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Oliver Heldens and Julia Church Find Power in Simplicity in New Single, "Ruins"

Oliver Heldens and Julia Church have released a new single, "Ruins," out now via the iconic Ministry of Sound.
The new collaboration starts right away with Church’s haunting vocal front and center. Immediately setting a reflective tone, her voice comes in featherlike, almost bare, buoyed by soft chords underneath.
The renowned singer-songwriter holds the arrangement together, bringing her signature emotional purity. There's a tortured vulnerability in her lyrics, but she delivers them with control and clarity.
Meanwhile, Heldens builds the beat in gently. His percussion is tight and minimal, supported by a steady drum groove that never overpowers the mix. The synths are warm but restrained, giving the track a sense of movement without cluttering the space.
All said and done, "Ruins" plays to both artists’ strengths to deliver a melodic house stunner that feels personal, polished and poignant.
You can listen to "Ruins" below and find the new single on streaming platforms here.
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Boys Noize and Keinemusik Team Up for Soul-Stirring Collaboration, "Crazy For It"

Three artists, one legendary studio and a simple premise about desire have produced "Crazy For It," a new single from Keinemusik and Boys Noize.
Recorded partially at Rick Rubin's iconic Shangri-La studio in Malibu, the collaboration channels the same transformative energy that has blessed countless albums within those walls.
"Crazy For It" officially hit streaming platforms today over a year after Keinemusik debuted it in their set at the fabled Egyptian Pyramids of Giza, a performance that was ultimately named by EDM.com as one of 2024's best. Vinson, who provides the track's soul-stirring vocals, then joined the group at Coachella in April 2025 to perform it live for the first time.
With its lush, minimalist production and percussive flourishes, "Crazy For It" leans heavily into Keinemusik's signature territory. Considering the industrial techno of Boys Noize, it's a fascinating crossover. He contributes his technical wizardry in measured doses, proving that electronic music's most compelling moments emerge when disparate worlds collide.
Meanwhile, Vinson's vocal refrain ("If you want it, you gotta go crazy for it") moonlights as hypnosis. It's the kind of hook that works as both a club anthem and deeper meditation on what we're willing to sacrifice for our obsessions.
You can listen to "Crazy For It" below.
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Anyma Brings Cinematic Closure to Bold Artistic Vision in New Album, "The End of Genesys"

Anyma collapses the boundary between consciousness and code in his third album, The End Of Genesys, channeling transhumanist motifs and cinematic intensity through an ambitious collection of 15 tracks.
A dark horse in this year's Grammy conversation, The End Of Genesys distills years of thematic exploration into one cohesive body of work rooted in identity, transformation and the ever-fragile line between humans and machines.
The album completes a trilogy from the Italian techno superstar, whose recent Vegas Sphere residency established him as the record-breaking venue's first-ever electronic headliner.
c/o Anyma
"Lucente" opens the album in a haze of ambient textures before "Voices In My Head" picks up the pace, its eerie looping vocal drawing us further into a hypnotic beat co-produced with Argy and Son of Son. "Hypnotized" offers a clearer break in tone as Ellie Goulding's familiar voice leads a precise, restrained arrangement that favors space over spectacle.
The flow of The End Of Genesys is deliberate, though rarely predictable. Anyma teams up with Grimes for "Taratata," a chaotic and shape-shifting track full of fractured textures and rhythmic snaps that keep the ground moving. Then there's "Neverland (From Japan)," a fan-favorite from the DJ's blockbuster Sphere concerts that delivers a particularly high-energy, edgy moment in the album.
On the tension-fueled "Fortuna," Sevdaliza’s vocals slip between tight percussion and sublime synths before "Atmosphere" follows with rolling energy that never relents. "Work," a collaboration with hip-hop breakout Yeat, then breaks the pattern completely with gritty, industrial production in one of the album's most striking shifts.
The album's titular track, "The End Of Genesys," serves as its centerpiece, threading key themes through layered synths and a visceral rhythm. "Entropy" is another highlight, bringing together Anyma, REZZ and fknsyd for a pressurized moment. The latter's languid vocals float with a ghostly cadence while REZZ adds her signature distortion.
Another surefire standout is "Human Now," the most emotionally charged track on the album. Stentorian vocals from Empire of the Sun's Luke Steele introduce a warm clarity the record hadn't breached until now, adding a sense of melodic grandeur that moonlights as the apex of Anyma's merging of humanity and technology.
Framed as both a conclusion and a turning point, The End Of Genesys brings that narrative full circle while delivering Anyma's most impactful work to date. You can listen to the new album below and find it on streaming platforms here.
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Hybe Muscles Into China—Joining SM, YG, JYP Entertainment in the Mega-Market

Photo Credit: Hybe Corp.
K-pop powerhouse Hybe has set up a Chinese subsidiary to support its artists’ expansion into the market.
Hybe China Co., Ltd. was launched April 2 in Beijing—Hybe’s fourth overseas branch following those in Japan, the US, and Latin America. Its new Beijing-based entity will focus on backing artists’ activities in China, notably to compete with its rival agencies, SM Entertainment, YG Entertainment, and JYP Entertainment.
According to industry insiders, Hybe’s latest move may reflect growing expectations that China will loosen its tacit ban on South Korean entertainment, which has been in place for several years. But in spite of the market’s potential, Hybe China is not expected to immediately launch a talent audition program or debut a K-pop group. Instead, the unit is likely to play a more limited role—at least initially.
Better relations between China and South Korea could result in a major uplift in concert tickets, albums, and merch sales for South Korean companies as they ride the continued buoy in K-pop’s popularity in a significant new market. It’s no coincidence that Hybe’s move to set up a new office in China comes as its flagship act, BTS, is set to reunite after its members’ military service.
Pledis China, previously launched by Pledis Entertainment in 2018 prior to its acquisition by Hybe, will continue to oversee its group activities in China—namely Seventeen, which Pledis debuted in 2015.
Confirmation of Hybe’s expansion into China closely follows news from South Korean outlet Yonhap that the K-pop company is also planning to establish an office in Mumbai.
Meanwhile, Hybe is also in the process of selling its entire 9.38% stake in rival firm SM Entertainment to Tencent Music Entertainment, China’s biggest owner of music streaming services. The transaction was worth nearly $180 million. As Tencent cozies up to SM, the two companies also announced a new partnership that will see them co-produce a new idol group and plan performances in China.
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Fenway Park Abruptly Cancels Shakira, Jason Aldean, Brooks & Dunn Concerts

