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Top 10 Zedd Tracks to Celebrate His Birthday

Anton Zaslavski, known globally as Zedd, has made a lasting impact on the world of electronic dance music with his distinctive sound and chart-topping hits. Born in Russia and raised in Germany, this DJ and producer started his musical journey at a young age, mastering the piano by four and the drums by twelve. His classical training and innate talent have helped him craft a unique style that blends complex melodies with electrifying beats. As we celebrate Zedd’s 35th birthday, let’s dive into his top 10 tracks that have defined his career and captured the hearts of EDM fans worldwide.
10. Good Thing with Kahlani – 261m Spotify streams
9. Stay The Night with Hayley Williams – 325m Spotify streams
8. I Want You To Know with Selena Gomez – 345m Spotify streams
7. Beautiful Now with Jon Bellion – 361m Spotify streams
6. Happy Now with Elle Duhe – 518m Spotify streams
5. Clarity with Foxes – 605m Spotify streams
4. Lost In Japan (Remix) – 796m Spotify streams
3. Break Free with Ariana Grande – 925m Spotify streams
2. Stay with Alessia Cara – 1.2b Spotify streams
1. The Middle with Maren Morris & Grey – 1.5b Spotify streams
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Halina Rice has announced her third studio album

Celebrated electronic music producer and audiovisual artist Halina Rice has today announced her third studio album EVOLVE set for release on 9th October. In support of the highly anticipated new album, Rice will be taking her renowned immersive show to high profile venues across the UK in 2025 . Working with an international team of visual artists and designers, March 2025 will see performances at iconic venues including Nottingham Rock City, Manchester New Century, Newcastle NX, Bristol’s SWX, Glasgow SWG3, Leeds Project House and Brighton The Old Market.
Rice is widely acclaimed for her innovative fusion of electronic music, visual art, and cutting edge immersive sound and technology. Her new album was mixed in L-ISA by L-Acoustics spatial audio software and will be released in in Dolby Atmos spatial effectively pushing technical boundaries to create a multisensory experiences that transcends traditional music experiences. With her new album exploring themes of : “EVOLVE came about through my work in spatial audio where you separate sounds into granular objects. Each sound, however small, has its own life and space. When combined a whole new textured composition evolves and emerges.  Ultimately the aim is to orchestrate and unify these sounds together – along with visuals and lights in live – to create evocative and moving experiences. Some of the tracks I have been performing in live environments to experiment and give them time to literally evolve into the final released versions. Much of my process revolves around experimentation in order to innovate.”
Integral to Rice’s work is the creation of dynamic and encompassing live immersive experiences. In 2020 she launched her ground breaking NEW WORLDS project – where each release comprised both music and the creation of a unique visual environment. Since then she has continued to experiment with innovative technology, working with lead visual designer Freny Antony and often being one of the first to take the plunge into what is now a rising trend in immersive experiences.
Tickets on sale from Wednesday 4th September for UK at  https://tix.to/HRICE
The post Halina Rice has announced her third studio album appeared first on Decoded Magazine.
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Hazard Chats Hospital

