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Picture a collaboration that crosses borders, a creative endeavour that transcends the limitations of geography and genre. On one side, you have the iconic Berlin-based Keinemusik and Boys Noize, bastions of the underground music scene. On the other, you have the sultry tones of Vinson, adding a touch of soulful charm. The result? An addictive track that dances on the edge of longing and raw electricity.
And where, you might ask, was this musical masterpiece conceived? Partly in the heart of Berlin, amidst the thrumming energy of the city’s thriving music scene, and partly within the legendary Shangri-La Studios in Malibu. A place of musical alchemy and myth, where the walls are etched with the echoes of past legends and future hits. ‘Crazy For It,’ is available today HERE!
Get ready for the next chapter of the Keinemusik phenomenon, just days ahead of the beginning of the summer season. We’ll keep an eye on it all to see if the boys lock in another year leading the charts of the beach parties and golden sunsets!
ABOUT KEINEMUSIK:
Keinemusik has been around since 2009. It has been named an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year has been released ever since, solely laid down by members of the crew. And a considerable number of label parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!
Keinemusik is a network with the label as the pulse-pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts, or with DJ sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department, ‘Worldwide Dancing Club’, established in 2018, is another.
ABOUT BOYS NOIZE:
BOYS NOIZE (Alex Ridha) builds worlds, then builds bridges between them. Propelled by an infatuation with sonic invention and a prescience for subculture, the German-Iraqi artist, DJ and producer has developed a peerless practice that is both deeply informed by electronic music history and determinedly transcending conventions. As an international festival headliner and A-list producer, BOYS NOIZE embodies the transformation and expansion of 21st-century techno, house and electro into the current zeitgeist, and he has the GRAMMY win to prove it. Yet as a Berliner and lifelong DJ, he remains dedicated to the underground, regularly flexing the decks at techno meccas and experimenting through a multiplicity of multi-genre aliases. Some fans find BOYS NOIZE through his productions for A$AP ROCKY and FRANK OCEAN, or his film scores for OLIVER STONE’s “Snowden”; through his house hit “Mvinline”, or his collaborative projects OCTAVE MINDS and DOG BLOOD with SKRILLEX, as well as an EP and OFF-WHITE capsule collection with VIRGIL ABLOH; through his remixes for DAFT PUNK, YEAH YEAH YEAHs and DEPECHE MODE, his features with RICO NASTY, PUSSY RIOT and KELSEY LU, or reworks of SHYGIRL, SEGA BODEGA and SOPHIE; through this year’s blazing run of 140+ bpm techno tracks and remixes, or the massive “Fine Day Anthem” with SKRILLEX. BOYS NOIZE’s most important collaboration of all, however, is with the ravers that join him across the globe from basements to warehouses to the main stage.
ABOUT VINSON:
Brenton Vinson, also known as Vinson, is a recording artist, producer and songwriter from Detroit, Michigan, now based in Los Angeles, California. As a vocalist, rapper, and producer, his music integrates many influences found in Detroit’s rich musical history, from raw underground hip-hop, soul, house and techno. VINSON also draws inspiration from his family’s involvement in Detroit’s musical history, with one great uncle being the lead singer of the iconic Motown singing group “The Four Tops” and the other singing for both “The Falcons” and “The Contours”. His debut project, U and Me at 3:03, includes a blend of deep house, hip-hop and futuristic soul and was featured in the new and notable section of the Bandcamp.com homepage. He has performed in support of hip-hop and soul artists such as Ghostface Killah, Goapele, DUCKWRTH and more. Also on his resume are official showcase performances at both SXSW in Austin, Texas and AC3 in Atlanta, Georgia. In 2021, a remix EP of U and Me at 3:03 will showcase remixes from electronic music producers such as AshTreJinkins, Russell E.L. Butler and Benedek. VINSON plans to follow up this release with a project entitled “Loose Rap” in fall 2021, which will be a postmodern interpretation of both boom bap hip-hop and neo-soul genres.
The post Keinemusik, Boys Noize & Vinson Team Up For ‘Crazy For It’ appeared first on EDMTunes.
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Digital Ethos aka Charlie Quigley is a South Jersey based electronic music producer.He has already gotten support from the likes of Liquid Stranger, Rezz, and Space Jesus, to name a few. The ‘Digital Ethos Project’ derives from the collection of ideas and inspiration gathered from all genres of music, creating a new take on what we consider weird, experimental, and heavy. Digital Ethos has made a yearly habit appearing on HypnoVizion, first in 2023 with ‘Kill Em’ and again in 2024 with ‘FLIP THE TRACK’. ‘Get Busy’ continues that trend, pushing his signature into rawer, more rhythmic territory. The new single introduces warped percussive layers, grimy textures, and hard-hitting vocal samples, with a sharpened focus on sonic dimension. With ‘Get Busy’, Digital Ethos showcases the experimental architecture that sets his sound design apart. Listen here
Digital Ethos has carved a unique lane with his ominous blend of experimental bass and hip-hop production. His originals have garnered the attention of labels like WAKAAN, Deadbeats, and Bassrush, and taken him to the stages of festivals like Electric Forest and Shambhala. Now with his third solo single on the label and collaboration with Rezz under his belt, Digital Ethos will once again join the labelhead on October 19 for her special Nightmare On Rezz Street 3 performance at Red Rocks Amphitheatre.
The post Digital Ethos Return to HypnoVizion with ‘Get Busy’ appeared first on EDMTunes.
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Quickly rising genre-defying producer and artist, Aaron Hibell released his first single of the year titled ‘s.o.s.’ today. This is the first single from his highly anticipated upcoming debut album releasing later this year. ‘s.o.s.’ is a sorrowful anthem full of cinematic elements big room textures, and a wild energy that’s just as expansive as it is emotional. Listen here.
Aaron Hibell has had an incredible start to 2025 as he was included in Dancing Astronaut and EDMIdentity’s “Artist To Watch for 2025” lists. He has received support from artists like CamelPhat, Tiësto, Sara Landry and so many other heavy hitters in the dance scene. CamelPhat recently remixed his and Alex Wann’s single, ‘set me free’ while Tiësto has been playing Aaron’s tracks within his headline sets across the world. Sara Landry featured Aaron on her debut album Spiritual Driveby for their collaboration ‘Veni Vidi Vici.’
The post Aaron Hibell Releases Lead Single: ‘s.o.s.’ for Upcoming Album appeared first on EDMTunes.
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Don Diablo and Nelly Furtado have teamed up for maybe the song of the summer. For the first time, Don and Grammy-winning Nelly Furtado are collaborating on a dance-pop track, ‘Doing Nothin.’ The house anthem is perfect for any sunny day and will put a smile on your face. Perfectly titled, I think we all would love some summer days of Doing Nothin. Nelly’s signature vocals bring life to the breaks. Don’s innovative production is on full display throughout, but particularly in the drops with a very catchy melody.