Photo Credit: Fenway Park
Two concerts at Fenway Park have been abruptly canceled. Fans eager to see Shakira tonight (May 29) and Jason Aldean and Brooks & Dunn (May 30) will now receive refunds.
The Boston ballpark made the announcement on their Instagram. “Due to unforeseen circumstances, the Shakira and Jason Aldean and Brooks & Dunn performances originally scheduled for May 29 and May 30 respectively at Fenway Park have been canceled,” the announcement reads. “Refunds will be available at your point of purchase. We apologize for the inconvenience.”
Shakira was slated to play tonight, while Jason Aldean and Brooks & Dunn were supposed to take the stage on Friday night. Both shows were canceled, with Live Nation revealing more details about why. According to them, structural elements supporting the stage were deemed potentially unsafe during a routine pre-concert check. No one was injured, but both concerts are being canceled out of an abundance of caution. Live Nation did not immediately identify who performed the pre-concert check.
Several major concerts are scheduled at Fenway Park for the summer 2025 season as part of the Nucar Fenway Concert Series. Barring these last two May performances, several upcoming performances for the Boston ballpark include:
June 23 & 24 | Hozier: Unreal Unearth Tour July 17 & 18 | The Lumineers: The Automatic World Tour July 19 | Thomas Rhett: Better In Boots Tour August 23 | Jonas Brothers: Jon20 The Dream Tour August 25 | Chris Brown: Breezy XX Tour August 26 | The Who September 7 | My Chemical Romance So far, just the May dates for Shakira, Jason Aldean, and Brooks & Dunn have been canceled. Presumably the park will address stage issues found during these pre-concert checks and the rest of the summer series will go off without a hitch. They’ve got nearly a month before Hozier is set to take the stage in June. The city of Boston has not responded to press requests for comment about the concert cancellations at Fenway Park.
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HarbourView Acquires ‘Select Catalog Assets’ from Rodney Jerkins — With Chapter Two ‘Facilitating’ the Deal

Rodney Jerkins, who’s sold an interest in his work to HarbourView. Photo Credit: HarbourView
Let the IP acquisitions continue: HarbourView Equity Partners has officially purchased “select catalog assets” from veteran producer Rodney “Darkchild” Jerkins.
HarbourView disclosed the deal today – albeit without getting too specific about the precise song rights at hand or the transaction’s price tag. However, the Newark-headquartered firm in its formal release did emphasize that the play “was facilitated by” Sweden’s Chapter Two, which rebranded from Anotherblock late last year.
The still-live website homepage of Anotherblock not-so-subtly touts the producer credits under 47-year-old Jerkins’ belt. Just in passing, that includes contributions to releases from Michael Jackson, Justin Bieber, SZA, and several others.
Furthermore, in operating as Chapter Two, the business has pivoted from NFT music investments to developing catalog-acquisition tech, the appropriate site shows. In a February 2025 announcement that largely flew under the radar, Chapter Two said it’d sold songwriter interests in tracks from Lil Nas X and BTS for a total of over $6 million.
The “proprietary Royalty Engine normalizes and enriches financial data and forecasts future earnings through predictive royalty modeling, making catalog transactions quicker and more reliable for all parties,” Chapter Two summed up of its offering.
Evidently, the Engine is gaining at least some traction. Especially because HarbourView is hardly a stranger to catalog deals, it’ll be worth tracking Chapter Two’s presence in the volume-heavy space moving forward.
DMN reached out to HarbourView for additional insight here – including, in light of its dealmaking frequency, whether it has a stake in Chapter Two itself – but didn’t immediately receive a response.
In a statement, though, HarbourView head Sherrese Clarke applauded the career accomplishments of Jerkins; the “legendary” creator, for his part, had positive things to say about working with HarbourView and Chapter Two.
“HarbourView truly understands the value of music and the people who create it,” he weighed in. “Music creators deserve respect and clarity when it comes to selling their life’s work, and working with both HarbourView and Chapter Two has made that process feel seamless.”
And in remarks of his own, Chapter Two CEO Michel Traore described the perceived significance of the IP sale for the broader music sector.
“This transaction is a clear sign that creators are realizing the true value of their work faster and more transparently than ever before,” added Traore. “Rodney is setting a new benchmark in the industry, and we thank HarbourView for their vision in working with us.”
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From Berlin to the Boardwalk: Pier Play’s Global Lineup Hits Santa Monica

Santa Monica’s iconic pier is set to transform into a vibrant open-air dance floor with the return of Pier Play on Saturday, May 31, 2025. From 3:30 PM to 10:30 PM, attendees can immerse themselves in a unique blend of music, art, and carnival nostalgia, all against the backdrop of the Pacific Ocean.
The event promises an eclectic lineup of international and local artists, including the Parisian duo Chambord, known for their fusion of world music and electronic sounds ; Berlin-based live band GHEIST, celebrated for their emotive techno performances ; Los Angeles’ own Nanor, who brings a captivating mix of ethnic influences and modern house beats ; Belgian group Stavroz, offering a unique blend of electronic and acoustic elements ; and Yamagucci, an Israeli-Japanese DJ known for integrating organic percussion and funky rhythms into his sets .
Beyond the music, Pier Play offers immersive art installations, nostalgic carnival games, and a variety of food options, creating a multisensory experience for all attendees.

