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Today, Italy’s globally acclaimed Kappa FuturFestival has unveiled its phase one artist lineup ahead of its 12th edition returning to Parco Dora, Torino on July 4-6, 2025. Kappa FuturFestival remains one of the world’s most celebrated electronic music events, connecting the many facets of Italian culture to the past, present, and future of the genre’s foremost flag bearers.
Phase One Featuring Adam Beyer B2B Maceo Plex, Alignment, Anyma, Artbat, Caribou Live, Carl Cox Live, Charlotte De Witte, Dixon, DJ Stingray 313 B2B Helena Hauff, Francesco del Garda B2B Ben UFO, Joe Claussell B2B Ron Trent, Miss Monique, Nico Moreno, Nina Kraviz, Ogazòn B2B Ryan Elliott, Paco Osuna, Reinier Zonneveld, Seth Troxler, Shlømo, Skream B2B Prospa, Vintage Culture B2B Beltran + More

Kappa FuturFestival’s initial lineup continues to shine a light on the festival as a melting pot of leading international world class talent, with the first round of acts consisting of exclusive back to back sets, global headliners, next generation risers, and an overall wide ranging diversity of selectors.
The lineup is spearheaded by the legendary Carl Cox, a Kappa FuturFestival stalwart who returns for his 9th appearance with his Live set in tow alongside fellow Futur favorite Seth Troxler who makes his 8th appearance. The lineup also boasts Belgian techno powerhouse and KNTXT label head Charlotte de Witte, techno titans Adam Beyer B2B Maceo Plex, Anyma who returns following last year’s Voyager stage triumph, and the visionary Nina Kraviz who set the Solar stage ablaze last year.


Kappa FuturFestival also welcomes several acts making their debut at the festival in 2025, including Italian powerhouse Alignment, Ukrainian duo Artbat, Detroit’s DJ Stingray 313 going B2B with Helena Hauff, the eclectic Caribou Live, and Germany’s Binh, celebrating 10 years of his Time Passages label. Additional highlights include the influential scene veteran DJ Hell, industrial techno riser Fantasm, and back to backs from Francesco Del Garda B2B Ben UFO, Cloudy B2B Novah, Airod B2B Anxhela, and Ogazòn B2B Ryan Elliott – a worldwide exclusive for the festival.
Kappa FuturFestival continues to reign as the biggest electronic music festival in Italy and has cemented its standing as a leading name in the European summer festival calendar. For its 2024 edition, the event sold 115,000 tickets and attracted audiences from 157 different nations, contributing to one of the most successful years in the festival’s history. Across its five stages, the festival boasted over 36 hours of music, 13 after parties, and 125 different artists – all helping to generate over 25 million Euros for Torino’s economy.


The phase one lineup is rounded out by Adiel B2B Quest, Azyr, Dixon, Donato Dozzy, Fleur Shore, Joe Claussell B2B Ron Trent, Kevin de Vries, Miss Monique, Nico Moreno, Paco Osuna, Reinier Zonneveld, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, and YOUniverse, with many more names forthcoming.
Stay tuned for more lineup names to be announced in 2025, plus details on the acclaimed Art & Techno experience. Fans can catch up on some of the festival’s past highlights with over 14 exclusive DJ mixes recorded live at the festival available now on Apple Music including sets from The Blessed Madonna, Tiësto, Adam Beyer, Seth Troxler, WhoMadeWho and more. 2024 live sets from Tiësto, LP Giobbi, and Nina Kraviz are also available now on YouTube with more coming soon.

All early bird tickets for Kappa FuturFestival 2025 have already sold out, however 3-Day General Admission tickets are currently on sale now at the link here. For more information on Kappa FuturFestival, visit the official website here.
Kappa FuturFestival 2025 – Phase One Lineup
Adam Beyer B2B Maceo Plex
Adiel B2B Quest
Airod B2B Anxhela
Alignment
Anyma
Artbat
Azyr
Binh
Caribou Live
Carl Cox Live
Charlotte De Witte
Cloudy B2B Novah
Dixon
DJ Hell
DJ Stingray 313 B2B Helena Hauff
Donato Dozzy
Fantasm
Fleur Shore
Francesco del Garda B2B Ben UFO
Joe Claussell B2B Ron TrentMiss Monique
Kevin de Vries
Nico Moreno
Nina Kraviz
Ogazòn B2B Ryan Elliott
Paco Osuna
Reinier Zonneveld
Seth Troxler
Shlømo
Skream B2B Prospa
Tini Gessler
Vintage Culture B2B Beltran
YOUniverse
Parco Dora in Torino, Italy | July 4-6, 2025
Tickets On Sale Now https://www.kappafuturfestival.it/tickets
The post Kappa FuturFestival Announces 2025 Phase One Lineup appeared first on Electric Mode.
Ravebot
DLDK (Don’t Let Daddy Know) is set to make its grand return to Madrid on February 8, 2025, bringing with it a night that promises to be nothing short of spectacular.
The event will feature an electrifying line-up of globally renowned artists. Headlining the night are Dimitri Vegas, Matisse & Sadko b2b Third Party, Morten, Nervo, Oliver Heldens, and Robin Schulz. Each artist is known for their dynamic performances and chart-topping hits, ensuring an unforgettable experience for attendees.
In addition to the stellar line-up, the event will showcase state-of-the-art production that DLDK is famous for. Attendees can expect stunning visuals, explosive beats, and a high-energy atmosphere that will transform the heart of Madrid into a pulsating dance floor.
This epic gathering of world-class talent is one of the most anticipated events on the electronic music calendar, and tickets are already on sale here. With demand expected to be high, fans are encouraged to secure their spots early.
Ravebot
1/ST is bringing electronic dance music(EDM) to Thoroughbred horse racing in 2025 with Black Coffee and Diplo. The 2025 Pegasus World Cup will take place on Saturday, January 25, 2025, at Gulfstream Park, Hallandale Beach, FL. The event will include luxury and lifestyle experiences, celebrity attendees, top-tier hospitality, wagering, and some of the best Thoroughbred racehorses and jockeys. 1/ST has partnered with David Grutman’s Groot Hospitality and Kygo‘s Palm Tree Crew for this event. The 3 main events will be:
$3 million Pegasus World Cup Championship Invitational (GI) $1 million Pegasus World Cup Championship Turf Invitational (GI) $500,000 Pegasus World Cup Filly & Mare Turf Invitational (GII) The 2025 Pegasus Experience
In detail, the experiences involved will consist of a reimagined trackside experience at Gulfstream Park’s Carousel Club. They will offer VIP access, live entertainment, post-race performances, and more. Belinda Stronach, Chairman and CEO of 1/ST, emphasized the event as one of South Florida’s leading luxury and lifestyle events. Especially, with the collaboration with Groot Hospitality and Palm Tree Crew to bring unique experiences and performances. The Palm Tree Crew with LIV VIP experience will feature complimentary drinks, bites, and access to a new trackside viewing area. These guests will be able to enjoy Whispering Angel, the official rosé of the 2025 Pegasus World Cup. Also, the exclusive Flamingo Room will offer a premium dining experience.
PWC 2024 – Eclipse Sportswire To top things off, this year the horse races will feature EDM sets from multiple world-famous artists like Black Coffee, Diplo, and more. In the past, the Pegasus World Cup has had performances from artist such as Calvin Harris (2024); Joe Jonas, OneRepublic and Kygo (2023); Lil’ Kim, Ja Rule, Mase, El Debarge and DJ Cassidy (2022); Nelly and T-Pain (2020); Snoop Dogg and Mark Ronson (2019); Post Malone (2018); and Thomas Rhett (2017).
TV Broadcast
The 2025 Pegasus World Cup will be broadcast live on NBC/Peacock on Saturday, January 25, from 4:30 – 6:30 P.M. EST. Full-day coverage is available on FanDuel TV and in Spanish on HIPICA TV. The Pegasus World Cup will also be distributed globally in partnership with HBA Media. So, wherever you are, there is a way to listen to Black Coffee and Diplo’s sets.
Tickets
Tickets for the 2025 Pegasus World Cup range in price from $125 to $1,619, with unparalleled entertainment and incredible views of the action throughout the venue at every ticket level. Individual VIP ticket offerings include the Carousel Club VIP (starting at $550), Ten Palms (starting at $600), Flamingo Room (starting at $1,000), and the Garden at Carousel Club (starting at $900). Purchase tickets before they sell out at www.pegasusworldcup.com.
