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Tchami and Malaa Reunite Again To Team Up With MAKJ On ‘N9’

The electrifying French Bass House producers, Tchami and Malaa, have been creating and releasing some of the most firey tracks that fans of the genre have been loving over and over nonstop for the past couple of years. On Friday, August 2nd, Tchami and Malaa reunited once more and this time, they teamed up with American Electro House producer, MAKJ, to release the scintillating and adrenaline-pumping ‘N9’. For this track, the producers started off really well by including the sample from ‘The Choice is Yours’, a classic hit from the Hip-Hop duo, Black Sheep. Additionally, the producers also incorporate a couple lyrics from ‘Be Faithful’ of Fatman Scoop, “Engine, engine, number nine, on the NY transit line, if my train goes off the track, pick it up! pick it up! pick it up!“.
Tchami and Malaa releasing ‘N9’ alongside MAKJ follows up from the successes of their most recent releases, ‘Giving Me Life’, ‘Barbarian’, ‘When The Beat Bang’, and ‘A Prayer’. As of this writing, the duo are still in the middle of their ‘No Redemption’ project where the producers are touring and performing in B2B sets together. Some of the locations include this year’s Hard Summer in Los Angeles (which at the time of this writing is still ongoing), Chicago’s North Coast Festival, Tomorrowland Brasil, The Concourse Project in Austin, and the WAMU Theater in Seattle. Check out the tour dates on Tchami’s website and additionally, click ‘Play’ on the Spotify link below to jam out to this magnificent banger.
The post Tchami and Malaa Reunite Again To Team Up With MAKJ On ‘N9’ appeared first on EDMTunes.
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Watch Footage From Skrillex's Unprecedented Takeover of Lollapalooza's Iconic Perry's Stage

The sun rose and set to Skrillex's command over the weekend at Lollapalooza, where the dubstep icon transformed one of the festival's most beloved stages into his own adult playground.
Sporting a new name atop its towering truss, the iconic Perry's Stage transformed into "Sonny's Stage" and trembled under the weight of Skrillex's sonic bookends as he opened Saturday with a noon set under the Chicago sun before closing the night with a thunderous encore at 8:15. A curated lineup of his friends and collaborators, including Kenny Beats and Four Tet, built the energy to a fever pitch in-between.
When darkness fell, Skrillex returned to detonate that pent-up frenzy with a genre-bending blitz of bangers, including spins of "Scary Monsters and Nice Sprites," Bangarang" and his remix of Avicii's timeless "Levels." The energy boiled over when he closed with "RATATA," his fan-favorite collaboration with Missy Elliott from last year's Quest for Fire album.
Many fans at "Sonny's Stage" stayed put the entire day. Skrillex paused at one point to pay homage to the stage's namesake, Perry Farrell, and acknowledge his wish for it to remain dedicated to the famed Lollapalooza co-founder.
Taylor Regulski
Roger Ho
The rare takeover was a big moment for the electronic dance music community considering Farrell's thorny relationship with the genre. "I hate EDM," he told the Chicago Tribune back in 2019. "I want to vomit it out of my nostrils. I can't stand what it did to what I love, which is house music."
Reflecting on those comments in a late-2022 interview with EDM.com, he explained that they were more so a critique on the bastardization of the art form of DJing that arose from corporate interests.
"It just kind of came out of my mouth," he said. "I shouldn't have probably said it, but once I said it, I mean, I stand by it because I'm only going to try to speak from a place of truth."
Watch footage from Skrillex's 2024 Lollapalooza takeover below.
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Follow Skrillex:
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Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
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Watch Tipper Join Pretty Lights at Red Rocks for Rare Joint Performance

The filaments of Pretty Lights are glowing brighter than ever after a rare collaborative performance with Dave Tipper at Colorado's Red Rocks Amphitheatre.
Together with his live band, Pretty Lights, whose real name is Derek Vincent Smith, threw down at the iconic open-air venue on August 2nd and invited Tipper onstage. The influential electronic music producer, who rarely makes guest appearances, joined Smith for an impromptu scratch session that fans of both artists won't soon forget.
"What a fucking treat to have such a legend in the house with us," Smith said.
They performed a live rendition of Tipper's track "Tepid Bile," which appeared on his 2005 album Tip Hop. Check out footage below, courtesy of Upful LIFE.
Tipper had joined Smith onstage a handful of times in years past, including a standout Pretty Lights set at the Gorge Amphitheatre in August 2017. The rare joint performance at Red Rocks is likely their last, however. It took place in the midst of a de facto farewell run for Tipper, who in February announced his impending retirement from touring.
"After spending the better part of my adult life touring and playing shows, I feel like its time to stop," he announced in an email to fans at the time. "I'm very grateful for all the support over the years. It will be a wrap sometime in 2025. Peace Out."
Meanwhile, Pretty Lights is poised to continue his "Soundship Spacesystem 2024 Check Your Vector Tour" with a pair of momentous Vegas arena shows scheduled for Halloween weekend, October 25-26.
Follow Pretty Lights:
Instagram: instagram.com/prettylights
X: x.com/prettylights
Facebook: facebook.com/prettylights
Spotify: spoti.fi/2GkoC5A
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Andrew Bayer And Oliver Smith Bring Out ‘Like DAT’

