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This year marks the 25th edition of Isle of Wight Festival, including the three original events held in 1968, ‘69 and ‘70. To celebrate this landmark in music history, Experience 25 – an exhibition dedicated to the festival’s remarkable history – will run at the O2’s Innovation Centre from 19th September – 13th November.
The grand space will play host to an archive documenting the festival’s most magical moments; from Bob Dylan’s 150,000 strong crowd in 1969 (which included three of The Beatles), to Amy Winehouse’s duet with Mick Jagger in 2007. Visitors will travel back in time and be invited into the office of Ray Foulk, the original curator of the first three festivals. Step inside an authentic recreation of Ray’s wonderfully creative and chaotic workspace and see how he and his team put together the historic events with a hippy ethos, overcoming a series of obstacles and dramas along the way.  

Also on display, original images and footage of performances by The Doors, The Who, Joni Mitchell, and even Hendrix shredding in front a 500,000 strong crowd in 1970. Experience the atmosphere of a moment in time – an era of hope and innocence.
Guests will then be transported to 2002, when legendary promoter John Giddings revived the festival, beginning its hugely successful run to the present day. The Isle of Wight Festival now hosts 60,000 music fans a year. Relive David Bowie’s stunning headline set in 2004, Jay Z’s dominating performance in 2010 and Dave Grohl cementing himself in rock history 2011, all the way through to Green Day taking the reins as 2024’s unforgettable headliners.
Experience 25’s London run finds its perfect home at the O2; a venue inextricably linked to the Isle of Wight Festival, where many of its artists throughout the years have graced the stage.
John Giddings said: “The iconic Isle of Wight festival 1970 was the Woodstock of Europe, but the IOW Member of Parliament at the time, in all his wisdom, decided to ban it for 32 years in the form of an act of parliament – allowing others to pick up the baton…
“They let us restart it for the Queen’s jubilee, and it has gone from strength to strength – re-establishing this small island off the south coast of England as a worldwide brand. “Here is a celebration of the last 22 years, with the original three years added by kind courtesy of Ray Foulk, without whom it, it would not exist…”
Ray Foulk said: “My family is delighted to contribute to this commemorative show with historic items and archives as it travels from the Island to the O2. It is with great pride that our embryonic rock festivals of more than half a century ago have been so successfully and splendidly revived”.
Experience 25 incorporates the three Isle of Wight Festivals that were organised by Ray Foulk and his brothers – the 1970 one being ‘The Last Great Event’ at which everyone played, including Jimi Hendrix, The Doors, The Who and Joni Mitchell and over half a million people came to see them!
Plus the new Isle of Wight Festival exhibition from 2002 onwards – the hugely successful  international Festival, which was restarted by John Giddings, and now sees 60,000 music fans arrive on the Isle of Wight every year to see artists such as Green Day, The Pet Shop Boys and The Prodigy (this year); Robbie Williams, Blondie and Pulp (2023); Fleetwood Mac (2016); The Red Hot Chili Peppers (2014); Bruce Springsteen (2012); Dave Grohl (2011); Paul McCartney, Pink and Jay Z (2010), The Rolling Stones and Amy Winehouse (2007) and David Bowie and The Who (2004).
Entrance to the Innovation Centre is located next to the Las Iguanas Restaurant inside the O2
The post Experience 25, the exhibition celebrating the history of the iconic Isle of Wight Festival, opens at London’s O2 appeared first on Decoded Magazine.
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Global dance music icons Armin van Buuren and Hardwell are back together for the first time in nearly a decade with the eagerly awaited track, ‘Follow The Light’.

Following their 2015 collaboration ‘Off the Hook’, which became a global hit with over 100 million streams, the two superstars fuse their respective styles once again, blending Armin’s signature euphoric trance melodies with Hardwell’s cutting-edge big-room techno to deliver a powerful festival anthem that will undeniably thrill fans. Already a popular track in both artists’ sets throughout 2024, the legendary pair teased the collaboration earlier this year during a special back-to-back set at A State of Trance Rotterdam, sparking a frenzy of excitement from fans both at the event and online.
Although the two have shared many stages and performed back-to-back several times, the official release of ‘Follow The Light’ marks only their second studio collaboration. The release is set to provide another euphoric surge of energy for fans of Armin van Buuren and Hardwell.
Armin van Buuren, a five-time winner of the Top 100 DJs poll, is no stranger to pushing boundaries. Known for his genre-defining weekly radio show A State of Trance – listened to by over 40 million fans worldwide – Armin has been a trailblazer in the electronic dance music scene for over two decades. His vast discography includes chart-topping hits, high-profile collaborations with artists such as David Guetta and Teddy Swims, and headlining performances at the world’s premier festivals.
Fellow collaborator Hardwell is another giant in the electronic music realm, having made an unmistakable mark on the industry. A former No. 1 DJ (2013, 2014) himself, Hardwell is known for his hit anthems and celebrated remixes for artists like David Guetta, Calvin Harris, and Coldplay. His 2024 transition to Big Room Techno marked a pivotal chapter in his career, highlighted by the release of his second studio album, REBELS NEVER DIE. Following singles like ‘I’m The Devil’, ‘XTC’, ’16’, ‘The Abyss’, ‘Move’, and ‘Acid’ have further cemented his reputation, alongside headline performances at the biggest festivals. 2024 also saw the return of his iconic radio show, Hardwell On Air, reigniting the airwaves for millions of fans worldwide.
With ‘Follow The Light’ becoming a staple in both artists’ sets throughout 2024, fan anticipation for an official release has been palpable. Now, with the imminent release of ‘Follow The Light’, it is poised to be another crowd-pleasing anthem destined to illuminate airwaves, playlists, and dancefloors globally, igniting even more excitement.
Buy/Stream Follow The Light