Not satisfied? For the ultimate experience, a limited number of VIP Tables in the Garden at Carousel Club and Private Suites (featuring private terraces overlooking the track) are available by contacting [email protected]. 

The post Pegasus World Cup Combines Horse Racing with Black Coffee & Diplo appeared first on EDMTunes.
Ravebot
From learning the ropes as a teenager to performing on some of the biggest stages globally, MITCH DB’s journey is one of passion, persistence, and creativity. Known for his signature high-energy sound and engaging live performances, the Amsterdam-based DJ and Producer has steadily built a name for himself on the Electronic Music scene, remaining motivated and committed to sharing his music with listeners worldwide, whether through unique studio productions or immersive live DJing sets.  
Today, he joins us for this exclusive interview to reveal more about his career within Electronic Music; diving into his musical beginnings, pivotal moments in his story, and his vision for the future, we gain insight into his journey, evolution and the path that lies ahead for MITCH DB. 
Hi MITCH DB, how are you? 
I am doing great, thank you! Thanks for having me on this interview! 
To start, can you share what initially drew you to music? Can you recall your earliest musical memory?  
That’s a great question! My love for music began when I was very young. Around the age of 7/8, I received my first DJ lessons from my sister’s boyfriend. He introduced me to the process, and I found it fascinating. However, I didn’t pursue it further until I was about 16/17. At that point, I often went out with friends who were DJs and performed at their shows. By the time we were 18/19, I had become their tour manager, travelling across the country with them for gigs. 
This experience deepened my passion for music. One day, while talking with one of my closest friends, one of the DJs, he decided to teach me how to play. He showed me the basics, and I borrowed his small DJ controller, a CDJ 350. It had no waveforms, so I had to listen carefully to the music to learn. 
After countless hours of practising in my bedroom, I decided to enter a DJ contest at a local club. Out of eight participants, I placed fourth. Even though I didn’t win, the owner of the venue recognized potential in my sets. He offered me the chance to play at his bar on weekends, from 9 PM (when the bar staff arrived) until 11 PM (when the first DJ started). He allowed me to use the professional equipment there, giving me valuable practice time. 
After a year of playing every Friday and Saturday night, I started getting invitations to perform at other shows. That period marked the true beginning of my journey in music, and I still remember those early experiences as if they happened yesterday. 
How did your breakthrough year in 2018 shape your path as an Artist? 
2018 was a pivotal year for me, and it didn’t come easy. It was all about hard work, constant hustling, and having the right support from the people around me. That year, I entered another contest, this time for a chance to perform at Dance Tour, a major festival. I ended up winning first place, which was a game-changer for my career. It gave me the opportunity to perform at the festival in front of 10,000 people, alongside some of the biggest artists in the Netherlands. 
I also decided to invest in a photographer, which turned out to be a smart move. I walked away from the festival with over 300 photos that I used to market myself on Instagram. This boosted my visibility and opened up new opportunities. Soon after, more clubs started reaching out to book me for performances. 
By the end of the year, I landed two international gigs: a pool party in Thailand and a month-long residency in Bulgaria for 2019. Winning that contest in 2018 and performing on such a big stage truly set the foundation for my growth as an artist. 
Was there a specific turning point that led you to transition from DJing to producing, and how did it shape your journey? 
Absolutely, there was a turning point! Early in my career, I primarily focused on creating mixtapes, which I shared on SoundCloud. I was also experimenting with FL Studio, learning how it worked, but the music I made during that time was mostly for personal use and never released publicly. 
The real shift happened during the COVID pandemic when everything shut down, and live shows were no longer an option. With more time on my hands, I started focusing heavily on producing. I created remixes, edits, and mashups for myself and began sharing them on SoundCloud. This turned out to be a great move, as these creations helped me grow my name in the industry. To this day, those releases have collectively garnered tens of millions of streams. 
While the pandemic was a difficult time, it gave me the opportunity to explore and define the direction I wanted to take with my music. Coming out of the COVID period, I felt stronger and more focused. By 2022/2023, I began collaborating with Soave Records, marking a new chapter in my journey as an artist. 
How would you describe your signature style? Which artists have been most influential in shaping your sound? 
My signature style during a show is super energetic, with a strong focus on engaging the crowd. I love creating an atmosphere where people feel connected to the music and each other. This energy also carries into the music I release. I always aim to create tracks that make people sing, feel happy and let them move. 
This combination of my DJing style and production approach gives every release and live performance a unique and personal touch. It’s all about bringing positive energy and creating moments people won’t forget. 
Can you tell us about your live performances? What’s been the most unforgettable moment you’ve had on stage so far? 
Live performances are my absolute favorite part of being an artist. There’s nothing like meeting the people and fans who listen to my music in real life. Online numbers don’t really capture the feeling, but seeing their faces and energy in person makes it so much more meaningful. 
I’ve had many unforgettable moments on stage, but my favorite one of 2024 has to be my first performance at Space Plus in Bangkok, ranked the number 46 club in the world by DJ Mag. The Thai people always give me such a warm and welcoming feeling, it’s like being at home, even though I’m on the other side of the world from Amsterdam, where I’m from. 
What made this night truly special was the energy of the crowd. From the moment I started my set, people were in front of the stage, fully engaged, and they kept that energy going throughout the entire performance. It was unreal! Add to that the iconic status of the venue, with its incredible atmosphere and a capacity of 2,000 people, it’s easily one of my favorite places to perform in Asia. 
What impact has working with Soave Records had on your career and sound? 
Soave Records has had, and continues to have, a huge impact on my career. They were the first to truly believe in me and recognize my potential. After spending two years during the COVID period developing my skills, and releasing countless unofficial remixes and edits on my SoundCloud, we decided to collaborate and focus on releasing mostly covers. 
Working with Soave has opened so many opportunities for me. They’ve connected me with other talented Soave artists, which has helped me grow both as a producer and as an artist. Their support has played a major role in shaping my sound and taking my career to the next level. 
How do you see the landscape of Electronic Music evolving, and how do you envision your role in its future? 
I see a lot of movement in the Electronic Music scene, and I’m definitely evolving with it. I believe it’s crucial to keep developing myself in line with the industry while staying true to my own style. This doesn’t mean I need to change who I am, but it’s important to adapt and incorporate trends that align with the vision of MITCH DB. 
It’s all about staying aware of what’s happening in the scene, shaping my unique sound for the future of Electronic Music, and at the same time, keeping in touch with what my fans want to hear from me. 
What role do collaborations play in shaping your creative process and pushing your artistic boundaries? 
Working with other artists inspires me a lot. I often collaborate with the same artists, which works really well because we share the same passion and support each other whenever one of us gets stuck. It’s a dynamic that keeps the creativity flowing. 
At the same time, working with artists I’ve never collaborated with before is always a unique and exciting experience. Building something together allows for fresh ideas and new perspectives. I’m often surprised by the final result, it’s completely different from a solo release. Having two or three additional creative minds involved can take the music in a direction I wouldn’t have imagined on my own. 
Finally, what are your ultimate goals as a DJ and Producer, and how do you plan to achieve them? 
My goal is to make people all over the world happy with my music. My ultimate goal is to convert this into worldwide shows, giving every fan the opportunity to experience a unique MITCH DB live performance. I want to go the extra mile for every show, delivering a full experience with stunning visuals, light shows, and SFX to create magical moments and unforgettable memories for everyone who attends. 
How do I plan to achieve this? My team and I are fully committed to reaching this goal. We’ll bring maximum energy to every new release and live performance in the coming year, ensuring we deliver on this vision and continue to connect with fans around the globe. 
As we wrap up our conversation with MITCH DB, it is clear that his drive and dedication continue to fuel his pursuit of success. With a strong foundation and an ever-evolving sound, he remains focused on delivering music that resonates both from the studio and on stage, promising more exciting plans next. As he remains passionate about connecting fresh audiences with his signature sound and unique energy, MITCH DB’s story is surely one to watch, following him across social media to keep up with his latest news, releases and performances. 
MITCH DB Online    
Spotify | Instagram | Website   
The post MITCH DB’s Musical Journey: High-Energy Sets, Breakthrough Moments, and Future Plans appeared first on EDMTunes.
Ravebot
TikTok, the popular media platform known for its short-form videos, is facing a potential ban in the United States. In a bold move, TikTok has taken its case to the highest court in the land, appealing to the U.S. Supreme Court for a temporary pause on a law that could see the app banned if it is not separated from its parent company, ByteDance. This legal battle raises important questions about free speech, the power of the government to regulate technology, and the future of social media.
