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GT_Ofice Brings Feel Good Dance With ‘Someone Else’

Appearing three times on the Billboard Dance Charts last year, GT_Ofice has been making waves in the electronic dance music scene. With over 20 million streams on Spotify, extensive international radio play, and support from EDM heavyweights like Timmy Trumpet, R3HAB, and Cheat Codes, GT_Ofice is solidifying his place as a rising star. Now, following his previous release, ‘Ecstasy’, he’s back with a fresh track, ‘Someone Else’, that’s already captivating listeners worldwide.
Premiered on his own radio show, ‘GOOD TIMES ONLY’, which is now syndicated on over 50 stations, ‘Someone Else’ received an overwhelming response from fans who couldn’t wait for its official release. Responding to the demand, GT_Ofice not only dropped the original single but also released a VIP mix, showing his dedication to delivering for his audience.
The original mix is a sultry dance-pop hit that hooks listeners from the first second. Featuring smooth synths, seductive melodies, and memorable lyrics, it’s a track that promises to linger long after the first listen. For those craving a festival vibe with hands-in-the-air energy, the VIP mix delivers just that. By infusing the track with more power, GT_Ofice has created two singles that cater to every dance music lover. Whether you’re looking for a mellow groove or an adrenaline-pumping anthem, ‘Someone Else’ has something for everyone.
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Why Celebrating New Year’s with Martin Garrix at Neon Countdown is Pure Magic

There’s something uniquely unforgettable about starting the New Year with Martin Garrix. His sets aren’t just music—they’re a journey, a shared experience that stays with you long after the lights go down. For me, it started back in 2018 at Knock Knock Festival, where Martin headlined the countdown. As the fireworks burst in sync with High on Life and the crowd sang, “From the ground up, we’ll touch the sky,” it felt like the perfect way to welcome new beginnings. That night wasn’t just a party—it was magic.
Fast forward to 2024, and Martin is set to headline another unforgettable New Year’s Eve, this time at Neon Countdown in Bangkok. It’s not just any performance; it’s a celebration of his incredible year, marked by his triumphant return to the #1 spot on DJ Mag’s Top 100. For fans around the globe, this is the dream: to ring in the New Year with an artist whose music is synonymous with hope, energy, and connection.
The Neon Countdown Experience
Neon Countdown is more than just a festival—it’s an international hub for EDM lovers. Picture neon lights reflecting off a sea of smiling faces, fans from every corner of the world united by their shared love of music. This isn’t just about the beats; it’s about the connections you make in the crowd, the unspoken camaraderie as you dance shoulder-to-shoulder with strangers who feel like friends. And for those looking to level up their experience, the VVIP Skydeck offers a stunning view of the main stage, premium perks, and an intimate party atmosphere that takes the night to another level.
Martin’s Music: The Soundtrack of the Night
What makes Martin Garrix’s sets so special is how they turn music into a collective memory. Tracks like High on Life and No Sleep have become anthems of togetherness. As you sing along to “I don’t need no sleep, ‘cause I’m already dreaming,” the line takes on new meaning in the glow of the stage lights. It’s a reminder that some nights—like New Year’s Eve at Neon Countdown—are too good to waste on sleep.
And then there’s Higher Ground, a track that perfectly encapsulates the spirit of a Martin Garrix countdown: “You said I’m gonna be alright. As the dawn breaks, the sunlight.” It’s the kind of lyric that hits differently when you’re surrounded by thousands of people, all ready to start fresh and climb to their own higher ground in the year ahead.
A Celebration of Martin’s Milestones
This year is particularly special, as we not only get to celebrate the New Year but also Martin’s recent achievements. With fresh tracks like Smile and Told You So, he continues to prove why he’s at the top of his game. From headlining the biggest festivals to releasing tracks that consistently dominate the charts, Martin Garrix isn’t just an artist—he’s a phenomenon.
Your Invitation to an Unforgettable Night
As the clock strikes midnight, Martin’s music will become the soundtrack to one of the most memorable nights of your life. His beats, combined with Neon Countdown’s breathtaking production and the shared energy of the crowd, make for an experience you’ll carry with you long after the final track fades.
So why settle for an ordinary New Year’s Eve? Join us at Neon Countdown and witness the magic of Martin Garrix live. Tickets are selling fast, and this is your chance to be part of a night where music, connection, and celebration collide.
Get your tickets now, and let’s start 2024 on the highest note possible!

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Coachella Reveals 2025 Yuma Tent Lineup

Coachella has revealed the DJs performing in its storied Yuma Tent in 2025.
A sanctuary for techno and house music enthusiasts, the Yuma Tent is a place where time bends and the desert sun is forgotten. Its air-conditioned space offers a reprieve from the sweltering heat, but its warehouse-inspired atmosphere—complete with whiplashing strobes and lasers—won't make you sweat any less.
Taking the stage in the Yuma next year are Amelie Lens, Vintage Culture, Beltran, Chris Stussy, Damian Lazarus, Eli Brown, Infected Mushroom, Layton Giordani and Tinlicker, among other influential producers. The lineup also features Afro-house breakout AMÉMÉ and techno superstar Indira Paganotto, each of whom were named to the EDM.com Class of 2023.
Elsewhere on the Coachella 2025 lineup, fans of the famed Indio festival can find a wellspring of electronic music talent. That includes Zedd, Above & Beyond, Kraftwerk, Keinemusik, Ben Böhmer, Chase & Status, Sara Landry and The Prodigy, among many others.
You can find a list of every electronic artist on Coachella's 2025 lineup here and check out the festival's full Yuma Tent lineup below. 
The 2025 lineup for Coachella's Yuma Tent features Amelie Lens, Eli Brown, Layton Giordani, Vintage Culture and more.Coachella Valley Music and Arts Festival
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Coachella’s Yuma Tent Unveils Stellar 2025 Lineup

