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It started with a simple X post and an RSVP link to Skrillex 5.6 million followers: "If you like my music and you’re in Miami Monday 3/31 RSVP here."
At the top of the form, three words: "FUS W SKRILLEX." Below, a disclaimer—this was a request, not a guarantee. The event was shrouded in mystery, but that didn't stop fans from flooding the link, hoping for a chance to experience whatever Skrillex had in store after Miami Music Week.
Then, on Sunday night, just one day after his historic return to the storied Ultra Music Festival Mainstage, a select few invitations started to roll in. The details were scarce but intriguing nonetheless: a listening event at Ice Palace, doors closing promptly at 8pm and a strict no-photo, no-video, no-audio recording policy.
By Monday evening, we found ourselves outside the venue alongside roughly 80 diehard fans and fellow industry insiders all eagerly waiting to step foot into what would ultimately unfold as one of the most exclusive and intimate Skrillex experiences in recent memory.
At check-in, our phones were sealed away in plastic bags—no distractions, no documentation, just the music. After stepping inside we were immediately met with a bold visual, a graffiti-scrawled message in bright orange: "F*CK YOU SKRILLEX YOU THINK YOU’RE ANDY WARHOL BUT UR NOT!! <3," a fittingly cryptic welcome sign for an event shrouded in mystery.
Inside, the air was thick with incense and a hazy, smoky glow. A three-tiered platform stood at the center, scattered with oversized beanbags. People settled in, sipping beverages from an iced tea bar as a mellow reggae soundtrack played in the background. The room was palpably buzzing with anticipation.
Once the doors closed, the room fell silent before Skrillex's stunning new album began to play, from start to finish, exactly as it was meant to be heard. Lights and lasers sliced through the haze as the music filled the space. At first, most swayed or nodded along from their beanbags, but as the energy built, it became impossible to stay seated. One by one, people stood up until the entire room was on their feet, moving to the music.
About halfway through, Skrillex appeared, seemingly out of nowhere. The energy in the room spiked and suddenly everyone was dancing around him as the album continued. At this point, it wasn’t just a listening party anymore. It was a moment, a memory and a night that felt like a snapshot of electronic music history. By the final track, "AZASU," Skrillex stood amongst the crowd, taking a moment to thank the artists, creatives and fans who helped bring the album to life.
Once the music wrapped, it was clear that the genre agnostic album was more of a mosaic, a retrospective mixtape stitched together with blog-era producer tags and nostalgic references. The way it was delivered, too, felt like a throwback to a musical era in which Skrillex played an instrumental role.
As the night wrapped up, we walked away with exclusive merch: a t-shirt, poster featuring the album cover and tote bags stamped with, "You’re not supposed to be hearing this right now." And just when it seemed like the experience had come to an end, the email hit our inboxes. Skrillex sent the album directly to his fans via Dropbox, harkening back to the early days of DIY music discovery.
The next day, Skrillex officially released F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, a sprawling, 34-track album packed with explorative collaborations and groundbreaking bangers that made the intimate first listen feel even more special.
You can listen to the mix below and find F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 on streaming platforms here.
Follow Skrillex:
X: x.com/skrillex
Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
Facebook: facebook.com/skrillex
Spotify: tinyurl.com/naka2dyv
Ravebot
To celebrate the release of Tempza’s latest single we asked him to share his own favourite MC-lead tracks. And he’s picked some good’uns. Get ready to spit some fire as you listen though this list jam packed with proper riddims.
DJ Zinc – Drive By Car feat. Eksman – Bingo
What a tune. I remember rinsing this tune on vinyl back in 2004/2005. Zinc needs no introduction, legendary status and a producer who has always championed MCs / vocalists and created so much magic with them. Eksman, my favourite all time MC and one of the reasons I do what I do now. I was lucky enough to be raving when this tune was getting played out live, what an era! 
Dub Phizix and Skeptical feat Strategy – Marka – Exit Records
Josh and Matt Hybrid Minds played this on repeat at my wedding, which shows how strong our allegiance is with this tune. It was also played several times at their weddings too. It will also be played at all our daughter’s weddings too. Timeless perfection.
Chase & Status, Bou – Baddadan ft. IRAH, Flowdan, Trigga, Takura – EMI
Not much needed to be said. I was lucky enough to hear his tune be built in stages every week in Ibiza in 2023 during the C & S residency, an updated version each week. Feel like this tune has inspired a lot of MCs to make more music. 
P Money x Whiney – Buss The Red – Hospital Records
So many tunes from Whiney and P Money should be on this list, they are my favourite DJ and MC combo for tunes and been lucky to see a few of their shows recently which went off. Buss the Red is unique, P Money has been a bit catalyst for many including me to turn their lyrics into tunes. 
DRS – The View ft LSB & Tyler Daley – Soul:r
One of the best tunes in the history of drum and bass. Liquid anthem, a highlight of any day spent in the sun particularly in San Teodoro at Sun and Bass while massaging sun cream into my bald head.  Thank you Luke, Del and Tyler for goodness. 
K Motionz – Hack It (ft. Duskee) – UKF
How a producer and MC can come together flawlessly to make a banger. Duskee is one of those MCs who has made a lane all of his own, original in every way. Sending it for 6 off the planet. I’ve been lucky enough to work with K Motionz on “breathe” a few years back, the guy is a champion at letting an MC shine on a tune while building magic around it. 
ICICLE feat SP:MC – DREADNAUGHT – SHOGUN AUDIO
One of the most perfect combos I’ve ever heard on a track. First heard Dreadnaught at Sun and Bass at Ambra Night in the inside Gazebo area. SP has a voice that can cut through any track and elevate it to something special. 11/10 and always will be this tune. 
Listen to Tempza, Emba & Cooky’s Proper Riddim below.
Ravebot
Last weekend at Ultra Music Festival, there were at least a few people who trusted the wrong people to sell them festival tickets.
Victims told the police that they bought two wristbands for $1200 in cash from Duckett. They were then denied entry and told those wristbands were fraudulent. They went back to Duckett to get their money back, but he said he could only give them $400 back because he spent the rest. That’s when they went to alert the police and identified Duckett for them.
On Saturday, an undercover officer noticed Timothy Tedford and Carlton Tedford discussing prices of wristbands with a group of people. Carlton passed out the wristbands for the buyers to put them on. Timothy would escort them inside and then collect the wristbands back. After the wristbands were returned, the police stopped him. The scam was to sell wristbands, walk the victims into the event, collect the wristbands back, and repeat the process with others.
Timothy Tedford, Carlon Tedford, and Christopher Duckett are each facing felony charges after undercover officers said they were observed selling Ultra wristbands to patrons. During the arrests of Carlon and Timothy, a third man reached over the officers and tried to remove a fanny pack that was strapped to Carlon. The man was taken into custody.
Safe to say that none of these suspects were legally allowed to conduct any business in the City of Miami.
The post 3 Arrested in Counterfeit Ultra Ticket Scheme appeared first on EDMTunes.
Ravebot
The Hulaween 2025 lineup is out, one that always sucks you into each name, imaging the nights ahead. As we peer into the depths of the lineup we find 6-sets by The String Cheese Incident, a magnetic pole to the whole modern music festival world and our former writer Disco Lines making the bill, plus Tinlicker tucked away at the bottom equipped to steal the festival as their placement on the lineup fits a sweet spot of live performance, long grooves, vocals that whisk you away, and progressive dance music that will bring the whole crowd together.
