dyk, and Chris Liebing b2b Marco Faraone—all crafted for deep synergy and peak-time magic. Final Sunday: October 5
Pyramid’s Closing Party promises a blowout:
Terrace: A rare B3B featuring Ricardo Villalobos, Raresh, and Franco Cinelli, alongside DJ Tennis, Germano Ventura, and Mar-T. Main Room: Nina Kraviz, Adiel, Luca Donzelli, and more to be announced will drive the season home. Tickets and Info
Full lineup details and tickets are available at Amnesia’s official site.

The post Pyramid Ibiza 2025: Underground Sundays Return with a Stellar Lineup at Amnesia appeared first on EDMTunes.
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Supertask's New Event Series Will Transform the Dancefloor Into a Psychological Experiment

Supertask is turning his crowds into participants for a unique psychological experiment designed to study group dynamics at live shows.
The upcoming concert experience in Denver will examine behavioral patterns like conformity, collective attention and interaction, George Sideris, Supertask's manager, tells EDM.com. The data collected will ultimately contribute to published academic research, offering a deeper understanding of how we connect and behave at concerts.
As the DJ performs live, interactive segments and smartphone interaction will collect high-fidelity crowd data. A narrator on an LED wall will guide crowd members through these moments of participation, turning them into both subjects and co-creators of the ambitious experiment.
Infrared cameras, motion sensors and a smartphone interface will work in unison to capture behavioral data in real-time, providing crucial insights for the analysis of social dynamics in a live music setting. Light, sound and movement will all serve as variables in the data collection.
"Not only will this effort open the doors for a new type of entertainment experience, blurring the lines between attendee and performer, but it will also directly contribute to developing the tools necessary to quantify the unique phenomena that emerge from human crowds," Sideris explains.
The initiative's testing ground is a three-night event series at Cervantes' Other Side, appropriately titled "Calibration," which will lay the foundation for a larger behavioral study from Supertask's team. They're planning on fine-tuning the technology for an expanded tour in a number of major cities.
"The whole idea is blending science and art, turning live events into real-time laboratories to study crowd behavior," Supertask tells EDM.com. "This event specifically is about calibrating our technology and refining the system. Once we've dialed this in, we'll be able to transform an entire tour into a large-scale psychological study, gathering unprecedented insights into collective human behavior."
Supertask's "Calibration" series in Denver is scheduled for July 31st to August 2nd. Tickets are currently sold out.
View the original article to see embedded media.
Follow Supertask:
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Hybe Latin America Taps Telemundo to Launch ‘Pase a La Fama’ Mexico-Focused Music Competition

Photo Credit: Hybe Latin America / Telemundo
Hybe Latin America and Telemundo present Pase a La Fama, a first-of-its-kind music competition seeking Mexico’s next global music sensation.
Telemundo and Hybe Latin America are joining forces for the first time on Spanish-language television to present Pase a La Fama, an innovative music competition premiering Sunday, June 8 at 9PM ET. The reality series brings together aspiring musicians in a high-stakes journey filled with raw talent, bold reshuffles, thrilling concerts, and emotional eliminations.
Hundreds have auditioned, but only 55 will be selected to join the rigorous artistic camp. In the end, a select few will become members of the winning band and claim the $100,000 prize, along with a recording contract with Hybe Latin America. The show will be available on the Telemundo app and will stream the following day on Peacock.
“We are proud to partner with Hybe Latin America on a multi-faceted journey to showcase the importance of music to Latin audiences throughout the US,” said Javier Pons, Chief Content Officer and Head of Telemundo Studios. “With Pase a La Fama, music fans will witness first hand the energy, identity, and dreams of this new generation of talented musicians looking to ‘make it’ in today’s highly competitive music industry.”
“Pase a La Fama is a love letter to the power of music and the creative process behind building something unforgettable,” said Isaac Lee, Chairman, Hybe Latin America. “From the roots of our artists to the global reach of our vision, this series shows what’s possible when talent and opportunity collide.”
The show features original music created by Latin music titan Edgar Barrera, winner of 21 Latin Grammys and the mind behind hits for Karol G, Maluma, Bad Bunny, and Grupo Frontera. The theme song, also written and produced by Barrera, features a key musical collaboration that brings to life an anthem about chasing dreams and overcoming the odds.
The panel of judges will include three influential figures in regional Mexican music: Ana Barbara, iconic singer, actress, and advocate for female empowerment in music; Adriel Favela, Mexican-American singer-songwriter known for blending traditional sounds with modern storytelling; and Horacio Palencia, renowned songwriter with over 6.4 billion streams and 50 BMI Awards. As the judges seek to create the perfect band, Pase a La Fama will also feature collaborations with other popular musical stars, which will be announced soon.
Throughout the competition, contestants will be mentored at the bootcamp where they will train, perform, and face challenges in each episode until the winners are crowned and receive their coveted prize. Pase a La Fama is produced by Exile Content Studio for Telemundo, under the executive production of Francisco “Cisco” Suarez, EVP Primetime Unscripted and Specials with Macarena Moreno as Executive Producer for Telemundo, and Hybe Latin America, under the executive production of Juan Arenas and JH Kah. Executive producers for Exile Content Studio are Myrna Perez, Jan Suter, and Arturo Sampson.
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Cornell Cancels Kehlani Performance Over Anti-Semitic Concerns, Says Singer ‘Injected Division & Discord’ Into a Celebratory Event

