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Creamfields Unveils New 2025 360° Mega Stage

One of the world’s global leaders in Electronic music festivals, Creamfields (presented by Rockstar Energy) returns to take over the fields of Daresbury in Cheshire next August Bank Holiday weekend. As organizers continue their quest of pushing the boundaries of festival production, 2025 is set to be their most ambitious to date as they’ve just announced a groundbreaking outdoor mega stage will be unveiled – HALO. HALO represents an evolution of the beloved Runway stage that first appeared in 2022, offering fans a breathtaking 45-meter-wide circular outdoor arena. This immersive setup includes an advanced 360-degree video, lighting, and sound experience, designed by the renowned creative studio Lucid Creates.
“Creamfields has never underestimated the importance of pushing boundaries with high-end production, keeping their dedicated audience excited and engaged with numerous site upgrades, as well as new arenas and stages year on year“, says Chriss Carr, from Lucid. “We’re incredibly grateful to be given the space and the opportunity to create such ambitious structures and shows like RUNWAY and now HALO with Creamfields“.
With over 300 acts set to perform across four days, Creamfields continues to blaze ahead as a must-attend event for both fans and artists. Over the past decade, Creamfields has pioneered iconic structures like Steel Yard, Arc, Runway, and the recently launched APEX—the world’s largest indoor festival stage—hosting stars like Chase and Status Live, Fisher, Chris Stussy, Sammy Virji, Disclosure, Steve Angello, Tiësto, Armin van Buuren, and Martin Garrix.
Adding even more excitement, the innovative Teletech will return with a dynamic three-day takeover in a new 15,000-capacity arena. Following their debut this year, Teletech’s bold lineups are a refreshing addition, bringing intense, genre-blending performances that promise to electrify the weekend. Tickets on sale now at https://creamfields.com/tickets/.
The post Creamfields Unveils New 2025 360° Mega Stage appeared first on EDMTunes.
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Listen to Kaskade and Wilkinson's Luminous Drum & Bass Anthem, "Shine On"

Kaskade and Wilkinson have joined forces for "Shine On," a stunning drum & bass track reminding us that sometimes, the people who shine brightest in our lives do so long after they're gone.
The track is a marriage of Kaskade's melodic touch and Wilkinson's drum & bass finesse, merging into a tender anthem that works both as peak-time euphoria and solitary night-drive therapy.
With an uplifting urgency, they turn what could have been just another drum & bass banger into something that catches in your throat. Wilkinson's percussive backbone rattles with signature precision while Kaskade's atmospheric touches add pangs of warmth that feel like shots of serotonin straight to the temporal lobe.
Meanwhile, Paige Cavell casts a spell with her haunting vocals, especially through the lyrical grenade, "Everywhere I go you'll be shining down on me."There's something almost painfully human about it, capturing that profound ache of missing someone while they help guide your own internal compass.
Listen to "Shine On" below and find the new single on streaming platforms here.
View the original article to see embedded media.
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Miss Monique And Moby Update His 90s Hit ‘Feeling So Real’ For Its 30th Anniversary

Miss Monique really can’t go wrong. Just have a listen!
Originally dubbed a bridge between rave and classical music by Billboard, ‘Feeling So Real‘ remains one of Moby‘s most distinctive and respected works. The track became a founding pillar of what we now know so well as Moby’s unique artistic vision. Why are we bringing this up? Turns out that, decades later, ‘Feeling So Real’ is being reimagined with Ukranian superstar Miss Monique, for a tribute which not only refreshes the tune, but does so on its 30th birthday, down to the day.
And it’s a double milestone for our beloved MiMo, as she got to collaborate with one of the indisputable legends of the music world, while also landing this fresh take on her very own label, Siona Records. If this is not a sign of how fast she’s growing and how she’s got no plans of stopping anytime soon, I don’t know what is.
‘Feeling So Real 2024’
This update is something else. You may have had the chance to hear it a few weeks ago at ADE, when Miss Monique played it during her ASOT appearance, or in other places where the track has been rinsed. It’s a powerful, groovy, and pleasantly boxy structured record which truly pays tribute to an old friend.
‘Feeling So Real 2024’ is a result of both her and Moby actually teaming up, and I’d say the result is a proper reflection of said comment. It’s got original elements, and those which aren’t still are very respectful to the classic tune, which makes this update all that more special. “[Moby’s] iconic status as a true pioneer of Electronic music needs no explanation. ‘Feeling So Real’ is one of his rave anthems and it was a dream to collaborate with my sonic and sound 30 years later“, says Miss Monique.
Credit: Gregory Harris Listen to Moby and Miss Monique‘s latest banger ‘Feeling So Real 2024’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.

The post Miss Monique And Moby Update His 90s Hit ‘Feeling So Real’ For Its 30th Anniversary appeared first on EDMTunes.
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INZO's Debut Red Rocks Headline Will Be the Venue's First Show of 2025

Thanks to INZO, bass music will be the first sounds on display when Red Rocks opens their gates next year.
The surging DJ and bass music producer in 2023 hosted a successful, large-scale tour that took him to nearly 40 cities from winter to spring. Outside the live music realm, he released collaborations with Rezz and LSDREAM, among others.
INZO is now rounding out his career year with a major show announcement: his debut headlining set at Red Rocks. And it's going down March 28th, the first day of the iconic open-air venue's 2025 season.
INZO will be joined by special guest Dirt Monkey alongside Supertask and his touring partners from last year, Blookah and Lhasa Petik. One supporting artist has not yet been revealed at the time of this writing.
Tickets to INZO's debut Red Rocks headline go on sale Halloween day, October 31st at 10am MT here.
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Watch 10-Year-Old DJ LC Danger Perform for NBA Halftime Show

Not to put any more pressure on you up-and-coming DJs, but 10-year-olds are coming for your jobs.
LC Danger has been DJing since she was just seven years old. Catching on quickly, she's gained hundreds of thousands of online followers interested in seeing her compete with DJs who've been around decades longer. 
Now, she's been recognized by the NBA's Detroit Pistons, who invited her to perform during halftime of their 2024-2025 season home opener against the Indiana Pacers. Her sounds may have pumped up the Pistons, but the music wasn't enough to propel the team to victory after they finished last season with the league's worst record.
The diminutive DJ's NBA debut was not her first high-profile performance. Earlier in the year in Kansas City, LC Danger took the stage with Shaquille O'Neal, or DJ Diesel, for the Big 12 Men's Basketball Championship. She also joined Disco Lines onstage at last year's HARD Summer festival at the age of nine.
Check out footage from LC Danger's performance below.
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Daft Punk's Iconic "Interstella 5555" Anime Film Heading to Theaters for One Night Only