Revealed Online
Website | Facebook | Instagram | Spotify

Armin van Buuren Online
Website | Facebook | Instagram | Spotify

Hardwell Online
Website | Facebook | Instagram | Spotify
 
The post Armin Van Buuren & Hardwell Reunite With ‘Follow The Light’ Their First Collaboration Since 2015! appeared first on Electric Mode.
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Kygo has become a force to be reckoned with in the world of electronic dance music, seamlessly blending tropical house beats with mainstream appeal. Whether crafting hits in the studio or energizing massive crowds at festivals, the Norwegian sensation has left an indelible mark on the global music scene. Since his breakout in 2013, Kygo has consistently delivered chart-topping tracks, with over a billion streams on multiple songs. To celebrate his 32nd birthday, we’re counting down his top 10 songs, highlighting the hits that have solidified his place as a true EDM superstar.
10. First Time with Ellie Goulding – 469m Spotify streams
9. Happy Now with Sandro Cavazza – 508m Spotify streams
8. Lose Somebody with OneRepublic – 541m Spotify streams
7. Born To Be Yours with Imagine Dragons – 590m Spotify streams
6. Remind Me To Forget with Miguel – 602m Spotify streams
5. Stay with Maty Noyes – 606m Spotify streams
4. Higher Love with Whitney Houston – 978m Spotify streams
3. Stole The Show with Parson James – 1b Spotify streams
2. Firestone with Conrad Sewell – 1.1b Spotify streams
1. It Ain’t Me with Selena Gomez – 1.4b Spotify streams
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Alfiya Glow unites with Luna Maye for their collaborative Melodic House track, ‘Where Do We Go.’ A synergy of styles and a symbol of their creative harmony, the production gives way to the signature violin lines that have become a staple to Alfiya Glow’s work, balancing against Luna Maye’s expressive vocals to cultivate an auditory experience that not merely entertains but also invites contemplation and emotional connection.
The pair, long-term collaborators and fierce supporters of one another, come to this project with experience and understanding, having built a solid working relationship throughout their musical journeys and various collaborative endeavours. From their first production, a four-movement piece titled ‘Emergence,’ to their Splice pack, ‘Feminine Frequency,’ which continues to uphold a top position within the Splice Explorers charts, to their meditative single ‘Invocation of Peace,’ Alfiya Glow and Luna Maye have continued to build on their combined strengths as Artists and innovators. With this new production coming as Luna Maye’s first steps into the world of Electronic Music, with Alfiya Glow having been working to merge her Classical background with her passion for Electronic Dance music, recently releasing her EP ‘Leaving Origins,’ the track exemplifies the pair’s creative bond whilst highlighting their mutual desire to keep developing and evolving as unique creators on the scene. 
An evocative piece that stirs deep emotions through its considered use of sound, ‘Where Do We Go’ features a steady beat, pulsing synth details, and an ambient low-end, all combined to create a moving instrumental arrangement. Over this rich backdrop, Alfiya Glow layers her signature violin textures, incorporating melodic and atmospheric motifs, whilst Luna Maye’s lyrical vocal lines take the focus, weaving amongst the production to add her distinct touch. With subtle percussion and dynamic hooks, the interplay between the melodic progressions and rhythmic elements enriches the listening experience, resulting in a track that is both sonically complex and musically immersive. 
A release that brings together two skilled Artists, supported in their work through mutual respect and friendship, ‘Where Do We Go’ invites fans and new listeners alike to discover the depths of its sound and explore the creative chemistry between Alfiya Glow and Luna Maye; with its artwork, designed by Julia Lehman, beautifully complementing the track’s sonic journey and adding an extra layer of artistic expression.
Keep watching Alfiya Glow and Luna Maye by following each of their journeys via social media. ‘Where Do We Go’ is out now and available to stream and download across platforms.
Listen and Buy ‘Where Do We Go’ Now:
Beatport
Alfiya Glow Online  
Instagram | Spotify | Website  
Luna Maye Online  
Instagram | Spotify | Website  
Julia Lehman Online
Website | Instagram
The post Alfiya Glow Teams Up With Luna Maye To Present ‘Where Do We Go’ appeared first on EDMTunes.
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Rapper Kendrick Lamar will headline the Super Bowl halftime show in New Orleans! The NFL’s announcement highlights Lamar’s status as one of the most influential figures in contemporary music. At 37, Lamar has established an impressive legacy with 17 Grammy Awards, 29 BET Awards, and a Pulitzer Prize for Music in 2018.
The rapper’s impact on the music scene is underscored by his recent single, “Not Like Us,” which, with its bold diss aimed at Drake. Not only did it top the Billboard Hot 100 but it also became the fastest rap song to achieve 700 million streams on Spotify.
Despite not releasing new music since 2022’s critically acclaimed “Mr. Morale and the Big Steppers,” Lamar remains a significant cultural figure. His earlier work, particularly the 2012 album “Good Kid, M.A.A.D. City,” has left an indelible mark, achieving triple platinum status and solidifying his place in hip-hop history.
This appearance follows his memorable performance at the 2022 Super Bowl in Los Angeles, where he joined other hip-hop legends in a West Coast-themed show.
“Rap music is still the most impactful genre to date. And I’ll be there to remind the world why. They got the right one.” Lamar said in a press statement.  Lamar will follow in the footsteps of Rihanna, who performed last year. Kaskade stepped in at this year’s Super Bowl as its in-game DJs, replacing Tiësto, who had to had to withdraw last minute.
The post Kendrick Lamar Selected for 2025 Super Bowl Halftime Performance appeared first on EDMTunes.
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Police in Berlin are searching for a man suspected of ramming his car into the entryway of a nightclub, Sisyphos, after being denied entry, according to local reports.
Berliner Zeitung, one of the city's oldest newspapers, on Monday reported that the incident took place shortly before 6am on September 7th, when a pair of security guards refused the man's entrance to Sisyphos.
"The two security guards, aged 26 and 41, turned him away, which he initially politely acknowledged and then left," per Berliner Zeitung. "Shortly afterwards, however, he returned in a rental car, completely upset, and deliberately drove into the club's entrance gate twice."
The suspect drove his rented Audi into the wall of Sisyphos before reversing and colliding with the club's famed gate, which features a design of kissing ducks. He reportedly fled the scene and no one was injured, including the bouncers, who narrowly managed to evade his vehicle by jumping back to the sidewalk.
Additional details surrounding the alleged crash are scarce, but an investigation is underway as local authorities seek testimony from witnesses. The extent of the damage to Sisyphos' exterior is unclear at the time of this writing and the club's proprietors have not yet publicly commented.
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Ushuaïa Ibiza, Ibiza’s #1 outdoor entertainment venue, is gearing up for its highly anticipated season finale on Saturday, October 12th, 2024. Marking the end of another spectacular summer, the iconic ANTS residency will take centre stage for one last, unforgettable time with ‘The Last dANTS’. This epic closing party promises to deliver a cutting-edge soundtrack of house and techno, thanks to a series of exclusive back-to-back sets that bring much-loved ANTS regulars together with trailblazing guest artists. This unrivalled lineup will be paired with the world-class production and mesmerising audio-visuals that have defined the ANTS experience all season.
Prepare for an explosive back-to-back set from The Martinez Brothers and Paco Osuna, whose infectious energy and genre-spanning selections will make for a truly unforgettable headline performance. Joining them is Chicago house legend Green Velvet playing back-to-back with global tastemaker and ‘Mad Motion’ collaborator Patrick Topping, and a back-to-back set from two legendary Ibiza residents Andrea Oliva and Vintage Culture. There’s two more special back-to-back sessions courtesy of Dutch selector Prunk b2b and trailblazing UK talent Fleur Shore, and ANTS regular SYREETA and Kitty Amor who will bring their forward-thinking sounds to the fore. All this, plus Liverpool DJ-Producer Melé and many more acts still to be announced for what is sure to be a very special season finale.
2024 has been another banner year for Ushuaïa Ibiza, reaffirming its status as the top outdoor entertainment venue in Ibiza. With its legendary poolside stage and mind-blowing production, the venue has hosted a series of unforgettable events featuring the biggest names and club brands on the planet,  including ANTS, Armin van Buuren, Calvin Harris & MK, Chase & Status, Defected, Dom Dolla, elrow, F*** Me I’m Famous by David Guetta, I Love Reggaeton, Martin Garrix, Swedish House Mafia, and Tomorrowland presents Dimitri Vegas & Like Mike. With more of these exciting events still to come, Ushuaïa Ibiza continues to set the standard for world-class entertainment.