Photo Credit: The Come Up Show / CC by 2.0
Cornell University has revoked R&B singer Kehlani’s Invitation to headline its annual Slope Day celebration. The decision was announced by President Michael Kotlikoff following a Jewish student petition that garnered over 5,200 signatures in four days.
Kehlani was announced as the Slope Day performer on April 11, 2025, with the university’s Studen & Campus Life department confirming her selection as the first female headliner in 16 years for the May 7 event. The cancellation occurred 13 days later after students criticized Kehlani’s history of pro-Palestinian statements online and in music videos. Her 2024 music video for “Next 2 U” opens with the phrase, “Long live the Intifada” against a backdrop of Palestinian flags and dancers wearing keffiyehs.
The Cornellians for Israel group launched a petition against Kehlani as a headliner, stating that the singer’s use of “her platform to publicly call for the ‘intifada’ and to ‘dismantle Israel’” makes Jewish students feel unsafe. The petition called on the university to create an alternative experience for students who would feel uncomfortable.
Now President Kotlikoff has directly addressed the student body, announcing that Kehlani is no longer performing. “Unfortunately, although it was not the intention, the selection of Kehlani at this year’s headliner has injected division and discord into Slope Day,” Kotlikoff writes. “For that reason, I am rescinding Kehlani’s invitation and expect a new lineup for a great 2025 Slope Day to be announced shortly.”
“In the days since Kehlani was announced, I have heard grave concerns from our community that many are angry, hurt, and confused that Slope Day would feature a performer who has espoused anti-Semitic, anti-Israel sentiments in performances, videos, and on social media. While any artist has the right in our country to express hateful views, Slope Day is about uniting our community—not dividing it.”
“I have spent the last few days talking privately with many students about Slope Day, and I appreciate the candor they shared. I also spoke with student Slope Day Programming Board, who agree that this selection has compromised what is meant to be an inclusive event. Going forward, we will work together to revise the process for researching and selecting performers for this important annual event.”
“I understand that my decision will be celebrated by some and criticized by others. I believe it is the right thing to do and the decision I must make to ensure community and safety at this high-profile event that reaches the entire campus. Cornell is an institution where ‘any person can find instruction in any study’ and where every person should feel included at the signature social event of the year.”
Kehlani has not publicly addressed the cancellation yet. Meanwhile, Cornell University is facing escalating federal scrutiny over how it handles anti-Semitism on its campus. The U.S. Department of Education launched a formal investigation into Cornell under Title VI of the Civil Rights Act following complaints of anti-Semitic harassment on campus—including threats made to Jewish students.
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Universal Music Group Nashville Rebrands As MCA

Photo Credit: MCA
Universal Music Group Nashville enters a new era, rebranding as Music Corporation of America (MCA).
Universal Music Group (UMG) has announced the next step for its Nashville operations: a new name. Universal Music Group Nashville has been rebranded to Music Corporation of America (MCA)—a name with a storied legacy. Under the leadership of President and CEO Mike Harris and Chief Creative Officer Dave Cobb, MCA enters a new era with a bold vision for Nashville’s future.
The Music Corporation of America brand recognizes the Nashville creative community as a cornerstone of global music innovation. To that end, the company will reinforce the importance of country music’s legacy throughout the world by strengthening its commitment to provide premium services to its roster of artists. MCA’s roster includes names like Alan Jackson, Carrie Underwood, Chris Stapleton, Darius Rucker, Eric Church, George Strait, Keith Urban, Luke Bryan, Reba McEntire, and Vince Gill.
As a parent company, UMG continues to lead the industry with a 39.4% in country music marketshare. Now, the newly launched Music Corporation of America takes center stage as the top overall label group, with 16.2%, according to Luminate.
MCA’s portfolio will continue to operate and support frontline labels, including Mercury Nashville, EMI Nashville, Capitol Nashville, and MCA Nashville, along with Dave Cobb’s newly launched Lucille Records. MCA artists will be able to leverage the support of the Republic Collective in the US and UMG globally, in addition to the full suite of creative and commercial resources based in the MCA Nashville headquarters.
MCA has strengthened its executive team with appointees like Katie McCartney as EVP/General Manager and Tom LaScola as Head of Artist and Audience Strategy. The company also announces a new creative strategic alliance dedicated to supporting and developing homegrown Nashville songwriting talent, naming Jessie Jo Dillon as the newly minted Song Buddy. This position reflects a deep commitment to the vital role songwriters play in the local creative ecosystem.
“With the popularity of country music and the tremendous impact that it continues to make in popular culture, we recognize the importance of Nashville and the impact it has always made in America,” said Mike Harris. “The incredible staff of these labels will operate with a sense of independence and autonomy, but with a pursuit of excellence and healthy competition as a shared agenda.”
“I want to let the art lead, embrace community, and approach the business with intention,” added Dave Cobb. “We show up, work hard, and put artists, songwriters, community, and fans first. We want to get this right for them. That’s what this is all about.”
Music Corporation of America will continue to invest in ventures that expand its reach and redefine the possibilities for artist development while continuing to support and encourage the entrepreneurial spirit and autonomy of each label. This further cements the company’s commitment to Nashville as a nexus of artistic innovation.
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European Commission Fines Apple and Meta Nearly $800 Million Over Alleged DMA Violations