Don Diablo, known for his innovative approach to electronic music, has been a formidable force in the dance music scene for over a decade. He took to Instagram to announce that this record has taken over a year to make.
With hits like ‘On My Mind‘ and ‘Cutting Shapes,’ he has consistently pushed the boundaries of the genre, earning him a spot in the top 10 of DJ Mag’s Top 100 DJs list for several years. He collaborated and remixed a wide range of artists, including Dua Lipa, Justin Bieber, Gucci Mane, Ed Sheeran, Mark Ronson, Travis Barker, Miley Cyrus, Rihanna, Madonna, The Chainsmokers, Coldplay and many more. Beyond music, he is the creative lead for HEXAGON fashion. He has collaborated with Disney, Lucasfilm, Netflix, and Star Wars.
With over 20 billion streams, 35 million albums sold worldwide, and multiple #1 hit singles, Nelly Furtado is an undisputed icon whose innovative songwriting shaped an era and transformed pop music. Her unique “Nelly sound” has earned her Grammy and Latin Grammy Awards, 10 x JUNO Awards, Multi-platinum certifications, and millions of fans around the world.
The post Don Diablo & Nelly Furtado are ‘Doing Nothin’ On New Single appeared first on EDMTunes.
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In a groundbreaking collaboration that blends the past, present, and future of bass music, dance music titan Seven Lions and rising genre-defying producer YDG join forces for the first time on the electrifying new single, ‘Man Down‘—out now on Ophelia Records.
The track is a sonic rollercoaster that captures the essence of both artists’ distinctive styles with robotic wobbles, old school dubstep leads, and trance-inspired arpeggios, all anchored by the haunting, emotionally-charged vocals of Bella Renee. The result? A head-turning anthem that pushes the boundaries of melodic bass and experimental sound design.
Seven Lions, the moniker of Jeff Montalvo, has long been revered as a pioneer of genre-blending in electronic music. Since his breakout remix of Above & Beyond’s ‘You Got To Go’ in 2012, he’s carved out a singular path—releasing genre-melting hits like ‘Strangers,’ ‘Rush Over Me,’ and ‘Need Your Love.’ With his 2022 debut album Beyond the Veil and high-profile collaborations through 2024, Seven Lions continues to evolve while headlining global stages like Red Rocks, Ultra Miami, and Electric Forest. Through Ophelia Records, he’s created a platform that not only champions melodic bass but also nurtures the next generation of genre-pushers.
YDG, one of bass music’s most buzzed-about new talents, is experiencing a meteoric rise. With a sound that straddles dubstep, experimental bass, and viral remixes, he’s earned co-signs from heavyweights like Zeds Dead, John Summit, and DJ Diesel. His remix work—especially on ‘You & Me,’ Marshmello’s ‘Bad Boys,’ and the viral ‘Go Back’—has racked up millions of plays. Following a 23-stop YOU + ME Tour that sold out venues across the globe, YDG is cementing his place as both a studio wizard and a crowd-moving performer.
On vocals, Bella Renee delivers an unforgettable performance. Known for her magnetic blend of sultry vocals, heavy-hitting bass, and raw, heartfelt lyrics, Bella has quickly become a force to be reckoned with. Since launching her project in 2021, she’s surpassed 50 million streams, earned features from EDM.com and Dancing Astronaut, and released on elite labels like Monstercat, Bassrush, and Dim Mak. Her upcoming drum and bass EP on Dim Mak marks a historic first for the label and positions her as a pioneering voice in the genre.
The post Seven Lions & YDG Debut Collab: ‘Man Down’ feat. Bella Renee appeared first on EDMTunes.
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Today, Palm Tree Crew, the entertainment, lifestyle, and hospitality platform co-founded by Kygo and his manager, Myles Shear, announces its strategic investment in Mary Lou’s, the lavish new hospitality concept that turned heads this winter in Palm Beach and is set to take on the Hamptons this summer. In connection with the investment, Palm Tree Crew and Mama Hospitality (the founding team behind Mary Lou’s) will form a holding company to capitalize on strategic opportunities for growth and expansion of the Mary Lou’s brand and IP.
By investing in Mary Lou’s and its operating group Mama Hospitality, Palm Tree Crew provides the global platform and strategic infrastructure to continue scaling a brand already commanding attention through its creative conviction, late-night excellence, and experiential storytelling. Together, they’re shaping a new kind of concept-first hospitality company defined by cultural fluency, boundary-pushing vision, and cross-industry influence.
Forged at the intersection of luxury lifestyle and marquee entertainment experiences, this investment signals the emergence of an evolved nightlife paradigm defined by pedigree, passion, and precision. By combining Mama Hospitality’s operational mastery, concept-driven execution and late-night acumen with Palm Tree Crew’s entertainment authority, cultural influence, and access to world-class talent, this partnership sets a new standard for hospitality—built to last, designed to disrupt, and poised to shape the cultural landscape of every market they enter.
Mary Lou’s was conceived by hospitality visionaries Alex Melillo, Joe Cervasio, and Topher Grubb as a restaurant, cocktail lounge, and entertainment hub that defies conventional categories. Operated under Mama Hospitality, the brand has already demonstrated its strength as an incubator for original talent, genre-bending programming, and an immersive environment that keeps guests coming back. Since opening its doors in Palm Beach in January, with collaborators like SOFI TUKKER as Creative Entertainment Directors, Mary Lou’s has emerged as a fearless new player in the experiential hospitality space.
As part of this strategic partnership, Palm Tree Crew is coming in as a leading investor to support Mary Lou’s Palm Beach and help bring its newest concept – Mary Lou’s Montauk, opening this Summer – to life. With its original visionaries still actively shaping its trajectory, Mary Lou’s next chapter will be fueled by the same creative conviction and exacting standards that have positioned it as an explosive provocateur challenging the industry, powered by Palm Tree Crew at its side.
The investment is the latest milestone in a breakout year for Palm Tree Crew, which has expanded its presence across both the hospitality and entertainment sectors, including the launch of destination venues in Las Vegas, Miami and Orlando, and continued global growth of the Palm Tree Music Festival.
As part of the deal, Palm Tree Crew and Mama Hospitality will launch a new holding company that will serve as the umbrella for Mary Lou’s and future concepts. Mary Lou’s will also act as the official nighttime hospitality counterpart to Palm Tree Crew’s iconic daytime festival presence, extending guest experiences into a full 360-degree cultural journey.
For more information about Mary Lou’s, please visit here. For more information about Palm Tree Crew, please visit here.

The post Kygo’s Palm Tree Crew Acquires Stake In Mary Lou’s to Usher In A New Era Of Hospitality & Nightlife appeared first on EDMTunes.
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Tips hint at DJI releasing a new generation of vlogging cameras. The “Osmo Pocket 4” is set to be the first of its kind to feel the power of elite co-branding. This is a luxury that has been exclusive to OEM Drones.