As the sun sets on the summer season, ‘The Last dANTS’ will stand as the crowning celebration of yet another incredible year at Ushuaïa Ibiza. With this all-star lineup now revealed, tickets are set to fly.  Don’t miss your chance to be part of this historic event. For tickets and VIP bookings, visit theushuaiaexperience.com
COMING UP NEXT: ANTS AT ADE
Ushuaïa Ibiza’s trailblazing underground party ANTS returns to the Amsterdam Dance Event (ADE) for a very special showcase on Thursday 17 October 2024. Find out more at unitedants.com.
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Charlotte de Witte and Amelie Lens announce their grand return to the stage together at Flanders Expo in Ghent (Belgium). After weeks of teasing on social media and a hidden message during their shows, it is finally clear what the 2 DJs are up to. And what they’ve planned promises to be a once in a lifetime experience: on January 31 and February 1 (2025), for the first time ever, Belgian techno icons Amelie Lens and Charlotte de Witte come together for a unique back-to-back set. 
This promises to be an unparalleled highlight in the techno world. Flanders Expo is once again transforming into the biggest techno temple ever, with 20,000 ravers each night, a spectacular visual production and the two leading women of our techno scene. The full line-up will be announced at a later date.
Amelie Lens has taken techno to another level, elevating it to new heights through her two record labels, LENSKE and EXHALE, and her event series. The attitude is a simple one: techno can be for everyone, and through her tireless passion for music and unique use of her own vocals, she has opened the scene to new listeners, new fans, and new ravers. Community is the driving force of all Amelie Lens projects and is most visible through EXHALE. 
Global shows, a successful three-year residency that brought techno to Ibiza by acting as a safe place for everyone to come and share their passion for music, and now her own solo show, produced independently, all reflect this commitment. Her successes are well documented across multiple covers, a prestigious Global Underground City mix, but above all, her focus remains on the dance floor, where she always was, and always will be, a raver at heart.
Amelie says: “I couldn’t be more excited to join forces with Charlotte! The time has finally come to unite and create something truly unique and special for our communities. We’re one scene, united by our unstoppable love for the music!”
Charlotte de Witte (KNTXT) is more than just a DJ; She is an icon in the electronic music scene with an unparalleled influence. As a DJ, producer, and record executive, she has quickly established herself as one of the most sought-after artists in the industry. Her signature approach effortlessly mixes genres with an intense energy. Since her breakthrough in 2010, de Witte has built a devoted fan base and has catapulted from underground star in Belgium to global sensation. This marks the fourth consecutive year for Charlotte at Flanders Expo. In December 2023, she was named the World’s No. 1 Techno DJ by DJ Magazine for the fourth time in a row.
Charlotte says: “Flanders Expo, I’m back! It’s our fourth year at Flanders Expo and for this edition, we’re going above and beyond with not one, but two nights. It feels incredibly right to join forces with Amelie Lens, our paths have crossed many, many times and it’s been fantastic to see us both grow in this ever changing techno scene. This is Belgian Techno united, and this will be huge“
Tickets for Amelie Lens b2b Charlotte de Witte are available from Thursday 12 September at 6pm CET via backtoback.be. Day tickets cost €59.99. Combi tickets, for 31 January and 1 February, cost €99.99. Those who register now via backtoback.be can participate in a presale. Clubhouse tickets cost €109.99. For the biggest fans, there are Paddock tickets available at €179.99. 
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The roar of engines at Formula 1’s Las Vegas Grand Prix are about to be amplified by the sounds of Snakehips, Vandelux and Big Boi, the newly announced headliners of this year's Heineken Silver Stage.
Now in its second year, the Las Vegas Grand Prix is doubling down on its formula for success by delivering an unbeatable fusion of top-tier racing and world-class entertainment. Snakehips and Vandelux are the latest electronic music artists to join the official entertainment festivities following Swedish superstar Alesso, who has been confirmed to perform at the nearby T-Mobile Zone.
Strategically situated in the East Harmon Zone, the Heineken Silver Stage offers an unbeatable experience in the heart of the action. The prime location near Virgin Hotels Las Vegas will be accessible to race attendees in premium zones as well as the Heineken Silver Main Grandstand.
Moreover, all 20 Formula 1 drivers will take part in exclusive live Q&A sessions and autograph signings throughout the weekend, offering fans unprecedented access to their favorite racing stars. Following Max Verstappen’s historic win in Sin City's inaugural 2023 race, expectations are running high for another awe-inspiring spectacle this November.
For those looking to experience the full-throttle excitement of the Las Vegas Grand Prix, tickets for the 2024 race are on sale now. This year's race weekend takes place November 21-23.
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Four Tet Ellie Goulding "In My Dreams"
In a world of sonic conformity, "In My Dreams" is a refreshing breath of unconventional brilliance. Released moments ago via Three Six Zero Recordings, the new single is a distorted dreamscape of dance music that's both mesmerizing and unsettling.
Goulding's voice, as delicate as ever, plunges us into a dream within a dream. She sings of "just visiting" our dreams, a phantasmic figure gliding through the subconscious. Meanwhile, Four Tet's production adds layers upon layers of grungy intensity.
Four Tet says the new collaboration began when Goulding came up with a song idea and recorded voice notes containing lyrics and melodies. She then sent them in text messages and asked him if he was interested in producing a track around the vocal bits.
"I found other noises to go with it and made 'In My Dreams,'" he explained in a press release. "[Goulding] added some new vocal parts but we ended up keeping the voice note recordings as the main vocal. I guess the first take is often the most magical. I wanted to make something that was all about juxtaposing harsh aggressive sound with the delicate and intimate."
The influential producer previously enlisted Goulding for a feature on "Baby," a track from 2020's Sixteen Oceans, his 10th studio album. He then remixed Goulding's "Easy Lover" in 2022, leading to a Grammy nomination for Best Remixed Recording.
You can find "In My Dreams" on streaming platforms here.
Follow Four Tet:
X: x.com/fourtet
Instagram: instagram.com/fourtetkieran
Facebook: facebook.com/fourtetkieran
Spotify: spoti.fi/37kV2Id
Follow Ellie Goulding:
X: x.com/elliegoulding
Instagram: instagram.com/elliegoulding
TikTok: tiktok.com/@elliegoulding
Facebook: facebook.com/elliegoulding
Spotify: spoti.fi/3qvpOEG
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With an uncanny ability to set an ecstatic mood through her music, the inimitable Anna Lunoe is set to release her debut album, Pearl.
It's a big moment for the prolific Australian artist, who says she's laying bare her artistry in ways fans haven't yet seen.
"When I started out in dance music as a local DJ, my dream was to fill dancefloors and pay my rent," Lunoe said in a press release. "As my career expanded and the industry changed and I got thrown into new challenge after new challenge, I always felt like my artist voice had to be secondary to my DJ needs. So in a way this marks a kinda colossal shift in perspective on my career to date, putting my artistry at the front in a way I never have before."
Lunoe, who will soon support The Weeknd on tour in Australia, is known for her versatility as a producer, creating rapturous dance music rooted in house, garage, techno and more. Following July's release of "Only Love," she's now back on Nina Las Vegas' NLV Records with "Pearl," the title track from the new album.
Though powerful in her production, Lunoe infuses an airy softness into the uplifting single to deliver a bubbly track fit for both a sunny stroll or a sweaty dancefloor. The record, she says, finds her at her "most sincere."
"To me the sentiment in this song is about fighting for your spirit and creative force in a world that isn't really designed for us to hold on to it," Lunoe said in a press release. "Sonically this was an exercise in emotion and clarifying a feeling as opposed to straight up club tune-making—it's more sincere than I've allowed myself to be publicly before, but those few who get to hear my scruffy demos know this Anna well."
You can check out the new single below and pre-save Pearl here. The album is scheduled to release October 25th, 2024.
Follow Anna Lunoe:
X: x.com/annalunoe
TikTok: tiktok.com/@annalunoe
Instagram: instagram.com/annalunoe
Facebook: facebook.com/annalunoe
Spotify: spoti.fi/2Vrs9mC
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Norwegian DJ and music producer Kygo has hit another incredible milestone as his 2015 single ‘Stole The Show’, featuring Parson James, has officially crossed 1 billion streams on Spotify. This accomplishment comes just days before Kygo‘s 33rd birthday, marking a celebratory moment in both his personal and professional life.