The European Commission headquarters in Brussels. Photo Credit: EmDee
That’ll be $800 million, please. A couple investigations and one stroke of the pen later, the European Commission has fined Apple (€500 million) and Meta (€200 million) the better part of $1 billion.
The European Union executive body announced as much in a formal release. As many know, both the mentioned companies (besides Google and other leading tech and social players) aren’t exactly strangers to aggressive regulatory scrutiny in the EU.
For Apple, that includes an astonishing $2 billion or so fine handed down last year over alleged anticompetitive behavior targeting music streaming apps. As we noted then, the penalty (which Apple promptly appealed) stemmed specifically from a 2019 complaint submitted by the vocal App Store critic Spotify.
Also as noted at the time, Apple was facing different investigations to boot; we detailed one such probe when it initiated in June 2024. And it’s in connection with this Digital Markets Act (DMA) inquiry, pertaining to purported consumer harm inflicted via App Store anti-steering policies, that the EC has ordered Apple to cough up €500 million.
According to the European Commission, “a number of restrictions” mean Apple is, in practice, preventing  developers from informing “customers, free of charge, of alternative offers outside the App Store.”
“Developers wanting to use alternative app distribution channels on iOS are disincentivised from doing so as this requires them to opt for business terms which include a new fee (Apple’s Core Technology Fee). Apple also introduced overly strict eligibility requirements,” the European Commission spelled out here.
That said, the entity did close a different investigation yet into Apple’s “user choice obligations,” including in terms of default-setting changes and more on iOS.
“This closure follows a constructive dialogue between the Commission and Apple,” the EC elaborated. “As a result, Apple changed its browser choice screen, streamlining the user experience of selecting and setting a new default browser on iPhone.”
Meta, on the other hand, is staring down a fine over an alleged failure to comply with the DMA with a “Consent or Pay” advertising model.
Keeping the focus on brass-tacks takeaways, the Facebook parent apparently embraced a revamped model some time back; the fine is for the system in place until November 2024.
As for where things go now, the companies must “comply with the Commission’s decisions within 60 days, otherwise they risk periodic penalty payments,” the EU agency relayed. Both Apple and Meta have fired back; Apple touched on plans to appeal as well.
While these massive fines don’t directly impact the core industry, the affected companies certainly have considerable music-space reach. Furthermore, the EU’s choppy regulatory waters are worth keeping in mind when it comes to Universal Music’s proposed Downtown buyout. Earlier in April, the much-criticized deal was referred to the European Commission for review.
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Warfare Promo’s Movie with Eric Prydz ‘Call on Me’

Eric Prydz is making his way to Hollywood. One of his most iconic tracks (that he recently started playing again) was used in a promo for the new movie, Warfare. A24 has been producing some of the best movies over the last decade, and their newest one is getting stellar reviews. They used ‘Call On Me’ in their latest promo, showing the army squad jamming out.
Prydz played ‘Call On Me’ for the first time in 21 years in Austin this year. The 2004 international hit catapulted Eric to initial global superstardom. The Swedish dance music titan completely abandoned it for more than two decades until 3/15/2025 at The Concourse Project. ‘Call on Me’ is Eric’s own 2004 take on Steve Winwood’s 1982 classic, Valerie. 
Not just was it used for the promo, but it is the main piece of the opening scene. It is already been acclaimed as one of the best openings of a war movie ever. The squad is seen happy and joyous watching an 80s workout video. It drastically cuts to them in a dark street on a secret mission.
The post Warfare Promo’s Movie with Eric Prydz ‘Call on Me’ appeared first on EDMTunes.
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Motor City Memento: ESSE Transforms Detroit Club Classic Into New House Anthem

