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7-Eleven Becomes First-Ever Naming Sponsor For Las Vegas’ When We Were Young Festival

Try not to spill your Slurpee in the mosh pit—7-Eleven is the new presenting sponsor of Las Vegas emo festival When We Were Young.
The global convenience store chain announced yesterday that it has teamed up with festival promoter Live Nation to purchase the official naming rights for this year’s weekend event, which returns to the Las Vegas Festival Grounds on October 18-19. The deal will also see 7-Eleven bring on-site experiences to New York City’s Governors Ball and California’s Rolling Loud.
The partnership marks the first time When We Were Young festival has taken on a naming rights sponsor. In a press release, 7-Eleven outlined its plans to lean into nostalgic themes with its branded pop-ups at the rock event, including a 7-Eleven “Hangout” where fans can sip on Slurpees in an environment dedicated to the festival’s “early 2000s emo energy.”
When Governor’s Ball brings charting multi-genre acts back to Flushing Meadows this June, 7-Eleven says it will pay homage to a summer block party in the Big Apple with “Slurpee Street,” featuring city lights and a stoop to relax with friends, while its activation at Rolling Loud, SoCal’s world-renowned hip-hop festival, in 2026 will remake “Slurpee Street” to embrace the genre’s “dynamic street art culture,” according to a press release.
When We Were Young is back in Las Vegas this fall with performances from Panic! At The Disco, blink-182, Weezer, Avril Lavigne, The Offspring, and many more. For more information or to purchase tickets, visit whenwewereyoungfestival.com.
Learn more about When We Were Young’s 7-Eleven collaboration on the festival’s official Instagram page.

Featured image courtesy: 7-Eleven.
The post 7-Eleven Becomes First-Ever Naming Sponsor For Las Vegas’ When We Were Young Festival appeared first on EDM Maniac.
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7-Eleven Becomes First-Ever Naming Sponsor For Las Vegas’ When We Were Young Festival

Try not to spill your Slurpee in the mosh pit—7-Eleven is the new presenting sponsor of Las Vegas emo festival When We Were Young.
The global convenience store chain announced yesterday that it has teamed up with festival promoter Live Nation to purchase the official naming rights for this year’s weekend event, which returns to the Las Vegas Festival Grounds on October 18-19. The deal will also see 7-Eleven bring on-site experiences to New York City’s Governors Ball and California’s Rolling Loud.
The partnership marks the first time When We Were Young festival has taken on a naming rights sponsor. In a press release, 7-Eleven outlined its plans to lean into nostalgic themes with its branded pop-ups at the rock event, including a 7-Eleven “Hangout” where fans can sip on Slurpees in an environment dedicated to the festival’s “early 2000s emo energy.”
When Governor’s Ball brings charting multi-genre acts back to Flushing Meadows this June, 7-Eleven says it will pay homage to a summer block party in the Big Apple with “Slurpee Street,” featuring city lights and a stoop to relax with friends, while its activation at Rolling Loud, SoCal’s world-renowned hip-hop festival, in 2026 will remake “Slurpee Street” to embrace the genre’s “dynamic street art culture,” according to a press release.
When We Were Young is back in Las Vegas this fall with performances from Panic! At The Disco, blink-182, Weezer, Avril Lavigne, The Offspring, and many more. For more information or to purchase tickets, visit whenwewereyoungfestival.com.
Learn more about When We Were Young’s 7-Eleven collaboration on the festival’s official Instagram page.

Featured image courtesy: 7-Eleven.
The post 7-Eleven Becomes First-Ever Naming Sponsor For Las Vegas’ When We Were Young Festival appeared first on EDM Maniac.
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Thousands of Tickets Still Available for Beyoncé’s Opening Run at SoFi Stadium

Photo Credit: Parkwood Entertainment
Thousands of tickets remain available for Beyoncé’s Cowboy Carter opening run at Los Angeles’ SoFi Stadium this week.
Beyoncé’s Cowboy Carter tour kicked off last night in Los Angeles, with thousands of tickets unsold. Meanwhile, resale prices have reportedly dipped below $25. Considering the album for which the tour is named earned Queen Bey Album of the Year at the Grammys, something just isn’t adding up.
But if fans thought the show would only include tracks from Bey’s country-themed album, they would be greatly mistaken. The nearly three-hour show kicked off with nearly every song from Cowboy Carter before launching into hits across her sizable catalog. And yes, that includes Renaissance.
After renditions of “Ameriican Requiem,” the Beatles’ “Blackbird,” “Ya Ya,” and nearly every other track from Cowboy Carter, the superstar announced, “Welcome back to the Renaissance, y’all.” It was then she launched into “I’m That Girl,” “Cozy,” and “Alien Superstar,” plus a western rendition of the “ballroom battle” her backup dancers engaged in every night on the Renaissance tour. The show featured tons of references and easter eggs for die-hard Beyoncé fans to spot.
Since Beyoncé only just wrapped up her career-spanning Renaissance tour in 2023, fans who expected the Cowboy Carter tour to include just songs from her latest album might have opted to skip it. And perhaps doubly so, given economic uncertainty, leading to many fans maybe not having the funds to attend a major concert in 2025.
Of course, Beyoncé’s been on the receiving end of a fair amount of criticism since releasing her foray into country music—despite winning her first Album of the Year Grammy for it. But that shouldn’t impact her fans’ decision to go see their idol; if anything, the realization that she’s using the Cowboy Carter tour as a way to expand her record-breaking Renaissance tour into a second act should be enticing.
Monday night saw the first of five shows at Inglewood’s SoFi Stadium, before she heads to Chicago and New Jersey. Whether clips of the show and news of the inclusion of her other career-spanning hits will lead to an increase in ticket sales remains to be seen.
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Chris Lake Announces First-Ever Red Rocks Headline

Chris Lake is headlining Red Rocks for the first time ever.
The UK tech house icon just announced on social media that he’ll bring his high-energy beats to Morrison, Colorado’s world-famous open-air amphitheatre on August 30, marking his debut headline at the venue after more than two decades of touring and influential releases.
Lake will be joined on the night by three of his leading collaborators and Black Book Records label talents, including his Anti Up partner-in-crime Chris Lorenzo, renowned multi-hyphenate house artist and Lake’s longtime colleague Aluna, and surging Black Book signee Marco Strous. Check out the official poster below.
The milestone show announcement comes just weeks after Lake revealed that his debut full-length studio album, Chemistry, will arrive on his own independent imprint on July 11. The album’s lead single, “In My Head,” with singer-songwriter Amber Mark, arrived alongside the LP announcement on April 10.
Pre-sale registration for Chris Lake’s Black Book Records is now open here. Pre-sale ticket access will begin next Wednesday, May 7 at 10 AM MT. General on-sale will follow on Thursday, May 8, at 10AM MT.
For more information or to purchase tickets, visit redrocksonline.com.

Featured image courtesy: Chris Lake.
The post Chris Lake Announces First-Ever Red Rocks Headline appeared first on EDM Maniac.
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Dance music dominates the desert once again during Coachella’s 2025 edition [Review]

