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San Francisco’s Premier Festival Fresh Start Returns for NYE & NYD

Fresh Start returns to The Midway in San Francisco this NYE & New Year Day (NYD) for a huge block party. The line-up will be featuring a star-studded lineup of the biggest names in dance music. The first phase of Fresh Start’s lineup was announced in August this year. Phase 2 will be revealed in November. This year, The Midway will be completely transformed. The venue will be decked out in Fresh Start’s 2025 Y2K branding. There will be installations, multiple food trucks and an elevated culinary menu prepared by The Midway’s Executive Chef.
Phase 1 :
Techno superstar Charlotte De Witte will be headlining on the 31st of December counting down to 2025 with a bang. This will follow a sunset set by Cloonee. The Blessed Madonna, Enrico Sangiuliano, Essel, Matroda and Wuki will are a part of the NYE line-up as well. The next day, Chris Lake will deliver sunset vibes to The Midway with an unmissable dance-music journey. The incredible ZHU will also perform, alongside Austin Millz, Justin Jay and J. Worra. In true New Year’s style, Dombresky is also set to don his dazzling Disco Dom alias for a party-starting set of vintage grooves.


The Experience :
Previously, Fresh Start has featured drag brunches, sunrise yoga, a marching band, an onsite arcade, and even a pop-up restaurant providing full table service, so expect even more surprises across the two days. If you’re new to this annual city staple, Fresh Start is San Francisco’s premiere New Year’s Block Party at The Midway. Each year, hundreds of artists descend upon the corner of Michigan and Marin Streets to take over The Midway’s multiple indoor stages, plus a massive main stage built outdoors.

Weekend Passes, Single Day Tickets and Elevated VIP Packages are available here. Book now and be sure to keep your eyes peeled for the second phase of what is shaping up to be an incredible NYE/NYD lineup.
The post San Francisco’s Premier Festival Fresh Start Returns for NYE & NYD appeared first on EDMTunes.
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“Our Employees Are Not Children” – Spotify Will Keep Remote Working

Giant streaming platform Spotify has bucked the trend of tech companies mandating a return to the office, maintaining its flexible remote work policy. The company believes that treating employees like adults is essential for fostering a productive and innovative work environment.
Spotify’s decision comes in contrast to other tech giants like Amazon and Dell, which have implemented stricter return-to-office policies. Spotify’s Chief Human Resources Officer, Katarina Berg, argues that remote work has not negatively impacted productivity or efficiency. “You can’t spend a lot of time hiring grown-ups and then treat them like children“, she argues.
Spotify has offices in major cities worldwide and encourages employees to come together for in-person collaboration during designated “core weeks.” This approach allows the company to maintain a strong team culture while minimizing the environmental impact of commuting.
“It is harder and we all struggle to collaborate in a virtual environment”, Berg says. “But does that mean that we will start forcing people to come into the office as soon as there is a trend for it? No.“
[H/T] Digital Music News
The post “Our Employees Are Not Children” – Spotify Will Keep Remote Working appeared first on EDMTunes.
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UNTOLD Will Celebrate 10th Anniversary Edition In August 2025

UNTOLD will celebrate its 10th-anniversary edition in 2025 from August 7–10. Dubbed the third-best festival in the world by Top 100 Festivals, UNTOLD will return to the heart of Transylvania, Romania next Summer for fans to experience a real-life fantasy and celebrate music, love, freedom, friendship and unity. UNTOLD X promises to be legendary, with a stunning lineup, mind-blowing experiences and activities, mesmerizing production, and magical surprises for four memorable days and nights.
With a diverse lineup of the best DJs in the world, renowned or newcomers, powerful live acts, and top singers, UNTOLD Festival is a musical paradise with multiple stages and music spots. Every year, the organizers bring to the beautiful city of Cluj-Napoca, in Romania, 200 to 250 artists who play EDM, house, future house, deep house, progressive house, tech house, techno, hard techno, trance, dubstep, drum & bass, or sing rap, trap, hip-hop, pop, and more.
About UNTOLD Festival
UNTOLD Festival was born in 2015, when Cluj-Napoca, the beautiful city that hosts the event, was designated the European Youth Capital that year. The first edition of UNTOLD brought 170 artists and 240,000 participants to Romania for the festival’s four days and nights. In 2024, the ninth edition of UNTOLD welcomed 250 local and international artists and over 427,000 fans from Europe, the USA, Canada, Mexico, Brazil, Asia, the UAE, and Australia.
The magical realm of UNTOLD is a playground of 235,000 square meters in Cluj-Napoca, which surrounds the stadium – Cluj Arena and Central Park. The festival hosts multiple stages with unique production and decors, music spots, and diverse activities such as a flying simulator, VR games, treasure hunts, water activities on the lake, a Fashion Village with Romanian Designers, and a permanent tattoo studio. Usually, over 40 food vendors offer a diversity of tastes, from Romanian food to Asian, Hungarian, Indian, and more, including food for veggies.
Tickets for UNTOLD X
Tickets for UNTOLD X are available now on the UNTOLD website here, starting at 139 euros. Stay tuned for more details, including lineup, and snag your tickets now for an unforgettable 10th anniversary edition!
The post UNTOLD Will Celebrate 10th Anniversary Edition In August 2025 appeared first on EDMTunes.
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Apashe Announces "Antagonist 2.0" Tour Featuring Philharmonic and Brass Orchestras

Apashe is continuing his Antagonist journey with a double dose of orchestras this winter.
Early next year, Apashe will unfold the next chapter of his Antagonist saga on the road for an ambitious "Antagonist 2.0" tour, resuming the story that began in 2023 with the release of his stunning sophomore album of the same name.
"I never thought I’d be bringing my vision to such amazing venues," Apashe said.
Beloved for his inimitable blend of electronic and classical music, Apashe will feature a philharmonic orchestra for the tour's first two stops in Seattle and Paris, France. After those shows, he'll be joined by a brass orchestra for the remaining stops in Dallas, Chicago, New York City, Washington DC and Los Angeles. 
In addition to the orchestra, Apashe will be supported by special guest Habstrakt as well as LYNY, Vladimir Cauchemar, Josh Teed, Leblanc, Wasiu and other artists to be announced in the weeks ahead.
Apashe will kick off the "Antagonist 2.0 tour January 24th, 2025 at Seattle's WAMU Theater. Tickets go on sale October 9th, 2024 at 10am local time with code "MAJESTIC."
Apashe's "Antagonist 2.0" tour flyer.Apashe/X
Follow Apashe:
Facebook: facebook.com/apashe.official
TikTok: tiktok.com/@apashemusic
X: x.com/Apashe_Music
Instagram: instagram.com/apashe
Spotify: spoti.fi/2CSiT5C
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MRAK Brings Out Great Emotions Through Two-Tracker, ‘The Turn’