For underground electronic music aficionados, the Yuma Tent has long been a lighthouse amid the great expanse of Coachella’s musical terrain. The top dance music venue in the desert for 2025 has exceeded itself, assembling a roster that reads like a who’s-who of modern electronic music culture, so bridging the gap between seasoned veterans and emerging stars of the worldwide scene.
The Yuma Tent at Coachella 2025 lineup features electronic music artists including Amelie Lens, Vintage Culture, Infected Mushroom, Pete Tong x Ahmed Spins, Mind Against x Massano, AMÉMÉ, Damian Lazarus, HAAi, Indira Paganotto, Moon Boots, Tinlicker, Coco & Breezy, Chris Stussy, Yulia Niko, Klangkuenstler, and more, representing various electronic music subgenres from techno to house.
Check the full 2025 Coachella lineup here.
Techno Titans on Yuma 2025 lineup
Belgian dynamo Amelie Lens is leading the fight; her explosive climb from underground favorite to global techno ambassador is just amazing. Known for her mesmerizing, high-energy shows and heading the powerful EXHALE label, Lens’s presence signals the Yuma Tent’s dedication to real, uncompromising techno.
Spanish superstar Indira Paganotto joins the lineup. She brings her own mix of acid-tinged techno and trance influences. Thanks to her recent releases on Nina Kraviz’s Tpikney label and spectacular appearances at big European events, she is among the most fascinating emerging voices in techno.
Brazil phenomena Vintage Culture dominates the house music scene, having developed from South American club favorite to worldwide sensation. His unique combination of melodic techno and progressive house has won him a devoted audience and many chart top hits.
Through performers like AMÉMÉ, whose African-influenced works have given the genre new vitality, the roster highlights the variety within house music. Coco & Breezy show the ongoing cross-pollination between fashion, culture, and electronic music while also having effectively moved from making eyeglasses for Prince to commanding dancefloors all around.
Dutch pair Tinlicker and Moon Boots provides a perfect counterweight to the harder-edged performers for those looking for more emotional, melodic sounds. While Moon Boots provides his own mix of soulful house and nu-disco, Tinlicker‘s progressive house productions on Anjunadeep have become mainstay in sets all over.
Combining the former’s knowledge of mesmerizing, emotive techno with the latter’s fresh viewpoint on melodic house and techno, Mind Against and Massano promises to be a standout in joint performance.
Electronic music statesman Pete Tong‘s participation alongside Ahmed Spins marks the ideal fusion of old and modern school. Combining Ahmed’s fresh viewpoint with Tong’s decades of experience as BBC Radio 1’s top tastemaker guarantees a session spanning generations of dance music.
Including Infected Mushroom gives the lineup an intriguing new angle. The renowned reputation of the Israeli pair in psychedelic trance and their later explorations with rock and electronic fusion forms highlight the Yuma Tent’s readiness to challenge accepted genre limits.
The roster also highlights a lot of underground scene acts creating waves. While Klangkuenstler‘s raw, explosive techno has established him a darling in European clubs, Chris Stussy’s deep, groove-laden house has gained him growing respect. Yulia Niko’s nuanced interpretation of minimal house and techno highlights the ongoing life force of these genres.
Yuma Tent Coachella 2025 lineup Cultural convergence
Most importantly, this roster reflects the genuinely worldwide character of modern electronic music. From African-influenced house (AMÉMÉ) to European techno (Amelie Lens, Indira Paganotto), American house music (Moon Boots) to Brazilian bass culture (Vintage Culture), the Yuma Tent has compiled a roster that shows how powerfully electronic music can transcend geographical and cultural boundaries.
Looking ahead
The Yuma Tent is ready to provide festival attendees with a thorough survey of modern electronic music’s most fascinating voices as Coachella 2025 draws near. This carefully chosen lineup provides both an appreciation of the scene’s past and an intriguing insight into its future in a time when electronic music is still developing and cross-pollinating at a dizzying rate.
To those who know, Coachella’s best-kept secret has always been the Yuma Tent. With this lineup, that secret could at last be revealed, and electronic music lovers all across should celebrate.
The post Coachella’s Yuma Tent Unveils Stellar 2025 Lineup appeared first on The Groove Cartel.
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Inside the Fantastical Storyline of VEIL's Hair-Raising Debut Album, " HIGH VOLTAGE"