And for those looking to extend the festivities, an official after-party will be held at 1212 Santa Monica, featuring additional performances by Autograf, Yamagucci, and Malas .
Tickets are available starting at $85 with VIP options at $130 and after party access for $45.

The post From Berlin to the Boardwalk: Pier Play’s Global Lineup Hits Santa Monica appeared first on Dancing Astronaut.
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Los Angeles’ ICON Collective Music School Announces Permanent Closure

Los Angeles’ prestigious ICON Collective music production school has announced its permanent closure.
The local and online music education program revealed in a message sent to students today that ICON Collective is permanently closed, effective May 29. The school cited “financial circumstances that require a prompt closure to protect the refunds and tuition payments potentially due to students” as the reason for its abrupt end. The company filed for bankruptcy in August 2024, according to Los Angeles court records.
“This decision has not come easily,” ICON’s statement reads, in part. “Like so many of you, we’ve invested our hearts, our passion, and our purpose into building a creative space where artists could grow and thrive. We are truly sorry for the disruption this causes to your educational journey.”
According to an FAQ section shared alongside the message, ICON has ceased all operations, including instruction, mentorship, and self-study courses, taught both in-person and online. Students will have access to online course materials for one week to download any content they wish to keep before the platform is discontinued entirely.
ICON confirmed that the school will provide students with transcripts that reflect the coursework they’ve completed thus far. Although transfer credit acceptance is determined by receiving institutions, the school has established an agreement with the California College of Music in Pasadena, which will accept comparable credits from students in ICON’s music production program.
The school’s statement added that students can reach out to [email protected] with general questions, but underscored that “no long-term communication or ongoing support is guaranteed.”
Founded in Los Angeles by Christopher Wight & David Alexander in 2003, ICON Collective expanded its education offerings online in 2014 and became a nationally accredited music school in 2017. As recently as 2020, the school launched new programs for vocal artists and music business, and moved to a new 32,000-square-foot campus in downtown Burbank.
Its notable alumni include colossal EDM names like NGHTMRE, SLANDER, Jauz, Kayzo, Sullivan King, and more.
For more information, visit iconcollective.edu/closure
Featured image courtesy: ICON Collective.
The post Los Angeles’ ICON Collective Music School Announces Permanent Closure appeared first on EDM Maniac.
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Sammy Virji & Skepta Link Up On New Single, “Cops & Robbers”

UK garage sensation Sammy Virji is back with quite possibly the biggest crossover tune of his career thus far, linking up with British music titan and grime MC Skepta on their new single, “Cops & Robbers.”
Out now via Astralwerks, the release marks an awaited union between two of British music’s leading luminaries, each hailing from different scenes—Virji, widely regarded as the driving force behind UKG’s recent global resurgence, and Skepta, a platinum-selling, Mercury Prize-winning rap legend. 
Sonically, too, “Cops & Robbers” feels like a nod of respect and admiration shared between greats. Fusing garage and grime, Virji’s bounding 808s and swinging drums are cut with Skepta’s unrivaled flow in a cosign of epic proportions. 
The anticipated collaboration follows Virji’s April release, “Nostalgia,” featuring Issey Cross, as the latest in a long line of massive tunes from the London producer-DJ, joining recent hits like “Damager,” with fellow genre phenom Interplanetary Criminal, and “Summertime Blues,” with Chris Lake, and breakout anthems like “If U Need It” and “Shella Verse” in his influential catalog.
“Cops & Robbers” also sees Skepta delve further into the dance music universe, following the launch of Más Tiempo, his house music label and live act with Jammer.
Check out clips from Sammy Virji and Skepta’s “Cops & Robbers” release party and stream the new single below.


Featured image courtesy Universal Music Group.
The post Sammy Virji & Skepta Link Up On New Single, “Cops & Robbers” appeared first on EDM Maniac.
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Sammy Virji and Skepta Join Forces for Ferocious UKG Track, "Cops & Robbers"

UK garage breakout Sammy Virji has found his perfect partner-in-crime with Skepta, joining forces with the grime icon for a new collaboration, "Cops & Robbers."
It's only fitting that a track called "Cops & Robbers" has emerged from the collision of UKG and grime, two genres that have spent decades dodging cultural gatekeepers and mainstream approval. Equal parts fluidity and ferocity, its magic lies in how naturally these worlds converge in the hands of two virtuosic artists.
When Skepta nostalgically spits about his days as "a little bad boy from Tottenham" over Virji's propulsive drums, it feels less like crossover opportunism and more like an inevitable meeting of kindred spirits. It's the kind of collaboration that makes you wonder why it took this long to happen—and grateful that it finally did.
You can listen to "Cops & Robbers" below and find the new single on streaming platforms here.
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Back in ‘Acquisition Mode,’ Round Hill Announces ‘Flurry’ of Catalog Investments — Stakes in ‘Physical,’ ‘I Love It,’ and More