Andrew Bayer and Oliver Smith are among some of Anjunabeats‘ top names and they have just introduced their latest collaborative track, ‘Like DAT’. This stellar Progressive-Trance fusion follows up from ‘Rude Boyz’, the track that marked their debut collaboration that later had Above & Beyond providing support at many shows this year, with one of them being at the Drumsheds venue in London. The backdrop behind Andrew Bayer and Oliver Smith creating and releasing ‘Like DAT’ is that both artists share a love for UK Bass music from the ’90s and the 2000s.
The two artists, although just recently back in the spotlight due to their first conjoint work, have been core pillars of the Anjunabeats brand for a long time. In fact, Olli has made an appearance in every single Anjunabeats Volume compilation, ever since the early days. On its own side, Bayer revolutionized the Anjuna sound with countless tracks and albums on the label, and is even credited as a co-producer for the Above & Beyond work.
The innovative music styles of both artists show that Trance and Progressive House do really mesh perfectly well with Bass. Click ‘Play’ below to stream ‘Like DAT’ from Andrew Bayer and Oliver Smith, two talented producers who have garnered millions of streams worldwide, gained support from various fellow artists and radio shows, and have vast amounts of fans who love seeing them perform on tours. Additionally, the two artists also performed a B2B set at the Anjunabeats Outdoors NYC event that took place in New York City on August 3rd as well.
The post Andrew Bayer And Oliver Smith Bring Out ‘Like DAT’ appeared first on EDMTunes.
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Court Ruling Voids Pepe Roselló’s Space Ibiza Trademark

In a significant court ruling, the iconic Space Ibiza trademark owned by Pepe Roselló has been annulled. The decision, made on June 28 by a commercial court in Valencia, sided with Fiesta Hotels & Resorts SL, owned by the Matutes family, over the disputed logo.
The Ruling and Its Implications
The court annulled Roselló’s 2008 Space Ibiza trademark due to its “nominative and graphic” similarity to the original Space Ibiza Dance logo, registered by Fiesta Hotels & Resorts SL in 1991. The court’s statement highlighted the phonetic and visual similarities, emphasizing that both logos are “practically identical” in elements like the star and the sphere. This similarity falls under Trademark Law (article 34-2-b), which prevents third parties from using similar signs that could confuse the public.
Immediate Repercussions
Following the ruling, Palladium Hotel Group, which owns Fiesta Hotels & Resorts SL, demanded the cessation of the Space Ibiza parties currently held at Eden nightclub. The decision also impacts other trademarks, including Space Dance Barcelona, Space Dance Madrid, Space Beach Club, and Space Club.
Palladium Group expressed their intent to hold their own Space parties using the logo. In response, Roselló stated that he respects the ruling but plans to appeal. He clarified that the decision only affects the Space Ibiza brand within Spain, not other international trademarks, including the new venue in Riccione, Italy.
A Long-Standing Legal Battle
This ruling is the latest in a long-running legal dispute between Roselló and the Matutes family. Roselló originally leased the venue from Matutes in 1989 and managed Space Ibiza until its closure in 2016. Post-closure, Roselló continued hosting events across Europe under the Space Ibiza name, while the original venue in Playa d’en Bossa was transformed into Hï Ibiza by Palladium Hotel Group’s Ushuaïa Entertainment.
Despite the closure of Space Ibiza in 2016, there have been persistent rumors about its reopening. In 2021, Roselló hinted at a new bar, restaurant, and club night in Ibiza’s San Antonio, continuing the legacy of the world-renowned club.
Read the full report from Diario de Ibiza here.
[H/T] – DJ Mag
The post Court Ruling Voids Pepe Roselló’s Space Ibiza Trademark appeared first on EDMTunes.
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Chris Lake, Eric Prydz, Fatboy Slim & More To Headline Arizona’s Super Unnatural This November

Halloween doesn’t end on the 31st this year, as Arizona announces Super Unnatural, a Day of the Dead dance festival taking place November 1-2 in Scottsdale, Arizona. Body Language’s premiere House music event will take place across two nights at WestWorld– one of the Southwest’s premiere entertainment venues surrounded by some of the country’s best luxury resorts, restaurants, and hotels. 
Recognizing the ephemeral nature of life, Super Unnatural has summoned a robust dose of talent, including headliners: British producer/House DJ Chris Lake, Progressive House producer Eric Prydz, OG and international legend Fatboy Slim, and a pairing of Brazilian phenom Mochakk B2B with the dynamic Ibiza duo by way of the Bronx, The Martinez Brothers. Additional artists joining the celebration include Dombresky, Hugel, Lilly Palmer, Patrick Topping, Aluna, Dillon Nathaniel, Sergik, Tommy Toole, and Waykin.
All ticket levels for Super Unnatural, including two-day General Admission and VIP options, go on sale August 2 at 12pm PT. Pricing starts at $134.50 for General Admission and $319.50 for VIP, before fees. Visit www.relentlessbeats.com for all ticket options, as well as extras like merch, afterparties, parking, and table reservations. Discounted hotel packages are available HERE. Costumes are encouraged for all at this 18+ event.
Body Language presents Super Unnatural is produced by Relentless Beats and RBDeep. Visit www.BodyLanguageFest.com for the most up-to-date information on Super Unnatural and @BodyLanguageAZ across social outlets. 
The post Chris Lake, Eric Prydz, Fatboy Slim & More To Headline Arizona’s Super Unnatural This November appeared first on EDMTunes.
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[WATCH] Hardwell’s Golden EDM Classics Tomorrowland Set Is Up On YouTube