With a career spanning over two decades, Hazard has consistently pushed the boundaries of the genre, delivering tracks that resonate deeply within the drum and bass community. His latest project, “Hazard’s Hospital EP,” marks his first release with the iconic Hospital Records, a collaboration that brings together his signature gritty jump up style with the label’s renowned melodic touch. The ‘exactly what it says on the tin’ titled EP came out last July to critical acclaim, having bridged the gap between the label’s liquid sound and Hazard’s classic jump up style perfectly.
Born and raised in Birmingham, DJ Hazard, whose real name is Scott Molloy, began his musical journey in the late 1990s, a time when drum and bass was still finding its feet in the UK. Inspired by the raw sounds of the genre’s pioneers, Hazard quickly developed his signature style—a blend of hard-hitting basslines, intricate drum patterns, and an unmistakable grit that has become synonymous with his name.
A few weeks abc we sat down for this exclusive Q&A with DJ Hazard. He breaks down his process of making of the EP, the decision to work with Hospital Records, and his views on the current state of electronic music production and the world of drum and bass. From the challenges of fine-tuning his production process to the importance of authenticity in a landscape filled with sample packs and ghost producers, Hazard offers candid insights into his creative journey and the principles that guide his work.
Whether you’re a long-time fan or new to his music, this conversation offers a rare glimpse into the mind of an artist who continues to shape the future of drum and bass while staying true to his roots.
So tell us, what is Hazard’s Hospital EP? How did the name come about; I wonder?
Basically, it just came about as a place holder when I was sending it over to them to listen to. It’s the first Hospital Records EP I’ve done so that’s just what it was. Exactly what it says in the tin.
When they asked me what the name of the EP was I just said Hazard’s Hospital EP. At first, they said yes, then they said no, then yes. I’m glad they went with it, It was just too funny.
Why did you decide to work with Hospital Records for this release?
I’m a big fan of them. Hospital has already given me bookings in the past for their Hospitality events. I wanted to work a new label and who better than the people who have supported me in the past? 
Would you say Hospital generally have a younger audience going to their parties than the ones you’d usually play? 
The DJs on the night generally play liquid or vocally stuff, and I play more up-tempo, harder-sounding tunes.  When I get booked for their nights, they put me on near the end so that there’s more of a contrast. The crowd is a mix of ages and much of the night they’ve been vibing with the liquid. All the DJs before me keep that vibe going, so when I’m finally on, it’s all been set up for me sonically. It always goes down well. It’s always appreciated. It’s an easy night for me, if I’m honest.
Hazard’s Hospital EP has your signature sound throughout it, but there are more melodic than your previous well-known releases. Did you make this EP specifically to cater to the sound of Hospital Records?
These tunes weren’t made specifically for Hospital Records actually. Initially, I sent them over a couple of tracks that I thought would be more their thing. Two nice tunes. They were more vibey, and melodic. They came back to me saying basically ‘Yeah, they’re nice and all, but we’d really love some DJ Hazard-sounding stuff’. 
I told them to leave it with me. I bought this house I’m in now about 9 or 10 years ago, and have had so many problems with it so every tune was coming out sounding rubbish. Normally I take months to make a tune, but because I had just treated the studio and was finally used to it, I was putting out tunes in a few days. I told them to leave it to me and by Christmas I had sent them 12 Hazard tunes and they picked four. 
It’s funny, out of all the demos I’d sent them, they put the four tracks of the EP together and I never would have thought that those four tracks would work well. At first, I was a bit resistant, but then after a few listens, I thought, ‘Hang on, these complement each other quite well’. 
It just shows you though, those guys at Hospital know what they are doing. It made me realise that they are some of the best to work with. They’ve got more knowledge when It comes to these things. It’s crazy, they’re amazing. They’ve got about 30 people working on this release. In terms of promotion, they’ve done such a sick job. 
Can you breakdown the EP for us?
The first track, Behind The Mask is classic jump up and more along the lines of the Hazard sounding stuff that Hospital wanted. It’s got a swing and the bass is always moving. Drill Bit is more new sounding. It’s still got the swinging, but it’s 4 to the floor and a lot harder hitting. That one always goes off when I drop it. Cloud Drift is on the lighter side of things. It’s a real roller. It’s got some vocal chops in it and opens with lots of pads and atmosphere. Break The Silence is some hard-hitting drum and bass in your face. It’s got that screetchy jump up sounds that’s fresh sounding.
What’s your favourite track off Hazard’s Hospital EP?
Honestly it depends on how I’m feeling in the moment, but I have to say Cloud Drift. That’s the bigger tune. It’s got the longevity, in my opinion. It’s melodic and floaty. I was happy with the end result. 
What’s your production process likes?
I always try to make everything from scratch. I don’t use samples at all really. I think Cloud Drift uses a sample break and that’s about it. I’d usually make them on drum programmes like Superior Drummer or Addictive Drums. That’s why there’s a lot of swing in my drums because I can programme it how I want.
Then once I’ve them programmed, I bounce out the stems of the drums so they’re all on separate channels. Then I process them all individually through the desk. I get everything on the desk then put it back into the DAW. I find computer and software fix problems you create when you use hardware and vice versa. We’d all love a perfect set of ears but unfortunately, we haven’t got that. Even if it’s going through the desk and you’re vibing, it might not work sonically in the mix. With software, you can fine-tune everything, cut out any mistakes. We’re not as good engineers as we’d like to be so I don’t mind using software to clean things up a bit. 
There’s definitely two sides of producing music. The creative and the technical. Would you say you’d fall under the second category? How long have you been engineering for? 
Personally, I wouldn’t call myself an engineer. I’m still winging it. I probably know more than most people in the business. And I’m not just an arranger. There are some acts out there that are basically just sample arrangers. They just make the same tune over and over again. Sure, they’re successful, but they’re not improving. In my opinion, you should make a new tune and make new mistakes repeatedly so you can keep learning. That’s what impresses me and those are the people I respect in the industry. 
It sounds like your music-making process is long and arduous. Do you feel any competitive pressure to just grab a few sample packs together and start releasing more consistently? It seems to me that that kind of release strategy is being rewarded.
No, and I think that’s exactly what the problem is with a lot of the tracks coming out these days. I don’t think there’s competition at the moment. They might look like they are, they might get paid to be one, but they’re not. At the end of the day, if they come into a studio, they’re going to be confused and use the desk as a laptop stand. If you just lump a few samples together than you’re not a producer, you’re an arranger. 
There’s only a handful of producers out there that I really respect. Guys like Break, Noisia, Heist, Benny L just to name but a few are absolutely killing it and pushing boundaries. Too many people faking it out there in electronic music, a lot of new acts using ghost producers and whatnot. We can be on the same line up but don’t think I’m going to respect you for it. I’ve done it the proper way, the hard way.
Is this a new phenomenon? 
I think it’s worse now but there’s always but people faking it. It was a lot of the DJs I wanted to be like when was getting into it all. Here’s me trying to study everything, thinking that I needed to know all this information to make music just like my idols. I was heartbroken when I found out they didn’t make their own music. It can drive you crazy sometimes, navigating through all of the fake-ness, but as long as I’m true to myself I’m good with that. I’m here, always trying to improve, do new things, and explore this art form as much as I can.
Are there any up-and-coming artists or producers in drum and bass that you are particularly excited about or listening to at the moment?
There are some newer producers that are making stuff I’m liking. A producer called Enta. But if I’m honest, I’m finding more of the older producer’s new stuff is what I’m really vibing with. TC, Heist, Benny L, they’re just killing it. 
I think it’s because they’re making tunes and not just making drops. Most of the new lot are sample pack producers and too many people are using the same samples and pre-sets. Every tune’s got that bloody frog sound. I’m not feeling it at all. Then they have the cheek to call it jump up! Rubbish. It’s not a genre, it’s just laziness. Who’s going to be playing that in ten years? No one. They can all do something about it.  If they want to book me for the same line ups, then go on, but don’t look me in the eye and tell me we’re on the same level. Don’t mention us in the same breath as me.
This is the problem with kids these days: they want to be bigger, not better. As long as you realise that social media is not real, you’ll be fine. 
What would you say to new producers who are getting signings through using sample packs?
Don’t get me wrong, there’s no shame in throwing together a few sample packs, but just don’t expect me to think of you as a producer. Be honest about it. Don’t pretend you’re something you’re not. I’m fortunate enough to be able to make music for a living, and I think when you’re in that position, you should really be trying your best to be an actual music maker, to perfect your craft, expand what you know and push boundaries. 
There’s been a few tunes I’ve just made recently that I’m feeling that way, that they push the boundaries. In all my years of producing, I’ve only accomplished that with a few tunes. 
What can people expect from this new release?
You can expect your timeline to be full of me. If I’m honest, I just wanted them to do social media promotion. They’ve gone above and beyond with the vinyl release, I’m so happy to be working with them. Everything else is just bonus.
Hazard’s Hospital EP is out now on, you guessed it, Hospital Records. It’s available to download and as a 12” vinyl on the Hospital Store.
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Celebrating 16 Years of deadmau5’s “Random Album Title”

Sixteen years ago, on September 2, 2008, deadmau5 released ‘Random Album Title’, a landmark album that redefined progressive house and launched him into global stardom. Featuring iconic tracks like ‘Faxing Berlin’, ‘Not Exactly’, and ‘I Remember’ (with Kaskade), the album showcased deadmau5‘s innovative production style, blending house, techno, and trance into a seamless journey.
‘Random Album Title’ appealed to both underground and mainstream audiences, helping to popularize progressive house and influence a new generation of producers. The album also marked the rise of deadmau5 as a live performer, with his iconic “mau5head” becoming a symbol of electronic music culture.
As we celebrate its 16th anniversary, ‘Random Album Title’ remains a seminal work in electronic music, with its tracks still resonating in clubs and festivals worldwide. This album solidified deadmau5‘s legacy as one of the most influential figures in the EDM scene.
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Kinobe release their fifth studio album