Hulaween 2025 Lineup

The lineup persists with this year’s debut dance music headliners include LSZEE (collaborative project of bass masters CloZee & LSDREAM), UKG purveyor Sammy Virji, versatile music aficionado DJ Pee .Wee (aka Anderson .Paak, who is bringing his DJ alias to Hulaween after playing the festival in 2016 and 2019 with his Free Nationals band), and Tape B b2b Mersiv (playing together at the festival for the first time, and as well as bringing back their vaunted solo sets following previous Hulaween solo performances).
Hulaween will also usher in festival debut live performances from Australian electro-pop group Parcels and psychedelic rock outfit Glass Beams.
These artists will be accompanied by heavy-hitting Hulaween veteran headliners such as festival-ringleaders The String Cheese Incident, acclaimed indie-jam quartet piece Goose (2x sets), Hulaween staple Joe Russo’s Almost Dead, and Philadelphia-bred jamtronica outfit The Disco Biscuits (2x sets + a rare performance by their all instrumental side project alias, Tractorbeam, late night at Spirit Lake) – a collection of acts that reinforce Hulaween’s roots in band-focused music.
On the electronic music front, Hulaween is bringing back headliners such as Deadbeats-label bosses / bass music juggernauts Zeds Dead, and Billboard-charting producer ILLENIUM.
The Hulaween 2025 lineup also boasts an impressive array of dance music support acts making their festival debut, such as genre-blending master ATRIP, Parisian afrohouse artist Alex Wann, infectious electronic producer Odd Mob, G-house producer Dr. Fresch, bruising bass music artist YDG, tech-house guru Westend, genre-blending house maestro it’s murph, melodic house duo Sultan + Shepard (DJ set), electronic experimenter Jade Cicada, melodic house expert Le Youth, and Latin-infused tech-house producer Maz.
Dance music acts returning to Hulaween include beloved UK house duo Gorgon City, dubstep king PEEKABOO, and ABRACADABRA-label boss BLOND:ISH.
On the live front, acts making their debut festival performances include soulful producer/multi-instrumentalist Arc De Soleil, rock/country jammer Daniel Donato’s Cosmic Country, iconic jazz-infused hip-hop trio Digable Planets, genre-blending New Jersey quintet Dogs In A Pile, and 2 sets from legendary jam rock band moe.
Veteran Hulaween live acts returning for 2025 include funky indie-dance duo Franc Moody, virtuosic guitar player Molly Tuttle, funk-jam band Pigeons Playing Ping Pong, and bluegrass outfit The Infamous Stringdusters featuring a rare special guest addition of two-time GRAMMY-nominated artist Sierra Hull during their set.
The Hulaween 2025 lineup is rounded out by acts such as BALTHVS, Ahadadream, Baauer, borne, Cole Knight, Colton Bowlin, Conducta, Distinct Motive, Grace Bowers & The Hodge Podge, Jigitz, Linska, Mary Droppinz, Nikita, The Wicked, OkayJake b2b Stvsh, Oma, Parlor Greens, Shadowgrass, Shima, SIPPY, SML, SunSquabi, Susto String Band, Villager, Vincent Antone, WonkyWilla, and more.
Hulaween is also thrilled to announce that the 360-stage experience OFF LIMITS will be returning for the 2025 edition following a wildly successful debut in 2024. The stage is located at Spirit Lake and features underground dance music programming curated by DEF, as well as fire effects by Incendia and a Funktion-One sound system. Last year’s OFF LIMITS performers included acclaimed names such as Azzecca, Justin Jay b2b Nala, Riordan, Taiki Nulight, Will Clarke, and more.
Since its inception in 2013, Hulaween has evolved into one of the country’s most coveted cross-genre affairs. Over the course of the past decade, Hulaween has hosted a plethora of world-class artists at the Spirit of the Suwannee’s idyllic grounds, which serves as the perfect setting for attendees to fully immerse themselves in Florida’s lush, enchanting nature.
Hulaween’s Spirit Lake is heralded as one of the leading immersive art experiences across American festivals, brimming with talented sculptors, fire/metal workers, painters, performance art thespians, and lighting designers. Attendees can revel in lakefront holographic projection mapping, hypnotizing light shows, and interactive installations.
Hulaween offers a variety of ticketing tiers for the 2025 festival, including GA+, which offers a dedicated lounge with a private bar, access to air-conditioned restrooms, and a concierge service. Primitive camping is included with GA, GA+, and VIP ticket options with car/RV camping passes available for an additional purchase.
VIP ticketing tiers include VIP admission, indoor bathrooms, VIP viewing areas, swag bags, complimentary golf cart rides, and VIP primitive camping for Mummy and Werewolf. The Witch VIP package (SOLD OUT) also includes a pre-set glamping tent and 2 VIP admission tickets plus catered meals. The Goblin (SOLD OUT) and Vampire packages include VIP amenities plus an RV pass and VIP admission for 2 or 4 people, respectively. The Zombie package includes a VIP cabin on-site at the festival, VIP amenities, and VIP admission for 4 people. Attendees can also opt to purchase early arrival passes to set up their campsites ahead of the festival opening on Thursday.
Tickets are available to purchase at https://hulaween.com/.
Stay tuned for additional Hulaween announcements, including the OFF LIMITS programming by DEF for the 2025 edition.
The post Hulaween Shares the Top-Notch Lineup for 2025, 12-Years in the Making appeared first on EDM | Electronic Music | EDM Music | EDM Festivals | EDM Events.
Ravebot
Brazilian DJ/Producer GREG (BR) has been making waves in the house scene for years and in 2024 the tide came in as he reached a career high with ‘Still My Baby.’ With this he reached number 1 in Beatport’s Global Chart and he’s now looking to achieve similar heights with his new track ‘Ibiza Nights.’
Having already made a great start to 2025 with the release of the ‘Whispers EP’ and his remix of Biscits’ ‘Freak’ he’s continuing that momentum with another groovy hit. ‘Ibiza Nights’ takes some afro house and funk influence that meshes together breathing life into a song that certainly feels at home on a beach in Ibiza. It reminds you of the golden age of house with it’s deep and groovy bassline and infectious melodies that keep you hooked in. The hypnotic and euphoric feel are sculpted exquisitely by GREG (BR) showing how he’s a true master of his craft.
His talent for transcending genres is evident across his impressive catalogue of music. With plenty more club bangers planned for release over the rest of 2025 paired with his rapidly accelerating momentum this could be GREG (BR)’s biggest year yet. The transition from being an exciting name to a household name is a hard one to make but GREG (BR) is making that shift look easy with amazing tracks like ‘Ibiza Nights.’
Check out GREG (BR) on his socials below:

Ravebot
I want to draw your attention to the fantastic news that the indie-pop trio Autoheart has released new music! With the announcement of their highly anticipated fourth album, “Heartlands,” they have shared the lead single “Sad Divide.” This title perfectly embodies the signature melancholy that Autoheart fans adore. It’s a powerful track that holds the potential to resonate deeply and become a standout hit.
I truly appreciate Autoheart’s lyrical dialogues. They effectively highlight important topics with eloquence, using their voice to facilitate meaningful conversations through their thoughtful social commentary. Their willingness to engage in difficult discussions is commendable, as they thoughtfully share their informed insights and perspectives. This approach fosters understanding and invites others to join in the dialogue.
The narratives they present consistently offer a captivating perspective. In “Sad Divide,” the lyrics strikingly juxtapose the theme of connection against the backdrop of emotional distance. This thought-provoking exploration unfolds in depth, as they skillfully employ various similes to unveil a fresh understanding of the song’s message.