VEIL is taking experimental bass music to another level with her debut album, HIGH VOLTAGE, a delightfully disorienting exploration of new sounds and frequencies.
The album comes with a meticulous storyline, which is brought to life by its central character, AZAL. Each track takes us deeper into her journey through what VEIL calls "THE HOLLOW," a space where time and reality are bent according to AZAL's will.
Beyond the music, VEIL worked alongside 5/9 and Towr Media to translate AZAL’s "voyage" into an entrancing audiovisual show, which she presented at Rezz Rocks VI back in August.
View the original article to see embedded media.
That voyage kicks off with "RESPAWN," where experimental bass opens a portal that sends you directly to THE HOLLOW with AZAL. "YU" follows, plunging us deep into the universe with our central character through distorted bass that sounds off with the urgency of sirens.
Ensuing tracks "MOVE FAST AND BREAK THINGS" (with HerShe) and "BACK BACK" convey AZAL taking THE HOLLOW by storm as emphatic, stomping beats and commanding bass signal a sort of power within the realm that she can use to her advantage.
"00:00" then indicates a sharp pivot into hypnotically fluid drum & bass territory. Though relatively gentle, the track maintains an ominous nature, warning us not to settle into the bucket of any one genre.
Though seemingly a respite from the chaos, "5.9 [INTERLUDE]" represents "a malware code that infects the system in THE HOLLOW," according to VEIL. It also doubles as a tribute to the graphic team at 5/9, who helped her formulate the album's audiovisual experience.
"OMEGA" (with Digital Vagabond) and "EVENT HORIZON" then slowly reintroduce THE HOLLOW,  their downtempo beats cultivating a newfound explorative caution that stands out against the album's unabashed fervor.
Following re-entry to the realm, "ALL OF EVERYTHING FOR FOREVER" sees a hair-raising voice asking, "Did I create this?" before VEIL uncorks a warped drop. The uptempo "OVERLOAD" follows suit and signals a transformation of THE HOLLOW, which was precipitated by the virus introduced by the album's interlude. 
It seems, at the end of the journey, that the unfortunate "malware" was an essential ingredient to the album's success.
"HIGH VOLTAGE is about embracing creativity without restrictions," VEIL explained. "I wanted each track to represent a different side of my production style and my love for multi-genre experiences, while staying true to the energy and emotion behind the concept of AZAL’s journey. She is traversing a space where she bends reality, and the album’s sound reflects that feeling."
Listen to HIGH VOLTAGE below and find the new album on streaming platforms here.
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Eliminate Hacks Into New Territory With Stunning Successor to Debut Album, "Get Off The Internet"

If Eliminate's debut album Get Off The Internet was a wild first step into uncharted territory, his latest offering is a masterful sprint through the very frontier he helped define.
With his latest album, 404: Get Off The Internet [Redux], the EDM.com Class of 2021 star transforms the vibrant chaos of its predecessor into a refined, imaginative project that captivates and thrills in equal measure.
It hasn't yet been a full year since the release of his original album, but as if booting up a forgotten machine, "404 (Intro)" revs to life with evocative soundscapes. Here, nostalgia seeps through layers of cinematic production, punctuated by the mechanical whirring of a dial-up tone. Turning the intensity up a few notches, it morphs seamlessly into "Thought Experiment," a track that bursts to life with rapid-fire trap synths.
The pulse of the album beats particularly strong in "I'M ALREADY A WASTE (Poison Oak)," a bold standout. The track bridges eras as its upbeat drum & bass cadence races alongside pop-punk vocals that drip with youthful yearning. Eliminate balances nostalgia and innovation with precision, producing a cut that feels familiar while embracing his characteristically otherworldly tones and forward-thinking production tactics.
As the album delves deeper, "TWISTED (MOREPWR)" casts a spell of dark allure as acid-tinged arpeggios coil like smoke around a techno beat that radiates with intensity. The track paints a stark, industrial landscape where every flicker of light is met with encroaching shadows.
As the project's closer "ESCAPE (Get Off The Internet)" comes to form, it brings with it an ethereal ascent. Shimmering synths ripple across a euphoric arrangement, evoking a sense of freedom and wonder that’s almost gamified in its triumphant beauty. It’s a moment of catharsis, a chance to exhale and reflect on one of the most innovative albums in electronic music this year.
Listen to 404: Get Off The Internet [Redux] below.
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Nicky Romero, Timmy Trumpet and GESES Break Convention in New Single, "Here We Go Again"

Great collaborations often emerge when artists are willing to challenge their creative instincts and venture into unfamiliar territory. 
With Nicky Romero, Timmy Trumpet and GESES joining forces, "Here We Go Again" isn’t simply another addition to the dance music canon, but a testament to what happens when a trifecta of creative talents blend their distinct musical identities into a seamless whole.
Out now via Romero's Protocol Recordings, the track marks a uniquely bold departure for each artist. Known for his progressive and electro house mastery, the Dutch producer ventures into the brooding allure of techno with a finesse that feels organic. Trumpet, whose reputation thrives on the intense, high-octane world of hard dance, dials up his melodic sensibilities to craft an infectious and euphoric energy while GESES fearlessly steps into the spotlight alongside these industry titans, proving his prowess through contributions brimming with conviction.
The track radiates an irresistible vibrancy, echoing the chaotic, exhilarating rhythms of nightlife itself. Lyrics brimming with escapism and reckless abandon paint a vivid picture of losing yourself in the club's whirlwind, spinning with no thought of where the night might end.
By balancing hard dance's intensity with melodic accessibility, "Here We Go Again" embodies a sound primed to make waves beyond its techno origins. While the visceral power of hard dance can sometimes feel polarizing, this polished iteration is primed for wider appeal—especially among U.S. audiences increasingly interested in dance music's underground roots.
Listen "Here We Go Again" below and find the new collaboration on streaming services here.
Follow Nicky Romero:
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EDM.com Fresh Picks: Daniel Allan, Pluko, ESPER & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Daniel Allan, Tiffany Day - Wish Upon A Star
ESPER, Janus - DOTA
edgarddd, Milkoi, P3PPER - FRIEND
Noche, NIA NADURATA - Waiting
bauti, Zachary - POHA
pluko - FALLING [Loop].wav
ayokay - Feel It
J.Views, Rhye - Love Affair
Billy Lemos, spill tab - Chip Away
AMNES - Pulsion
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i_o's Timeless Vision In "Castles In The Sky" Resonates Four Years After His Death