Earlier this summer, MRAK (Carmine Conte from the famed Italian duo Tale Of Us) released a stellar EP, The Pledge, that represented a kaleidoscopic arrangement of melodic rhythms. In this previous weekend, MRAK unveiled his latest two-tracker, The Turn. This two-tracker provides two feel-good tracks that can help the listeners ease in for the rest of the week.
On The Turn, it has ‘Reserva’, a string-laden upbeat tune with 19:26, an ambient and neoclassical emotive techno project of fellow countryman Raffaele Sorrentini. Then, MRAK brings out on The Turn another stellar track, ‘Dune’, with Aimée Sophia, a world-class singer who has developed an international reputation for providing beautiful, spell-binding vocals and the vocals she showcases amplify the mysterious feeling of this track.. Click ‘Play’ on the Spotify link below to stream The Turn from MRAK, a release that feels like one is in a world of blissful feels and colorful vibes, as well being in an environment where any worries go away while listening to this release.
The post MRAK Brings Out Great Emotions Through Two-Tracker, ‘The Turn’ appeared first on EDMTunes.
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Sphere Entertainment CFO Resigns & Stock Falls

It seems like Sphere Entertainment Co. is taking multiple hits this week. As the futuristic venue located in Las Vegas prepares for a huge residency, while hosting Anyma for End of Genesys, chief financial officer announced his departure from the company. Furthermore, the company’s stocks have fallen 4.3 percent from the closing price as the news of the resignation broke out.
Sphere Stocks Fall
David Byrnes will depart from his role as CFO and treasurer soon. However, he will have an interim period in his position as the venture searches for someone to replace him. Moreover, the Sphere fell down to $41.07 per share during this announcement. Even though the volume was just over three times the day to day average, the closing price for Monday was $43.80.
September 29, 2023: U2 Performs U2:UV Achtung Baby Live At Sphere Opening Night Sphere entertainment oversees operation at the majestic Sphere Las Vegas. The 17,500 venue has hosted U2 and the Eagles residencies. Besides a one hour signature film called ‘Postcard From Earth’, the venue hosted an UFC event and is on the Formula One Grand Prix track.
David Byrnes
The CFO currently stepping down has played three different roles in the company since december 2023. In addition, he was serving as executive vice president and CFO of Madison Square Garden Entertainment Corp for two years. During this time, Byrnes supervised major interest sales and stock offerings that dealt with Tao Group Hospitality and MSG Entertainment. (source)
Will this events affect the Sphere long term? We will find out as we’re shy 3 months out of the one of the biggest EDM residencies of the year. Anyma will present The End of Genesys to close out one of the most successful chapters of his career. With six dates on new year’s weekend and two extra dates added on January 10 and 11, The Sphere will remains busier than ever.
The post Sphere Entertainment CFO Resigns & Stock Falls appeared first on EDMTunes.
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Stefanno b2b Julianno Are Energizing ADE Season with a Dynamic New Mix

As autumn sets in and ADE season approaches, Stefanno b2b Julianno deliver a mix that captures the vibrant energy of Amsterdam’s nightlife. Drawing inspiration from the city’s streets and the pulse of its dancefloors, the duo have crafted a selection that reflects their love for dynamic, high-energy records. With their upcoming trip to ADE, this mix serves as the perfect preview of the excitement to come, setting the tone for a season filled with unforgettable music and shared experiences on the dancefloor. 
The Romanian DJ/Producer duo have been making their mark on the Progressive Trance scene since 2008; with performances at key festivals and alongside major artists like Above & Beyond, Aly & Fila, and Dash Berlin, they’ve built a reputation for engaging crowds and delivering memorable sets. Their passion for music and dedication to their craft continue to drive their career forward, and this mix perfectly highlights their expertise and artistry. 
Stefanno B2B Julianno Online 
Spotify | Instagram | Beatport 
The post Stefanno b2b Julianno Are Energizing ADE Season with a Dynamic New Mix appeared first on EDMTunes.
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MicDoesThings Heats Up Our Playlists With ‘Summer Love’

We may have seen the last of the summer season but that does not mean we can’t continue that feeling moving into Autumn thanks to Italian producer Mic Does Things and his infectious new single, ‘Summer Love’.
The single, released on July 19th, is a wonderfully addictive and infectious dance single, built around uplifting synths, smooth melodies, and sounds that transport you straight to a sun-kissed getaway. With its expertly crafted arrangement, the track captures not only the euphoria of summer but also the bittersweet emotions of a fleeting romance. The nostalgic energy of the song is matched by evocative lyrics such as, “Just a summer love, only me and you” and “When autumn comes, we’ll drift apart,” perfectly encapsulating the end of a season—and a love affair.
This release showcases Mic Does Things’ ability to blend heartfelt storytelling with high-energy production, making ‘Summer Love’ an unforgettable summer anthem.
And this is only the beginning for Mic Does Things. As a fresh face in the music scene, he’s already making waves with his innovative sound. With a passion for experimenting and creating, he brings a unique approach to his music that sets him apart. His journey is just beginning, but it’s clear that his ability to connect with listeners and create something memorable is already making an impact.
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Exclusive Premiere – Josh Wink ‘Nerf Herder’

Decoded Magazine · Exclusive Premiere – Josh Wink – 'Nerf Herder' With a title inspired by Princess Leia’s immortal clapback to Han Solo in The Empire Strikes Back, and a creation that occurred during parent downtime at a Nerf tournament, ‘Nerf Herder’ is Josh Wink in a playful mood, perfectly timed for his annual Hallowink festivities alongside Will Clarke on the 31st of October. ‘Nerf Herder’ takes its sonic cues in part from 90s progressive house – driving and expansive, it slaps as hard as Leia’s words and follows on from recent singles ‘The Deepness’ and ‘Progression’ where Wink explores the more emotional/ melodic aspects of his creative palette. Big tune from one of the greatest to do it! 
Josh Wink  says: 
‘’Nerf Herder’ is a reference in the Star Wars movie The Empire Strikes Back where Leia insults Han by calling him a “stuck-up, half-witted, scruffy-looking nerf herder”. But that wasn’t the reason I named this track ‘Nerf Herder’. I was waiting for my son at a Nerf event in Philadelphia, while he and other participants were in the laser tag-like arena, I was composing music on my laptop in an empty room at the community center where it took place. So instead of the track name being the date of when I made it, or something else, this one came to mind and stuck (with a slight nod to Star Wars, Han and Leia too).
Two years ago was a period of time musically, where I delved into emotional and melodic techno/house compositions (‘Iz’, ‘The Deepness’ and ‘Progression’) that are slightly influenced by the 90’s progressive sound, yet still have the signature Josh Wink quality to the production. I am excited to slow things down, expressing the deeper, and more emotive side of me, rather than the techno sound most people know me for.”.
An artist and DJ who barely needs introduction, Josh Wink has been gloriously disrupting electronic dance music with a DIY and post-punk energy since the 90s. Amongst a huge arsenal of profound releases – his seminal breakout hit ‘Higher State of Consciousness’, highlighted as one of Rolling Stone’s ‘Greatest Dance Songs Of All Time’ in 2022. In 1995 the single was unleashed on the world and was immediately embraced by everyone from Gilles Peterson to Carl Cox. The definitive track continues to be rediscovered and adored by every new wave of DJ, raver and electronic enthusiast since its original release 29 years ago.
His Ovum imprint is a continuation of this boundary-pushing attitude, with more than 400 releases, over 130 associated artists and countless chart-topping tracks in its 30 years. Born in Josh’s native Philly in 1994, Ovum is as DIY and independently-minded now as it ever was, with label and founder having plenty up their sleeve to surprise and delight in 2024 and well and beyond. 
Stream / Download here and get your tickets to Josh’s annual Hallowink party with Will Clarke on the 31st October here