ESSE is back with a new single, "Detroit," proving that echoes of Motor City's machine soul still have new stories to tell.
Out now via Tchami's Confession imprint, the new single follows ESSE's "Block Rockin Beats," a bold reinterpretation of The Chemical Brothers' 1997 breakbeat classic of the same name. With "Detroit," the mysterious producer is quickly proving his ability to rework timeless dancefloor staples without stripping them of their spirit.
Sampling Fedde Le Grand's 2006 classic "Put Your Hands Up 4 Detroit," ESSE retrofits the original's clubby cheer into something darker, sleeker and more dystopian. Once a straightforward party chant, the vocals are now warped and mutated with a cybernetic touch, drenched in vocoder and glitch as they slither through the track's pumping bassline.
There's no euphoric builds or flashy, overproduced drops in "Detroit"—just a focused, heady groove that never lets up. Gritty, minimal and relentlessly propulsive, it's house music built with techno's DNA.
You can listen to "Detroit" below and find the new single on streaming platforms here.
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Spotify Expands AI Playlist Beta to 40 More Countries

Photo Credit: Spotify
Spotify expands its AI Playlist beta to 40 more countries as YouTube announces a very similar feature.
Spotify launched its AI Playlist beta a year ago, a feature that creates playlists on the fly based on listeners’ text prompts. After expanding the beta to a few more countries back in September, Spotify is now rolling the feature out to 40 more countries as the beta continues.
Now, Premium subscribers in countries across Africa, Asia, Europe, and the Caribbean can “effortlessly turn their most creative ideas into playlists.”
And the timing couldn’t be better. Yesterday, YouTube Music announced a similar feature called Ask Music, though YouTube is describing this feature as a “personalized radio station,” rather than a playlist generator. But both are based around using text prompts to describe the type of music you want to listen to for an AI-generated output.
YouTube’s Ask Music is available in “select countries” for English-language subscribers to YouTube Music and YouTube Premium, as part of YouTube’s broader 20th birthday celebration.
But Spotify and YouTube are hardly alone in their efforts to capitalize on AI tools in their products. Amazon Music launched AI playlist generation with Maestro in April last year—around the same time Spotify announced its AI Playlist beta. Then, in July, Deezer came to the table with its own “Playlist with AI” functionality.
Meanwhile, Apple Music has been testing the waters with an AI artwork generator since last summer. The functionality allows users to create playlist artwork using AI as part of Apple’s Image Playground, which itself is part of the Apple Intelligence toolset.
It’s worth noting that the vast majority of these companies’ AI features remain paywalled, available only to paid subscribers. That’s not by chance, especially given rumors that Spotify is going to launch yet another paid tier to accompany its newly bundled offerings and continued expansion into video content and audio books.
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Instagram Launches Video Editing App ‘Edits’ to Compete with TikTok

Photo Credit: Meta
Instagram launches its standalone Edits app for editing video, with features to compete with TikTok parent company ByteDance and its CapCut app.
On Tuesday, Instagram launched its standalone Edits app for video creation, offering features to rival those offered by TikTok parent ByteDance’s CapCut app.
The new app allows creators to organize their project ideas, shoot and edit video, and view insights about content creation. It features background replacement, automatic captioning, and AI tools to turn images into video.
“There’s a lot going on in the world right now and no matter what happens, we think it’s our job to create the most compelling creative tools for those of you who make videos for not just Instagram but for platforms out there,” said Adam Mosseri, Head of Instagram, back in January when the app was first announced.
“Instagram exists to help people express their creativity, and we want to build the best creative tools to help you do this, not just on Instagram or Facebook, but on any platform,” reads Instagram’s blog post about the launch. “This is only the first step on this journey, and we can’t wait to evolve and improve Edits with your feedback.”
The Edits team is already planning new features, including keyframes, collaboration tools, and more creative options such as fonts, transitions, filters, and music options (including royalty-free). The app is free to download for both iOS and Android and is available worldwide.
With TikTok’s future still uncertain, Meta’s move to launch an app to compete with CapCut is the latest step in the company’s efforts to gain ground in the creator economy. The company has been enticing TikTok creators to migrate to Instagram ahead of a potential federal ban on the China-based platform.
Earlier this month, President Trump extended the deadline for a second time for ByteDance to divest TikTok’s US operations or face a ban. The latest deadline is June 19.
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Irish Rap Group Kneecap Face British Counter-Terrorism Investigation After Concert Video Footage Surfaces