On December 16, TikTok filed an emergency motion with the Supreme Court, arguing that the law in question, the Protecting Americans from Foreign Adversary Controlled Applications Act, infringes on the First Amendment rights of its users. By invoking the First Amendment, TikTok is challenging the government’s authority to regulate the app based on national security concerns. This legal maneuver sets the stage for a high-stakes showdown between a tech giant and the U.S. government.
With over 170 million monthly active users in the U.S., TikTok has become a cultural phenomenon, especially among young people. The potential ban of the app would have far-reaching consequences for its users, content creators, and the broader social media landscape. The outcome of this legal battle could shape the future of online expression and the relationship between technology companies and government regulators.
The First Amendment Argument
One of the key arguments put forth by TikTok in its appeal to the Supreme Court is the protection of free speech guaranteed by the First Amendment. By framing the ban as a restriction on speech, TikTok is challenging the government’s rationale for targeting the app. The company’s lawyers argue that Congress has overstepped its authority by singling out TikTok for punitive measures based on its Chinese ownership.
The First Amendment has long been a cornerstone of American democracy, enshrining the right to free expression and the freedom of the press. By invoking this constitutional principle, TikTok is positioning itself as a defender of free speech rights in the face of government censorship. The outcome of this legal battle could have significant implications for the future of online speech and the ability of tech companies to operate without government interference.
At the heart of the First Amendment argument is the question of whether the government has the authority to regulate social media platforms based on national security concerns. TikTok’s appeal to the Supreme Court raises important questions about the balance between security and free speech in the digital age. The outcome of this case could set a precedent for how the government interacts with technology companies and regulates online content.
The Impact on Users and Content Creators
Charli D’Amelio – One of the most-followed accounts on TikTok Beyond the legal arguments, the potential ban of TikTok has significant implications for its millions of users and content creators. For many young people, TikTok has become a primary source of entertainment, creativity, and social connection. The loss of the app could disrupt their online communities and limit their ability to express themselves through video content.
Content creators, who have built careers and followings on TikTok, could also face financial and professional setbacks if the app is banned. Many influencers rely on TikTok as a platform to reach audiences, collaborate with brands, and generate income. The uncertainty surrounding the app’s future could have a chilling effect on the creative economy and the livelihoods of those who depend on social media for their work.
The potential ban of TikTok also raises questions about the diversity of voices and perspectives on social media. As a platform that has attracted a wide range of content creators from different backgrounds, TikTok has been celebrated for its inclusivity and accessibility. The loss of the app could narrow the online landscape and limit opportunities for underrepresented voices to be heard. The outcome of this legal battle could shape the future of online content creation and the ability of diverse voices to thrive in the digital space.
The Future of Social Media Regulation
The legal battle between TikTok and the U.S. government underscores the challenges of regulating social media in the digital age. As technology companies become increasingly influential in shaping public discourse and culture, governments around the world are grappling with how to balance the benefits of social media with the risks of misinformation, privacy violations, and foreign influence.
The outcome of the TikTok case could set a precedent for how governments regulate technology companies and protect national security interests. The debate over the balance between security and free speech is likely to continue as new technologies emerge and online platforms evolve. The legal battle between TikTok and the U.S. government is just one example of the complex relationship between technology companies, governments, and users in the digital age.
As the case makes its way through the legal system, the future of TikTok hangs in the balance. The outcome of this legal battle could have far-reaching implications for the future of social media, free speech rights, and the relationship between technology companies and government regulators. The stakes are high, and the decision of the Supreme Court could shape the future of online expression for years to come.
The post TikTok Asks Supreme Court to Block U.S. Ban appeared first on EDMTunes.
Ravebot
With the forthcoming release of The Element‘s latest EP, “Flames of Emotions,” UNSEEN Records once more shown its dedication to stretching aural limitations. This two-track wonder is a deep investigation of sound, emotion, and the careful balance between light and dark as much as a musical release.
The EP starts with the title song, “Flames of Emotions,” which instantly carries listeners into a world of ethereal complexity. From the opening seconds, the song creates a complex atmosphere with both lovely and disturbing quality. Haunting vocals create a musical experience that is both exhilarating and somewhat frightening as they thread through sharp, energizing rhythms.
The work has amazing technical mastery with practically living energy in dynamic progressions that seem to pulse and breathe. Every layer of sound is painstakingly created to guarantee the tune stays in the listener’s awareness long after the last notes fade.
The whole 2-track EP Flames of Emotions
Maintaining the EP’s central atmospheric intensity, the second track, “From Within,” adopts a quite different approach. The music is set to be an instant favorite in underground techno venues with a powerful, percussive rhythm and fluttering beats. Its dark, edgy undertones lead dancers into a spiraling trip into a trance-like condition.

This song distinguishes itself by skillful balancing of simple intensity with complex emotional depth. The Element has expertly combined their signature approach with a strong, almost spectral intensity to turn the tune from a simple dance number into a very immersive experience.
“Flames of Emotions” is a statement about the possibilities of techno as an art medium rather than only a musical release. The Element asks listeners to experience music as an emotional landscape rather than only sound by combining ghostly vocals, intricate atmospheric layers, and exact rhythmic rhythms.
UNSEEN Records keeps proving why electronic music world considers it as a cutting-edge label to be innovative. This record highlights their dedication to musicians who are ready to blur boundaries, experiment, and produce songs that really, almost psychologically speak to you.
“Flames of Emotions” is a must listen for anybody looking for a techno experience outside conventional dance music. Inviting listeners to lose themselves in its complex, eerie soundworld, it promises to be among the most mysterious and captivating releases of the year.

The post The Element drops ‘Flames Of Emotions EP’ on UNSEEN appeared first on The Groove Cartel.
Ravebot
Among the influential artists responsible for pushing neurofunk, Agressor Bunx truly is a household name, if not for years already. 
It’s even safe to say the forward-thinking Ukrainian duo has played a pivotal role in shaping the sound of the subgenre throughout roughly 12 years of involvement – their releases so far, after all, total to a staggering amount of more than 40 EPs and four albums.
A recent migration to Poland, followed by a mandatory visit to a drum and bass event in KrakĂłw, called Neurodydaktyka, meant being reintroduced to their highly energetic sound and stellar deck-craft. This called for a round of questions about their current situation and mindset.
There’s plenty to discuss as well. Agressor Bunx’ most recent EP, Chasing the Horizon, was recently released on Eatbrain, marking their tenth EP on the renowned label founded by Jade. Besides, the last interview on UKF with the duo dates back more than eight  years, and a lot has happened since then. 
What’s more- the current situation for the scene in Ukraine, and how they have been dealing with the challenges involved, deserves attention. So without further ado, read on to hear their take on these matters.
It’s been eight years, since the last time you spoke with UKF – what would be the proudest achievement for you both during those years?
Both: We were able to do a ton of work during these years in terms of producing and the DJing part, too. Meanwhile, we have had an opportunity to release on almost all the famous
Neurofunk labels, like Ram Records, Eatbrain, Blackout, Bad Taste and others. 
On top of that, we made remixes for, and did collaborations with, many respected producers, like The Upbeats, Audio, Black Sun Empire. We also got the chance to play on the biggest European Festivals like Let It Roll and Rampage.
The tenth EP release on Eatbrain – Chasing The Horizon – arrived in November. Congratulations on that milestone. Can you tell us more about the creative process behind it. What really stands out in terms of the approach to make this one?
Nick: Our Last EP was difficult for us to make, because we were spending a lot of time on travelling to gigs. These trips often took something like 30 to 40 hours in just one direction. So we decided to spend this time on making music. It was far from comfortable, but it gave us huge inspiration to do so, while being on the road.
This EP still is only a small part of the dozens of releases you’ve done as Agressor Bunx. How do you manage to keep evolving and pushing creatively after all these years?
Alex: We try to analyse everything that’s going on in drum and bass culture, especially Neurofunk scene, because it develops every day, and you must be informed about new trends and what people recognise.
Working together as a duo – how does it help in terms of coming up with new things?
Nick: Actually, it is really simple. Because, music for us is not only a job or hobby; it is our life and passion. We both try to make our own idea of a track, which gives us the opportunity to make totally different content simultaneously. And we also start to work on new tracks separately, but always end up finishing them together. It helps us to maintain our ‘AB approach’.
What’s the best advice you can give based on your experience as a producer duo to other aspiring duo producers in the scene.
Both: In our opinion, the most important thing is creativity. It’s about trying to put some unique things inside your project together. Also, really focusing on the quality of the mix down is key – it gives you better quality production. Staying active on social media is also essential.