Coachella‘s 2025 iteration was yet another reminder of why the Indio-based festival remains the gold standard for live music experiences. This year’s edition continued Coachella’s further lean into dance music culture while continuing to maintain its diverse, genre-spanning lineup. While some changes sparked debate — most notably, the relocation of the Quasar and Do LaB stages — it was ultimately the electronic acts who stole the spotlight and left lasting impressions across both April weekends.
The Quasar stage — which debuted last year as a home for extended DJ sets — was moved to the Do LaB stage’s previous resting spot. The Red Bull Mirage — an upscale experience nestled within the Quasar area — was a standout addition. Featuring Nobu catering, an open bar, and plush VIP table setups, the Red Bull Mirage elevated the typical festival experience, offering attendees an exclusive and comfortable way to enjoy the sets before them. And those sets included the likes of Alesso (Body Hi) back-to-back Gorgon City and Kaskade (Redux) back-to-back Idris Elba, both of which drew the largest crowds for the stages and delivered relentless energy lasting throughout the entirety of their three-hour performances.
Coachella’s embrace of electronic music has been growing for years, but 2025 may have been its most dance-forward edition yet. Artists like Sara Landry and Sammy Virji brought high-octane energy to their respective stages, with Landry’s hard techno and Virji’s UK garage selections making waves across social media. Keinemusik returned for a spiritual closing session under the Sahara Tent, while Zedd proved once again that nostalgic and progressive hits still have a place at Coachella. 
The Mojave tent — traditionally reserved for indie and alternative acts — had its own standout moments, with some even veering into dance territory. The Dare, The Prodigy, and Yo Gabba Gabba bought some of the best sets of the weekends to this side stage. The last of which — although seemingly out of place — turned out to be one of the most talked-about performances of the weekend, drawing a large, wildly enthusiastic crowd.
Meanwhile, the Yuma tent continued to serve as Coachella’s home for underground dance music. Sets from Dixon and Jimi Jules delivered deep, melodic journeys, while Francis Mercier and Indira Paganotto brought their respective global styles. Beltran — one of Dancing Astronaut‘s Artists to Watch in 2025 — impressed with a sleek minimal set, with some of the Yuma’s most heavily attended moments including Chris Stussy’s groove-heavy performance, Eli Brown’s darker-tech selections, and a euphoric pairing from Mind Against and Massano that many are already calling one of the highlights of the weekend.
Of course, the music didn’t end when the festival grounds closed. The afterparty scene across the Coachella Valley was alive and well, with Zenyara Desert Nights emerging as the crown jewel of post-festival events. Hosted by Framework and Patron, Zenyara welcomed a slew of special guests including Anyma, Mau P, and Vintage Culture. What made this year’s Zenyara events even more noteworthy was the fact that, for the first time, access was made available to the public via the Dorsia app, granting music lovers the chance to experience exclusive performances and dance under the stars until 4AM.
As the sun sets on another unforgettable year, Coachella’s commitment to evolving with the times while maintaining its iconic identity remains crystal clear. The continued emphasis on world-class electronic talent paired with unbeatable weather, hospitality, and community energy emphatically cements Coachella”s place at the top of every dance music fan’s must-attend event list. 
Featured image: Courtesy of Coachella
The post Dance music dominates the desert once again during Coachella’s 2025 edition [Review] appeared first on Dancing Astronaut.
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Kneecap’s Post-Coachella Fallout Continues—US Visa Removed, German Festival Appearances Canceled

Photo Credit: Kneecap.ie
Irish rap group Kneecap is facing swift fallout post-Coachella—its U.S. booking agency has parted ways with the group while two German music festivals have dropped them from the lineup. Here’s the latest.
Independent Artist Group (IAG) has confirmed it has parted ways with the group following their appearance at Coachella. Without IAG’s sponsorship, Kneecap’s U.S. work visas are no longer valid. That means the group cannot perform in the country for the foreseeable future—at least until they find a new sponsor. The fallout isn’t exclusive to the United States, either.
Two of Germany’s largest music festivals—Hurricane and Southside—have dropped Kneecap from their summer lineups. Both events are organized by FKP Scorpio and were expected to host the rap trio following their Coachella performance. But organizers announced their removal in a move that was applauded by advocacy groups who cited the band’s support for organizations classified as terrorist organizations in both the U.S. and Europe. Kneecap responded to this removal by announcing smaller headline shows in Berlin, Hamburg, and Cologne this September.
Meanwhile, U.K authorities have opened an inquiry into Kneecap’s public comments, combing through past performances on stage. The group previously apologized for a 2023 incident in which they told a crowd ‘Kill your local MP’—sparking inquiry into the group’s other comments on stage. Kneecap says they reject any suggestion they would seek to incite violence against any individual and that the footage was taken out of context. The group has also further denied any support for Hamas or Hezbollah.
Kneecap now seeks new representation for touring in the United States and has reconfigured its touring plans across Europe due to the cancellations. The group is supposed to tour across the United States starting in October, so it will be interesting to see if they find a new work visa sponsor. The situation underscores the heightened sensitivities and real-world consequences facing artists who use major platforms like the Coachella music festival to address contentious global issues on stage.
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Seven Lions to Perform in NYC's Iconic Central Park in 2025

Seven Lions has announced "Prelude: Gathering Twilight," a limited engagement of just two performances he's calling his only headline shows of 2025.
Beloved for his emotionally charged melodic bass music, the renowned producer will take over New York City's SummerStage in Central Park on September 19th, joined by supporting acts Apashe and MUZZ. The second performance will unfold at Arizona's Rawhide Event Center on October 18th, featuring Apashe, Space Wizard and HVDES.
The cryptic title of "Prelude: Gathering Twilight" suggests these concerts may herald a new creative phase for Seven Lions, whose soaring blend of trance, progressive house and dubstep has long evoked elements of the mystical. The twilight imagery evokes his signature aesthetic of luminous moments balanced against darker electronic elements.
He's yet to provide more details, but the "prelude" nomenclature could indicate forthcoming music or perhaps a more extensive tour in 2026. In the meantime, the pair of performances represents a rare opportunity to experience Seven Lions' immersive live production this year, with the Central Park setting offering a particularly dramatic backdrop for his cinematic sound against Manhattan's skyline.
A pre-sale is scheduled to begin Wednesday at 10am local time before the general on-sale on Friday at the same time.
View the original article to see embedded media.
Follow Seven Lions:
X: x.com/sevenlionsmusic
Instagram: instagram.com/sevenlionsmusic
TikTok: tiktok.com/@sevenlionsmusic
Facebook: facebook.com/sevenlions
Spotify: tinyurl.com/46axmucc
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Maverick Helicopters Returns With 10-Minute “Electric Sky” Tours Above EDC Las Vegas

Maverick Helicopters, the official helicopter charter for EDC Las Vegas, is back with its exclusive Electric Sky flight offering for 2025, offering 10-minute aerial tours of Insomniac’s famous Electric Daisy Carnival below.
With bookings available during the festival from midnight on Saturday, May 17, to the early hours of Monday, May 19, attendees can experience the festival’s iconic flyovers for themselves, soaring above the art, music, lights, pyrotechnics, and some 175,000 dancers below. Guests also get to glide over iconic stages like Kinetic Field, Cosmic Meadow, Circuit Grounds, and see the inner workings of the event from a whole new point of view.
New this year, for a more seamless experience, passengers will be transported from within EDC to Maverick’s nearby heliport. Festival admission is not included in the purchase of a flight, and all participants must possess valid admission to EDC to participate in the Electric Sky flight. 
Flights will depart at 12AM, 12:30AM, 2AM, 2AM, 3AM, and 3:30AM, with tickets priced at $399 per person. For more information or to book your Electric Sky tour, visit maverickhelicopter.com/electric-sky-tour. 
Those looking to beat festival traffic in style can also purchase Maverick’s EDC Las Vegas Transfer between the Las Vegas Strip and EDC’s home at the Las Vegas Motor Speedway. This 15-minute journey, the same luxury ride used by the festival’s biggest headliners, artists, and special guests, is available to book at maverickhelicopter.com/electric-daisy-carnival.
Featured image courtesy: Maverick Helicopters.
The post Maverick Helicopters Returns With 10-Minute “Electric Sky” Tours Above EDC Las Vegas appeared first on EDM Maniac.
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Maverick Helicopters Returns With 10-Minute “Electric Sky” Tours Above EDC Las Vegas

Maverick Helicopters, the official helicopter charter for EDC Las Vegas, is back with its exclusive Electric Sky flight offering for 2025, offering 10-minute aerial tours of Insomniac’s famous Electric Daisy Carnival below.
With bookings available during the festival from midnight on Saturday, May 17, to the early hours of Monday, May 19, attendees can experience the festival’s iconic flyovers for themselves, soaring above the art, music, lights, pyrotechnics, and some 175,000 dancers below. Guests also get to glide over iconic stages like Kinetic Field, Cosmic Meadow, Circuit Grounds, and see the inner workings of the event from a whole new point of view.
New this year, for a more seamless experience, passengers will be transported from within EDC to Maverick’s nearby heliport. Festival admission is not included in the purchase of a flight, and all participants must possess valid admission to EDC to participate in the Electric Sky flight. 
Flights will depart at 12AM, 12:30AM, 2AM, 2AM, 3AM, and 3:30AM, with tickets priced at $399 per person. For more information or to book your Electric Sky tour, visit maverickhelicopter.com/electric-sky-tour. 
Those looking to beat festival traffic in style can also purchase Maverick’s EDC Las Vegas Transfer between the Las Vegas Strip and EDC’s home at the Las Vegas Motor Speedway. This 15-minute journey, the same luxury ride used by the festival’s biggest headliners, artists, and special guests, is available to book at maverickhelicopter.com/electric-daisy-carnival.
Featured image courtesy: Maverick Helicopters.
The post Maverick Helicopters Returns With 10-Minute “Electric Sky” Tours Above EDC Las Vegas appeared first on EDM Maniac.
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Spotify Reports Solid Q1 2025 Subscriber Growth, Misses Profit Forecast, and Says It Needs Music ‘Partners to Come to the Table’ for Superfan Plans

