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Ants Returns To Mexico’s Zamna Festival

Following a stellar debut in 2024, Ushuaïa Ibiza’s trailblazing underground party ANTS will return to Zamna Festival on Tuesday, 7 January 2025, bringing another unparalleled lineup of underground house and techno to the main stage in Mexico’s Quintana Roo jungle.

As one of Ibiza’s most acclaimed underground parties, ANTS has grown into one of the most recognisable brands in the club scene, with a global “Colony” of passionate music lovers. The event is synonymous with mind-blowing production and cutting-edge music, and is renowned for unearthing, platforming and nurturing next-generation talents. As well as the high-concept events, pioneering line-ups and futuristic production at its flagship Ushuaïa Ibiza residency, ANTS hosts its own stages all over the world from London and Miami, to Sydney and of course Tulum at Zamna Festival.
Founded in 2017, Zamna Festival is renowned as one of the most authentic and unique destinations to experience quality electronic music in Tulum. It welcomes a carefully curated mix of international DJs to the heart of Mexico’s mystical Quintana Roo jungle where nature, ancient magic and next-level production technology coexist. What sets the brand apart is its incredible design and bespoke music stages that are works of art in their own right. Inviting audiences to dance together in the lush Mexican jungle, Zamna’s exclusive experience connects music fans from all over the world.
This expertly curated event will see the two music powerhouses join together for an epic party like no other. The lineup will be revealed soon. Join The Colony at Zamna and get ready for one of the most unique and original party experiences on the planet. For more information and tickets visit unitedants.com.

Zamna Festival, Tulum, Mexico
7 January 2025
Tickets: Unitedants.com
Follow ANTS  Website  |  Instagram | Facebook | TikTok | YouTube | X
The post Ants Returns To Mexico’s Zamna Festival appeared first on Electric Mode.
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This was: World Club Dome – Future Edition