It’s been a while since the last album, Ensuing Cataclysm, was released. Can we expect another one anytime soon? What can you tell us about the plans to release another one?
Alex: It would be a great idea for 2025. But let’s see…
So what’s next for Agressor Bunx in terms of upcoming releases?
Both: We already planned some new releases on couple of labels, but it will remain a secret for now!
A subject that deserves to be addressed: the war in your country has been ongoing for more than 1000 days. Political matters aside – how has the ongoing war in Ukraine impacted the drum and bass scene in the country.
Alex: The war has affected the scene really hard, due to different reasons. A lot of people can’t afford to have fun, go to the parties, or even eat. And then there are moral reasons not to be partying, because a lot of people are dying in another part of the country.
There are also missile attacks on power plants. There is a curfew in Ukraine and promoters are forced to hold daytime parties. It’s a big risk to host and not to lose money while doing so. But still, some promoters keep doing it to support the drum and bass culture in Ukraine.
Can you describe how the party scene has responded to these ongoing challenges.
Nick: People are positive, stay strong and just waiting for the end of war.
Have there been any significant changes in the way music is produced and distributed during wartime?
Alex: Not really, just some small things like no electricity sometimes, air alarms etc.
How have the challenges of the war influenced the creativity and output of Ukrainian drum and bass artists?
Nick: In the first year of war, it was almost impossible to make music, but life continues and people eventually learn to adapt.
How has the war personally affected you as artists and individuals?
Both: On a personal level, we began to value our lives more and started to pay more attention to our family and friends. As for the artist part – we try to spend all of our free time for music creation, and spread awareness about the Ukrainian situation.
How does the war influence the way you travel abroad to play events?
Nick: At first it was difficult, because we could not go abroad. Once we started to travel, it was hard to grasp the massive difference between Ukrainian situation inside the country and the one in peaceful Europe. But eventually you accept it and continue to do your job.
Has the experience of living through war influenced your music and creative processes?
Nick: Totally, the emotional changes and stress actually give you more inspiration to create some ideas.
What are your hopes for the future of the Ukrainian drum and bass scene?
Alex: We hope that after the war in Ukraine, people will start living a normal life again, and be able to listen to their favourite music and go to parties. It will help the drum and bass scene to develop and grow. There will also be an opportunity to invite more international artists and host some festivals.
Are there any specific initiatives or projects you want to highlight that support the scene’s recovery and growth in Ukraine and deserve support?
Alex: For now, in Ukraine we have promo groups, like: Funkmasters, Hovanka, Sounds of Ukraine (based in London, UK). Big respect to them for their work in these hard times. We would like to see more activity from other promo-groups, though.
Lastly, what message do you want to convey to your international audience through your music and performances?
Nick: Just have fun, appreciate every moment of your life, value the creativity and enjoy it to the fullest.
Follow Agressor Bunx: Soundcloud/Facebook


Ravebot
In the electrifying world of electronic dance music, Axwell stands out as a luminary, his journey marked by Grammy nominations and a unique sound that resonates across dance floors. A pivotal member of the legendary Swedish House Mafia, Axwell has been instrumental in defining the progressive house scene, particularly in the early 2010s, with the group’s albums ‘Until One’ and ‘Until Now’ achieving platinum status. As a solo artist, Axwell‘s creative prowess shines through in hits like ‘What a Wonderful World’ and the iconic remix of ‘In My Mind’. On his 47th birthday, we delve into a musical odyssey, exploring Axwell‘s top 10 tracks, each a testament to his enduring influence in the music world.
10. Leave The World Behind with Steve Angello, Laidback Luke, Sebastian Ingrosso – 75m Spotify streams
9. On My Way with Sebastian Ingrosso – 78m Spotify streams
8. Dancing Alone with Sebastian Ingrosso & ROMANS – 78m Spotify streams
7. Something New with Sebastian Ingrosso – 119m Spotify streams
6. I Love You with Sebastian Ingrosso & Kid Ink – 137m Spotify streams
5. In My Mind (Mix) with Ivan Gough and Feenixpawl – 149m Spotify streams
4. Tell Me Why with Steve Angello – 157m Spotify streams
3. Dreamer with Sebastian Ingrosso – 272m Spotify streams
2. Sun Is Shining with Sebastian Ingrosso – 389m Spotify streams
1. More Than You Know with Sebastian Ingrosso – 1.4b Spotify streams
‘
Ravebot
Renowned DJ and tastemaker Eli Brown is back with 92 Thing Capsule 2, the latest drop in his innovative streetwear collection. Rooted in Bristol’s underground sonic scene of 1992, Eli’s line captures the rebellious spirit and audacious style of the era that shaped both his artistry and the UK’s electronic revolution catering to fans who crave authenticity and style.
The 92 Thing Capsule 2 collection builds on the momentum of the first drop, showcasing elevated designs that marry functionality with statement-making appeal. Rooted in streetwear’s raw energy, the pieces include oversized hoodies, graphic tees, and versatile outerwear, each adorned with distinct, minimalistic branding and dynamic graphics. Brown’s vision reflects a nod to ‘90s subculture influences while incorporating a contemporary twist that aligns perfectly with today’s urban fashion trends.
More than just apparel, Eli Brown’s 92 Thing is an extension of his creative persona, seamlessly merging music and street style. It resonates with a generation that values self-expression and individuality, providing wearable art that feels effortless yet impactful.
With limited drops adding to the collection’s exclusivity, Capsule 2 is already creating waves among streetwear aficionados and Eli’s loyal following. From underground music venues to city streets, the collection is poised to become a staple in the wardrobes of those seeking authenticity and edge.
Eli Brown’s 92 Thing Capsule 2 isn’t just fashion—it’s a movement. Don’t miss the drop and head over to 92 Thing Official Website.
The post Eli Brown’s 92 Thing Capsule 2: A Fresh Drop appeared first on EDMTunes.
Ravebot
Armin van Buuren has released this year's "A State of Trance Year Mix 2024," reinforcing his standing as one of the genre's most influential flag-bearers.
Now in its 21st iteration, the mix show continues to serve as a sweeping narrative of trance's evolution. Featuring 113 meticulously curated songs, the 2024 mix opens with a stirring introduction narrated by Moby, whose words encourage listeners to embrace the transformative power of the genre.
Armin van Buuren's own productions shine throughout, including the "Club Mix" of his collaboration with Goodboys, "Forever (Stay Like This)," which reimagines the radio-friendly original hit with soaring synths to fit seamlessly within the mold. Other standout cuts include Ben Gold’s "Diving Faces," a stomping, euphoric track brimming with uplifting energy, contrasted with the weightier Kolonie remix of Paul van Dyk’s classic “For An Angel,” which breathes new life into a timeless anthem.
The versatile track selection appropriately captures the true qualities of trance: timeless, dynamic and ever-evolving. Beyond showcasing his own versatility, van Buuren uses the mix to celebrate the genre's diversity with contributions from trance icons like Above & Beyond, Aly & Fila and Ferry Corsten alongside newcomers who seek to write the genre's next chapter.
Listen to the full "A State of Trance Year Mix 2024" below.
Ravebot
We sit down with trance DJ and producer Blastoyz to celebrate his new collaboration with Moby ‘Lift Me Up’. We talk musical heritage, inspiration, his WELRAVE label and more…

Buy link – https://www.beatport.com/release/lift-me-up/484583
Thanks so much for taking the time to speak with us. How are you? How has your 2024 been? What have been the highlights? Any resolutions or goals for the New Year?
I’m doing great, thank you! Always busy, always energized, and always looking forward to what’s next.
2024 has been amazing so far. Highlights for me include playing massive shows all around the world, such as EDC Vegas, EDC Mexico, Electric Forest, Transmission Australia, Tomorrowland Brazil, and many incredible venues in the United States and Europe. I’ve also loved connecting with fans through music. Between touring, I’ve been experimenting in the studio, producing and collaborating on tracks with Moby and other exciting projects that I’ll release soon.
My goal for the New Year is to keep performing globally, push boundaries with my sound, and bring fresh, powerful experiences to my fans through cross-genre productions.
Tell us about your musical heritage. What drove you toward electronic music, specifically your end of the dance music spectrum?
I grew up with a deep love for psytrance and trance music. I first discovered psytrance at around age 8, thanks to my older brother, who was a producer and DJ at the time. Something clicked instantly. I loved the energy, the storytelling, and the way it could transport people to another dimension. From that moment, I knew this was what I wanted to create and share with the world.
Who were your biggest influences and inspirations growing up and even now?