We couldn’t get enough of it then. We still can’t get enough of it.
This was, without a doubt, one of the highlights of the entire Tomorrowland 2024 festival. Weeks ahead of time, Dance music icon Hardwell ran a poll on his social media channels, letting fans and followers know he would be playing not only at the Mainstage but also had a slot on the Freedom Stage, in which he would play a different set, given the name of the booth.
Among the options, the clear winner was the Throwback EDM Set, which promised to relive all those golden classics we loved, danced to, sang our lungs out to, and even cried to, around ten full years ago. And so he got to work with it, unearthing the best mashups and tracks from yesteryear. And boy, was it a beautiful set.
Are you a producer and you want your song featured on EDMTunes? Follow this link right here.
Hardwell’s Throwback EDM Set @ Tomorrowland
We promise you, it was gemstone after gemstone, and singalong after singalong. Our only complaint is that it was only an hour long.
But those 60 minutes were an ABSOLUTE HIGH for everyone, both physical attendees, Hardwell himself, and even those who were tuning in to the livestream from around the world. Robbert’s set was a walk down memory lane, from the get-go, with his Tomorrowland 2015 intro. Some of the tracks that were played include Showtek and Justin Prime’s ‘Cannonball‘, Krewella’s ‘Alive‘, Armin van Buuren’s ‘Ping Pong‘, the mythical unofficial golden EDM anthem ‘Mammoth‘, and many, many more.
Check the full tracklist via 1001Tracklists, or simply play the video and enjoy jumping into this beautiful hole, completely blindfolded. Do us a favour and note down the amount of goosebumps you might get. It was pure fan service, although seeing Hardwell smile like he hadn’t in years makes it 100 times better.
Make sure to stay tuned to our page for the latest news and views from our beloved Dance music industry.
The post [WATCH] Hardwell’s Golden EDM Classics Tomorrowland Set Is Up On YouTube appeared first on EDMTunes.
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How Sigala Is Transforming From Radio Rebel to Rave Revivalist

Hearing the bubbly, walk-on-air music of Sigala, you'd never guess the first dance record he ever picked up.
That was a CD containing a Clubland X-Treme Hardcore compilation, one of many that were instrumental in the popularization of hardcore techno, acid house, gabber and other heart-pounding genres after the series' 2003 inception.
His formative years in music were spent immersing in the raw, unfiltered electropunk energy of The Prodigy and the ferocious drum & bass of Pendulum and NERO, among other deeply influential electronic acts. Now, after nearly a decade of painting dancefloors with the pastel hues of dance-pop, Sigala is diving back into the palpitating underbelly of club culture that once fascinated him as a young boy in England.
For those weaned on his many Platinum dance-pop confections, this evolution may induce whiplash. But for the nocturnal creatures who thrive in the strobe-lit chaos of the underground, it'll feel like home.
Sigala's shift, which his label has called the start of a "bold new era," feels like watching a mad scientist in action—delightfully unhinged and hungry for more. We caught up with the hit-making producer to discuss his next chapter and the "liberating" experience of making music for the rave in lieu of the radio.
Sigala.Reuben Bastienne-Lewis
EDM.com: Take us back to the beginning. Which artists and sounds deeply inspired you growing up in Norfolk?
Sigala: So this sounds like a made-up story, but the way I discovered electronic music was when I found a CD on the side of the road in Norfolk, England where I grew up. CDs were still shiny cool objects back then, so I picked it up. I had no idea what it was, and it turned out to be a Clubland X-Treme Hardcore mix and it blew my little mind. 
I'd honestly never heard anything like it before. I was just a kid at this point and my parents were into bands and rock music so that was all that I had heard. I hadn't heard much in terms of electronic music. It really excited me, and I got obsessed with the CD, then I started to discover other artists of different genres. I listened to a lot of drum & bass from people like Sub Focus, lots of Fatboy Slim, NERO, Prodigy and Pendulum—such a sick time for electronic music. So that was my early years of getting into dance music or electronic music.
EDM.com: Fast-forward to 2024, a year that's said to kickstart a "bold new era" of your production after seven Platinum-certified global dance hits. What inspired you to move towards a more rave-inspired sound?
Sigala: Honestly, I just get bored of doing the same thing. I know there's a lot of purists when it comes to genre, but I don’t think genre has to be so black and white. I think it can be way more fluid.
I’m always looking for a new sound or a new idea that I can get excited about dropping at my next show. I also think it's really important to keep pushing yourself and trying to break the mold or break other people's perception of you. Plus I just really love ravey tunes.
Sigala.Eli Koren
EDM.com: Do you feel a sense of creative liberation now that you're experimenting with a more club-oriented sound? How does it compare to crafting radio-friendly hits?
Sigala: It’s definitely rewarding in a totally different way because the stuff that I make for radio I'm always having to make edits, club edits, festival edits to make sure it works in a club environment. The pop stuff is never written with the club or live performance in mind, so it has been really fun making music that is solely designed for live consumption and being able to see a real-time response.
That's been really fun, approaching it in a different way and thinking about a different audience and a different experience—liberating in its own way.
EDM.com: Looking back on "Easy Love," which is celebrating its 10th anniversary next year, can you dissect the evolution in your approach to production? Beyond the higher tempos, what changed?
Sigala: I don't think my approach to production and making music has changed—I guess it's just my taste that will always keep evolving. Saying that I do think it's important to never stop learning and I still buy nerdy producer magazines and waste money on new synths that I will never use!
EDM.com: From a technical standpoint, is there a music production epiphany you had along the way that you wish you could go back in time and implement in that debut single?
Sigala: That's a really interesting question! Maybe one thing that I was very guilty of when I first started producing was layering sounds unnecessarily. A big lesson I have learned along the way is that sometimes 'less is more' and you can make a bigger sound with less parts or less layers. That's something that I’ve had to be strict on myself with, and something that I try to avoid doing.
Now I try to make each sound as good as it can be before you start adding more in, because you can probably make it work with what’s already there. That bad habit also probably came from a lack of confidence in my own skills—now it's about being brave and saying this is the killer sound that people need to hear.
EDM.com: Your music of yesteryear often explored chasing love and the highs that come with it. From a lyrical perspective, will your stylistic shift in sound come with any surprising themes or subject matter?
Sigala: I have lost count of how many of my songs have "Love" in the title, but I guess it’s such a universal feeling, so everyone can relate to it. I try not to overthink that stuff though. When it comes to lyrics and concepts, it either resonates with me or it doesn't.
It really is a case of, "Does it make me feel something when I’m listening to it?" If it makes me feel something, then usually that will translate to other people. The lyrics do definitely have an impact on how I approach the style of the track though, so with new genre exploration there will definitely be a change in lyrical content.
EDM.com: You've worked with a diverse range of artists, from Kylie Minogue to The Vamps and now 24kGoldn. How do you adapt your sound to suit different collaborators without compromising your signature style?
Sigala: It’s one of the reasons why I love working with other people: it gives me more of a license to experiment with other sounds. I would never have made a disco-inspired record if it wasn't for the involvement of Nile Rodgers on "Give Me Your Love." I loved working with Fuse ODG because I was able to experiment with mixing Afrobeats with my own style, and it's the same story for a lot of my songs.
I kind of love that you asked that question because I really don't want to be known for just one genre or one track.
EDM.com: What's next for you? What's the most exciting thing in the Sigala pipeline you can give our readers without getting into trouble?
Sigala: Haha! Not sure if I can reveal. More great music that you need to listen to loud!
Follow Sigala:
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TikTok: tiktok.com/@sigalamusic
Facebook: facebook.com/sigalamusic
Spotify: tinyurl.com/5e2z8ehm
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EDM.com Fresh Picks: Gryffin, Killen, Flawed Mangoes & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Mild Minds, edapollo - IN YOUR EYES
Tiffany Day - HEART TO HEART IN THE TATTOO PARLOR
MARO, NASAYA - LIFELINE
salf - sugar free
MELVV feat. Royal & the Serpent - Nectarines (Flawed Mangoes Remix)
Curbi, Eleganto, Janet Livv - Like That
Punctual, RY X - You're Not Alone
Tourist - Protector
Gryffin - MAGIC (feat. babyidontlikeyou)
Killen., Oaks - Love You Better
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Listen to "Es Vedrà," Armin van Buuren's Tribute to Ibiza and Its Rich Mythology