British chill band Kinobe released their fifth studio album, Out of The Blue, on August 9th via the SGKL imprint. This follows the release of their recent single, ‘Lucky Stars’ which received radio support from the likes of NPR Music, KCRW’s Metropolis, KEXP, FG Chic and SBS Chill. The album was conceived at Kinobe HQ, a beautiful beach house in Western Australia overlooking the Indian Ocean, and mastered by the legendary Frank Arkwright (Blur, New Order, Coldplay, Oasis and many more) at Abbey Road. 
Kinobe became the quintessential downtempo group with the 2000 release of their Engelbert Humperdinck-sampling single ‘Slip Into Something More Comfortable’, which became an essential on every beach bar playlist as well as being licensed for innumerable compilations, soundtracks, and TV commercials. Racking up over 50 million streams on Spotify alone, Kinobe has previously earned support from tastemaker publications CLASH Mag, Sputnik Music, and Hot Press, and has been featured in British broadsheet newspapers The Guardian and The Independent. Their music has aired on BBC Radio 2, BBC Radio 6 – The 6 Mix with Nemone. Notably, they have been featured numerous times in the CD collections and Youtube channel of the iconic Chill-music brand Café del Mar.
Originally from the UK and currently based in Perth, Australia, Kinobe was formed in west London in 1998 by childhood friends Julius Waters and Mark “Blackie” Blackburn. They formed a duo together after Waters’ return from Perth, Australia, where he had spent the greater part of his teens. Both multi-instrumentalists with a plethora of retro influences including soul, funk, blues, jazz, and R&B, they quickly began making music together. Within a few months, and with a minimal setup of synth, computer, sampler, a record player found on the street and boxes of charity shop vinyl, they had recorded enough material for their debut album, and were quickly signed to Pepper Records, an imprint of Jive. That album, Soundphiles, was released in the year 2000 to instant acclaim. 
Drawing on a vast array of influences from string arrangers like Nelson Riddle, composers like John Barry and Lalo Shifrin, crooners like Frank Sinatra and Tony Bennet, to sixties bands like Canned Heat, Kinobe’s sound has drawn comparisons to the likes of lounge luminaries such as Air, Kruder & Dorfmeister, Groove Armada, and Thievery Corporation.
Out of The Blue sees Kinobe bending and stretching their signature lounge chill to a delightful limit that is tinged with a psychedelic spirit. The focus track, ‘It’s Only A Dream’, begins with sweeping cinematic strings before kicking off with a groove so breezy that the listener could literally levitate into the clouds. Those whimsical strings, a sweet surfy guitar, slinking minimal synth bass and delicious ear candy take the listener on a surreal journey occasionally punctuated by smooth vocal lines, imparting snippets of psychedelic wisdom with the fine motif: “But remember cowboy, it’s only a dream.” The focus track captures the lush buoyancy of the entire album perfectly – listeners are in for a treat; an Alice In Wonderland-esque journey to the glorious warmth of the sixties and beyond.  
Kinobe shared: “I’ve always been fascinated by where ideas and inspiration come from. This album is an expression of how when you clear your mind it can open a door to somewhere else.”
Stream/ download: Out Of The Blue Album
Out Of The Blue Album Tracklist:
1.  Gold Run
2.   It’s Only A Dream
3.   Streets of Yesterday
4. Golden Dreams
5. Lucky Stars
6. Illusion
7. Serenity
8. Middle of Nowhere
9. Bird Of Passage
10. Patience
The post Kinobe release their fifth studio album appeared first on Decoded Magazine.
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Layton Giordani Drops Hypnotic Techno Track, "Better Than U Thought"

Layton Giordani, the NY-based DJ and producer rapidly garnering recognition as a tastemaker in the techno scene, has released a new single, "Better Than U Thought," on Insomniac’s Factory 93 imprint.
"Better Than U Thought" is a vocal-driven techno song characterized by a driving bassline, sharp percussion, acid-fueled synths and a captivating vocal that delivers an unforgettable hook. Giordani's latest is yet another masterful blend of infectious and hypnotic elements.
Reflecting on the track's creation, Giordani shares: "I was playing a Euro weekend in Amsterdam/Berlin, and I was looking to play a more driven techno set, but I also wanted a more sexy aesthetic, so I started surfing the web for vocals. I found this amazing slow vocal, sped it up, added an acid hook, and here we are."
"Better Than U Thought" follows the release of "Freaks at Night," which dropped on Adam Beyer's Drumcode imprint in June, and a high-profile remix of Dom Dolla's "girl$" the following month.
Check out "Better Than U Thought" below and find the new single on streaming platforms here.
Follow Layton Giordani:
X: x.com/LaytonGiordani
Instagram: instagram.com/laytongiordani
TikTok: tiktok.com/@laytongiordaninyc
Facebook: LaytonGiordani
Spotify: tinyurl.com/55z76x2u
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Swedish House Mafia And Alicia Keys Release New Single ‘Finally’

Iconic GRAMMY® nominated, multi-platinum electronic supergroup Swedish House Mafia and 16-time GRAMMY® Award-winning singer, songwriter, musician and producer Alicia Keys have teamed up to release a reimagined version of Kings of Tomorrow’s timeless classic ‘Finally’ – listen HERE. The remake first came together around 2 years ago and has since gathered worldwide interest as Swedish House Mafia have played it in their live sets. This release follows their single ‘Lioness‘ feat. Nikki & The Dove via Republic Records. ‘Lioness’ was released in June and had been highly requested by fans since the record’s live premiere in 2023.
This summer, Swedish House Mafia played an array of international music festivals including Garorock Festival, Panama Open Air Festival, Lucca Summer Festival, Untold Festival, Findings Festival and the mainstage at Tomorrowland, which marked their return to the festival after 12 years. Last weekend, they wrapped their historic, 6-week Ushuaïa Ibiza Residency.  The band also recently announced they will be performing at Will Ferrell’s “Ultimate DJ House Party” at the Wintrust Arena in Chicago, IL on October 26th for a concert in support of “Cancer For College.” Swedish House Mafia posted the announcement on their social media with a video alongside Ferrel. See below for full routing of upcoming shows. Tickets and tour details are available HERE.
ABOUT SWEDISH HOUSE MAFIA
In 2008, a trio of individual artists, DJs, and producers united to unassumingly break every rule in electronic music. Ensconced in flames, Swedish House Mafia—Steve Angello, Sebastian Ingrosso, and Axwell—infused house music with swaggering hip-hop beat-craft, rock ‘n’ roll attitude, and big screen-worthy grandeur brought to life on stage with one legendary live show after another. Ushering dance music culture out of the warehouses and clubs and into arenas and stadiums on an unrivaled scale, it would be nearly impossible to imagine how the genre might’ve shaken out without them. They became the first electronic act to headline (and sell out) Madison Square Garden in 2011 and the first to grace the main stage at Coachella in 2012. They garnered two consecutive GRAMMY® nominations in the category of “Best Dance Recording” for the platinum “Save the World” in 2012 and quintuple-platinum Hot 100 Top 10 hit “Don’t You Worry Child” in 2013. Rolling Stone described their meteoric rise as “redefining rave culture,” and NME christened them “the rockstars of the dance music world.” The marathon record-breaking One Last Tour paved the way for a five-year break before they returned as surprise headliners of Ultra Music Festival’s 20th anniversary in 2018. Following the Save The World Reunion Tour a year later, this holy trinity of electronic music gods focused on the one thing they hadn’t done yet, making their 2022 full-length debut album Paradise Again [Republic Records]. Their return was announced with the cover of Billboard and garnered immediate press and a late-night television performance on The Tonight Show Starring Jimmy Fallon followed with a trending hit “A Moth To A Flame” featuring The Weeknd. Upon arrival, it  bowed in the Top 10 of seven global charts, seizing #1 on the Billboard Top Dance/Electronic Albums Chart and #1 on the UK Dance Albums Chart. Moreover, it attracted some of the highest critical praise of the group’s storied career thus far from Pitchfork, NME, and more. It only hints at more to come. 
ABOUT ALICIA KEYS
Alicia Keys is a 16-time GRAMMY® Award-winning singer, songwriter, musician, producer, founder of Keys Soul care, New York Times best-selling author, film/television and Broadway producer, accomplished actress, entrepreneur, and a powerful force in the world of activism. She is one of the original founders of She Is the Music, an initiative to create change for women and build an equal future for music. Since the release of her monumental 2001 debut album, SONGS IN A MINOR, Keys has sold over 65 million records, over 5 billion streams and built an unparalleled repertoire of hits and accomplishments. Alicia has become the #1 RIAA certified Female R&B artist of the millennium with over 37 Million certified track sales (US) and 20 million Album Sales (US). She released her eighth studio album, KEYS (Original and Unlocked) – a double album – in 2021 followed by a Deluxe version in 2022 and a sold-out ALICIA + KEYS World Tour that celebrated the KEYS and ALICIA albums. Alicia released her book, “More Myself: A Journey” via Flatiron Books which debuted and spent multiple weeks on The New York Times Bestseller List. In March 2022, she released her first graphic novel titled, “Girl On Fire” with HarperCollins. Keys released her first-ever holiday album SANTA BABY in November 2022 which includes 4 original songs including the single “December Back 2 June.” In 2023 Keys completed a spectacular, 360-degree show, the KEYS TO THE SUMMER TOUR, which hit 22 cities across North America. HELL’S KITCHEN, the 13-time Tony Award-nominated original stage musical Keys diligently worked for 13 years to create opened on Broadway at the Shubert Theater on April 20, 2024.at more to come. 