‘Stole The Show’ was a defining track in Kygo‘s career, helping him break into the mainstream with its tropical house vibes and memorable vocals by Parson James. The song not only became a summer anthem but also solidified Kygo as a pioneer of the tropical house genre.
Kygo‘s consistent ability to produce chart-topping hits and connect with global audiences is reflected in this latest achievement. The song’s billion-stream milestone serves as a testament to its enduring appeal nearly a decade after its release.
As Kygo approaches his 33rd birthday later this month, this accomplishment feels like a fitting tribute to a career that continues to soar. Fans and listeners alike are now eager to see what other records the artist will break in the years to come.
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Wrapping up yet another impressive season, the iconic Pacha Ibiza is gearing up for a big run of closing parties.
The club has been revolutionizing the White Isle's nightlife sector for over 50 years now, and this year was no exception. Throughout its summer 2024 season, Pacha hosted residencies from the likes of CamelPhat, Bedouin, Solomun and Marco Carola, and organized some of the island's best events, like their storied "Flower Power" party every Saturday.
Pacha’s closing festivities will begin on September 30th with Diplo taking the decks alongside Francis Mercier and Caiiro. A takeover from CamelPhat will follow on October 1st with additional sets from Pete Tong, Adam Ten and Olympe.
The next night, Bedouin will close their renowned SAGA residency alongside WhoMadeWho and Kadebostany. The "Pure Pacha" party series will then wrap on October 3rd with Robin Schulz and Martin Solveig, among others.
Carola, Seth Troxler and Cole Knight on October 4th will soundtrack Music On, Bora Uzer and more will perform at the "Flower Power" closing party on the 5th and Solomun will play his last residency set on the 6th. Pacha’s grand finale will feature a two-part Music On closing event headlined by Carola October 10-11, followed by Roger Sanchez playing a special all-night set on the 12th. Finally, Peggy Gou will headline Pacha's "Grand Closing Party" on October 13th.
Tickets for Pacha’s closing events are available here. 
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Astell&Kern, renowned for their high-end audio devices, just introduced the SP3000T Copper Edition, a limited-edition model that promises pristine audio quality, everywhere you go. The SP3000T is a portable music player that allows you to carry your favorite tunes anywhere you go. But at a steep price of $4,200, would you buy it?
Crafted with a 98.8% copper body, the SP3000T Copper Edition has exceptional sound quality and durability. The integration of a real vacuum tube adds a warm, authentic analog tone to the digital audio. Furthermore, the model was fitted with Teraton Alpha technology for immersive digital sound. The player’s modular design and silicone dampers also help reduce noise and vibrations. In the end, it has the best of the analog and digital worlds, or, as their creators call it, “Analog Warmth, Digital Precision“.
Of course, all of these elements drive the price up, for which the Astell&Kern model hit the markets at its $4,200 price tag. This product is targeted at audiophiles who prioritise exceptional sound quality, so it will undoubtedly find some buyers out there. But would you choose it over a streaming service on your phone? Could the days of portable music players come back with the premise of flawless quality?
[H/T] Digital Music News
The post A Premium $4,200 Portable Music Player Just Hit The Market appeared first on EDMTunes.
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Before Nala and VNSSA ever started DJing together, they were exchanging oyster photos in a group chat they named, "We're F***king Eating."
Although the food photos have since slowed down and dachshund pics now reign supreme, the two continue to share not only a palpable chemistry, but also a companionship that has only grown stronger over the years.
The friendship began thanks to Dirtybird. They met in-person for the first time mid-pandemic, around 2021, at a drive-in rave. VNSSA, whose real name is Vanessa Barnes, arrived early to see Nala, Stefania Aronin, play her set. After crossing paths at the show, the two then started hanging out and DJing together.
"We would complain about the male-dominated music industry to each other, and share experiences with that and connect through that," Barnes tells EDM.com in an exclusive interview.
VNSSA and Nala of Girl Math.VNSSA/Nala/Instagram
It wasn't long before Barnes and Aronin were booked for their first b2b performance together during Miami Music Week with Walker & Royce's label, Rules Don't Apply.
"[Walker & Royce] were joking that our duo name would be VaNala Ice," Barnes recalls with a laugh. "That’s where it started and then we were getting more b2b offers, and we were like, maybe we should just make this a thing."
As the demand for their b2b sets increased, the duo had to decide on a collaborative nom de plume. They were preparing for their debut performance at Coachella's beloved Do LaB when the name finally materialized.
"There was a moment where I was like, it should be 'girl' something," Aronin says. "It had that punk edge to it."
"Our friend Nikki has this joke: four plus four equals 'ate,'" Barnes adds. "So we were like, 'Girl Math,' that should be the name. But it's more than just that... Having 'girl' in the name gives us empowerment and it feels like a feminist movement."
View the original article to see embedded media.
Girlhood means "everything," Aronin and Barnes agreed.
"There's this implied thing with girlhood that's like, we're great at everything and we hold it all down, and sometimes that goes without credit," Aronin explains. "So girlhood is about getting shit done, even if it means not totally getting acknowledged for the work that went into it."
Nala and VNSSA, each of whom are star DJs and producers in their own right, found that girlhood in the music industry was inextricably linked with isolation and disillusionment. The opportunity to collaborate cultivated a sense of unity and comfort, they said, that ultimately aided in their creative process and tightened their bond.
"Touring by yourself, it’s really easy to get burnt out and it’s just boring alone. So it’s a lot more fun having a partner in crime," Barnes says. "Playing together, you have another person where you can bounce ideas off and instead of just trusting yourself, you have someone else that you can rely on. So it's just nice to have that kind of support."
Girl Math have now performed at Bonnaroo, Electric Forest, Splash House and other major music festivals. They're now gearing up for their first headlining show, which is scheduled for November 1st at the Chocolate Factory Theater in New York City.
VNSSA and Nala of Girl Math.VNSSA/Nala/Instagram
Drawing inspiration from their respective backgrounds in rock music, the pair found common ground in live instrumentation and began to infuse those shared interests into their music with a punk twist. Aronin said she's great at "coming up with random sound design concepts" while Barnes provides a lot of Girl Math's "structure, stability and direction."
"It's just my anxiety," Barnes says with a laugh, blushing over the compliment.
While Aronin brings her affinity for Riot grrrl-influenced vocals to the table, Barnes offers drumming skills with a metal focus. It was a match made in heaven.
"I thought being a drummer in a metal band was the coolest thing you could ever do prior to being a DJ," Aronin gushes. "So I was like, we need to incorporate this history on both sides and turn this into something that's rowdy and fun and chaotic. That’s where we met in the middle—a rock-focused approach to music. And when I say structure, I really mean drums. She brings the drums on a really solid, structured level."
"We want to take as much live music inspiration as possible," Barnes adds. "I think you'll be able to hear that in our production as well. Because there's a lot of live drum elements along with synths and Nala’s vocals. It gives it a very gritty, rebellious sound. It's the mix of us together."
Through the singular lens of Girl Math, Aronin and Barnes say they ultimately hope to inspire other female producers in the electronic music scene.
"Do whatever the fuck you want and make whatever the fuck you want," Barnes says with a grin. "Don't worry what anyone else thinks. Do whatever makes you feel good."
"Surround yourself with people who are supportive," Aronin adds, "and fuck everyone else."
Follow VNSSA:
X: x.com/VNSSAmusic
Instagram: instagram.com/vnssa
TikTok: tiktok.com/@vnssaofficial
Facebook: facebook.com/vnssaofficial
Spotify: https://spoti.fi/3z5EYe2
Follow Nala:
X: x.com/thisisnalaa
Instagram: instagram.com/thisisnala
TikTok: tiktok.com/@thisisnalaa
Facebook: facebook.com/thisisnala
Spotify: spoti.fi/3PaEghQ
Ravebot
The Global DNB Collective’s newest single, “Stuck in My Head,” is a riveting collaboration featuring three veteran producers from Charlotte, North Carolina. This track explores the consuming nature of obsession through its electrifying beats and unforgettable hook. The accompanying music video reinforces this theme with a dramatic narrative of a man who becomes a cyborg in his quest to overcome his fixation. Boasting an undeniably powerful energy and compelling story, “Stuck in My Head” offers an immersive audio-visual experience that’s not to be missed.