A live performance from Dirty Heads, which has sold “publishing and artist royalties” to Round Hill Music. Photo Credit: Constantino14
Back in “acquisition mode,” Round Hill Music has scooped up “a range of different rights and income streams,” among them interests in Rod Stewart’s “Da Ya Think I’m Sexy?” and Icona Pop’s “I Love It.”
Round Hill reached out with word of the plays today. Beginning on the compositional side, the UK-based IP investor now owns the publishing catalogs of Terry Shaddick, Linus Eklöw, and Carmine Appice.
Shaddick co-wrote Olivia Newton-John’s “Physical” (1981), which Doja Cat interpolated in “Kiss Me More.” Besides having a credit on the latter, Shaddick is billed as a songwriter on Benson Boone’s even more recent “Mystical Magical,” which also incorporated “Physical.”
Next, Swedish DJ Linus Eklöw, better known as Style of Eye, has sold his “full catalog of songs” to Round Hill. That pile of IP extends to Icona Pop’s “I Love It” as well as much-streamed dance efforts like Galantis’ “Runaway (U & I)” and “No Money,” the buyer indicated. (Eklöw was at one time a member of Galantis.)
Lastly, in terms of complete-catalog pick-ups, King Kobra and Vanilla Fudge vet Carmine Appice has drummed on a variety of commercially prominent releases.
And his work with Rod Stewart (on 1977’s Foot Loose & Fancy Free, ‘78’s Blondes Have More Fun, ‘80’s Foolish Behaviour, and ‘81’s Tonight I’m Yours) includes writing contributions to “Da Ya Think I’m Sexy?” as well as “Young Turks,” to name a couple.
Reggae rock group Dirty Heads, for its part, has cashed in on “publishing and artist royalties.” All told, the group behind “Vacation” has released eight studio albums since arriving on the scene decades back.
Finally, Scotland-born Al Stewart, most widely recognized for 1976’s “Year of the Cat,” has sold “a selection of…master rights” to Round Hill, which is managing five private funds at present.
While Round Hill didn’t come right out and disclose the transactions’ price-tag particulars, it did note that the deals boosted its portfolio’s cumulative value back past the $1 billion mark.
And in a statement, CEO Josh Gruss touted the involved IP’s perceived “potential for further monetization.”
“From timeless pop hits to reggae rock, yacht rock and electronic music, these catalogs contain songs with proven commercial success,” Gruss said in part.
“Spanning different genres and eras, these songs have huge potential for further monetization across streaming, film, advertising and much more. … Tracks like ‘Physical’ go to the very heart of Round Hill’s strategy – finding and celebrating songs which can continue to resonate with new generations long after their original release,” he proceeded.
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Korean Regulators Investigating BTS Mastermind Bang Si-hyuk Over Alleged Big Hit Entertainment IPO Fraud

Photo Credit: Bang Si-hyuk for Metropolitan City of Busan
Hybe chairman Bang Si-hyuk, the mastermind behind BTS, is under investigation by South Korea’s financial watchdog for allegedly fraudulent trading.
South Korean outlets report that the country’s Financial Supervisory Service has been looking into claims that Hybe chairman Bang Si-hyuk misled investors during Hybe’s pre-IPO phase in 2019. Investigators have reportedly found evidence that Bang privately informed institutional investors that a public listing was unlikely, even while taking steps to move forward with an IPO.
At the time, Bang allegedly entered into a profit-sharing agreement with private equity funds established by his acquaintances, and ultimately pocketed around 400 billion won ($289.7 million) after Hybe’s successful stock debut in 2020. That arrangement was never disclosed in Hybe’s official filings, which could spell a violation of Korea’s capital market law.
Neither Hybe nor South Korea’s financial watchdog have confirmed details of the investigation, but they have neither denied its existence. That further fuels speculation that formal legal proceedings are forthcoming. The Financial Supervisory Service (FSS) is reportedly considering referring the case to prosecutors via a fast-track process. Further, a separate police investigation is said to be underway.
Understandably, fans are concerned that the controversy may impact BTS’ comeback as a full group, following its members’ mandatory military service. The seven-member ensemble is on track to reunite perhaps later this year, as all members will have completed their mandatory service by June 21.
An official comeback date hasn’t been confirmed, but Hybe has repeatedly stated that new BTS content and performances are in the works. In March, Hybe CEO Park Ji-won told shareholders that the company was negotiating with top-tier songwriters and producers over BTS members’ need to “regroup creatively” after completing their service.
Fortunately, entertainment industry executives close to the matter say the financial scandal involving Bang is unlikely to affect BTS’ activities. “The issue centers on Bang Si-hyuk’s personal gains and doesn’t directly involve BTS,” an official said on Thursday. “Hybe operates under a multi-label system, and BTS is more than capable of making a comeback independently of Bang.”
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Getter To Return To Stage After Live Hiatus, Supporting SVDDEN DEATH In Nashville

After a brief hiatus from electronic music, Getter is officially back.
The dubstep heavyweight popped up on the lineup for SVDDEN DEATH’s upcoming “Pinnacle” weekender in Nashville yesterday. Along with several other recent easter eggs, the announcement points to a larger electronic comeback for the California producer, DJ, and internet personality—born Tanner Petulla—who has spent recent years cultivating his hip-hop project, Terror Reid.
Rumors of a Getter revival began this past spring when Petulla started reheating the project’s social media channels with a near-constant flow of content from his new “G/TR Studio Streamz” on YouTube. Now, after rocking up at EDC to debut his heavy new rework of Mike Posner’s famous “Cooler Than Me,” and signing a deal with United Talent Agency, it would appear that Getter has even more bass-led plans on the way.
Upon its release on Steve Aoki’s Dim Mak Records on May 16, Getter’s “Cooler Than Me” remix marked his first official release since 2021’s Some Creature EP. The artist’s last touring run as Getter ended at Decadence Arizona in 2023.
Aptly billed as a “Resurrection set,” Getter’s Nashville performance will come in direct support for SVDDEN DEATH’s VOYD alias on Friday, July 11. Other acts throughout the weekend show, continuing Saturday, July 12, include SVDDEN DEATH B2B yvm3, Space Wizard, Nimda B2B Prosecute, Automhate B2B VKTM, and more.
Getter rose to prominence in electronic music as a teenager over a decade ago, dishing out gnarly releases on Skrillex’s famous OWSLA imprint. Along with his innovative catalog, spanning riddim bangers like “Head Splitter” and “Bury Me” and genre-melding hits with $uicideboy$, Oliver Tree, and Joji, Getter is widely known as an actor and entrepreneur for his role in The Real Bros of Simi Valley web series.
Fans can grab tickets to see Getter at SVDDEN DEATH presents Pinnacle here.