The artwork and accompanying video is Autoheart’s first collaboration with animator, illustrator and musician Alex Benson, creator of the viral Dang project which the band are fans of – more on which is to come…
“Sad Divide” heralds the arrival of “Heartlands“, an album deeply influenced by the band’s transformative journey across the USA during their recent sell-out tour. This release transcends mere homage to the remarkable landmarks they experienced; it is crafted with love for their devoted fans, the “heartheads.” It serves as an evocative reflection of America, capturing both its vibrant reality and the dreams that shape it.
Stay tuned for exciting updates about Autoheart, as I strongly suspect that a wave of fresh music releases is just around the corner. Additionally, I’m eagerly hoping for the announcement of live performance dates. Let’s keep our eyes peeled for those thrilling announcements!
Connect with Autoheart
X: https://x.com/Autoheart
Instagram: https://www.instagram.com/autoheartvision/
The post Watch “Sad Divide” by Autoheart appeared first on EQ Music Blog.
View the full article
Ravebot
Decoded Magazine · Decoded Magazine presents Andi Durrant live at DMA Leeds Settle in with broadcasting legend Andi Durrant with a live recording from the first Dance Music Archive warehouse party at Project House, Leeds, in 2024. 
Before we get to the mix, let’s get some context. There aren’t many people better placed to tell the story of dance music than Andi Durrant. With over 25 years in the game, he’s literally lived, shaped, and now archived it into Dancemusicarchive.com – one of the most valuable and engaging resources online for dance music and club culture. Born in lockdown, it’s a fully mapped archive chronicling 35 years of the scene told year-by-year through mixes, live sets, magazines, lost radio broadcasts, and forgotten gems.
At Decoded, we have long been fans of Andi’s track deconstruction videos with his forensic, nerdy dissections of iconic club records. Now a day-party warehouse series, Andi and the DMA crew are preparing to celebrate the first birthday on 5th April back at Project House, so we’re rewinding to that opening event.
This recording with Andi selecting tracks from ’96-’98 is packed with atmosphere and crowd noise sounding just like an authentic, old-school rave tape. If you care about where dance music came from (and where it’s going), DMA is essential viewing, and this mix is living proof. 
Dance Music Archive celebrates the first anniversary of its event series on 5th April at Leeds’s independent concept space, Project House, this time focusing on 1995 – 2000, welcoming a secret lineup to spin forgotten tracks, classic anthems, lesser known remixes and bootlegs from their chosen era.  Grab tickets at https://www.dancemusicarchive.com/events.
If you care about where dance music came from (and where it’s going), Dance Music Archive is essential listening. There is real magic in the mixes gathered in the archive: raw recordings packed with atmosphere, crowd noise, and imperfections, an aural snapshot of rave culture. That’s why we were particularly pleased to get similar vibes from Andi’s own mix, which was recorded live at the first ever Dance Music Archive daytime warehouse party last year in Leeds and is now exclusively featured in our Decoded Mix Series. 
Andi Durrant – “We started the Dance Music Archive as a little lockdown project back in 2020 – trying to organise the incredible history of UK electronic music and club culture into years and record the story of our scene. Soon after we launched the DMA radio on KISSTORY and through that and social media, we’ve brought together an amazing community of people from all ages and backgrounds. So, a year ago we decided to hire a former car garage and warehouse on the outskirts of Leeds and put on a party so we could all get together in person.
We accidentally created the most incredible party with a 1000-strong crowd who are genuinely passionate about the music and just want to come out and let go. There are very few phones out, people are talking to strangers and making new friends and there are even a lot of multi-generation groups where parents are bringing their teenage and 20s kids, and vice versa!
This set was one of the most enjoyable I’ve ever played – the energy the noise and the smiles from the crowd were insane and it felt like we’d stumbled on something a bit magical. I can’t wait for this Saturday when I’ll be playing a 1990-1993 set of rave classics and forgotten gems, and I’ll be joined by a secret line up of legends.”
Tracklisting
Full Intention – Saturday (Full Intention Club Mix) [1997]
Club 69 Featuring Suzanne Palmer – Much Better [1997]
Stardust – Music Sounds Better With You [1998]
Sandy B – Make The World Go Round [1996]
Praxis – Featuring Kathy Brown – Turn Me Out (Turn To Sugar) [1997]
Nuyorican Soul- Runaway (Mongoloids In Space) [1997]
Armand Van Helden Presents Old School Junkies – The Funk Phenomena [1997]
Sneaker Pimps – Spin Spin Sugar [1996]
Double 99 – Rip Groove [1997]
Montano vs The Trumpet Man – Itza Trumpet Thing [1998]
E’voke – Arms Of Loren (Steinway Mix) [1996]
Tin Tin Out – Strings For Yasmin [1997]
Lucid – I Can’t Help Myself (The Lucid Vocal Mix) [1997]
Energy 52 – Café Del Mar (Three ‘n One Remix) [1998]
Nalin & Kane – Beachball (Extended Vocal Mix) [1997]
Da Hool – Meet Her At The Love Parade [1997]
The post Andi Durrant live at Dance Music Archive Warehouse Party appeared first on Decoded Magazine.
Ravebot
Decoded Magazine · Decoded Magazine presents Andi Durrant live at DMA Leeds Settle in with broadcasting legend Andi Durrant with a live recording from the first Dance Music Archive warehouse party at Project House, Leeds, in 2024. 
Before we get to the mix, let’s get some context. There aren’t many people better placed to tell the story of dance music than Andi Durrant. With over 25 years in the game, he’s literally lived, shaped, and now archived it into Dancemusicarchive.com – one of the most valuable and engaging resources online for dance music and club culture. Born in lockdown, it’s a fully mapped archive chronicling 35 years of the scene told year-by-year through mixes, live sets, magazines, lost radio broadcasts, and forgotten gems.
At Decoded, we have long been fans of Andi’s track deconstruction videos with his forensic, nerdy dissections of iconic club records. Now a day-party warehouse series, Andi and the DMA crew are preparing to celebrate the first birthday on 5th April back at Project House, so we’re rewinding to that opening event.
This recording with Andi selecting tracks from ’96-’98 is packed with atmosphere and crowd noise sounding just like an authentic, old-school rave tape. If you care about where dance music came from (and where it’s going), DMA is essential viewing, and this mix is living proof. 
Dance Music Archive celebrates the first anniversary of its event series on 5th April at Leeds’s independent concept space, Project House, this time focusing on 1995 – 2000, welcoming a secret lineup to spin forgotten tracks, classic anthems, lesser known remixes and bootlegs from their chosen era.  Grab tickets at https://www.dancemusicarchive.com/events.
If you care about where dance music came from (and where it’s going), Dance Music Archive is essential listening. There is real magic in the mixes gathered in the archive: raw recordings packed with atmosphere, crowd noise, and imperfections, an aural snapshot of rave culture. That’s why we were particularly pleased to get similar vibes from Andi’s own mix, which was recorded live at the first ever Dance Music Archive daytime warehouse party last year in Leeds and is now exclusively featured in our Decoded Mix Series. 
Andi Durrant – “We started the Dance Music Archive as a little lockdown project back in 2020 – trying to organise the incredible history of UK electronic music and club culture into years and record the story of our scene. Soon after we launched the DMA radio on KISSTORY and through that and social media, we’ve brought together an amazing community of people from all ages and backgrounds. So, a year ago we decided to hire a former car garage and warehouse on the outskirts of Leeds and put on a party so we could all get together in person.