The post Swedish House Mafia And Alicia Keys Release New Single ‘Finally’ appeared first on EDMTunes.
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Rapper Fatman Scoop Dies After Collapsing On Stage During His Concert

The music world was rocked with the news the sudden passing of rapper Fatman Scoop, known for his energetic performances and collaborations with some of the biggest names in the industry Fatman Scoop, whose real name was Isaac Freeman III, tragically collapsed on stage during a performance in Hamden Town Center Park, Connecticut. Fans watched in horror as the beloved artist struggled before disappearing from view, leaving a void in the hearts many.
His larger-than-life persona and captivating stage presence endeared him to fans around the world, making his untimely death all the more difficult to process. As news of his passing spread, tributes poured in from fellow artists, fans, and industry insiders, all mourning the loss of a true legend.
The Rise of a Legend
Fatman Scoop first burst onto the music scene in the early 2000s with his infectious hit ‘Be Faithful,’ which became an anthem in clubs and parties around the world. His distinctive voice and high-energy performances quickly made him a fan favorite, earning him collaborations with top DJs and producers.
One of his most notable collaborations was with Dutch DJ Hardwell on the track ‘Don’t Stop The Madness,’ which showcased Fatman Scoop’s iconic hype man style and solidified his status as a powerhouse in the electronic dance music scene. His ability to command a crowd and get audiences on their feet made him a sought-after performer at festivals and events worldwide.
Despite his success, Fatman Scoop remained humble and grateful for the opportunities he had been given. He often spoke about the importance of staying true to oneself and never losing sight of the passion that drove him to pursue a career in music. His authenticity and sincerity resonated with fans, who saw him as more than just a performer, but as a friend and mentor.
A Legacy That Lives On
Though Fatman Scoop may no longer be with us, his legacy lives on in the music he created and the lives he touched. His larger-than-life personality and his infectious energy continue to inspire artists and fans alike, reminding us all to live life to the fullest and to never be afraid to chase our dreams. The music world will never be the same without Fatman Scoop, but his spirit lives on in the hearts of those who were lucky enough to experience his magic firsthand.
As we mourn the loss of a true icon, let us also celebrate the life and legacy of Fatman Scoop, a man who brought joy and energy to every stage he graced. His music will continue to echo through the halls of concert venues and stadiums, reminding us of the power of music to unite and uplift us. Though he may be gone, Fatman Scoop will never be forgotten, his memory forever etched in the annals of music history.
Rest in peace, Fatman Scoop. Your legacy will live on forever.
The post Rapper Fatman Scoop Dies After Collapsing On Stage During His Concert appeared first on EDMTunes.
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Fatman Scoop Dead at 53 After Collapsing Onstage

Fatman Scoop, the iconic hype man and hip-hop artist, has tragically died after suffering a medical emergency during a concert Friday night in Connecticut.
Scoop's death was confirmed in a statement shared by his family on his official Instagram page. He was 53.
"It is with profound sadness and very heavy hearts that we share news of the passing of the legendary and iconic Fatman Scoop," the statement reads. "Last night, the world lost a radiant soul, a beacon of light on the stage and in life."
The famed rapper, whose real name is Isaac Freeman III, was a beloved collaborator in the electronic dance music community. His voice, a gravelly force of nature that commanded dancefloors worldwide, featured in music by Skrillex, Hardwell, Laidback Luke and many more dance music icons.
Freeman's booming baritone had the uncanny ability to ignite crowds, his call-and-response hooks becoming ageless anthems of celebration. Turning simple phrases into unforgettable party-starting mantras, his larger-than-life presence and unmistakable vocal delivery left an indelible mark on club culture, bridging genres and generations with the exuberance of a hype-man extraordinaire.
"FatMan Scoop was not just a world class performer, he was a father, brother, uncle and friend," Freeman's family wrote. "He was the laughter in our lives, a constant source of support, unwavering strength, and courage. FatMan Scoop was known to the world as the undisputed voice of the club. His music made us dance and embrace life with positivity. His joy was infectious and the generosity he extended to all will be deeply missed but never forgotten."
We at EDM.com express our sincere condolences to the family, fans, friends and loved ones of Fatman Scoop.
View the original article to see embedded media.
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Anyma plays a sunset set for Robot Heart at Burning Man 2024

Burning Man 2024 is coming to an end but without some special surprises. Anyma, aka Matteo Milleri, joined the iconic festival in the desert for a special sunrise set for Robot Heart.
If you’re not familiar with Burning Man and Robot Heart, we’re going to give you a small lesson about both.
Burning Man is a week-long large-scale desert event focused on “community, art, and self-expression. The event is held at Black Rock City in northwestern Nevada, a temporary city erected in the Black Rock Desert about 100 miles (160 km) north-northeast of Reno.