Featured image courtesy: Getter. Credit: Oh Dag Yo Photo.
The post Getter To Return To Stage After Live Hiatus, Supporting SVDDEN DEATH In Nashville appeared first on EDM Maniac.
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Live Nation Dips Into the Dominican Republic with SD Concerts Acquisition

Photo Credit: Robin Canfield
Live Nation expands its presence in Latin America through the acquisition of the Dominican Republic’s SD Concerts, a rising force in Central and South America.
Live Nation announces the acquisition of SD Concerts, the leading live entertainment company in the Dominican Republic and a rising star across Central and South America. The move bolsters Live Nation’s commitment to this fast-growing touring region and reinforces its mission to bring more live music to fans worldwide.
Founded in 2001, SD Concerts is behind many of the region’s most notable live events. The company promotes top Latin and international talent across the Dominican Republic, as well as supporting shows in Aruba, Chile, Colombia, Costa Rica, Guatemala, Panama, and Puerto Rico. SD Concerts also operates a ticketing platform, which currently services all SD events and provides a foundation for future ticketing expansion in the region. Through the acquisition, that platform will become part of the Ticketmaster ecosystem.
“Saymon and SD Concerts have built a remarkable business rooted in deep local knowledge and a passion for live music,” said Michael Rapino, CEO and President, Live Nation Entertainment. “We’re joining forces with a proven regional leader to help even more Latin artists reach global audiences and connect international acts with fans across Latin America.”
“Live music is thriving across the region, and we’re proud of the role SD Concerts has played in that growth,” adds Saymon Diaz, Founder & CEO of SD Concerts, who will continue to lead the business. “Partnering with Live Nation gives us the global infrastructure to scale even further and supports the next generation of Latin talent. This partnership will bring bigger shows to more locations and create even more unforgettable live music experiences for fans in the Dominican Republic and across Latin America.”
The concert industry is seeing continued momentum across Latin America, with Live Nation events seeing fan attendance in the region up over 25% in the first quarter of 2025. Growing demand for live experiences is supported by the global rise of non-English language artists, who now represent twice as many of Live Nation’s top 50 tours compared to 2019. This momentum underscores Latin America’s growing role as a powerhouse in global touring, and Live Nation’s role in building more opportunities for artists and audiences to connect.
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Upcoming NY Rezz Show Moved To SummerStage In Central Park as Brooklyn Mirage Remains Closed

Rezz is the latest artist forced to relocate her upcoming New York show from the Brooklyn Mirage, which was scheduled to reopen earlier this month. The relocation is due to ongoing problems at the Brooklyn Mirage, which has been unable to reopen as planned earlier this month because of issues with obtaining necessary permits following a significant renovation.
Rezz has moved her upcoming performance for May 30th to SummerStage in Central Park.
Rezz announced the change on social media yesterday (May 28th), stating that her team worked hard to find an alternative venue on short notice. She assured fans that tickets purchased for the Brooklyn Mirage show will be honored at SummerStage. For those who prefer, refunds for the original Mirage tickets are also available. Rezz emphasized that this solution was the best possible outcome given the last-minute circumstances. She also stated in a later Instagram Story, that the lineup would remain the same.
Ongoing Issues With Brooklyn Mirage Reopening
The Brooklyn Mirage’s troubles began when its scheduled May 1st reopening with shows by Sara Landry was abruptly canceled just hours before starting, as building inspectors did not grant the newly renovated venue a permit to open. Consequently, all subsequent events at the Mirage have been either canceled or postponed.
This situation has also led to a leadership change at Avant Gardner, the parent company of Brooklyn Mirage. Josh Wyatt is no longer the CEO, with Gary Richards, the non-executive chairman of the board, stepping in to manage daily operations for the time being.
Brooklyn Mirage also recently announced the following show rescheduling: an Artbat performance on May 31st is now set for November, the Everyday People event on June 1st has been moved to September, and A.G. Cook’s June 6th show will now take place in August. The venue stated that all affected ticket holders would be contacted with details about their show and ticket options.
Despite these disruptions, shows by bass producer Tape B and the All Day I Dream series scheduled for June 7th and 8th still appear on Brooklyn Mirage’s online calendar, suggesting a potential opening next weekend.
The post Upcoming NY Rezz Show Moved To SummerStage In Central Park as Brooklyn Mirage Remains Closed appeared first on EDMTunes.
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Kneecap removed from TRNSMT Festival in Glasgow

Photo Credit: Matthewc95 / CC by 4.0
Irish rap group Kneecap have confirmed they were removed from appearing at the upcoming TRNSMT music festival in Glasgow.
“Due to concerns expressed by the police about safety at the event, Kneecap can no longer perform at TRNSMT,” the band says the message they received states. Speaking to their fans, Kneecap says: “To the thousands of people who bought tickets, flights, and hotels to see us play, we are sorry… it is out of our hands.”
“Glasgow has always been a huge city for us. We’ve played there many times, with no issues—ever. Make of that what you will. To try to make up for it, we will be at your O2 Academy on Tuesday July 8.”
Police in Scotland stated last week that allowing Kneecap to perform at the Glasgow Green on July 11 would require “a significant policing operation.” The move to disallow Kneecap to perform comes after one of the members was charged with a terror offense for promoting a Hezbollah flag during a London gig. Liam Óg Ó hAnnaidh, 27, was charged by Metropolitan Police after reviewing footage of the incident at the O2 Forum in London. He performs under the name Mo Chara and is slated to appear at Westminster Magistrates’ Court on June 18.
Kneecap also received criticism for a performance in 2023 when footage showed one of the members telling the audience: “The only good Tory is a dead Tory. Kill your local MP!” Scotland’s First Minister John Swinney has backed calls for Kneecap to be removed from the TRANSMT festival over the Tory comment.
TRANSMT promoters DF Concerts said: “Due to concerns expressed by the police about safety at the event, Kneecap will no longer perform at TRNSMT on Friday, July 11.” So far, Kneecap is still listed on the lineup of the Glastonbury festival, which is happening on June 28. The group drew massive criticism after their Coachella set this year after using the stage to project pro-Palestinian messages and leading an anti-Margaret Thatcher chant.
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Chinois Is Quietly Outshining Ibiza's Superclubs With Masterful 2025 DJ Residency Lineup