After soaring through the cosmos and into fans' hearts over two decades ago, Daft Punk's Interstella 5555: The 5tory of the 5ecret 5tar 5ystem is heading to the big screen for one night only.
The legendary electronic music duo's classic anime film will be screened in cinemas worldwide in remastered 4K on December 12th, 2024. The film made its North American debut in late-September, when it aired at LA's United Theater prior to a rare panel featuring Daft Punk's former manager, Pedro Winter and Creative Director, Cédric Hervet.
Originally released in May 2003 as a visual companion to Daft Punk's sophomore album Discovery, the audacious sci-film film was created by Thomas Bangalter, Guy-Manuel de Homem-Christo and Hervet alongside manga legend Leiji Matsumoto. Setting a stratospheric benchmark for audiovisual storytelling at the time, the hourlong film was splintered into scenes for a number of Daft Punk music videos, including the ageless "One More Time."
"'One More Time' was playing all over the town at that time," said Shinji Shimizu of Toei Animation, who produced the film. "I felt so proud that I wanted to shout to people on the street, 'We are making its animation now!'"
In partnership with Trafalgar Releasing, the momentous global screening of Interstella 5555 will take place across over 800 theaters in more than 40 countries. Tickets are scheduled to go on sale Wednesday, November 13th.
In addition to the screenings, Daft Punk are also rolling out a limited physical release for the Discovery: Interstella 5555 Edition album. It contains the album's original Japanese edition artwork, stickers and Daft Club card as well as gold vinyl (limited to 5,555 copies), numbered CDs (5,555 copies) and black vinyl (25,000 copies).
The duo also launched a limited-edition merch line featuring the Crescendolls, the animated band at the core of Interstella 5555. Fans can purchase items on Daft Punk's official shop.
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Daft Punk’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem to screen in cinemas

After select fan and festival screenings this year, the 4K remastered version of Daft Punk & Leiji Matsumoto’s 2003 anime masterpiece Interstella 5555: The 5tory of the 5ecret 5tar 5ystem will be screened in cinemas globally for one night only on December 12, 2024 in partnership with Trafalgar Releasing. Says Marc Allenby, CEO of Trafalgar Releasing, “We’re excited to bring Daft Punk’s iconic Interstella 5555, now fully remastered in stunning 4K, to cinemas for this one-night-only global event. This is a rare opportunity to experience the film on the big screen, along with accompanying Daft Punk music videos, and we can’t wait to share it with audiences everywhere.”
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem was created by Daft Punk and Cédric Hervet in collaboration with Leiji Matsumoto and Toei Animation, and tells the story of the abduction of an alien music band by an evil human character who has dark plans. Essentially an anime visual album, Interstella features the entirety of Daft Punk’s seminal 2001 album Discovery as its soundtrack, including iconic anthems such as “One More Time,” “Harder, Better, Faster, Stronger,” and “Veridis Quo.” Says Shinji Shimizu of Toei Animation, who produced the film, “‘One More Time’ was playing all over the town at that time! I felt so proud that I wanted to shout to people on the street, ‘We are making its animation now!’” As a visual album, the film was cut into individual music videos, and until this year it has been very rare to see the film in its entirety in cinemas. 
To celebrate this global event, Discovery: Interstella 5555 Edition will be released in limited physical quantities. This physical edition of Discovery will contain the original Japanese edition artwork, stickers and Daft Club card, which became a true collectors’ item around its original release. The limited release will consist of 5555 gold vinyl, 5555 numbered CDs, and 25,000 black vinyl. 
Along with this special album re-release and film screening comes a limited-edition merch run featuring the Crescendolls, the animated band at the centre of Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Items are available now through Daft Punk’s official shop.  
“Veridis Quo” a standout track from Discovery was used widely over the summer in social content, and can now be heard in a global advertising campaign for Chanel N°5 called “A rendez-vous” directed by Luca Guadagnino, featuring Margot Robbie and Jacob Elordi. Since the track’s original release, it has also been widely sampled in music from artists all over the world including Maluma, G-Dragon, and Jazmine Sullivan, and used in live sets from DJs including John Summit. 
Earlier this year, Apple Music named Discovery as the #23 best album of all time. It has also landed on best album lists from Rolling Stone, Pitchfork, Rhapsody, Resident Advisory, BBC Radio 1, British GQ. Guardian critic Alexis Petridis wrote in 2020 that “Daft Punk were incredibly prescient: play Discovery and it sounds utterly contemporary.”

Discovery has been certified Gold in the US, Platinum in Japan, 2x Platinum in the UK and 3x Platinum in France.
The one night only global screening of Interstella 5555: The 5tory of the 5ecret 5tar 5ystem will be screened in 800+ cinemas in 40+ countries, and tickets will go on sale Wednesday, November 13. More information can be found here. 
DISCOVERY : INTERSTELLA 5555 EDITION – TRACKLIST
One More Time  Aerodynamic Digital Love Harder, Better, Faster, Stronger Crescendolls Nightvision Superheroes High Life Something About Us Voyager Veridis Quo Short Circuit Face to Face Too Long The post Daft Punk’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem to screen in cinemas appeared first on Decoded Magazine.
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Dada Life’s Stefan Engblom Hospitalized After Post-Op Infection

As we speak, Dada Life’s longtime member Stefan Engblom is in the Intensive Care Unit of a Stockholm hospital, fighting severe infection following postoperative complications. Just a few weeks ago, on October 16th, he’d had an endoscopic retrograde cholangiopancreatography (ERCP for short), where he caught, in his own words, “a nasty bacteria“.
After being looked after at the hospital and treated with IV antibiotics, he was eventually released, and a few days later, bacteria started growing in his body again at alarming rates. This is when he got to the ER, where he was fed antibiotics and painkillers, but the situation worsened to the point he was admitted at the ICU.
Yesterday, he uploaded a video to his Instagram account where he recalls how intense of an experience it’s been. He says, “Felt like I couldn’t breathe, uncontrollably puking bile, shaking and couldn’t control my body. The thoughts in my brain was, as long as I can scream for help I can breathe“.
Watch the entire video below. We wish Stefan a speedy and full recovery. We can’t wait to dance with him again.
The post Dada Life’s Stefan Engblom Hospitalized After Post-Op Infection appeared first on EDMTunes.
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Why Taylor Swift’s Eras Tour Show Feels Like the Tomorrowland of Concerts