Photo Credit: Paulo Nunes dos Santos (Kneecap.ie)
Irish rap group Kneecap are facing a British counter-terrorism investigation after footage from a concert went viral on social media.
The footage was posted online by Danny Morris of the Community Security Trust charity. Morris says the footage is from a gig in November 2024 at London’s Kentish Town Forum. The video shows the hip-hop trio on stage, with one member appearing to shout ‘up Hamas, up Hezbollah’ at the crowd.
Both Hamas and Hezbollah are considered proscribed terrorist groups in the UK and under Section 12 of the Terrorism Act 2000, it is an offense to express “an opinion or belief that is supportive of a proscribed organization.” A Metropolitan Police spokesperson says it has been made aware of the video and has referred it to the counter-terrorism unit.
“We have been made aware of the video and it has been referred to the counter-terrorism internet referral unit for assessment and to determine whether any further police investigation may be required,” the spokesperson concludes. Kneecap’s set at Coachella sparked outcry over its anti-Israel messaging, with large text appearing on the stage, ‘Fuck Israel, Free Palestine.’
Sharon Osbourne called for Kneecap’s US work visas to be revoked after the performance. In an interview with Rolling Stone, Kneecap member Mo Chara replied: “her rant has so many holes in it that it hardly warrants a reply, but she should listen to War Pigs that was written by Black Sabbath—led by Ozzy Osbourne, her husband.”
The incident has reignited debates about the boundaries of political expression at music festivals and the responsibilities of event organizers. Kneecap said their first weekend set was censored to remove political activism, while the second weekend’s set was not livestreamed due to the political statements made by the band. Kneecap says they feel a duty to use their platform to highlight what they describe as the oppression of Palestinians.
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Man “Only Carrying Sombreros” Into UK Arrested With Millions in Of Cocaine

A 35-year-old man named Kristopher Purvis thought he was being slick by dressing up as a tourist returning home from Mexico, landing at Edinburgh Airport. He and a companion only had a black suitcase and a plastic bag filled with novelty sombreros. Everything seemed to be going smoothly for Purvis till they went through the nothing-to-declare section at Customs & Border Protection, the National Crime Agency reported.
As Purvis was passing through, he was stopped by Border Force officers. He told them all he had on him were these sombreros. The officers didn’t believe it and continued their investigation with Purvis. While searching the suitcase, 48 kilos of cocaine were discovered. That’s £5.64 million at street value.
On March 4th, Purvis appeared at the Edinburgh High Court and pleaded guilty to importing Class A drugs. He was sentenced on April 16th at the same court to 10 years in prison.
Detective Chief Inspector Laura Sands, Police Scotland, said: “This conviction and sentencing serves as yet another example of our ongoing commitment to target the supply and distribution of controlled drugs across Scotland, which remains an absolute priority for the Organised Crime Partnership and its partners.
“This intervention and subsequent detection disrupted an attempt to bring a significant volume of class A controlled drugs into the country.”
“I would like to take this opportunity to remind the public that information from our local communities is an essential part of our investigations, as we work to disrupt the drugs trade and work with our partners to bring those responsible to justice.”
The post Man “Only Carrying Sombreros” Into UK Arrested With Millions in Of Cocaine appeared first on EDMTunes.
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Lloyds Bank Says Oasis Fans Have Lost $2.7M to Ticket Scams

Photo Credit: Simon Emmett
Lloyds Banking Group has issued a report on Oasis ticket scams, revealing that collectively, Oasis fans have lost £2M ($2.7M). The average victim loses £436 ($580) on average—mostly on scams instigated through Meta platforms.
Fans of Oasis are being targeted by a surge of ticket scams on social media as the group plans its first tour since 2009. Lloyds’ analysis of scam reports made by its own customers found that there were more than 1,000 cases of fraud since the sold-out tour was announced August 2024. Oasis fans make up the bulk of reported ticket scams, with 56% of targeted ticket scams.
Victims of these ticket scams have lost on average £436 ($580), which is around £200 ($266) more than the average ticket scam. The biggest amount lost in a single case so far was more than £1,700 ($2,264). While this data is based solely on information gathered by Lloyds about its customers’ activities, the bank estimates that across the UK there are at least 5,000 ticket scam victims since the summer tour was announced—with over £2 million ($2.7M) lost to fraudsters.
Fraudsters appear to be targeting fans aged 35-44, with that age cohort making up 30% of all ticket scam cases. Edinburgh, Warrington, and Manchester have the highest number of victims, with the top 10 locations overall making up around 25% of all scam cases. The top ten locations where scam victims reside were Edinburgh, Warrington, Manchester, Newcastle Upon Tyne, Sheffield, Glasgow, Birmingham, Plymouth, and Newport.
So how are the ticket scams happening?
Lloyds says the bulk of the ticket scams are taking place on social media, with more than 90% of reported cases starting with fake ads, posts, or listings on Meta-owned platforms. The vast majority of them begin on Facebook. Victims are asked to pay upfront for the tickets, but once the payment is made, the scammers vanish. Ticket scams typically occur in two waves, once when the tickets are first released for sale and again as the event date approaches.
“The Oasis tour is the largest target for ticket scammers, with millions of pounds of fans’ money stolen before the gigs even kick off,” says Liz Ziegler, Fraud Prevention Director for Lloyds. “The fact that so many cases start with fake listings on social media, often in violation of the platforms’ own rules, underscores the importance of these companies taking stronger action to tackle scams.”
“If you’re asked to pay via bank transfer, particularly by a seller you’ve found on social media, that should immediately set alarm bells ringing.”
Lloyds suggests fans only pay with a debit, credit, or PayPal account to avoid scammers—since these methods are easier to recover money than bank transfers.
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Sultan + Shepard Drop Melodic Tracks ‘Postcards’ and ‘All Access’