Since the first edition of WORLD CLUB DOME in 2013, BigCityBeats, the long-standing German label, radio, event, and festival organization, has come a long way with its burning passion for music, quickly growing into one of the biggest festivals in the world. During the sunny weekend of September 6th, 7th, and 8th, the 2024 edition of WORLD CLUB DOME – Future Edition took place. The festival, which was voted 10th out of the top 100 festivals in the world by DJ Mag UK, accommodated almost 150,000 visitors from 80 nations. EDMHouseNetwork had the honor of being part of this extraordinary experience, and here’s how it went.
Flying in from Amsterdam, we landed at Frankfurt Airport at 11:00 AM and made our way to the Sheraton Airport Hotel, where we would be staying for the entire weekend. As this hotel is located directly at the airport and only 10 minutes by car or 15 minutes by public transport from Deutsche Bank Park—where the festival takes place—it’s a great choice for anyone traveling from outside Germany who wants a comfortable stay with minimal travel time.
Buying a ticket for WORLD CLUB DOME automatically gets you an RMV ticket for local public transport, and with the Sheraton Airport Hotel being located directly above the bus station, you’ll have very little to worry about in terms of travel time and transportation to and from the hotel. For those who are interested in getting a 3-day ticket for WORLD CLUB DOME and would like to get the full festival experience, buying a camping ticket is also an option. The campsite is located a 10-minute walk from Deutsche Bank Park and is open from Thursday to Monday. As there is currently no option to rent equipment at the campsite, it’s important to note that bringing your own gear is a must.
There is a store available at the campsite where you can buy necessities such as drinks and food, but it’s good to know that the only accepted payment method is cash. Campers are also charged a garbage deposit of €5 per person, which is returned upon departure if the site is left clean and the garbage has been properly disposed of. This is a great way to ensure that everyone leaves the area as clean as possible after the festival is over!
Another helpful tip is that there is a central power station for charging electronic devices at the campsite, and sockets can also be found inside the campsite lockers that can be rented. While no one should be glued to their phone during a festival, it’s definitely nice and convenient to know that you don’t have to stress about charging your devices if necessary.
Festival Area and Stages
As we approached the entrance of the festival and heard the music roaring in the distance, the real excitement for the weekend kicked in. Frankfurt’s Deutsche Bank Park had been transformed into 700,000 square meters of unforgettable sights, sounds, and spectacles, all uniquely contributing to WORLD CLUB DOME’s 2024 theme: ‘Future Edition‘.
The idea behind the theme was to immerse attendees in a futuristic landscape shaped by state-of-the-art technology and forward-thinking collaborations. Through the use of artificial intelligence, virtual reality, and a focus on sustainability—topics that are highly trending at the moment—WORLD CLUB DOME – Future Edition integrated a variety of unique elements throughout the festival to show that the future isn’t just a distant concept, but is actually already here.
Having partnered with groundbreaking organizations such as the European Space Agency (ESA) and the Alfred Wegener Institute, WORLD CLUB DOME – Future Edition went beyond the traditional festival experience, focusing on the evolution of how we celebrate, connect, and experience entertainment.
With a total of 20 different stages that hosted over 200 artists throughout the weekend, and a broad variety of genres such as techno, hardstyle, hip-hop, pop, house, and drum and bass, there was no shortage of beats and music to enjoy. The different stages were scattered across the festival grounds and blended into the natural and existing elements of the area, ensuring that every stage had its own unique setting and vibe.
The Pool Area was definitely something we were excited to experience, especially on Saturday when temperatures soared above 30 degrees. We can confidently say that we can’t think of a better way to enjoy amazing music and vibes during a festival, especially when the skies are clear, the sun is high, and temperatures are even higher, than from the comfort of a cool pool. This is definitely an idea other festivals should consider incorporating into their events as summer temperatures continue to rise, making it more challenging for visitors to enjoy the experience.
Deutsche Bank Park
WORLD CLUB DOME – Future Edition as a whole was a unique experience that left a strong impression and left us wanting more. The part that truly made our jaws drop, however (yes, we were really standing there with “wow” expressions on our faces), was the transformation of the Deutsche Bank Park stadium into the “biggest club in the world.”
The stage set up at one of the short sides of the stadium was nothing less than monumental, with its cutting-edge LED screens, lasers, and pyrotechnics creating a futuristic atmosphere. The dance floor took up the entire ground floor of the arena, and surrounding structures such as bars and VIP areas made the stadium feel like a modern, impressively grand club.
The sound design was meticulously engineered to deliver high-quality audio throughout the massive space of the stadium. Special attention was given to the acoustics, ensuring that every corner of Deutsche Bank Park was immersed in crystal-clear sound. Massive speaker arrays and subwoofers were strategically placed to create an enveloping, bass-heavy soundscape that penetrated every part of the venue.
The carefully planned and executed strategy that brought all these crucial elements and details together ensured that the audience—up to 50,000 attendees in the stadium at once—experienced something spectacular no matter where they were in the arena. The combination of well-executed production design, iconic DJs performing on stage, and crowds full of devoted electronic music lovers created a vibrant energy that was infectious each day of the three-day festival.