Imagine a three-and-a-half-hour event with sixty thousand people or more, all locked in on the same vibe: to have the time of their lives. That is The Eras Tour, Taylor Swift‘s latest worldwide tour. Not many traditional concerts can match major festivals in terms of size, production, public expectations, or the artist’s capabilities. However, one artist pulled that off in 2023 and 2024, and we couldn’t miss the opportunity to check out why.
Taylor Swift is one of the biggest (if not the biggest) music artists of the past 20 years. From her debut single, “Tim McGraw” in 2006, to now, she has sold over 114 million album-equivalent units worldwide, won 14 Grammy Awards, released 11 original studio albums, 4 re-recorded albums, 5 extended plays (EPs), and 4 live albums. Although her team hasn’t released any official boxscore from her current tour, it’s clear that Taylor’s “Midas touch” goes beyond “Chevy doors”, since “The Eras Tour” is set to become the biggest tour in the world and has already surpassed the $1 billion revenue mark.
This astonishing figure reflects the immense demand for tickets, as fans had to engage in a cyber battle to secure their spots—a struggle not unlike the one EDM lovers face each year to attend one of the biggest festivals in the world: Tomorrowland Belgium.
Tomorrowland is known for its high demand and limited ticket availability, making it a tough festival to get into, and creating high expectations months before the event, even before tickets go on sale. Swift’s tour experienced the same high demand, with some concerts selling out a year in advance (like the Miami shows). Outfits? Many people plan their festival looks far in advance, and the same is true for Swifties, who often plan or craft their own outfits months before their concert date, building an atmosphere of excitement leading up to the big day. The Belgium festival expected around 67,000 people per day for its 2023 and 2024 editions, which is actually less than the 72,000 average attendance at Swift’s U.S. shows, proving that size is no issue for the American singer.
Every year, festivals like Tomorrowland and Ultra wow us with different stages, using cutting-edge technology to enhance the experience and create visuals that blow our minds, even if we’re far from the stage. Swift’s team seems to have taken notes on this and created a meticulously planned presentation, with large screens and camera shots so well-rehearsed it felt like Taylor was “looking at you”—a moment reminiscent of the intimacy found in “Out of the Woods”—even from afar. Often unsung heroes, the production teams for both festivals and concerts are spot on. From lighting technicians, who made sure that the “lights were so bright, but never “blind” me”, to designers, sound system engineers, and the security crew keeping everything safe and clean, Swift’s concert truly offered festival-level quality. Things like interactive light bracelets that match the theme of each Era, numerous outfit changes (including a debut of the golden Reputation bodysuit), and iconic moments like the “Don’t Blame Me” song where lights create a holy, choral atmosphere, and the seamless and powerful transition from “Don’t Blame Me” to “Look What You Made Me Do”, are just a few reasons why this tour matches EDM festival production levels.
Taylor Swift’s new outfit debut during the Reputation Era at the Miami concert on October 18. At festivals, attendees can jump from stage to stage and listen to whoever they like most. Swift, on the other hand, has the task of keeping her audience entertained for the entire duration, a feat she accomplishes during her 44-46 song setlist, divided into 10 acts that fly by. You only realize the time has passed when you stopped “feeling like 22”, and your legs and back start to ache from dancing and jumping along for hours. Swift’s stage presence is both smart and fun—she moves around to get close to all her fans in the floor section without overexerting herself, all while singing for more than three hours. A highlight of the night is her performance of “All Too Well (10 Minute Version)(Taylor’s Version),” where the entire stadium sings with her for ten straight minutes, words carried by personal meaning and smiles all around. In an era where attention spans barely last a minute, forming a ten-minute connection with your audience is remarkable, a feat typically only achieved by A-list DJs like Eric Prydz or Solomun.
Taylor Swift during “All Too Well (10 Minute Version)(Taylor’s Version)” at the first night Miami concert. Can we say that “The Eras Tour” is the Tomorrowland of music concerts? Not quite—that would be disrespectful to their unique identities and misses the fact that they belong to different worlds. But can we say they both excel at delivering unforgettable experiences, reaching star quality levels that are hard to match? Absolutely. “Long Live” Swift and her team know how to put on a show and give their audience the time of their lives. I can say “I was “Enchanted” to meet” with the opportunity to experience the biggest tour in the world. Saying goodbye to “The Eras Tour” is “Death By A Thousand Cuts”, but knowing the striking force Swift is —”a real tough kid”— she is “still writing pages” that will keep her outside the bubble that she once broke.    
Fun fact: Swift had a taste of the EDM field years ago. She is credited as the lyricist, composer, and backing vocalist of the EDM track “This Is What You Came For” by Calvin Harris and Rihanna. The post Why Taylor Swift’s Eras Tour Show Feels Like the Tomorrowland of Concerts appeared first on EDMTunes.
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We Need to Talk about Buntai