GETTING TO KNOW ELECTRON-C, DARK ADAPTATION, & NOISESMITH
Introduce yourself and your project
We are Andrew, Tristan and Dan, aka Electron-C, Dark Adaptation, and Noisesmith (respectively).  We are drum & bass producers & DJs hailing from Charlotte, NC.  
Explain what musical genre fits you best
EC – Jungle/Drum & Bass and all the flavors of subgenres that fall within that.  Mostly darker stuff.
DA – Jump up, Rollers and Dancefloor
NS – Melodic tearout meets dark neuro meets hard dancefloor with a pinch of jungle.
Were you connected with music from a young age and did anyone inspire you?
EC – I was dancing to music as soon as I was able to stand on 2 feet.  I had a Casio keyboard at 9 years old, and would play Depeche Mode melodies by ear.  It just spiraled from there.
DA – I wasn’t raised around a lot of music besides metal and country, then deathcore, punk, a lot of hip-hop, R&B and trap music into my teen years. Then in my mid twenties I found reggae. Someone who inspired me within music has always been a variety of people like $uicideboy$, John Paul White of The Civil Wars, and Tom Barber of Chelsea Grin.
NS – Oh god yes. My mom was Cuban and music was an integral part of our household. Through my love of underground hip hop, I discovered DNB in high school and have been in love ever since.