Sultan + Shepard are back with an exciting release this week: two melodic tracks, ‘Postcards’ and ‘All Access’. Out from their highly anticipated seven-track EP, Communicate EP available on This Never Happened. We’ve been unable to stop replaying their previous hits, ‘Mio’ and ‘Mainline’ released just last week. Embrace this sunny Thursday with the fresh vibes of ‘Postcards’ and ‘All Access’. Let’s immerse ourselves in the magic of these tracks!
‘Postcards’ and ‘All Access’
Sultan + Shepard have been dazzling fans weekly with releasing their series of singles and double tracks from their highly anticipated Communicate EP. Today we dive into ‘Postcards’ and ‘All Access’. ‘Postcards’ envelops listeners in emotive melodies and rich atmospheric layers, evoking a powerful sense of nostalgia and introspection. The subtle vocal samples and evolving synth patterns create a mesmerizing, dreamlike quality that encourages deep emotional connection and reflection. Conversely​ ‘All Access’ charges forward with a compelling rhythmic and groove-driven approach. Its pulsating basslines and dynamic percussion deliver an electrifying energy that’s tailor-made for the dance floor, showcasing the duo’s exceptional versatility within the progressive house genre. While ‘Postcards’ invites a contemplative experience, ‘All Access’ ignites an exhilarating and engaging rhythm. This dynamic contrast highlights Sultan + Shepard’s remarkable ability to craft diverse sonic landscapes that remain cohesive throughout the project.
In addition to these tracks, ‘Mio’ and ‘Mainline’ share a focus on instrumental depth and intricate progressive builds. Notably ‘Before The Storm’ a collaboration with Rinzen a collaboration with Rinzen, introduces a darker fusion of deep house and techno influences, elevating the EP to new heights. Together, these tracks create an irresistible atmosphere designed for audiences to lose themselves in the music and revel in the enchanting melodies.
Spring 2025 Shows
Sultan + Shepard have been delivering impressive live performances over the past year across North America, recently touring in London and Australia as well. During these shows, Osama and Ned showcase their beautiful tracks using various instruments and often invite guest singers to support them, including Julia Church and Tinsel. This Spring, they are set to perform at Lightning in a Bottle in Bakersfield, CA, in May, as well as at EDC in May. Stay tuned for updates on their upcoming shows here.
Hope you enjoyed this read with us at EDMTunes!
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Cascade Equinox unveils stacked lineup for third annual edition

As it enters its third year, Cascade Equinox Festival is gearing up for its most dynamic edition yet, returning to the Deschutes County Fairgrounds in Redmond, OR from Friday, September 19 – Sunday, September 21, 2025. Known for its eclectic programming and immersive experiences, the festival embraces a bold new direction in 2025, shifting toward a dance music focused lineup highlighting premier electronic talent.
Topping the stacked list of Cascade Equinox 2025 headliners is GRAMMY-nominated electronic duo Disclosure, who will be performing their first proper set in the state of Oregon since 2016. Famed for their genre-defining fusion of deep house, UK garage, and synth-pop, Disclosure’s vibrant performance promises to be a festival highlight, delivering their signature blend of infectious beats and soulful melodies.
Additional Cascade Equinox 2025 headliners include acclaimed dance music artists such as electropop duo Sylvan Esso, trap pioneer TroyBoi, saxophone-wielding bass music duo Big Gigantic, and Montreal electro-funk duo Chromeo (DJ Set).
The third annual edition will also feature an exclusive DJ set from beloved indie-electronic band Passion Pit, marking a rare festival appearance from the band’s frontrunner Michael Angelakos.
The 2025 edition will also showcase a stacked roster of cutting-edge electronic artists, including dubstep heavyweight Mersiv, electro-folk favorite Moontricks, bass virtuoso and multi-instrumentalist Boogie T, electro-soul craftsman Artifakts, future-funk producer Flamingosis, 70s-inspired groove duo The Sponges, and dubstep queen Zen Selekta.