The post Exclusive Premiere – Josh Wink ‘Nerf Herder’ appeared first on Decoded Magazine.
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The 5 artists you can’t miss at Time Warp 2024: lineup

Legendary artists and emerging talents in the electronic music world abound on Time Warp‘s “Two Days | Two Celebrations” edition on October 25–26, 2024, when it returns to Mannheim.
Given such a wide range of artists, it may not be easy to choose the must-see events. But from our experience, we are here to guide you with our list of the five musicians you really must not miss at this year’s Time Warp festival.
&Me and Rampa
Starting our list is the much-awaited face-off between two major Keinemusik collective members, &ME and Rampa. This back-to-back set looks to be a master class in deep, melodic house, techno, and, of course, a bit of afro-house.
The ability of &ME to create expressive, groove-driven songs complements Rampa’s strong rhythms and percussion skills.
Combining organic components with electronic beats in a way that has come to define the Keinemusik sound, their cooperative energy is likely to provide a magnetic environment on the dancefloor.

Charlotte de Witte b2b Enrico Sangiuliano
Among the highlights of the festival is Charlotte de Witte and Enrico Sangiuliano’s back-to-back set. Both artists are well-known for their mesmerizing techno and combined intensity will produce an amazing experience.
De Witte’s evocative build-ups combined with Sangiuliano’s thundering rhythms will probably provide an exciting and exactly balanced performance.

Miss Monique
Miss Monique from Ukraine has become among the most interesting names in progressive and melodic techno very fast. Her sets are renowned for their trip-like feel. She fuses mesmerizing rhythms and uplifting melodies with pounding basslines.
Together with her flawless track selection, Miss Monique’s ability to craft a narrative via her music promises to transport Time Warp participants on an enchanted musical trip.
Her performance, as a relative newbie to the Time Warp stage, is not to be missed since it presents an original viewpoint on the music of the festival.

Reinier Zonneveld (live)
In the techno scene, Reinier Zonneveld‘s live performances have become fable. It’s quite amazing how quickly he could produce throbbing, high-energy techno utilizing a range of hardware synthesizers and drum machines.
Offering festival-goers an opportunity to see the creative process in real-time, Zonneveld’s show on Saturday promises to be a masterclass in live electronic music production.

Indira Paganotto
Rising sensation Indira Paganotto is one of the fresh waves of techno musicians sweeping over the scene.
At big events and venues all around, her hard-hitting, trance-influenced techno has been turning heads.
Paganotto’s set at Time Warp is probably a high-octane affair that highlights why she’s regarded as one of the most intriguing fresh electronic music stars.

The post The 5 artists you can’t miss at Time Warp 2024: lineup appeared first on The Groove Cartel.
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We Need To Talk About Cheetah