We accidentally created the most incredible party with a 1000-strong crowd who are genuinely passionate about the music and just want to come out and let go. There are very few phones out, people are talking to strangers and making new friends and there are even a lot of multi-generation groups where parents are bringing their teenage and 20s kids, and vice versa!
This set was one of the most enjoyable I’ve ever played – the energy the noise and the smiles from the crowd were insane and it felt like we’d stumbled on something a bit magical. I can’t wait for this Saturday when I’ll be playing a 1990-1993 set of rave classics and forgotten gems, and I’ll be joined by a secret line up of legends.”
Tracklisting
Full Intention – Saturday (Full Intention Club Mix) [1997]
Club 69 Featuring Suzanne Palmer – Much Better [1997]
Stardust – Music Sounds Better With You [1998]
Sandy B – Make The World Go Round [1996]
Praxis – Featuring Kathy Brown – Turn Me Out (Turn To Sugar) [1997]
Nuyorican Soul- Runaway (Mongoloids In Space) [1997]
Armand Van Helden Presents Old School Junkies – The Funk Phenomena [1997]
Sneaker Pimps – Spin Spin Sugar [1996]
Double 99 – Rip Groove [1997]
Montano vs The Trumpet Man – Itza Trumpet Thing [1998]
E’voke – Arms Of Loren (Steinway Mix) [1996]
Tin Tin Out – Strings For Yasmin [1997]
Lucid – I Can’t Help Myself (The Lucid Vocal Mix) [1997]
Energy 52 – Café Del Mar (Three ‘n One Remix) [1998]
Nalin & Kane – Beachball (Extended Vocal Mix) [1997]
Da Hool – Meet Her At The Love Parade [1997]
The post Andi Durrant live at Dance Music Archive Warehouse Party appeared first on Decoded Magazine.
Ravebot
New York City’s premier nightlife destination, The Brooklyn Mirage, is set to redefine the electronic music experience with a revolutionary redesign and its first-ever artist residency. GRAMMY Award-winning DJ Black Coffee will headline this historic series, marking his first New York City residency beginning May 4, 2025.
Cutting-Edge Venue Transformation
The iconic East Williamsburg venue has undergone a complete transformation, featuring a new custom L-Acoustics sound system and an immersive 270-degree virtual environment. This state-of-the-art visual setup boasts an impressive 30K resolution, 100 million pixels, and over 3,000 tiles, creating what venue operators promise will be an unparalleled audiovisual experience.
Black Coffee’s Historic Residency
The residency represents a full-circle moment for the South African DJ, who previously sold-out multiple performances at The Brooklyn Mirage in 2019, 2021, and 2022. Black Coffee made history in recent years as the first African DJ to sell out Madison Square Garden, further cementing his status as one of electronic music’s most influential artists.
“New York has always been a special place for me and one of the most exciting crowds to come and spread love with,” said Black Coffee. “I’m honored to hold the first-ever residency at The Brooklyn Mirage, but even more so excited to make the newly re-vamped venue my NYC home for four dates in 2025!”
A New Era for NYC Nightlife
Josh Wyatt, CEO of Avant Gardner, emphasized the significance of this partnership: “As we prepare to unveil our new build, we also sought to stake New York City’s claim as a must-visit destination for artists and music lovers and to offer the same residencies that have transformed other cities into music destinations.”
The four-date residency will take place on May 4, July 3, August 24, and October 19, 2025. Each performance promises to showcase Black Coffee’s signature “Afropolitan” sound—a distinctive blend of metropolitan techno with traditional South African influences that has become one of today’s leading global dance music genres.
The Brooklyn Mirage, voted North America’s “Best Large Club” in 2022 and 2023, continues to solidify its reputation as one of the world’s premier electronic music venues. This groundbreaking residency and venue redesign mark an exciting new chapter for New York City’s nightlife scene.
For tickets, set times, supporting acts, and the latest updates, visit Avant-Gardner.com.
Ravebot
Before Karlheinz Brandenburg revolutionized how we store music, he was obsessed with how we perceive it. Now, the engineer who compressed your entire music library into pocket-sized files is now expanding sound beyond the confines of physical space.
In the world of audio technology, few figures loom as large as Brandenburg. The German mathematician and computer scientist who helped gift the world MP3—that tiny file format that would eventually upend the entire music industry—is now bending sound waves in even more ambitious ways through his latest venture, Brandenburg Labs.
Its new crown jewel, Okeanos Pro, might look like mere headphones to the uninitiated, but they represent a major leap in spatial audio. Priced at €5,000, a relative bargain compared to the multi-speaker studio setups they're designed to replace, the system is powered by their proprietary Deep Dive Audio (DDA) technology to create an illusion so compelling that users forget they're wearing headphones at all.
EDM.com demoed the mind-bending Okeanos Pro system at Austin's illustrious South by Southwest conference, where Brandenburg Labs was a finalist for the 2025 SXSW Innovation Awards in the Audio Experience category. The tech maps your listening space through acoustic calibration and then astoundingly tracks your head's position and rotation in real time, adjusting the sound field accordingly with six degrees of freedom.
For music producers, this means the ability to place sounds with surgical precision in a virtual environment, testing mixes across different speaker configurations without ever leaving their headphones. The system can process up to 16 channels of audio and receive immersive binaural audio with latency as low as 10ms, rivaling physical speaker arrays costing multiples more.
Its web-based interface provides a seamless control system and all processing happens on the dedicated hardware, keeping your DAW's CPU meters from having a meltdown. While competitors have attempted similar spatial audio tricks, none have quite yet achieved the Brandenburg team's level of immersion—perhaps unsurprising given the founder's pedigree.
There's a particular kind of magic in making ears believe what they're hearing—just ask the man who continues to change how the world listens. We caught up with Brandenburg to discuss the future of spatial audio and how his innovative company is influencing it.
Dominique Wollniok&sol;Brandenburg Labs GmbH
EDM.com: The MP3 format revolutionized audio by prioritizing accessibility over absolute fidelity, a trade-off that sparked decades of debate. With Okeanos Pro, you're now pushing the boundaries of spatial audio precision. How do you reconcile your legacy of compression with this new pursuit of uncompressed, high-fidelity immersion?
Karlheinz Brandenburg: While MP3 was a good compromise, I have worked on expanding audio quality for most of my life. AAC as used by Apple, while being even more efficient in compression and using similar basic ideas, satisfies even so-called "golden ears."
25 years ago, I supervised work on Wave Field Synthesis. This enables great immersive audio if you have a room which has dozens of loudspeakers and good acoustics. The problem of achieving a similar experience via headphones had not been solved, until now. Okeanos Pro is the first headphone system that enables a truly realistic and lifelike audio experience.
EDM.com: You've spent your career democratizing audio technology. Do you envision a future where Deep Dive Audio trickles down to consumer-grade headphones, or is this level of precision inherently exclusive to the pro audio niche?
Karlheinz Brandenburg: No, it’s not exclusive to the pro audio niche. Our Deep Dive Audio technology will also be accessible to general consumers. We are developing a headphone system that brings immersive audio into every living room. With Okeanos Home, anyone can have a simulated high-end multi-speaker system via headphones to enjoy music, movies or gaming. We plan to launch these headphones on the market end of 2026.