After 16 residencies and numerous shows on the White Isle, it should come as no surprise that Armin van Buuren's new single "Es Vedrà" pays tribute to the fabled Spanish island of Ibiza.
"Ibiza is said to be home to sirens and sea-nymphs, who tried to lure Odysseus from his ship in Homer's Odyssey," says van Buuren. "It is also thought of as the holy island of Tanit, the Phoenician lunar goddess worshiped as the patron goddess of fertility, who became Ibiza's patroness. This inspired me to make a track about the island.”
A chorus of voices kicks off the progressive house track, enticing us in a siren-like chant, which carries throughout the arrangement. Meanwhile, its dazzling beat builds to a bouncing drop, agile in both rhythm and melody, begging for a sun-dappled dancefloor. The energy of "Es Vedrà" only increases throughout, making the song a heater of mythological proportions.
The track arrives ahead of an expansive touring schedule for the famed Dutch DJ, one that includes a September residency at the legendary Ushuaïa Ibiza club.
Listen to the new single below and find it on streaming platforms here.
Follow Armin van Buuren:
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TikTok: tiktok.com/@arminvanbuuren
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Facebook: facebook.com/arminvanbuuren
Spotify: spoti.fi/2WHsl2t
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Funkin Matt lands on Heldeep with ‘Open Your Eyes’

Introducing Funkin Matt’s latest techno masterpiece, Open Your Eyes. Out now on Oliver Heldens‘imprint, Heldeep Records, the tune is a true summer heater.
Funkin Matt is not new to Heldeep fans and followers. In fact, Open Your Eyes is his 10th single on the label.
The tune kicks off with a solid percussive rhythm to slow down and open up on the first breakdown. The chill synth works and clean lines prepare the listener for the melodic techno drop of the second part. The tune is clean and fresh with sounds that will flow through your soul.
Funkin Matt, a renowned producer and DJ hailing from Oslo, Norway, has been a prominent figure in the electronic music scene since 2007. He is known for his ability to seamlessly blend techy electro bangers with future house bliss. Matt has consistently delivered quality music with room for experimentation and genre-twisting.
With releases on labels like Tiesto’s “Musical Freedom,” Diplo’s “Mad Decent,” and A-Trak’s “Fool’s Gold,” his tracks have become mainstays in the sets of top DJs worldwide.

