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Surf Mesa & Zeeba Team Up Again For ‘Energy’

On the heels of his recent release ‘Holding On,’ genre-bending producer Surf Mesa is turning up the heat with a vibrant new single, ‘Energy’ featuring Zeeba, via Breakaway Projects. Making his second release with Breakaway, ‘Energy’ is a bright, house track tailor-made for sun-drenched dance floors and late-night festival moments. While their last team-up reimagined a timeless classic, ‘Energy’ marks a major evolution in the duo’s partnership. Surf Mesa’s melodic, polished production style fuses seamlessly with Zeeba’s warm, expressive vocals—striking the perfect balance between emotional resonance and undeniable dance floor drive. The result? A feel-good anthem that radiates optimism and captures the spirit of summer. Listen here.
With festival appearances on the horizon and a history of viral hits behind him, Surf Mesa is no stranger to crafting music that moves both hearts and feet. His breakout track ‘ILY (I love you baby)’ is approaching a staggering 1 billion streams on Spotify—cementing his place as a global force in melodic dance music. Fans can also look forward to more Surf Mesa collabs coming soon with the likes of Odd Mob, Gudfella, No/Me, and John Alto. Fresh off a sold-out string of ski weekender shows in Vail, Deer Valley, and Park City, Surf continues to bring his sound to new altitudes—both literally and creatively.
The post Surf Mesa & Zeeba Team Up Again For ‘Energy’ appeared first on EDMTunes.
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Control Freak and nikko Land on Sable Valley With Distorted Rave Anthem, "POWER"

Control Freak and nikko have joined forces for a new single, "POWER," a rave anthem that delivers exactly what its title promises.
In an electronic music landscape oversaturated with fake-out drops and manufactured dopamine hits, the track feels like a throwback to when club records were designed for dancefloors instead of algorithms. There's no overthinking here, just pure kinetic force wrapped in smart production choices.
Control Freak and nikko, two of today's most promising electronic producers, give "POWER" its backbone with a propulsive Jersey Club rhythm. Meanwhile, distorted synths and serrated basslines carry enough grit to satisfy the warehouse purists while its frenetic pace speaks fluent Gen-Z attention span.
"POWER" is out now via RL Grime's Sable Valley label. You can listen to the new single below and find it on streaming platforms here.
Follow nikko:
X: x.com/nikkommvi
TikTok: tiktok.com/@nikkommvi
Instagram: instagram.com/nikkommvi
Spotify: tinyurl.com/5n7nytym
Follow Control Freak:
X: x.com/controlfreakus
TikTok: tiktok.com/@omgcontrolfreak
Instagram: instagram.com/controlfreakus
Spotify: tinyurl.com/4pvnvyum
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Armin van Buuren and Indira Paganotto Summon the Heat With Fiery Psytrance Track, "Dragon"

Indira Paganotto, a standout from the EDM.com Class of 2023, has joined forces with dance music icon Armin van Buuren for a new single, "Dragon."
Arriving just ahead of their anticipated b2b performance at Sónar Festival 2025, the high-intensity psytrance track feels built for maximum impact. Paganotto, known for her dark, high-octane techno sound, steps further into the spotlight alongside van Buuren, whose influence spans decades.
Together, they've crafted a track that thrives on tension, speed and unrelenting energy. After locking into a hypnotic rhythm, "Dragon" intensifies with layers of rolling bass and snappy percussion as serrated synths flicker beneath the surface. The pressure peaks at the drop, which unleashes a storm of psytrance bass and a driving low end.
Out now via van Buuren's Armada label, "Dragon" has already been tested on some of the world's biggest stages with early plays at Ultra Miami, EDC Las Vegas and Tomorrowland, among other festivals.
You can listen to the new single below and find it on streaming platforms here.
Follow Armin van Buuren:
X: x.com/arminvanbuuren
Instagram: instagram.com/arminvanbuuren
TikTok: tiktok.com/@arminvanbuuren
Facebook: facebook.com/arminvanbuuren
Spotify: spoti.fi/2WHsl2t
Follow Indira Paganotto:
X: x.com/indirapaganotto
Instagram: instagram.com/indirapaganotto
TikTok: tiktok.com/@indirapaganotto_official
Facebook: facebook.com/indirapaganotto
Spotify: spoti.fi/3Jnn2wH
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Audien Wants You to Join Him Onstage and Play Your Music

Audien is extending an unusually open invitation to aspiring music producers: submit a demo and you might find yourself sharing the stage at one of Los Angeles' most prestigious venues.
The Grammy-nominated dance music producer has announced a demo submission contest offering DJs a chance to join him onstage during his upcoming concert at the Hollywood Palladium, the storied Art Deco venue that has hosted everyone from Frank Sinatra to The Rolling Stones to Eric Prydz.
For bedroom producers across the globe, it's a chance to see their work come alive in front of thousands at a venue steeped in musical history. Audien is bringing his beloved "Progressive House Never Died" show to the Palladium on Saturday, July 19th.
"Send me a song you're working on and maybe we can play it together?" he wrote on X.
The contest is open to all producers, who simply have to sign up to receive a link to submit their demo.
In other Audien news, the DJ today announced his long-awaited sophomore album, First Love. Scheduled to release in September 2025, it's his first full-length album in six years.
Follow Audien:
X: x.com/audien
Instagram: instagram.com/audien
TikTok: tiktok.com/@audien
Facebook: facebook.com/audienmusic
Spotify: spoti.fi/3tx9Xqk
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Audien Announces First Album in Six Years, Shares Soul-Stirring New Single "Slide Away"

Audien has announced his long-awaited sophomore album, First Love, his first full-length project in six years. Due out in September 2025 via Armada, it's his first album since 2019's Escapism.
Celebrating the announcement today, Audien dropped a brand-new single, "Slide Away," an evocative house anthem made in collaboration with MAKJ and Julia Church. Driven by the latter's effervescent vocal performance, the lush progressive house track explores emotional growth with a euphoric, upbeat twist.
“It’s an “I-love-you-but-I-need-to-chase-something-else” song – outgrowing someone but knowing greater love lies ahead,” says Julia Church. “I loved working together on this, it feels like the perfect blend of us all musically.”
The concept for First Love was sparked during a conversation on tour when someone told him his melodies encapsulate the intense feelings associated with experiencing a first love, according to a press release issued by Armada. The album, the label added, is Audien’s "most personal and connective work to date."
You can listen to "Slide Away" below.
Follow Audien:
X: x.com/audien
Instagram: instagram.com/audien
TikTok: tiktok.com/@audien
Facebook: facebook.com/audienmusic
Spotify: spoti.fi/3tx9Xqk
Follow MAKJ:
X: x.com/makj
Instagram: instagram.com/makj
Facebook: facebook.com/makjofficial
Spotify: tinyurl.com/4r968se7
Follow Julia Church:
Instagram: instagram.com/juliachurch
TikTok: tiktok.com/@juliachurchmusic
Facebook: facebook.com/juliachurchmusic
Spotify: tinyurl.com/yc7xf3mv
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K1N Isn't Asking for Permission in Destructive Debut EP, "WORLD DOMINATION"

Boston-based artist Ryan Borbone, better known as “K1N” (kay-one-en),  is making a thunderous entrance into the bass music scene with his debut WORLD DOMINATION EP.
Out now via Big Night Records, the boutique label spun out of nightlife behemoth Big Night Entertainment Group, the project features six tracks. K1N goes scorched-earth with the production, distilling 15 years of growth and experimentation into a tightly packed arsenal of rave weaponry. Borbone’s path through aliases, genres, and late-night sessions has led to something that sounds not just ready - but inevitable.

The opening track, “TRY AGAIN,” fires the starting shot with acid stabs, hype-charged vocals, and three relentless drops - a sonic biography of everything that brought K1N to life. From there, he wastes no time reinforcing his vision - the previously released “GREED” made waves on Brownies & Lemonade’s Fresh Batch Friday, quickly gaining traction and earning support from curators across the board. “2FAST” followed - a percussion-heavy weapon that lit up repost networks, Discord channels, and rhythm games.

“ROCK” hits next - a dubstep missile with zero filler and maximum aggression. “HOT” draws from techno and hardcore influences, keeping dancers on edge. Then “YOU AND I” arrives - a melodic, emotionally driven closer that still hits but lets you breathe, just for a moment.

But this isn’t just about one EP. It’s about momentum. Ray Volpe—a member of the EDM.com Class of 2022—premiered an unreleased K1N collaboration during his recent set at EDC Las Vegas that’s already catching eyes and ears online. Meanwhile, K1N’s fanbase continues to swell: Discord communities follow every move, notable DJs are rinsing his records, and curators keep surfacing his tracks across playlists, games, and repost networks.