Growing up, artists like Infected Mushroom, Yahel, and Tiësto were huge inspirations for me. They showed me what was possible in electronic music. Today, I draw inspiration from all over—pioneers like Moby and innovative new-generation producers who are pushing limits in creative ways.
You head up your own WELVRAVE label. What is the story behind it, and what are you trying to portray through the label? What’s the ethos?
WELVRAVE is all about freedom of expression. The idea came from wanting a platform to represent both my vision and the incredible talent within the psytrance and electronic music community. It’s about pushing boundaries, blending styles, and uniting rave culture in a way that feels authentic and fresh.
How did the collaboration with Moby come about? What impact has he had on your career?
Collaborating with Moby was a dream come true. He’s such a legend, and his work has shaped electronic music for decades. I had the honor, together with Berg, of reimagining one of his classics, Lift Me Up. It’s a track we’ve both loved for years, and this collaboration sparked a creative synergy between us.
We aimed to bring a fresh touch with melodic and progressive elements while maintaining the high-intensity energy that psytrance is known for. Striking a balance between staying true to Moby’s emotive essence and injecting our sound design was key.
What advice would you give to a young, up-and-coming producer wanting to start their own label?
Start with a clear vision. Know what your label stands for and the kind of talent you want to represent. Building a strong network and understanding the business side of music is crucial. Above all, stay consistent and passionate—it will shine through in your work.
What are your three favorite trance tracks?
That’s tough! If I had to choose:
Infected Mushroom – Deeply Disturbed Yahel – Voyage Faithless – Insomnia (still gives me goosebumps every time). What has been your favorite gig to play so far in your career?
There are so many memorable ones, but Red Rocks Amphitheatre in Colorado, with Seven Lions, stands out. The venue is breathtaking—a natural amphitheater carved into towering red sandstone cliffs. The acoustics and atmosphere are unmatched. The stage is nestled between massive rock formations, and the audience is seated on tiers following the natural slope of the landscape. It was an unforgettable mix of nature, energy, and sound.
What would be your dream gig?
After touring for over 10 years, I’ve been lucky to play at some of the world’s most incredible venues, in every size and format imaginable. For me, the ultimate goal isn’t one specific gig—it’s about sharing psytrance music with wider, more diverse audiences and spreading positive energy wherever I go. As long as I’m doing what I love, every gig feels like a dream.
What do you do to relax outside of DJing and producing?
I love spending time with family and friends. I’m lucky to live just five minutes from the ocean, where I often go to unwind. I also enjoy hiking, exploring nature, and discovering new cuisines—I’m definitely a bit of a foodie!
What music do you listen to outside of the dance music spectrum?
I enjoy music from the past, especially alternative rock classics from my childhood, like Linkin Park and Red Hot Chili Peppers. I also love old-school hip-hop and R&B. Beyond that, I explore world music and chillout ambient sounds—they’re perfect for resetting my mind and finding balance.
What was the last record that blew you away?
John Summit & Sub Focus – Go Back (ft. Julia Church). The blend of genres in one track is mind-blowing. It reminds me why I love electronic music so much. This approach, blending styles, is something I’ve believed in and done for years, especially in collaboration with Seven Lions and the Ophelia Records artists.
Ravebot
Imagine never having to deal with dropped calls or spotty reception again. T-Mobile and Starlink are teaming up to make this a reality through direct-to-cell satellite technology. With over 300 satellites already in orbit, T-Mobile is now inviting its customers to register for a beta test of this groundbreaking service set to launch early next year. This partnership marks a significant step forward in the quest to eliminate mobile dead zones and provide seamless connectivity for all T-Mobile users.
For festivals, it’s hard to overstate just how huge this could be. While some festivals have figured out connectivity, there are still many festivals where texts, DMs, stories, or any data use don’t work at all. This nightmare situation creates chaos for everybody who can’t find each other and makes the festival much more of a chore than it should be.
By harnessing the power of direct-to-cell satellites, T-Mobile and Starlink are revolutionizing the way we stay connected. Whether you’re a business owner, a first responder, or simply someone who relies on their phone for everyday tasks, this beta test offers an exciting opportunity to experience the future of mobile communication firsthand.
“T-Mobile Starlink is the first major low-earth orbit constellation in the world paired with terrestrial cellular spectrum, making the phone in your pocket work in areas of the U.S. that have never, and probably never will, have ground based coverage,” said Mike Katz, President of Marketing, Strategy and Products, T-Mobile.
How Does It Work?
The direct-to-cell satellite service operates by beaming signals from satellites directly to users’ mobile devices, bypassing the need for traditional cell towers. This approach eliminates the limitations of terrestrial infrastructure and enables seamless coverage across vast areas, including rural and underserved regions.
By leveraging Starlink’s cutting-edge satellite technology, T-Mobile can provide a robust and reliable connection to its customers, regardless of their location. This means fewer dropped calls, faster data speeds, and a more consistent user experience overall. The beta test will allow T-Mobile to gather feedback from users and fine-tune the service to meet the needs of a diverse range of customers.
As direct-to-cell satellite technology continues to evolve, the possibilities for mobile connectivity are endless. From enabling seamless video calls in remote areas to supporting IoT devices in smart cities, this technology has the potential to transform the way we communicate and connect with the world around us.
Who Can Participate?
All T-Mobile customers, including businesses and first responders, are eligible to register for the beta launch of the direct-to-cell satellite service. This inclusive approach ensures that a wide range of users can experience the benefits of improved connectivity and seamless communication.
For businesses, the direct-to-cell satellite service offers the potential for enhanced productivity and efficiency. With reliable coverage in even the most remote locations, employees can stay connected no matter where they are. This is especially crucial for industries that rely on real-time communication, such as construction, transportation, and emergency services.
First responders also stand to benefit significantly from this innovative technology. In emergency situations where every second counts, having reliable communication can make all the difference. By participating in the beta test, first responders can help shape the future of mobile connectivity and ensure that they have the tools they need to save lives. Register HERE!
The post T-Mobile & Starlink Could Bring An End To Dead Zones appeared first on EDMTunes.
Ravebot
The People of Tomorrow can start preparing for an awe-inspiring journey as Tomorrowland Brazil 2025 introduces its spectacular new chapter. From October 10-12, 2025, Parque Maeda in Itu, SĂŁo Paulo will transform into the enchanting mythical realm of Silvyra, where nature thrives, stories are born, and harmony reigns. Pre-registration for ticket sales opens tomorrow, December 18, 2024, at 14:00 CET | 10:00 BRT.
This year’s edition will revolve around ‘LIFE’, a mesmerizing theme that tells the prequel to Tomorrowland’s iconic 2016 ‘Elixir of Life’. The story explores the creation of the fabled potion, known to heal ailments of both body and mind. Fueled by the ancient forces of the cosmos, the ‘LIFE’ chapter takes festivalgoers back to a vibrant era in Silvyra, where the conjunction of two moons is about to occur. This promises to be yet another unforgettable milestone in the ever-evolving world of Tomorrowland.
A Mainstage Like No Other
The centerpiece of Tomorrowland Brasil 2025 will undoubtedly be the breathtaking ‘LIFE’ Mainstage, a testament to Tomorrowland’s unmatched creativity and production prowess. First unveiled at Tomorrowland Belgium’s special 20th anniversary in 2024, the stage now finds a new home at Parque Maeda. Inspired by Silvyra’s lush landscapes, it celebrates the origin of Mother Tree, her protector the Maze, the first brewing of the Elixir of Life, and the beginnings of the stunning Rose Garden—all of which have become iconic symbols of Tomorrowland lore.
Here are the astonishing numbers behind the ‘LIFE’ Mainstage:
Height: 36 meters Width: 160 meters Video Tiles: 3,136 total, covering 1,600 square meters Lights: 1,100 custom LED lights, 1,054 lamps Sound: 230 speakers and subwoofers Water Features: 43 fountains, 4 waterfalls powered by 12 pumps Performers: 40 artists bring the stage to life DreamVille: A 5-Day Magical Escape
For those seeking a full Tomorrowland experience, DreamVille is the place to be. Located next to the festival grounds at Parque Maeda, this vibrant 5-day camping city welcomes festivalgoers from Thursday to Monday, offering a unique escape with endless opportunities to relax, connect, and celebrate life.