Artists and Music
The Friday opening of WORLD CLUB DOME – Future Edition started off strong at the Pool Sessions stage with Grammy winner Black Coffee, followed by the Italian DJ Tennis. On the Zombie Stage, Angerfist fired up the crowd with some of his hardest kicks, and Don Diablo warmed up the crowd for US megastar Steve Aoki. The day ended with an exclusive performance by the legendary trio Steve Aoki, Dimitri Vegas & Like Mike—their only festival appearance this summer.
Due to temperatures of over 30 degrees on Saturday, WORLD CLUB DOME – Future Edition sold out completely, as this was clearly the best place to celebrate what was likely the last summer day of 2024. We can only say that it was a great choice, with Grammy Award winner Imanbek making his debut on the main stage, Le Shuuk warming up the audience for a spectacular Scooter Live fireworks display, and DJ Snake rounding off the day.
Added to this, WORLD CLUB DOME – Future Edition also celebrated the world premiere of the Flamenca Stage—a stage that delivered a unique mix of flamenco and electronic music. An amazing way to combine tradition with innovation by mixing the passionate sounds of flamenco with the electrifying beats of electronic music. Curious what this sounded like? Then you should definitely check out Don Juan, Nena Polap, and Esteban Garcia, who performed here.
Sunday, the third day of the festival, was largely dedicated to hip-hop, which is one of the most popular music genres in Germany. German rappers Celo & Abdi, Olexesh, Badmomzjay, and Katja Krasavice built up the mood until Haftbefehl closed the outdoor main stage with an amazing show. At the same time, Claptone hosted the Frankfurt Berg Stage with Masquerade, and techno masters such as Simina Grigoriu, DJ Rush, and Honey Dijon brought the action to the Forest Stage.
Sub Zero Project gave an incredible closing performance at the Zombie Stage, and after melodic sets from Joel Corry and Robin Schulz, one of the most anticipated DJs of the weekend, David Guetta, delivered a spectacular closing of WORLD CLUB DOME – Future Edition in a completely packed stadium that was going wild.
Additional Highlights
Besides great music and fantastic stages, WORLD CLUB DOME – Future Edition also offered a special treat for reality show lovers with the BigCityBeats GLAM – an influencer fair. Around 500 social media stars, such as Julian and Luka from Germany’s Next Top Model, Mohamadou Idrissou, and Caner Atik, were there to celebrate the future at WORLD CLUB DOME – Future Edition.
Together with stars from the German reality show The Realitystar Island, such as Oliver Pocher, Gigi, and Chris Broy, this gathering of reality stars became the largest ever executed. Accompanied by TV and the yellow press, the stars were celebrating at the WCD Pool Sessions, where other attendees of the festival also had the opportunity to apply for the different reality shows.
Conclusions
WORLD CLUB DOME – Future Edition definitely proved why it stands among the top festivals globally by combining cutting-edge technology, world-class performances, and unforgettable experiences. From its immersive futuristic theme to a diverse lineup across 20 stages, the festival catered to a broad variety of tastes while pushing the boundaries of what a music festival can offer.
In recent years, many festival-goers have expressed concerns about the growing monotony and commercialization of music festivals, with some claiming that the experiences are becoming anticlimactic, repetitive, and losing their unique charm. Through innovative themes such as the integration of futuristic technology, sustainability, and creative partnerships, WORLD CLUB DOME – Future Edition has done a great job demonstrating how festivals can evolve beyond “just” music, while still keeping music in main focus.
With its clear focus on innovation, WORLD CLUB DOME has not only set a new standard for future events but has also offered a glimpse into the next chapter of entertainment. Added to this, for those unfamiliar with their groundbreaking history, BigCityBeats and WORLD CLUB DOME made headlines in 2019 with the world’s first DJ set played in outer space, followed by the launch of the Space Club Kitchen at the International Space Station (ISS) in 2022.
With this in mind, the fact that WORLD CLUB DOME is already teasing with a ”mission to the moon” in cooperation with the European Space Agency (ESA) during 2025’s edition, and combination with the “never done before” spectacles and surprises that we’ve already witnessed during these past years, there is no denying the suspense and excitement we feel about what BigCityBeats and WORLD CLUB DOME will deliver in 2025.
EDMHouseNetwork would like to thank BigCityBeats and WORLD CLUB DOME for allowing us to be a part of this extraordinary experience, and urge out fans and readers to get tickets for WORLD CLUB DOME Moon Edition 2025, 6-8th of June, by clicking here. Because one thing is clear – if you want to get your mind blown and embark on a next level musical adventure where the unexpected is to be expected, then WORLD CLUB DOME is definitely the festival that should be added next to your agenda.
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EDM.com Fresh Picks: Medasin, emory, Harry Hayes & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly "Fresh Picks" series unearths influential tracks and discovers new music that helps define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Medasin, Anatole Muster - wilted
Harry Hayes - Sunflower
emory - tooth
DRKTMS, luca! - Promises
Lugo - Good Love
Misc.Inc, Oliver River - Healing.
Jadu Heart - Euphoria
Klsr - Connections
Tourist, Gold Panda - +1
Stresshead - So High
rom - Do what you want - release
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TikTok Music App Will Shut Down On November 28th