K1N isn’t chasing clout - he’s building legacy. When the dust settles, WORLD DOMINATION has the feel of a producer hellbent on taking that legacy by storm. And this is only the beginning.
Follow K1N:
Instagram: instagram.com/k1n_music
TikTok: tiktok.com/@k1n.mp3
X: x.com/K1N_Music
Facebook: facebook.com/k1nmusic
Spotify: tinyurl.com/4zkwjwxc
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Ibiza finally has an audiophile bar – here’s what it entails

Beach restaurant El Silencio Ibiza has opened the Urusai Sunset Bar, the island’s “first true vinyl-listening audiophile experience” dedicated to vinyl-only DJ sets and deep listening.
The bar is inspired by the Japanese jazz kissa tradition (cafes that specialise in playing recorded jazz music through high-quality audio systems), and is described as “a soulful fusion of vinyl culture, Japanese ritual, and Balearic legacy”.
READ MORE: Gadhouse’s vintage-inspired HENRY turntable offers “the perfect combination of nostalgia and progress” The bar is located on the western coast of Cala Molí, and is open daily from 6pm (or golden hour, some might say) and into the night, during which you can hear genres including a mix of Western and Eastern Jazz, Soul, Funk, Disco, Afro-Boogie, and Balearic Disco.
The programming is curated by Jaime Fiorito, son of Balearic pioneer DJ Alfredo, and blends rare and reissued vinyl from the 1970s through to the 2000s, featuring records by Alice Coltrane, Patrick Cowley, Susana Estrada, Degrees of Freedom, Nu Guinea, and more.
The space has been designed by Kulapat Yantrasast of WHY Architecture, and in true kissa style, Urusai has a custom-built sound system that delivers “studio-grade clarity”. At its core is a hybrid analogue-digital mixer, completed by handcrafted coaxial speakers made from Baltic birch plywood, with each unit individually amplified for balance and tonal depth.

“Urusai isn’t a club or a lounge, it’s a community in the making,” reads a press release. “It recalls the spirit of Ibiza in the ‘70s and ‘80s, when aristocrats danced beside farmers, and music discovery took precedence over genre.
“Providing a place for vinyl heads, creatives, collectors, and those who crave something more intimate and intentional. Urusai is a place where people from all walks of life can come together, united by a deep love for sound, sunsets, and soulful connection.”
To book a table, head over to the Urusai Sunset Bar website. 
The post Ibiza finally has an audiophile bar – here’s what it entails appeared first on MusicTech.
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CASH ONLY’s Famous When Dead Records Defines The Sound Of 2025

Famous When Dead Records is fast emerging as one of the UK’s most exciting independent electronic imprints. Founded by DJ/producer CASH ONLY, the label launched with a bold mission to shift the narrative in club culture by crossing genres and prioritising quality over commercial trends. Despite its fresh arrival, the label has already delivered a string of standout releases, gaining serious traction across dancefloors, charts, and radio shows, firmly cementing its place as a rising force in the electronic music scene.
Following the debut single “Another One” from UK chart-topper Syncia, Famous When Dead Records has continued to push boundaries with a sharp focus on house music and its offshoots. With multiple releases climbing into the top ten, the label’s roster blends rising stars with established names, including Reigns, Patrick Meeks, Maisie Mae, Holly Ellison, and more. The result is a sound that resonates across clubs, charts, and radio, earning the imprint widespread support from DJs and dancefloors alike.

Famous When Dead is more than just a label; it’s a growing creative collective. Built in collaboration with Midlands-based abstract street artist Famous When Dead, the label fuses music and visual storytelling, rejecting mainstream formulas in favour of a bold, multidisciplinary vision.

CASH ONLY comments, “We didn’t just want to build a label, we wanted to build a world. One that lives through a track, a T-shirt, a short film, or a full sensory club experience. Immersive, innovative and continually pushing forward.”
With a full summer schedule locked in, CASH ONLY is set to perform at Glastonbury, Hi Ibiza, Defected Croatia, Reading Festival, Parklife and Pikes Ibiza, bringing his Famous When Dead energy directly to dancefloors worldwide. In addition to a solid tour schedule, fans can expect a wave of upcoming releases in collaboration with Patrick Meeks, Holly Ellison, Reigns, VSTRV and a fresh set of remixes from Christiano Fry, Jewel Kid, Jon Bucceri and G-Double-E.

Cash Only feat. VSTRV – No Way (Official Music Video) 
https://www.youtube.com/watch?v=eS-3c0hVLkg&t=1s

In conjunction with the label’s notoriety, CASH ONLY has also continued to evolve in profile. Releasing on a selection of dance music’s most respected labels, including DVINE Sounds, Nervous, Newstate, Electronic Nature and Upcycle, including his recent No.2 on the Afro House Chart with ‘Holy Water’ on King Street Sounds. Now boasting 40K+ monthly listeners, over 1 million Spotify streams, regular editorial features, and a rapidly growing catalogue, the prolific producer is about to release his seventeenth track since returning to the studio a few months ago.
 
Set to drop June 27th, their momentum continues to build with the hotly anticipated release of ‘Move Slow’ ft Maisie Mae, marking CASH ONLY’s 17th track since returning to the studio a few years ago. Made in Amsterdam during ADE with Artist Tribe and their writing camps, the track sets the tone for a standout season of fresh music and international shows. Fans can also expect a stellar release on July 18th through the collaboration of CASH ONLY and Holly Ellison with Rotation and a Jewel Kid remix of the highly praised Take It Down on July 25th. For CASH ONLY and Famous When Dead Records, this is only the beginning, so stay tuned.

With the label and its boss, CASH ONLY, earning steady support from industry heavyweights like Major League, Alok, Mark Knight, Richie Hawtin, Shimza, Marco Lys, Paco Osuna, David Penn, DJ Spoony, and Sam Divine, 2025 is shaping up to be a breakout year.
 
Find Out More & Follow

Famous When Dead Records Instagram | Beatport | Traxsource

CASH ONLY Spotify | Instagram | Website | Linktree
 
The post CASH ONLY’s Famous When Dead Records Defines The Sound Of 2025 appeared first on Electric Mode.
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Spotify partners with Backline to launch first-of-its-kind mental health hub for music industry professionals

Spotify has teamed up with Backline, a nonprofit organisation connecting music industry professionals and their family members with mental health resources, to launch a global mental health initiative.
As part of the initiative, which is called Heart & Soul, Mental Health for Creators, Spotify and Backline are introducing the “first-ever” Global Mental Health Resource Hub – a “comprehensive support platform”.
READ MORE: Will Spotify be correct with its annual Songs of Summer predictions? This is the first time that Backline has expanded its services beyond the United States, with the hub launched to support not just artists, but also touring crew and other music industry workers at all levels amid an ongoing mental health crisis.
As part of the Heart & Soul initiative, you can now get international support from Backline across a multilingual database featuring trusted music industry and mental health support resources and crisis lines from around the world. Backline has also launched [email protected], a dedicated email service that provides one-on-one support to help individuals navigate local care options in their countries.
A free digital guide titled Mind The Music: A Mental Health Guide for the Music Industry is also available, designed for every role in the industry and featuring tools to stay grounded on the road.
Furthermore, there’s also free support for Spotify’s EQUAL, GLOW, and RADAR ambassadors in the US via Music’s Mental Health Fund, a joint programme from Backline and Sweet Relief Musicians’ Fund that provides grants to cover the cost of therapy.

“Backline is honoured to serve as a steward of Spotify’s investment into the creative community,” says Backline Executive Director & Co-Founder, Hilary Gleason. “Bringing our work to scale is a meaningful way to uplift the well-being of artists all around the world. This collaboration is taking these invaluable mental health and wellness resources beyond borders. Music knows no bounds, and now people who make music happen have access to care and a compassionate community.”
Spotify Head of Artist & Label Partnerships, Monica Herrera Damashek, adds: “It’s clear that the mental health challenges artists face are real, and that the current support systems often fall short. It’s on all of us in the industry to respond with action… We know this is only one step but we look forward to building on this for a more supported, sustainable environment for the artists who shape culture every day.”
“Heart & Soul is our commitment to the creators behind the music. Artists and songwriters face immense pressure, and their mental health can’t be an afterthought,” states Lauren Siegal Wurgaft, Head of Social Impact at Spotify. “Supporting creators’ well-being is essential to sustaining a vibrant music ecosystem.”
To find out more or get support, head over to Backline.
The post Spotify partners with Backline to launch first-of-its-kind mental health hub for music industry professionals appeared first on MusicTech.
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Alexander Merlin’s new release on Hardwell’s Radar. “Bringing back The golden era of EDM”

Belgian sensation Alexander Merlin teams up with Monic for “Never Let This Go”, a euphoric Progressive House anthem dropping June 13th via Revealed Radar.
If you’re one of the many dance music fans longing for that 2014 mainstage magic, Alexander Merlin is about to answer your prayers. The rising Belgian DJ and producer is making waves once again, this time with his brand-new single “Never Let This Go”, dropping June 13, 2025, via Revealed Radar, a sublabel of none other than Hardwell’s Revealed Recordings.
The track sees Merlin team up with Los Angeles-based powerhouse Monic, whose signature vocal energy and emotive presence in production have become a defining force in the progressive house scene. Together, they’ve crafted a song that delivers both nostalgic vibes and forward-thinking energy, a throwback to the golden era of EDM built for today’s stages.
A Rising Star with Mainstage Credentials Alexander Merlin, 27, has quickly emerged as a name to watch in the global dance music community. After going viral in late 2024 with his remix of Martin Garrix and Jex’s “Told You So” on TikTok, the buzz reached Garrix himself, ultimately earning Merlin an official release on STMPD RCRDS in January. From that point on, momentum hasn’t slowed.
With past performances at Tomorrowland, Club Versuz, Insomnia Spain, and more, Merlin is no stranger to the festival spotlight. 2025 marks a new chapter in his mission: to bring back the euphoric, hands-in-the-air spirit that defined the peak years of EDM.
Monic: A Voice and Vision that Moves Crowds On vocals and co-production, Monic brings her signature fire. The California native has been gaining traction with a series of Beatport-charting releases, including “Tonight (Feat. Ahimsa)”, “Breathe”, and “Stay (Feat. Beshen)”. Her style blends raw emotionality with mainstage-ready energy, making her the perfect counterpart to Merlin’s melodic sensibilities.
“Never Let This Go”: A Euphoric Throwback Built around an infectious vocal line and a soaring progressive drop, “Never Let This Go” is pure serotonin in audio form. Designed for massive festival speakers and communal singalongs, the track fuses nostalgia with modern polish, channeling the spirit of 2014 with laser-sharp production. It’s more than just a song, it’s an experience meant to be shared on the dancefloor.
As Alexander Merlin puts it, 2025 is the year EDM gets its soul back. And with “Never Let This Go,” he’s proving he’s more than ready to lead the charge.
Follow on Socials:
https://www.instagram.com/i.alexander.merlin
https://www.instagram.com/monicmsc
The post Alexander Merlin’s new release on Hardwell’s Radar. “Bringing back The golden era of EDM” appeared first on EDMNOMAD.
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MusicTech’s favourite plugins of 2025 — so far