Spotify head Daniel Ek during his company’s What’s Playing event. Photo Credit: Spotify
Spotify added about five million paid users but fell short of forecasted operating income during Q1 2025. Meanwhile, execs seem to have changed their tune about the Super-Premium tier’s release timetable.
The streaming service revealed these performance particulars in its Q1 2025 earnings report this morning. In the breakdown, Spotify pointed to 678 million MAUs (up 10% YoY), including 268 million paid subscribers (up 12% YoY) and 423 million ad-supported listeners (a decrease of two million from Q4).
MAUs hit the previously issued forecast, and subs surpassed the 265 million anticipated by execs. Geographically, users outside of North America and Europe now account for 56% of Spotify’s MAUs – but subs, despite Q1 upticks for Latin America and Rest of World, remain heavily concentrated in the former two regions.
Thanks mainly to the solid subscribership showing, total revenue spiked 15% YoY to just shy of the targeted $4.79 billion/€4.2 billion, the Spotify earnings report shows. Of course, subscriptions, benefiting from continued price bumps, kicked in the lion’s share of the sum ($4.30 billion/€3.77 billion, up 16% YoY and 2% QoQ).
And on the advert front, “automated sales channels were the largest contributors to overall advertising growth,” communicated Spotify, which debuted a new ad exchange and AI marketing options earlier in April.
Evidently, the market (and specifically analysts who’d rallied behind astronomical Spotify stock targets beforehand) weren’t thrilled with the report.
That presumably refers to Spotify’s $580.29 million/€509 million in Q1 2025 operating income, which, while up 203% YoY, fell short of the forecasted $624.74 million/€548 million. In brief, higher-ups attributed the miss to “social charges,” which were $66.12 million/€58 million more than expected due to “share price appreciation during the quarter.”
Additionally, Spotify is banking on $4.90 billion/€4.3 billion in revenue and $614.46 million/€539 million in operating income for Q2, when subs are expected to crack 273 million.
At the time of writing, Spotify stock (NYSE: SPOT), hovering around $564 per share, was down about 5.7% from opening. Nevertheless, that value is still almost double SPOT’s worth in late April 2024.
Back to the initially mentioned Super-Premium offering, it’s been nearly one year since Spotify head Daniel Ek confirmed plans for a long-awaited tier geared towards superfans. Furthermore, rumblings in February 2025 suggested that the higher-priced listening option would roll out in phases this year.
Though the launch could still be teed up for 2025, Ek, now emphasizing growth opportunities for existing subscriptions, appears to have adopted a less urgent position here.
“But for the very, very long term, it [the Super-Premium option] is an upside opportunity for Spotify,” Ek said during the Spotify earnings call, “but I think one where, if I look at it from the music industry standpoint, this is a huge part for the music industry.
“But for the near term, the way to think about it for Spotify is, we’re not dependent on that for growth, but we want to make it happen. … [F]or the superfan [subscription tier], we do need the partners to come to the table and be part of this trip,” he proceeded.
Translation: obstacles are preventing the Super-Premium takeoff. With the major labels champing at the bit to begin charging diehard fans larger monthly fees, those obstacles presumably pertain to the compositional side, where Spotify’s bundling craze still isn’t sitting right with the NMPA and a variety of others.
Overall, the remainder of the Spotify earnings call didn’t cover too many noteworthy details. One analyst did ask about charging for an ad-supported tier with bolstered functionality; execs more or less dismissed the possibility.
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Unearthed DJ Mix Provides Glimpse Into 21-Year-Old GRiZ's Formative Sound: Listen

A recently unearthed recording from GRiZ's early career has been shared online, offering fans a rare window into the electronic music superstar's formative influences when he was just 21 years old.
The mix, released back in August 2011, was uploaded and shared this week on Reddit. It emerged from an unexpected source: a former disc jockey from Salt Lake City who had preserved the session from a streaming radio platform called Basstream, where GRiZ, now 34, appeared as a guest artist.
For longtime fans, the set provides a nostalgic reminder of GRiZ's underground roots before his ascent to prominence as one of the EDM scene's most beloved artists. The saxophone-playing producer was already blending jazz, funk, hip-hop, soul and dubstep in ways that would shape the artist he is today.
The mix features a number of compositions that would later evolve into tracks on GRiZ's breakthrough sophomore album, Mad Liberation, which released a year later in 2012. He also weaves samples from a slew of music icons, like Bob Marley and Michael Bublé. You can listen here.
In other GRiZ news, he recently returned to music after an indefinite hiatus to reveal a new curated festival, Seven Stars, scheduled for October 10-12 in Virginia. GRiZ, who will perform three distinct sets at the event, described it as "a reflection of my life's work" and "a culmination of everything I've wanted to share."
He also released a comeback EP, GEMiNI, which you can listen to here.
Follow GRiZ:
X: x.com/griz
Instagram: instagram.com/griz
TikTok: tiktok.com/@mynameisgriz
Facebook: facebook.com/mynameisgriz
Spotify: spoti.fi/3hEXfjz
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Charlotte de Witte Announces Massive New York City Takeover with Four Sold-Out Shows

Belgian techno powerhouse Charlotte de Witte is set to dominate New York City with an extended series of shows from May 21 to May 24. Known for her hard-hitting techno sets and commanding stage presence, Charlotte will perform at multiple iconic venues across Brooklyn, making this one of her most anticipated US runs yet.
The announcement follows a landmark year for Charlotte de Witte, who earlier sold over 70,000 tickets across three nights at Belgium’s Flanders Expo and hosted a spontaneous street party in her hometown. Riding high on this momentum, her New York City shows are expected to deliver the kind of raw, high-energy performances that have made her a global techno icon.
Her NYC takeover :
May 21 — Public Records (Sold Out)
May 22 — Superior Ingredients (Sold Out)
May 23 — 99 Scott (Sold Out)
May 24 — The Ruins at Knockdown Center (Sold Out)
May 24 — Avant Gardner
She is also scheduled to headline Movement Detroit and will be performing at some world’s biggest festivals, including Tomorrowland, Awakenings, EDC Las Vegas, and Kappa Futur Festival.
Full tour details are available on her official tour page.
Adding to the excitement, Charlotte recently released ‘The Realm’, the first single from her highly anticipated debut album Charlotte de Witte, which is set to drop on November 7th via KNTXT. The acid-tinged track is already a staple in her live sets and offers fans a glimpse into the sonic world she’s building with her forthcoming LP.
After 25 acclaimed EPs and countless performances across the globe, Charlotte de Witte will finally showcase her full creative vision across eleven tracks. Each carefully constructed piece reflects her journey through techno, club culture, and the emotional highs and lows of life on the road. The debut is built on her belief that techno, and by extension clubbing, is about “connection, transcendence, and exploration.”
Listen to Charlotte de Witte‘s ‘The Realm’ below and step into her new era.
Through the energy of sound. We connect with the infinite. In the silence between the notes. Enter the realm of the unknown.
Photo credit: Marie Wynants

The post Charlotte de Witte Announces Massive New York City Takeover with Four Sold-Out Shows appeared first on EDMTunes.
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CITYFOX REGENERATE To Take Over Newly Renovated Brooklyn Mirage

CITYFOX REGENERATE is preparing for The Brooklyn Mirage opening weekend. The Mirage is currently undergoing a massive renovation. CITYFOX REGENERATE will present its newest concept with immersive art installations, multi-sensory stage experiences, and live experimental performances.
On May 3rd, the Cityfox journey enters a new world. This sunset-to-sunrise, three-stage takeover will immerse you in a new world built for the visionaries and adventure seekers. Featuring performances from Andhim, Argy, Carlita, Colyn, Sainte Vie, Recondite, Shimza, Tom & Collins, Aqutie, Chambord, Double Touch, Karaba, Le Yora, Magit Cacoon, Sintra, & Yamagucc, it will be a night you will never forget.
The Mirage will bring New York a world-class experience like never before. Standing at 65 feet high, it will be the largest dance floor in the city. It is the largest prefabricated lumber structure ever built in New York. It will feature over 3,000 LED tiles and a 270-degree screen. Three mezzanines have been added, and they are not just for VIPs.
The new Mirage will feature the world’s first fully kinetic shutter system of this scale in a live music venue. When closed, it nods to the venue’s early days without LED screens; when open, it transforms into a hyper-realistic 270-degree virtual environment with 30K resolution and over 100 million pixels, surpassing visuals seen at major music festivals.
Limited Tickets are still available here!
The post CITYFOX REGENERATE To Take Over Newly Renovated Brooklyn Mirage appeared first on EDMTunes.
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7-Eleven Enters the Festival Scene With Live Nation Deal