What kickstarted your music career?
EC – I’ve been recording music since the 90s, but when the pandemic hit, I took the extra time to focus on producing and releasing professional grade drum & bass.
DA – My music career started when I received my first guitar at 13 (2005) and I’ve spent the last 19 years since then chasing the music.
NS – I started writing in 2004 as part of the group titanZERO. After an extended hiatus, I started my solo project Noisesmith in 2022.
Tell us more about your sound and how it’s evolved over time
EC – In the early 90s it was industrial, in the late 90s it was big beat and jungle.  For the last 20 years, I’ve refined the focus to modern jungle influenced rollers and dancefloor drum & bass.
DA – My sound is still undefined, but if I had to I would say that its a blend of beautiful melodics and vocals combined with heavy baselines, tight footwork, and a trap aspect.
NS – Early on, I wanted to make the hardest DNB known to man. Now, I want to tell a story with my sound. Invoke emotions with melodies, incorporate elements of hip hop, metal, industrial, synthwave etc, all while giving a nod to the hard shit.
Any words you want to share to encourage other artists or producers?
EC – I’ve had the following on a notepad on my desktop for the better part of the last 5 years:  “The way we solve problems is often more important than the difficulty of the problems we are facing.  KEEP FUCKING GOING DUDE.  Don’t get discouraged.  Make so much noise, they HAVE to hear you.  Do it again, do it louder.  Make music that’s so big it is undeniable.”
DA – Your snare could be better.
NS – Don’t try to be the “next” anyone, be the first YOU. Input = Output. Break the rules.
How do you nurture your industry relationships?
EC – Be a good human being. Duality is an illusion. Treat others like they’re your best mates. Help others as much as you can. If someone is a terrible person, cut the tie and walk away. And always keep pushing forward.
DA – Being genuine, helping lift others up, everyone who loves the same music you do is a friend, you should treat them that way.
NS – Stay humble. Support others. Don’t be a dick. Laugh at yourself.
Is there anyone you’d like to thank that’s been crucial to your journey?
EC – too many to list!  My wife, Jade. Darren (SST) and Greg (The Lion’s Den) for the coaching and mentoring. DJ Met (RIP) for the early sounding board. Lorin (Base Industry) for believing in the vision early on. Tim (Kadilak) & Aaron (Snapback) at Rolled Up for pushing me to do it again and do it better.  Jamie (Oneduz) for the dedication on this release.
DA – The top is my partner Katie who introduced me to drum & bass and has helped me bloom into who I am today and Electron-C (Andy) who always pushes me to do better and so many other QC crew/family who supports.
NS – My incredible wife Kimmy, my muse and everything. Jay Kronos, for joining me on this journey and being a brother. Tony Dubz, for teaching me the art of the mix and supporting me from day one. Jermel Yellow Fever, for pushing me back into this world—endless thanks. Zardonic, for believing in me and helping launch Noisesmith with some incredible tracks. And most importantly, to YOU, for sharing our love for the music. Thank you!
Name 3 songs you love and what they mean to you + Youtube links
EC –
NIN – Wish,



Future Prophecy – Dreadlock,

Bru-C x Bou – Streetlife


DA –
Sigur Rós – Varúð,

Goldfinger – Superman,

 
Delta Heavy x Koven – Feel

 

NS –
Dom & Kemal – Moulin Rouge,

Technical Itch & Dylan – The Legend (Evol Intent Remix),

Company Flow – End To End Burners

What’s your favourite piece of studio equipment or software?
EC – All about the T-Glue
DA – Thermal
NS – PHASEPLANT!
Name your favourite club or festival and how it makes you feel
EC – Performing at EDC Orlando was pretty epic.  Hospitality in the Park was ridiculous. 
DA – Hulaween!
NS – Therapy Sessions!