We’re halfway through 2025, but plugin developers have dropped enough software this year already to keep you busy for about a decade. MusicTech’s reviewers have been deep in the weeds to check out as many of them as possible — thankfully, we’ve found some absolute gems and have been able to separate the hype from the genuinely helpful.
Whether you’re hunting for the best VST plugins of 2025 or just looking to upgrade your go-to tools, our team of producers and reviewers have some useful opinions. From sleek EQs to leftfield synths, these are the plugins that have actually made it into our day-to-day projects — and might just earn a spot in yours too. Here are MusicTech’s favourite plugins of 2025…so far.
Wavea’s Flite is one beautiful maiden voyage
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Beautifully wrapped in a minimalist UI, Wavea’s debut Flite plugin is a colourful playground of sound design that I’ve come back to time and time again. The starting point is an expertly curated preset library, but there’s so much versatility and scope for crafting unique and experimental sounds. With four samplers, a three-oscillator synth engine and a rounded selection of built-in effects, Flite’s strength lies in how easy it is to stack, combine, and route these modules swiftly and intuitively.
Flite proves there’s still plenty of room for indie developers to knock it out of the plugin park and stand shoulder to shoulder with the giant developers.
As mentioned in my review of Wavea Flite, it’s great value for money at $99. “This endearing plugin could easily become a firm favourite in your kit,” I added. “Considering that this plugin is the maiden flight from Wavea, you might expect it to be a little rough around the edges. Instead, Flite is warm, inviting and packed full of fun.”
— Garling Wu
Waves Curves Equator is an amazing value plugin
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The plugin I’ve probably used the most this year is Waves Curves Equator. I’m still a big fan of Oeksound’s Soothe 2, but I’ve found this to be a killer alternative for quickly and easily tucking in resonant frequencies on tracks and mixes. It’s relatively light on resources and just seems to get the job done with fairly minimal tweaking. However, if you want to delve in and target certain sections of the spectrum, then you have several methods for only affecting the problem frequencies. It’s a powerful tool for beginners and pros alike that can be used alongside traditional EQ techniques to create smoother-sounding mixes. You can also pick it up on sale for the ridiculous price of $35 — bargain!
In my review of Waves Curves Equator, I noted how I can “quickly dial in improvements that benefit individual tracks, or a whole mix when used more sparingly. When it comes to very fine-tuned resonance suppression, I would probably still reach for Soothe2 as it can be more precise– as mentioned, there are better plugins for reducing mix clashes. But for general mix duties, Curves Equator is a superb choice.”
— Alex Holmes
It might as well be FabFilter Pro-Q 4
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No matter what you’re doing with your DAW, the chances are that you have an EQ plugin on every channel. Even if you don’t perform surgery with the dynamic and spectral functionality with every instance of the plugin, FabFilter’s Pro-Q 4 is still an invaluable workhorse — and a gift that keeps on giving.
Simply by using the different character modes (Clean, Subtle, and Warm) with Gain-Q Interaction active, you start to get more musical results on busses or individual tracks, and improve your EQ skills while you do it. Then, when you want to go deeper, the spectral mode is perfect for taming the highs on overheads while keeping everything intact.
In my review of FabFilter Pro-Q 4, I said, “While other tools like Soothe2 and Gullfoss each apply their brand of magic to correcting unwanted resonances, Pro-Q 4 is not easily replaceable, given its versatility and depth of features. Pro-Q 4 will be loved equally by pro mixing and mastering engineers as it is by today’s generation of beat-makers and independent music producers.”
— Stefan Wyeth
The formidable T-RackS 6 Mastering Console
[products ids=”2f6QPCBs5pDITUuUKW7kE5″]
It’s not often you review a plugin that immediately becomes a cornerstone of your creative process, but IK Multimedia’s T-RackS Mastering Console is easily my most-used tool this year. It’s got a slick UI, presents for a variety of mixing styles, and high-end features for finalising and releasing music. Whether you’re actually mastering a track or just want to make sure a demo sounds as convincing as possible, the T-RackS Mastering console can add some ready-made magic to any mix.
Mastering Console pulls off what seemingly every plugin developer is trying to do right now — it takes parts of production that were mysterious and expensive, and opens them up for everyone.
Like I said in my review of IK Multimedia’s plugin bundle Total Studio 5, the tremendous power of T-RackS 6 almost makes up for the cost of the entire Total Studio bundle on its own.
— Clovis McEvoy
Arturia Pigments 6 — maybe the only synth you’ll ever need
[products ids=”7kMaRjcJoujGYrm9QullCb”]
I have an endless and deep fascination with sound synthesis in all its forms, and so have always been a big fan of Pigments’ semi-modular approach and hugely varied voice.
Here’s an instrument that can mimic a Minimoog, an MS-20, a Jupiter 8, and myriad other classic synths. It can be a mash-up of the best features of such classic synths, or it can be something entirely new and original. As the icing on the cake, Arturia’s sublime UI and UX design makes Pigments pretty much the best-looking plugin synth on the market, and also one of the easiest to use. What’s not to love?
I said in my Pigmnets 6 review that “it is an analogue monster, a digital dream, a sampling powerhouse, and now a physical modelling marvel.” Plus, its chameleon-like ability to be so many different types of synth means it could be the only synth you will ever need.
— Adam Crute
Output Co-Producer — an AI-powered plugin that actually promises to assist you
[products ids=”781v3wnlxfTPwT6lSRwmva”]
Output’s Co-Producer feels like it takes the best of developments in cutting-edge tech while avoiding the rest. Working as a plug-in, it listens to your track and provides instant access to a vast and ever-expanding library of project-appropriate loops made by real humans – no AI-generated music here. Preview and drag and drop them into your DAW directly inside a project. Easy.
I haven’t reviewed Co-Producer for MusicTech yet but, having used it a lot already, it solves my problem of choice overload — who wants to navigate through thousands of loops over and over? And since all the content is royalty-free free you are completely covered. The library adds new content regularly, so you can stay inspired.
In short, using a form of AI that encourages your creativity rather than replacing it, Co-Producer shows how technology can support music-makers in a positive way.
— Hollin Jones
Want more gear buying assistance? Check out our buyer’s guides.
 
 
The post MusicTech’s favourite plugins of 2025 — so far appeared first on MusicTech.
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Watch “Pharaoh” by Emmett Daly

After a captivating and charismatic performance at the EQ Music new artist showcase last year. I have been eagerly anticipating the follow-up music releases from the exceptionally talented independent pop multi-hyphenate Emmett Daly. Recognizing that Emmett balances his passionate pursuit of music alongside a demanding career as a doctor. It was clear that the period of waiting for new music would be an inevitable yet worthwhile journey. Simply because the performance at our EQ Music showcase was a testament to his stellar command of musicianship. Moreover, showcasing his unique blend of pop sensibilities and emotive lyrics. Above all, I had no doubt that when the day arrived for his new music release, it would, not only meet but exceed my expectations. Thus proving that the wait was indeed worth every moment.
Following an electrifying guest appearance with Una Healy (formerly of The Saturdays and his mentor from The Voice of Ireland) at the Mighty Hoopla in May. Where they enthralled audiences with their duet of “The Giver,” the latest track by Chappell Roan, Emmett saw a golden opportunity to reignite his music career. This moment not only elevated his profile but also set the stage for a powerful reconnection with his artistry thus fuelling anticipation for “Pharaoh,” Emmett’s highly anticipated first release of 2025.
This captivating track thrives on a haunting soundscape that amplifies the brooding atmosphere established in his 2024 release, “Cold Fire.” In “Pharaoh,” Emmett masterfully showcases his poetic lyrical prowess, overflowing with vivid imagery and deep emotion. The narrative reveals his intent to shield himself from the anguish inflicted by a lover’s betrayal. He perceives a troubling entanglement that threatens their relationship’s integrity, and Emmett is resolute in his commitment to protect himself from the fallout of such dishonourable behaviour.
In his stunning directorial debut, Emmett captivates audiences with his debut music video. He embraces a cinematic aesthetic that immerses viewers in a vast desert landscape. As he navigates this poignant setting, Emmett delves deep into his struggles, emerging from the experience with newfound strength and wisdom. The clip is equally visually epic as it is masterfully impressive. It begs the question is there anything Emmett cannot turn his hand to? Make no mistake, Emmett Daly has musicianship, musicality and performance in abundance. And like me, you really should start picking up on him.
Connect with Emmett
Instagram:https://www.instagram.com/Emmettgarvindaly/
The post Watch “Pharaoh” by Emmett Daly appeared first on EQ Music Blog.
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El Silencio announces the opening of Urusai Sunset Bar, Ibiza’s first audiophile bar