Four years ago today, the world lost i_o, the enigmatic techno visionary whose music felt like whispers from the future.
The last song he released before his tragic death was "Castles In The Sky," a radiant reimagination of Ian Van Dahl's trance classic of the same name. With its propulsive kick drums, cascading synths and poignant lyrics, the track encapsulates i_o's rare ability to honor the past while pushing electronic music into bold, uncharted territory.
i_o's rendition takes the shimmering, euphoric tone of the original and grounds it in his signature style: futuristic and deeply emotive. The lyrics, steeped in metaphor, evoke a longing for something untouchable, a dream seemingly just out of reach. 
Though "Castles In The Sky" is a cover, it's anything but derivative. The late producer approached it with reverence for its trance roots while giving it a modern edge. And by transforming the turn-of the-century track, i_o bridged generational tastes in electronic music with striking finesse.
View the original article to see embedded media.
Looking back, i_o’s broader work feels similarly prophetic. Melodic techno music now reigns supreme in the global dance market, and it’s easy to imagine i_o standing at the forefront of the movement.
Tracks like "Castles In The Sky" prove that he wasn’t just an artist of his time—he was an artist ahead of it, crafting music that resonates as deeply today as it did when it first graced our ears. Four years later, it still feels like a call to lose yourself in the moment and dream of worlds beyond the clouds.
Revisit the official music video for "Castles In The Sky" below and stream the track here.
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Breaking Boundaries: DJ Snake’s Outlaw Debut at Thailand’s 808 Festival

Get ready, Thailand—something extraordinary is about to shake the foundations of Bangkok’s music scene this December!
DJ Snake, the global hitmaker behind anthems like ‘Turn Down for What’ and ‘Lean On’, is bringing his enigmatic techno  alias, Outlaw, to 808 Festival for the very first time.

This isn’t just another headlining act; it’s a musical rebirth. Known for his genre-defying sound and unforgettable live performances, DJ Snake is diving deep into the techno underworld with Outlaw, showcasing a side of his artistry that fans have never seen before. It’s a bold move that promises to add a fresh pulse to the festival’s already electrifying atmosphere.

808 Festival, running from December 6 to 8 at the BITEC Convention Center, has pulled out all the stops this year.
With a lineup that reads like a who’s who of the electronic music world—including titans like Anyma, Adam Beyer, and Chase & Status—the addition of Outlaw elevates the event to a whole new level. It’s not just about big names; it’s about creating unforgettable moments.

Imagine the scene: the lights dim, the crowd hushes, and a new, hypnotic beat fills the air. Outlaw takes the stage, and
for the next couple of hours, you’re transported to a sonic landscape where techno reigns supreme. It’s raw, it’s immersive, and it’s a side of DJ Snake that’s both surprising and thrilling.

Fans are already buzzing with anticipation. Social media is ablaze with speculation about what Outlaw‘s set will entail. Will it be dark and brooding, or will it carry that signature energy we’ve come to expect from DJ Snake? 
One thing’s for sure: it’s going to be an experience that pushes boundaries and defies expectations.

This debut isn’t just significant for DJ Snake; it’s a milestone for Thailand’s burgeoning electronic music scene.
The country’s openness to diverse musical genres is turning it into a global hub for festivals and events that rival
those anywhere else in the world.

So, if you’re a fan of electronic music—or just love being part of something truly special—mark your calendars.

808 Festival is set to be the event of the year, and Outlaw‘s performance is the crown jewel. Don’t miss your chance
to witness history in the making. 
Grab your tickets, get your festival gear ready, and prepare to be part of an epic musical journey that will be talked about for years to come.

See you on the rave floor!
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Nonduality Drops Awesome Remix Of ‘No Clue’