The global social media giant TikTok has announced that it is shutting down its separate music app, TikTok Music. The origins of TikTok Music go back to the summer of 2022 when the social media platform had plans to launch its own music streaming app and it had Chinese internet tech company, ByteDance, developing it. ByteDance had already developed an app called Resso, which already launched in India in early 2020, and Resso later changed to TikTok Music in the summer of 2023.
TikTok Music shortly got a ban in India but it still launched in Brazil and Indonesia, and had already expanded into Australia, Mexico, and Singapore as the app invited users in those three countries to participate in a closed beta test. Fast forward to today, TikTok Music announced on its official website that the app will close on November 28th, and they recommended users to transfer their playlists by October 28th (especially to various streaming services such as Spotify and SoundCloud) and request refunds by the expected date the app will close by. When November 28th arrives, everyone’s TikTok Music account information and personal data will receive an automatic deletion.
Ole Obermann, ByteDance Global Head of Music Business Development, Addresses the TikTok Music App Shut Down in Press Statement
Image Courtesy: TikTok/ByteDanceThe post TikTok Music App Will Shut Down On November 28th appeared first on EDMTunes.
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Iconic Venue Printworks Is Coming Back To Life

Printworks is one of London’s most famous superclubs, as well as one of the world’s must-visit dance/electronic music venues. According to an article from DJ Mag, Printworks just received approval for its planning application that property developers British Land and AustralianSuper submitted earlier this year so that it can redevelop itself into a permanent venue for “cultural use”. The last time Printworks hosted events was back in Spring 2023, particularly when it hosted its farewell event on May 1st of last year, which featured the likes of Bicep, Peggy Gou, Dixon, and DJ Koze as some of the headliners there.
The initial plan the property developers had was to restructure the 53-acre Surrey Quays site where Printworks placed itself and rebuild it with luxury flats, shops, offices, and restaurants. Fast forward to the present day, Printworks looks like it will make a phenomenal and unforgettable return as a result of this planning approval. Amongst the names that could not contain its excitement for the Printworks planning approval for redevelopment is the Night Time Industries Association and shown below is a statement from its CEO, Michael Kill. Furthermore, click on this link to read the Planning Consent Application Summary for the London super-club.
Image Courtesy: Printworks London Michael Kill, CEO of Night Time Industries Association, Addresses The Printworks Planning Approval
“We are extremely pleased to hear the news that Printworks officially received planning consent for redevelopment on Tuesday night“, Kill says. “This is an extremely positive moment for London’s nightlife and the entire cultural ecosystem of the city. Printworks has long stood as a beacon of creativity and innovation, not just in the UK but globally“.
The CEO also expressed his gratitude towards the Electronic scene and competent authorities, and revealed plans to get the venue back up and running as soon as possible: “The approval is a testament to the incredible support from the local authorities, community, the music industry, key stakeholders and the dedicated team behind Printworks. With full steam ahead on these exciting plans, we are one step closer to seeing the venue reopen its doors, bringing back the energy, passion, and world-class experiences that made it such an iconic space“.
*Featured Cover Photo Credit: Printworks / Luke Dyson
The post Iconic Venue Printworks Is Coming Back To Life appeared first on EDMTunes.
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Dan Ghenacia Delivers New Music Video for “Rouge ou Noir” via StrataSonic Records

Following the release of his Rouge ou Noir EP, Parisian house music maestro and Apollonia champion Dan Ghenacia shares a brand new music video for his EP’s title track directed by Australian talent Lucy Dyson.