The post Funkin Matt lands on Heldeep with ‘Open Your Eyes’ appeared first on The Groove Cartel.
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We Need To Talk About sammythesinner

Sammythesinner is a force to be reckoned with, and although totally unique in her journey, her love for music and rave culture started with a tale as old as time. At just 15 years old, she discovered the rave scene, frequently losing herself in the sounds of heavy bass in the backwoods of Bunbury, Australia. An important discovery period for her, and the first taste of the scene she would soon grow to adore.
Flash-forward just a few years, Sammy now stands tall as a renowned promoter, producer and DJ, playing alongside the likes of Netsky, Dimension, What So Not, Mala and Troy Boi. She is – time and time again – a key player mentioned by other Australian artists. Not only for her bass-driven, relentless sets with buckets of energy but for her care and devotion to supporting and nurturing the Perth D&B scene. As a promoter, she strives to provide opportunities for others through her events Euphoria Festival, Dipped in Candy, Utopia, and Dystopia.
With her latest EP dropping on Riot Records, it was time to bring her in for questioning.
Sammythesinner – how did this artist name come about?
Ha! I knew I’d eventually be asked this question. I’ll give you the mild version, I used to be pretty wild back in the day and my friends started calling me sammythesinner. It became more of an alter ego then it kind of just stuck with me. A lot of people online assume I’m a satanist but the truth is I’m scared of the dark so there’s no way I’d praise Lucifer. I just love being able to unleash this bad girl alter ego when I’m on stage.
You’re a frequent name mentioned when it comes to both Perth but also the wider D&B scene in Australia. Talk to us about your many ventures!
That’s awesome to hear! I’m currently juggling a few event brands (Euphoria Festival, Dipped in Candy, Utopia, and Dystopia) as well as my sammythesinner project. I’ve been running events for 3 years full time in between touring. I’ve done some pretty crazy things over the past year. I ran my first festival last year – Euphoria in the Fields – whilst running two weekly events, club shows and a few beach raves. This year I decided to pump the breaks on the amount of shows I was running so I could focus on music. I moved. Lots of crazy stuff, I make it work!

There’s no rest for the wicked. What’s it like balancing life as an artist, and a promoter? Does one end up taking the lead?
It’s chaotic to say the least. It can be a hard one to juggle at times. Trying to do music and organise events is very time consuming and straining on my mental health. When I first started my events company 3 years ago I quit my job and invested all of my time into my business. This meant I had little time to produce but at the start of this year I decided to run larger capacity shows less frequently so I could spend more time in the studio.
Your new EP is about to drop on Riot Records – what’s the vibe? Was there any specific aim with this project?
This EP is a hybrid of dancefloor and 4×4 DnB. I wanted to create a fusion of all the styles and genres I love playing in my sets. These sub-genres have been dominating my sets so naturally it started itching its way into my productions and now it’s a fundamental element to a lot of my music. This EP was by far my best work to date and I was over the moon when Georgie was keen to sign it to Riot Records. I couldn’t have found a better home for it.
We’re taking it back a little bit now Sammy; why did you start a career in music? What’s the driving force behind your work?
I have been obsessed with discovering new music since I was in school. I bought my first set of controllers when I was 14 so I could teach myself how to mix. I had no idea what I was doing back then but, I threw myself in the deep end and played at house parties. When I turned 18 I moved up to Perth to do a DJ course at Lab Six. I then decided I wanted to delve deeper into music so I studied a Diploma of Sound Production at SAE Institute. I would say the driving force was the fact that I had this unhealthy obsession with music and I couldn’t picture myself in any other career. 
Love that. How has your sound adapted since ‘Sweep’ and ‘Purgatory’?
My sound has evolved massively since ‘Sweep’ and ‘Purgatory’. I came from a trap / future bass background so naturally those elements trickled into those productions. My sound has become a lot heavier, deeper and darker. 
Last but not least: How has the scene changed in Australia/Perth over the years and what do you think needs to be done to help further develop it?
The Australian music scene as a whole is struggling, festivals are getting cancelled due to the lack of ticket sales, talent pool is limited, cost of living is high so people aren’t going out as much and tend to invest in the bigger-scale shows. Although the D&B scene here is strong. Especially in Perth, our community is forever expanding. There is a lot of saturation in the market, however, I have been quite fortunate as my brands are unique in their offerings. I think if there was more fairness in the scene in terms of getting talent, that would lead to more successful events.

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The Botanist Drops “Change It” on Club Level Records

The dynamic music scene welcomes a new hit today as The Botanist releases the house banger ‘Change It’ on Club Level Records. Known for his infectious energy and powerful messages, The Botanist does not disappoint with this latest track.
An Anthem with a Message
‘Change It’ is more than just a house anthem; it’s a call to action. With lyrics that resonate deeply, the song delivers a profound message encouraging listeners to take control and transform their lives. The simple truths embedded in the lyrics act as a wake-up call, offering positivity and motivation to those who need it most. The powerful words aim to uplift anyone feeling down, reminding them that change is possible.
The Perfect Groove
Musically, ‘Change It’ is a masterclass in house production. The high-energy bassline drives the track, creating a groove that’s impossible to resist. The arrangement is spot-on, with perfectly timed drums and effects that enhance the listening experience. Each beat and sound is meticulously crafted, making the track a joy to listen to. The second drop, in particular, stands out, delivering a burst of energy that keeps the momentum going strong.
When asked about ‘Change It’, The Botanist had the following to say:
Rising Star from the Westside
Firstly, The Botanist is quickly becoming a household name, especially on the westside of Los Angeles, CA. His unique blend of talent and charisma is winning him fans locally and internationally. Major artists are taking notice, with many incorporating his tracks into their sets, further propelling his rise to fame. This growing support is a testament to his artistry and the universal appeal of his music.
With ‘Change It’, The Botanist not only cements his place in the house music scene but also inspires listeners to believe in the power of change. Lastly, this track is sure to become a staple in clubs and playlists worldwide. In conclusion, the Botanist’s ‘Change It’ is out now on Club Level Records, and can be streamed below, enjoy!
About The Botanist:
Bay Area-raised and LA-based DJ/producer The Botanist emerged onto the scene in 2023, and has been turning heads on dancefloors across Los Angeles, San Diego, and New York with his high-energy sets, infectious sound, and vibrant social presence.
After several years producing for emerging pop, alternative, and indie artists, The Botanist returned to his first love: house music. The multi-instrumentalist blends his organic roots with heavy hitting bass lines and intricate percussive grooves, crafting records designed to ignite the dance floor. His recent releases and deep bag of new IDs have already seen support from artists like Louis The Child, AYYBO, LF System, Folamour and more.  
A lifelong crate digger and music enthusiast, The Botanist takes pride in uniquely curating his DJ sets to guide audiences through a seamless journey of house, disco, techno, and more. With notable festival appearances at HAGS Fest and Wonderfront Festival in 2024, The Botanist is poised for an exciting year ahead including new releases, collaborations, and shows to further secure his spot as one of the most intriguing new faces in the scene.
The post The Botanist Drops “Change It” on Club Level Records appeared first on EDMTunes.
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Meet the Underground Talent of Outside Lands: Jackie Hollander [Interview]