Burning Man features no headliners or scheduled performers; instead, participants create all the art, activities, and events.
One of them is Robot Heart, a mobile art bus riding with a 70,000-watt peak custom-owned rig. Just to give you a scale of the “stage” and the rig mounted, the vehicle carries 18 mid-high tops per side, highs being radian and mids and lows being JBL. It also features 10 double 21″ neodymium B & C subwoofer driver stacks. Each sub has a 2000-watt RMS/4000-watt Peak capacity.
The music you can expect from the Robot Heart is tribal, deep, tech house, and techno.
This year, they decided to not release the lineup in a normal way. Instead, they posted on Instagram the 10 principles of the event, one for each day.
Rather releasing the lineup, they unveiled the beginning and closing times of the art bus with the names of the artists obfuscated, with only a few letters available, like the hangman game. If the artists were playing the sunset or sunrise slot, a small sun was put close to its name.
Clearly, with such a “surprise” lineup, no one knew what to expect. Now, knowing that Anyma had played, you can clearly associate his name on the lineup.

Anyma, of course, played a different set from what we usually hear during the Afterlife parties. It was slower, more tech, and more tribal. Perfect for the sunrise at Burning Man.
Other artists that have played the Robot Heart are, for instance, A R Y M É and Francis Mercier who have played b2b with RUFUS DU SOL.

The post Anyma plays a sunset set for Robot Heart at Burning Man 2024 appeared first on The Groove Cartel.
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Lucidity Festival Faces Backlash After Cancelling Event Without Refunds

Lucidity Festival, an electronic music festival held at Santa Barbara's Live Oak Campground since 2012, will cease operations and not issue refunds for its cancelled 2024 event, according to a statement released by organizers.
Lucidity cited "unforeseen last-minute changes in requirements" imposed by Santa Barbara County that "made it impossible for us to proceed, leading to a postponement that we can not financially recover from."
After postponing this year's Lucidity Festival from April to late-June, organizers pulled the plug due to safety concerns from the Santa Barbara County Fire Department, who denied permits and cited increased risks during the city's High Fire Season. The festival's campground is situated beside the Santa Ynez River, which blocks one of the festival's evacuation routes and could hinder evacuation protocols in the event of a fire-related emergency, the department said at the time.
Organizers ultimately announced a move to a new venue, Monterey County's Lake San Antonio North Shore, and revealed the festival's rescheduled dates of April 25-27, 2025. However, they've now ceased operations and face backlash for the decision not to issue refunds.
"We understand the trust you placed in us when you purchased your tickets, and it deeply saddens us to inform you that we are unable to provide refunds," reads Lucidity's statement, shared to Facebook on August 30th. "We deeply regret that we cannot offer you the resolution you deserve, and we are truly sorry for the disappointment and frustration this causes."
Hundreds of incensed ticket-holders are now airing grievances in the comment section of a Facebook post by the music festival watchdog Festive Owl. Many have mentioned the potential for a class action lawsuit.
It's worth noting that the FAQ section of Lucidity's website includes a disclaimer for their no-refund policy: "If you are not able to join us for the event, we have empowered you with the ability to transfer your ticket to another person, as we do not offer refunds for tickets."
In a last-ditch effort to rescue the festival, organizers left the door open for a return in 2025. However, save for a "miracle," its proprietors will soon initiate the dissolution process.
"If there is anyone reading this who thinks to themselves, 'I know the solution' please contact [email protected] immediately, as there is still a miracle chance to save Lucidity before we officially initiate the process of going out of business," this week's statement reads.
You can read Lucidity's full announcement below.
Follow Lucidity Festival:
Facebook: facebook.com/lucidityfestival
Instagram: instagram.com/lucidityfestival
X: x.com/lucidityfest
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‘LET’S GO’: Ibiza’s 2024 dance anthem of the season

Jaden Bojsen’s “LET’S GO” isn’t just another track—it’s already cemented its place as the anthem of Ibiza for 2024. From the clubs of Playa d’en Bossa to the iconic Hï Ibiza, the song has been echoing across the island, becoming the soundtrack of countless summer nights.
Released in early July, “LET’S GO” quickly gained traction, amassing millions of streams on Spotify and going viral on TikTok, in addition to being supported by EDM veterans, David Guetta and Armin van Buuren. It’s a track that embodies the energy and spirit of Ibiza, and its popularity is a testament to its infectious beat and Bojsen’s undeniable talent.
The German-native has made a notable impression on Ibiza, both with his hit track and his live performances. Earlier this summer, he played at Ushuaïa Ibiza, with plans to return to the island for a performance at Hi Ibiza on Labour Day weekend.
With no plans of slowing down, fans can expect an end-of-summer release of his impending ID, now named, “THINKING ABOUT YOU.”

Take a listen to Jaden’s hit single “Let’s Go.”
The post ‘LET’S GO’: Ibiza’s 2024 dance anthem of the season appeared first on Dancing Astronaut.
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HUGEL and Roger Sanchez Collaborate On ‘Go Again’

Latin House instigator and multi-platinum selling DJ and producer HUGEL has once again captivated audiences with his latest track, ‘Go Again.’ This collaborative rework of Grammy-award-winning legend Roger Sanchez‘s 2006 hit ‘Again’ showcases HUGEL’s signature blend of Latin, Oriental, and tribal rhythms that have earned him global recognition. With his roots in the Mediterranean and influences from the vibrant music scene of Ibiza, HUGEL has solidified his place as a genre-defying artist with a sound all his own.
Known for his hit track ‘Morenita’ that kickstarted the Latin House movement, HUGEL continues to push boundaries and challenge the status quo in the electronic music scene. With over 1 Billion cumulative streams and collaborations with industry heavyweights, HUGEL’s latest release is sure to be a chart-topper and a fan favorite.
Injecting Sanchez’s original track with his signature sultry rhythms, HUGEL’s rework on “Go Again” arrives as a testament to his collaborative synergies and dynamic production style. The track’s bold, brazen energy is poised to seduce listeners on dance floors across the globe. 