Like any good idea, the conception of such requires patience, determination, and a strong foundation. Buntai, like many local brands, started out with an objective to impose their blueprint onto the London scene. In this case, through designing and selling clothes. Until four years ago, during lockdown, when they decided to embark on a musical journey that would see them become one of London’s most authentic underground collectives – achieving a flurry of accolades throughout this period. Post lockdown, they began their guest mix and interview series with their first event and an EP drop following shortly after. From uk garage, dubstep, bassline, and a whole host of other 140 sounds, alongside their occasional foray into the jungle arena, Buntai represent a modern and forward-thinking approach when representing the underground scene in its entirety. 
Recent releases from Four Eyes, Nik Fury, Rolla B, OP Breaks, Architek, and Jaz have instigated an indisputable anticipation around the label side of the brand. With an array of new music coming out from the likes of the legendary DJ Hybrid, Tommy Villiers, Ance, Four Eyes, Jaz, FSHR, Jaynie, and CamUKG over the course of the back end of 2024 and beginning of 2025. We can be certain that momentum will not ease up as Buntai begin to mark their stamp on the UK electronic scene as a whole.
A lack of fear when showcasing new sounds, and genres, is exactly what makes this project tick. Buntai means ‘squad’ in Japanese, and the tight knit team they’ve built certainly lives up to its name. Run by London-based music entrepreneur Akira, as well as creative pillar Mia Marshall, whilst counting on an extremely talented DJ and producer roster at their disposal has forged a community that is flourishing on all fronts. Throwing some of the best raves around London, curating a continual body of exciting releases, and obtaining a strongly followed radio and social media presence, collectively, is no mean feat. 
The scene sorely needs outlets such as Buntai to push the artists who have the talent to reach the top. With an undeniable vision in place, we caught up with Akira and Mia to find out more about their beginnings, as well uncovering plans on the immensely exciting releases coming up for the label. 
Before we take a look at the present day, why don’t we have a quick chat about how and why, you started Buntai?
It started through our love to rave. We both needed a creative outlet during lockdown. When we started, we didn’t know what it was going to be. We didn’t know if we wanted it to be a podcast, a radio show, a clothing line, an events brand, or a bunch of other stuff. We basically took a year trying to do all of the above. Buntai essentially started in lockdown, but was fully established in September 2021 – where our first party took place, our first clothing drop happened, and where it ultimately felt like everything really began. This was definitely the teething ground stage, but we really enjoyed doing it. Although, unofficially, the concept of Buntai started way before this, back when I (Akira) was still in secondary school. The idea was that I could design clothes that me and my friends could afford. So everyone could wear good quality clothes for not nearly as much. The meaning of Buntai in Japanese connotes the word family, and that’s what the idea has always been about – to help the ‘family’ out. That ethos has run right through bringing us to today, whether it be giving a DJ a set who doesn’t normally get to play out in front of a crowd or allowing an up-and-coming producer a chance to release a track. We’re here to help the community out however we can.  
Establishing yourselves into the scene must’ve been a change of pace from coming out of lockdown?
For sure. Our first proper event was in collaboration with LAVALAND/NiNE8COLLECTIVE at Werkhaus. We’ve got to give a big shout out to Lava La Rue and Nige for believing in us and wanting to work with Buntai. Without that push I don’t think we’d be where we are today. 
That must’ve been a nice feeling for such an established brand to give you the nod of approval! How did that come about in the first place?
We first met Nige in a pub, and by the end of the evening he was super invested in us. I think he saw a hunger in us to want to get to the top. Their whole ethos is community driven, so once the other members of the collective knew about us, they were willing to help us out. Nige featured on the first Buntai Sessions, during lockdown, which was a mini series fusing mixing and podcasting into one. He bigged up our future plans, and it felt nice to have someone support us like he did. Shortly after, NiNE8 member Bone Slim actually joined Buntai. Which was such an amazing feeling for us. He brought a new light to our brand and has consistently supported us in every way he can. Being able to run our Rinse FM show together will always be one of our greatest memories and achievements.
I’d love to hear some Buntai highlights over the years.
Being able to have Four Eyes on our team, someone we’ve supported from the beginning of his journey, and to see how much he’s blossomed, has been a real privilege to witness – getting to see Girls Don’t Sync spin his release with us at Boomtown’s Origin stage in 2023 was crazy. Hearing a track that we released, on such a big stage in the world of dance, was unbelievable. I’d also have to say getting a room 3 takeover at Fabric was a real moment for the whole brand. We took it all in as we saw Citizen close the evening with a heaving room 3.
I guess once you established yourselves as a top grade events brand, the natural progression was to start churning out the releases. Why was it the right time for Buntai to do this?
We want to have a catalogue that has longevity and is tangible. The events are great, but we’re not doing them all the time. It essentially gives the brand a sound. You can go on our bandcamp or soundcloud page and see what we’re all about. We love going through submissions, and now we’ve grown we get submissions from some of our favourite producers. Uk garage and dubstep are definitely our foundation, but we will always be down to branch out – as long as the song is to our taste. 
Why don’t we go through some of the releases coming up soon on Buntai. Let’s start with the DJ Hybrid 2-tracker EP. 
Side 1 is a rolling garage track called ‘Dedicate The Style’ and side 2 is a dubstep track called ‘Mish Mash’. It’s a very interesting combination. He’s obviously known for his jungle and drum & bass sounds, but these two tunes are serious. He sent us about 10 tracks, we were going through them and they were all insane. It was hard to whittle it down. The route we want to go down for the foreseeable future is to release two-trackers, with a potential longer LP in the future – with a collection of tracks from everyone that’s released on the label so far.
And other releases we can look forward to over the next 6 months.
Yes, plenty. We’ve got an Ance one coming out soon too called ‘Matter Of Time’. He’s such a versatile artist, it’s only a matter of time before he properly breaks through. Also coming up is a Tommy Villiers remix of ‘Too Much Sauce’ by Bakey and Capo Lee, as well as a two-part EP coming from him next year which will be his original music. He’s someone who really cares about the music despite all his success and he’s really on board with what Buntai stands for. So it was about time we got him on a release to be honest. Of course, we’ve got more Four Eyes releases, with an imminent Chris Stussy remix of ‘Desire’ coming next year. We’ve got stuff coming from Buntai resident Jaz, who’s already released with us this year with her debut track ‘Harder, Better, Faster, Stronger’. DEEPROT even premiered it on their Youtube channel, which was massive for all of us. We’re going to put together a 5 track dubpack with her, similar to the one we did with Four Eyes, and have a limited amount on our Bandcamp. We met her right at the beginning of our journey, she helped us out by getting us an event at the Red Bull HQ which was pretty much the first real brand we ever got to work with. It’s really nice that we’ve still got her around and the fact she’s now able to release with us is a real full circle moment. Also next year, we’ve got Jaynie and FSHR releasing a heavy dubstep number with us, as well as a CamUKG track who’s still a pretty fresh name with a serious armoury of production behind him. 
To wrap up, who are some names you’d love to work with in the future?
There’s a producer called Moreofus who the whole Buntai family really vibe with when it comes to production. We saw him at Outlook this year and were completely blown away. Shout out to White Peach boss ZHA as well, a big inspiration in every form. Then the likes of Sicaria and Neffa T would be unreal too. We were lucky enough to have Neffa at our Lengfield Festival back in 2022. We’d love to also mention some stand out names from over the years. Plenty of amazing figures that deserve some light. Shout out Modula, a core Buntai member that’s been with us from the beginning. Lakiya, a new creative pillar for Buntai that has the brightest of futures ahead of her. The rest of the team – LISH, Citizen, Insectcrusha, Andz, CTRL, TS, Zero, Rishi, and Holly, head of Favourite Child and Digital Footprint, a GOAT in this scene. Also, Sam and John, the boys behind Pull Up Recordings. Too many amazing names to mention.

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Rob GEE Unleashes “This Is My Sound” – A Masterful Fusion of Classic Rave and Modern Production

EDM pioneer Rob GEE is back with a new track that bridges the gap between old-school rave energy and modern production techniques. “This Is My Sound” showcases the veteran producer’s ability to evolve while staying true to his roots; delivering a fresh perspective on dance music that’s already igniting dancefloors across the globe.
Known for his signature 200 BPM productions, GEE takes an interesting turn with “This Is My Sound,” setting the tempo at 168 BPM. This deliberate choice allows the track’s powerful kick drum to breathe while maintaining the high-energy atmosphere that fans have come to expect. GEE dubs this fusion of groovy beats and hard dance energy ‘NüCøre,’ marking an exciting evolution in his sound while staying true to the harder styles.
The track has already proven its worth in clubs across the Netherlands, United States, Italy, Austria, and Australia and lit up the dancefloor at major festivals such as Defqon1, Escape, and Ground Zero, demonstrating that GEE’s musical instincts remain as sharp as ever.
“I wanted to go back to my roots a bit and really bring the 909 to the forefront because there’s a lot piepness going on right now,” GEE explains. “At the same time, I wanted to put some of today’s sauce on it production wise, and most of all I just want to see people dance.”
The track features GEE’s distinctive vocals and melodies, but with an endearing twist – the vocal samples used in the track are actually the same ones he uses to communicate with his famous dog, Buster Black. This personal touch adds another layer of authenticity to a production that’s already brimming with character.
Speaking of Buster Black, the track’s artwork pays clever homage to the iconic RCA Victor logo, which featured Nipper the dog listening to a phonograph. GEE’s modern interpretation places Buster Black in front of a wall of speakers, creating a perfect visual metaphor for the track’s blend of classic and contemporary elements.
In an era where many artists chase trends, “This Is My Sound” stands as a testament to GEE’s commitment to artistic authenticity. The track’s groovy, yet energetic approach demonstrates that innovation doesn’t require abandoning one’s musical identity. Instead, it’s about finding new ways to express that identity while keeping the dancefloor moving.
“This Is My Sound” is available now on all major platforms from GEE thAng Music.
#PositivianVibes
Connect with Rob GEE
-Website: https://therealrobgee.com/
-Instagram: https://www.instagram.com/therealrobgee/
-Facebook: https://www.facebook.com/TheRealRobGEE
-YouTube: https://www.youtube.com/@Therealrobgee
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Featured image by Samantha Wong

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Lady Decibel Opens Up On New Single In New Interview