Name an outlandish rider request?
EC – Only green M&Ms
DA – 31 origami pigeons in light blue construction paper
NS – A wall of framed sex toys
Favourite clubbing memory and who or what did it involve?
EC – Hybrid live at The Groove in Orlando in like 99 I think?  Amazing.
DA – The first time I ever saw DieselBoy live, at Serj here in Charlotte, the energy he brought was unlike anything I had experienced at the time and just stoked the fire for my musical journey that much more.
NS – Andy C at Tonic in Charlotte NC. There were only a handful of people in attendance, it was GLORIOUS. To this day, the vibe is unmatched.
What famous quote represents you best?
EC – Be here now.  Ram Dass
DA – To lose patience is to lose the battle.
NS – Art should comfort the disturbed and disturb the comfortable
If you could play at any venue, where would it be and why?
EC – Red Rocks.  That would just be a profound moment.
DA – Printworks London! Something about it just feels like home.
NS – Doesn’t matter, as long as you’re there. 
Music is….. (explain more)
EC – Everything.
DA – Life Saving
NS – A way to escape the pains of life, a way to celebrate the joys in life, a way to connect with people throughout life. In other words, music is life.

One song you really couldn’t live without and why?
EC – Ludovico Einaudi – Nuvole Bianche
DA – Solomon France – Jump In
NS – Dr Dre – The Chronic. The whole damn album.
Namedrop your favourite 5 artists or DJs (past or present)
EC – Bou, Camo & Krooked, DJ Craze, Friction, S.P.Y
DA – Hedex, $uiceboy$, Camo & Krooked, London Elektricity, Run The Jewels
NS – El-P, Technical Itch, Meshuggah, Mick Gordon, Graciela Wall (my mom)
What was your first music memory and how did it fuel your fire?
EC – The first big one was Nucleus – Jam On It – I’ve always loved breakbeats and bass music.
DA – Ozzie Osbourne – Thunder Underground, my first metal cd ever.
NS – Dara’s Renegade Continuum II mix. First taste of DnB, the rest is history.
Tell us more about your plans for the future
EC – Thai hot & Milkshakes!  Then a nap.
DA – More things like this… oh and a nap for sure
NS – 2 EPs, several collabs/remixes, an all-original studio mix and… a nap.
Any worldly advice you’d like to share?
EC – When choosing the restaurant for dinner before the show, avoid making the whole group go eat Indian food.
DA – Be kind.
NS – Life ebbs and flows. Whenever things aren’t going right, just know that the pendulum will swing back in the opposite direction. Keep your head up.
Stuck in my Head Is Out Now

https://ditto.fm/stuck-in-my-head-various-artists
Social Social Media Links
EC – https://linktr.ee/electronCdj
DA – https://linktr.ee/DarkAdaptationMusic
NS – https://linktr.ee/noisesmith