Berlin-based Producer Nonduality takes on Frederik Neu and Jakob Mäder’s track ‘No Clue’ in his latest project, offering a House remix via Burning Synths for listeners to discover his signature sound and production skills. As he continues to bring music that highlights his eclectic array of influences, blending elements from different Electronic Music genres like House, Techno, Breakbeat, and Deep House, Nonduality keeps proving his ability to bridge sonic depth and rhythmic energy, now adding another fresh production to his catalogue of work. 
As Nonduality continues to carve his way, his rework of ‘No Clue’ marks another step forward in his evolving sound. First produced in the summer of 2023 and now released on Burning Synths, the Frederik Neu and Jakob Mäder original blends the genres of Indie Dance and House, giving way to a dance-floor-ready production that Nonduality has been enlisted to rework. As he heightens the House-heavy vibes with his groove-led remix, Nonduality brings a forward-thinking approach to the track, transforming the original with his signature atmospheric layers and rhythmic touch. Having recently released his collaboration alongside Eva Van Dijk titled ‘Bubblewrap,’ Nonduality continues to showcase creative versatility, showing no signs of slowing his momentum down soon as he offers yet another release for genre enthusiasts worldwide.
In his remix, Nonduality balances crisp percussive elements with rich textural details, crafting a track that feels both immersive and considered in design. Opening with a thumping kick and shuffled rhythms, the arrangement quickly evolves as dynamic pads and a funky bassline weave in, enriching the soundscape further with chordal hits and expressive melodies. As the rhythmic foundation and ambient motifs keep the track driving forward, underlying bouncy arpeggiators and layered synth work develop the sound of Nonduality’s remix further, giving way to an engaging listen poised to impress lovers of the style.
So, with his reputation growing, Nonduality continues to work towards making himself known, building his discography with innovative originals, powerful collaborations, and now this dynamic new remix. With his rework delivering a thoughtful and nuanced interpretation of ‘No Clue’, Nonduality’s latest release further establishes him as a talent to watch closely, so be sure to follow his journey via social media to keep up with his upcoming releases and new projects.
Nonduality’s remix of Frederik Neu and Jakob Mäder’s ‘No Clue’ is out now and  available to stream and download across platforms.
Beatport
Nonduality Online  
Spotify | Instagram | Website 
Burning Synths Online  
Beatport | Instagram
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Bass Music’s New Nightmare: AVANCE’s ‘I Saw The Screen Bleed

AVANCE’s “I Saw The Screen Bleed” lands like a love letter to horror’s golden age, written in thunderous bass and razor-sharp sound design. The Australian producer’s latest full-length transforms classic horror film tension into modern dubstep architecture, with each track building its own distinct atmosphere of dread.
Drawing from his deep study of film composers, AVANCE crafts a sonic palette that would make John Carpenter proud: serrated basslines slice through haunting atmospherics while calculated drops land with cinematic precision. While his contemporaries chase fleeting trends, he’s constructed something more permanent – a proper horror soundtrack for the bass music generation.
Between his adrenaline-soaked live shows and this album’s meticulous production, AVANCE continues to push dubstep into darker, more theatrical territory. “I Saw The Screen Bleed” doesn’t just sample horror’s playbook – it adds new chapters to it, proving that sometimes the heaviest moments come right before the drop.
The post Bass Music’s New Nightmare: AVANCE’s ‘I Saw The Screen Bleed appeared first on Dancing Astronaut.
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Matroda’s ‘Late Night Talks’ EP: Tech House’s New Blueprint

The yearly Matroda EP drop has become dance music’s most reliable dopamine hit. On “Late Night Talks,” the Croatian tech house architect doesn’t just meet expectations – he demolishes them with seven weapons-grade club tools, including three previously unheard bangers.
The collection plays like a perfectly programmed club night. “Britney” (with Dances) and the Martin Ikin collab “4U” (already a Beatport #1) set the tone with festival-tested muscle. The new additions prove equally lethal: “Came To The Club” delivers understated groove, “Down” serves retro house realness, and “Naughty Sax” injects Latin brass into the tech house template.
It’s fitting that a producer who cut his teeth on Led Zeppelin and Sinatra before dominating EDC Vegas and Ushuaia Ibiza would drop something this versatile. Between “When The Bass Kicks In” with its seductive vocal work and “Hangin’ On” straddling radio and rave appeal, Matroda’s proving why the “matrodasound” has everyone from Diplo to DJ Snake paying attention.
“Late Night Talks” isn’t just another tech house EP – it’s a masterclass in club construction.
The post Matroda’s ‘Late Night Talks’ EP: Tech House’s New Blueprint appeared first on Dancing Astronaut.
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Step Into the Psychological Battlegrounds of InteliDey's New Techno Track, "Ignite (Chaos)"

InteliDey is back with "Ignite (Chaos)," a sonic nightmare that crawls beneath your skin with eerie techno beats.
The UK electronic music producer, who is also an award-winning tech entrepreneur, lecturer and TEDx speaker, stuns with a propulsive yet haunting banger that feels both mechanical and viscerally alive.
A guttural, otherworldly voice sets the tone, slithering into focus with the line, "Reality isn't real—what you see is what you get." It's both unsettling and hypnotic, like staring into a mirror that might shatter at any moment.
The track, InteliDey says, is a timely one. As the scourge of AI-generated music continues to ripple through today's artist community, he says his new single moonlights as an urgent call to "critically evaluate the content they consume."
"In an age where generative AI is often used to create social media and news content, understanding what is real and what is fabricated is crucial to avoid confusion and misinformation," InteliDey explains. "'Ignite (Chaos)' serves as a call for self-awareness, encouraging individuals to question and verify content before believing it."