The DJI Osmo Pocket Series
Recently, the Osmo Pocket 3 is the go-to solution to handheld 4k vlogging according to DJI. A vast majority of Youtube influencers agree. However, it’s time for the new generation of handheld vlogging devices to take the torch. The new Osmo Pocket 4 is marketed to be its highest exponent to its date. The gadget, allegedly, will be the first DJI ‘Action Camcorder’ with Hasselblad cameras, similar to the Mavic 4 Pro drone.
The camcorder would then rival instruments such as the Leica-branded Insta360 Ace 2 Pro, with a similar premium co-branding. However, the Osmo Pocket 4 would not get the 100mp sensor the drone has.
DJI’s expansion of the Hasselblad-improved devices is a possibility in the near future. The company is asserted to take over 75% stake in the Swedish camera maker. While we wait for this revolutionary device, though, the Pocket 3 is available for $799.99 on amazon.
The post DJI And Hasselblad Could Be Launching Something Big appeared first on EDMTunes.
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Internationally acclaimed producer, live electronic artist Monolink continues his prolific run of output in 2025 with ‘Avalanche‘. The powerful new single that blurs the line between club culture and cinematic storytelling. Released via Embassy One, the track arrives hot on the heels of the announcement of his third studio album, The Beauty Of It All (out September 26).
‘Avalanche’ is built on Monolink’s signature fusion of atmospheric production and emotive songwriting. ‘Avalanche’ feels like a slow-motion freefall through memory and feeling. Subtle synth work, intricate percussion, and haunting melodies create a soundscape that pulls you inward; reflective, rawand deeply immersive. His vocals drift through he mix like a ghost, grounded yet transcendent, as the track builds with restrained intensity. It’s dance music for twilight moments, where introspection and rhythm live side by side.
The official music video, directed by Zoe Stiletano and Vasco Alexandre, deepens the track’s impact. It unfolds as an expressive, short film that eschews linear storytelling for something more fluid and emotive. Set in the early hours of the morning, as a city slowly begins to wake up, two individuals–a woman and a man–begin their separate journeys through quiet urban spaces. The city feels paused.
Coinciding with the album release, Monolink has also just announced a major European tour for fall 2025, bringing The Beauty Of It All to life on stage in some of the continent’s most iconic venues.
The post Monolink Drops New Single ‘Avalanche’ appeared first on EDMTunes.
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Alex Cecil drops a high-energy track, ‘Hola Papi:’ releasing his newest production on Playero Records, he highlights his groove-heavy sound, underlining the creativity and technical skill behind his approach. Blending driving beats with playful details, ‘Hola Papi’ delivers a dancefloor-ready vibe – showcasing Alex Cecil‘s ability to fuse infectious energy with sophisticated sound design. 
Through a soundscape where balanced rhythms meet with seductive vocal hooks, ‘Hola Papi’ unfolds into a dynamic sonic journey, revealing atmospheric moments that seamlessly manage tension and release while maintaining an engaging flow throughout. As catchy melodic motifs and bassline progressions weave amongst the arrangement, intricate percussive textures uphold the crisp, sharp groove of the track, continuing to build momentum through breakdowns and drops. With synth work layering in as the track journeys on, integrating pads, risers, and bouncy lines into the mix, ‘Hola Papi’ develops an evolving sound, introducing Alex Cecil’s diverse sonic palette and showcasing his approach to blending rhythm, texture, and melody in a cohesive and engaging way. 
With a rich musical background, Alex Cecil continues to lean on his creative origins to craft work that feels fresh and unique. Refining a sonic identity with the aim to create music that resonates with listeners, he seeks to build connections through both his studio output and live performances – an approach he highlights further in this latest release. As his creative ambitions remain high, building off career highlights that include releasing on labels like 925 Music, RVDIOVCTIVE, and Deep Playa, and taking to iconic festival stages, such as Burning Man and Hideout Festival, Croatia, Alex Cecil maintains his momentum. 
Now, adding another track that captures his signature style to his discography, he once again invites genre enthusiasts to explore his approach, skill, and creativity – enveloping them in his sonic world through the soundscape of ‘Hola Papi.’
‘Hola Papi’ is out now via Playero Records, available to stream and download across all major platforms.
Make sure to keep up with Alex Cecil and his evolving journey by staying tuned for his upcoming releases, projects, and performances via social media.
Listen and Buy ‘Hola Papi’ here:
Alex Cecil Online   
Instagram | Beatport | Spotify   
Playero Records Online   
Instagram | Beatport
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Stepping back out with another Afro-Electronic production, IXYALA reveals ‘Canvas.’ Fresh from the release of his debut single, ‘AfroTech,’ a track that marked the first steps of his new project, the Producer and DJ aims to build momentum, seeking to establish a strong footing within the world of Electronic Music as he shares new music and starts to make a name for himself. 
With influences that range from underground Dance culture to the musical landscape of his heritage, IXYALA has been working to carve an identity where African flavours converge with Electronic production. Bringing a modern, yet deeply rich sound, he is building a discography where each release delivers something that feels fresh; rooted in the sounds that have shaped his journey, his music reflects an Artist with a clear sense of direction and vision for the road ahead. Through ‘Canvas,’ IXYALA offers another track highlighting his signature style and genre-blurring approach, carving a soundscape marked by hypnotic rhythms and considered sound design. 
From the steady beat to the pulsing, interlayered synths, the production evolves with intent; unfolding into an arrangement where melody and rhythm hold equal weight, the distinct sonic fusion that grounds IXYALA’s approach is on full display in ‘Canvas,’ delivering futuristic elements together with tribal infused details. As the spoken vocals layer on top of atmospheric pads, punchy low-end progressions, and percussive textures, the soundscape continues to develop its tapestry of sound, adding timbral richness with risers, industrial-sounding leads, and melodic motifs. A dynamic sonic journey that reveals new depths of IXYALA’s creativity, ‘Canvas’ arrives as a strong entry to his growing catalogue, seeing him maintaining his originality whilst still exploring the connection between his musical roots and the landscape of contemporary Electronic Music. 
As he embarks on this next phase of his artistry, IXYALA continues to balance skill with a pursuit of innovation; remaining committed in his approach, he seeks to uphold originality and establish an identity that stands out both for its sound and energy. 
So, with this single marking the newest glimpse into his creative vision, IXYALA invites listeners to discover his sound and listen now to his latest release, ‘Canvas,’ available to stream and download across platforms. 
Follow IXYALA via social media to stay updated on his upcoming releases and news. 
Stream and Buy ‘Canvas’ here:
IXYALA Online 
Spotify  | Instagram 
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Sound Waves in Esmoriz will feature on its Main Stage 9 women who represent the present and future of techno and hard techno at all levels.
We kick it off with two undisputed queens of the hard techno scene: Rebekah and Fatima Hajji. After years of relentless dedication, molding their craft like clay, they now rule the dance floors. Their style and their overwhelming personality mixed with a long career behind has taken the 2 DJs to all the biggest stages of the scene and promises their sets to be nothing short of legendary.