This summer, El Silencio Ibiza unveils URUSAI SUNSET BAR, the island’s first true vinyl listening audiophile experience, dedicated to vinyl-only DJ sets, deep listening, and refined encounters. Inspired by the Japanese jazz kissa tradition and shaped by Ibiza’s free-spirited roots, Urusai brings a bold new listening experience to the island’s evolving musical soundscape.
Set on the sun-drenched western coast at Cala Molí, Urusai is open daily from golden hour into the night. Inviting guests on a sonic journey across genres and generations, with a blend of Western and Eastern Jazz, Soul, Funk, Disco, Afro-Boogie, and Balearic Disco.
Curated by Jaime Fiorito, son of Balearic pioneer DJ Alfredo, Urusai’s programming blends rare and reissued vinyl from the 1970s–2000s with fresh selections by a rotating cast of global tastemakers. The collection includes records by Alice Coltrane, Patrick Cowley, Susana Estrada, Degrees of Freedom, Nu Guinea, and many more, designed to challenge expectations and elevate the sunset experience to provide a new kind of sonic ritual for the white isle. ​
Urusai’s custom-built sound system delivers studio-grade clarity rarely found in nightlife settings. Featuring handcrafted coaxial speakers made from Baltic birch plywood, each unit is individually amplified to ensure perfect balance and tonal depth. At the heart of the system lies a hybrid analog-digital mixer, anchoring the experience and allowing every record to resonate with warmth, texture, and intention.
Designed by Kulapat Yantrasast (WHY Architecture), a former close collaborator of Tadao Ando and the architect behind the redesign of Met Museum’s Michael C. Rockefeller Wing as well as an upcoming expansion at Musée du Louvre – Urusai is more than a bar: it’s a sanctuary. The minimalist space, centered around a sculptural, vortex-like centerpiece, invites guests to gather, listen, and connect without distraction.
The URUSAI IZAKAYA fuses Japanese culinary tradition with local Ibizan ingredients. Chefs Taku Yuji Mikurya and Romain Littière offer a refined menu of toro sando, red prawn soba, crispy rice, and Ibizan vegetable tempura, complemented by natural wines and small-batch sake with specialist cocktails including lychee martinis, and wasabi margaritas.
Urusai isn’t a club or a lounge, it’s a community in the making. It recalls the spirit of Ibiza in the ’70s and ’80s, when aristocrats danced beside farmers, and music discovery took precedence over genre. Providing a place for vinyl heads, creatives, collectors, and those who crave something more intimate and intentional. Urasai is a place where people from all walks of life can come together, united by a deep love for sound, sunsets, and soulful connection.
Not to be missed, this one-of-a-kind listening experience in the global capital of electronic music, Ibiza. 

Book Your Table Now 
urusai-ibiza.com+34 676 00 30 59
Location
​Av. de Cala Molí, 30, 07830 Sant Josep de sa Talaia, Illes Balears, Spain
Find Out More & Follow ​
​Urusai Sunset Bar Instagram ​
​El Silencio Ibiza Instagram

The post El Silencio announces the opening of Urusai Sunset Bar, Ibiza’s first audiophile bar appeared first on Electric Mode.
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Who The Hell Is Gabriella Bongo

Meet Gabriella Bongo, the latest producer to sign to the world’s leading label in the sounds of melodic drum & bass- Hospital Records. Fresh out of South London, Gabriella Bongo is carving her name into the scene with a vibrant sound that blends melodic orchestral elements with hard-hitting sounds, fitting right into the label’s repertoire. The young DJ’s BBC Radio 1 guest mix encapsulated her style and what she sets out to do sonically, with a range of liquid, melodic and orchestral sounds. Her collaborations “Doesn’t Hurt” with Dogger, as part of his “Old In The Head EP” which dropped late March on Precinct, and with Degs titled “Spacesuit” which dropped last April on Hospital, have set high expectations from fans for the producer’s upcoming releases.
UKF sat down with Gabriella to discuss her introduction into drum & bass, her production process, and participating in Hospital’s “Women In Drum & Bass Scheme”.
Let’s go back to the start. Were you always a drum & bass head? 
Growing up in London, I feel like drum & bass really started hitting the mainstream and became a pop sound roughly in the 2010s. Before that, I was obviously listening to a lot of different kinds of music. Back then, you had music channels like MTV and Vevo, so you were exposed to a lot of American music and R&B, that sort of stuff. I was constantly like “Wow, I just love music, all kinds of music”. I think when drum & bass started making its pop resurgence in London, it felt like every drum & bass tune went big around that time, particularly a lot of Rudimental, a lot of Chase & Status, a lot of Sigma, it sort of just always felt like a soundtrack to your life. I didn’t really feel that with other genres, but I really felt that with drum & bass. 
That was a good time for drum & bass reaching mainstream audiences. 
Yeah, it was crazy. Rudimental, Chase & Status, and DJ Fresh, those guys have always been inspirations to me. Not because their drum & bass is the hardest or the most complicated, but because they’ve always been successful at bringing in loads of other listeners from all kinds of different genres, people that would never even listen to drum & bass. I think for me, that’s sort of a similar goal that I try to have with my music,.
Congratulations on signing to Hospital Records! What was your initial reaction to that, especially since you went through their scheme?
The scheme was great, it really turned the trajectory of my career around, in the sense that before that, I hadn’t really ever seen myself as an artist. I think that scheme made me feel like, “Wow, do you know what, maybe I am the artist”. It also gave me a bit of an insight as to how the label operates and points of contact and stuff like that. It kind of felt like a bit of a free trial, but I didn’t know it was a free trial. 
How did it feel when they approached you about signing? 
Finding out they wanted to put something down on paper was quite reassuring. I wouldn’t say it was the biggest shock, as there had already been conversations prior. It was reassuring that there are still people out there willing to take a chance on new talent, even if someone doesn’t have the biggest TikTok following or whatnot; if the music’s good, there are still people who care about that. 
I thought, “Okay, cool, I know I’ve got the work ethic, I know they can do what they do to push my music forward, I’m pretty sure this is probably going to work out”.
Can you tell us about the Women In Drum and Bass program? 
It was very insightful about the industry as a whole. I’d have one-on-ones with different members of the team, for example, legal and business. If I had any questions in that department, I could ask whatever I wanted. Or help with PRS registrations or stuff like that, learning about things that I didn’t really have a clue about was always helpful. I think for me, the biggest thing that I really think I took advantage of and really found helpful was access to the roster. It  literally meant I could say, “Yeah, I want a session with Nu-Tone, I want a session with whoever”, and I’d end up getting in the sessions and getting in the rooms with these people and just making music. That’s what really helped me grow over the course of the mentorship.
Not to pick favourites, but could you give us a bit of an insight into some memorable moments with those sessions? 
I think a cool moment for me was going to the Bath writing camp, which was the residential one. I don’t know, it really kind of made me feel like, “Wow, I’m actually part of the family”. Because even though I wasn’t a signed artist at that point, and everyone else there was, the fact that I was invited, the fact that I was put in sessions with other people from the roster, the fact that I didn’t really need to be there but I was, it was very encouraging. It just gave me that reassurance and that extra confidence that I do deserve to be here.
Can you tell us about when the signing became official? You mentioned talks, were there any moments of doubt?
There are always moments of doubt, and I think that is the safest way to be in this industry. Because, I think, in the politest way possible, a lot of people chat rubbish. It’s true. A lot of people don’t really put their money where their mouth is. So, I think you always have to go into spaces with the mindset of “Okay, if it happens, it happens, but if it doesn’t, it doesn’t”. If you’re constantly expecting it to happen or really believing everything people say, I feel like the disappointment can really put you off track. And I can’t really afford to do that. Once they had put everything down on paper, which was around February-ish time, I was like, “Okay, maybe they are going to do something about it”. Seeing that go from talks to reality really builds trust. With the signing, that means there’s a bit more trust in the relationship. That’s the first step.
Were you a fan of Hospital in particular? Who was your favourite artist from Hospital?
Really and truly, I’m going to say Nu:Tone. I think he is an absolute wizard. I think, even working with him, sometimes I feel like we’re quite in sync. He’s someone that I don’t have to say what I’m thinking, he kind of just does it, and I’m like, “Oh my god, how did you know?” Someone who I also think is really cool is Netsky. I think Netsky is quite cool in the sense that, even though I might not listen to all of his stuff, I think he’s really done a good job at bringing a sound and feel with his music.
How long were you producing drum & bass before applying for the scheme? 
When I first started producing, I was doing everything, and I feel like that is the best way to be when you first start. I spent a good chunk of time recreating a lot of songs I had already heard, from’Sorry’ by Justin Bieber to a Lady Gaga tune. I spent a lot of time doing that, because one, I really felt like it trained my ear and, two, it was also really good as gave me an understanding of layering, song structure, arrangement, that kind of thing. Then I still did the whole ‘everything’ thing, but I became a bit more of a writer-producer person. 
I’d work a lot with artists for their projects. I did a lot of genres like R&B or Afrobeat. I moved into collaboration and being in the studio, I wasn’t the artist at this point. I don’t really know how it happened with drum & bass, it kind of just happened. It had always been something I was listening to. Outside of writing and producing for other artists, I’d also write alone at home, write and record some of my own demos. And I ended up writing a drum & bass tune that I really liked, and I put it out as well and I kept going with that for a while. Then, I ended up working with Liam Bailey, which was cool.
How did that collaboration come to fruition?
Firstly, I was a fangirl, so there’s that. I just messaged him on Instagram to see if he’d be up for a collaboration. He didn’t respond for about three months, maybe more. And then he was finally like, “Alright”. We went to the studio together, and we basically wrote ‘All or Nothing’, which is what we put out independently. Ever since then, he’s just been another amazing person that I’ve been so lucky to meet. He’s a lovely guy who just believes in me.
How did that feel putting that out on your own?
It felt good, I knew that I’d done my best to get the project in the best place I could. I’d taken all the right steps: used a mixing engineer, used a mastering engineer, did artwork properly, all the PRS stuff. It was a learning experience and I’m proud of myself for it, it was essential. In terms of streaming and how it performed, I didn’t really expect much from it. I always feel like that’s the healthiest way to be when you look at things. But the radio was doing massive support for it, which is cool, a few playlists here and there. It goes back to that thing about it being another opportunity for me to feel really reassured.
I’m sure there’s a lot of pain with organizing mixing engineers, master engineers, getting it out, and then that hope of, “Is anyone going to listen to this thing?” How do you think this new partnership with Hospital is going to reflect on your music going forward?
I don’t think anything’s changed, I have no issue doing things myself. If it means I’m going to get it done how I want it to get done and it’s going to get done in a timely manner. In terms of how people are going to receive it, how well it’s going to do, I, on a daily basis, choose not to think about it, because if I do, then I’m probably going to go nuts. 
Having the platform Hospital have and the reach they have, I’m hoping that little by little, maybe I can reach one or two people who might like my stuff, and eventually that can grow over time. I think it’s about exposure, really. Because I feel like I’ve already done and I already do the good bit, which is making half-decent music, and so hopefully with that, it’s just about reaching people that it resonates with.
What’s the plan for the live show? 
I DJ, and that’s something that I only really picked up last year. I’d say DJing, in my opinion, is pretty straightforward. I feel like producers going into DJing have a bit of an easier time. So DJing’s been cool, it’s been cool getting feedback from sets. And sneaking my own original stuff in there and kind of getting a gauge of how people respond to it. I think that’s a good opportunity in DJing. But really and truly, I’d love to explore more into performing live. I’m a musician first, so I’d love to explore more of a live electronic hybrid sort of performance with my songs, like Rudimental and Chase & Status have done in the past. I know a few drummers who program the breaks in stuff and I’m getting to grips with Ableton Live. I’m a huge fan of live vocals and BVs, so eventually that would be something I’d love to do. 
Do your DJ sets differ much from your intrinsic values as a musician?
No, they don’t. But that’s something I’m still learning, what crowds will appreciate and what they find a bit boring. I am very melodic, so mixing in key is always something that is a no-brainer for me, it’s how I organize my sets. Melody and feeling is important to me. I want a set to feel like a journey for the listener. But I know some crowds might not care, if I’m not playing frog noises and double dropping, they’ll be bored out of their mind. But it’s important to not take that personally.
How do you feel about the recent change in the industry that emphasises having large social media followings? Do you feel that you need to have a social media presence to make it in the contemporary music landscape?
As someone who knows that they make half-decent music and who really appreciates good music and actual talent, I think it can be a bit unfair. No, I wouldn’t even say unfair, because I feel like we’ve all got to play the game in this life with every career. You kind of question whether you’re cut out for it. You question whether or not anyone actually cares about talent anymore. You question whether your values, and how you think the industry should be is compatible with today. 
It just depends on how bad you want it, because if I don’t do it, then someone who’s ten times worse than me will probably be getting all the opportunities I want to be getting.
It’s tough to break out these days. What advice would you give anyone trying to get into the position you’re at now, which is signed to one of the most exciting drum & bass labels?
I think the first one being, have no shame whatsoever. Put yourself in places that you know you might stick out like a sore thumb but put yourself in places that you might think you might get something out of. Also, message people who you probably think might not even reply. Even if they ignore you, like with what happened with Liam Bailey; be persistent, literally have no shame. At the end of the day, if you really want something, you’re going to keep pursuing it. I really do think there’s a direct correlation between how much you’re putting yourself out there and putting yourself in uncomfortable situations and how well you do. 
I’d also say the other thing, don’t be a negative person who puts people down. Just be nice, show love to anyone that you think is amazingly talented. I really feel like you put out a kind of karma, everything comes back around. Show love to your favourite artist or maybe someone who’s up and coming and who hasn’t got the biggest following, but if you really like something, leave a comment or let people know. I think it’s just nice to be nice.
Where can we see you perform next?Over the Summer, you can see me at Hospitality on the Beach. I’ll also be playing at Nu:Tone & Friends and One Out Festival.
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El Silencio announces the opening of Urusai Sunset Bar, Ibiza’s first audiophile bar