“Outside Lands has always been my dream festival,” says Jackie Hollander, reflecting on her imminent debut at the San Francisco mega-fest. On Friday, August 9th, the Bay Area native will christen Outside Lands’ beloved SOMA Tent, effectively cutting the festival rope. During an undeniable milestone, Hollander will tend the same decks as fellow performers SIDEPIECE, TSHA, The Blessed Madonna, Seth Troxler, and the list goes on. Ahead of performing at the festival she grew up attending, Jackie Hollander sat down with Dancing Astronaut to discuss her summer tour, new music, her breakthrough release in “All My Friends Are Hot,” as well as what’s next for the burgeoning tastemaker.
Once the pandemic dissolved and dance floors reopened, Jackie Hollander endured a steepening rise onto the scene. Currently, she boasts releases on top performing dance imprints, including Gorgon City‘s REALM Records, Nervous Records, W&O Street Tracks, Insomniac Records, and even a one-off placement, “Freak,” appearing on LP Giobbi‘s Femme House Vol. 2. Most recently, the producer turned in “The Life” on Insomniac’s IN / ROTATION sublabel. Says Hollander,
“My Life” marks Hollander’s fifth single of 2024. Next on the release schedule is “Pass You By,” a joint effort alongside Experts Only signee Ellis Moss. The crowd tested ID is officially due August 9th, the same day Hollander will open at Outside Lands. As the only US artist on Palm Artists’ exclusive UK roster, Hollander finds herself frequenting London to work on music. There, she and Moss exported the final cut of “Pass You By” after what had been a “magical session.” “I think [Ellis] is absolutely genius,” Hollander emphasized, adding,
Before “My Life” and the tour announcement, Hollander delivered what would become her highest streaming song to date. Landing on Mike Weiss’ historic dance music label, Nervous Records, “All My Friends Are Hot” caught fire. Hollander recalls,
On July 3rd, Hollander took to Instagram to announce her first ever summer tour. Ten days later, she kicked off a slew of high-profile gigs at Echostage for Elrow‘s Washington D.C. showcase. Now donning a sizeable uptick in monthly listeners, Hollander continued to revel in her newly conspicuous catalog at Pioneer Square in Seattle, and then in San Francisco—her home base—where she performed at Gorgon City’s Midway Block Party.
A product of the Oakland rave scene, Jackie Hollander knows the importance of connecting with the dance floor,
After Outside Lands, Hollander plans to bring that same energy to appearances at The Brooklyn Mirage, The Concourse Project, Nocturnal Wonderland, and other impressionable live settings. Officially a touring DJ with notable bookings, Hollander credits Peggy Gou and Charlote de Witte as two massive sources of inspiration; whose brands align with artistic integrity above the “female DJ” archetype.
Hollander’s career trajectory is a promising one. Looking down the line, she plans to launch her own record label in “three years'” time. While unsure of the unborn imprint’s name, Hollander maintains a clear conceptual grasp of what her brand should and will embody, “I don’t know what it’s going to be called, but I know what it will be about.” She adds,
With new music around the corner and published show dates through EDC Orland on November 8th, Jackie Hollander is on the brink of a fruitful latter half of 2024. Browse Hollander’s summer tour dates here, be on the lookout for the August 9th release of “Pass You By,” and buy tickets to catch Jackie Hollander’s Outside Lands debut—12PM in the SOMA Tent—on Friday, August 9th.
The post Meet the Underground Talent of Outside Lands: Jackie Hollander [Interview] appeared first on Dancing Astronaut.
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Mport Samples "SpongeBob," "Dodgeball," "Finding Nemo" and More in New Dubstep EP