From Rebekah, expect drops from another planet, pounding kicks that span the hard spectrum, and a final touch of hardcore intensity. Fatima Hajji, on the other hand, will dazzle with her technical prowess, three-channel mixes, clever transitions, and a track selection that never fails to ignite the crowd.
From experience to youth. The scene has changed, and new talents have emerged, not only standing out for their music but also for their stage presence. This is the case of Cloudy, Novah and Jazzy. Three women who have recently made the leap to the big stage, but they don’t look like they’re slowing down. Cloudy is a complete artist, from four channels of schranz to a groove with bouncy touches typical of the 240KM/H label with whom she has a great relationship. Novah is the showman turned artist, and Jazzy is the visceral force that conquers with industrial hammer blows.
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The Canadian DJ’s ‘Bye Bye Plastic Foundation’ has announced a significant partnership with London clubs Gallery and B Club which launches on 19th June.
BLOND:ISH’s charity, Bye Bye Plastic, has hooked up with West London’s trailblazing GALLERY and B Club for a bold and pioneering partnership. The Foundation aims to reduce single-use plastic in the music industry with a host of club, events & artists-first programs.
The Canadian artist will play Gallery, the new West London club on Thursday June 19 to launch the collaboration at Gallery and its sister venue B Club. Going forward, both clubs will donate £1 from every glass bottle of water sold, to the foundation. 
“Creating a greener future through the music industry and nightlife is really important to us at Gallery and B Club,” says Barth Rougier, founder of West London’s Gallery and B Club. “We’ve already eliminated single-use plastic from our drinks service so partnering with BLOND:ISH and Bye Bye Plastic to work on future initiatives and help spread the word of the foundation’s work is an exciting prospect for us. There’s more projects in conjunction with the foundation which we’re excited to announce soon.”
BLOND:ISH has been leading the charge when it comes to setting a new environmental standard in the dance music world. Bye Bye Plastic is a disruptive foundation working to remove single-use plastics in the music industry by initiating conversation, facilitating solutions and building a growing community around the movement. 
“It is genuinely rewarding to gather the support of dedicated players like Gallery & B Club. It shows we can get loving & caring fuel from right within the industry, and create a virtuous impact circle for People, Planet & Party. Now it’s time to widen the circle!”
Camille Guitteau, co-founder of Bye Bye Plastic
The Zero Plastic Club initiative has run in France for the past two years. Twenty four nightclubs made a collective promise to eliminate plastic water bottles from their dancefloors, meaning the program achieved the prevention of over 10 tonnes of plastic from entering the scene annually. Bye Bye Plastic is now working with the NTIA UK to secure funding for a UK initiative. 
The foundation also has an ‘Eco-Rider’ initiative which more than 1500 artists have signed up for. This promotes a greener approach to touring and is currently being used by artists including Pete Tong, Idris Elba, Ben Klock and Ida Engberg.  
BLOND:ISH was recently announced as the first ever female resident at Pacha Ibiza where she will head up her ABRACADABRA party throughout summer. She will bring those same euphoric, emotionally resonant and high-vibrational sounds to Gallery this June. 
Gallery and B Club are both already single use plastic-free. The West London venue; Gallery, opened at the end of March and has already become a vital new space for serious music lovers with its state-of the art sound system, raw underground aesthetic and a 360-degree DJ booth. The 400 capacity venue has a unique edge that cannot be found anywhere in this part of the capital and has so far welcomed the likes of Miguelle & Tons, William Djoko, and Jaden Thompson with Prospa, Seth Troxler, Rossi, Pete Tong, Nic Fanciulli and more planned throughout May. 
With this renewed commitment to environmentalism and forward thinking partnership with BLOND:ISH and Bye Bye Plastic, Gallery once again cements its status as London’s most essential new venue.
Head to https://byebyeplastic.life/ for more info about Bye Bye Plastic Foundation.
Gallery London
www.galleryclublondon.com
2a Kensington High Street, W8 4RE
Head to https://www.instagram.com/galleryclublondon/ for the latest news from Gallery.
B Club 
www.bclublondon.com
92b Old Brompton Road, SW7 3LQ
Head to https://www.bclublondon.com/ for the latest news from B Club.
Forthcoming Shows.
May 22 – Rossi (GALLERY)
May 29 – Pete Tong & Seth Troxler (GALLERY)
May 31 – Nic Fanciulli (GALLERY)
June 05 – Luch (GALLERY)
June 06 – Salomé Le Chat (GALLERY)
June 19 – Bye Bye Plastic with BLOND:ISH (GALLERY)
June 21- Kasango (B Club)
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Last year at the Paris Olympics, the innovative French artist Christine and the Queens teamed up with Cerrone, the godfather of French disco. Their collaboration brought a reimagined performance of Cerrone’s classic track “Supernature” to life in front of the iconic Arc de Triomphe. This partnership has proven to be more than just a one-time event. Namely, since these talented artists plan to capitalize on their musical chemistry by releasing an upcoming 4-track EP filled with fresh material. The excitement builds with the recent release of the first teaser, “Catching Feelings“. And where the track features a sparkling French touch disco vibe.
Before you press play on this new release, it’s important to recognize that fans of Christine and the Queens already know. Thus being the artist’s distinctive approach to music. Moreover, one that intricately weaves together thought-provoking lyrical narratives. Their work frequently engages with themes of social commentary, as well as deep explorations of emotional landscapes and complex aspects of identity. With this perspective in mind, it becomes immediately clear the essence of this creative formula is alive and well in “Catching Feelings.”
This track serves as a vibrant commentary centred around being open to love. And encourages listeners to embrace uninhibited feelings and transcend societal conventions. The lyrics, rich with meaning, invite introspection and connection: “Free your mind, open up. I could be the one you love. Take a chance, understand, I could be, be your man.” These lines encapsulate the essence of vulnerability and the courage it takes to explore intimate relationships. Furthermore making it a compelling listen for anyone seeking depth and resonance in their music.
The music video directed by Christine and the Queens powerfully illustrates the concept of self-expression in multiple forms. The clip intricately combines close-up shots of the artist passionately laying down the vocals of the track. Interlaced with dynamic scenes of Christine dancing. Each movement conveys a sense of freedom and authenticity, while the vibrant and eclectic wardrobe further enhances this narrative. The carefully selected outfits reflect a blend of personal style and artistic identity. Thus, symbolizing a celebration of individuality and creativity throughout the performance.
Connect with Christine and the Queens
Instagram:  https://www.instagram.com/christineandthequeens/
Connect with Cerrone
Instagram:  https://www.instagram.com/cerroneofficial/
The post Watch “Catching Feelings” by Christine & the Queens & Cerrone appeared first on EQ Music Blog.
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Iconic British production duo Groove Armada return to DFTD with a special, four-track remix package spotlighting leaders of the house scene.