Lady Decibel, the rising DJ and Producer duo, have been making steady waves in the electronic music scene with their innovative blend of nostalgic sounds and modern production. Hailing from diverse backgrounds in Manila and Minsk and now based in Orlando, they bring a fresh approach to dance music that resonates with both seasoned fans and newcomers alike. Their latest release, ‘I Try’, showcases their evolving sound, bridging classic House and R&B influences with contemporary energy. We caught up with Lady Decibel to learn more about the journey behind this new track and how it fits into their artistic vision.
Hi Lady Decibel, how are you doing?
Heyy, we’ve been doing really great lately, thanks for asking!
Tell us about how the creation of ‘I Try’ came about – what were the inspirations or initial goals behind the production?
As with most of our productions, we begin by building around an exceptional vocal, letting it guide the rest of the track. Our previous release, ‘Waiting’, leaned more towards a Trance vibe. With ‘I Try’, we wanted to switch things up by drawing from our earlier House music influences and incorporating those elements into the mix.
How did you approach the layering of different synth textures in ‘I Try’ to keep the energy flowing?
We started with chords sampled from an acoustic piano to shape the low-mid frequencies, adding strings to fill out the high-mids for a solid base. For the first chorus, we brought in a new synth chord layer to elevate the track at the drop, adding a melodic high for an uplifting vibe. The breakdown features a high-pitched pluck synth, keeping listeners engaged, followed by a new lead melody before the second drop. This third drop features a melodic switch-up that’s inspired by 90s and early 2000s Trance, giving the track a fuller experience. By extending ‘I Try’, we aimed to create a deeper emotional connection, which shorter tracks often miss.
What message or feeling did you want the listener to take away after hearing ‘I Try’?
The lyrics—“I try, I try for you… you know that I’d do it all for you”—convey a sense of dedication and commitment. It’s about sticking by someone, no matter what. This track gives a vibe of loyalty and care without being overly dramatic. As a couple, we’ve been through ups and downs, so ‘I Try’ expresses that part of us, our take on the effort it takes to keep love alive. We hope it resonates with listeners in similar situations.
How did you craft the bassline in ‘I Try’ to drive the track forward and give it a strong dancefloor energy?
The bassline follows a rolling double 1/16th note pattern alongside the main chord melody. Rolling basslines typically bring a sense of momentum in dance music, and they keep the track flowing and engaging, perfect for the dancefloor.
How do you see ‘I Try’ fitting into a live DJ set? What kind of response do you imagine on the dancefloor?
We love to include a lot of vocal tracks in our DJ sets because they create a connection with the crowd. High BPM tracks, especially around 140 BPM, really get the energy going. With ‘I Try,’ we’re aiming to bring a fun, danceable energy to the floor, keeping everyone hooked on the vocals and melodies.
How did you balance the vocals with the instrumental elements in ‘I Try’?
Since vocals sit in the mid-range frequency, we carefully placed instrumental elements in the low, low-mid, and high frequencies to avoid clashing. This balance is crucial for a well-mixed vocal track.
In what ways does ‘I Try’ represent a step forward in your artistic vision?
We’re huge fans of R&B, and part of our vision is to blend R&B with modern Dance music. ‘I Try’ reflects that vision with its R&B-inspired chords and vocals. At the same time, it brings the energy of early rave with fast BPMs, and we think we’ve captured that mix well with ‘I Try.’
Can you explain how you designed the rhythmic elements of ‘I Try’, such as the percussive hits, to complement the overall groove?
‘I Try’ features percussive elements that create a danceable groove, with snare and crash fills inspired by early ’90s Dance music. We layered dynamic drum elements to keep the energy high and capture that ravey, old-school vibe.
Looking ahead, what’s next for Lady Decibel?
We’re focusing on developing our high-BPM modern Dance sound and collaborating with other American artists. We’re also working with BabeATX, a community for women, non-binary, genderfluid, and genderqueer folks in the Electronic music scene in Austin, Texas. BabeATX runs Babe Records and hosts a festival called Babestock. Plus, we have some remixes coming up, so stay tuned for those. Thanks for having us, and we’re excited to share what’s next! https://www.instagram.com/babeatx
With ‘I Try’, Lady Decibel continues to shape their distinct path in the Electronic music scene, embracing both personal storytelling and the energy of classic rave culture. As they look ahead, their vision includes expanding their unique sound and collaborating with like-minded artists, showing that they are not only creating memorable music but are also dedicated to fostering a more inclusive community within the scene. Fans can anticipate more releases and exciting collaborations that further establish Lady Decibel as artists with a thoughtful approach to their craft.
To listen to ‘I Try’ and stay updated on their journey, be sure to follow Lady Decibel online.
Listen and Buy ‘I Try’ Now:
Lady Decibel Online  
Beatport | Instagram | Spotify  
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Andrew Canlon Reveals All About His Latest Single In Exclusive Interview

In this exclusive interview, we catch up with Andrew Canlon to delve into the story behind his latest release, ‘Liquid Love.’ Known for his unique ability to blend Classical Music techniques with the pulse of modern electronic production, Andrew Canlon shares how he crafted this energetic track from an initial melody into a full-bodied anthem primed for the dancefloor. From the inspiration and creative process behind the track to his vision for live performances, Andrew Canlon gives us an inside look at his evolving sound, creative process, and what fans can expect next.
Hi Andrew Canlon, how are you?
Doing well, thanks for having me.
To start, what inspired the creation of ‘Liquid Love’?
‘Liquid Love’ is definitely a product of just playing around in the studio. I started with the beat and could hear a melody, but I didn’t have any lyrics in mind. As I was humming along to the track, those words just formed in my head, and I started to riff on it. That’s how the verse came to be as well. Sometimes I just enjoy wordplay and the challenge of making things fit together and rhyme in a cool way. It doesn’t have to mean anything deep or specific; it just has to fit the vibe, and ‘Liquid Love’ sounded cool and kind of edgy.
Can you tell us more about the lyrical themes in ‘Liquid Love’?
It’s very much open to interpretation. Because I came up with the phrase ‘Liquid Love,’ it seemed either intriguing or just kind of gross. What is Liquid Love? I don’t know. It’s whatever you want it to be.
What message do you want listeners to take away?
The message of this song really comes through in the music. I just want you to dance, man. I always had that intention when working on the track, but things really went up a notch when I took it to Joey Wunsch at Flux Studios here in NYC. He took what I did and poured jet fuel all over it.
What was the production process like for ‘Liquid Love’?
It was fun! I loved vibing on it at home in my bedroom studio, but going to Flux Studios and working with Joey was amazing. Getting in the vocal booth to give a real performance and watching Joey work with the stems to really beef it up was so cool to see. When he played me his first cut, I remember my eyes going wide. The bass hit me square in the chest. It was awesome.
Can you walk us through your approach?
Yeah, it was a really simple approach. Once I felt the beat and the melody forming, it was just a matter of solidifying the song structure. Joey made some changes to the arrangement, but I loved everything he did. It was a great collaboration.
What kind of energy or mood were you aiming to create with ‘Liquid Love’?
I knew from early on that this was going to be a shameless EDM dance club track. With ‘Liquid Love,’ there was only one direction to go, and I embraced it.
How does ‘Liquid Love’ fit into the broader scope of your discography and evolving sound?
I’m so glad you asked. I recently released a live 60-minute electronic set that includes ‘Liquid Love’ as part of the mix. It’s cool to see how it fits into my discography, as it works really well! I tend to lean more into Melodic/Progressive House, but it’s great to have tracks that just get people moving.
How do you balance storytelling with musicality in a track like ‘Liquid Love’?
With this song, I think you let the audience fill in the blanks. The title is ambiguous, so I didn’t want to get too specific with it. While it hints at romance, it’s largely undefined.
What was your creative process like when developing the vocal hooks for ‘Liquid Love’?
Great question. I wanted the vocals to blend in, making the whole track feel like a living, breathing force. This led to a breathy vocal that feels raw. You can hear me inhaling and exhaling, making it organic yet synthesized. Again, credit goes to Joey for a sizzling vocal mix.
The track features dynamic hooks and ambient sonic textures—how did you balance these contrasting elements to create a well-balanced mix and an engaging experience for listeners?
Thanks for noticing. I started by programming the beat and laying down the melody before handing it over to Joey. We collaborated, but I tried to give him space to bring his own flair. I trusted him to get us there, and he did.
How do you envision ‘Liquid Love’ being received in live performances, and how do you plan to incorporate it into your sets?
Great question. I highly recommend checking out my live set on YouTube, as it showcases how ‘Liquid Love’ interacts with other tracks in a live environment. It fits in seamlessly.
What’s next for Andrew Canlon? Can you share any more about your upcoming releases, projects, or performances?
It’s been a busy summer with two new singles and a live set, but I’m looking forward to attending ADE for the first time in 2024 and working with my partners to take this show on tour. That’s always been my goal. I believe we’re in a great position to make that happen as we close out the year and look to 2025. I release new music regularly, so follow along for updates on new releases and NYC shows as we pursue that dream!
As Andrew Canlon continues to carve out a distinct space in the Electronic Music scene, ‘Liquid Love’ comes as another step forward in his creative journey, exemplifying his abilities, sound and approach. With plans for live shows and new music, aiming to expand his fan base and share his music with new audiences, Andrew Calon appears on a promising trajectory. So, stay tuned and be sure to follow his journey, keeping up-to-date with Andrew Canlon across social media.
Listen and Buy ‘Liquid Love’ Now:  
Andrew Canlon Online  
Instagram | Website  
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Fernweh Drops Techno Banger ‘Nebula Awakening’