 
The post The Global DNB Collective Announces Their Latest Jungle/Drum & Bass Single ‘Stuck in my Head’ appeared first on Electric Mode.
Ravebot
The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Fred again.., Duskus, Four Tet, Skrillex, Joy Anonymous - glow
TōN DEF - could there be more ?
nimino - I Only Smoke When I Drink
Ethanplus - Loose
oso leone - Samuel Sings
Kidswaste, Beauvois - i quit
Shallou, Night Tales - I Just Wanted to Dance
HAAi, Jon Hopkins, KAM-BU - Always Ascending
Six Missing, Clariloops - Sitting Beachside
Geller - Pointillism
Ravebot
In the fast-paced world of Electronic Dance music, collaborations have become the cornerstone of creativity and innovation. When Grammy-winning DJ and producer David Guetta and serial hitmaker Alesso team up with singer-songwriter Madison Love, the result is nothing short of spectacular. Their latest single, ‘Never Going Home Tonight’, promises to be a surefire smash hit that will captivate audiences around the world. The single promises to become an anthem that takes listeners on a journey through the exhilarating chaos of nightlife. With Madison Love’s pristine lyrics, a bright piano riff, and Big-Room EDM-style synths, the song captures the essence of losing yourself in the moment, embracing the chaos of after parties, and surrendering to the irresistible pull of the dance floor.
The Dynamic Duo: David Guetta and Alesso
David Guetta and Alesso are titans in the world of electronic dance music, each renowned for their unique sound and ability to ignite dance floors with their infectious beats. Guetta, a household name in the EDM scene, has a knack for crafting chart-topping hits that resonate with audiences worldwide. Alesso, on the other hand, is a master of Progressive House, known for his melodic tunes and electrifying live performances.
The track arrives amid a year of massive proportion for both artists who are both hot on the heels of a stacked schedule of summer shows and releases. The international icons have been building anticipation for this latest collaboration all summer long – from Guetta’s residencies around the world, including Las Vegas’s Encore Beach Club as well as David Guetta Presents Future Rave at Hï Ibiza and ‘F*** Me, I’m Famous!’ party, now in its 23rd year, at Ushuaïa Ibiza and Alesso’s chart-topping releases including the genre-defying ‘I Like It‘ with Nate Smith and high-profile residency with TAO Nightlife in Las Vegas – to both artists delivering groundbreaking main-stage performances at Tomorrowland.
From the infectious drop to the euphoric melodies, every element of ‘Never Going Home Tonight’ bears the unmistakable imprint of Guetta and Alesso’s musical genius. Their synergy is palpable, driving the track forward with an irresistible momentum that will have listeners hitting repeat again and again.
Madison Love: The Voice of a Generation
At the heart of ‘Never Going Home Tonight’ lies the soulful voice of singer-songwriter Madison Love. With her evocative lyrics and emotive delivery, Love brings a sense of vulnerability and authenticity to the track, grounding it in human emotion amidst pulsating beats and electrifying synths.
Love’s collaboration with Guetta and Alesso is a testament to her versatility as an artist, seamlessly weaving her vocals into the fabric of the song and infusing it with depth and richness that elevates the overall listening experience. Her ability to convey the highs and lows of the nightlife experience, from the euphoria of the dance floor to the introspective moments of solitude, adds a layer of complexity to ‘Never Going Home Tonight’ that sets it apart from the crowd.
With ‘Never Going Home Tonight’, Madison Love cements her status as a rising star in the world of Dance music, proving that her talent knows no bounds. Her collaboration with Guetta and Alesso is a match made in musical heaven, resulting in a track that is as infectious as it is heartfelt, leaving a lasting impression on all who hear it.
The post David Guetta, Alesso And Madison Love Release ‘Never Going Home Tonight’ appeared first on EDMTunes.
Ravebot
This is truly the year for Hard Techno. The high priestess herself Sara Landry revealed her next single ‘Because They Want Our Seat’ for her upcoming debut album Spiritual Driveby. In collaboration with French Titan Nico Moreno, Landry’s release is available on her imprint HEKATE Records. Hope you’ve worked on your cardio, because this song will have your heart rate up in no time.
‘Because They Want Our Seat’
The track truly embellishes the essence of Hard Techno. Moreover, it’s a true display of Landry and Moreno’s chemistry during production. ‘Because They Want Our Seat’ digs you deep into the underground to hypnotize you with raw cadence and transfixed rhythms. Their profound technical mastery engulfs the entire track, unleashing intensity and infectious energy. Finally, the thunderous basslines and roaring bits anchor down the song.
In effect, ‘Because They Want Our Seat’ mixes up Sara Landry’s use of the divine feminine brand of Hard Techno, along with Nico Moreno’s industrial and hypnotizing sounds. The result? 160 BPMs of pure adrenaline, and crazy chemistry that’s nothing short of pure alchemy.
“I was so excited when Sara invited me to make this with her, and I loved being back in the studio together“, Nico Moreno said. “We looked back on what we both have done since our last piece together and our sounds have changed so much since then–I think we both feel incredibly blessed to be part of the growth of hard techno. We wanted this song to showcase the energy of the genre and the energy we receive from our audiences“.
Sara Landry added, “Nico is one of my favorite artists to work with – our first track together, ‘Queen Of The Banshees” is still one of my hottest tracks. When we were bringing this one up we went back and listened to other tracks we’ve done together and it was incredible reflecting on how much both of us have changed and evolved. Working with Nico really inspires me because we both love this genre – and pushing its limits –so deeply“.
With just a little under a month before her debut album drops, Sara Landry has become one of the most influential figures in the genre. From bringing Hard Techno to the Tomorrowland Mainstage, to bringing it to the mainstream media, allowing newcomers to be introduced to the scene the hardest, best way possible. It makes sense that everybody wants their seat.
Now let’s dance at hypersonic speed into that filthy, delicious groove. Here it is! ‘Because They Want Our Seat’:
The post Sara Landry And Nico Moreno Merge Their Energy In ‘Because They Want Our Seat’ appeared first on EDMTunes.
Ravebot
Things always come in three. That’s what they should have taught at Cercle Records. The label today is releasing COSMOS, the third installment in their annual vinyl compilation series.
This third part includes music from Indira Paganotto, Ann Clue, Bantwanas, Romain Garcia, Brina Knauss, Vitalic and Notre Dame. COSMOS 0.0.92 (this is the name of the third part on Spotify) is in conjunction with their highly acclaimed and sold-out festival that took place in May.
And, that’s not all! In celebration of the compilation, each single (excluding those from the live-streamed performances) will be paired by a compelling video series titled MATTER. All videos are inspired by the theme of the 2024 festival, air and space. The videos will be released on the Cercle Records YouTube channel.
Josef Gatti and Cercle’s Head of Video, Mathieu Glissant are the directors of the new series MATTER.
But what are the tunes and the artists in this third COSMOS release?
Kickstarting the third part of the series is Romain Garcia. Born in Paris with Spanish roots, he has always infused his music with diverse cultural influences. He is not new to Cercle. In 2020, Cercle Records released Cappadocia, a featuring between Romain Garcia and Ben Böhmer which garnered over 22 million streams. Romain Garcia kicks off the compilation with Kako, injecting a captivating blend of melodic house with driving percussion and a mesmerizing vocal, ideal for closing a set.
Up next is the African collective Bantwanas with Mama. The song is a deeply emotive, organic afro house cut, positioning them at the forefront of artists who are redefining African house music. The collective’s sound is a danceable and soulful blend that captures South African musical heritage while innovating in the electronic music genre.
Notre Dame is a Parisian electronic music artist, musician, and producer. He has been influenced by French electronic legends like Daft Punk and Justice. His featured single Kids Never Stop Dancing, is an indie-dance piece with an upbeat, groovy melody and positive energy, representing his message of warmth and freedom.
Brina Knauss, a Slovenian DJ, is celebrated for her perfectionist approach and exceptional DJ skills. Her track Drowning is an indie melodic house piece characterized by a fast melody, heavy kick, and varying rhythms, blending indie and house notes with touches of techno, evoking a summery, solar atmosphere.
Vitalic is a pioneering French electronic music producer and composer, renowned for his influential debut LP OK Cowboy, which achieved gold status. In 2021, he announced a tour for his fifth album “DISSIDÆNCE” while celebrating his 20-year career.
His track You Are Not Alone, featuring Vimala, showcases a techno-influenced sound with melodic, dark disco, electro, and techno elements, culminating in a signature massive drop and an organic, instrumental melody.
Ann Clue, a passionate German DJ and producer is next. Her single Ethereal exemplifies her powerful and energetic style, featuring cosmic themes, heavy kicks, and futuristic vocals, taking listeners on a dynamic sonic journey.
If Only I Knew is a high-energy track that conveys nothing but positivity, and is a masterclass in Denis Sulta‘s signature style, combining infectious melodies, pulsating rhythms, and an uplifting energy that transcends the dance floor. Alongside his musical output, Denis has played at Berlin’s Panorama Bar, Ibiza’s Pikes as well as showcasing his ‘Sulta Selects‘ takeovers at Tomorrowland, ADE and Printworks.
Concluding the COSMOS compilation is Indira Paganotto. Indira’s energetic eclecticism and constant smile have become her trademarks. Blackbird SR-71 is a powerful cut featuring oriental throat singing and a trance rhythm in true Indira style.

Cercle also presented its first 360° festival project, Cercle Odyssey.
The post Cercle Records drops third part of vinyl compilation ‘COSMOS’ appeared first on The Groove Cartel.
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