In the midst of the jungle revival, one name that’s become impossible to ignore is Bristol-based DJ/producer Cheetah. Despite being relatively new to the scene, his relentless drive to create distinctive, high-energy, booty-shaking bangers never disappoints—whether it’s old-skool jungle, groundbreaking bass music, or a seamless blend of both. Self-released tracks like “X-rated” and “Freaks” are tearing up dancefloors across the UK and beyond. Describing himself as a “serial collaborator,” Cheetah isn’t exaggerating; he’s worked with heavyweights like Nia Archives, Tim Reaper, and Samurai Breaks, just to name a few. 
After a hectic summer with debut appearances at major festivals like Glastonbury, Outlook Croatia, and Boomtown, Cheetah has definitely been keeping busy. This year, he’s also showcased the latest in UK sounds across Europe, playing in France, Spain, Poland, The Netherlands, Germany, and Croatia—often joined by the Singularity UK crew. Thankfully, he took some time to catch up with us at UKF, sharing his summer highlights and teasing exciting projects for the upcoming club season, including an EP with Samurai Breaks on Super Sonic Booty Bangers (SSBB)—just in time to lift our post-summer blues. 
Lets kick off with this summer, You’ve been incredibly busy playing at many festivals. What were some of the highlights? 
It’s been sick, it was my first time playing at festivals! Glastonbury was a standout experience. I ended up spending most of my weekend at NYC Downlow, an infamous queer club in the heart of the festival, listening to a lot of hard-house & disco. 
Oh, sick! Did it end up impacting your set at all? 
Yeah actually, the club definitely left an impact on my set. I felt like I was marinating in the club’s energy. I had a bunch of fun, sexy, queer-influenced tracks on my USB, which were different from my usual ones. Since it was a mostly jungle takeover and everyone else had been playing jungle, I decided to drop some sexy, fruity, 160-shit. Everyone loved it and I think they could see I was loving it too, it just felt right. 
Sexy, Fruity, 160, I love that! You’ve been with the SSBB and Singularity UK crews this summer. What was that experience like? 
In general, the best opportunities on paper can become quite stressful and anxiety-inducing. For example, going to Glastonbury for the first time. If I hadn’t been able to go with the Singularity UK crew and do a takeover with them, it would have been a bit lonely and stressful. But I’ve known them for a few years now and we’ve become quite a close-knit family, so it made the experience much more enjoyable. 
I actually ended up lost one day, but luckily I bumped into Samurai Breaks and Jess (who’s the chief booty-bouncer at Super Sonic Booty Bangers). We went to see Skream & Benga and then ended up spending the whole day together, which was really nice. Essentially, that’s the human side of the labels. Knowing that the people behind the music are genuine is important to me.
You’ve got an EP out in collaboration with Samurai Breaks on SSBB… There are some absolute bangers on there! 
After finishing my Freaks EP, I wanted to try something new. I was inspired by vogue/ballroom music and 160 tracks, and the concept for the EP emerged from that. I reached out to Samurai Breaks, and we decided to collaborate on the EP back in March. From then I started making a ton of tunes -about 12 in total. Many didn’t make the cut… 
It was initially meant to be a four-track EP, then it expanded to five tracks, and then six. Finally, three days before the pre-masters were due I panicked as I realised I really wanted a tekky 170 jungle tune for the project. I spent the next three days on my laptop, trying to finish it on time. This ended up being the seventh track ‘Go Harder’, a track with a style of production I’ve never really attempted before. I’m quite proud of it. 
Wow… 
It was tricky because it was a new style for me – it was a very clinical production. It’s not old skool; it’s not drum and bass either. It’s fruity, fun, and a lot of experimentation for me. I wanted the EP to be a vibrant project with something for everyone. 
The artwork is amazing, the promotion is great, and Sam’s a fantastic collaborator. Anyone who knows him will tell you he’s incredibly driven, refreshingly blunt, and super focused. He’s a legend and has been an amazing mentor for me recently. 
The Freaks EP, which dropped in June, was also packed with bangers—definitely more jungle, ragga, and 160. How was it releasing this EP independently? 
The whole idea behind the Freaks EP was to take complete creative control over the production, promotion and artwork. I’d become a bit complacent, letting labels handle that for me. While labels are a huge part of the culture, I wanted to try doing it all myself this time. Musically, the goal was to create fun, light-hearted tracks without taking things too seriously. 
There’s a lot of dancehall and hip-hop infused… 
I listen to a lot of dancehall. I made ‘X-Rated’ during my first year of uni when I was really getting into it. I then mixed in an Erika Badu vocal, another artist who I was into at the time. For ‘Freaks,’ I wanted to maintain that playful, light-hearted vibe. ‘Freaks’ by Vicious was the main
sample. It’s another dancehall tune that I’ve loved for quite a while, specifically the cheeky, androgynous vocals. 
https://soundcloud.com/cheetahhhh/sets/freaks-ep?si=2c33a27a7a7b4297855d66cd46a1ce1f& utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 
How did your journey into producing actually start? 
I get asked a lot about this since I’m relatively young. My mum bought me the most basic version of FL Studio when I was 14. I’m super grateful for that – seven years on I use the same version. I learnt how to use it from hundreds of hours of YouTube tutorials. I’m pretty sure I learnt from watching Martin Garrix tutorials. 
In 2017 I would make Brockhampton-type beats. I used to record vocals for the tracks with my mates and release them on my Soundcloud. The lyrics were all really stupid and were all a big joke between me and my mates. We all had a lot of fun. As I got older we started making garage, grime and some more experimental electronic music inspired by floating points etc. I’ve always had a pretty diverse music taste. 
When did you get into jungle then? 
In 2019 I started going to squat raves and was suddenly catapulted into dance music and rave culture. The music was mostly jump-up D&B which I somewhat enjoyed but never really got attached to. It was around this time that I met the Singularity UK crew. They really educated me on dance music. Jungle spoke to me way more than jump-up D&B did as I’ve always listened to hip-hop & R&B, and was already used to producing with breakbeats and soul samples from when I made beats. Whenever I did attempt to make D&B it always ended up sounding like jungle anyway as I was using my boombap drum packs. Eventually, after releasing some of my early jungle experiments like ‘Of Course’ on Da Demolition Squad, I was asked to perform as a DJ. I had to say no a couple of times at the start as I hadn’t yet learnt how to mix. 
Honestly, most of my early exposure to jungle then came from new school labels like Subcode Records, Globex Corp and Future Retro instead of stuff from the ’90s. I was deeply inspired by the new generation of jungle producers like Tim Reaper, Sully, Lavery, and Samurai Breaks. My taste was definitely shaped by new-school sounds, which is likely why my jungle has a different feel. 
Yeah, it’s interesting you say that. 
Don’t get me wrong, I’ve for sure produced old-school jungle tracks that echo the 94/95 era. I got deeply involved with the scene, connecting with some serious old-school heads, and their effort to preserve the culture is incredible. On top of that, the current jungle and hardcore scene is full of really amazing people and it’s such a lovely community. It was really a safe haven from hyper-masculine drum and bass raves.
After a while though, trying to perfectly replicate a specific sound from the past in production and in sets drove me a bit crazy. It’s a personal thing, some people love it but it wasn’t for me. My jungle really doesn’t sound very old skool anyway. I really look forward to creating all sorts of jungle hybrids in the future. I want to return to the variety of tunes I would make before I started DJing loads of jungle-only raves. 
Okay, let’s get real: which city is better, London or Bristol? 
That’s a tough one. I often find that when I’m talking to someone from another country who hasn’t been to either city, I recommend Bristol over London. I’ve lived in Bristol for a while now, and I feel that no other city really matches the jungle scene. Sound system culture doesn’t seem as strong in London. Bristol offers a great mix of student energy and long-time locals, creating a perfect balance. While London still hosts amazing raves and Singularity UK continues doing great work there, Bristol’s unmatched community and the endless list of raves wins out for me. 
You’ve worked with some amazing artists like Tim Reaper, Dj Sofa and Stekker, unreleased projects with Nia Archives. How did these collaborations come about? 
With Nia, she’d been releasing her music a bit before me. I followed her on Instagram and noticed she posted a story featuring one of my tunes and had downloaded my SubCode EP from a couple of years ago. 
Yeah! I remember her playing that on BBC Radio 6, the track “Spin Sugar”! 
It was cool, it was my first proper EP release so I was really surprised she heard it. We ended up getting in contact and I started sending her tunes. She continued to support me and eventually, we linked up in her studio in London. We made some edits for her tour and ended up getting on well, that’s how collaborations work for me -if we don’t get on, it can get a bit awkward and I can find it hard to be creative. I’ve got collab projects with Nia, Janaway, Samurai Breaks & Guido YZ all in the works… 
What have been the key takeaways from those collaborative experiences? 
When I first moved to Bristol I linked up to produce with Janaway – the only other guy my age who released jungle. Turns out we had the same vision and started to really get on as mates. Since then we’ve collaborated loads and performed internationally together he feels like a brother now. Whenever we link up it just feels like hanging out, sometimes we link up just to chat and end up making a banging tune. Occasionally we’ve linked up to produce but then just end up chatting. It’s all natural, there’s no pressure and for me, that’s the key. I have similar attitudes with anyone who I collaborate with a lot.
Another lesson I learnt was that not all tracks will have a 50/50 split in work – and that’s alright. It’s okay if the contributions aren’t equally divided. What matters is the collaborative environment in which the tunes are made. You might not physically touch any buttons at all, but if your ideas and energy helped shape the creation, you’ve still played a crucial role. A collaboration is about the collective creativity and energy you bring to the project. 
Speaking of future projects, what else can fans expect? 
I’ve got my ‘SSBB’ EP launch at Clock Factory on September 28—proper gassed for that. I like to keep things spontaneous, so after this EP it’s hard to predict exactly what’s next. 
Any last thoughts you want to share? 
I want to say a huge thank you to anyone who’s listened to my tracks or come to see me DJ. It’s everything to me. Check out my Super Sonic Booty Bangers EP and keep your eyes peeled for any future projects. Hopefully, there’s something for everyone, keep an open mind. 
Bang it out in the gym! 
Absolutely, that’s exactly what it was made for! Grab a dumbbell and swing it to ‘Go Harder’. Get ready for some serious personal bests! 
https://www.instagram.com/cheetah.brr https://dademolitionsquad.bandcamp.com/album/x-rated-ep
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Sultan + Shepard Release Exciting Close Your Eyes EP