2024 has marked an explosive year for techno artist Fernweh, who has unveiled a total of nine new tracks, each track reflecting his evolving sound in the techno genre. Now, with the release of his 10th single, ‘Nebula Awakening’, Fernweh further cements his place as a standout artist of the year.
‘Nebula Awakening’ is a high-energy techno banger that builds on Fernweh’s previous releases, like ‘Nebula Horizon’, ‘Lunar Orbit’, ‘Quasar Sensity’, and ‘Ethereal Unity’. Each of these tracks has seen Fernweh dive deeper into his signature blend of intense techno beats and rich, ambient textures, carving out a soundscape that is both powerful and profoundly emotive.
The new single, ‘Nebula Awakening’, embodies the essence of techno with its thundering basslines and precise synth work, but it also stands out for its ambient layers. These atmospheric details add an emotional depth and expansive feel to the track, transporting listeners into the universe Fernweh continues to explore through his music. This track isn’t just about the beat; it’s about creating a journey that resonates both physically and emotionally, a testament to Fernweh‘s skill in constructing multi-layered soundscapes.
As fans digest ‘Nebula Awakening’, Fernweh has confirmed that there’s more to come in 2024. With his track record so far, each new release promises to push the boundaries of techno, blending its raw, pulsating energy with an ambient quality that makes his work truly unique. Fans and newcomers alike can look forward to an artist who continues to push the envelope, promising more groundbreaking singles that are sure to define the year’s techno scene.
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RÜFÜS DU SOL Have Spectacular Response To Inhale/Exhale Tour

It’s been little over a week since GRAMMY award-winning electronic band RÜFÜS DU SOL announced all dates for their global Inhale/Exhale Tour 2025 in support of their latest album. And they have shattered records, selling over half a million tickets and achieving sellouts for 31 shows worldwide. Their immense popularity is evident across major markets in Australia, Europe, the UK, and North America.
Inhale/Exhale Tour 2025
We all adore the incredible trio RÜFÜS DU SOL, and we can’t miss the chance to see them live. Their performances promise to be nothing short of unforgettable. Ticket sales skyrocketed last week and the band achieved record-breaking numbers. They have an exciting lineup of venues for their 2025 shows. Noteworthy highlights include landmark performances at iconic venues such as Rose Bowl Stadium in Pasadena, CA, and two unforgettable nights at New York Red Bulls Arena in NJ. Also a groundbreaking, one-night-only immersive experience at Crystal Palace Park in London, UK. Additionally, they’ve sold out five shows in their home country. These include three nights at Rod Laver Arena in Melbourne and two nights at Qudos Bank Arena in Sydney.
The addition of 10 new shows to their tour lineup. This includes Melbourne and Sydney, a second show in Brisbane, and new dates in Berlin, Amsterdam, Barcelona, New York, and Toronto. This reinforces their reputation as one of the foremost live electronic acts in the world today. With 47 headline shows across four continents, RÜFÜS DU SOL is poised for its most monumental tour yet. Special guests Glass Beams, Neil Frances, Overmono, and Sofia Kourtesis will join them for select shows across North and South America. Don’t miss SG Lewis, who will deliver an unforgettable live set in Australia and New Zealand. RÜFÜS DU SOL will support sustainability initiatives through their tour teaming up with Live Nations’ Green Nation Team. They will focus on reducing single-use plastics, enhancing recycling and minimizing food and other waste. The boys get candid on their upcoming tour,
NOTES FOR NOTES® Collaboration
In the wake of the incredible excitement surrounding their album Inhale/Exhale and world tour, RÜFÜS DU SOL is taking an inspiring step by partnering with NOTES FOR NOTES® to make a meaningful impact in the community. This collaboration will aim to fundraise for a new recording studio that will give youth free access to a safe and creative space for exploring and recording music. NOTES FOR NOTES® is dedicated to empowering young people. They provide them with musical instruments, expert instruction, and a supportive studio environment. Thus allowing music to serve as a powerful catalyst for positive change in their lives. Additionally, Live Nation is joining this noble effort with a generous contribution to bolster the vital work of NOTES FOR NOTES®. Together, they can nurture the next generation of musicians and changemakers.
I can’t stop hitting the repeat button on this album. Inhale/Exhale represents a major turning point for RÜFÜS DU SOL, encapsulating ten years of growth and transformation. Born from personal journeys and a renewed creative approach, this album delivers a powerful, emotional experience. One that reveals a deeper, more mature, and sonically varied side of the band. With this release, RÜFÜS DU SOL transforms the landscape of electronic music. I look forward to them seamlessly blending intimacy with the electrifying energy of a stadium performance. Secure your tickets here to experience their live shows in 2025.
Stay tuned to EDMTunes for all your electrifying dance music updates!
The post RÜFÜS DU SOL Have Spectacular Response To Inhale/Exhale Tour appeared first on EDMTunes.
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[WATCH] Above & Beyond At ABGT600 In Mexico City