First up, Scottish tastemaker and international electronic creative Austin Ato lends his unique sound to the instantly recognisable GA classic ‘I See You Baby’; with early support from the likes of A-Trak, Gina Breeze and Melé, Austin’s immense take on the electronic favourite is sure to dominate the coming festival seasons and beyond.
Next up, UK tastemakers Nautica flip 2007’s Love Sweet Sound featuring the iconic Candi Staton on vocals, morphing it into a deep, club-ready cut. What follows is a collaborative remix of ‘My Friend’ from Evokings, DOT and simo not simon, uniting the three Brazilian producers and good friends to create a blissed-out remix that celebrates the unique electronic scene of Rio De Janiero.
Closing out this four-track package is French Alpine DJ and producer Eliza Bogan’s hard-hitting remix of breakout hit ‘Superstylin’’, with Groove Armada closing the main stage at 2025’s Snowboxx Festival in Avoriaz to an explosive crowd using this very remix.
Groove Armada ‘Remixed’ is out now on DFTD. Stream and download now: https://DFTD.lnk.to/DFTDS213D8
The post Four of Groove Armada’s iconic tracks remixed appeared first on Decoded Magazine.
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Martin Garrix & Lauv – Mad
Martin Garrix teams up with Lauv for ‘Mad’, a melodic and emotionally charged dance-pop anthem. Lauv’s heartfelt vocals soar over Martin Garrix’s uplifting production, blending catchy hooks with a euphoric drop that hits hard both in the heart and on the dance floor.
Anyma – The End of Genesys (Album)
Anyma finally unveils his long-awaited album ‘The End of Genesys’, a cinematic and immersive journey through melodic techno. With sweeping soundscapes, deep emotional themes, and striking visuals, the album cements Anyma’s status as a visionary in the electronic world, bridging music and digital art.
Boys Noize, &ME, Rampa, Adam Port, Keinemusik, Vinson – Crazy For It
A dream team of underground icons, Boys Noize, Keinemusik’s trio, and Vinson join forces on ‘Crazy For It’. The result is a hypnotic, groove-heavy track with sultry vocals and refined, club-focused energy. Deep, stylish, and endlessly playable.
Oliver Heldens & Julia Church – Ruins
Oliver Heldens and Julia Church come together for the very first time on ‘Ruins’, a future house track with a ravey edge. Julia’s soaring vocals glide over Oliver Heldens’ atmospheric, textured production, creating a track that’s as emotional as it is danceable.
PAWSA – Rendezvous
PAWSA delivers yet another house heater with ‘Rendezvous’, a sleek, bassline-driven groove packed with infectious loops and minimal flair. Built for dark rooms and long nights, it’s a pure vibe for underground dance floors.
Honorable mentions:
1991 x Dave Audé x Luciana – Yeah Yeah
Above & Beyond ft Richard Bedford – Start a Fire
Adam Beyer, Layton Giordani – Taking Back Control
Adriatique, Bipolar Sunshine – Love’s A Game
Blasterjaxx – The Power Of Love
Cat Dealers, MAKJ, Faiolli – I’m A Man
Charlotte de Witte, XSALT – No Division
Cheat Codes x Edward Maya x ENISA – Be Your Friend
CYRIL, James Blunt – Tears Dry Tonight (VIP Mix)
D.O.D, RAHH – Sunshine
Disco Fries – Greenlight
Don Diablo x Nelly Furtado – Doing Nothin’
Felguk, The OtherZ, Brave Culture – Go Again
FOVOS – Freak In Me
Fox Stevenson – Give Me Some Space
Hardwell & Joey Dale ft. Luciana – Arcadia (VIVID Remix)
John O’Callaghan & Hailey J – Lost In Sound
Joris Voorn, Liz Cass, MAX RAD – Your Love
Leandro Da Silva, 3Beat – After Midnight
Maddix & Radical Redemption – The Kingdom
MAKJ, Cat Dealers, Faiolli – I’m a Man
Mesto & Vluarr – All Night / Gemini (EP)
Moby, BLOND:ISH, Kiko Franco – Natural Blues
MORTEN & ARTBAT – Culture
Pendulum – Save The Cat
PhaseOne – Terranova (Album)
Plastik Funk x Chester Young x Hackatone – Digital Safari
Purple Disco Machine ft. Retrosonix – Ghost Town
R3HAB – All My Life
Ray Volpe & Sullivan King – Rewind
Robbie Rivera, Émilie Rachel, H4lo – Love Don’t Leave Me Now
San Holo – AN INTRODUCTION TO WHOLESOME RIDDIM (EP)
Showtek – FTS (Sub Zero Project Remix)
Solardo – Ouuta Space
Space 92, Malena Narvay – Formula Loca
Telykast, LORYN – The Good Part
Timmy Trumpet x 3 Are Legend – Country Roads
Wildstylez – Here On My Own


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Making music for free has never been easier. All you need is a computer – or even just your phone – to start cutting tracks using nothing but freeware. Here, we compile our roundups of the best freeware music-making software, apps, instruments and plug-ins that every producer, musician, beatmaker and DJ needs.
READ MORE: The best sample packs, updated every month Your first step should be to bookmark our regularly updated list of the best freeware of the month. There, you’ll find a selection of tools, instruments, plug-ins, loops and samples which won’t cost you a cent.
What are the best free DAWs?
A digital audio workstation – or DAW – is your primary software for making music. It’s the hub where you record and arrange tracks, add effects, mix, and even master your music. Most professional studios and producers use software whose names you might be familiar with: Pro Tools, Logic Pro, Ableton Live, Cubase, for instance. Some of these have ‘Lite’ or ‘Intro’ versions that give you a taste of the DAW with limited features — these are superb for familiarising yourself with music production, but you can find fully-fledged DAWs, free of charge, elsewhere.
Thankfully, there are many free DAWs to choose from. Check out our full list of the best freeware DAWs, including those you can score a free trial of, to see which works for the music you want to make. Here’s a preview:
Tracktion Waveform Free Apple GarageBand Pro Tools First Studio One Prime Cakewalk Sonar Cakewalk Next What are the best free music-making phone apps?
There are plenty. From standalone synths to drum machines to robust DAWs, you can find all manner of music-making and production apps for your iPhone or Android device. Here’s our list of the top freeware music apps to get started.
Where can I get the best free samples?
We’ve compiled a list of the best websites that offer free samples this year. For a library that we can stand behind, MusicTech has partnered BandLab Sounds to offer over a dozen royalty-free sample packs at no cost. These range from synths to FX to beats, and the samples come as uncompressed WAVs and are downloadable via web or mobile.
I don’t own a guitar, synth or drums. Is there free software or virtual instruments?