The convenience store giant 7-Eleven is officially stepping into the world of live music. It has inked a major sponsorship deal with Live Nation that includes naming rights for the 2024 edition of When We Were Young festival. This marks the first time the nostalgic pop-punk gathering, held annually in Las Vegas, has aligned with a naming partner. It is now billed as “When We Were Young Presented by 7-Eleven.”
As part of this partnership, festivalgoers will enjoy a dedicated 7-Eleven “quick-stop destination” complete with a Slurpee-powered Hangout activation. Designed to bring the iconic convenience store vibe to the festival grounds, the installation will offer attendees a nostalgic, flavor-packed experience. This will happen amid the music and energy of the event.
Beyond Las Vegas: Governors Ball & Rolling Loud Next
The partnership doesn’t stop with When We Were Young. 7-Eleven will have a presence at The Governors Ball in New York this June. Its “Slurpee Street” activation will serve free samples of Peace Tea and the new Fanta Zero Sugar Hibiscus Berry.
Later in the year, Rolling Loud Miami will feature an even more immersive experience. Attendees can expect an “amplified version” of Slurpee Street. This will be an engaging, visually rich zone designed to merge brand interaction with music-infused energy.
The Strategy Behind
This move reflects a growing trend in the live events industry: big-name sponsors stepping in to help festivals weather fluctuating attendance and rising costs. For Live Nation, partnering with a globally recognized brand like 7-Eleven provides a new stream of financial and experiential value. Meanwhile, for 7-Eleven, it’s a direct connection to millennial and Gen Z audiences.
Marissa Jarratt, Chief Marketing and Sustainability Officer for 7-Eleven, summed it up:
A Larger Global Picture
Interestingly, 7-Eleven’s parent company, Tokyo-based Seven & I Holdings, also owns a stake in Tower Records Japan. This is a tie-in to the music industry that may further explain the strategic fit. Meanwhile, Live Nation has been expanding rapidly in Asia, including its recent acquisition of Hayashi International Promotions in Japan. This signals global ambitions from both partners.
Don’t forget that Live Nation also owns a large stake in Insomniac, so you can expect to see 7-Eleven activations or tie-ins across their festivals like EDC, Beyond Wonderland, ARC, and venues like Factory Town in Miami.
Branding Meets Culture
As more festivals seek fresh ways to stay financially and culturally relevant, such sponsorships may become increasingly common. With 7-Eleven now embedded in the heart of the festival circuit, expect more Slurpees, more stages—and a whole new level of experiential branding on the music scene.
This collaboration reflects a broader shift in the festival landscape—where experience, branding, and interactivity converge. As the line between consumer convenience and cultural capital continues to blur, 7-Eleven’s move into the live music space might be one of the smartest plays yet.

The post 7-Eleven Enters the Festival Scene With Live Nation Deal appeared first on EDMTunes.
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Le Bon Jams Make Their Mark With ‘What U Need’ On PIAS Recordings

London four-piece act Le Bon Jams have returned with their latest dance floor anthem ‘What U Need ‘on PIAS Recordings in anticipation of their debut EP set for release in June. 
‘What U Need’ is a groove-driven house track, merging smooth basslines, shiny synths, and soulful vocal cuts into a club-primed, feel-good anthem. With crisp percussion across their collection of instruments, coupled with rolling rhythms, the result is an infectious momentum and bright melodic flourishes with a subtle build-up throughout. A track both playful and euphoric, the layered textures throughout bring a nostalgic warmth of the club classics, with a modern edge, primed for the summer dancefloor. 
Speaking about the track’s creation, the band shared: “We wanted to craft something that felt joyous, soulful, and retro in its melody, yet heavy-hitting and club-ready in its production. With ‘What U Need’, we were really just making something that we needed.” 
London-based collective Le Bon Jams is composed of musical veterans Laura Welsh, Joe Brown, Franc Colucci, and James New. An electronic and pop dance quartet. Known for their blending of analog synths with live instrumentation, each member boasts an impressive career as an artist, coming together to craft unique releases built from indie and dance inspiration. After a breakout year in 2024, which saw the band gather support from musical icons Jaguar, Mark Knight, Don Diablo, and Arielle Free, the band now prepares for its debut EP, set to arrive in June. 
Belgian label PIAS Recordings, established in 1982, was, as a testament to its strength, acquired by Universal Music Group in 2024. A home to a diverse array of influential artists across various genres, PIAS Recordings has supported music legends like Tiësto, The Pixies, Soulwax/2ManyDJs, Texas, and the Grammy award-winning Foxes. With a series of awards under their belt, including the Indie Champion award at AIM 2023, IMPALA’s Outstanding Contribution award, its director of recordings, Juan Vandervoort, was also awarded Music Week’s award for Music Retailer and Streaming Platform in 2018. Having cemented itself as a highly influential platform, the musical imprint now welcomes Le Bon Jams onto its roster, providing a powerful platform for the amplification of their sound.
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1001 Festival: The Rise of the Saudi Rave Culture and a New Saudi Arabia

The Saudi desert whispered of change as the gates of 1001 Festival opened under the stars of Riyadh on April 24 and 25. Unlike the soaring spectacle of Soundstorm, this event arrived quieter, smaller, but infinitely more meaningful. There were no headlining rappers, no genre collisions. This was not about attracting everyone. It was about calling the right ones. Not an echo of the West, nor a repetition of the past. It was something new. Something purely Saudi. A declaration in rhythm and light that a new generation of ravers had arrived—and they were telling their own story.
From the first beat at 8pm until the last lingering notes at 4am, it was clear that MDLBEAST was not just organizing a festival. They were planting a seed for the future. 1001 Festival felt less like an event and more like a revelation: a glimpse into the soul of a new Saudi Arabia, alive, vibrant, and ready to be heard on its own terms.
The Saudi Raver Arrives at 1001 Festival — And They’re Here to Stay
Longtime Saudi attendees and first-timers alike shared the same feedback: 1001 Festival felt open, safe, and deeply welcoming. Saudis had been craving something like this — not a mega-sized experience like Soundstorm, but something personal. “No one here is trying to be seen,” one attendee told us. “Everyone’s just here to feel something real and have a good time,” another echoed.
The atmosphere confirmed it. From the moment the music started, the shift was immediate. No disruptive behavior. No chaos. Just an overwhelming sense of unity, connection, and peace. This wasn’t a crowd that needed managing. It was a community that managed itself.
Attendees came from across the Kingdom — Riyadh, Jeddah, Dammam — and even nearby Gulf countries. For many, it was their first time hearing electronic music live. For the veterans, it was the most respectful festival crowd they’d ever seen. The difference lived in the details. Security felt like allies. Staff offered smiles. And with a lineup focused solely on electronic DJs, the energy stayed focused and clean — one shared frequency, undisturbed.
A Cultural Shift Takes the Stage
The atmosphere was electric but grounded, wild yet respectful. The shift was immediate. A sense of belonging vibrated through every illuminated stage and smiling face. 1001 Festival wasn’t diluted by commercial mashups, rather, dedicated to the purity of sound, connection, and Saudi community.
Michael Jobson, Executive Director of Events at MDLBEAST, walked the grounds round the clock, observing closely. “At 8 o’clock, I was at the front gates. By 9, I was checking bathrooms. Watching who’s where, how they’re dressed, and how we’re crossing barriers respectfully,” he said. The impact was undeniable. The emotional atmosphere shifted. For the first time, the gender balance among ravers was nearly equal. “So many women are here feeling unthreatened, no stress,” Jobson observed. “We put a lot of effort into HER zones, the Respect Program, and taking care of women,” he concluded.
This transformation wasn’t accidental. Ramadan Alharatani, CEO of MDLBEAST, initiated the move to offer complimentary tickets to women, sending a powerful message: women belong here. Music belongs to everyone. “That move came from our CEO, Ramadan. He made the move. It’s absolutely right,” Jobson said. “We need to ensure young Saudi women are not afraid to come to our shows.”
And on these desert nights, they weren’t. They came in groups, first-timers and veterans alike, free to dance without fear, claiming the night as their own.
Stories Written in Beats and Dreams
At the heart of 1001 Festival was an extraordinary creative vision driven by Ahmad “Baloo” AlAmmary, Chief Creative Officer at MDLBEAST. While Soundstorm had grown into a global hybrid behemoth, 1001 Festival took a different path—one rooted deeply in Saudi storytelling. Jobson praised Baloo’s leadership: “Baloo had a very defined idea of where he wanted to go. We combined his vision with a pragmatic team. And turned it into what you see today.”
“It’s a marriage of fantasy, magic, storytelling, and steampunk,” Baloo explained. “It’s our culture. Our folklore. Our fairy tales. We get to reinterpret it as we please.” Rather than recreating history with heavy hands, Baloo and his team painted a fantastical vision of Saudi Arabia—a world where tradition danced with innovation, and old stories found new life through music and imagination. “We laughed a lot while developing it,” he added. “You can see it in our designs, like the one that says: Get a magic lamp with three wishes—and a fourth wish on us,” referring to one of the many artworks spread across the grounds that modernized the cultural narrative of Saudi Arabia.
What the crowd saw—and felt—was nothing short of breathtaking.
Stages That Breathed Life into Fantasy at 1001 Festival
The familiar Underground stages, once a maze of cargo containers, was nearly unrecognizable. It had become a living storybook. Baloo’s world was not just seen. It was lived.
Qasr stood as the crown jewel, a colossal palace stage adorned with towering mosaics and a massive open book at its base. Lasers cut through soaring domes with precision, while fireworks cascaded like dreams unraveling in the sky. Qafilah moved like a nomadic spirit across the desert, sail-like structures shimmering under the stars, carrying ravers on an imaginary sea of sound.
Bustan blossomed with Avatar-inspired lushness, LED trees and vine-wrapped pillars creating an ethereal jungle where the music grew wild. At the center, a monumental elder tree pulsed with light, connecting dancers to the earth and to each other. Sahaab lifted spirits skyward, a massive magic carpet LED structure suspended midair, carrying ravers on flights of fantasy with every beat drop. At the heart of the Bizarre Bazaar, music flowed through a traditional souq, where discovery, dance, and Arabian storytelling intertwined with modern touches.
Saudi Artists As Storytellers and the Power of Sonic Journeys
This vision wasn’t just architecture and light—it extended into the performances themselves. Local artist Zone+, a rising star signed to the globally acclaimed All Day I Dream label, felt that spirit deeply. “There’s a story, and you’re part of it,” Zone+ said. “The stages have character. It helps you when you’re playing because you want to take people places. You feel like you’re in that fairytale.”
For his set, Zone+ crafted a cosmic journey, using sounds and frequencies instead of words. “I wanted people to wander the universe through my music,” he shared. Preferring intimacy over spectacle, he felt a natural kinship with 1001’s ethos. “Big stages are great for the name. But intimate settings let you really tell stories,” he said. “It’s not about top hits. It’s about connection.”
When asked where he dreams of playing, he answered simply: “A rooftop in Brooklyn. A hidden place in Berlin. No phones. Just music lovers and the performer. That’s the dream.” In many ways, he had already lived that dream at 1001.
The Power of Boutique: Small in Size, Monumental in Meaning
1001’s size—far smaller than Soundstorm—was not a compromise. It was its secret. “Sometimes you just don’t have to change things. You get it right in the first instance,” Jobson said when asked about scaling up. Baloo agreed: “Even with 25,000 people, it’s still a little big for me. We want to sharpen it, refine it. Come back better every year.” When asked whether 1001 might scale up or travel, Jobson didn’t dismiss the possibility. “Possibly Jeddah. We’ve done beautiful things there like Balad Beast.
At 1001, intimacy wasn’t a limitation. It was liberation. No crowd crushes. No aggressive energy. Just space to breathe, dance, and belong. A deliberate blueprint for a new kind of festival experience where depth mattered more than spectacle. The result? A gathering that felt more like a community than a crowd. A night where fantasy, culture, and music coexisted seamlessly without losing their soul.
1001 Festival: The New Saudi Arabia is Here—and It Dances to Its Own Beat
Perhaps the most powerful thing about 1001 Festival was that it didn’t try to mimic the West. It didn’t need to. It embraced its own identity with pride and creativity. Arabian myths, desert landscapes, local artistry—all celebrated not as relics, but as vibrant, living inspiration.
“Instead of going into the EDM world or the rock world and creating a full format like Soundstorm, here we are paying homage to our history and culture,” Jobson said. The Saudi raver is no longer a follower. They are a creator, a storyteller, a leader. At 1001 Festival, Saudi proved that the best festivals aren’t just about music. They’re about claiming your space, your voice, your dream.
As the final lasers painted the night and the last beats echoed into the desert wind, one truth stood undeniable: 1001 Festival is not just a triumph for MDLBEAST. It is a beacon for a new generation. A revelation that from Riyadh, a new Saudi Arabia rises—one beat, one story, one dream at a time.
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Levity Announce Ambitious New Stage Production, Biggest Headline Show to Date