Listen to "Ignite (Chaos)" below.
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Ferry Corsten Connects Three Decades of Innovation with ‘Connect’

Ferry Corsten has once again cemented his legacy as an electronic music pioneer with the release of his sixth studio album, Connect. Spanning over 30 years of groundbreaking contributions to the global dance music scene, the album captures the essence of Ferry’s evolution as an artist. Out now on Flashover Recordings via Armada Music, Connect is a sonic masterpiece that bridges genres, generations, and emotions.
A Career-Spanning Journey
In Connect, Ferry Corsten reflects on his transformative journey through trance, house, progressive, and techno. Known for his chart-topping hits and iconic remixes, Ferry masterfully integrates his signature sound with new influences, making this album a celebration of his storied career. From high-energy anthems to emotionally rich compositions, Connect is a tapestry of the diverse styles Ferry has explored.
The album’s title track, ‘Connect’, serves as a conceptual centerpiece, uniting its themes of unity and musical diversity. This genre-defying single melds house, techno, and trance, offering fans a glimpse into the album’s broader vision of pushing boundaries while staying true to its roots.
Innovation Meets Nostalgia
What makes Connect truly remarkable is its ability to balance nostalgic elements with cutting-edge innovation. Collaborations with contemporary artists like Marsh, SUPERSTRINGS, and Silva City highlight Ferry’s commitment to fostering fresh talent while paying homage to his trance origins. Tracks like ‘Remember’ and ‘Yes Man’ deliver classic trance vibes, while ‘Just Breathe’ ventures into breakbeat territory, showcasing Ferry’s versatility.
A bold creative leap in the album is the use of AI-generated vocals, adding a futuristic layer to tracks like ‘Stay Awake’. This innovation reinforces Ferry’s belief in music as a limitless force, connecting listeners across time and space.
Highlights and Emotional Depth
Every track on Connect tells a story, from the hopeful tones of ‘Back To Life’ featuring Lauren L’aimant to the intense melodies of ‘Where The Mountains Grow’. Tracks like ‘Wish’ transport fans to the golden era of dance music, blending nostalgia with modern production. Meanwhile, progressive gems such as ‘Fulfilment’ and ‘Belong To You’ channel sleek, driving energy that keeps the momentum alive.
The standout track ‘Chain Reaction’, created over months of meticulous refinement, epitomizes Ferry’s gift for emotional storytelling. Its dynamic crescendos and melodic richness deliver a peak moment on the album.
A Legacy Redefined
With Connect, Ferry Corsten not only celebrates his illustrious past but also redefines his future. The album encapsulates his belief in music’s power to unite and inspire, weaving a rich, cohesive journey through genres and emotions.
Connect is more than an album—it’s a testament to Ferry’s unwavering dedication to innovation and artistry. Don’t miss this milestone release, now streaming worldwide.
Ferry Corsten – Connect | STREAM
The post Ferry Corsten Connects Three Decades of Innovation with ‘Connect’ appeared first on EDMTunes.
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Drumcode Returns to DRUMSHEDS with Adam Beyer & Vintage Culture

Taking the world by storm, label and event series Drumcode will be making its long-awaited return to DRUMSHEDS. After a monumental edition during DRUMSHEDS SS24 season, the Drumcode crew returns on Saturday 22nd March featuring head honcho himself Adam Beyer, Brazilian star Vintage Culture and a weighty lineup TBA.
Established by mastermind Adam Beyer in 1996, Drumcode has been a household name in the techno realm since its inception with international recognition and success in their releases, talent scouting and radio efforts. With takeovers at institutions such as Gashouder, Awakenings and Tobacco Dock.
For round 2, the imprint’s label leader Adam Beyer goes b2b with acclaimed Brazilian selector Vintage Culture in the UK for the first time with many more artists TBA. Renowned for his intricate remixes of songs from New Order and Pink Floyd, Vintage Culture makes his long-awaited debut in the UK. Idolised for his ability to captivate audiences across the globe Adam Beyer brings driving techno, rollers and hard-hitting sonics to the industrial warehouse making his return to London one not to forget.
Drumcode’s ability to programme some of the leading names in techno was demonstrated in season 2 with names such as Kölsch, Layton Giodarni, Rebūke and Stephan Bodzin (LIVE). It is only a matter of time before we see what calibre of talent is arriving to London for DRUMCODE part 2.
For more information and to sign-up, please visit the official website.
Stay tuned for more news!
The post Drumcode Returns to DRUMSHEDS with Adam Beyer & Vintage Culture appeared first on EDMTunes.
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BPM Costa Rica Drops Final Phase Of Their Stacked Lineup

The BPM Festival: Costa Rica 2025 expands its transformative edition with a monumental phase two lineup announcement, adding an impressive array of underground talent to its new jungle paradise. Set against the breathtaking backdrop of Playa Avellana, Costa Rica from January 8-12th, 2025, the festival welcomes over 50 additional artists to join its already stellar roster.
Phase two introduces, German melodic techno virtuoso Innellea, Brazilian tech-house sensation Classmatic, the Miami-based Space Club mainstay Malóne, French minimal masters Shonky and Traumer, and many more alongside previously announced heavyweights Adriatique, Âme (DJ), ARTBAT, CAMELPHAT, Francesca Lombardo, HUGEL, Jan Blomqvist (Live), RY X (DJ), and more. Multi-day passes including weekend passes are available to purchase now.
Headlining the phase two revelations are some of underground electronic music’s most compelling voices. Innellea‘s distinctive melodic techno promises to create unforgettable moments under the Costa Rican stars, rising U.S. selectors ChaseWest, Ky William, and Malóne are set to showcase their fresh perspectives on house music, while dynamic Brazilian talent Classmatic will deliver his signature blend of upbeat, groove-drenched sounds. The lineup expands further with noteworthy additions including Arodes, Manda Moor, Mira, and an impressive roster of South American talent including Maria Wabe, DH Moon, Richard Salazar, and Tony Guerra.
With the phase two lineup now revealed, attendees can expect over 90 artists delivering nearly 120 hours of music across five days and nights, spread between two nighttime jungle stages in Playa Avellana and daytime beach parties at Tabu, Ocho Beach Club, and Chiquita’s in Tamarindo. 
You can purchase tickets here for the festival!
The post BPM Costa Rica Drops Final Phase Of Their Stacked Lineup appeared first on EDMTunes.
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YDG Lands on HypnoVision With Wobbly Dubstep Track, "Echo"