Of course. While actually playing those instruments with your computer mouse and keyboard can be finicky, it’s a viable and popular alternative to spending thousands on a full recording setup. There are hundreds of freeware virtual instruments out there – here’s what we consider the best:
Best freeware software synthesizers Best free orchestral plug-ins Best freeware drum machines Best freeware rock instruments And, while not technically instruments themselves, there are scores of free plug-ins that augment and enhance your existing instruments:
Best freeware plug-ins for guitarists Best free software tools for live performance Best free software tools for DJs What are the best free effect and utility plug-ins?
Not all plug-ins make beautiful noise. You’ll need utility tools to EQ and mix your tracks, while effects can come in the form of reverb, delay, distortion and so on. Here are our picks of the best freeware plug-ins every aspiring producer needs:
Best freeware reverb plug-ins Best free mastering tools Best free utilities plug-ins Best freeware creative effects Best freeware mix effects Best free experimental plug-ins Best free plug-ins for pop production Best free plug-ins for dance music production Best free vocal plug-ins Best freeware mobile apps  The post Best free software and apps for music-making: Top free DAWs, plugins, instruments and more appeared first on MusicTech.
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As I walked the floors of a pop-up music venue within the LA Convention Center, pristine images of magenta-hued nebulas were projected on all four walls and the ceiling. The legendary recording artist, Moby, and his six-piece band were performing atmospheric electronic music on a stage in the center of the space. And the sound was being emitted evenly from every angle by L-Acoustics’ state-of-the-art L-Series speakers.
READ MORE: In 3 hours, Hans Zimmer Live reminds you why AI won’t replace real musicians The word “immersive” gets thrown around a lot these days. However, after attending live music events constantly for the past 18 years, Cercle Odyssey was my first live music experience that actually fit that description.
This masterful and legitimate execution was to be expected from Cercle. Over the past decade, the innovative event brand has brought artists to perform among the most iconic and historic places in the world. From a modular synthesizer show in front of the Pyramids of Giza, to an elegant piano concert under the Northern Lights in Finland, and a bangin’ tech house track in the middle of Plaza de España in Sevilla, Spain.
Cercle Odyssey is the touring version of this concept. By building temporary spaces in different cities (so far, Mexico City, Los Angeles, and Paris), Cercle can now invite 5,000 people to be enveloped by beautiful visuals and music.
To best mirror the epic locations of their traditional events, Cercle called upon esteemed director Neels Castillon to capture footage throughout the globe to project at the show. But Cercle’s founder, Derek Barbolla, is clear that the visuals are there to support the sound, and has used L-Acoustics systems since the beginning of Cercle.
“[Cercle Odyssey] is a combination of visuals, lights, and sound, but the most important thing is the sound,” Barbolla told a select few journalists before giving us a tour of the venue.
For Cercle to succeed as a touring concept, the visuals had to go from 3D to 2D. But the expansive nature of its events lives on in the sound presentation. A traditional Cercle event uses standard stereo, but Cercle Odyssey expands to 360 audio.
“How do you recreate an experience of something that’s as beautiful as doing a set in front of the Pyramids in Egypt?” When L-Acoustics’ CEO, Laurent Vassié, poses the question, he remarks on the visuals being projected on all the walls and the ceiling. He also mentions that Cercle is filling the room with curated scents to capture as many senses as possible. But the true 360 aspect of Cercle Odyssey is the audio.
L-Acoustics was fully equipped to create a 360 audio landscape because of its prominent L-ISA (L-Acoustics Immersive Sound Art) system. It’s been used in many different environments, including Janet Jackson’s residency at Resorts World in Las Vegas and Max Cooper’s Immersive Audio Spatial Performance at Polygon Live Festival in London.
“The goal is to bring the idea of spatial audio, or immersive audio, or hyper-real audio to the live event at all scales,” says Scott Sugden, director of product management, solutions, at L-Acoustics.
Moby performed with a band, so Cercle’s engineer took full advantage of the agency provided to him through the spatial mixing software. More than once during the evening, different sonic elements would take sharp turns throughout the system. These moves drew my focus to different areas of the venue, which, due to its completely immersive nature, revealed imagery that I may have missed otherwise.

When it comes to the specific design of the L-ISA system at Cercle Odyssey, it is technically 16.1. All 16 channels are line arrays, the universally adopted speaker configuration that L-Acoustics invented in 1992. In total, 72 speakers are outputting 500,000 watts. There are 12 channels of immersive surround hanging around the perimeter, four main line arrays above the stage facing into the crowd, and a subwoofer unit suspended in the center point above the stage.
To prepare for this unique configuration, Moby’s team visited L-Acoustics’ studio in Los Angeles, where they have the facilities to virtually model exactly how the space will sound in advance. The sessions were vital to the success of the show because, in truth, immersive systems present choices that have never existed in live sound. Seasoned artists like Moby and his team have to completely reimagine what they’ve been doing for decades.
“You see artists’ eyes light up when they see this for the first time — ‘Holy cow, I never thought I could do this,’” Sugden says.
“There’s been a lot of evolutions of technology in the last 30 years. Most of them, the audience would never be aware of. Digital networks of audio. It makes it easier for us working at the show. I don’t think the audience knows the difference,” Sugden says. “I know the audience experienced a difference when the line array came out because it sounded better. Immersive audio, what L-ISA is doing, absolutely, the audience goes, ‘Something is different. Something is better.’”
I certainly knew something was better during Moby’s performance. No matter where I stood within the temporary venue, the audio was clear and even. While in reality, there is no sound in space — if the cosmos did produce natural music like deserts and jungles (two other environments projected during Moby’s set), it wouldn’t come from a singular point. It would surround me just as it did at Cercle Odyssey.
The post Moby at Cercle Odyssey: The closest I ever came to floating through space appeared first on MusicTech.
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ICON Collective, a pillar of electronic music production education based in Los Angeles, has officially shut down. The school announced its permanent closure on May 29th, citing financial difficulties as the reason behind the abrupt move.
ICON had filed for Chapter 11 bankruptcy protection on August 6th, 2024 in an effort to restructure and preserve operations before ultimately deciding to close. 
"It is with deep regret and a heavy heart that we share the news that ICON Collective will be permanently closed as of May 29," wrote co-founder David Alexander Valencia in a statement posted to the school's website. "ICON has faced financial circumstances that require a prompt closure to protect the refunds and tuition payments potentially due to students."
Although the school's website remains active, its official Instagram account has gone offline. A notice on the door of its Downtown Burbank campus now directs students to an online portal for information on academic records, tuition recovery and guidance. The stakes are especially high for international students, who have just 15 days to either transfer to a new school or leave the country.
Founded in 2005 by Christopher Wright and David Alexander Valencia, ICON was developed to offer a more artist-centric approach to music education. The school in 2017 earned accreditation before opening a facility in 2020, serving students both in-person and online. Known for its hands-on learning environment and community-oriented culture, the school became a trusted destination for aspiring DJs and electronic music producers.
Over the years, ICON helped launch the careers of many high-profile electronic artists, including NGHTMRE, SLANDER, Kayzo, Sullivan King, Kompany, Pauline Herr and the late i_o, among others. Several have taken to social media to bemoan the school's shutdown.