About Roger Sanchez
Roger Sanchez has had a thrilling international career and is recognised as a major force in house electronic dance music. From his humble beginnings in New York to become one of the most sought- after DJs, he has achieved multi-platinum-selling records, chart-topping tracks, and two Grammy nominations, winning in 2003 for Best Remixed Recording, Non-Classical with ‘Hella Good (Roger Sanchez Remix Main)’. The DJ and producer is behind global hits such as ‘Another Chance’ and ‘Turn On The Music’, including various remixes for superstars such as Diana Ross, Michael Jackson, Jamiroquai, No Doubt, and Maroon 5, to name a few.
The post HUGEL and Roger Sanchez Collaborate On ‘Go Again’ appeared first on EDMTunes.
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LAYZ Announces 2024 Headlining AFTERSHOCK Tour

Are you ready to experience rising bass star LAYZ to embark on her North American on her highly anticipated headline tour AFTERSHOCK? Brace yourself for an unforgettable journey through ribcage-rattling, new-age dubstep as LAYZ takes her biggest tour to new heights. Join us for an unparalleled sonic adventure that will leave you on the edge of your seat.
AFTERSHOCK
LAYZ’s highly-anticipated tour, comes in hot on the heels of her electrifying AFTERSHOCK EP release. This explosive EP, which dropped in July, seamlessly blends dubstep, techno, and psytrance, delivering a high-octane musical experience. ‘Strike’ ‘World Destroy,’ and ‘Ignite’ showcase LAYZ’s signature nasty drops and unexpected genre switches guaranteed to keep you hooked. Embarking on a 21-date tour, beginning in Austin, Texas and hitting major metropolitan hubs such as Chicago, Denver, Minneapolis, Seattle, and more. The tour will culminate in December with an unforgettable performance at Kings Hall at Avant Gardner in Brooklyn. Get your tickets now and be part of an epic musical odyssey!
Accompanying LAYZ will be bone-rattling sounds of Calcium, the genre-bending productions of Samplifire, the dynamic AlienPark, the bass prodigy DRINKURWATER. On other select dates the hard-hitting Kliptic, the innovative RZRKT, and the rising star Vastive. This powerhouse lineup hopes to deliver a non-stop barrage of high-energy bass music at every tour stop. This fall run marks LAYZ’s most extensive headline tour to date, solidifying her position as one of the most exciting acts in bass music.
LAYZ
LAYZ has rapidly ascended the ranks in the world of dance music. She has captivated audiences with her electrifying performances and groundbreaking original tracks. The year 2024 has been a whirlwind of incredible performances for LAYZ, including a highly sought-after slot at EDC Las Vegas, as well as appearances at Breakaway, Lost Lands, Bass Canyon, and Forbidden Kingdom. This is an artist who is truly on the rise, and her magnetic presence on stage is not to be missed. Get your tickets today!
Follow EDMTunes for all your latest updates in the dance music world.
The post LAYZ Announces 2024 Headlining AFTERSHOCK Tour appeared first on EDMTunes.
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Mojave Grey Releases Latest Track ‘Timing’

As anticipation builds for their debut album, Mojave Grey drops ‘Timing,’ the third single that continues their tradition of blending emotive lyrics with vibrant electronic beats. ‘Timing’ follows the success of their first two singles, ‘Faith‘ and ‘Feel Alive,’ both heralding the innovative sound of their forthcoming album.
‘Timing’ delves into the synchronicity of life’s moments, wrapped in Mojave Grey’s signature desert dance music. The track combines introspective lyrics with a lively tempo, echoing the duo’s journey through the musical landscape of the Mojave desert.
‘Faith’, the bold first single, introduced listeners to Mojave Grey’s journey of venturing into the unknown. With its dark melodies and robust dance beats, it set the stage for an album full of depth and daring.
‘Feel Alive’ followed, encapsulating the essence of being vividly present in exhilarating moments. This track showcased Mojave Grey’s unique ability to fuse powerful vocals with dynamic electronic house elements, capturing the magic and mystique of desert dance music.
Together, these three singles form a triptych that showcases Mojave Grey’s range and depth, setting a high expectation for their debut album, slated for release this Fall. The album promises to be a collection of tracks that are not only audibly pleasing but also tell the story of Mojave Grey’s artistic evolution.
About Mojave Grey:
Zander Bleck and Michael Pozzi, the dynamic duo behind Mojave Grey, are known for redefining the boundaries of electronic music with their deep roots in rock and roll. Their music transcends traditional genres, creating a bridge between the visceral energy of live performances and the polished aesthetics of studio production. The duo’s approach to music is a testament to their profound artistry and commitment to innovation.
Drawing inspiration from the rugged landscapes of Joshua Tree, Mojave Grey’s music encapsulates the raw beauty and spirit of the desert. Their tracks are not just songs, but journeys through soundscapes that evoke both the tranquility and the wild unpredictability of nature.
The post Mojave Grey Releases Latest Track ‘Timing’ appeared first on EDMTunes.
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Was The New ‘Zenless’ Stage At Creamfields A Success?

Creamfields has always had an amazing array of stages that provide a diverse experience everywhere you go, but this year they looked to step up their game even more with the introduction of the ‘Zenless Zone Zero’ stage. When ‘Zenless’ was first announced it was already grabbing people’s attention with its incredible 30,000 capacity making it the largest indoor festival superstructure in the world. The early projections of what the stage was going to look like were impressive and the names set to play in there such as Martin Garrix, Tiesto, Armin Van Buuren, and Dimitri Vegas & Like Mike only heightened the excitement to see this new stage. But did it live up to expectations after all the hype?
Without a doubt one of the biggest positives of the ‘Zenless’ stage was the insane lighting rig that was able to handle the crazy visuals you expect from the likes of Martin Garrix and surpassed expectations. From the powerful room filling lasers to the spinning beams of light coming from all over the place, there was no lack of entertainment from a visual standpoint with the lighting even improving upon what you could find at the ‘Arc’ stage in some respects. With it being an indoor stage, you wouldn’t expect anything crazy in terms of pyrotechnics but the flames being thrown from the stage and the pillars above the crowd were sensational and certainly gave you that mainstage feel.
Every act that performed on the stage was able to put on incredible sets with a sound system that filled the structure and could be felt all the way at the back. Unfortunately for a lot of people they would only get to hear some of these sets from the very back or even outside. Despite its impressive 30,000 capacity when it came to the sets of Martin Garrix and Tiesto, the stage quickly filled up with a lot of the entrances having to be shut to avoid overcrowding. It was of course the right decision to do this to keep people safe, but a lot of people were left disappointed as they arrived at the stage to see their favourite artists and were instantly turned away as there simply wasn’t enough space.
Though you could say that these acts simply should have been put on a bigger stage, this year posed some unusual problems with the likes of Hardwell and Timmy Trumpet struggling to pull big crowds at the ‘Arc’ stage. Even Alesso who closed the ‘Arc’ stage on the final day didn’t receive the type of crowd you would expect for a mainstage closing set. It’s when you look at what sets were clashing that you realise where some of the problems spawned from. As Tiesto was performing at 1am, he wasn’t clashing with many artists of the same calibre as him meaning that nearly everyone tried to get into ‘Zenless’ to see him. Martin Garrix was following on from Third Party on the ‘Zenless’ stage who had already drawn in a massive crowd and have a similar fanbase so very few people cleared out of the tent leaving it still packed out. The unpredictability of how many people are going to go to each set is something that is very hard to deal with and this year the struggle was quite apparent.
When you look at the problems at the ‘Zenless’ stage a lot of it came down to organisation of the acts but that is certainly not an easy task to take on and even the best laid plans can go wrong. This is of course only the first year that the ‘Zenless’ stage has been used so there are lots of things that can be learnt from this to carry into next year. Despite these problems its fair to say that ‘Zenless’ is an amazing addition to the roster of fantastic stages at Creamfields and that the organisers put on yet another amazing festival that everyone enjoyed. Once you got right in the thick of it with the amazing lighting filling the room, fire pumping out right above you and beautiful music pouring into your ears it was undeniably a brilliant experience that everyone will be looking forward to having more of.
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Calling All Fans: Alesso & Sebastian Ingrosso’s Instrumental Turns 13