Continuing their breakout year, Levity are gearing up for their biggest headline show yet by launching a brand-new stage production, "Lasership."
The EDM.com Class of 2024 trio announced this week that they're set to debut "Lasership" at Denver's Mission Ballroom on November 21st, their biggest headline show to date. A spaceship-inspired production equipped with a giant arsenal of lasers, it marks a major milestone for Levity as they continue scaling up their energetic live performances.
The announcement arrives just days after the group DJed at Colorado's iconic Red Rocks Amphitheatre in support of dubstep superstar Subtronics. Levity are now gearing up for performances at Lollapalooza, EDC Las Vegas and GRiZ's inaugural Seven Stars, among other high-profile festivals.
"This is something we’ve been working on for a while now and we can’t wait to show y’all all that 'Lasership' has to offer," the group wrote on social media. “Our goal is to always grow and one-up ourselves with our shows, bringing our vision to life while creating a unique experience that we hope will blow your socks off!”
Pre-sale tickets will be available starting Wednesday, April 30 at 10 a.m. MST, followed by the general on-sale on Thursday, May 1 at 9 a.m. MST. RSVP for pre-sale access here.
Follow Levity:
X: x.com/levitymusic
TikTok: tiktok.com/@levitymusic
Instagram: instagram.com/levity.music
Facebook: facebook.com/levity.music19
Spotify: tinyurl.com/y84m6cv2
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Porter Robinson Announces Rare Sunrise DJ Set at Miami's Club Space

Porter Robinson is set to spin a rare sunrise DJ set at Miami's iconic Club Space on June 20th, promising an unforgettable experience on The Terrace.
The extended performance at Space, which was recently named by EDM.com as 2024's best club, will feature an eclectic mix of genres reflecting Robinson's favorite club music, he said. Fans will also experience music from his progressive house alter ego, Air2Earth.
"Expect a lot of house music, disco, prog house, Air2Earth vibes mixed with some of my Porter classics and all the club music I’m interested in," Robinson wrote in an Instagram Story. "Def not a pop show :) come if you love repetitive dance music."
Porter Robinson/Instagram
This appearance marks Robinson's first performance at Club Space since 2023, when he performed as Air2Earth. While he originally debuted at the venue in 2018 under his Virtual Self alias, it will be his first time taking over The Terrace as Porter Robinson.
The sunrise set offers fans a rare opportunity to hear him fuse his various sonic worlds, club inspirations and most celebrated tracks. The event will also feature a stacked lineup of supporting talent, including PARISI, Tinzo & Jojo, Layla Benitez and Thunderpony.
Tickets are available now via Dice. 
Follow Porter Robinson:
X: x.com/porterrobinson
Instagram: instagram.com/porterrobinson
TikTok: tiktok.com/@porterrobinson
Facebook: facebook.com/porterrobinsonmusic
Spotify: spoti.fi/2Zu4oNS
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Sara Landry Expands "ETERNALISM" Tour With New Stops in Denver and Austin

After a breakthrough Coachella debut that transformed the festival's iconic Sahara stage into a techno sanctuary, one of dance music’s most in-demand names, Sara Landry, is expanding her "ETERNALISM" show stateside with two new stops.
The EDM.com Class of 2024 artist has announced she will bring the show to the Junkyard in Denver on August 1st and The Concourse Project in her hometown of Austin on August 8th.  
Since her viral Boiler Room set at Teletech Festival back in 2023, now the third most-viewed of all-time with over 8.6 million views, Landry has redefined the hard techno scene through a dark, deliberate and unapologetically feminine lens. "ETERNALISM," which is said to "blur the lines between the underground and the avant-garde," invites fans to experience that sound through an intimate performance.
The announcement follows the European debut of "ETERNALISM" by virtue of a five-show tour as well as her earth-shaking Coachella performances. She's also set to bring the production to New York City’s Brooklyn Mirage later this month, kicking off the venue’s highly anticipated summer season after an ambitious renovation.
Presale access for the new dates begins May 1st, with sign-ups available now here.
Follow Sara Landry:
X: x.com/saralandrydj
Instagram: instagram.com/saralandrydj
TikTok: tiktok.com/@saralandrydj
Facebook: facebook.com/saralandrydj
Spotify: spoti.fi/3RKgqwu
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Spatial audio is coming to the BandLab app courtesy of a new partnership between Sony and BandLab Technologies