"Icon Collective changed EVERYTHING for us.. today is a very sad day for the music community in losing such a priceless resource," SLANDER wrote on X. "We want to thank everyone at the Collective for all the blood, sweat, and tears they put into MAKING DREAMS HAPPEN."
"RIP Icon Collective," Kompany wrote. "That school changed the course of my life and career. Forever grateful."
Former student James Choi, who performs and produces music under the alias SKYFVLL, says the school was instrumental in shaping his career.
"I was lost in my artist project before ICON," Choi tells EDM.com. "But after attending, I finally felt a sense of direction that no YouTube tutorial or Reddit thread would’ve shown. I’m still really close with my classmates, whether it’s working on collabs or going on songwriting trips, and I’m really grateful for the community that ICON gave me. It’s at ICON where I truly learned what it meant to be an artist and to be unique as one. Hands down the best decision I made in my life."
More information can be found on the ICON Collective website.
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Photo Credit: Vijat Mohindra
TikTok launches an in-app experience and hosts a surprise album listening party for Miley Cyrus. Superfans enjoyed a live performance of her ninth studio album—Something Beautiful.
To kick things off, TikTok hosted an event for superfans of Miley Cyrus on Tuesday at the iconic Chateau Marmont. Miley personally invited fans she discovered through TikTok to join her for the event, which (unbeknownst to them) was a surprise album listening party and live performance. She sang her new tracks “End of the World,” “More to Lose,” “Easy Lover,” and her hit “Flowers,” as well as 2009’s “The Climb.” Two guests even got engaged at the event.
“Last night at the Chateau Marmont was so special,” wrote Miley on TikTok. “Every Smiler in the room was handpicked from TikTok, and it meant the world to hear you all singing along to new and unreleased music. Thank you for being there, last night really was Something Beautiful.”
Premiering in tandem with Miley’s album release on Friday, TikTok is launching an in-app experience, too. It will feature exclusive videos and a first-of-its-kind fashion section. Fans can go behind the scenes as Miley reveals the stories and inspirations behind her most iconic album looks. From bold statement pieces to personal touches, fans will learn how fashion becomes a form of storytelling in Something Beautiful.
Fans can complete special tasks just by using TikTok—such as saving the new song “Easy Lover” to their favorite music app. They can also search for Something Beautiful to unlock a custom profile frame. To join the experience, just search “Miley Cyrus” or “Something Beautiful” on TikTok.
Miley Cyrus has racked up over 5.8 million creator videos set to the tune of her hit track “Flowers.” In 2023, she took to the platform with her “Used to Be Young” series—a candid 42-part look back on her life from 1992 to present day, revisiting her childhood in the spotlight, relationships, and culture-shifting moments in her own words.
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Pendulum are officially back in album mode.
The iconic electronic-rock outfit announced this week that their long-awaited fourth album, INERTIA, will drop on August 22nd, marking their first full-length release in 15 years. They also revealed the album's tracklist.
The news is accompanied by the release of "Save The Cat," the album's blistering lead single. In classic Pendulum fashion, the track delivers a high-octane fusion of drum & bass, metal and emotionally charged vocals from frontman Rob Swire, whose scream-laced performance is backed by thunderous drums and cinematic synths.
Swire said the the track was written "during a period of self-questioning and frustration" following two breakups.
"It’s the sound of Pendulum finding themselves again, and me figuring myself out to a certain extent," he said in a press release. "Breakups do that—they strip things down and show you who you are. I’m just trying not to become the guy who needs to go through one just to make a record."
A feline-themed jolt of nostalgia and aggression, "Save The Cat" previews what INERTIA promises to be: a return to Pendulum's roots with a modern, sharpened edge. The album, their first since 2010's Immersion, will feature a number of high-profile collaborations, including tracks with Bullet For My Valentine, AWOLNATION, Hybrid Minds and Joey Valance & Brae.
Revered for their explosive live shows and groundbreaking fusion of drum & bass and rock, Pendulum are once again proving that few acts can match their intensity and influence across electronic music's evolving landscape.
"I was basically testing how far we could push Pendulum," Swire added. "Seeing what we could get away with. I always looked at The Prodigy as the benchmark. They started out as pure rave—breakbeat, hardcore—but they evolved. They became their own sound."
Due out August 22nd via Mushroom Music, INERTIA will feature 16 tracks. You can pre-save the album here and check out the full tracklist below.
Pendulum - INERTIA Tracklist
1. Driver
2. Come Alive
3. Save The Cat
4. Archangel
5. Nothing For Free
6. Cannibal (ft. Wargasm)
7. Constellations
8. Halo (ft. Bullet For My Valentine)
9. ‘Louder Than Words (ft. Hybrid Minds)
10. Napalm (ft. Joey Valence & Brae)
11. The endless Gaze
12. Guiding Lights (ft. AWOLNATION)
13. Colourfast
14. Silent Spinner
15. Mercy Killing (ft. Scarlxrd)
16. Cartagena
Follow Pendulum:
X: x.com/pendulum
Instagram: instagram.com/pendulum
TikTok: tiktok.com/@pendulumofficial
Facebook: facebook.com/pendulum
Spotify: spoti.fi/3cxHXAH
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Pendulum are officially back in album mode.
The iconic electronic-rock outfit announced this week that their long-awaited fourth album, INERTIA, will drop on August 22nd, marking their first full-length release in 15 years.
The news is accompanied by the release of "Save The Cat," the album's blistering lead single. In classic Pendulum fashion, the track delivers a high-octane fusion of drum & bass, metal and emotionally charged vocals from frontman Rob Swire, whose scream-laced performance is backed by thunderous drums and cinematic synths.
Swire said the the track was written "during a period of self-questioning and frustration" following two breakups.
"It’s the sound of Pendulum finding themselves again, and me figuring myself out to a certain extent," he said in a press release. "Breakups do that—they strip things down and show you who you are. I’m just trying not to become the guy who needs to go through one just to make a record."
A feline-themed jolt of nostalgia and aggression, "Save The Cat" previews what INERTIA promises to be: a return to Pendulum's roots with a modern, sharpened edge. The album, their first since 2010's Immersion, will feature a number of high-profile collaborations, including tracks with Bullet For My Valentine, AWOLNATION, Hybrid Minds and Joey Valance & Brae.
Revered for their explosive live shows and groundbreaking fusion of drum & bass and rock, Pendulum are once again proving that few acts can match their intensity and influence across electronic music's evolving landscape.
"I was basically testing how far we could push Pendulum," Swire added. "Seeing what we could get away with. I always looked at The Prodigy as the benchmark. They started out as pure rave—breakbeat, hardcore—but they evolved. They became their own sound."
Due out August 22nd via Mushroom Music, INERTIA will feature 16 tracks. You can pre-save the album here.