What an incredible week it has been for the This Never Happened Superstars, Sultan + Shepard! They started off with a bang, celebrating their 250th episode of Dialekt Radio by exclusively featuring never-before-heard tracks. As if that wasn’t enough, they also dropped two brand new singles, ‘Close Your Eyes’ and ‘Behind Her Eyes’. Both of which will be part of their highly anticipated Circle in Time: The Trilogy EP. Don’t miss out on the chance to experience the depth and emotion of these phenomenal new additions to their already remarkable discography.
‘Close Your Eyes’
Ned and Osama’s music has always had a powerful emotional impact. Their latest tracks, will be a part of their upcoming project Circle in Time: The Trilogy EP. The song ‘Close Your Eyes’ is a collaboration with Richard Walters, who adds a unique emotional depth and vocal warmth to the track, enriching its introspective and serene qualities. Walters’ lyrical style often delves into themes of longing, self-reflection, and human connection, all of which are palpable in ‘Close Your Eyes’. While working on their first album Something, Everything, S+S created songs with Walters that formed the spiritual core of the album. As they wrapped up Something, Everything, and embarked on Forever, Now, they conceived ‘Close Your Eyes’, but the perfect ending eluded them until now. As they began crafting Circle in Time, the stars aligned for ‘Close Your Eyes’.
‘Behind Her Eyes’
‘Behind Her Eyes’, is a truly special track for the S+S boys. Written during a challenging time when Ossama’s mom was battling cancer, the song encapsulates the deep emotional journey of sadness and hope. The infectious groove of the track is driven by a tight bassline and steady percussion, providing a rock-solid foundation. The intricate layering of melodies, fueled by arpeggios, creates a captivating and propulsive rhythm. There’s a dynamic interplay between different synths, crafting a rich and textured soundscape that draws listeners in. The subtle yet impactful drops use modulation and reverb to add a sense of spatial depth to the track. As always, the boys deliver an exceptional piece of music that resonates on a profound level.
Mark your calendars for November 15th because that’s when The Circle in Time: The Trilogy will be released! And if you haven’t heard they will continue you their brilliant live tour this winter. I had the pleasure of catching them earlier this year, and believe me, this is a show you absolutely cannot miss. Check out their tour dates here and make sure to grab The Circle in Time: The Trilogy box set to experience their epic journey. Stay tuned to EDMTunes for all your latest music updates.
The post Sultan + Shepard Release Exciting Close Your Eyes EP appeared first on EDMTunes.
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Semark Unveils Awesome New Single ‘Wherever You Like’

Semark returns with his latest Dance/Electro Pop single, ‘Wherever You Like.’ Known for his distinctive blend of House and Dance, the talented Producer and DJ now emerges to deliver another vibrant track, presenting this brand-new single to offer listeners a fresh display of his creativity and energy.
With over a decade of experience performing across the UK and Europe, including performances at venues like Ministry of Sound and Fire & Lightbox, Semark’s presence within Electronic Music continues to expand. Having developed a sound which draws from the 90s Dance scene, while bringing in elements of modern House, Semark is growing his discography, putting forward music primed to resonate across the dancefloors of his live sets. With recent releases that include ‘Sweet Sensations,’ alongside remixes for Mollie Collins’ label, Right Good Records, Semark’s momentum shows no signs of easing as he drops another track that highlights his approach and further strengthens his reputation as a Producer to watch closely.
Opening with a captivating vocal hook, ‘Wherever You Like’ builds in energy as a catchy synth lead, steady kick, underlying pads, and robust bassline join to create the driving vibe of the arrangement. Combining intricate synth work with deep, punchy beats, the track offers a dynamic sonic experience that is both upbeat and melodically detailed, continuing to push forward and keep the momentum high as the track moves towards its conclusion. With its sharp and lively sound, this new production from Semark serves as a display of his distinct style, introducing the high energy that has become his signature.
As he continues to evolve his sound, as showcased in this latest release, Semark remains a talent for genre enthusiasts to take note of, with more powerful tracks sure to be on his horizon. So, make sure to listen to ‘Wherever You Like’ today and stay tuned to Semark’s journey by following him across social media.
‘Wherever You Like’ is out now and available to stream and download across platforms.
Listen and Buy ‘Wherever You Like’ Now: 
Semark Online   
Spotify | Instagram    
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Play Records Brings New ADE 2024 Compilation

As the 2024 Amsterdam Dance Event (ADE) approaches, Play Records continues its tradition of showcasing innovative and diverse Electronic Music with the release of its newest compilation, ‘Play At ADE 2024’. With a focus on Techno, Tech House, and a touch of Progressive House, this year’s collection reflects the forward-thinking ethos that Play Records is known for whilst highlighting the creative energies of both new and established talent from across the globe.
This year’s compilation brings together an eclectic group of Producers and DJs, embodying the diverse essence of the ADE experience and showcasing the various talents working within Electronic Music today. Featured on the album are names like Adult Movie (Netherlands), AKASHAH (Canada), Audio Fever (USA), Creezie (USA), KLNGMSTR (Germany), and Melleefresh & Hectic (Canada/UK), all contributing fresh tracks that are sure to resonate with followers of Play Records and beyond.
Balancing heavy-hitting energy with vibrant soundscapes, ‘Play At ADE 2024’ brings together tracks rich with pounding kicks, punchy melodies, and playful elements, creating a dynamic listening experience that captures the vast spectrum of the Electronic Music genre. Among some of the highlights is the previously unreleased radio edit of the Scandall and Ros Remix of ‘Hook Yu Up’ by Melleefresh & Boy Pussy, offering fans a fresh, exclusive track that elevates the energy of the collection whilst honouring Scandall’s contributions to Electronic Music. A well-rounded compilation, ‘Play At ADE 2024’ demonstrates the label’s ongoing ability to craft dynamic and impactful collections, emerging as an exciting offering ahead of this year’s ADE.
Whether a long-time devotee of the scene or someone new to the genre, this new compilation provides a comprehensive journey through some of Electronic Music’s most captivating and innovative sounds, spotlighting the talent currently shaping its expansive and varied landscape. So, as this latest release comes as yet another statement of their commitment to innovation and artistic diversity, Play Records once again works to establish their influence, presenting a compilation that serves as an essential listen for any lovers of Electronic Music.  
‘Play At ADE 2024’ is out now via Play Records and available to stream and download across platforms here.
Listen to ‘Play At ADE 2024’ Now: 
Play Records Online 
Website | Soundcloud | Instagram 
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Lady Decibel Bring The House Down With ‘I Try’