Remember when your biggest summer decision was choosing between Nickelodeon or Cartoon Network? Well Ibiza's 2025 season has its own impossible choices, and a lot of them are happening at Chinois, the intimate club that's quietly assembling one of the island's best roster of DJ residencies.
Programming a season at Chinois, which is known as "the club of Ibiza," resembles a chess game where each residency moves strategically across the board, building toward something greater than the sum of its parts. That's the magic of this venue nestled within the stunning Ibiza Gran Hotel, which caters to the music lovers who understand that direction matters more than destination.
Mario Pinta
Masked electronic music icon Claptone is bringing his internationally acclaimed event brand, "The Masquerade," to Chinois on Saturdays, taking over from May 24th through October 4th. The Sunday slot belongs to Bedouin's beloved SAGA series from June 29th to September 28th, because nothing says "weekend recovery" quite like organic house music that makes you feel like you're floating through a Balearic dream.
Tuesdays get sporadic but strategic visits from the cult London party series Appetite, which will take over on six carefully curated dates. TRIP, the phantasmal party concept from veteran Ibiza promoter Johannes Goller, takes over Wednesdays from June 25th through October 15th with bonus Saturday shows in late-October—because who says Ibiza needs seasonal boundaries?
Thursdays at Chinois will feature a pair of deeply influential DJs. Chicago-born dance music dynamo Honey Dijon will present her blissed-out "Honey F#cking Dijon" series from June 5th to July 24th before pioneering house music artist Kerri Chandler takes over with his "KAOZ Theory" residency from July 31st to October 9th.
Another beautiful relay race will take place on Fridays. Francis Mercier's sublime Sòley residency will run June 13th to August 1st before handing the baton to South African Afro-house luminary Shimza, who will DJ from August 8th to August 29th before passing to Turkish dance music superstar Mahmut Orhan for the home-stretch from September 19th to October 10th.
You can purchase tickets to these events and more via the official Chinois website.
Follow Chinois Ibiza:
Instagram: instagram.com/chinoisibiza
Facebook: facebook.com/clubchinoisibiza
TikTok: tiktok.com/@chinoisibiza
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Judge Denies Perlmutter Restraining Order Request Against Trump Administration — Possible Preliminary Injunction Push Takes Center Stage

The E. Barrett Prettyman Federal Courthouse, where the lawsuit filed by former USCO head Shira Perlmutter is unfolding. Photo Credit: Toohool
A federal judge has rejected a request from Shira Perlmutter for a restraining order against the Trump administration. But the fired Register of Copyrights could be preparing to push for a separate preliminary injunction.
Both developments came to light in docket updates following a related in-person hearing. Per one of the updates, Judge Timothy Kelly denied Perlmutter’s sought temporary restraining order; among different things, the former Copyright Office head is looking to be restored to the post, we previously noted.
However, if Shira Perlmutter intends to seek the aforementioned preliminary injunction, the parties should “meet, confer, and submit a joint proposed briefing schedule,” the court also ordered.
This briefing-schedule order has a 2 PM PST deadline today, but at the time of writing, the appropriate document hadn’t made its way into the docket. In other words, the dispute appears poised for additional deliberation from here.
And while it probably goes without saying, it’ll be worth closely tracking the challenge moving forward. As broken down in detail by DMN Pro, evidence (including the Supreme Court decision allowing the removal of National Labor Relations Board Chair Gwynne Wilcox) suggests that reinstatement might be unlikely for Perlmutter.
Nevertheless, it isn’t outside the realm of possibility, and high-stakes Copyright Office questions are unanswered in any event.
First, the precise views of the current acting appointees – including Deputy AG Todd Blanche at the helm of the overarching Library of Congress – remain to be seen. Though there’s quite a lot to consider in this department, most of the recent framing has concerned the government’s stance on AI.
Probably not coincidentally, Perlmutter’s dismissal arrived on the heels of a Copyright Office report pertaining to artificial intelligence training. But as DMN has noted, if their prior comments are any indication, the acting Library and Copyright Office appointees aren’t exactly Big Tech proponents.
Thus, it’ll be interesting to monitor their approach to ever-pressing questions at the intersection of AI and IP. Also far from set in stone is whether they’ll stay aboard for the foreseeable future or make way for permanent replacements.
Of course, another Copyright Office overhaul would bring with it a fresh collection of considerations for a variety of sectors, chief among them the music industry.
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Justice’s ‘Hyperdrama’ Earns International Certified Platinum Status

Justice’s Hyperdrama has been certified as an international platinum album by France’s National Syndicate of Phonographic Publishing (SNEP).
The French record industry’s governing body yesterday announced several international certifications for domestically produced records that reached high sales benchmarks in markets outside of the country, including honors for the legendary French electro-disco duo’s fourth studio LP and two of its singles.
After an eight-year wait, Justice’s first full-length album since 2016’s Woman arrived on the band’s longtime label, Ed Banger Records, in partnership with fellow French label Because Music, in April 2024. Thirteen months later, Hyperdrama has now reached SNEP’s international platinum album certification benchmark with more than 100,000 equivalent units sold beyond French borders.
The album’s lynchpin singles with Tame Impala frontman Kevin Parker were also certified by SNEP, including an international diamond certification for “Neverender,” which has now sold over 50 million equivalent copies outside of France, and an international platinum certification for “One Night/All Night,” with more than 30 million copies sold internationally.
Fellow Ed Banger artist Myd was also recognized by SNEP with an international gold certification for his 2021 single, “Born a loser.”
“Thank you to the best team @becausemusic for the hard work and trust since day one,” Ed Banger boss Busy P wrote of the achievement on Instagram today. He also extended thanks to Etendard Management, JET Management, and Savor Faire “for looking after the most exciting artists in the game.”
Earlier this year, Hyperdrama was nominated for Best Dance/Electronic Album at the 2025 Grammys, while “Neverender” took home the Grammy for Best Dance/Electronic Recording.
Following members Gaspard Augé and Xavier de Rosnay’s headline debut at Colorado’s Red Rocks last weekend, Justice’s comeback tour continues this summer with standalone dates in Toronto, Boston, and Pittsburgh, as well as festival appearances at Bonnaroo and Electric Forest, before they head back to Europe later in the year.