Editor’s note: BandLab Technologies and MusicTech are both part of the Caldecott Music Group.
BandLab Technologies has formed a strategic partnership with Sony aimed at “redefining” music creation for independent and emerging artists worldwide.
The initial phase of the partnership – beginning this summer – is set to integrate Sony’s Spatial Sound technology, 360 Reality Audio, directly into the BandLab app, giving its 100 million worldwide users the ability to experience and make music in spatial audio using just their smartphone and standard headphones.
READ MORE: With its acquisition of Song Sleuth, Epidemic Sound wants to help artists claim “undiscovered royalties” from user-generated content Users will be able to explore a curated collection of spatial-ready beats in the BandLab Sounds marketplace, and then build on them in BandLab Studio, adding vocals, instruments and additional production elements while experimenting with spatial audio.
More broadly and long-term, the partnership reflects both companies’ mission to empower music makers with “cutting-edge technology and opportunities that fuel their growth, spark innovation, and build their careers”.
Beyond its initial phase, as the partnership evolves, a dedicated, co-branded hub within BandLab will act as a gateway for future features, integrating new music creation tools and providing exclusive access to newly developed educational programmes.
BandLab says the partnership will also mean opportunities to amplify artist success stories to a global audience, offering them greater visibility.
“This partnership reflects a shared belief that the technology and opportunities to create music should be available to everyone, not just a select few,” says Meng Ru Kuok, CEO & Co-Founder of BandLab Technologies. 
“By working with Sony Corporation, we’re combining our strengths to empower creators at every step of their journey. It’s not just about what artists can do today, but about what becomes possible when they’re given the right support to experiment and grow.”
Masaaki Oshima, Sony Corporation’s Head of Personal Entertainment Business Unit, adds:  “Sony Corporation has long been committed to delivering premium audio experiences, and this partnership with BandLab Technologies allows us to bridge the gap between professional-grade sound and independent creators of all levels.
“By integrating our audio products and technology into BandLab’s ecosystem, we’re not only expanding access to immersive audio tools, but also strengthening our connection with the pro-consumer market, enhancing the way music is created and experienced. We’re excited to see how artists push creative boundaries with these new possibilities.”
To learn more about the new partnership, head to Sony.
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“I struggled to tell the difference between my real speakers and the simulation. That says a lot”: Mix in a variety of virtual acoustic spaces with Lewitt’s Space Replicator

Lewitt – purveyor of microphones and pro audio gear – has just released its very first plugin, and it could be a godsend for mix engineers. If you’re unable to get down to a studio, club, or simply working on the go, Lewitt’s Space Replicator is a quick and convenient way to to test out your mix in its intended environment.
The Space Replicator plugin virtually emulates the acoustics of different spaces, from “million-dollar mixing studios”, to a bluetooth speaker playing in a kitchen.
READ MORE: “There are no strings, no structure to generate revenue”: Moby relaunches royalty-free audio library, mobygratis – and it’s totally free Lewitt’s new plugin comes loaded with a wide range of possible listening scenarios. You can emulate the sound of a Lewitt studio, or you can even take a trip overseas to the Vienna Synchron Stage recording studios or Berlin’s Watergate club PA and DJ booth (both with and without a crowd).
You can also scale things down to more everyday scenarios. The plugin allows you to check how your mix might sound on a car radio (from four different positions), as well as in a living room on a smartphone or laptop. You can even hear how it might sound coming from a TV speaker or soundbar in a living room.
Space Replicator also allows you to hear how your mix might sound through five different headphone brands. There’s also a Transparent option, which should simulate the ideal frequency response on your headphones. The result was determined by a panel, and should, in theory, just make your mix sound great.
The plugin was created by capturing real acoustic spaces and turning them into “virtual acoustic spaces with extremely high resolution”.

“The perception of sound depends on the room, the speaker system, and the listener,” a company representative explains. “Traditional solutions [suggest] that the direction of sound waves is a property of the room and the speaker system… [they neglect] your individual binaural profile.”
“By rendering the spaces for your personal binaural profile… you will get a lifelike experience,” they say.
Audio engineer Wytse Gerichhausen of White Sea Studio has already given it a seal of approval. “When Lewitt approached me to sample my studio for their plugin, I was skeptical – as I always am,” he says. “But the moment I tried Space Replicator I struggled to tell the difference between my real speakers and the simulation. That says a lot.”
Space Replicator works with any pair of headphones, and costs £89. For more information, head to Lewitt.
The post “I struggled to tell the difference between my real speakers and the simulation. That says a lot”: Mix in a variety of virtual acoustic spaces with Lewitt’s Space Replicator appeared first on MusicTech.
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With its acquisition of Song Sleuth, Epidemic Sound wants to help artists claim “undiscovered royalties” from user-generated content

Epidemic Sound has acquired Song Sleuth, a company which uses music recognition technology to identify copyrighted music and claim “undiscovered royalties” from user-generated content.
The acquisition sees the immediate launch of Aentidote, a new service which combines Song Sleuth’s “cutting-edge AI technology” with Epidemic’s industry expertise to identify music usage that traditional detection systems struggle to find, like in remixes, covers and live recordings. Aentidote is said to offer an “unrivalled identification success rate” of up to 95%.
READ MORE: The best free and paid-for plugins you need to know about this week Put simply, Aentidote is designed to help platforms pay out more accurately so that artists and rights holders are paid – fairly and efficiently – for the use of their music across online platforms.
Song Sleuth is Epidemic’s third major acquisition in three years, following AP Records – now Overtone Studios – in 2022, and Soundly in 2023.
“From day one, our mission has been to create a win-win situation for everyone involved in this rapidly evolving creator economy,” says Oscar Höglund, CEO and Co-founder of Epidemic Sound.
“We’ve built a platform that helps artists thrive, generating over three billion daily plays across platforms like TikTok and YouTube. With Aentidote, we’re pairing that expertise with Song Sleuth’s cutting-edge technology to bring even greater value to the broader creator industry – giving music rights holders powerful tools to track usage and ensure they get paid, while supporting both creators and platforms with scalable, accurate identification solutions.”
According to Epidemic, Goldman Sachs predicts the creator economy will approach half a trillion dollars by 2027, meaning “increasing opportunities for rights holders, the industry, and artists to capture the full value of their work”.
“The complexity of music use across a plethora of digital platforms both officially distributed and user-generated, requires a different approach,” says Jordan Gross, CEO of Song Sleuth.
“By joining forces with Epidemic Sound, we’re scaling our vision to offer unprecedented clarity and control across the entire music ecosystem, providing platforms with ever more accurate identification systems, while giving artists, labels, and publishers confidence that their work is being both found and rewarded.”
The acquisition follows “strong financial results” for Epidemic Sound in 2024, with reported revenue growth of 29%.
For more information, head to Epidemic Sound.
The post With its acquisition of Song Sleuth, Epidemic Sound wants to help artists claim “undiscovered royalties” from user-generated content appeared first on MusicTech.
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Miami Formula 1 Race Week Events Guide

Formula 1, also known as F1, is the highest class, single-seater racing competition in the world. These cars, these speeds, these challenges are created to push the driver and their vehicle to their absolute limits. The location of these exhilarating races is held in different cities all over the world. And now, you have the opportunity to watch the next race, because they will be fully throttled in Miami.
The Formula 1 Miami Grand Prix is taking place May 2-4, 2025. Along with the race happening on May 4th, there are many other events you can check out. One event I want to highlight before we break down the F1 event schedule. Saturday, May 3rd, Resistance is going down at M2 Miami. From 10 pm – 5 am Resistance is bringing you sets from Benjamin Lloyd, Awen, and Chris Avantgarde headlining with a 3-hour set. You can click here for more info and tickets.
Now, here are the rest of the events that are happening during Formula 1 Miami:
Ongoing 
The Alinea Group Returns to Faena Miami Beach to Celebrate 20th Anniversary Tour
Location Faena Miami Beach, 3201 Collins Avenue, Miami Beach
Dates: Available through May 25th
Details: In 2005, Chef Grant Achatz set out to build one of the world’s most celebrated restaurants. Now, The Alinea Group is commemorating two decades of culinary innovation with a special 20th Anniversary Tour, visiting three extraordinary cities in partnership with three exceptional hosts. Following the first leg, where Chef Achatz will reunite with Alinea alum Chef Greg Baxtrom at his acclaimed restaurant Olmsted, Alinea will return to Faena Miami Beach from April 30 – May 25. This highly anticipated stop marks a nostalgic return to the very place where the three-Michelin star restaurant held its unforgettable residency in early 2016, celebrating its 10th anniversary. Continuing its legacy of delivering extraordinary experiences, Faena is thrilled to welcome Chef Achatz and the Alinea team once again. This partnership not only honors a shared vision of culinary artistry but also reinforces Faena’s commitment to bringing visionary dining experiences to Miami’s dynamic gastronomic scene. For more information, contact [email protected]. 
Reservations: www.exploretock.com/alinea-miami