As the sun shines on yet another anniversary of the iconic track’‘Calling (Instrumental)’ by Alesso and Sebastian Ingrossos, it is apparent that this is a track that has defined the electronic dance music scene. Released on August 31, 2011 ‘Calling (Instrumental)’ fundamentally changed the landscape, where even without poignant lyrics, the melodies and beats are enough to sway even the toughest of hearts. 
What also makes this song so iconic is the culmination of two greats in the electronic dance music world: Alesso and Sebastian Ingrosso, both Swedish nationals who have been in the game for a very long time. It’s almost as if this collaboration was destined to happen as Alesso was once helmed to be under the tutelage of Ingrosso. The result of this historic union is none other than the track ‘Calling (Instrumental)’ which has since gone on to become a symbol of EDM across festivals, clubs and even in people’s playlists.
The true power of this fantastic partnership goes beyond the production of the song and its melodies, but rather, the memories it invokes and the place it holds in the hearts of fans across the globe. Many who have heard either Alesso or Sebastian Ingrosso include this in their sets will have fond memories of just being at a festival with their friends, and letting the beats of ‘Calling (Instrumental)’ drown out all their sorrows and worries of the world. I sure have some spectacular memories of this song, especially having spent most of my early 20’s playing ‘Calling (Instrumental)’ on repeat. 
Did you know? ‘Calling (Instrumental)’ holds a lot of significance for the electronic dance community, having been the foundation for influence for a lot of tracks and artists following its release. Some notable examples include Zedd, when he created ‘Spectrum’ which blends harmonies and melodies in a similar manner to ‘Calling (Instrumental)’. Another noteworthy example is Porter Robinson‘s ‘Language’ which has noticeable influences, especially about the euphoric feeling ‘Calling (Instrumental)’ invokes. These tracks and artists are amongst the plethora of many who owe part of their success to the path carved by the release of ‘Calling (Instrumental)’.
Even now, 13 years since it’s release, ‘Calling (Instrumental)’ is still regarded to be that one song EDM fans all over love and hold dear. It also stands as a reminder of the early days of electronic dance music, when words and visuals were not needed to feel as though you’re one with the artist and the song. Alesso and Sebastian Ingrosso‘s track can be described to be more than just a song – it’s a moment, frozen in time, and a symbol of the desire to release one’s inhibitions and just live the magic that is EDM. 
So here’s to ‘Calling (Instrumental)’,  a track that’s more than just music—it’s a timeless connection, a reminder of the feelings and moments that unite us all. As we celebrate its anniversary, let’s cherish the emotions it continues to evoke. Whether it’s your first listen or your thousandth, ‘Calling (Instrumental)’ is a testament to the extraordinary power of music.
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EDMTunes New Music Friday – Week 35

Listen to the most flavour-packed tracks we discovered this week.
Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order. And remember, if you would like to contact us for a chance to feature your track on our page, head over to this link right here.
Craig Connelly & Nicholas Gunn feat. Alina Renae – Miss You
Genre: Uplifting Trance
Grab your tissues everyone, we’re kicking this week’s NMF on a super touching tune. Trance maestro Craig Connelly joins Blue Dot boss and all-round prodigy Nicholas Gunn to release what’s perhaps the most beautiful Trance tune we’ve heard in a while: ‘Miss You‘, alongside Alina Renae.
Straight-up tear-inducing. There’s no other term I’d rather use to coin this release. It’s what you would expect from two artists of this calibre joining forces, but it’s honestly crafted in such a flawless manner I truly, truthfully can say, I got to crying businesses far earlier than I’d thought. As a fun bit of trivia, this is Connelly’s second release after getting married to the love of his life, Ally. Congratulations, you two!
Crusy – Hey Girls, B-Boys
Genre: Tech House, Techno
Toolroom never disappoints. Mark Knight’s imprint has become a leader of the House and Tech House sounds for decades, often trailblazing and shaping the core elements of the funkier and groovier corners of Dance music for years to come. That’s why we’re excited to share the news: Spanish icon Crusy has just landed yet another signing on the label. And it’s quite the monstrous one.
‘Hey Girls, B-Boys‘, is a nod to the past, with a clever and refreshing touch. Machine-programmed, dry drums are all it took for Crusy to craft a banger, but he went one step further. He sampled the iconic ‘Hey Boy Hey Girl‘ voice, to make of his banger a very memorable one. Sing along to the lyrics wherever you are, and whenever you please. Here we go!
Ferry Corsten & Silva City – Chaos
Genre: Trance (Old-School)
Under such a simple name, ‘Chaos‘, you wouldn’t imagine just how lovely this track is. And the thing is, along with ‘Just Breathe’, this one is arguably the most Trance-inducing record of Ferry Corsten‘s ongoing LP, Connect. Think Golden Age. This record is precisely that. Add to it this track is a collaboration with Silva City (the Old-school Trance alias of Alan Fitzpatrick and Reset Robot), and you have a future classic.
The melody is so simple, and the nature of the track is stripped-back just like the old days. A few elements which all play such a key part in the picture, that’s the philosophy here. The main lead is an evolving saw pluck, backed by magical old-school percussion, snare rolls, delayed crashes, rolling basslines, and harmony companions.
Are you a producer and you want your song featured on EDMTunes? Follow this link right here.
Tiago Dima & Will Vance – Air And Darkness (Gobi Desert Collective Remix)
Genre: Downtempo
A few weeks ago, we featured the original debut collaboration between Will Vance and Tiago Dima, which is a lovely Melodic House record. This time, ‘Air and Darkness’ sees a lovely Downtempo adaptation from the hands of Gobi Desert Collective, an Antwerp-based DJ/Producer duo with a knack for impactful music.
This remix tastes just like it said on the box: GDC really gave the track an Ethnic-sounding spin. The end result is thought-provoking, deep, and has your back on those busy days when you get to the end of your shift and want nothing but peace. This song delivers that very dose of tranquillity.
Wax Motif, Truth X Lies, AK Renny – 212
Genre: Tech House
Australian-born, LA-based DJ and producer Wax Motif is back with ‘212‘, a Tech House anthem released via Cr2 Records. Teaming up with NYC duo Truth x Lies and Bass DJ + rapper AK RENNY. Wax Motif delivers an infectious beat that masterfully blends House, Electro, and Hip-Hop elements. An ode to the undeniable energy of New York City’s iconic area code, ‘212’ captures the gritty yet vibrant pulse of the bustling metropolis in a way that only this powerhouse trio can.
‘212’ is a bold and boundary-pushing offering, propelled by minimalist, yet powerful production centered around a relentless bassline. AK RENNY’s sharp verses add a striking edge. Making this track an undeniable standout on any playlist or dancefloor. With its innovative approach and genre-blurring sound, ‘212’ demands attention and leaves a lasting impact.
Final Words
Stay tuned, for more of our compilations every Friday — based on demand. Are you a producer and you’d like to be featured in the next edition of our New Music Fridays? Then head over to this link right here, you champ. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!