Mport is translating comedy into dubstep gold with his new EP, sampling a wide variety of beloved films and shows ranging from Kill Tony to Spongebob Squarepants to family-favorite Pixar films like Finding Nemo.
"This longer EP is based around sampling some of my favorite scenes and media," Mport explains. "Everything I used has made me belly-laugh to tears at some point, personally, so I wanted to add my production twist on them. Also, it makes for great live visuals."
The voices of beloved cartoon characters Spongebob and Patrick can be heard in "Wumbology" early in the EP, their distinct rapport strategically broken apart and spliced together over a head-bobbing beat. Meanwhile, "Hot Rod (Cool Beans)" samples two scenes from the film Hot Rod, with Mport's personal addition of experimental bass and a horn section. Dodgeball and Beavis & Butthead join the hilarity in "The 5 D's" and "Whoa Fire," respectively.
While other tracks remain heavy with wobbling bass, "Pixar Party" presents itself as an intriguing house track, its beat laid over the familiar squeaking bounce of the age-old Pixar lamp. Listeners can then hear samples of their favorite Pixar films, like Toy Story, Wall-E, Finding Nemo, Monsters Inc. and more.
Scene Selections isn't the only time Mport has used comical media for musical purposes. Fans attending his April 2024 show at Denver's Bluebird Theatre saw him integrate into his tracks and visuals Adventure Time and the viral YouTube web series Potter Puppet Pals, among other titles.
Listen to the new EP below and find it on streaming platforms here.
Follow Mport:
X: x.com/mportaudio
Instagram: instagram.com/mportmusic
TikTok: tiktok.com/@mportmusic
Facebook: facebook.com/mportmusic
Spotify: tinyurl.com/mruwywx
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Ookay and Piper Byers Deliver the Perfect Summertime Dance Bop With "Hold My Love"

Ookay is back with "Hold My Love," a summery dance-pop track featuring Americana-country singer-songwriter Piper Byers.
The new collaboration continues Ookay's series of releases with Steve Aoki's Dim Mak Records following his five-track EP, Future Untold, and his collaboration with Cheyenne Giles on "For Life" and "My Mind."
"Hold My Love" is a summer stunner, boasting an infectious chorus and an upbeat melody to warm the senses. Bubbly synths pirouette over an exuberant beat infused with the carefree feeling of a long drive with the windows down.
"It’s funny how life works sometimes," Ookay said in a press release. "You meet and connect with people for the first time, and magic is made. That was definitely the case with 'Hold My Love.' And at the peak of summer? Come on now! Jam this one out by the pool!"
Listen to "Hold My Love" below and find the new single on streaming platforms here.
Follow Ookay:
Instagram: instagram.com/ookayx
X: x.com/ookay
TikTok: tiktok.com/@ookayofficial
Facebook: facebook.com/pg/ookaymusic
Spotify: spoti.fi/2YMDsY6
Follow Piper Byers:
Instagram: instagram.com/piper_byers
X: x.com/piperbyers
TikTok: tiktok.com/@piper.byers
Facebook: facebook.com/piperbyersmusic
Spotify: tinyurl.com/ywjs9pjz
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Lunaz Chill presents atmospheric single ‘Far Away’

A name that says it all. Lunaz Chill will bring you on an atmospheric and relaxing journey with his new Far Away.
Just switch off, let go, feel good, relax, forget the stress of everyday life. Many people have forgotten how to switch off and are always available.
Everyone looks at their smartphone every few minutes, spends a lot of time on social networks, or is distracted by incoming notifications.
That’s how it was for successful producer and songwriter LUNAZ (Criss Tonino) until he suffered a stroke at a young age in 2019.
He had to relearn many things of daily life until he was finally able to pursue his greatest passion, producing music.
Dive into the deep and mesmerizing sounds of Lunaz Chill‘s latest single, “Far Away.”
This track offers a sophisticated blend of pulsing rhythms and ethereal melodies.
The tune is something special thanks to the vibrant yet introspective beats found in the underground electronic scene.
“Far Away” layers rich, atmospheric textures with a rhythmic complexity that invites you to lose yourself in its soundscapes.
Designed for late-night reflections or early-morning awakenings, this single is an essential addition to any playlist looking to capture the essence of modern electronic sophistication.

The post Lunaz Chill presents atmospheric single ‘Far Away’ appeared first on The Groove Cartel.
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Shambhala Celebrates Silver Anniversary With Major Overhaul and Unmatched Festival Experiences