This summer, El Silencio Ibiza unveils URUSAI SUNSET BAR, the island’s first true vinyl listening audiophile experience, dedicated to vinyl-only DJ sets, deep listening, and refined encounters. Inspired by the Japanese jazz kissa tradition and shaped by Ibiza’s free-spirited roots, Urusai brings a bold new listening experience to the island’s evolving musical soundscape.
Set on the sun-drenched western coast at Cala Molí, Urusai is open daily from golden hour into the night. Inviting guests on a sonic journey across genres and generations, with a blend of Western and Eastern Jazz, Soul, Funk, Disco, Afro-Boogie, and Balearic Disco.
Curated by Jaime Fiorito, son of Balearic pioneer DJ Alfredo, Urusai’s programming blends rare and reissued vinyl from the 1970s–2000s with fresh selections by a rotating cast of global tastemakers. The collection includes records by Alice Coltrane, Patrick Cowley, Susana Estrada, Degrees of Freedom, Nu Guinea, and many more, designed to challenge expectations and elevate the sunset experience to provide a new kind of sonic ritual for the white isle. ​ 
Urusai’s custom-built sound system delivers studio-grade clarity rarely found in nightlife settings. Featuring handcrafted coaxial speakers made from Baltic birch plywood, each unit is individually amplified to ensure perfect balance and tonal depth. At the heart of the system lies a hybrid analog-digital mixer, anchoring the experience and allowing every record to resonate with warmth, texture, and intention.
Designed by Kulapat Yantrasast (WHY Architecture), a former close collaborator of Tadao Ando and the architect behind the redesign of Met Museum’s Michael C. Rockefeller Wing as well as an upcoming expansion at Musée du Louvre – Urusai is more than a bar: it’s a sanctuary. The minimalist space, centered around a sculptural, vortex-like centerpiece, invites guests to gather, listen, and connect without distraction.
The URUSAI IZAKAYA fuses Japanese culinary tradition with local Ibizan ingredients. Chefs Taku Yuji Mikurya and Romain Littière offer a refined menu of toro sando, red prawn soba, crispy rice, and Ibizan vegetable tempura, complemented by natural wines and small-batch sake with specialist cocktails including lychee martinis, and wasabi margaritas.
Urusai isn’t a club or a lounge, it’s a community in the making. It recalls the spirit of Ibiza in the ’70s and ’80s, when aristocrats danced beside farmers, and music discovery took precedence over genre. Providing a place for vinyl heads, creatives, collectors, and those who crave something more intimate and intentional. Urasai is a place where people from all walks of life can come together, united by a deep love for sound, sunsets, and soulful connection.
Book Your Table Now 
urusai-ibiza.com+34 676 00 30 59
Location
​Av. de Cala Molí, 30, 07830 Sant Josep de sa Talaia, Illes Balears, Spain
Find Out More & Follow 
​Urusai Sunset Bar Instagram 
​El Silencio Ibiza Instagram
The post El Silencio announces the opening of Urusai Sunset Bar, Ibiza’s first audiophile bar appeared first on Decoded Magazine.
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Listen to “I Can Boogie” by 9000UK