DreamVille is more than just a campsite—it’s a community with:
A Marketplace featuring shops, food trucks, bakeries, tattoo parlors, a beauty salon, and even a barber shop. A Yoga Dome offering daily morning yoga classes to start the day with balance and energy. Sporting opportunities, including volleyball and footvolley courts. Exclusive Daybreak Sessions (Friday to Sunday), featuring intimate performances from select artists. To set the tone for the weekend, all DreamVille residents are invited to ‘The Gathering’—Tomorrowland Brasil’s official open-air opening party on Thursday, where surprise artists will ignite the atmosphere in true Tomorrowland style.
Ticket Information
Pre-registration for Tomorrowland Brasil 2025 opens tomorrow, December 18, via the Tomorrowland Account at my.tomorrowland.com. Festivalgoers must pre-register for the chance to secure tickets during the various sale phases.
Ticket details (day passes, weekend passes, and Global Journey Travel Packages) will be unveiled on February 25, 2025. DreamVille accommodations, offering both standard and premium camping options, will also be part of the ticket options. A Magical Return to Silvyra
After the success of Tomorrowland Brasil’s ‘Adscendo’ theme last October, which brought together thousands of People of Tomorrow, the 2025 edition promises to surpass expectations. ‘LIFE’ theme will immerse attendees in an otherworldly journey, blending unparalleled stage designs, cutting-edge production, and the legendary energy that only Tomorrowland can deliver.
Pre-register now and join the People of Tomorrow for a chapter that will live forever.

The post Tomorrowland Brazil Announces LIFE Theme Coming in 2025 appeared first on EDMTunes.
Ravebot
Editor's Note: EDM.com proudly publishes four installments of annual year-end coverage: Industry Leaders, Performances & DJ Sets, Music Producers and Songs.
More often than not, year-end coverage published by the music industry's vast pool of media outlets is limited to its artists and performers.
To honor the extraordinary work of the industry's unsung people and brands, EDM.com annually recognizes a group of leaders whose contributions redefined dancefloors and helped shape the future of electronic dance music.
Record Label: Experts Only
Forged in the crucible of a late-2023 rebrand, John Summit's Experts Only imprint emerged with a clarity of vision that few could match this year.
From releases like Max Styler's "Lights Out" and Chris Avantgarde and Kevin de Vries' "Killa," the label was a primary driver of the conversation about the ever-evolving boundaries of tech house music. Summit's own debut album, Comfort In Chaos, arrived mid-year as a tour de force of emotion and experimentation, bolstered by standout remixes like Cassian's stunning take on "Shiver" and YDG's transformative remix of "Go Back."
The label's ambitions also extended far beyond its music, with the Experts Only Ski Weekender in Vail curating a groundbreaking fusion of slope-side adventures and dancefloors. Inspired by Summit's own passion for skiing, the event brought the label’s ethos to life: bold, unflinching and deeply connected to its audience.
In one short year, Experts Only emerged as a creative force that respects the roots of house music while fearlessly carving out its own future, setting a high bar for what it means to lead with vision and purpose.
Words by Cameron Sunkel.
Honorable Mentions: Memory Palace | HypnoVizion | Defected Records
Experts Only
Club: Club Space
A cornerstone of global club culture, Miami's Club Space isn't an ordinary venue—it's a rite of passage.
In 2024, the venue's ethos of "the party never ends" was tested and proven when it closed for three months of structural renovations. Even in its absence, the Space legacy loomed large as Factory Town held down the scene while fans restlessly waited. When the fall finally arrived, Space's reopening party, headlined by Peggy Gou, reminded us why this 2,000-capacity spot holds an outsized influence in the dance music community.
From a marathon 36-hour Miami Music Week closing party featuring Carlita, Marco Carola and more to a 24-hour Art Basel closing party with 23 DJs from 13 countries, Space was a seedbed of club culture. The venue isn't just about major festival weekends—it snaps into action for cultural events like Formula One Race Week, when Black Coffee and MEDUZA dazzled behind the decks. Now, Tiësto is primed for a rare "Sunrise" set in January 2025.
Club Space's significance transcends its size, earning its place as a destination where DJs from around the globe gather to create something extraordinary. And in 2024, its organizers continued to live up to their prevailing tenet: whether it's 3am, sunrise or mid-morning, they've got your back.
Words by Cameron Sunkel.
Honorable Mentions: Cloud 9 Fiji | UshuaĂŻa Ibiza | Drumsheds
Club Space.Adi Adinayev
Music Company: Vita Motus
For the idealistic minds behind the producers of music festivals, one question often gnaws like a spider in the brain: can a stage be more than just a platform? For Vita Motus, the design studio behind Coachella's groundbreaking Quasar stage, it's a resounding "yes."
Led by its ambitious founder and CEO, Heather Shaw, Vita Motus has executed phantasmagoric stages for EDC, Electric Forest and Lightning in a Bottle, among other major festivals. But she found herself in a three-month pressure cooker ahead of Coachella, where the studio was tasked with building a universe unto itself.
The stage's monolithic LED walls, Shaw told EDM.com back in April, were designed "to push the boundaries of what's possible at music festivals." Her team ultimately delivered, establishing a bastion of iconoclastic festival design within Coachella's hallowed desert metropolis.
The stage became the epicenter of EDM at the nation's most iconic music festival, which in 2024 teemed with unforgettable rave moments. Fans willingly plunged into the rabbit holes of innovative three-hour DJ sets by RÜFÜS DU SOL and a cancer-free Michael Bibi, among other influential electronic acts. Eric Prydz and Anyma, two of the industry's most subversive creators of visual displays, also performed together for the first time as the sun set.
To that end, Quasar dissolved the boundaries between electronic music and performative spectacle, reimagining the inert concert stage as a living, breathing organism.
Words by Jason Heffler.
Honorable Mentions: End Overdose | Playtime Engineering | WavMaker
The Quasar stage at the 2024 Coachella Valley Music and Arts Festival. Julian Bajsel
Music Executive: Cindy Charles
Cindy Charles didn’t just change how we hear electronic dance music this year. She changed how we feel it—both together and apart.
Charles tragically died in October following a traffic accident during the Amsterdam Dance Event, the world's leading electronic music summit. But before we lost Twitch's trailblazing Head of Music, she led the development of the platform's pioneering DJ category, a breakthrough that established it as the first to provide a long-term home for DJs to legally livestream.
Charles, a visionary agent of change in the intersection of music and technology, redefined how artists and creators engage with audiences online. She remains revered for leading Twitch's label relations and music licensing operations, fostering an ecosystem that enables DJs to build fanbases and achieve financial freedom on the platform.
In addition to fiercely championing rave culture, Charles was also an unshakeable advocate for women in the music industry. She co-founded the San Francisco chapter of She Is The Music as well as Women In Digital, a community of over 1,500 members with a mission "to help women define a limitless future for all by shining a light on careers in digital and technology."
Words by Jason Heffler.
Honorable Mentions: Christine Thomas (Dolby) | Adam Russakoff (Ultra Worldwide) | Jeff Abel (Excision Presents)
Cindy Charles.Twitch
Event Organizer: Breakaway Music Festival
Breakaway didn't just host music festivals in 2024—it created destinations at scale.
Breakaway lived up to its name in 2024, leaving competitors in its dust as it became the nation's preeminent traveling EDM festival. The event's organizers are now poised to expand to a bevy of new markets in 2025, swelling to a staggering 12 cities.
That kind of growth was a white whale for independent festivals in 2024, a time when inflationary pressures hiked operating costs to prohibitive levels. Nevertheless, Breakaway managed to become the fastest-growing music festival brand in the country, due in part to their knack for blending high-profile headliners with undiscovered talent in lineups that felt both elite and accessible, a rare feat in a crowded market.
Breakaway's influence, however, is greater than the sum of its dozen parts. The brand supercharged its sustainability efforts by partnering with Zero Waste Event Productions, a leading provider of recycling, composting and waste management services, to divert from landfills over 25,000 pounds of recyclable materials, including harmful plastics.
Breakaway's proprietors also recently announced that all of their 2025 festivals will accept cryptocurrency as payment, mirroring its ethos of progress and inclusivity to foster a new kind of freedom on and off the dancefloor. "As the music industry continues to evolve, we’re committed to adapting to the needs of our fans and staying ahead of the curve," said co-founder and CEO Adam Lynn.
Words by Jason Heffler.
Honorable Mentions: DEF | House Calls | FIVE Music
Breakaway Music Festival.KURSZA
Visual Artist: Tobias Gremmler
Tobias Gremmler's larger-than-life artistry was impossible to ignore in 2024, imbued with an almost intangible quality that connected deeply with Afterlife's broadening global audience.