The long-anticipated ABGT600 weekender in Mexico City has officially come and gone, and Above & Beyond is helping us relive the magic with the full official set posted YouTube. The event took place October 19-20th at Hipódromo de las Américas in Mexico City to celebrate 600 episodes of their long-running radio show, Group Therapy Radio.
The weekend kicked off with an hour-long Deep Warmup Set, filmed on the extensive water transport system of Xochimilco. The trio sailed through the canals while playing tracks like Marsh and Volen Sentir’s collaboration, ‘Ascension,’ PROFF’s ‘Love On A Real Train’ retouch, and even a reimagination of the Orbital classic ‘Halcyon On and On.‘
The trio then headed to Mexico City for ABGT600, marking the first ABGT celebration in two years, following the sold-out ABGT500 in Los Angeles, in which 22,000 fans from all over the world attended. The lineup for ABGT600 Mexico City boasted the best and brightest in melodic house and electronica, with fan favorites across both Anjunabeats and Anjunadeep. Day one featured sets from Above & Beyond, as well as Alex Sonata & Therio, anamē, Genix, Hana, and Kasablanca, while Day two welcomed performances from CRi, Durante, James Grant & Jody Wisternoff, Lutrell b2b Qrion, Nicky Elisabeth, Nils Hoffman, Rezident, Romain Garcia, and Sebastian Sellares.
You can watch Above & Beyond’s full set at this milestone event below, which includes a few of the same tracks from the Deep Warmup Set, as well as everything from ‘Crazy Love‘ to ‘Chasing Highs‘ to ‘Sirens of the Sea.‘ Enjoy!
The post [WATCH] Above & Beyond At ABGT600 In Mexico City appeared first on EDMTunes.
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THIS WAS ADE 2024: UPCLOSE FOUR TET

Amsterdam Dance Event (ADE) is a cornerstone in the scene of electronic music, known for its massive gatherings, exclusive showcases, and unique collaborations that attract artists, fans, and industry leaders from around the globe. With five days full of over 1000 unique events across nearly 200 venues in Amsterdam, one has to make some tough choices in terms of which ones to attend.
When making a selection of the 2024 ADE events that we at EDMHouseNetwork wanted to experience, there was one name that naturally came to mind – Awakenings. Having firsthand experience with their jaw-dropping productions, we just knew they would bring something unforgettable to ADE. We most definitely weren’t wrong, and here is what we had the honour to experience during Upclose Four Tet.
Awakenings attention to production detail was clear from the moment we stepped inside, with the event centrepiece – the mesmerizing moving mirror – captivating the crowd and reflecting projectiles of light that danced across the space. Above, a 2,5 km network of LED-lights stretching over the ceiling, creating a dynamic visual narrative that aligned with every beat and submerged the crowd in vibrant colours.
The nearly 96 moving hoists that shifted the lightning fixtures throughout the space, created a feeling of constant motion and depth that added to the immersive visuals. A 360m2 LED screen spanned the venue which provided a cinematic backdrop, which elevated the energy of every drop. With over 500 additional lights tactfully placed across the Gashouder, and lasers layering the space, there was a true futuristic vibe to the production.
With the D&B Audiotechnik sound system – one of the most powerful sound systems in the world – every bassline and buildup resonated with clear precision, and turned the Gashouder into an enveloping sonic experience. To complete the immersive experience, Awakenings had adjusted the DJ booth placement for their Upclose shows and positioned it more centrally, to bring the DJ and fans closer together.
Photo: Elske Niessen Four Tet, known for his extraordinary gift for building anticipation and constructing his sets with a detail-oriented track selection, created a sense of journey that built up expectation with each transition. Rather than going for instant drops, Four Tet layered rhythmic complexity, letting melodies and beats weave and evolve, gradually pulling the crowd deeper into his soundscape. The slow buildups kept the crowd on edge, creating a feeling of suspense that spreads through the audience.
This, in combination with the Upclose production, amplified the tension with lighting and visuals to perfection. As Four Tet’s tracks unfolded, the moving LED strips and expansive light strips above the crowd pulsated in sync, adding a mesmerizing and hypnotic dimension to the experience. With each new element that emerged – a new bassline or rising synth – the lighting changed or intensified in a way that heightened the sense of the approaching release.
Once the music finally hit its peaks, the Gashouder erupted in cheers and whistles as the audience responded with an unrestrained outpouring of excitement. The combination of Four Tet’s complex buildups, Upclose immersive production and the audience’s raw excitement created a symphony of expectation, climax and release and became a defining moment of ADE 2024.
As the event concluded and people began to exit the venue, an undeniable energy still pulsed through the crowd. You could see a sparkle in everyone’s eyes, a kind of childlike happiness that’s rare to witness in adults, and many of the attendees we spoke to during and after the event shared that this was the best musical experience they’d ever had. These reactions and heartfelt responses were, to us, proof to just how extraordinary the Upclose Four Tet experience had been.
During ADE 2024, Awakenings took their Upclose concept to new heights and set a new standard for the music event industry. An achievement that’s a testament to their constant evolution in production techniques, experimentation with new concepts and unyielding commitment to quality. This growth mirrors the fluid and ever-evolving nature of the electronic music scene itself, and is driven by the shared passion of the Awakenings team, who pour their hearts into every event.
For those who missed the chance to experience Awakenings or Upclose at ADE, don’t fret – Awakenings returns soon to the iconic Gashouder for an unforgettable New Year’s celebration. From December 28 to 31, four unique events await, each offering a distinct journey through sound, light, and space. Find the full lineup and ticket details here, and start getting ready for an immersive experience that will stay with you long after the final beat drops.
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THIS WAS ADE 2024: AWAKENINGS x KI/KI x JÄGERMEISTER

Amsterdam Dance Event (ADE) is celebrated as a central hub for electronic music, where fans, artists and industry figures come together in a city that comes alive with sound. Every year, hundreds of events compete for attention across Amsterdam, and this year there was one, Awakenings x KI/KI x Jägermeister, that stood out for two reasons: its production magic and the fact that it was free. EDMHouseNetwork was there to witness this spectacular event, and here is what we have to say about it.
It was clear that Awakenings had outdone themselves from the moment you stepped into the Gashouder. With a visual setup dominated by a moving mirror that cast beams of light, a 2.5 km network of LED lights, and a 360-square-meter LED screen, the venue itself became a canvas of lightning. Due to the nearly 100 moving hoists repositioned lights throughout the night, the visuals felt alive, breathing with each beat. The result was a setting that embraced you, and connected you to the music and those around you.
The nights music was primarily driven by KI/KI, whose styles blurs the edges between euphoric trance and pounding techno. Known for weaving intense, high-energy tracks that shift like a tidal wave, KI/KI kept the crowd moving and often leaned into unexpected transitions that brought waves of euphoria. Thanks to the state-of-the-art D&B Audiotechnik sound system that filled every inch of the Gashouder, KI/KI’s drops came through in a unmatched, sharp, powerful clarity.
The DJ booth was positioned close to the crowd, which created an amplified feeling of connection between KI/KI and the audience, that not only got to experience her music but became a part of the atmosphere that she created. As the night progressed, each element – the light, sound and energy from the crowd – blended into a holistic experience that touch both mind, body and soul. The complex production wasn’t just visual but kinetic, and brought a dynamic layer to the night, making it fell like each transition in the set was an event on its own.
Awakenings x KI/KI x Jägermeister was a testament to how high-calibre production can elevate a musical event into a full-body experience. It wasn’t just another show, but an exhibition of masterful production and artistry that solidified Awakenings status as a true industry leader. An achievement that proves Awakenings unyielding commitment to the music community, and passion for creating heart-driven experiences that go far beyond the ordinary.
For those who missed this special event, Awakenings offers fans another chance to dive into their world-class production during their anticipated NYE celebrations at Gashouder, between 28-31 of December. The lineups and tickets can be found here, and if you’re planning on ringing the New Year with an unforgettable experience, one of the four different Awakenings NYE events is something that we full-heartedly recommend.
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Tomorrowland’s Immersive Experience in Madrid is Now Live!