Featured image courtesy: Justice. Credit: André Alves.
The post Justice’s ‘Hyperdrama’ Earns International Certified Platinum Status appeared first on EDM Maniac.
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Tomorrowland Shares Orbyz Theme Trailer & Contest

There are only 50 days left until the 19th edition of Tomorrowland Belgium. This year’s brand-new theme of ‘Orbyz’ will set a magical universe sculpted entirely from ice. ‘Orbyz’ will reveal a long-hidden community that has been existing for generations under a massive polar ice cap. For two unforgettable weekends, the festival grounds og De Schorre will be transformed into a breathtaking realm, made of ice and alive with mythical creatures and ancient secrets.
As the mass of ice and glaciers begins to melt, the indigenous community finally rises to the surface. They will consist of a unique and mysterious source of light, energy, and power. Powerful, red-colored crystals and rocks will be their origin.
This year’s edition is set to welcome over 850 of the planet’s finest dance music artists across 16 breathtaking stages. The lineup is filled with huge names, including headliners John Summit, Axwell, and Martin Garrix. Exciting collaborations including Matisse & Sadko B2B Third Party and Anyma B2B Solomun. Other standout acts include Hardwell and Armin van Buuren, and the highly anticipated Symphony of Unity. Kevin de Vries B2B Cassian will deliver an exhilarating set, while 1991 will bring high-energy DnB. Notably, David Guetta returns this year after being absent in 2024, and fans will celebrate the return of Eric Prydz to the iconic festival.
At the 1:09 mark in the trailer below, you will see a sneak peek of the main stage design.
Contest
Tomorrowland wants to quiz your Orbyz knowledge. If you go to orbyz.tomorrowland.com there is a challenge where it asks you questions about the Orbyz story, and those who guess correctly are going to get a sneak peek at the mainstage design before the festival begins AND get a chance at a pair of free Weekend 1 tickets.
The post Tomorrowland Shares Orbyz Theme Trailer & Contest appeared first on EDMTunes.
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Trump Admin Weighs In On ISP Fight—Tells SCOTUS Pirates Shouldn’t Be Booted

Photo Credit: Jonathan
The Trump administration has thrown its support behind Cox Communications in the high-profile Cox v. Sony case as the case heads to potential review by the U.S. Supreme Court.
At the heart of the case is whether internet service providers (ISPs) like Cox should be held liable when subscribers use their networks to illegally download copyrighted music. If found liable, Cox would be required to boot offending customers and may face massive financial penalties for continuing to supply connection to alleged pirates.
The case was filed back in 2018 when more than 50 record labels including Sony Music Entertainment sued Cox for not terminating the accounts of subscribers accused of repeatedly pirating music. A Virginia jury initially awarded the music labels a $1 billion verdict against Cox—finding the ISP liable for both contributory and vicarious copyright infringement. However, the Fourth Circuit Court of Appeals later overturned the vicarious liability finding and the damages award. However, the appeals court upheld the contributory infringement ruling—sending the case back for a new trial on damages.
Both parties have since petitioned the Supreme Court to hear the case. Cox is seeking to overturn any liability related to continuing to platform pirates, while the music industry seeks the reinstatement of the initial fine. In response, the Supreme Court has asked the Department of Justice (DOJ) to weigh in. This week, the Trump DOJ, through Solicitor General John Sauer, filed a brief urging the court to take up Cox’s appeal and reject Sony’s.
The Trump administration’s brief argues that the Fourth Circuit’s decision threatens to expose ISPs to sweeping liability. It also argues that it could force ISPs to disconnect users after receiving a single copyright complaint. Sauer notes that such an approach could set a precedent that leads to innocent users losing internet access over unproven allegations.
Sauer writes that the 4th Circuit decision if not overturned, “subjects ISPs to potential liability for all acts of copyright infringement committed by particular subscribers as long as the music industry sends notices alleging past instances of infringement by those subscribers.” He also argues that this could “encourage providers to avoid substantial monetary liability by terminating subscribers after receiving a single notice of alleged infringement.”
Sauer continues to argue that rulings in Sony v. Universal City Studios and MGM Studios v. Grokster “make clear that contributory liability for copyright infringement requires more than knowledge that others have put the defendant’s products to infringing use. Instead, it requires ‘culpable intent’ to cause infringement.”
The DOJ further argues that simply providing access to the internet—even after receiving infringement notices—does not constitute “material contribution” to copyright infringement. The DOJ draws parallels to a recent case involving X/Twitter, where the Court found that providing a platform does not make a company liable for its users’ illegal acts unless the company is actively participating.
“If Cox had explicitly or implicitly marketed its services as being particularly useful for infringers, or if it had encouraged subscribers to use Cox’s Internet service to infringe, liability might be appropriate. But as the court of appeals acknowledged, Cox’s business model was indifferent to whether it’s subscribers used the internet for lawful or unlawful purposes.”
Saur writes that siding with Sony would “threaten liability for other service providers” like electric utilities that might be asked to cut services to customers who used the service for unlawful purposes.
“Many accounts that triggered multiple notices belonged to hotels, hospitals, universities, and regional ISPs serving hundreds of thousands of individual users,” Sauer continues. “Under the decision below, Cox would be held liable for direct infringement committed by any of those users, whose identities it does not know and with whom it has no contractual relationship.”
Saur also urged the Supreme Court to reject Sony’s petition for a review. “The court of appeals correctly held that Sony had not satisfied its burden of showing that Cox financially benefited from infringement on its network. As the court explained, Cox charges its customers a flat fee for internet service, regardless of what its users do online.”
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Loop Becomes Worldwide Earplug Partner For Tomorrowland