His work with Anyma on the superstar DJ's tour and sophomore album, Genesys II, transformed towering LED screens into portals, immersing fans in haunting spaces where the boundaries between performer and participant disintegrated. Blending Afterlife’s iconic dual themes of robotics and nature, Gremmler's awe-inspiring visual concepts captivated audiences in high-profile venues from Los Angeles to Miami to Amsterdam, threading an ineffable emotional connection amidst the grandeur of stadium-scale productions.
Anticipation is now building for Anyma's historic Las Vegas Sphere New Year's Eve show and residency, "The End of Genesys," which will see Gremmler's transhumanist visual designs envelop the record-breaking venue for its first-ever electronic music shows. His creative direction is ambitious by all accounts, and it's reshaping how we experience and engage with EDM's most transcendent performances.
Words by Cameron Sunkel.
Honorable Mentions: DR01D VISUALS | Wesley So | Neurite
" frameborder="0" allowfullscreen>YouTube Channel: Book Club Radio
What do butterfly houses, Y2K vampires, frat parties, robot uprisings, Florida men, murder mysteries and 2010s EDM all have in common? They’re all themes for Book Club Radio’s epic parties—err, "meetings"—in 2024.
Each theme is truly immersive: the DJs curate mixes to fit each, the crowds dress up for the part and the backdrops are filled with madcap props often hand-built by the Book Club Radio crew. The feverish fandom around their YouTube channel is a testament to the fresh perspective that the Brooklyn-based collective, founded by the inimitable Jojo Lorenzo, is bringing to dancefloors.
Words by Saad Masood.
Honorable Mentions: Flavour Trip | Tracklib | putyouon. by Steve Cardigan
Audio Engineer: A. G. Cook
When Charli xcx recorded her global hit "360" and said, "You gon' jump if A. G. made it," she was sending a message.
One of hyperpop's most influential producers, A. G. Cook has made a name for himself crafting music for international superstars like BeyoncÊ, Hikaru Utada and Caroline Polachek. While that pedigree is impressive in its own right, his brilliant work on Charli's viral sensation, Brat, may go down as his finest.
Serving as an executive producer of Brat and vocal engineer of most of its tracks, Cook propelled his longtime collaborator's latest album not only to the top of the charts, but also to the lime green-colored pinnacle of pop culture. There would be no "brat summer" without him.
Cook's work on Brat led the album to a staggering seven Grammy nominations, including Album Of The Year, Best Dance/Electronic Album, Record Of The Year ("360") and Best Pop Solo Performance ("Apple"). 
Words by Nick Yopko.
Honorable Mentions: Cassian Stewart-Kasimba | Emily Lazar | Sonny Moore
A. G. Cook.c/o Press
Artist Management: Metatone
In an impressive seven-year period, Metatone founders Holt Harmon and Parker Cohen have built an independent management powerhouse. And in 2024, the firm set new standards for driving success in the house music world.
Their secret? A results-driven, holistic approach and wealth of resources that help DJs reach new audiences. Since bringing John Summit aboard during the company's formative years, Metatone has cultivated a formidable roster of producers that includes Max Styler, Ranger Trucco, Deeper Purpose and Layton Giordani.
Its commitment to fostering both the wellness and creative freedom of its roster remains at the heart of its philosophy. Through the expansion of Metatone Media, the company provided its artists with tailored support in branding, touring logistics and content creation, empowering them to focus on crafting groundbreaking house music.
And that they did. From Summit's stratospheric debut album Comfort in Chaos to Giordani's rare official remix of deadmau5's "Strobe" to Max Styler's prolific run of tech house hits, Metatone broke out this year. Its proprietors also worked diligently to position their artists at the cutting-edge, like when Summit sold out Madison Square Garden.
Words by Mikala Lugen and Rachel Freeman.
Honorable Mentions: 2+2 Management | Club Class | Kompass Music Group
John Summit, who is represented by Metatone, performing at Madison Square Garden.Alive Coverage
Music PR: Falcon Publicity
In just five years, Falcon Publicity has managed to become one of the leading forces in media relations within the mercurial world of electronic dance music. It's the brainchild of PR vet Alexandra Greenberg, whose decades of expertise have led her to acquire a remarkable roster of artists, brands and events in that short time.
Deeply influential electronic artists like deadmau5, Kraftwerk, Richie Hawtin and Kaskade all call Falcon home. The firm had its talons on the pulse of dance music in 2024, executing a slew of innovative, high-profile campaigns that propelled it to the industry's corps d'elite.
One was HAYLA, whose stentorian vocals dominated playlists and music festivals all year. After collaborating with John Summit, Kx5, Kygo and MEDUZA, the surging singer-songwriter broke out as a solo artist with the help of Greenberg, who ran press for her scintillating debut album, DUSK.
And then there's techno superstar Anyma, who in 2024 announced he'd be the first electronic music artist to perform inside the record-breaking Las Vegas Sphere. What started out as a single New Year's Eve performance quickly snowballed into a historic DJ residency with enough audiovisual specs to change the fabric of Sin City raving—and Falcon is shaping the narrative.
Words by Ulises Vargas.
Honorable Mentions: Bampire | MP3 PR | JSloane Creative
Falcon Publicity founder and CEO Alex Greenberg.Lindsey Byrnes
Ravebot
In a surprising move, Aphex Twin actually made it easier for fans to find his music.
The most mysterious man in electronic music has made it extremely difficult to collect his entire discography, with an abundance of music floating around the internet but no way for fans to trace it back to him or verify its authenticity. For many years he'd release special tracks exclusively on vinyl, which could only be purchased at a singular tour date or festival appearance.
Aphex Twin has now gathered 38 recordings—previously released only on wax from 2016-2023—and uploaded them to streaming services. The new compilation, Music From The Merch Desk (2016-2023), is out now on Warp Records.
The first two tracks were released as part of his Day For Night Festival performance while the final five were sold at London's Field Day Festival. Included in the new album is a remix from his alter ego, AFX, amongst other masterfully produced offerings from the artist who leaves more questions than answers. It marks the second re-release of the year from Aphex Twin following October's reprint of Selected Ambient Works Volume II.
Listen to Music From The Merch Desk (2016-2023) below.
View the original article to see embedded media.
Follow Aphex Twin:
X: x.com/aphextwin
Facebook: facebook.com/aphextwinafx
Spotify: spoti.fi/34xoFmQ
Ravebot
For HAYLA, the journey to center stage began as so many great stories do—quietly, in the wings. Until suddenly, the world was listening.
A voice that first captured the ears of electronic music fans with "Escape," a collaboration with deadmau5 and Kaskade's Kx5, HAYLA has now become impossible to miss. The British singer-songwriter has now announced her first solo U.S. tour, offering fans in four major U.S. cities a front-row seat to one of today's most defining voices of the genre.
Having released her scintillating debut album DUSK last month, HAYLA is decisively spearheading her own path. Recorded over three years, the 10-track collection is both expansive and deeply personal, traversing themes of loss, renewal and self-discovery. 
Her sold-out headlining debut at LA's Roxy Theatre earlier this month was a promise kept—proof that her voice is now, unequivocally, the main event. In February 2025, she will bring that momentum to four cities across the United States: New York City's Webster Hall, Denver's Bluebird, San Francisco's Great American Music Hall and Seattle's Neumos. 
Tickets to HAYLA's February 2025 tour go on sale December 19th at 9am local time.
c/o Press
Follow HAYLA:
X: x.com/haylasings
TikTok: tiktok.com/@haylasings
Instagram: instagram.com/haylasings
Facebook: facebook.com/haylasings
Spotify: https://spoti.fi/41MXBgq
Ravebot
As 2024 approaches, the world’s partygoers are gearing up to ring in the New Year in spectacular style. From immersive musical experiences to electrifying countdowns, we have teamed up with FestGPS to bring you the top New Year’s Eve festivals you should consider attending this year:
1. Afterlife Presents: Anyma ‘The End of Genesys’
Where: Sphere, Las Vegas, USA
When: December 27, 28, 29, 30, 31 & January 1, 10, 11
Las Vegas’ cutting-edge Sphere venue sets the stage for Anyma’s “The End of Genesys” showcase. With breathtaking visuals and immersive soundscapes, this Afterlife production is a must for electronic music lovers looking for a futuristic and unforgettable NYE experience.
2. Neon Countdown
Where: Bangkok, Thailand
When: December 30, 31
Asia’s premier electronic dance music festival is back, bigger and brighter than ever. Held in the vibrant city of Bangkok, Neon Countdown promises an epic lineup of international DJs, stunning pyrotechnics, and a buzzing atmosphere to welcome 2024.