Rising DJ and music production duo, Lady Decibel, are back with a new House release titled ‘I Try’. Following the release of their previous track ‘Waiting’, the pair continue to make their mark on the Electronic Music scene with their signature blend of 90s and 2000s-inspired Dance music, infused with modern production techniques, this release is set to continue building their position as a rising name in today’s Dance music landscape.
Lady Decibel, a duo made up of two talented female artists originally from Manila, Philippines, and Minsk, Belarus, have now based themselves in Orlando, USA, where they’ve been pursuing a shared vision for Electronic Music. With a mission to revitalize the iconic sounds of rave culture while celebrating diversity, Lady Decibel are quickly becoming voices for inclusivity, within the LGBTQ+ community and beyond. Their music reflects both their love for the genre and their commitment to creating an open, welcoming space on the dancefloor for people of all identities and backgrounds.
‘I Try’ showcases Lady Decibel’s ability to craft dynamic, party-ready tracks; built around a groovy chord progression, the track delivers a powerful beat with a strong low-end foundation, quickly expanding into a vibrant and energetic journey. A bouncy bassline and infectious vocals drive the track forward, creating a pulsating atmosphere perfect for any dancefloor. The rhythmic sound elements, bright synths, and clever use of risers and pads add layers of intensity, making this track a noteworthy addition to any DJ set or playlist.
The duo’s signature style, blending the energy of rave culture with their own approach to music production, is on full display in ‘I Try,’ as the track highlights their talent for crafting party-ready anthems that still showcase their unique and refreshing sound.
Make sure to follow Lady Decibel on social media to remain updated on their latest releases and projects, as this is only the beginning of their promising career. ‘I Try’ is out now and available in all major online stores and streaming platforms.
Listen and Buy ‘I Try’ Now: 
Lady Decibel Online   
Beatport | Instagram | Spotify   
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Nonduality & Eva Van Dijk Link Up On ‘Bubblewrap’

DJ, music Producer and audio engineer Nonduality, known for his deeply eclectic blend of elements from different Electronic music genres like House, Techno, Breakbeat, and Deep House, to name some, has teamed up with Berlin-based Producer Eva Van Dijk for their latest collaborative House track, ‘Bubblewrap’. Both artists bring their unique styles to this release, merging Nonduality’s dynamic, meditative production with Eva’s experimental pop and jazz-influenced soundscapes; their partnership highlights the growing synergy between Berlin’s vibrant Electronic scene and Nonduality’s meditative approach to sound design, that crafts a sound that feels simultaneously fresh and familiar to fans of both underground and mainstream Electronic music.
For Nonduality, this release signifies a continuation of his evolutionary path, pushing boundaries between genre lines while maintaining a deep, meditative core; while Eva’ Van Dijk’s constant experimentation with texture and form reflects her unique take on music Production, making this collaborative release highlight their growing influence as rising figures in Berlin’s Pop and Electronic scenes.
The journey of ‘Bubblewrap’ kicks off with crisp sound design and shiny lead synths that instantly set the mood for an expansive sonic journey. As the catchy vocals weave in, the melody unravels into a lively blend of bouncy basslines and steady, driving beats. Throughout the track, rhythmic elements entwine with uplifting pads, creating a colorful, immersive listening experience that bridges both artists’ styles and sounds. The combination of fresh sonic textures and innovative production techniques makes ‘Bubblewrap’ a standout release for both artists, marking their creative collaboration as one not to miss.

Make sure to follow both artists across social media to remain updated on their latest releases, news and projects, as this marks only the beginning of a series of upcoming new music for these talented artists. ‘Bubblewrap’ is out now and available in all major online stores and streaming platforms here.
Listen and Buy ‘Bubblewrap’ Here: 
Nonduality Online
Spotify | Instagram | Website
Eva Van Dijk Online
Spotify | Instagram
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Andrew Canlon Blends Electronic & Pop In New Single ‘Liquid Love’

Andrew Canlon brings his next single, offering his Electronic Pop track ‘Liquid Love’ to his listeners. With its catchy vibes, delivered through expressive vocal hooks, bouncy synth motifs, and groovy basslines, the track showcases Andrew Canlon’s unique approach towards music creation within the Electronic Music space, displaying his musicality and influence from his Classical Music background. Remaining driven to make a name for himself, this newest release seems poised to make an impact on Andrew Canlon’s journey, sure to support his efforts towards carving out a distinct place within the realm of Electronic Music.
As his discography continues to develop and his repertoire of live performances keeps growing, Andrew Canlon upholds his committed work ethic, striving towards bringing his innovation and originality to the Electronic Music scene. With a style that bridges the gap between musicality and storytelling, introducing live vocals to both his productions and live sets, Andrew Canlon puts forward a unique creative outlook, aiming to set himself apart from his peers within the genre. As this latest single sees him retain his signature approach, merging the modern energy of Electronic Music with his trademark vocal sound, Andrew Canlon once again offers listeners the opportunity to dive into his creative world and discover his style.
Bringing captivating energy through its inspiring harmonic progressions, the opening of ‘Liquid Love’ sets the tone for the production, introducing Andrew Canlon’s lyrical vocals, a bold bassline, and tension-building rhythmic hits. Then, with the soundscape evolving, pulsing synths layer into the mix, together with a melodic motif and steady beat, drawing listeners further into the bold tapestry of sound that ‘Liquid Love’ delivers. With its punchy low-end, staggering pads, dynamic hooks, and ambient sonic elements, the track continues to push forward, evolving into an engaging listening journey whilst displaying Andrew Canlon’s signature style. 
So, with ‘Liquid Love’ reinforcing the potential and individuality behind Andrew Canlon’s creative approach, be sure to listen to the track today and keep watch of Andrew Canlon’s journey by following him across social media.
‘Liquid Love’ is out now and available to stream and download across platforms.
Listen and Buy ‘Liquid Love’ Now:  
Andrew Canlon Online  
Instagram | Website  