Follow Pendulum:
X: x.com/pendulum
Instagram: instagram.com/pendulum
TikTok: tiktok.com/@pendulumofficial
Facebook: facebook.com/pendulum
Spotify: spoti.fi/3cxHXAH
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GRiZ and Wooli have joined forces for the first time to release a new collaboration, "Chaos Theory." The bone-rattling dubstep track blends GRiZ’s signature funk-fueled energy with Wooli's heavy-hitting bass, delivering a cinematic and explosive collaboration fans had been clamoring for.
"Chaos Theory" features a custom voiceover from voice actor Boris Hiestand, known for his work in Assassin’s Creed and as the voice of Sigma in Overwatch, adding a dramatic flair that amplifies the track's intensity. GRiZ and Wooli waste no time, opening with an electrifying guitar riff that quickly gives way to the former's signature saxophone riffs, setting the stage as Hiestand declares, "Let’s begin."
From there, the track unfolds like part movie trailer, part video game cutscene. GRiZ and Wooli detonate the first drop, a wobbly burst of energy that doubles as a bass-fueled thrill ride. As the arrangement progresses, GRiZ reins in the chaos with funkadelic flourishes that tie the experience together before it all culminates with Hiestand’s final line and a defiant laugh, sealing the dramatic arc that is "Chaos Theory."
The release builds on GRiZ’s surprise GEMiNI EP and the reveal of his new music festival, Seven Stars, effectively crystallizing his return to the electronic music scene after a two-year hiatus. For Wooli, the track adds to a string of high-profile collaborations and upcoming performances at major festivals, including sets at Shambhala, Bass Canyon, Elements and Seven Stars.
You can listen to "Chaos Theory" below.
Follow GRiZ:
X: x.com/griz
Instagram: instagram.com/griz
TikTok: tiktok.com/@mynameisgriz
Facebook: facebook.com/mynameisgriz
Spotify: spoti.fi/3hEXfjz
Follow Wooli:
X: x.com/woolimusic
Instagram: instagram.com/woolimusic
TikTok: tiktok.com/@woolimusic
Facebook: facebook.com/woolimusic
Spotify: tinyurl.com/3dhp5rms
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The tastemakers behind Solid Grooves' rise from underground hero to house music royalty are back to celebrate a landmark moment for the UK imprint: 100 releases.
Marking the milestone are Solid Grooves' co-founders, Michael Bibi and PAWSA, alongside a slew of promising producers delivering 10 new DJ weapons that capture both the spirit of the label's beginnings and the momentum driving it forward.
Few record labels have left a mark on global dancefloors quite like Solid Grooves, a scene-shaping force that has continuously carved out the future of tech house music since its inception in 2015. A decade later, the imprint says it's "celebrating 100 releases with the artists who shaped it."
The most anticipated songs from the new Summer Sampler 2025 collection are Bibi's "Lil Freaky" and PAWSA's "Rendezvous," each of which showcases the minimalistic and undeniably magnetic energy of Solid Grooves. Other standouts include Dennis Cruz's "Monochrome" and Ben Sterling's "Don Lee," where infectious grooves ooze from deep basslines while punchy percussion drives home the label's signature sound.
In other Solid Grooves news, it's now poised for a sold-out Los Angeles show on October 12th featuring a massive b3b set from Bibi, PAWSA and Cruz. The label is also taking over Ibiza's storied DC-10 club throughout the summer for "Solid Grooves Casino" every Thursday from June through October.
You can listen to Solid Grooves' Summer Sampler 2025 below.
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Follow Solid Grooves:
Instagram: instagram.com/solidgroovesuk
X: x.com/solidgrooves
SoundCloud: soundcloud.com/solidgrooves-records
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There's something deeply satisfying about rediscovering something you'd completely forgotten you owned, like finding a $20 bill in last winter's coat pocket or realizing that embarrassing MySpace post from 2006 actually contained some decent poetry. For Above & Beyond's Paavo Siljamäki, that moment came when bandmate Tony McGuinness breathed new life into a forgotten instrumental demo that had been gathering digital dust for nearly a decade.
"Start A Fire," the latest single from Above & Beyond's upcoming album Bigger Than All Of Us, began as what Siljamäki calls a "deep instrumental cut" from his personal archives. McGuinness says he had an epiphany one day that the music would be perfect for a forgotten lyric he'd written in a notebook some years ago: "There's enough of you in me to start a fire."
The song finally clicked during a trip to the scenic Gorge Amphitheatre, where its verses came together and formed what "ended up being one of our favorites," McGuinness said. The iconic dance music trio then reunited with the ever-reliable Richard Bedford, the voice behind a number of their most prized tracks, like "Sun & Moon" and "Thing Called Love."
Bedford's vocals are equal parts ache and ecstasy, delivering McGuinness' lyrical anchor with the kind of romantic sincerity you'd expect from such a timeless collaborative pact. And with Above & Beyond's heady house production at the bedrock, the track is energetic but just sentimental enough to stare out of a rideshare window like you're in a breakup montage.
You can listen to "Start a Fire" below and find the new single on streaming platforms here. Above & Beyond's first album in seven years, Bigger Than All Of Us, is scheduled to release July 18th via their own Anjunabeats label.
Follow Above & Beyond:
Instagram: instagram.com/aboveandbeyond
X: x.com/aboveandbeyond
TikTok: tiktok.com/@aboveandbeyondofficial
Facebook: facebook.com/aboveandbeyond
Spotify: spoti.fi/3fHhX1z
Follow Richard Bedford:
Instagram: instagram.com/richardbedfordmusic
X: x.com/richardbedford
Facebook: facebook.com/richardbedfordmusic
Spotify: tinyurl.com/2ydysvkp
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Oliver Heldens and Julia Church have released a new single, "Ruins," out now via the iconic Ministry of Sound.
The new collaboration starts right away with Church’s haunting vocal front and center. Immediately setting a reflective tone, her voice comes in featherlike, almost bare, buoyed by soft chords underneath.
The renowned singer-songwriter holds the arrangement together, bringing her signature emotional purity. There's a tortured vulnerability in her lyrics, but she delivers them with control and clarity.
Meanwhile, Heldens builds the beat in gently. His percussion is tight and minimal, supported by a steady drum groove that never overpowers the mix. The synths are warm but restrained, giving the track a sense of movement without cluttering the space.
All said and done, "Ruins" plays to both artists’ strengths to deliver a melodic house stunner that feels personal, polished and poignant.
You can listen to "Ruins" below and find the new single on streaming platforms here.
Follow Oliver Heldens:
X: x.com/oliverheldens
Instagram: instagram.com/oliverheldens
TikTok: tiktok.com/@oliverheldens
Facebook: facebook.com/oliverheldens
Spotify: spoti.fi/3bbHLGI
Follow Julia Church:
Instagram: instagram.com/juliachurch
TikTok: tiktok.com/@juliachurchmusic
Facebook: facebook.com/juliachurchmusic
Spotify: tinyurl.com/yc7xf3mv
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