GGA Gallery to debut Dreams in Motion: A Global Celebration of Contemporary and Street Art during the Formula 1 Miami Grand Prix Weekend 2025
Location Goldman Global Arts Gallery at the Wynwood Walls
Dates: Debuts April 29, 2025 
Details: Goldman Global Arts Gallery (GGA Gallery), a driving force in redefining street and contemporary art, is thrilled to unveil Dreams in Motion, a high-octane exploration of art and racing culture. The exhibition will feature works by a roster of international street artists: Bacon (Canada), Benedict Radcliffe (England), Manu Campa (Spain), Lina Condes (Ukraine), Leon Keer (Netherlands), Simon Berger (Switzerland) and Vance (China). The show is set to open in tandem with the Formula 1 Miami Grand Prix Weekend in the GGA Gallery space located in Wynwood Walls on April 29, 2025, and will run through June 28, 2025.
Opening Event: Monday, April 28th from 5-8pm with Lina Condes, Manu Campa & Jessica Goldman Srebnick  

Cartier Eyewear Pop-Up at Fontainebleau Miami Beach’s Chateau Lobby
Location Fontainebleau Miami Beach 4441 Collins Avenue Miami Beach, 33140 
Dates: Debuts May 1st and will run through May 11th 
Details: May 1st–11th, guests can experience the pinnacle of luxury at Cartier’s exclusive eyewear pop-up in the iconic Chateau Lobby at Fontainebleau Miami Beach. Open 10 AM–9 PM on Fridays and Saturdays, and 10 AM–6 PM Sunday through Thursday, this bespoke shopping experience showcases Cartier’s most coveted men’s and women’s eyewear. Guests are encouraged to discover timeless elegance and impeccable craftsmanship, perfectly curated for Race Weekend and beyond.
Opening Event: Thursday, May 1st

Joia Beach x Moet Beach Club Takeover 
Location: Joia Beach Restaurant & Beach Club
Dates: May 3 to May 26
Details: Joia Beach, the day-to-night oasis on Watson Island, is revving up for Formula 1 with an exclusive champagne escape in partnership with Moët & Chandon, the Official Champagne of Formula 1. From May 3 to May 26, Miami residents and visitors can soak in the Grand Prix energy with specialty pairings, such as Moët & Chandon Impérial Brut with french fries or Ice Impérial with sorbet, or elevate their celebration with podium-worthy experiences with the Pit Stop or Grand Prix champagne parade packages.

American Social Bar & Kitchen
Location: F1 Grand Prix 
Details: American Social Bar & Kitchen
Details: Fuel your F1 weekend with American Social, the beloved South Florida eatery known for putting unique twists on classic American dishes. This year, American Social is bringing the flavor trackside with a special lineup of handcrafted cocktails and bold menu items designed to keep you going all weekend long. Sip like a champion with standout drinks like the Checkered Past, made with Sagamore Rye and guava, the tropical Mr. Miami Hai, and the jalapeño-infused Hot Lap Margarita for a spicy kick that goes the distance. Pair your drink with the Hot & Dirty Martini Burger, served alongside a No. 3 Gun and the signature Hot & Dirty Martini, or go for the flavorful SoBe Grilled Chicken Sandwich. And for dessert, don’t miss the Cinnamon & Sugar Donuts served with a rich guava dipping sauce.
Resistance Miami – Chris Avantgarde
M2 Miami
Tickets
Rufus Du Sol Inhale/Exhale Tour at Bayfront Park
Bayfront Park
Sold Out – Stubhub Available
Dom Dolla: Race Week at Lot 11 Skatepark
Lot 11
Tickets
Club Space Race Week 2025
Thursday-Sunday
Featuring Camelphat, Genesi, Black Coffee, Carlita, John Summit, Rufus Du Sol, Dixon, Jimi Jules and more
Tickets
Thursday, May 1  & Friday, May 2nd
LIV Miami
Address: 4441 Collins Ave., Miami Beach FL 33140
Details: LIV is revving up for the Miami Grand Prix with an electric Race Weekend lineup. The party kicks off on Thursday, May 1 with Black Coffee, followed by John Summit on Friday, May 2. The energy keeps building all weekend long, wrapping up with a special Race Weekend edition of “LIV on Sunday” on May 4. 

Thursday, May 1st –  Sunday, May 4th
Moët & Chandon Lobby Lounge at Fontainebleau Miami Beach 
Address: 4441 Collins Avenue Miami Beach, 33140
When: 4pm to 9pm
Details:. Moët & Chandon takes center stage at Fontainebleau Miami Beach’s dazzling Chateau Lobby. At this exclusive Race Week pop-up, sip Moët by the glass and toast to unforgettable moments—because victory is better when shared.

La Piscine Pit Stop by Moët & Chandon at Fontainebleau Miami Beach 
Where: Upstairs at La Cote 
When: 11am to 6pm
Details: Moët & Chandon transforms the upper level of La Côte – Fontainebleau Miami Beach’s Mediterranean-inspired oasis – into a luxurious La Piscine pit stop. Recharge with ocean views, light bites, and a Moët & Chandon Champagne bar for the perfect Race Week toast.

Whiskey & Wheels W Miami’s Tulum Rooftop bar & Restaurant
Where: 485 Brickell Ave, Miami, FL 33131
When: 
7:00 PM – 8:00 PM: Mixology Class 
 8:00 PM – 11:00 PM: Grand Prix Party
Details: Celebrate F1 weekend in style at the W Miami’s TULUM Rooftop Bar & Restaurant with Glenfiddich’s exclusive Whiskey & Wheels mixology class and Grand Prix party, taking place Friday, May 2nd and Saturday, May 3rd. Kick off the evening at 7 PM with a hands-on cocktail class led by a Glenfiddich mixologist, where guests will learn to craft three signature drinks.  Then, from 8 PM to 11 PM, shift gears into party mode at the Grand Prix afterparty, complete with a live DJ, photo opportunities, and one specialty cocktail included. Tickets start at $34.56 for the party, $44.16 for the mixology class, or $63.33 for the full experience (all fees included).
Purchase tickets: HERE

Saturday, May 3rd
Purple at Arkadia Day Club at Fontainebleau Miami Beach
When: 12PM – 7PM
Details: Purple, a fixture of Miami nightlife, performs at Arkadia Day Club, Fontainebleau Miami Beach’s adults-only haven where you can unwind with refreshing drinks and alluring beats. Indulge in an all-day party with a poolside view. 
Book Cabanas and Daybeds: https://fontainebleau.idaypass.com/

Sunday, May 4th
Faena Art Presents: The Martinez Brothers
Location Faena Theater 3201 Collins Ave, Miami Beach, FL 33140
Dates: Sunday, May 4th; 10PM-1AM 
Details: Set within the iconic Faena Miami Beach, where art, culture, and design converge, Faena Theater offers a lush, cabaret-style setting that brings immersive performances to life. As part of its ongoing Music Series, Faena Art presents an exclusive night during Miami Music Week featuring a special set by The Martinez Brothers. Known for their signature house sound and high-energy performances, the duo brings their electrifying vibe to one of Miami’s most distinctive venues. This intimate event blends music, art, and atmosphere in true Faena style—setting the stage for a standout night during one of the city’s biggest cultural weeks. 
Tickets: HERE (starting at $350)

Race Day Brunch at Casadonna
Location: 1737 N Bayshore Dr 1st Floor, Miami, FL 33132
Date: Sunday, May 4th; 11AM – 3PM
Details: Casadonna, the coastal Italian restaurant and lounge from Groot Hospitality and Tao Group Hospitality, invites guests to celebrate race week in Miami with an exclusive Race Day Brunch Buffet on Sunday, May 4th, from 11:00 AM to 3:00 PM. Priced at $98 per person, this high-octane brunch is the ultimate way to toast the thrills of the weekend—whether you’re a motorsport enthusiast or just soaking in the excitement of the city. Set against the backdrop of Biscayne Bay, guests will enjoy a luxurious al fresco dining experience complete with live music, sweeping waterfront views, and a menu inspired by the Italian coast. The expansive gourmet buffet includes a lavish spread of pastries and breads, charcuterie, salads, crudités and dips, a seafood tower, sushi, an omelet station, handmade pastas, and entrées like prime rib, grilled salmon, and chicken and waffles—rounded out by savory sides and decadent desserts.
Pair your experience with a two-hour beverage package, featuring champagne, wine, and signature cocktails, ideal for unwinding after a weekend at top speed. For those arriving by water, dock-and-dine access is available via Casadonna’s marina—bringing you straight from the waves to the celebration.
Reservations: casadonnamiami.com or by calling (305) 475-2272 