Cascade Equinox will also stay true to its band and live music roots, featuring performers such as electro-swing dance outfit High Step Society, percussion-oriented trio Moon Hooch, Portland-based indie group New Constellations, Pink Floyd/Phish/Talking Heads-tribute band Pink Talking Fish, and genre-blending psychedelic rock band White Denim.
Rounding out the lineup are local and regional favorites like Barisone, Cliche, Yak Attack and more – further grounding the festival in its Pacific Northwest identity.

In 2025, Cascade Equinox will take a more refined approach, offering a thoughtfully curated experience that allows fans to soak in more of the music they love with fewer overlapping sets. By condensing elements of the festival site and programming, this year’s event will emphasize quality over quantity – enhancing flow, connection, and immersion across the board.
Cascade Equinox made its debut in 2023, quickly establishing itself as a unique destination for fans of diverse music styles. The inaugural lineup featured over 50 acts that spanned genres, including Pretty Lights (marking his first festival appearance after a 5-year hiatus), Big Wild, Goose, Phantogram, Trevor Hall & The Great In Between, Of The Trees, and Emancipator.
In 2024, the event continued to captivate attendees with another impressive lineup, welcoming Jungle, CloZee, STS9, Marc Rebillet, Liquid Stranger, among others. The second year expanded the festival’s sonic landscape even further, drawing a diverse crowd and offering a memorable weekend of genre-defying performances.
Set against the stunning backdrop of the Deschutes County Fairgrounds, the Pacific Northwest’s premier event venue, this year’s edition is gearing up to be one of the most special yet. With sweeping panoramic views of snow-capped mountain peaks, trees, and a creek running through its expansive 340-acre space, Cascade Equinox offers a breathtaking setting for an unforgettable festival experience. Attendees can look forward to a variety of experiential programming and activations designed to complement the natural beauty of the venue and elevate the festival atmosphere.
Cascade Equinox will once again offer a bevy of activities and programming, including a vendor marketplace, kids zones, a roller rink, workshops, culinary commons, a healing sanctuary, yoga, beer and wine tastings, interactive art installations, and live art. This year, the festival will also feature an expanded Healing Garden zone, offering even more space for relaxation and rejuvenation and providing opportunities for self-care throughout the weekend.
The festival will offer various camping options, including glamping in the Alpenglow Campground. The centrally located, boutique campground is just a stone’s throw away from the festival’s epicenter, making it the perfect basecamp for festival-goers who want to immerse themselves in the excitement while also enjoying the comfort and convenience of premium accommodations. Due to popular demand, the festival is expanding its premium car camping spots, giving more attendees the chance to enjoy this elevated camping experience.
The Alpenglow Campground will offer amenities such as sponsor-activated happy hours, phone charging stations, yard games, dressing room and private areas to get ready, a lounge with music, premium bathrooms, concierge services, a separate private check-in, and a premium parking pass for one vehicle. This campground area will be fenced off with security guards and will have a prime location on grass.
Cascade Equinox Festival will also offer Expo Center RV Park for RV hookups, as well as areas for dry RVs, car camping, walk-in camping, and basic camping packages. All onsite accommodation packages, as well as off-site hotel packages, are available here.
Attendees who have already bought a 3-Day GA pass to the festival have the opportunity to purchase the The Inner Circle upgrade ($228 per person), which will give VIP access to:
Express check-in at the box office Inner Circle parking on festival grounds Express entry into the festival, with dedicated Inner Circle – only entrances Full time hosts in lounges Beautiful lounge area with comfortable seating & shade Complimentary snacks and beverages in the lounges A designated viewing area at the main stage, with unobstructed views of the performers Inner Circle Private Bars in viewing areas and lounge Pop-up experiences Access to private restrooms A gift bag with festival merchandise and other surprises Phone charging stations Early Bird 3-Day GA passes for Cascade Equinox are on sale now, along with a 6-person Party Pack option and the Inner Circle VIP upgrade. Payment plans are available for all festival passes. For more details and to purchase tickets, visit: https://cascadeequinox.com/
Cascade Equinox aims to redefine the festival experience, seamlessly merging tradition with innovation. With a commitment to inclusivity and dynamism, this pioneering event caters to the diverse tastes and evolving expectations of its attendees. The festival is driven to showcase the best of the Pacific Northwest region by featuring local artists, food and craft vendors, performers, and more. Going beyond the usual crowd, it seeks to connect with individuals who share its mission, inviting them to be part of an extraordinary and transformative celebration for their third annual edition.
The post Cascade Equinox unveils stacked lineup for third annual edition appeared first on EDMTunes.
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Spain’s SGAE Reports Record $440 Million+ in 2024 Revenue — Double-Digit Growth for Digital and Foreign Collections