We have seen Loop earplugs become a rising star in the music festival world, especially over the last three years, as they have partnered with Tomorrowland Belgium. Now in 2025, this partnership has bloomed into much bigger. Loop will officially be the exclusive global earbud partnership for all Tomorrowland events worldwide. Loop has done a fantastic job of showing people how they can experience festivals and hear the music.
This year, festival-goers are excited to see the release of the Tomorrowland X Loop Experience 2 earplugs. These are the next generation of earplugs that elevate your immersive music experience. They work with 17dB (SNR) of filtered noise reduction and a design that won’t be affected by how wild you like to dance and jump to every electronic set at Tomorrowland.
Attendees will be expecting to get their hands on this year’s limited edition set, inspired by Tomorrowland Belgium’s 2025 ‘Orbyz’ theme. The creative crystal-powered underground world will provide two options: a holographic red and a holographic black. Both options come with their own carrying case, and you choose to include the Loop Link cord as an add-on to help you keep your earplugs close and safe.
Hearing protection is becoming increasingly crucial for music festival attendees. Earplugs that protect you but do not ruin your experience were the two crucial factors why Loop was created, and its sole mission was to provide it. The Loop X Tomorrowland partnership has been making strides in bringing that awareness to millions of music lovers so they can enjoy today while protecting their ears for tomorrow.
Available from May 27, 2025, the limited-edition Tomorrowland x Loop Experience 2 earplugs ($39.95/€34.95) and Tomorrowland x Loop Link connector cord ($29.95/€24.95). You can purchase them online at store.tomorrowland.com, loopearplugs.com, and amazon.com. As well as on the festival ground and DreamVille camping ground.

The post Loop Becomes Worldwide Earplug Partner For Tomorrowland appeared first on EDMTunes.
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EDM.com Fresh Picks: Jasper Tygner, NOZU, King Henry & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Jasper Tygner - Blue
Biosyrup - Psynapse
NOZU - Cartagena
ZIMZAM - Starfall
Midnight Pass - Be Somebody
Aviór - Take Take
Neascape - Sphere
Paul Edwards - Make Me Feel
King Henry, Sasha Alex Sloan - Kiss Me
endofnowhere - just disappear
Jaxon Wild - Tokyo VIP
Hydrah - My Paradise
Jay Wall - Rakatak
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LANDR and Synchro Arts will give you a free plugin if you trial their subscription plans

LANDR is hosting two plugin giveaways in collaboration with Synchro Arts for those who sign up to a free trial of either LANDR Studio or Synchro Arts subscriptions.
The LANDR Synth X and Synchro Arts’ RePitch Elements premium plugins are available free of charge for those who start a trial on either platform. These plugins are valued at $99 each.
READ MORE: LANDR Sampler uses AI to organise your sample library – could this be a godsend for producers? LANDR Synth X is described as “a powerhouse synth plugin to elevate your tracks”, and you can redeem it for free with a trial LANDR Studio – its all-in-one subscription service offering plugins, software and other tools to help producers create, edit, share and monetise their music, which was launched back in 2022.
Synth X is a wavetable synth that has a multi-oscillator engine for rich tones, 400 “expertly crafted” presets, and integrated studio-grade effects. You’ll be eligible for this when you trial any LANDR Studio plan – Essentials, Standard, or Pro (monthly or yearly) – and it’s yours to keep forever.

As for RePitch Elements, this tool helps you achieve natural vocal tuning, and according to Synchro Arts, is trusted by top vocal producers. It hosts easy controls over pitch and timing, and can “seamlessly integrate” with DAWs. Again, this offer is available with any Synchro Arts plan (Artist or Pro, monthly or yearly).

And speaking of subscription plans, Waves has just launched an AI-powered text-to-sound engine called ILLUGEN, available through three plan tiers with prices starting at $7.99 per month. Users can simply feed ILLUGEN a text prompt – which can be pretty specific or weird – pick from their favourite of three generated sounds, and then simply drag and drop it into their DAW.
To start a trial and redeem a free plugin, you’ll need to head over to LANDR or Synchro Arts. You’ll receive a code via onboarding or email and further instructions.
The post LANDR and Synchro Arts will give you a free plugin if you trial their subscription plans appeared first on MusicTech.
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Getter Officially Returning to the Stage After Indefinite Hiatus

After an indefinite break from performing, Getter is set to make his long-awaited return to the stage.
The virtuosic DJ and producer has been confirmed to perform at Nashville's Pinnacle venue, where dubstep superstar SVDDEN DEATH is hosting a curated two-day takeover July 11-12. Getter's performance on the 11th is billed as a "Resurrection Set," a fitting title for an artist sorely missed by the electronic music community.
The announcement arrives on the heels of Getter's signing to United Talent Agency, signaling a substantial comeback for the influential producer, whose last original electronic release was 2021's Some Creature EP. More tour dates are in the works, according to his agent.
Getter is slated to DJ before the night's headliner, VOYD, SVDDEN DEATH's more experimental alter ego. The full "Pinnacle" lineup also features HVDES, Space Wizard and EDM.com Class of 2022 artist Akeos, among others. The event will conclude July 12th by virtue of a b2b set between SVDDEN DEATH and surging dubstep producer yvm3.
Check out the "Pinnacle" lineup below and purchase tickets here.
View the original article to see embedded media.
Follow Getter:
X: x.com/getterofficial
Instagram: instagram.com/getter
TikTok: tiktok.com/@getter
Facebook: facebook.com/getterofficial
Spotify: spoti.fi/2ZLNWID
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