Wellness Wonderland at Faena Miami Beach
Location: Mammoth Garden at Faena Miami Beach, 3201 Collins Avenue 
Date: Sunday, May 4th, 10AM-2PM
Details: On May 4th, guests can close out F1 race weekend in true Miami style – with movement mindfulness, and modern recovery at Mammoth Garden, under Damien Hirst’s iconic sculpture Gone But Not Forgotten at the luxurious Faena Miami Beach. Wellness Wonderland invites guests to recharge and reset with an immersive wellness experience and a curated schedule of expert-led sessions, from boxing and Pilates to meditation and breathwork. The Wellness Wonderland experience also includes access to Faena’s recovery and beauty suites, Vital+ ice plunges, facials, B12 shots, post-workout mocktails, and a nourishing lunch. The perfect way to unwind and restore balance following race weekend festivities, the event is $187 per person and pre-registration is required by contacting [email protected] or 786-655-5570 to book. 
Tickets: HERE 
 
The Big Race Viewing Party at Tala Beach
Location: 2341 Collins Ave, Miami Beach, FL 33139
Date: Sunday, May 4th; 3PM – 7PM
Details: Experience the adrenaline of Formula 1 Miami beachside at Tala Beach. Guests are invited to an unforgettable race day viewing party featuring handcrafted cocktails, live grill stations, and a high-energy DJ set from 3 to 4 PM. It’s the ultimate way to feel the thrill of the Big Race–Miami style.
RSVP: HERE

Redbull Race Car at STK Aventura 
Location: STK Aventura 
Date: May 4th 12-9 PM 
Details: STK Aventura is bringing the thrill of racing to you! From April 27th to May 4th, get in the spirit of race weekend with $9 Tropical Margaritas and a chance to win exclusive swag. Each Tropical Margarita purchase earns you a spin on our special swag wheel for a shot at prizes from Red Bull or Teremana. Then, on May 4th from 12 to 9PM, guests dining at STK Aventura will be welcomed by the very Red Bull race car that won the 2023 Miami Grand Prix. Fuel up for the festivities with signature dishes and celebrate race week in true STK style.


The post Miami Formula 1 Race Week Events Guide appeared first on EDMTunes.
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All Day I Dream Unveils ‘Spring Sampler’: Ethereal New Compilation

All Day I Dream, the acclaimed Berlin-based label founded by British DJ and producer Lee Burridge, continues its tradition of seasonal releases with Spring Sampler. Known for ethereal, melodic house soundscapes, the label’s newest offering perfectly captures the spirit of renewal and introspection that defines the spring season. This compilation showcases the label’s signature dreamy, melodic house sound while introducing listeners to both established artists and promising newcomers from around the world.
Opening the album with Luca Saporito‘s Next To Me, a hypnotic journey featuring the sultry vocals of Dalma Puskás. This six-minute slow burn sets the tone for what follows: a seamless flow of lush melodies and gently driving rhythms that feel tailor-made for sunny afternoons.
What makes this compilation particularly noteworthy is its global representation. Argentina’s Nathan Katz and MATIRAMIC, Belgium’s Pole Folder, and Nashville’s Haums each bring unique influences, weaving diverse influences into the fold. Standouts include the dreamy W.O.W (Trip Mix), a reunion of Dimitri Nakov, Limara, and Natacha Atlas, who first joined forces on Nocturne from A Winter Sampler VI. Meanwhile, Voyage Austral connects Brussels-based Pole Folder with Australian producers GMJ and Matter for a sprawling, atmospheric cut.
Longtime All Day I Dream contributor Lost Desert, fresh off the release of his Saudade EP, closes out the album. He brings a beautiful reimagining of Lauren Ritter’s Form Constant, offering a light and elegant finale to the collection.
A Label Built on ‘Dreams‘
Since its inception in 2011, All Day I Dream has evolved from a series of rooftop parties in New York into a globally recognised imprint. Helmed by Lee Burridge, the label carved out a unique niche in the electronic music world, blending organic instrumentation, lush melodies, and deep, emotional grooves into a sound that feels both timeless and contemporary.
With its emphasis on storytelling through music, All Day I Dream has become home to some of the genre’s most respected artists. The roster includes Roy Rosenfeld, Sébastian Léger, Lost Desert, Khen and Bedouin. The label’s events, famous for their dreamy aesthetics, colourful canopies, and sun-soaked vibes. They have toured cities from New York and Los Angeles to Ibiza and Mykonos, establishing a truly global footprint.
The label’s seasonal samplers—Winter, Spring and Summer—have become highly anticipated traditions. The albums have been consistently delivering quality compilations that reflect the mood and energy of each season. Adding to its signature aesthetic, every All Day I Dream release features minimalist artwork: a single cloud floating against a clear blue sky. This concept was born from “cloud hunting” for solitary, striking clouds—an apt symbol for the label’s singular, dream-driven identity.
North American Summer 2025 Tour
Adding to the excitement, All Day I Dream has announced its North American Summer 2025 Tour. The tour features seven shows across six cities from May to July 2025. The tour emphasizes open-air, immersive experiences, perfectly aligned with the label’s ethos of creating euphoric, dreamlike dance floors.
Confirmed dates and locations include:
May 10, 2025: Los Angeles, CA – Pershing Square May 17, 2025: Mexico City, Mexico – Ex Hacienda de San Pablo de Enmedio June 7, 2025: Montreal, QC – Parc Jean-Drapeau June 14, 2025: San Francisco, CA – Golden Gate Park June 28, 2025: Brooklyn, NY – The Brooklyn Mirage July 12, 2025: Chicago, IL July 19, 2025: Toronto, ON The tour features a rotating lineup of All Day I Dream favourite artists, performing alongside Lee Burridge himself. The album, Spring Sampler arrives at the perfect moment, as outdoor events and festival season begin. The compilation’s mood—simultaneously introspective and uplifting—captures the essence of spring itself: renewal, growth, and possibilities.
Spring Sampler by All Day I Dream is now available on all major streaming platforms. It is perfect for those looking to bring dreamlike beauty into their springtime playlist.
The post All Day I Dream Unveils ‘Spring Sampler’: Ethereal New Compilation appeared first on EDMNOMAD.
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Ayko & Sam Stray Wood “Send Me An Angel” drops April 18th via Fankee

Fankee, the world’s first community-driven music label, proudly announces the release of “Send Me An Angel” by Italian DJ/producer Ayko with the multi-talented British artist Sam Stray Wood. Dropping on April 18th, this highly anticipated track blends Ayko’s signature electronic sound with Stray Wood’s dynamic vocal presence.
Fankee is revolutionizing the music industry by transforming fans into co-producers and co-owners, allowing them to earn a share of music royalties and actively participate in the promotion process. With “Send Me An Angel”, Ayko and Sam Stray Wood are embracing this innovative model to connect with their audience in an unprecedented way.

Francesco Dogliani, known professionally as Ayko, is an Italian DJ and producer whose deep affinity for electronica and digital music has driven his career from local gigs in Turin to global club stages. Inspired by 80s/90s British pop and Italian dance music, Ayko’s signature style is a fusion of vocal-driven tracks, intricate instrumentals, and atmospheric effects.
His journey has taken him to some of the most prestigious venues in the world, including London’s underground club scene and Ibiza’s legendary hotspots such as Space and Sankeys. Ayko has also hosted the renowned ‘Meganite’ party at Privilege nightclub alongside Italian trance legend Mauro Picotto.
With five EPs and two official remixes of Picotto’s tracks “Ayala” and “Fly” on the Alchemy label, Ayko has solidified his place in the electronic music scene. His upcoming collaborations, including “Elisir of Love” with Picotto on Sony Music, signal an exciting future for his evolving sound and creative vision.
Sam Stray Wood is a British DJ, singer, songwriter, dancer, and music consultantwhose diverse talents have made her a rising force in the electronic music industry. Initially making waves as a dancer and choreographer in Italy, she transitioned into music, incorporating elements of rap, soul, funk, and house music into her unique artistry.
Since 2019, Wood has released multiple tracks on leading labels such as Spinnin’ Records and Hexagon. Notable collaborations include “Get Lit” with Leandro Da Silva and “Big Flex” on The Myth Of NYX under Future House Music. Beyond her performances, Wood is deeply involved in the industry as an A&R and music consultant.
Her music has garnered widespread support from global icons including Tiësto, Hardwell, R3HAB, Don Diablo, DJs From Mars, Madison Mars, Firebeatz, Yves V, Promise Land, and Dannic. With a growing presence in TV, radio, and social media, she continues to push creative boundaries in the electronic music space.
“Send Me An Angel” is set to showcase the best of both artists—Ayko’s production mastery and Sam Stray Wood’s distinctive vocal energy—delivering a track that resonates with dance music lovers worldwide.
As part of Fankee’s community-driven model, fans will have the unique opportunity to participate in the track’s journey from release to promotion, redefining the traditional artist-fan relationship.

The post Ayko & Sam Stray Wood “Send Me An Angel” drops April 18th via Fankee appeared first on Electric Mode.
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