Madrid, Spain, where the Spanish Society of Authors and Publishers (SGAE) is based. Photo Credit: Jorge FernĂĄndez Salas
The Spanish Society of Authors and Publishers (SGAE) has reported record revenue of €390 million (currently $443.1 million) for 2024, when digital collections spiked by 25.6%.
SGAE disclosed these and other financial details today; CISAC, of which SGAE is a member, also highlighted the seemingly solid results in a release. Behind the revenue total, which rose 11.7% YoY and is up close to 60% from 2020, the Madrid-based society said it’d distributed north of $396.5 million/€349 million (up about 6.1% YoY).
Meanwhile, the mentioned digital side, at $68.6 million/€60.4 million, accounted for about 15% of SGAE’s 2024 revenue, the report shows. By sub-category, streaming made up 55.6% of the digital sum, against 43.2% for “audiovisual platforms” and the remaining 1.3% for internet radio and more.
Beyond digital, the Unison rival identified double-digit collections boosts for international usages (a record $40 million/€35.2 million, up 15.4% YoY) and “live arts” ($72.9 million/€64.1 million, up 16.2% YoY).
By region, the foreign-collections total resulted from Europe ($18.6 million/€16.4 million, “primarily” attributable to France and Italy); Latin America and the Caribbean ($11.4 million/€10 million); and North America ($9.1 million/€8 million).
A breakdown of Spanish Society of Authors and Publishers (SGAE) revenue by year, 2020-2024. Photo Credit: SGAE
Unsurprisingly, the live-collections sum stemmed chiefly from concerts and festivals, which kicked in $55.4 million/€48.7 million (up 7.4% YoY) during 2024. However, SGAE also pointed to a 13.2% YoY jump for performing arts to $14.1 million/€12.4 million.
Next, the 125-year-old entity confirmed $125 million/€110 million in broadcasting and cable collections for 2024; SGAE chalked up the 18.9% YoY hike in part “to various public and private television channels settling arrears.”
Finally, in terms of 2024’s top-level financials, private copying contributed $18.5 million/€16.3 million – up 57.2% YoY thanks to a once-off settlement, but down 38.1% YoY without this payment, according to the document.
And with vinyl still riding relatively high, SGAE reported $4.3 million/€3.8 million (up 11.8% YoY) in physical revenue. (Technically, the long-surging format is grappling with sales-slowdown concerns not just in Spain, but in a variety of markets.)
Rounding out the report, SGAE emphasized its continued efforts to reduce admin fees, which are said to have dropped to pre-pandemic levels last year. All told, the society’s final 2024 distribution reached 75,019 members.
Regarding Spain’s recorded music market, Promusicae in February reported a 9.4% YoY revenue improvement for 2024. Though streaming revenue grew significantly, physical sales suffered a double-digit falloff (once again by revenue) on the year, the trade body communicated.
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The composer who scored The Last of Us has released a ronroco sample library with Spitfire Audio

Gustavo Santaolalla, a composer known for scoring the likes of The Last of Us and Brokeback Mountain, has teamed up with Spitfire Audio to release a first of its kind library based on the ronroco.
Santaolalla has used the ronroco, a double-stringed Andean instrument, as his signature voice for decades. Spitfire has captured its hair-raising sound by recording Santaolalla’s own ronroco in his LA studio, with his personal E-minor tuning and articulation choices too.
READ MORE: Venus Theory’s new free piano library is sampled from Benn Jordan’s unique upright Yamaha Santaolalla’s ronroco can be heard within the scores of films such as Babel, The Motorcycle Diaries, and over both The Last Of Us games and its accompanying TV series. His use of the instrument makes for highly-emotional, and instantly recognisable soundscapes. As Spitfire Audio explains, the ronroco’s character stems from its five courses of double strings, with its middle course tuned to an octave, which creates “rich resonance and notable sustain”.

With the new Spitfire Audio library, composers and producers can experiment with multiple articulations, intuitive performance modes (Sequencer, Chord & Note), and built-in FX – these are programmed by Mike Georgiades, the developer behind Spitfire’s MG Soft Acoustic Guitar and MG Soft Nylon Guitar libraries. It also hosts a custom 32-step sequencer, with articulation per step, and a simple MIDI drag-and-drop to DAW feature.
Find out more and hear it in action below:

“Gustavo opened up the world’s ears to the creative possibilities of the ronroco thanks to his sensitive, luminous playing and intuitive yet complex compositions,” comments Spitfire Audio co-founder, Paul Thomson. “We want to offer these creative possibilities to more musicians, composers, and producers who love what they’ve heard in Gustavo’s score and want to incorporate that same feeling into their own projects. The instrument has inspired Gustavo and we are certain its virtual counterpart will inspire countless artists in new ways.”
Ronroco by Gustavo Santaolalla will be available for £139 ($169/€149) from 24 April. An introductory discount of 20 percent is available until 8 May. Find out more via Spitfire Audio.
The post The composer who scored The Last of Us has released a ronroco sample library with Spitfire Audio appeared first on MusicTech.
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