The lighter evenings are finally upon us, signalling the vibrant season of summer revelries is in full swing. Above all, this delightful change beckons us out of our homes and into lively pubs, clubs, and music venues, where we can escape the daily grind, let loose, and embrace the joy of life. For those looking to elevate their mood, the talented musician and producer 9000UK offers the perfect anthem: “I Can Boogie.” This infectious, dancefloor-ready track captures the exhilarating spirit of a late-night club experience, making it an essential addition to your summer soundtrack. Let the music guide you as you chase that dopamine high!
Subsequently, this is the powerful anthem you will want to blast the moment a seed of self-doubt dares to intrude on your thoughts. Notably, the track’s irresistibly catchy rhythm captures our attention from the very first note. Thus making it truly impossible to resist the urge to get up and dance. With every pulse of the frenetic electronic beats, we can feel the energy surging through our bodies. Moreover, eliciting spontaneous movement and joy. The uplifting melodies combine to create an atmosphere that empowers us, lifting our spirits. Furthermore, pushing away any negativity that tries to take hold.
Without a doubt, 9000UK emerges as a remarkable one-man powerhouse. One dedicated to creating music that is not only emotionally resonant but also pushes the boundaries of contemporary sound. His work embodies a unique blend that falls intriguingly between the raw essence of underground beats and the ethereal qualities of creative artistry. With each note, 9000UK’s artistry shines through. His music is meticulously designed to engage the body and stimulate the mind. Ultimately creating an unforgettable experience for those who venture to listen.
There’s no question that 9000UK confidently lives up to his self-imposed mission. He is electrifying the UK’s electro-pop scene with his vibrant energy. With a taster in “I Can Boogie” confirming, I am absolutely ready for him to unleash even more of his remarkable talent…
Connect with 9000UK
Facebook:  https://www.facebook.com/people/9000uk/61576081621407/
X:  https://x.com/9000uk
Instagram:  https://www.instagram.com/9000.uk/
The post Listen to “I Can Boogie” by 9000UK appeared first on EQ Music Blog.
View the full article
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Marsh Enriches Melodic Sounds In New Single, ‘Stay’

UK-born and US-based producer Marsh has beautifully solidified his reputation as a standout figure in the melodic and progressive house music realms. In fact, his discography, which features multiple critically-acclaimed albums, captivates listeners with a soulful and emotionally resonant sound that invites deep introspection.
With great anticipation, he is making his debut on Insomniac‘s esteemed Interstellar Recordings with his latest single, ‘Stay’. Furthermore, this fantastic progressive house track brims with rich, rhythmic analog synths, enveloping warm melodies, and profound piano chords that evoke a sense of euphoria. Also, it contains ethereal textures and hypnotic vocal loops, ‘Stay’ flows with a gorgeous groove that unfolds without any effort, which presents the artist’s masterful craftsmanship. Click ‘Play’ on the Spotify link below to stream ‘Stay’ from Marsh, a track that allows all to feel the warmth of melodic soundscapes and a perfect balance of synths and chords that greatly enhanced the track’s flows.
Marsh releases ‘Stay’ after completing a very busy, yet successful touring schedule
Marsh has garnered significant radio support from major platforms like SiriusXM, BBC Radio 1, and Kiss FM UK. Recently, he wrapped up an exhilarating touring schedule, mesmerizing audiences at iconic venues such as fabric London, Drumsheds, Space Miami, Red Rocks, Coachella, CRSSD, and Melkweg Amsterdam. Looking ahead, he has exciting performances lined up at Ruins – Knockdown Centre in New York City, Balance Festival, Anjunadeep Explorations in Albania, Paris FLOW, EDSea, and a series of highly anticipated Anjunadeep Open Air showcases in vibrant locales including Los Angeles, London, and Mexico City.
The post Marsh Enriches Melodic Sounds In New Single, ‘Stay’ appeared first on EDMTunes.
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NOVAH Unleashes Hard Techno Anthem, ‘Papi,’ In Tomorrowland Music Debut

The hard techno scene just received another seismic jolt. Today, Belgian-based powerhouse NOVAH officially arrives on the prestigious Tomorrowland Music imprint with her explosive new single, ‘Papi.’ Marking her debut on the label, this collaboration with multi-platinum selling artist CERES is poised to ignite dancefloors worldwide with its raw energy and unapologetic intensity.
‘Papi’ is exactly the kind of sonic weapon you’d expect when two formidable talents collide. NOVAH’s signature blend of distorted kicks, industrial grit, and relentless rhythm is amplified by CERES’ undeniable musical prowess, resulting in a hard techno anthem that demands attention. The track is a fierce and uncompromising journey into the darker realms of techno, perfectly capturing the raw and driving energy that has made NOVAH one of the genre’s most talked-about rising stars.
This release isn’t just a one-off; it signifies a significant commitment from Tomorrowland Music. The label has announced a long-term collaboration with NOVAH, highlighting her as a major priority artist with multiple singles slated for release. This endorsement underscores the undeniable impact NOVAH has already made on the hard techno landscape and signals a powerful new chapter in her burgeoning career.
About NOVAH
NOVAH is a rising force in the hard techno scene whose raw energy and uncompromising sound are cutting through the underground with serious momentum. With sets that blend distorted kicks, industrial textures, and hypnotic aggression, NOVAH channels the darker edge of techno while pushing boundaries with a distinctly modern flair. Recently featured at Teletech, Verknipt, Tomorrowland Winter, Rave Rebels, Elrow Town, and much more, NOVAH is gaining traction for high-octane performances and genre-blurring productions that speak to a new wave of techno ravers.
‘Papi’ is more than just a track; it’s a statement. It’s the sound of a rising star solidifying her place on a global platform, backed by one of the most influential imprints in electronic music. NOVAH’s ‘Papi’ featuring CERES is out across all platforms now and it’s a hard techno anthem you won’t want to miss.
The post NOVAH Unleashes Hard Techno Anthem, ‘Papi,’ In Tomorrowland Music Debut appeared first on EDMTunes.
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Ultra Music Festival Presents Free Pet Adoption Event ‘Bayfront Bark’

Ultra Music Festival is giving back to the local community with Bayfront Bark, a free pet adoption event happening Saturday, June 21, from 10:00 AM to 1:00 PM at the Dog Park in the southeast corner of Bayfront Park.
The event is part of Ultra’s ongoing Mission: Home initiative, designed to support sustainability and community engagement efforts in Miami and beyond. Bayfront Bark is being hosted in collaboration with Miami-Dade County Animal Services, Bayfront Park, the City of Miami, and the Miami Police Department.
Attendees can enjoy a family-friendly atmosphere with:
Free pet adoptions (first-come, first-served with valid photo ID) Ice cream Giveaways, including Ultra-branded merchandise and pet-related products (while supplies last) As part of the aforementioned program, Ultra continues to reinforce its commitment to sustainability and local partnerships. Launched in 2019, Mission: Home aims to reduce the environmental impact of live events while inspiring lasting change in the industry. The initiative has already led to 61 sustainability programs, diverted nearly 400,000 pounds of waste from landfills, and eliminated 2.6 million single-use plastic items from the waste stream.
The program has earned national and global recognition, including:
Four SUNsational Awards from the Florida Festivals and Events Association Sustainability Team Award at the World Sustainability Awards Ultra’s Mission: Home also partners with organizations like The Caring Place, contributing over 65,000 pounds of food and beverages to the Miami community. In 2024 and 2025 alone, the initiative helped repurpose 54,200 pounds of wood, compost nearly 14,000 pounds of food scraps, and recycle 9,100 pounds of glass and soft plastics through partners like Recreate Miami, Florida Wood Recycling, Renuable, Glass for Life, and Lady Green Recycling.
Bayfront Bark is a testament to how music festivals can foster both joy and impact. Whether you’re looking to adopt a furry friend or just support a meaningful cause, Bayfront Bark is open to all, and it’s guaranteed to be a tail-wagging good time.
For more information, visit Ultra’s official Instagram post.

The post Ultra Music Festival Presents Free Pet Adoption Event ‘Bayfront Bark’ appeared first on EDMTunes.
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Rodrigo Deem And Will Rees Unveil Two Scorching Takes On New Single ‘Miramar’

Kicking off the weekend with Trance? This way sir.
Happy Friday everyone! Any plans for the days ahead? We have ours ready, and one of them is rinsing this brand-new release from Amon Vision. The label has welcomed two very talented guiding lights of Trance for their latest EP — out today on all your platforms —, who you may know under the names of Rodrigo Deem and Will Rees.
While one is leaving the bar and the name of Argentina high in the scope of Progressive Trance and other slower-tempo styles, the other sets the dancefloor on fire with his peculiar Uplifting Trance. And today, you’ve got them both in one release, as Rodrigo Deem partners with the Australian imprint to release his latest ‘Miramar‘, alongside a welcome Will Rees remix.
The Miramar EP
As previously mentioned, Deem presents his original track ‘Miramar’ today on the A-side of the publication, while Rees takes the B-side for his energetic spin. And although both tracks are available to stream as both the radio edit and the extended versions, my personal recommendation, as is the norm, is that you listen to the latter straight away. Get the full journey into your system.
‘Miramar’ – Original Mix
Rodrigo Deem presents a piece this time that is as trancy as it is flavoured, tinted and layered with many elements of Techno. An ideal blend of the two, the original ‘Miramar’ features Techno percussion, heavy hat wizardry, and reese basslines, as much as it contains evolving pads, analogue-sounding saw synths, piano textures, and fly-away elements in its break.
‘Miramar’ – Will Rees Remix
And for those seeking an even higher flight, take a sit in Will Rees’ personal airline, in which he transforms Deem’s record and shifts it towards a purely Uplifting experience. Feel the synths engulf you, dive deep into the masterful breakdown including many of the original elements making up ‘Miramar’, and turn up the volume, for this explosive take is bound to be enjoyed with eyes closed.
Listen to Rodrigo Deem and Will Rees‘ brand-new ‘Miramar’ and its subsequent remix, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on Beatport. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Rodrigo Deem And Will Rees Unveil Two Scorching Takes On New Single ‘Miramar’ appeared first on EDMTunes.
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5 Can’t Miss Undercard Acts At Electric Forest 2025