Shambhala has long been Western Canada's—and arguably the entire country's—crown jewel for electronic dance music getaways. That reputation holds firm after welcoming 20,000 people to its 25th anniversary weekend from July 26-29.
A poorly kept secret tucked between the river and trees, there's a reason "Welcome Home" is a common phrase among Shambha-lifers and newcomers alike. Friendly faces constantly greet you, whether you're starting or ending your day at 8am.
What separates Shambhala from most camping festivals of its scale is the logistics. Once you’re in, you’re in. There's no queue between the campsite and the festival grounds—you’re free to go as you please. This creates a holistic experience wherein you feel like you’re living in the Salmo River Ranch ecosystem for the duration of your stay, which can last a week for some guests.
Take Sunday, for example. Some early birds and I happily dragged our fatigued bodies to the Living Room stage for LSDREAM’s "Lightcode" set, an hourlong meditative sound bath that definitely didn’t unearth suppressed childhood trauma. It’s okay—I was better for it.
Now spiritually cleansed, we made our way to the river, which runs along the side of the festival grounds, to cool off and unwind. A short walk to camp for dinner and a nap revitalized us for the long night ahead. There are countless high-quality food vendors to keep you fueled during the 18 to 20 hours of music daily, but whipping out a breakfast burrito from my fanny pack and chowing down at a 3am set is the freedom for which my frugal spirit is here.
Shambhala is an independently owned music festival produced on land belonging to its owners. Unlike many festivals, the stages aren’t torn down each year. They are permanent installations that are improved annually. This creates familiarity and curiosity as you revisit Pagoda’s laser-bathed front porch, Village’s coliseum-like halls or Fractal Forest’s endless maze of lights.
Fractal Forest received the biggest makeover in 2024. The jaw-dropping, all-encompassing forest stage was upgraded with more lights and a bigger, higher elevated platform. Fractal was unique for its 360° vantage point, whereby crowds could watch from all angles. It’s still technically a 360° presentation, but the updated design pushed the stage off-center. The location and higher elevation made it difficult to see from behind the artist; it’s a net positive that improves several aspects of Fractal Forest while taking away a component that affects a minority of fans.
Elsewhere, Rabbit Hole, previously one of Shambs' many hidden areas, was renovated into a small, dedicated stage to add to the festival's seemingly endless options for enjoying music.
Shambhala 2024’s biggest success story is its entry process. The lines to get into the camping grounds had been notoriously grueling—you can spend between four and 12 hours waiting with your car to enter the campsites. I was unprepared for my first excursion in 2022 and strongly considered not returning after dry-aging in the sun for what felt like an eternity.
AMP stage at ShambhalaRed Rose Films
Some suggest bringing canopies for the line or driving overnight to avoid the sun. While I appreciate the spirit of the 20,000 people who do anything to get to Shambhala, I don’t think making camping arrangements for a queue or driving sleep-deprived to escape the heat are appropriate solutions. I am ecstatic to report that Shambhala pulverized those concerns this year.
I was bewildered—and honestly still am—to arrive on Thursday night and find a wait time of 10 minutes. Shambhala not only managed to improve their dreaded queues, but they also eradicated the problem entirely. Asking around, it seems a combination of factors radically improved the process. Organizers opened two points of entry, doubled its manpower and streamlined their security process to fix what I considered their one crucial weakness.
We’ve made it pretty far without discussing an important component in the “music festival” dynamic: the music. I was admittedly underwhelmed when the lineup was announced. The poster had heavy-hitters, including Chromeo, Dillon Francis, Disclosure, DJ Pee .Wee (Anderson .Paak), Excision and Subtronics, but the lineup featured many names we’ve seen at Shambhala in recent years and didn’t quite measure up to comparable summer festivals. Longtime visitors might, however, insist that Shambhala is about much more than a lineup.
The set times, excluding Sunday, weren’t incredibly competitive and that allowed me to experience Shambhala with a wonderful presentness. I moved from stage to stage unencumbered by who was playing where. If I struck a good vibe, I freely enjoyed it without concern for what came next. It also cleared time to explore all the whimsical hidden details tucked out of sight. It was incredibly freeing.
Village stage at Shambhala.Red Rose Films
Dimension, Excision and Subtronics shook the foundations of Village, Chromeo and Pee .Wee were the lives of the party at Fractal Forest, Zingara tore the roof off Pagoda and San Holo thrilled at AMP.
One of Shambhala’s great traditions is its surprise sets. We were treated this year to a surprise sunrise b2b between Subtronics and Tape B. This was warmly received considering the two dubstep stars faced stiff competition earlier that evening.
The festival doubled up on special reveals. Eyebrows were raised when CloZee and LSDREAM were scheduled for separate sets at Pagoda considering the success of their supergroup, LSZEE. Well, they heard the feedback and treated fans to an unannounced LSZEE set that ranks among the best I’ve ever seen. Other highlights included The Funk Hunters, AHEE and SkiiTour.
All said and done, Shambhala returned to the Salmo River Ranch in B.C. for its silver anniversary with a weekend that lived up to the occasion. The festival continues to build on its strengths, patch its weaknesses and curate some of the best experiences and fan culture in the global EDM community. Cheers to another 25 years.
Pagoda stage at ShambhalaRed Rose Films
Follow Shambhala Music Festival:
Facebook: facebook.com/shambhalamusicfestival
Instagram: instagram.com/shambhala_mf
X: x.com/shambhala_mf
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LIV Announces Las Vegas Labor Day Weekend Lineup Feat. John Summit, Dom Dolla, Green Velvet, and More

LIV is keeping things sizzling this upcoming Labor Day weekend with a slew of high caliber talent of artists to perform such as Green Velvet, John Summit, and Dom Dolla. If you’re in Las Vegas, Fontainebleau is where it’s at to spend the biggest weekend of the summer. Attendees can watch their favorite artists perform at LIV Beach and LIV which are located at the luxury hotel.
On Friday, the party starts early with house music legend Green Velvet who will be bringing his signature acid-infused sound to LIV Beach. At night Metro Boomin will transform the dancefloor of LIV with his hip hop beats. Saturday 8/31 will have John Summit perform at the day club, and this is one party to not miss. The superstar DJ is just coming hot off his sold out performance at Madison Square Garden and the release of his album, Comfort in Chaos. Don Toliver will perform at LIV at night. And to finish off the weekend, Dom Dolla is playing the day show on 9/1 Sunday, and Swae Lee at night.
8/30
Green Velvet @ LIV Beach
Metro Boomin @ LIV Nightclub
8/31
John Summit @ LIV Beach
Don Toliver @ LIV Nightclub
9/1
Dom Dolla @ LIV Beach
Swae Lee @ LIV Nightclub
For tickets and table reservations, visit the official LIV website here.
Stay up to date with all things happening over at LIV on their socials:
The post LIV Announces Las Vegas Labor Day Weekend Lineup Feat. John Summit, Dom Dolla, Green Velvet, and More appeared first on EDMTunes.
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