In the longer run, we envision a headphone technology we call PARty, Personalized Auditory Reality. This will be a game-changer for all of us, doing for our ears what glasses do for our vision. It will enable AI-supported selective noise cancelling and fully adaptive listening to real and virtual sound sources. We estimate that these headphones will be sold in eight-digit numbers, making them accessible and affordable for everyone. Immersive audio is just one feature of these headphones.
EDM.com: The MP3 format fundamentally changed not only how we consume music, but also the music industry's entire business model. Do you see Okeanos Pro's technology having a similar disruptive potential for music production and consumption?
Karlheinz Brandenburg: MP3 freed music from the carrier medium and made it accessible everywhere. The traditional and established distribution channels for music have thus been turned upside down.
Okeanos Pro has disruptive potential in terms of sound quality. It simplifies the production of immersive sound by making traditional and often very expensive speaker setups superfluous. This increases the chance that 3D sound will finally catch on, offering numerous opportunities for the entire entertainment industry. Moreover, spatial audio enables audio augmented reality, which will undoubtedly be a game-changer.
EDM.com: Deep Dive Audio's 6DoF head-tracking and room calibration promise a hyper-realistic loudspeaker simulation, but some engineers argue that binaural audio—no matter how advanced—can never fully replicate the tactile and psychoacoustic experience of physical speakers. What's the one limitation of headphone-based spatial audio that keeps you up at night, and how close do you think Okeanos Pro gets to bridging that gap?
Karlheinz Brandenburg: It is unavoidable that some tactile feedback, like the feeling of low frequencies vibrating the whole body at a live concert, is not reproducible with binaural audio over headphones. Speakers are a great technology to achieve that. However, the true potential of binaural audio lies in the applications which speaker systems can’t easily achieve.
Binaural audio enables us to simulate arbitrary acoustic scenes, which are not limited by any speaker arrangement. Even today, it manages to let people forget they are wearing headphones when set up correctly. The big challenge we're now trying to solve is to make sure this works automatically for everyone and everywhere, with just a pair of headphones and no special knowledge required by the user.
EDM.com: The pro audio market is notoriously conservative and engineers often stick to trusted brands for decades. How do you plan to convince skeptical studio veterans to ditch their monitor setups for a headphone-based system like Okeanos Pro, especially when it challenges decades of ingrained workflow habits?
Karlheinz Brandenburg: All disruptive technologies initially trigger skepticism. Our claim is: "You have to hear it to believe it." And indeed, everyone who tries our system says: "There's never been anything like it."
The biggest advantage of Okeanos Pro is that it allows you to mix multi-channel audio in any studio with unparalleled flexibility, thanks to its independence from physical speakers and room configurations. To communicate this, we exhibit at numerous events, trade fairs or exhibitions worldwide and maintain close contact with music producers.
Initially, our system was just a proof-of-concept—we didn't plan to sell it. However, at trade shows and exhibitions we have been asked several times by audio engineers and producers to release our early-stage technology as a product. This became Okeanos Pro.
Okeanos Pro is a tool that can improve and modernize workflows. Ultimately, engineers will decide how to use it. Veterans with a world-renowned, legendary studio setup and perfected workflow might chose to only supplement their workflow, for instance when working from home or demonstrating the result of their work at a different place. For others, Okeanos Pro may serve as a viable alternative for a full multi-speaker system or even as their only gateway to immersive mixing.
EDM.com: Brandenburg Labs is entering a space where immersive audio formats like Dolby Atmos and Sony 360 Reality Audio are battling for dominance. How does Okeanos Pro position itself in this format war: as a neutral tool agnostic to standards, or as a champion of a specific workflow?
Karlheinz Brandenburg: Okeanos Pro doesn't require or favor any format. Users can configure their virtual speaker system however they prefer, no matter if it is one of the two big names, an emerging format or even a crazy speaker setup that the producer wants to experiment with. Okeanos Pro can simulate it. Even better, Okeanos Pro allows producers to switch between speaker configurations with just a few clicks, offering unmatched flexibility and compatibility.
EDM.com: At €5,000, the system undercuts a full 16-channel speaker setup, but it’s still a significant investment in a crowded headphone market where competitors offer high-end options at lower price points. What's your strategy to justify that premium to cost-conscious producers who might see spatial audio as a "nice-to-have" rather than a must-have?
Karlheinz Brandenburg: Okeanos Pro offers a new approach to mixing via headphones. A key benefit of the system is that it simulates a speaker system inside of the producer's studio, a familiar environment. For many professionals, this is a must-have feature. The prices to compare to are not standard headphones because they can't reproduce immersive audio in the way ours do. The point of comparison is a multichannel loudspeaker system in an acoustically treated room. When we demonstrate our system and talk to potential customers, all the professionals tell us that it is reasonably priced.
At this stage, spatial audio is still an emerging technology. Both producers and customers are still learning the possibilities, limitations and the appeal of the technology, and I am sure the market will keep evolving.
There were also doubts about the introduction of stereo. George Harrison from the Beatles also questioned why two speakers were needed back then. Over time, stereo sound caught on and became the standard. What I'm trying to say is that we're facing a new paradigm shift that will take time for music creators to accept.
The development is also strongly linked to demand. The more 3D audio is used, the more music producers will jump on the bandwagon. Our headphone system can accelerate this process right now. I think the consumer market for spatial audio systems currently doesn’t offer a satisfactory solution for everyone. Bridging this gap will be a key factor in determining whether the current wave of spatial audio continues.
Ravebot
Mumbai, brace yourselves! The iconic Black Coffee is on his way to your city. The Grammy Award winning DJ will be headlining a one night only show in the country on the 2nd of April. DJ, producer, label owner, entrepreneur and philanthropist Black Coffee, real name Nkosinathi Innocent Maphumulo is scheduled to grace Nesco Center in Mumbai on Wednesday.
With a career spanning more than 3 decades, Black Coffee has been an impactful name in the dance music universe. His hits ranging from Turn Me On, You Need Me right to The Rapture Part III, etc. Black Coffee has etched out a Grammy under his name in 2022 for his album ‘Subconsciously’. He is reputed for an array of tours and residencies at the world’s prime hotspots & festivals. These include the likes of Coachella, Tomorrowland, EDC, Club Space Miami, Hi Ibiza, the list goes on.
A special one night only performance awaits Mumbai on Wednesday, 2nd of April. Witness the maestro creating his unique and diverse style of music that fuses elements of R&B, jazz and African influences with electronic. Black Coffee is reputed for his catchy hooks, powerful basslines and soulful vocals that would automatically make one want to dance.

Grab your passes here.
The post Grammy Award Winning Black Coffee to Perform in Mumbai, India on Wednesday appeared first on EDMTunes.
Ravebot
And just like that, the 25th edition of Ultra Music Festival in Downtown Miami kicks off festival season. Music Week was nothing short of amazing, with stellar lineups, incredible production value, and of course, we can now relive our favorite sets on YouTube. This year, we get to enjoy them sooner than anticipated. The three-day festival happened last weekend March 28-30 in Bayfront Park. So far Ultra itself has not uploaded the sets, but the artists themselves are doing it. Read on for festival highlights and the livesets on YouTube.
Festival Highlights
Ultra Music Festival 2025 concludes sold-out 25th anniversary celebration with so many huge moments it’s hard to keep track.