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Avi Sic Talks All On Her Latest Track, Techniques Used, Inspiration & More

For fans of boundary-pushing House music, Avi Sic’s latest release ‘Get Up & Listen’ is one for the books. Known for her versatile production style and energetic live performances, she has crafted a track that merges listener-focused subtleties with club-driven power. Released via Tiger Records, ‘Get Up & Listen’ is already gaining traction on the Beatport Bass House chart, and displays her ability to evolve her sound while staying true to her artistic vision.
We caught up with Avi Sic to discuss the creative process behind the track, her approach to production, and how it fits into her larger discography. Here’s what she had to say.
Hi Avi, thanks for joining us and congrats on the release of “Get Up & Listen”.
Thank you! It’s a unique one for sure, I’m excited that it’s out.
Can you tell us, what was the initial inspiration for the track, and how did it evolve during the production process?
I tried to create outside the box with this one. The idea wasn’t to make a smash club record but something more listener-focused. The evolution took some time, I wasn’t even sure it was actually an idea worthy of further development at first. I overthink things a lot.
Can you take us through your workflow for this track? Did you begin with a melody, the beat, or something else?
I was messing around in the studio and wrote the bassline and drum pattern initially. The more I listened to it, I realized I had something cool going on within the simplicity. The beat was catchy and bouncy, so I put more time into it. I really wanted the kick and bass to be the focus of the track and not overwhelm that with too many ideas or sounds.
The bassline and synth work in “Get Up & Listen” are really punchy; what techniques did you use to get those sounds, and what tools were key in shaping them?
As the focus of the track, this is definitely where I put the most time in. Choosing the right bassline synth was key. I went through many variations of the sound. Dialing in the sidechain perfectly was the key to the punch here. There is some subtle filtering and stereo effects of the sound throughout the track to create movement. For the kick, it has three layers: a low, mid, and high. This is how I got the most out of a single sound.
When producing this track, did you have a particular crowd or festival in mind? How did that influence your choices?
I always ask myself questions like “where does this fit into a set of mine?” and “who is the target audience of this track?” My answers on this one were a bit different than my other releases, but it was for this exact reason that I wanted to continue with it. It’s good to have variety in any arsenal. This one was very Chris Lake-inspired. Strange sounds, driving basslines. Something similar to the Black Book style but also different in many ways.
You’ve played some incredible live shows so far this year; did you road-test “Get Up & Listen” before its release? If so, how did the crowd react and did you make any changes based on that feedback?
Of course! Live testing my ideas is part of my process for sure. The surprise element of this track begins in the final build and into the last drop. At first, I had this part as the second drop. But after playing it live a few times, I tried switching the arrangement. This worked out much better, as the crowd was almost waiting for something new to happen rather than just giving it to them straight away. The reaction was more fulfilling to everyone—so I kept that change in the final version.
Can you share a bit about the process of selecting and processing the vocals? Were they a key element from the start?
The vocals were the last element I added. I didn’t want them to be the focus or be too overwhelming in general. Almost more of a background idea just to keep the momentum going. I found this speech and thought it had lots of potential. I chopped it up and only kept a few key ideas. It’s very sermon-like, asking existential questions, and becoming commanding at its peak. It really fit the vibe of the track and brought all the elements together.
How do you balance your instinct for innovation with keeping your sound accessible to the fans who follow your releases? Was this something you had to consider while creating this track?
(You may want to include her response to this if provided)
You’ve said in previous interviews that you produce a wide range of styles. How does “Get Up & Listen” fit into the larger arc of your discography and sound evolution?
It’s dark and energetic, which is something it does have in common with other releases of mine. But this one is more of a journey, so that sets it apart. It has fewer in-your-face type elements but, in its nuances, has a lot of complexity. I like to push a genre less approach, almost a combination of House music styles. I call it ‘Hybrid House,’ which is achieved by using elements of all styles. I really hate to feel boxed into anything. That’s where creativity can stall. It certainly shows my evolution in terms of being able to produce more simplified arrangements. Less is often more.
Tiger Records has been a great home for “Get Up & Listen”. How has working with the label influenced your release strategy or creative direction?
Yes, it’s a great label and I’m happy I found a home for this one with them. I really like their releases in general. Across the board, they are strong and have similar qualities. That’s something important to me when deciding on a label. We already hit #30 on the Beatport Bass House chart and had a feature in the new release as well. Hopefully, the momentum will keep going!
What are some of the key challenges you faced while producing this song? Were there any moments where you had to step back and rethink the track?
Many times. But this is a normal process for me. I put a lot of thought and time into every one of my releases. It is art, after all. Never completely satisfied but always proud. The tough part is trying to please everyone. This is not possible, so really the key is just to be happy with the final product yourself. And that’s when I know a song is ready. The arrangement was my main challenge with this one but in the end, I felt it was working well and for that reason, it was indeed finished. That is also my favorite part of this particular single. A simple yet effective arc to the track. Hope you enjoy listening to it as much as I enjoyed making it!
Avi Sic continues to push the boundaries of her sound while staying grounded in the unique qualities that have garnered her a strong following. ‘Get Up & Listen’ exemplifies her ability to experiment with structure and sound while maintaining her signature energy. With a powerful combination of bass-driven grooves and unexpected twists, it’s a track that adds another layer of versatility to her already impressive catalogue; be sure to check it out and experience the journey yourself below and here.
Avi Sic Online     
Spotify | Instagram | Website     
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Hunter/Game’s ‘All I Wanted’ – A Prelude to ‘VISION’ album