Surging bass music producer YDG has released "Echo," a grimy showcase of his production skills.
Using no shortage of bass to scratch every itch in our brains, the track alternates between haunting vocals and grating saws, both of which fittingly echo through the arrangement to breathe life into its title.
With a knack for producing popular remixes like that of John Summit and Sub Focus' "Go Back" and its murph's "Down Low," YDG has been on a roll releasing original music. Earlier this month, he dropped "Lose Control" a track that found him flexing his versatility in both dubstep and drum & bass.
Out now under Rezz's HypnoVizion Records banner,"Echo" follows YDG's landmark performance at EDC Orlando. The second phase of his "You + Me" tour recently kicked off and will continue into 2025. 
Listen to "Echo" below and find the new single on streaming platforms here.
Follow YDG:
X: x.com/itsydg
Instagram: instagram.com/itsydg
TikTok: tiktok.com/@itsydg2
Facebook: facebook.com/itsydg
Spotify: bit.ly/3YlXh5V
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Amelie Lens and Charlotte de Witte Urge Fans to Stop Comparing Female DJs

In a recent joint interview at the Amsterdam Dance Event, techno superstars Amelie Lens and Charlotte de Witte urged fans to stop pitting female DJs against each other.
Before the pair's first-ever collaborative performance, they sat down for an intimate interview in a panel at ADE, the world's preeminent electronic music summit. Amidst lighthearted anecdotes and musings about the state of today's music industry, Lens and de Witte opened up about the pitfalls of female DJs and asked fans not to compare them.
"It's so emotionally, creatively draining," Lens said before noting that male artists rarely face the same issue. "Honestly, no one is ever saying, 'AIROD is better than Farrago. It's typical for female DJs. So just stop it please."
After expressing her agreement, de Witte chimed in with some words of encouragement for female DJs and producers facing the proverbial jury.
"We are not against each other—we are with each other," she asserted. "We are the sisterhood. We support each other."
You can watch clips from Lens' and de Witte's interview below.
View the original article to see embedded media.
Follow Amelie Lens:
X: x.com/amelielens
Instagram: instagram.com/amelie_lens
TikTok: tiktok.com/@amelielenske
Facebook: facebook.com/amelielensmusic
Spotify: tinyurl.com/bd5s394c
Follow Charlotte de Witte:
X: x.com/charlottedwitte
Instagram: instagram.com/charlottedewittemusic
TikTok: tiktok.com/@charlottedewittemusic
Facebook: facebook.com/charlottedewittemusic
Spotify: spoti.fi/2ZDewDm
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Seismic Dance Event deserves its place amongst today’s list of must-attend dance music festivals [Review]

Words by Ross Goldenberg and Zach Salafia
Just take a few moments to think of a few dance music festivals from the top of your head.
Over the past decade-plus, we’ve had the fortune of festivals like Ultra, Tomorrowland, and CRSSD Festival becoming a constant in our event calendar. And while we have zero plans of those annual trips changing anytime soon, it was time for Dancing Astronaut to broaden its festival horizons and travel to a weekend-long event that wouldn’t have necessarily come straight to mind had we been asked that original question in years past. But one thing that we did know ahead of time is that year in and year out, Seismic Dance Event has routinely curated one of the finest billings in house and techno in today’s festival landscape. 
When the Real Music Events-backed festival published its 7.0 edition lineup this past May, it grabbed our attention without even reading until the very bottom of the poster. A couple of months later and we turned that temptation into reality, with a plan fully locked in to head to Austin in November and secure some first-hand verification surrounding the endless number of positive comments that we’ve heard about Seismic Dance Event. And after those three days were all said and done, we can officially confirm that we were able to do just that.

To set both the literal and figurative stage for those continuing to read, Seismic Dance Event mainly finds itself occupying the surrounding grounds of Austin’s go-to locale for dance music, The Concourse Project, which includes the Tsunami stage—the festival’s outdoor mainstage—as well as a pair of more intimate stages known as The Realm and The Secret. But Seismic also has a footprint within The Concourse Project—a year-round, indoor venue on the site—where attendees can find the Volcano stage. Within just moments of stepping out of our Uber—which we would like to note was an incredibly seamless method of transportation both to and from the site—and strolling around the festival, an early takeaway we gathered was that Seismic—which self-describes itself as a “boutique festival”—had both an intimate event feel while simultaneously feeling more than spacious. Areas like food concessions, merch, and bathrooms were nothing more than a stone’s throw away and had virtually little to no lines any time we’d walk by.