The post EDMTunes New Music Friday – Week 35 appeared first on EDMTunes.
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Dimension, Sub Focus, and NGHTMRE’s Heavenly Collab ‘Angel’

Calling all ‘Angels’ — the powerhouse trio of Dimension, Sub Focus, and NGHTMRE have finally unleashed their feel-good collaboration after months of tantalizing teasers and mounting anticipation. ‘Angel’ merges the distinctive styles of all three artists, blending high-energy elements of Drum and Bass with the crystalline vocals of Canadian singer Mougleta. At just over three uplighting minutes, it’s easy to see why Radio 1’s Dance Party with Danny Howard named ‘Angel’ Hottest Record of the Week.
A Heavenly Trio
Dimension emerged onto the drum and bass scene in 2012, gaining major recognition after signing with Chase & Status’s label in 2014. His 2018 collaboration ‘Desire’ with Sub Focus became one of the most successful Drum and Bass tracks on streaming platforms. Known for blending the aforementioned with elements of Future Funk and other Electronic genres, Dimension released his debut album Organ in March 2021 and most recently collaborated with Alison Wonderland on ‘Satellite.’
Sub Focus has been a driving force in the DnB scene since 2003. His self-titled debut album, released on October 12, 2009, featured hits like ‘Rock It’ and ‘Follow the Light,’ followed by his 2013 album Torus. In 2020, he collaborated with Wilkinson on the album Portals, and his latest album Evolve, released on May 12, 2023, won “Best Album” at the Drum and Bass Arena Awards. His latest single ‘Wildfire’ was released on July 30. Both Sub Focus and Dimension are part of the WORSHIP artists collective, alongside Culture Shock and 1991.
NGHTMRE burst onto the Electronic Dance music scene in 2015, gaining significant attention when Skrillex played his unreleased track ‘Street’ at Ultra Music Festival. Known for his diverse sound that blends elements of Trap, Dubstep, and other Electronic genres, he released his debut album DRMVRSE in 2022. NGHTMRE continues to influence both the EDM and hip-hop scenes with his innovative sound design and production techniques.
With ‘Angel,’ Dimension, Sub Focus, and NGHTMRE set a new benchmark for future collaborations, showcasing their creative synergy.
Listen to ‘Angel’:
The post Dimension, Sub Focus, and NGHTMRE’s Heavenly Collab ‘Angel’ appeared first on EDMTunes.
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[WATCH] Martin Garrix Uploads Sziget 2024 Set To YouTube

The Dutch DJ and producer, Martin Garrix released the full recording of his monumental live set from Sziget Festival 2024 on YouTube, capturing the hearts of thousands present at the iconic Budapest festival. This marked the third time Garrix aced the Sziget stage, mesmerizing the audience with his electrifying beats and infectious energy. Now, fans worldwide can experience the magic of Sziget 2024 directly from their screens, immersing themselves in the euphoria of Garrix’s performance.
One of the standout moments of Garrix’s set at Sziget 2024 was the debut of his new single, ‘Smile‘. The track, with its uplifting melodies and feel-good lyrics, had the crowd beaming with excitement. The track quickly became a fan favorite, once again showcasing Garrix’s talent for blending catchy hooks with dancefloor-ready rhythms. As the music pulsated through the festival grounds, the energy was palpable, creating a sense of unity among the audience as they danced and sang along to the infectious beats.
But the magic didn’t stop there. Garrix surprised the Sziget Festival audience by dropping twelve unreleased tracks during his set, keeping them on their toes and eager for more. The crowd’s energy was electric, their enthusiasm infectious as they reveled in the unique experience of hearing new music for the first time. However, there was a moment of tension when a power cut interrupted the performance. Despite the temporary setback, Garrix’s professionalism and the audience’s unwavering support ensured that the show went on seamlessly.
After the main show, Sziget Festival 2024 wasn’t over yet for Garrix. Garrix’s record label imprint STMPD RCRDS hosted one of the biggest stages at Sziget throughout the night.
Garrix played another energetic set as the surprise guest and unstoppable as ever stayed on for a B2B with DubVision, after which other longtime collaborators such as Mesto, Blinders and Justin Mylo, as well as upcoming talent from the label such as Eleganto, Andrew Mathers, Merow, Moksi and NUZB took the stage. All in all a good preparation for STMPD RCRDS 2024 Label night at AFAS during ADE.
The post [WATCH] Martin Garrix Uploads Sziget 2024 Set To YouTube appeared first on EDMTunes.
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Ferry Corsten Joins Forces With Silva City To Release Beautiful ‘Chaos’ Trance Belter

Here’s a beautiful piece that reminds us of the older days of Trance.
Oh, Ferry, you’ve done it again. In case you’re not aware, Ferry Corsten, the legend and pioneer of the modern Dance sound (both Trance and the subsequent genres), has been quite busy juggling studio and gigs around the world this past year. In particular, he’s been crafting his next studio album, Connect.
Connect is an ongoing project. And differently from the usual album marketing campaign, in which an artist lifts two to four songs prior to the full LP, Ferry’s unveiling these songs as they come, one by one. We’ve heard that old-school sound peeking through Corsten’s latest piece of work, just like he mentioned in our interview with him a while ago. We’ve loved ‘Just Breathe’, we’ve loved ‘Stay Awake’, we’ve absolutely favourited ‘Fulfillment’, and we’re now delighted to receive his latest, a collaboration of sorts.
‘Chaos’
Under such a simple name, you wouldn’t imagine just how lovely this track is. And the thing is, along with ‘Just Breathe’, this one is arguably the most Trance-inducing record of them all. Think Golden Age. This record is precisely that. Add to it this track is a collaboration with Silva City (the Old-school Trance alias of Alan Fitzpatrick and Reset Robot), and you have a future classic.
The melody is so simple, and the nature of the track is stripped-back just like the old days. A few elements which all play such a key part in the picture, that’s the philosophy here. The main lead is an evolving saw pluck, backed by magical old-school percussion, snare rolls, delayed crashes, rolling basslines, and harmony companions. I couldn’t believe my eyes when I acknowledged this was a today thing and not a golden Gouryella era release. Thank you Ferry!
Listen to Ferry Corsten and Silva City‘s amazing ‘Chaos’ by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Ferry Corsten Joins Forces With Silva City To Release Beautiful ‘Chaos’ Trance Belter appeared first on EDMTunes.
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