In addition to a damn good party, the annual arrival of Electric Forest signals a great reunion of the disparate communities of the U.S. festival scene. 
Every June, tens of thousands of music lovers, from heady jam band fans and dubstep headbangers to house and techno heads, descend upon the four-night camping festival in Rothbury, Michigan, attracted by its woodland setting, enchanting art installations, and a breadth of musical performances that reflects the dynamic tastes of its melting pot of partygoers.
This year’s bill is no different, with headline sets spanning Justice’s operatic electro-disco, psychedelic acoustics from Khruangbin, a breakthrough hard techno headline from Sara Landry, wild bass vibrations from Zeds Dead, Liquid Stranger, Louis The Child, WORSHIP, and Of The Trees, and house heavyweights Disclosure, Vintage Culture, Cloonee, Mochakk, FISHER, Barry Can’t Swim, and Tiësto.
But while headliners sell tickets, the true DNA of any festival shines through in the undercard, and 2025 brings one of Electric Forest’s most eclectic casts of supporting acts to date. As we venture back into the woods for the festival’s return next week, June 19-22, read on for five undercard acts we’re particularly stoked to catch this year.
1tbsp
After catching acclaim with his Grammy-nominated alt-pop project, Golden Vessel, Australian musician Maxwell Byrne has been cooking up soaring indie-house beats under his club-focused alias, 1tbsp, since 2021.
Adding to a steady stream of dancey, lo-fi bangers, such as his soaring 2023 breakthrough, “No Nein,” and a horde of speedy, Latin-influenced club cuts from his 2024 album debut, megacity1000, the Brisbane-born artist’s latest EP, Hotel Living, explores sonic complexity with precision, contributions from cherry cola and DJ ADHD, and a whole lot of fun.
The result is a simultaneously cerebral and silly dancefloor feeling that we can’t wait to experience among the trees of Electric Forest on Saturday.
NOTION
As a global UK garage resurgence continues to pick up steam, NOTION has emerged as the latest fabled face of “NUKG,” blending pop, hip-hop, and R&B sensibilities into his buzzy, bass-bombed take on the UK-centric sounds of bassline house, garage, and drum & bass.
After years building a reputation as one of the British scene’s top producers, the Bristolian artist—real name Robert Penny—scored a global breakthrough last year with his viral remix of Chrystal’s “The Days,” a starry-eyed, nostalgia-laden UKG rework destined to soundtrack nearly 500,000 (and counting) combined videos on Instagram and TikTok. It officially went platinum in the UK last month.
But while his biggest hit is well known for its crossover appeal, NOTION’s catalog of official releases and bootlegs is also home to some of the most forward-thinking productions in garage. He’s even started a new project strictly for his deep bag of “Dance Dubs” that are the talk of the scene among fellow luminaries like Sammy Virji, Interplanetary Criminal, Conducta, and Ben UFO. We can’t wait to hear what he’s got in store next.
Jade Cicada
Jade Cicada has been one of bass music’s best-kept secrets for far too long. Over the last decade, the Massachusetts-hailing production prodigy—born Skyler Golden—has steadily carved out a name for himself as dance music’s premier peddler of trip-hop and experimental bass, with the invaluable cosign of other innovators like Mr. Carmack, Daily Bread, Machinedrum, and genre legend Tipper. 
The Berklee-educated musician is an equally renowned live set technician, seamlessly weaving alien bass tones, mechanical percussion, and complex, jazz-infused rhythms. After several years of sporadic performances, he has been back on the road regularly in 2025 and is climbing lineups at major festivals across the country. His latest Lunar Fade EP is a space bass dream.
After a big peak-day Saturday, we’re planning to burn the midnight oil and cut some crazy shapes to Jade Cicada’s funky beats.
Disclosure Friends & Family Takeover
While this next highlight is technically multiple acts, the slate for Disclosure’s Friends & Family takeover on Saturday night is too stacked not to mention.
In addition to delivering a headline DJ set as Disclosure, Guy Lawrence—one-half of the Grammy-nominated house duo alongside his brother Howard—will play B2B with Daphni, the experimental alias of Caribou visionary Dan Snaith, as part of a curated setlist of genre-mashing performances and rarely seen-pairings from Disclosure’s blossoming B2B-focused party series. 
Fans can also catch one of UKG’s hottest tickets in a B2B from ATW Records co-founders Interplanetary Criminal & Main Phase, bounce around with new-school trance favorites DJ Heartstring, and delve into the party-rocking club sounds of the 2010s as underground dance heroine Avalon Emerson links up with surging electroclash duo Fcukers.
Earlier in the day, expect a deep house clinic from Brazil’s Maz and Moroccan-born Beantown-based selector Ahmed Spins, as well as boundary-pushing bass frequencies from prodigious former OWSLA producer Alex Young’s experimental project, Villager, going B2B with UK heavyweight Pocket.

Confidence Man
Sometimes, a good sugar rush is just what you need, and Aussie electro pop group Confidence Man certainly delivers with their high-octane brand of poppy, hedonistic rave music. Fronted by the inimitable Janet Planet and Sugar Bones, the Brisbane-based four-piece and its deliriously fun live show have won over even the most serious clubbers on their decade-long ascent to global prominence.
After breaking onto the scene with their 2019 album debut, Confident Music for Confident People, the band has pumped out two more full-length albums and a bevy of remixes by and for underground electronic music’s biggest names, from DJ Seinfeld, Carlita, and Malugi and to Daniel Avery, Tame Impala, and Erol Alkan. 
As of late, the ballooning success of Confidence Man’s 2024 album, 3AM (LA LA LA), has spawned two ensuing deluxe editions, with remixes and collabs from Sweely, Eliza Rose, UK pioneers Orbital and even King Gizzard & The Lizard Wizard—so you know they’ve got a big bag of tunes. 
But a Con Man live set is truly a sight to behold. Featuring energetic, choreographed dances, drag queens, deadpan humor, and oddball theatrics, it should be a perfect match for Electric Forest’s curated Sunday Pride event in partnership with Jake Reniscow’s Dreamland events brand.
For more information or to purchase tickets to Electric Forest 2025, visit electricforest.com.
The post 5 Can’t Miss Undercard Acts At Electric Forest 2025 appeared first on EDM Maniac.
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5 Can’t Miss Undercard Acts At Electric Forest 2025

In addition to a damn good party, the annual arrival of Electric Forest signals a great reunion of the disparate communities of the U.S. festival scene. 
Every June, tens of thousands of music lovers, from heady jam band fans and dubstep headbangers to house and techno heads, descend upon the four-night camping festival in Rothbury, Michigan, attracted by its woodland setting, enchanting art installations, and a breadth of musical performances that reflects the dynamic tastes of its melting pot of partygoers.
This year’s bill is no different, with headline sets spanning Justice’s operatic electro-disco, psychedelic acoustics from Khruangbin, a breakthrough hard techno headline from Sara Landry, wild bass vibrations from Zeds Dead, Liquid Stranger, Louis The Child, WORSHIP, and Of The Trees, and house heavyweights Disclosure, Vintage Culture, Cloonee, Mochakk, FISHER, Barry Can’t Swim, and Tiësto.
But while headliners sell tickets, the true DNA of any festival shines through in the undercard, and 2025 brings one of Electric Forest’s most eclectic casts of supporting acts to date. As we venture back into the woods for the festival’s return next week, June 19-22, read on for five undercard acts we’re particularly stoked to catch this year.
1tbsp
After catching acclaim with his Grammy-nominated alt-pop project, Golden Vessel, Australian musician Maxwell Byrne has been cooking up soaring indie-house beats under his club-focused alias, 1tbsp, since 2021.
Adding to a steady stream of dancey, lo-fi bangers, such as his soaring 2023 breakthrough, “No Nein,” and a horde of speedy, Latin-influenced club cuts from his 2024 album debut, megacity1000, the Brisbane-born artist’s latest EP, Hotel Living, explores sonic complexity with precision, contributions from cherry cola and DJ ADHD, and a whole lot of fun.
The result is a simultaneously cerebral and silly dancefloor feeling that we can’t wait to experience among the trees of Electric Forest on Saturday.
NOTION
As a global UK garage resurgence continues to pick up steam, NOTION has emerged as the latest fabled face of “NUKG,” blending pop, hip-hop, and R&B sensibilities into his buzzy, bass-bombed take on the UK-centric sounds of bassline house, garage, and drum & bass.
After years building a reputation as one of the British scene’s top producers, the Bristolian artist—real name Robert Penny—scored a global breakthrough last year with his viral remix of Chrystal’s “The Days,” a starry-eyed, nostalgia-laden UKG rework destined to soundtrack nearly 500,000 (and counting) combined videos on Instagram and TikTok. It officially went platinum in the UK last month.
But while his biggest hit is well known for its crossover appeal, NOTION’s catalog of official releases and bootlegs is also home to some of the most forward-thinking productions in garage. He’s even started a new project strictly for his deep bag of “Dance Dubs” that are the talk of the scene among fellow luminaries like Sammy Virji, Interplanetary Criminal, Conducta, and Ben UFO. We can’t wait to hear what he’s got in store next.
Jade Cicada
Jade Cicada has been one of bass music’s best-kept secrets for far too long. Over the last decade, the Massachusetts-hailing production prodigy—born Skyler Golden—has steadily carved out a name for himself as dance music’s premier peddler of trip-hop and experimental bass, with the invaluable cosign of other innovators like Mr. Carmack, Daily Bread, Machinedrum, and genre legend Tipper. 
The Berklee-educated musician is an equally renowned live set technician, seamlessly weaving alien bass tones, mechanical percussion, and complex, jazz-infused rhythms. After several years of sporadic performances, he has been back on the road regularly in 2025 and is climbing lineups at major festivals across the country. His latest Lunar Fade EP is a space bass dream.
After a big peak-day Saturday, we’re planning to burn the midnight oil and cut some crazy shapes to Jade Cicada’s funky beats.
Disclosure Friends & Family Takeover
While this next highlight is technically multiple acts, the slate for Disclosure’s Friends & Family takeover on Saturday night is too stacked not to mention.
In addition to delivering a headline DJ set as Disclosure, Guy Lawrence—one-half of the Grammy-nominated house duo alongside his brother Howard—will play B2B with Daphni, the experimental alias of Caribou visionary Dan Snaith, as part of a curated setlist of genre-mashing performances and rarely seen-pairings from Disclosure’s blossoming B2B-focused party series. 
Fans can also catch one of UKG’s hottest tickets in a B2B from ATW Records co-founders Interplanetary Criminal & Main Phase, bounce around with new-school trance favorites DJ Heartstring, and delve into the party-rocking club sounds of the 2010s as underground dance heroine Avalon Emerson links up with surging electroclash duo Fcukers.
Earlier in the day, expect a deep house clinic from Brazil’s Maz and Moroccan-born Beantown-based selector Ahmed Spins, as well as boundary-pushing bass frequencies from prodigious former OWSLA producer Alex Young’s experimental project, Villager, going B2B with UK heavyweight Pocket.