ULTRALIVE reached more than 30 million impressions around the world
Afrojack made pop culture history during his headlining set by bringing out surprise guests David Guetta and Sia to perform their multi-platinum global hit “Titanium” together—live for the first time ever
Skrillex played his first solo Ultra set in a decade, bringing out surprise special guests such as Flowdan, Damian Marley, Naisha, and Young Miko. The dubstep legend also played widely-heralded ID collaborations with Nitepunk, ISOxo, Peekaboo, and more
Martin Garrix closed out Ultra Music Festival for the first time, delivering Sunday night’s final Main Stage set. He brought out Armin van Buuren to premiere their new collaboration, and became the first artist to close out Ultra with his own live vocals
Alesso brought out legendary vocalist Nadia Ali and premiered new track with Becky Hill during his Friday headlining set
Carl Cox hosted his first Ultra ‘Carl Cox Invites’ stage takeover before closing out the RESISTANCE Megastructure on Saturday with the debut of his ‘Evolution’ live set
Solomun hosted his debut Ultra Diynamic stage takeover on Sunday, featuring artists such as Mau P and Four Tet before a headlining set from Solomun himself. The label boss then went b4b with Mau P, Four Tet, and Chloé Calliet
Kaskade performed a surprise headlining Main Stage set on Sunday
Anyma and Solomun performed a World Debut b2b set on Saturday
Everything Always – the collaboration project between John Summit and Dom Dolla – closed out the Friday Main Stage with a tech-house-infused Ultra debut
Armin van Buuren played his first two of three Ultra 2025 headlining sets at the Worldwide Stage on Friday – one solo set before an epic b3b with Maddix and Oliver Heldens
Charlotte De Witte brought her signature techno sound for an electrifying Friday headlining set to close down the RESISTANCE Megastructure
Steve Aoki brought out Trippie Redd, Swae Lee, Mike Posner, and more during his Sunday headlining set
Armin van Buuren’s headlining Saturday Mainstage set featured exclusively his own productions
The Worldwide Stage on Sunday featured the world debut of NGHTMRE b2b Sullivan which preceded a deadmau5 ‘Retrospective’ set where he brought out Serum-creator Steve Duda
deadmau5 also joined Pendulum for a world debut b2b performance on Saturday
Our Set Playlist
We included a YouTube playlist we created from what we can find online so far. From the main stage to the Cove, these performances’ energy and magic travel from the speakers, into our screens. Headlining sets available include Martin Garrix, David Guetta, Subtronics, Hardwell, Axwell, and the special and captivating Solomun b2b Anyma. Other incredible sets include KSHMR, Sam Feldt, and Morten.
We included a YouTube playlist we created from what we can find online so far. From the main stage to the Cove, these performances’ energy and magic travel from the speakers, into our screens. Headlining sets available include Martin Garrix, David Guetta, Subtronics, Hardwell, Axwell, and the special and captivating Solomun b2b Anyma. Other incredible sets include KSHMR, Sam Feldt, and Morten.
The Worldwide stage saw various genres throughout the weekend, with major labels hosting their takeovers. You can now rewatch Armin van Buuren b3b Maddix b3b Oliver Heldens, Nifra, and Ruben de Ronde. Other incredible must-see sets include Dimension and NGHTMRE.
Resistance delivered yet again with massive House and Techno under the Megastructure and The Cove stages. Highlights include I Hate Models, Joris Voorn, Korolova, ARTBAT, Miss Monique, and Massano b2b Christ Avantgarde.
Ultra 2026
Ultra Music Festival returns on March 27-29 of 2026 at Bayfront Park. Tickets are already on sale here. It’s never too early to get those tickets in hand!
The post [WATCH] Ultra Music Festival 2025 Sets Uploading to YouTube appeared first on EDMTunes.
Ravebot
Skrillex takes to Dropbox to drop his whole new album, FUS with over 30 new bangers nicely mixed for a lovely 46-minute playtime. Now, after 14 hours, the whole album is ready for your ears. Sunny is notorious for sending fans mixed signals in odd ways like emails and even has fans figure things out through cryptic messages. In these messages, he closes the gap between artists and fans that is usually filled with marketing and labels. This is one of the many reasons why Skrillex is so loved by his fan base. Now, let’s dive into FUS. 🙂
FUS (F*CK U SKRILLEX YOU THINK UR ANDY WARHOL) Tracklist
FUS brings a vintage Skrillex and dubstep energy consisting of 33 IDs with features from artists like Virtual Riot, Wuki, Space Laces, B-Girl, Swedm, and more. The multi-genre dance music legend has spent 20 years refining his sound of heavy electronic instruments over hard-hitting organic drums. FUS gives the genre of dubstep a whole new meaning. Hear it for yourself below.
SKRILLEX IS DEAD into SPITFIRE (Skrillex, Hawaii Slim) WHILE YOU WERE SLEEPING VIP (Skrillex, Virtual Riot, Nakeesha) SLICKMAN (Skrillex) TEARS LOST DROP (Skrillex, Sleepnet, Joker (UK) THINGS I PROMISED (Joker) RECOVERY (Skrillex, Space Laces) ANDY (Skrillex) SQUISHY CLIP (Skrillex) LOOK AT YOU (Skrillex, Jonsi) GULAB XX (Skrillex, Naisha) MOMENTUM (Skrillex, Zacari, Starrah, ilykimchi) ANIMALS BEAT (Skrillex, Team EZY) MIRCHI TEST (Skrillex, Virtual Riot, Nakeesha) HOLD ON (Skrillex) SEE YOU AGAIN VIP (Skrillex, Swedm, LOAM) MORJA KAIJU VIP (Skrillex) KORABU (Skrillex, B-Girl, PARISI)(Euorhead, Jamesjamesjames, Varg, & Whitearmor) REDLINE DASH (Skrillex) ZEET NOIZE (Skrillex, Boys Noize, Dylan Brady) BOOSTER (Skrillex & Dylan Brady) FRICKY VIP (Skrillex) JUNGUNDRA (Skrillex) DRUIDS (Skrillex & G Jones) BIGGY BAP (Skrillex & Wuki) SAY GOODBYE (Skrillex, NJOMZA, & Swedm) MOSQUITOTOUILLE (Skrillex) BABY ROYAL (Skrillex & Swedm) G2G (Skrillex, Swedm, & Badriia) DNB TING (Skrillex, Majestic) SAN DIEGO VIP (Skrillex) VOLTAGE (Skrillex) AZASU (Skrillex & Swedm) Skrillex’s Recent Headliner Ultra Miami Set
FUS comes the day after Skrillex makes major headlines with his 10-year return set to Ultra Miami’s main stage. The set brought out Skrillex discography icons like Damian Marley, Flow Dan, and more. Also, he dropped many unreleased IDs including his opening track which is a collab between him and the rising artist, Nitepunk.
Skrillex Leaving his label
Recently, in the past 6 months, Skrillex spoke out against the mainstream agenda of this music industry and announced his departure from his label, Atlantic Records. He means no ill will and gives massive credit to his teams that have helped get him where he is today. His main push behind the departure is his inspiration and clear vision of how he wants to go about releasing music to his fans for the foreseeable future. FUS is his final project with Atlantic Records and marks the end of a chapter and the start of another.
The post Skrillex Leaks & Then Formally Releases New Album appeared first on EDMTunes.
Ravebot
The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Know Good & Aaron Page - Bag
Shallou - Gone
LUPO.THEBOY
draytone - Turn Around
OSPHOR & Boy Apocalypse - Days Go By (.breezy Remix)
Hidden Face - I wanna tell U
Theobuntu - Our Aside
Janus - Reapers
XOXO - feel my love (feat. Zige)
Ravebot
For well over two decades now, Armin van Buuren’s A State of Trance mix album series has been a staple in dance music land. And much like his globally esteemed radio show itself, the sound of the mix albums evolves with each passing year, reflecting the Dutchman’s explorative nature and the ever-changing scene itself. This year, the mix series walks further down that path to deliver a trifecta of sound, guiding listeners through trance’s full spectrum—from sunlit melodies to peak-time intensity: A State of Trance 2025.