3. Proper NYE
Where: San Diego, USA
When: December 31 & January 1
Proper NYE combines coastal vibes with world-class talent in sunny San Diego. Dance into the New Year with an incredible lineup spanning house, techno, and everything in between.
4. Decadence
Where: Arizona, USA
When: December 30, 31
Known as the “City of Decadence,” this festival transforms Arizona into a dazzling paradise for music lovers. Featuring an impressive roster of top-tier artists, Decadence delivers an unforgettable two-day celebration.
5. Awakenings NY
Where: Amsterdam, Netherlands
When: December 28, 29, 31
Renowned for its pulsating techno beats, Awakenings NY is a favorite among European festivalgoers. This year’s edition offers multiple dates to experience Amsterdam’s legendary electronic music scene.
6. Countdown NYE
Where: San Bernardino, California, USA
When: December 31
Prepare for a space-themed celebration at Countdown NYE in San Bernardino. With an interstellar lineup of artists and larger-than-life stage production, this one-night-only festival is perfect for a galactic end to 2023.
7. Fresh Start Festival
Where: San Francisco, California, USA
When: December 31 & January 1
Kick off the New Year with the Fresh Start Festival in San Francisco. With a mix of music genres and a vibrant crowd, this two-day event guarantees an energetic start to 2024.
8. Forever Midnight
Where: Los Angeles, California, USA
When: December 31
Los Angeles’ “Forever Midnight” promises an enchanting night of music, dance, and celebration. As the clock strikes twelve, revelers can expect an unforgettable countdown in the City of Angels.
Whether you’re into pulsating beats, immersive experiences, or vibrant cultural settings, these NYE festivals are your ticket to starting 2024 on a high note. Secure your tickets now and get ready to celebrate in style!


Ravebot
Following a year of critical acclaim, WhoMadeWho is back with a remix package that reimagines their latest album, Kiss & Forget. The Danish electronic trio has tapped into a diverse pool of talent, from established veterans to emerging artists, to create a collection of fresh interpretations of their original tracks.
The collection includes seven exclusive new remixes, led by rising Belgian talent MAXI MERAKI’s take on “Saturday”, alongside contributions from a supergroup collaboration of Selim Sivade, BARON, Meloko, and Konvex plus remixes from Dennis Cruz, Rockin Moroccin, Tripolism, Xinobi & AWEN, and Massimiliano Pagliara. These join previously released remixes from electronic music luminaries RÜFÜS DU SOL, CamelPhat, Mind Against & Dyzen, and more.
The remix collection emerges at the peak of an extraordinary chapter for WhoMadeWho. Throughout 2024, the Danish trio has evolved far beyond their origins, amassing several awards and accolades for their revolutionary live experience. Their groundbreaking stage production, conceived with architectural powerhouse Bjarke Ingels Group (BIG) and brought to life through visuals by flora&faunavisions, EyeMix Studio, and Christopher Mulligan, has transformed venues into immersive wonderlands from New York to Santiago de Chile. Kiss & Forget, their eighth studio album, stands as a testament to the power of artistic collaboration, uniting diverse creative forces to craft both a sonic and visual masterpiece. The album transcends typical genre constraints through masterful collaborations with Kölsch, RY X, Adriatique, Blue Hawaii, and nour, while its visual counterpart, now streaming on YouTube, sees Berlin-based director Thomas Kuhn and creative director and photographer Polina Vinogradova weave a mesmerizing narrative that explores the transient nature of human connection, youth, and memory – themes that echo throughout both the original album and the remixes. Looking ahead to 2025, WhoMadeWho prepares to push their artistic boundaries even further with their ‘Kiss & Forget’ live album tour, including confirmed stops at Paris’s Olympia and London’s iconic Roundhouse.
‘Kiss & Forget (Remixes)’ Tracklist:
 
1. WhoMadeWho – Saturday (Maxi Meraki Remix)
2. WhoMadeWho – Children (Mind Against & Dyzen Remix)
3. WhoMadeWho & Kölsch – Heartless (Alex Wann Remix)
4. WhoMadeWho – Sweet Cuddles (Selim Sivade, Baron (FR), Meloko, Konvex__ Remix)
5. Adriatique & WhoMadeWho – Miracle (RÜFÜS DU SOL Remix)
6. WhoMadeWho & RY X – Love Will Save Me (Camelphat Remix)
7. WhoMadeWho – A3LA (Rockin Moroccin Remix)
8. WhoMadeWho – You Belong To No-One (Tripolism Remix)
9. WhoMadeWho – Sweet Cuddles (Dennis Cruz Remix)
10. WhoMadeWho & Blue Hawaii – Kiss Me Hard (Adam Ten Remix)
11. WhoMadeWho & Xinobi – Bedside (Xinobi & Awen Remix)
12. WhoMadeWho – You Belong To No-One (Massimiliano Pagliara Remix)
The post WhoMadeWho Releases Remix Package for ‘Kiss & Forget’ appeared first on EDMTunes.
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Purified Records, the powerhouse in melodic and deep house, has released their latest compilation album, Chronicles 24. This soothing and relaxing compilation combines some of Purified Records’ most prominent releases throughout the whole year of 2024. Chronicles 24 contains a diverse array of wonderful, outstanding tracks that range from ambient melodic jams to ethereal deep house tracks that flow beautiful through the air. All 23 tracks coming from phenomenal artists such as Nightlapse, Jack Emery, Sintra, Alex Breitling, Ovadia, ENØS, and so on bring out all the positive feelings of warmth that fans strongly associate the genres of melodic and deep house with.
This tranquil compilation album that one should hear to ease in their day (and week, especially with the ongoing holiday season), is a perfect listen and the artwork on the Chronicles 24 album cover definitely does resonate with its vibrant, atmospheric theme. The artwork is a very beautiful, deep water shot of a jellyfish pair from professional underwater photographer, Daniel Nicholson, who took pictures of the beautiful types of jellyfish, including the large Lion’s Mane jellyfish with 100-foot long tentacles and the barely visible Irukandji which can adapt any environment they see fit. Click ‘Play’ on the Spotify link to stream Purified Records’ beautiful Chronicles 24 album, which allows oneself to feel all the peaceful vibes all around with.
The post Purified Records Bring Out Soothing ‘Chronicles 24’ Compilation appeared first on EDMTunes.
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The legendary Time Warp is back, and it’s bigger than ever. On April 5th, 2025, Mannheim, Germany will once again become the epicenter of electronic music, as Time Warp delivers an unmatched 19-hour experience. Known as one of the most iconic festivals in the global techno and house scene, this year’s edition boasts an extraordinary lineup featuring 42 of the world’s top artists performing across five stages.
An Unforgettable Experience Awaits
Time Warp has built a reputation for pushing the limits of music, technology, and atmosphere. Attendees can expect cutting-edge sound systems, immersive stage designs, and a production that blurs the lines between reality and art. With a rich history spanning decades, Time Warp continues to set the gold standard for electronic music festivals.
This year’s event brings together a carefully curated lineup of international stars, from techno titans to rising innovators. Fans will be treated to solo performances and rare b2b sets, ensuring an unparalleled sound journey from start to finish.
Warp Mannheim 2025 Lineup
Time Warp Mannheim 2025 features some of the biggest names in the scene, with artists delivering their signature high-energy performances. The full lineup includes Adam Beyer, Black Coffee, Charlotte de Witte, Nina Kraviz, Ricardo Villalobos, Sven Väth, and Richie Hawtin. From heavyweights like Marco Carola, Joseph Capriati, and Ben Klock to rising talents like Syreeta and HAAi, the lineup reflects Time Warp’s mission to blend established legends with new voices shaping the future of electronic music.
The Atmosphere of Time Warp
Time Warp is not just a music festival—it’s an experience. The combination of state-of-the-art visuals, mind-blowing light installations, and the energy of thousands of passionate fans creates an atmosphere unlike any other. The five uniquely designed stages are crafted to transport attendees into a different world, where music takes center stage and time feels suspended.
From its industrial roots in Mannheim to its expansion across continents. Time Warp remains the ultimate destination for electronic music lovers.
Tickets and Details
Tickets are already in high demand, so fans are encouraged to secure their spots early.
Date: April 5th, 2025 Location: Maimarkthalle, Mannheim, Germany Tickets: Available now via the Time Warp official website (link here) Don’t miss this chance to witness the world’s finest DJs and producers come together for an unforgettable celebration.
The post Time Warp Mannheim Unveils Stellar 2025 Lineup appeared first on EDMTunes.
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