Confidence Man
Sometimes, a good sugar rush is just what you need, and Aussie electro pop group Confidence Man certainly delivers with their high-octane brand of poppy, hedonistic rave music. Fronted by the inimitable Janet Planet and Sugar Bones, the Brisbane-based four-piece and its deliriously fun live show have won over even the most serious clubbers on their decade-long ascent to global prominence.
After breaking onto the scene with their 2019 album debut, Confident Music for Confident People, the band has pumped out two more full-length albums and a bevy of remixes by and for underground electronic music’s biggest names, from DJ Seinfeld, Carlita, and Malugi and to Daniel Avery, Tame Impala, and Erol Alkan. 
As of late, the ballooning success of Confidence Man’s 2024 album, 3AM (LA LA LA), has spawned two ensuing deluxe editions, with remixes and collabs from Sweely, Eliza Rose, UK pioneers Orbital and even King Gizzard & The Lizard Wizard—so you know they’ve got a big bag of tunes. 
But a Con Man live set is truly a sight to behold. Featuring energetic, choreographed dances, drag queens, deadpan humor, and oddball theatrics, it should be a perfect match for Electric Forest’s curated Sunday Pride event in partnership with Jake Reniscow’s Dreamland events brand.
For more information or to purchase tickets to Electric Forest 2025, visit electricforest.com.
The post 5 Can’t Miss Undercard Acts At Electric Forest 2025 appeared first on EDM Maniac.
View the full article
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Breakaway Festival Planting Its Flag in Alabama With The Chainsmokers, Kaskade and More

With their latest festival announcement, Breakaway is out to prove that even in the land of "Roll Tide" chants and roadside pecan stands, there's room for EDM.
The Heart of Dixie is getting a serious bass injection after the organizers of Breakaway, the nation's fastest-growing independent festival brand, announced the lineup of their first-ever Alabama edition. The fest lands October 3-4 at Huntsville's Orion Amphitheater & Apollo Park.
The inaugural Breakaway Alabama will be headlined by The Chainsmokers, Kaskade, SLANDER and Shaquille O'Neal, better known in the electronic dance music community as DJ Diesel. The undercard is also impressive, featuring Dr. Fresch, Matroda, Mary Droppinz, Snakehips, Brandi Cyrus and TWINSICK, among others.
Like any good Southern festival worth its salt, Breakaway Alabama champions local talent, as five local acts join 19 national touring artists across the festival's two nights. And as usual, the festival experience extends beyond music with The Launch Pad and a Silent Disco, while sponsors from CELSIUS to Cash App ensure attendees stay properly caffeinated and financially liquid.
Two-day GA, VIP & Ultimate VIP tickets are on sale now. You can check out the full lineup below.
Breakaway Festival
Follow Breakaway Music Festival:
X: x.com/breakawayfest
Instagram: instagram.com/breakaway
TikTok: tiktok.com/@breakawayfest
Facebook: facebook.com/breakawayfestival
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Looking to Break ‘Into Every Dimension of Entertainment and Consumer Life,’ Universal Music Launches Diversification-Focused JV With Patrick Whitesell

Universal Music Group head Lucian Grainge. Photo Credit: UMG
Time to kick IP monetization up a notch? Universal Music Group and Patrick Whitesell’s WTSL have officially launched a joint venture designed to unlock “new commercial pathways.”
The major and the Silver Lake-backed investment firm unveiled that JV today, with plans in place to spearhead growth “outside traditional recorded music and music publishing.” Though time will tell exactly what this entails, the companies intend to zero in on film, TV, fashion, consumer products, brands, and more.
Hardly confined to once-off initiatives, the multifaceted efforts will prioritize “owned, repeatable, and equity-driven ventures rooted in creative identity,” the involved parties spelled out.
The same parties also touched on the reach of the major’s current roster and catalog. Not expressly mentioned in the announcement, however, are the sizable sums that UMG and a number of others have dropped on music IP in recent years.
Needless to say, these buyers are eager to recoup their investments. And to put it mildly, today’s diversification push appears comparatively well-positioned to fuel fresh revenue streams and enhance the underlying music’s value without alienating diehard supporters.
“This is about building the future of artist IP with the scale and ambition it deserves,” added the WME co-founder Whitesell. “Universal Music Group represents the most powerful collection of music and artists anywhere in the world. Together, we’ll explore new ways to extend that cultural force into every dimension of entertainment and consumer life—creating lasting business value while keeping music at the center.”
In remarks of his own, Universal Music head Lucian Grainge – whose company previously partnered with Authentic Brands Group – touted the tie-up’s perceived monetization potential.
“We exist at the center of a vibrant ecosystem of partners from the worlds of technology, brands, retailers and media who recognize the power of our artists to shape culture globally,” weighed in Grainge.
“With this new venture we will be able to leverage Patrick’s deep experience in successfully creating non-traditional business models with world-class IP to accelerate the expansion and monetization of our ecosystem to the benefit of our artists and partners,” he proceeded.
The Financial Times stopped short of attaching a firm valuation to the agreement – while highlighting Grainge’s goal of replicating projects such as ABBA Voyage.
On this front, Universal Music certainly isn’t alone in working to chart non-streaming monetization paths.
Looking to build on ABBA Voyage’s success, Pophouse Entertainment is teeing up a KISS avatar band – and, in coordination with the aforementioned Authentic Brands Group, possibly different hologram experiences yet.
Meanwhile, Primary Wave, which has scooped up NIL rights in many of its IP investments, is likewise pulling out all the monetization stops. Just in passing, those moves encompass Whitney Houston slot machines, a Bob Marley immersive experience in Vegas, and even a rumored Notorious B.I.G. Broadway production.
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Joe Rogan Claims Two Former Presidents Reached Out to Spotify Over His COVID Commentary

Photo Credit: JRE
Joe Rogan claims that two unnamed former presidents contacted Spotify regarding his COVID commentary on ‘The Joe Rogan Experience’ podcast.
The disclosure came amid ongoing debates about misinformation and content moderation on major media platforms. Spotify faced significant backlash for hosting Joe Rogan’s podcast, which critics accused of spreading misinformation about the pandemic. Musician Neil Young protested by removing his music from Spotify, citing Joe Rogan’s remarks about COVID-19 as the reason.
“Suddenly I hear that Neil Young wants me off Spotify. I was like ‘What the heck is happening? This is absurd,’” the comedian and podcast host said at the time. Rogan recently claimed that Spotify also received calls from two former presidents expressing concern over the content on his weekly podcast.
Rogan criticized mainstream media outlets for their coverage of his podcast, especially him discussing the use of ivermectin in his own COVID-19 treatment regimen. Rogan dismissed media reports that labeled the drug as ‘horse dewormer’ and said it was essential in his recovery from the COVID Delta variant. Rogan then criticized the media as corrupt and profit-driven.
Despite the COVID controversy, the attention on the Joe Rogan Experience podcast had a Streisand effect. His JRE podcast gained two million new subscribers within a month. He also argued that many listeners found his approach reasonable and ‘humble,’ since he was asking questions rather than ‘regurgitating mainstream narratives.’
Spotify responded to the backlash, with CEO Daniel Ek stating that his company would not alter its policies based on pressure from media frenzy. Despite that, Spotify did remove several episodes of the JRE podcast from its streaming platform—which Digital Music News cataloged at the time. Rogan has not revealed which former presidents contacted the media company—but that hasn’t stopped speculation from circulating online. The JRE podcast remains the most popular podcast available on Spotify to this day, despite the early controversy.
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