Across its three parts and 43 tracks, the new mix album offers the very best of modern trance, from the sea-side grooves of On The Beach—with tracks from Claptone x Chicane, OTTAGON (Giuseppe Ottaviani) and AVIRA—to the club-driven energy of In The Club at the hands of Andrew Bayer, Ferry Corsten, Richard Durand and Gabry Ponte x Jerome Isma-Ae. With Armin van Buuren and Rob Swire’s show-stopping new collaboration and the official anthem for A State of Trance 2025, the energy reaches full throttle with Who’s Afraid of 138?!, the third mix—a no-holds-barred adrenaline rush spearheaded by Sander van Doorn, Orjan Nilsen x Mark Sixma, Oliver Heldens & Armin van Buuren and Mauro Picotto.
As fans have come to expect and cherish, this year’s mix album is, once again, packed with exclusive tracks, sought-after IDs and brand-new collaborations. It’s the ultimate soundtrack for dance music fans, carrying them from sunrise bliss to afterhours madness, with the sonic signature of Armin van Buuren himself and his celebrated A State of Trance brand.
You can take a listen here below and on alla available streaming platforms.
Stay tuned for more news!
The post Armin van Buuren Releases 22nd Mix Album: A State of Trance 2025 appeared first on EDMTunes.
Ravebot
For those who find regular VIP experiences insufficiently exclusive, Miami's Ultra Music Festival offered the opportunity to spend the equivalent of four years at an Ivy League university on beverages consumed in three days.
In what can only be described as the champagne equivalent of a nuclear arsenal, Ultra and TAO Group Hospitality's $425,000 bottle service experience—the aptly named "Fuck You Money" package—proves that some festival-goers prefer their bass drops served with financial devastation.
What does nearly half a million dollars buy at a festival where most attendees are content with $15 beers and good vibes? A champagne armory that would make a crypto bro blush: 200 bottles of Moet & Chandon Nectar Imperial Rosé (the Pharrell Williams Edition, naturally), 100 bottles of Dom Perignon Brut Luminous and 100 Dom Perignon Rosé Luminous. That's 400 bottles of premium champagne—enough to ensure that even the festival's portable toilets will somehow smell vaguely of bergamot and French vineyards.
Ultra returned over the weekend from March 28-30 with sets by Skrillex, Martin Garrix, Zedd, Tiësto, Hardwell and many more of electronic music's biggest names. You can watch their performances here.
Follow Ultra Music Festival:
X: x.com/ultra
Instagram: instagram.com/ultra
TikTok: tiktok.com/@ultra
Facebook: facebook.com/ultra
Ravebot
Skrillex has dropped his latest album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3.
With a lengthy tracklist to match its lengthy title, the 34-track album arrives today via joint release on Atlantic Records and Skrillex’s recently revived OWSLA label, marking the electronic icon’s fourth studio LP after a two-year wait.
Though each of the tracks on F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 clocks in at less than three minutes, the album plays out as a cohesive mix, with each of its tunes seamlessly blended over its 46-minute runtime.
Major inclusions on the album include buzzed-about IDs like “SPITFIRE” and “VOLTAGE,” which date back well over a decade, and high-profile link-ups with electronic titans like Joker, Virtual Riot, Space Laces, Boy Noize, G Jones, and more.
After dipping into an array of club-centric styles on his last two albums, Don’t Get Too Close and Quest For Fire, Skrillex’s latest offering sees the world-beating producer return to the aggressive, glitchy styles of brostep and trap he revolutionized 15 years ago. With a title that feels like an FU to the haters, Skrillex again stakes his claim as one of electronic music’s foremost visionaries.
The album release follows a series of audio teasers Skrillex has shared with fans in recent weeks, and will mark his final release with Atlantic before going independent.
Listen to Skrillex’s new album,  F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, below.

Featured image courtesy: Skrillex.
The post Skrillex Drops Fourth Studio Album: ‘FUS’ appeared first on EDM Maniac.
View the full article
Ravebot
Hi! Who are you? 
Feed the Dragon! The founding crew is Mengzy, DJ Fu, Hocknell, and Justin Lim but we have a wider family that make up FTD, like our resident photographer Jake Aaron Morton and resident DJs, like MMEE, the producer who made ‘Headtop’, the first release on the label.
What’s your ethos? 
Building community and infrastructure. The bass scene here took off during Covid because the borders were basically shut but we had minimal lockdowns internally. A whole new generation got involved. Feed the Dragon came out from that really exciting period. Post-Covid, we want to harness that momentum – help protect it and build an infrastructure that inspires people to get involved in the culture: DJ, make tunes, art…
Also, we want to rep Asia in a way that feels authentic to people from or with a connection to this part of the world, which is why our visuals nod to the Asian video game culture that we grew up with. That’s also one of the reasons why we’ve got a mascot for our logo. Mascots, especially cute ones, are deeply embedded in Asian visual culture and branding.
Tell us your origin story?
We launched Feed the Dragon in January 2023 and about a year in we floated the idea of starting a label after being inspired by tunes we’d heard from producers in Hong Kong and around the region. Back to the idea of building infrastructure, starting a label felt like a really powerful way for us to walk the walk of our ethos and vision.
Tell us about your local scene… 
We’re based in Hong Kong. Although the scene is small compared to a city like London, there’s a lot of diversity here when it comes to the dance music scene and a lot of amazing, really motivated crews. Just bass-wise, there’s nights like Magnetic Soul, Dark Metaz, Slimefest, Sticky Fried Vibes, S2, Umami, 0159, Yee, and more! 
Another great thing about being based here is being able to connect with bass crews in other Asian cities, like our first international collab which was with Planet Turbo in Seoul. There’s a kind of community vibe on a regional scale when it comes to collaboration and exchange which is sick.
Do you have a specific sound or vibe? 
Our nights span the full bass spectrum from UKG to breaks, 140, dubstep, jungle, drum & bass… and we usually programme things to kick off at around 130 bpm and work their way up throughout the night. With the label, we’re gonna have the same approach with covering a wide range of styles that we vibe with.
Do you have a regular artist roster – who can we see releasing with you?
Since we’re a new label, we don’t have a regular roster yet but we’re really excited about developing MMEE, who produced our first single ‘Headtop’ featuring Killa P. 
With FTD002 we’re bringing in Azumai and Vecsille who are two up and coming Japanese producers. Azumai previously released with Critical and RAM’s sister label ProgRAM, and we’re also buzzing to be working with Vecsille as this is his first official release. 
We’ve had our eye on Vecsille for a while because he’s been making waves in the Tokyo underground where his sets have been smashing it. So, being a part of his journey as his first label means a lot to us!
Tell us about your A&R process…
So far it’s been really organic; working with people we know and who are in our network. We’re keen to work with people in Asia and also the Asian diaspora – so if you’re reading this and that’s you, get in touch!
What makes you different from other labels? 
Ultimately, the genres that we’re passionate about are UK in origin and the music on the label will resonate to bass heads regardless of where they’re listening in the world. What makes us different boils down to our mission and POV of being based in Hong Kong and having a multicultural crew (Chinese, British, Singaporean, Dutch, Malaysian…) that guides our decisions on a DNA-basis.