With their most recent single, “All I Wanted,” Hunter/Game, the Italian team comprising Martino Bertola and Emmanuele Nicosia, has once more shown their brilliance. This song provides a seductive preview of what seems to be a revolutionary release as the third and last teaser for their forthcoming album ‘VISION‘.
The six-minute track “All I Wanted” showcases Hunter/Game’s ability to combine analog instrumentation with state-of-the-art production methods. Hi-hats and sharp synths lead the way as the song begins, creating a complicated and danceable rhythmic framework right away. Layering and sound design become masterful as the music develops.
What makes this song stand out is the way the twisted textures and alien samples are seamlessly blended. These components combine to produce a sci-fi environment that is immersive and just a little bit unnerving, all in the best possible ways. Longing male vocals give a more techno-oriented production with an emotional depth that is frequently lacking.
Clearly, ‘All I Wanted’ is based on its set of mind-bending synth lines. From subdued, background parts to full-bodied lead instruments, the synths change across the song. We have been interested all through the six-minute performance by this lively arrangement.
Technically, the sound design on the exhibit is first-class. The rich, analog warmth of the synths points to the utilization of high-end hardware. But their modulation’s accuracy and control point to the pair’s mastery of contemporary production technologies.
Our take on All I Wanted
Listening to “All I Wanted,” we find Hunter/Game’s ability to produce intelligent yet visceral music to be rather remarkable. Although the complex composition of the track rewards close, analytical listening, its throbbing rhythms and expressive melodies also speak directly to the body and heart.
‘All I Wanted’ exudes a tangible buzz. With ‘VISION,’ the pair seems to be on the verge of something quite unique. Having closely watched their history, it excites us to see how their sound has changed and what fresh ground they will investigate on the complete album.
The release of ‘All I Wanted’ also comes just one week ahead of the launch of Hunter/Game’s new AV concept show ‘VISION’. It will debut at EartH in London’s East End on Friday, October 11, in partnership with Fabric.

The post Hunter/Game’s ‘All I Wanted’ – A Prelude to ‘VISION’ album appeared first on The Groove Cartel.
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ADE Anounces MARIAH as Performer at KUBE Showcase

DJ Mariah, who has been making waves at iconic venues across Europe, has just added another milestone to her career: she has been announced as a performer at the prestigious Amsterdam Dance Event (ADE), one of the largest and most influential electronic music events in the world. This new achievement further solidifies Mariah’s position as one of the most promising DJs on the international electronic music scene.
The ADE is known for bringing together the biggest stars in electronic music, renowned producers, and the latest global trends. Mariah’s participation in the event not only confirms her talent but also highlights the impact of her growing presence in the European market. Her name now shines alongside industry giants, reaffirming her place among the top names in electronic music.
In addition to her performance at ADE, Mariah has been confirmed as one of the performers at the KUBE showcase, organized by the renowned DJs BlackBox and DJ Mesh. This event is known for spotlighting emerging talents and innovative names, as POU, a British duo that has been making waves in the electronic music scene. Mariah has recently announced an exciting collaboration with them, releasing a track titled ‘Haunt’. This upcoming track is expected to showcase both Mariah’s distinctive sound and POU‘s innovative approach, promising to be a hauntingly powerful addition to their discographies. The anticipation around this collaboration is building, and it’s set to be a highlight at the ADE. Mariah promises to bring all of her energy and sophistication to the showcase, delivering an unforgettable experience for the audience.
This announcement follows her successful contracy with the legendary Ministry of Sound, where Mariah had a standout season, captivating audiences and critics alike with her performances. Now, with ADE on the horizon, expectations for her sets are higher than ever. Mariah is set to bring all the energy, sophistication, and innovation that have defined her journey, with a performance that is sure to be a highlight of the event.
Mariah is enjoying a meteoric rise, and her presence at the Amsterdam Dance Event marks yet another step in the consolidation of her name as a force to be reckoned with in global electronic music. Audiences already familiar with her hypnotic performances at clubs like Ushuaïa Ibiza and Ibiza Rocks are eagerly awaiting her appearance at one of the world’s most sought-after stages.
The ADE will serve as a pivotal platform for Mariah to showcase to an international audience why she is one of the most talked-about artists in the scene. Her technical skills, commanding stage presence, and unique connection with the dancefloor make her a complete artist, ready to conquer even more space at major global events.
With a diverse audience and a lineup that ranges from conferences to unforgettable parties, ADE will be yet another powerful showcase for Mariah to demonstrate her ability to transcend musical and cultural boundaries. If her success in Ibiza and London is any indicator, her debut at the KUBE showcase promises to be electrifying.
For more information and tickets to the Amsterdam Dance Event and the KUBE showcase, visit here.
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GNDHI Unveils Immersive Live Set Experience at Simba Brewery

GNDHI, the Bangalore-born music producer and multi-instrumentalist, renowned for blending genres with live performance mastery, has just launched an electrifying live set at the iconic Simba Brewery. Featuring an unreleased selection of all original tracks and stellar remixes, GNDHI’s latest performance is set to redefine live electronic music, showcasing his skillful fusion of saxophone, percussion, and forward-thinking production elements.  After officially premiering the live set experience on Mixmag Asia yesterday, GNDHI is starting his movement in the music industry showcasing his mastery and own signature sound with a mix of Indian classical music, Afrobeat, house, and electronica elements.
Tracklist:
Tadap Ft. Chandan (Unreleased)
Premier Gaou – Francis Mercier, Magic Systems (GNDHI Remix, Unreleased)
Piya Ft. Chandan (Unreleased)
Too Far Ft. XANE (Unreleased)
Father Ocean – Monolink x Ben Böhmer (GNDHI Remix, Unreleased)
Transference (Unreleased)
Watch It Go Ft. XANE (Unreleased)
Baby It’s You – London Grammar (GNDHI Saxophone Rendition Ft. Katya Krishnan, Unreleased)
In Your Head – Angelos, Da Mike (GNDHI Resketch, Unreleased)
Water – Tyla (GNDHI’s 5 am Saxophone Remix, Unreleased)
GNDHI’s live set was a full-spectrum experience, blending soulful melodies and energetic rhythms with striking live instrumentation. “Transference” immediately becomes one of the most sought after tracks from the live experience. From the sultry saxophone performance in “Baby It’s You” to the hypnotic rhythms of “Watch It Go” featuring XANE, every track is a fresh, unreleased sound that solidifies GNDHI’s reputation as a rising artist in the music scene. Known for his creative remixes and collaborations with artists like TroyBoi, GNDHI continues to push the envelope of electronic music. 
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Alexandra Richards Drops Debut Single ‘Feel You’

Rising DJ and producer Alexandra Richards has made her mark in the dance music world with the release of her debut single, ‘Feel You‘. This captivating track showcases her talent for crafting deep, melodic house tracks with a touch of Afro house influence.
Growing up in a household filled with artistic inspiration, thanks to her parents (Rolling Stones guitarist Keith Richards and supermodel Patti Hansen), Alexandra was naturally drawn to the world of music. Her love for DJing blossomed after learning from friends in New York City, and she quickly established herself as a sought-after talent in the city’s vibrant club scene.
‘Feel You’ is a testament to Alexandra’s ability to create music that resonates on a deep emotional level. Featuring the distinctive vocals of the celebrated dance music duo JAIKO, the track delves into the complexities of a passionate connection. The lyrics explore the internal struggle between being drawn to someone intensely and maintaining a sense of self.
Here’s what Alexandra had to say about this track:
The post Alexandra Richards Drops Debut Single ‘Feel You’ appeared first on EDMTunes.
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