The Tomorrowland Immersive Experience announced in September has officially opened its doors in Madrid! People from around the world came to discover Tomorrowland’s unique immersive audio-visual experience for all ages at the emblematic WiZink Center (La Sala de Cristal) in the heart of Madrid.
Created and developed by the Tomorrowland and XR Music Hub teams (formed by Layers of Reality and Blanco y Negro Music), the Tomorrowland Immersive Experience offers guests a nearly 45-minute journey into the magical world of Tomorrowland, while exploring some of the most iconic themes in the history of the festival, including The Story of Planaxis, The Book of Wisdom, The Elixir of Life, and many more. Tickets and more info are available on immersive.tomorrowland.com.
Designed for all audiences, the Tomorrowland Immersive Experience is set to become one of Madrid’s most popular attractions, giving visitors the chance to explore a breathtaking world of wonder, adventure and cutting-edge technology, where the stories behind the different Tomorrowland themes and worlds come to life. Kicking off with a trip down memory lane through 20 years of Tomorrowland history, people will get the chance to get to know one of the world’s largest and most iconic festivals. Afterwards, several digital installations allow visitors to explore some of Tomorrowland’s key features, values and objects, and get an initial glimpse of Tomorrowland’s DNA, before walking inside the other mythical realms of Tomorrowland for a unique and unprecedented VR experience. At the end of the experience, guests can pass by the shop and discover a wide selection of different Tomorrowland items & gadgets.
The post Tomorrowland’s Immersive Experience in Madrid is Now Live! appeared first on EDMTunes.
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CamelPhat & Massano Unite on Explosive ‘Oblivion’ EP for Simulate Records

The electronic scene is buzzing with excitement as CamelPhat and Massano unveil their powerful two-track EP, Oblivion, the latest release on Massano’s Simulate Records. Marking the 12th installment of Simulate’s storied catalog, this collaboration is a journey into the dark, melodic depth both artists are known for, capturing the raw, emotive energy that defines their work. Featuring intense synths and unforgettable vocal performances, the Oblivion EP is already making waves on dancefloors worldwide.
A Perfect Fusion of Signature Sounds
The title track, ‘Oblivion’, sets a powerful tone with CamelPhat’s signature melodic synths merging seamlessly with Massano’s hard-hitting, dark beats. Vocalist Nu-La brings a haunting intensity to the track, capturing the listener with soulful, almost ghostly lines that elevate the production. CamelPhat’s touch is undeniable, with sweeping soundscapes and synth lines that build a sense of tension and release, making ‘Oblivion’ a high-octane experience from start to finish.
The Emotive Power of ‘Glowing’
The second track, ‘Glowing’, introduces David O’Dowda’s emotive vocals, bringing a melancholic yet uplifting vibe. The chemistry between O’Dowda’s voice and the moody production enhances the track’s depth, embodying both light and dark energies. CamelPhat and Massano balance aggressive synths with melodic undercurrents, creating a dance-ready anthem that feels introspective and exhilarating at once. This dynamic, layered sound is exactly what makes Oblivion such a memorable release on the Simulate label.
A Milestone for Simulate Records
For Simulate Records, Oblivion is more than just another release; it’s a defining moment. As the label’s 12th installment, it showcases the caliber of artists it champions and the forward-thinking sound it cultivates. This EP, featuring vocalists Nu-La and David O’Dowda, highlights a production that is both sonically and emotionally impactful. With CamelPhat making their Simulate debut alongside label founder Massano, Oblivion is a testament to Simulate’s bold, boundary-pushing ethos.
With its infectious rhythms and powerful vocals, Oblivion is sure to become a staple in both CamelPhat and Massano’s sets. Be ready to hear these tracks lighting up clubs and festivals alike, cementing Oblivion as one of the most exciting EPs of the year.
The post CamelPhat & Massano Unite on Explosive ‘Oblivion’ EP for Simulate Records appeared first on EDMTunes.
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Alesso Launches New Label Body Hi with ‘Lonely Heart’

Alesso starts a bold new chapter with his latest track, ‘Lonely Heart’. This release marks the launch of his new label, Body Hi. It represents a shift towards atmospheric, underground sounds, showcasing Alesso’s evolving style and new artist.
‘Lonely Heart’: Alesso’s New Sound
The single ‘Lonely Heart’ blends deep basslines with rock-inspired vocals. Inspired by the 1983 classic ‘Owner of a Lonely Heart’ by Yes, Alesso reimagines it with a modern twist. The result is a moody and hypnotic vibe, departing from his usual upbeat tracks. With ‘Lonely Heart’, Alesso brings a more immersive sound. The launch of Body Hi signals a new era, promising more tracks that emphasize a progressive and moody feel.
Released in 1983, ‘Owner of a Lonely Heart’ is a standout track by the British progressive rock band Yes. The song integrates rock, new wave, and electronic elements, showcasing the band’s innovative direction during that era. With its memorable guitar riff and introspective lyrics addressing themes of solitude and self-reliance, the track resonated with a wide audience. Notably, it achieved significant commercial success, reaching the number one spot on the US Billboard Hot 100 chart, marking a pivotal transition from Yes’s traditional progressive rock roots to a more contemporary, radio-friendly sound. Alesso and his new label will have thousands dancing to these long lost vibes in no time.
Body Hi: Alesso’s Record Label
Body Hi allows Alesso to explore intimate, emotive music. The label focuses on tracks that resonate deeply, offering more creative freedom. It moves away from commercial sounds, diving into a more personal side of Alesso’s music. John Alto, the first artist signed to Body Hi, collaborates with Alesso on ‘Lonely Heart’. This partnership sets the stage for future releases, highlighting diverse and experimental sounds. Fans can expect fresh music from Alesso’s new label soon.

Listen to ‘Lonely Heart’ today and experience the sound of Body Hi.
The post Alesso Launches New Label Body Hi with ‘Lonely Heart’ appeared first on EDMTunes.
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DubVision Drop Massive Progressive House Track ‘I’ll Be There’

DubVision has returned to STMPD RCRDS in style. Their newest track ‘I’ll Be There’ is a huge progressive house track. It is beautiful festival anthem that has been played out for sometime now. It is a mesmerizing blend of uplifting melodies and infectious beats. Played by Martin Garrix throughout ADE, it is the first single after the release of their debut album Another World.
DubVision has been on a tear for many years now but 2024 has been a special one for them. Dropping their debut album was huge but in addition they have impressive other singles. ‘Wherever You Are’ with Garrix is a personal favorite of mine. Right when I heard it at EDC I knew it was a special one. They also had a collaboration with Afrojack in ‘Underwater.’
The Dutch Duo has an amazing ability to produce a diverse amount of music from their club bangers to their uplifting anthems like ‘I’ll Be There.’ Make sure to check it out below!

The post DubVision Drop Massive Progressive House Track ‘I’ll Be There’ appeared first on EDMTunes.
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