What does it take to run a bass music label in 2025?
Caffeine, blood, sweat, and tears.
What have you got coming up we should look out for? 
In April, we’re doing the official Hong Kong launch party for Outlook Festival for the third year in a row. And, of course, FTD002 and FTD003 which we’ll be rolling out over the rest of this year!

Ravebot
Club Culture x Pop Up Culture: The legendary nightclub and anti-club party specialists unite, championing the evolution of club culture.
 
On March 19th, London’s legendary Ministry of Sound joined forces with pop-up specialists Lab54 to host a first-of-its-kind secret party—in the women’s toilets. Now, revealing the secret collaboration, Ministry of Sound and Lab54 are announcing the start of an on-going partnership with more pop-ups to come. Kicking off on May 4th, Lab54 will return to the site of the ‘break-in’, minus the bolt cutters, to host the first in a series of Toilet Takeovers.

Late on a mid-week evening, Lab54 and 100 accompanying ravers ‘broke’ into the venue, armed with balaclavas, sound systems, and a trolley load of alcohol, with footage from the event spreading virally across social media and reaching 15 million views so far. Experts in the unconventional, Lab54’s ‘anywhere but a club’ ethos has led founder, Joe Gordon, and the lab-community, to party all around the world, from castles to arcades to bagel shops, hotel rooms to yachts and beyond.
 
Inspired by the enduring spirit of club culture, the inaugural party witnessed the unlikely marriage between the ‘Anywhere but a club’ specialists with one of the UK’s most iconic venues to spark conversations around the ever-evolving nightlife landscape. United in their combined reverence for community, the event paid homage to where Ministry, and rave culture itself, started some 35 years ago.
 
Says Lab54 founder Joe Gordon, “I think the paradigm shift we’re seeing in nightlife at the moment makes it important for clubs like Ministry to work with communities like ours to help reflect this in their offerings to ravers and what better way to do that than going back to their roots and pranking the online rave community!”
 
Since its inception in a disused bus garage in Elephant & Castle, Ministry of Sound has continued to evolve and shape the capital’s nightlife industry, maintaining its revolutionary attitude. Today, the iconic venue continues to pave the way for superclubs to support the modern raver, with accessible £5 tickets, sober raves, and 3 brand-new in-house club nights launched: Smoove, URGE, and Disco Daddy.

Says Ministry Group’s Managing Director Caitlin McAllister, “Club culture has always been about pushing boundaries, and the intersection of pop-up culture with establishments like Ministry of Sound is a reflection of how the industry is evolving. There’s an irony in a pop-up ‘breaking in’ to a club but that’s exactly the point – we need to bring new ideas to our spaces.”
 
Landing on the bank holiday weekend, the first official Ministry x Lab54 Toilet Takeover party will see the club’s loos transformed once more on Sunday 4 May. More details, dates and events to be announced – keep your eyes peeled at; @ministryofsound @lab54_uk
The post Ministry of Sound & Lab54 team up on April Fools Stunt paying homage to UK Rave Culture appeared first on Electric Mode.
Ravebot
A package arrived on my doorstep one random Monday. Inside was a handwritten note from Skrillex: "Hope you find some time in your busy life to listen to this album from start to finish. ᥫ᭡ Sonny"
Spoiler alert: I made time. And within just a few minutes of listening, it became clear that this was the sound of an artist who has nothing left to prove—but so much more to say.
Born Sonny Moore, the prodigy who erupted from the MySpace ether has spent over a decade shapeshifting—punk screamer, dubstep deity, pop architect—only to return now with the elusive album his ride-or-die fans could only dream of since the seminal Recess back in 2014. His disciplined Quest for Fire and Don't Get Too Close albums of 2023 were drops of water on a desert tongue, and those fans never stopped aching for the return of that vintage, feral Skrillex growl.
But here it is now—reimagined, reborn and roaring back into our cerebellums. Featuring 34 tracks, the album is his Interstellar, a sprawling, cyclical epic that loops back to his roots while spiraling into the stratosphere. It's Skrillex unchained, a cathartic eruption that finally fulfills his Atlantic Records contract after 15 years and opens the floodgates to a future where his music answers to no one but his own restless genius.
Skrillex in late-2024 revealed his plans to go independent after completing his Atlantic deal by virtue of his next body of work, today's release of F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3. "I've never felt more inspired and in lockstep with my intentions as an artist," he said at the time.
The stakes have never been higher. Few artists wield the kind of influence Skrillex does, and fewer still exit major label deals on their own terms. Going independent means full creative control, and if history has taught us anything, it's that Moore thrives when the rules don't apply.
As he cuts the corporate cord, one truth rings even louder than his ageless dubstep: Skrillex hasn't just come home, but redefined what home can be.
Kelly Knisel&sol;EDM&period;com
A time capsule finally cracked open, the album features many long-lost tracks that once lived only in online forums and grainy SoundCloud rips, shaping the instincts of today's biggest DJs when they were still kids, wide-eyed and wired to his sound. These unearthed gems now carry with them a sense of both nostalgia and evolution, proving that the music we wait for doesn't just belong to the past, but also to the future it unknowingly built.
But FUS isn't just a trip down memory lane. If it's a museum tour of past glories at times, it's a mad scientist's lab at others, where Skrillex brews up boundary-pushing bangers with reckless creativity.
He tosses convention into a shredder with Virtual Riot on the anarchic "WHILE YOU WERE SLEEPING VIP," producing snarling synths that gnash through a rabid rhythm. Then comes the stunning "RECOVERY," his long-awaited collaboration with fellow music production savant Space Laces, with whom he takes dubstep to the bleeding edge.
That subversive spirit runs roughshod through the album, like in "GULAB XX." Equal parts seduction and destruction, the track finds Naisha's come-hither vocals mutating into a ferocious drop. Skrillex goes even further with his contrarian approach in the sublime "LOOK AT YOU," a haunting cut with Jónsi where distorted textures envelop you like a sensory deprivation tank—claustrophobic yet transcendent.
Skrillex performing at Miami's Ultra Music Festival on March 29th, 2025.Kelly Knisel&sol;EDM&period;com
Amid the pandemonium, we find moments of tortured beauty. "SAY GOODBYE" features a spellbinding lyrical performance from NJOMZA, whose vaporous voice drifts like mist over Skrillex's hypnotic production before fracturing under the weight of a guttural dubstep drop. It's a duality that defines the album—serenity and savagery, woven together with a virtuosic hand.
That duality blooms fully in "VOLTAGE," a mythic beast of a track that fans have chased like a white whale since its early teases back in 2011. Now officially unleashed, it's a reminder that even in his most tender moments, Skrillex is still electronic music's architect of the collision course between clarity and chaos.
It all points to a legacy somehow still in its infancy for Skrillex, who seems to be just warming up, despite already reshaping the sound of a generation. As he severs ties with the label machine, his next chapter feels less like a leap into the unknown and more like a seasoned producer betting on himself after years of navigating the industry's ups and downs in lockstep with a fan base that's stuck with him through every pivot.
To that end, the album isn't some ethereal farewell, but a loud, practical flex of what Skrillex can do when he's calling the shots. Expect more collabs, more risks and a lot more noise, all straight from the source.
You can listen to F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 below and find the album on streaming platforms here.
Follow Skrillex:
X: x.com/skrillex
Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
Facebook: facebook.com/skrillex
Spotify: tinyurl.com/naka2dyv
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