Unlike larger-sized festivals where travel time between stages expectedly must be accounted for, Seismic’s compact layout made it nearly painless to bounce from stage to stage, with congestion and sound bleed having not crossed our minds for an instant. And we say “nearly painless” because as many can attest to, there was often a lengthy line to enter the Volcano stage, which we would very loosely label as our one and only “complaint” of the weekend. But that’s simply the unfortunate reality of a space that can only fit 2,000 people of the 5,000 or so daily festival attendees. Especially when there were several highly anticipated sets like Wax Motif back-to-back Matroda, Max Styler, Cloonee, and more going on inside.
And while we’re not entirely sure what Seismic’s direct answer to that problem would be, we’d like to counter the above sentence in saying that the Volcano stage never felt the slightest bit overcrowded at any point during the weekend. And the same can be said for any of the other stages. We all know that‘s become a serious topic of conversation in today’s day and age as well as being a key determining factor when deciding the next event or festival to attend. Even when the headliners came on at either Volcano or Tsunami, there always seemed to be plenty of space to move in any which direction.
Something else that we also felt the need to point out is the neighborly community the Seismic team has cultivated. Throughout our entire stay, everyone we’d come in contact with—from Seismic attendees to Seismic’s festival staff to Seismic’s two owners, Kelly Gray and Andrew Parsons—were welcoming, friendly, and open-armed at any moment of the day. And that genuinely added another layer of enjoyment to our overarching Seismic experience.

We—of course—cannot continue this without diving into the actual reason we made the trip out to Austin: the lineup. It’d be a severe understatement if the word “stacked” rolled off our tongues when describing the list of names that Seismic rounded up for its 7.0 installment. And we knew that from the moment we had laid eyes on the poster back in May. 
We could spend the next several hours talking about every single set that we’d taken in during those three days, but we’ll do our best to condense it all for now.
Our weekend commenced on Friday at the Tsunami stage as the sun began to fall during Madison Palmer, Seismic’s own Andrew Parsons, and Layton Giordani. And as nightfall ensued, we journeyed into The Concourse Project—for the first time—for a string of tech-house sets from Westend, Deeper Purpose, and Sonny Fodera before ultimately returning back outside to close day one with the Dark Prince himself, Gesaffelstein. Immediately following the final moments of day one, we had our doubts about how day two or day three could possibly surpass our debut stint at Seismic. But we were gladly proven wrong, with day two including a pair of standout sets from melodic techno favorites like KAS:ST and Massano at Tsunami before we were led back to the Volcano stage for Riordan, Max Styler—who we ultimately crowned as Dancing Astronaut‘s weekend favorite—and finally, Waxtroda. And our day two festival evening concluded back outdoors at Tsunami once again with Carl Cox’s hybrid set. In between our Sunday to truly explore everything the festival had to offer beyond its two primary stages, we still tallied up some memorable performances from Jerro, Sammy Virji, Disclosure, and none other than Eric Prydz himself—who was accompanied by a brief rain mist—to cap off the festival portion of the weekend.
Seismic’s lineup was about as well curated as it possibly gets from top to bottom, with headliners fully cashing in on the lofty expectations that we had for them and Seismic’s well-rounded undercard delivering countless standout moments from the weekend. And aside from the on-and-off again rain—which we were admittedly in favor of—that had sprinkled in throughout Prydz’s closing appearance, we have to make mention that our first trip to Seismic had certainly lucked out considering the absolutely sublime weather that served as the backdrop to the weekend.

We would be remiss if we didn’t nod to what went on once the festival curfew hit each evening and the party moved indoors. Normally once a festival concludes, the journey must be made elsewhere for those looking to extend the evening. But a massive perk of Seismic’s approach was that its afterparties were hosted on site within both The Concourse Project as well as a separate room—no more than 100 yards away—called Club BLK. And we found ourselves in either of the two rooms into the early hours of each morning, switching off between locations on night one, spending night two with Riordan and Matroda, and expectedly rounding out the weekend with Jerro before receiving a two-hour masterclass of a set from Eric Prydz under his alter-ego, Cirez D.
For as intimate as the Seismic feels upon first glance, its production undoubtedly holds its own amongst the best as soon as everything kicks into action. Seismic’s stage designs were top-tier across the board—with a special shoutout to PHASE[3] Concepts, who were behind the Tsunami’s stage design—and its sound quality seemed to rival any club or festival setup that we’d previously come in contact with. Factoring in everything from its stage and lighting production to its sound quality to simply the room on the dancefloor, The Concourse Project felt like it was amongst the finest indoor spaces that we’ve had the pleasure of experiencing thus far. And it even had an additional LED panel that spanned a majority of the roof—which was implemented solely for the festival weekend—which certainly elevated the Volcano stage experience. But even without that roof LED addition, The Concourse Project felt like a first-class space that we are itching to visit again during a non-Seismic part of the calendar.


If we could sum up our weekend in Austin in just one sentence, it would be the following: Seismic Dance Event is the pound-for-pound best festival that we’ve ever experienced in more than a decade of attending dance music events.
We’d never been to Seismic. We’d never been to Austin. And we’d never even step foot in the state of Texas. While reminiscing at the airport on Monday morning, we consistently found ourselves bringing up the idea that the weekend went about as flawlessly as it gets when it comes to all the moving parts that make up a festival trip. And with the year-long countdown now on until Seismic’s 8.0 edition in 2025, we are one-million percent in favor of giving Seismic Dance Event a permanent spot on the Dancing Astronaut event calendar going forward.
Thank you so much to Seismic Dance Event, Real Music Events, The Concourse Project, and all of those involved that made the festival happen.
Featured image: Anthony Djuren
The post Seismic Dance Event deserves its place amongst today’s list of must-attend dance music festivals [Review] appeared first on Dancing Astronaut.
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