Described by Billboard as “a spacey, synthy, sexy and simply funky swirl,” Dan Ghenacia’s “Rouge ou Noir” enters a new dimension with this brand new, animated video, which dives into the playful soundscape. The animated video draws inspiration from the circular imagery of the EP’s artwork, weaving the main protagonist in and out of hypnotic scenes as he pursues a mysterious love interest from casino roulette tables to the dancefloor and ending in an eventual happily-ever-after.
“It was important to me that the collage style animation had a lot of texture,” said director Lucy Dyson, who has previously worked with artists like Paul McCartney and Beyonce. “Frames were printed out and then re-shot to give a particular texture I couldn’t get digitally, and we mixed up the mediums used by also incorporating rotoscoped video footage to really push the surreal dream-trip experience. Taking the roulette wheel as my main visual cue, I created a surreal trip through a casino in a playful cat-and-mouse pursuit of love! This idea lends itself nicely to a tropical Ibiza-tinged psychedelic James Bond-esque licensed-to-love narrative.” Ghenacia’s knowledge of house music, which he’s accumulated over the last 25-plus years DJing, hosting essential parties, and running vital labels, is crystal clear on his fantastic new Rouge ou Noir EP. “Everything unfolded at a dizzying pace,” says Dan Ghenacia on creating the new EP. “Five days in a dream studio in Los Angeles led to Rouge ou Noir, a surreal and psychedelic experience with funky vibes. StrataSonic, this young label, is showing boundless creativity with its team to maximize the release’s impact.”
ABOUT STRATASONIC
Nestled in a private enclave in Los Angeles, StrataSonic’s home is the state-of-the-art recording studios helmed by the label’s in-house producers and has become the music industry’s best-kept secret. With an unparalleled collection of vintage gear and deep technology, this sonic sanctuary serves as a platform for both emerging and seasoned artists. The team behind StrataSonic consists of an international group of music veterans with deep roots in Los Angeles to serve as a sanctuary for artists within the broader electronic music landscape. Founder of BPM Festival, Craig Pettigrew, will lead as the label’s CEO, with producer/DJs Maher Daniel and Matt Tolfrey spearheading the Label Manager position. Mack Sennett Studios and Original Creative Agency owner Jesse Rogg has taken the role of the label’s Creative Director, with Matt Ossentjuk of Gari Safari working alongside Rogg as the Associate Creative Director.
Dan Ghenacia Upcoming Tour Dates
September 14 – Gate – Paris, France
September 17 – Hï Ibiza (w/ The Martinez Brothers) – Ibiza, Spain
September 20 – KOKO – London, United Kingdom
September 21 – Hola Club, Sitges – Barcelona, Spain
September 27 – La ASO – Barcelona, Spain
September 28 – Trip, Club Chinois – Ibiza, Spain Connect with Dan Ghenacia
Instagram | Spotify | SoundCloud Connect with Stratasonic
Website | Instagram | Bandcamp | SoundCloud
The post Dan Ghenacia Delivers New Music Video for “Rouge ou Noir” via StrataSonic Records appeared first on Electric Mode.
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TAPIWA & Simbai bridge the gap between African rhythms and electronic music on remix of Novuyo Seagirl’s ‘Imbokodo’

In a groundbreaking collaboration that bridges the gap between traditional African rhythms and contemporary electronic soundscapes, Zimbabwean DJ/producer duo TAPIWA & Simbai, collectively known as Sebenza Soundsystem, have unveiled their latest masterpiece: a pulsating afro-house remix of Novuyo Seagirl’s powerful anthem, “Imbokodo.”
The original track, a raw and emotive ode to the resilience of women, takes on new life under Sebenza Soundsystem’s expert touch. Their remix transforms “Imbokodo” into a club-ready banger that doesn’t sacrifice an ounce of its original potency. The Shona word “Sebenza,” meaning “to work,” aptly describes the duo’s approach to this remix – a meticulous labor of love that elevates Seagirl’s message to new heights.
TAPIWA & Simbai’s production prowess shines through in every beat. They’ve crafted a sonic landscape that seamlessly blends the earthy tones of traditional African instrumentation with the sleek, polished edges of modern house music. The result is a track that feels both timeless and cutting-edge, rooted in cultural heritage yet unafraid to push boundaries.
At its core, “Imbokodo” – which takes its name from the Zulu phrase “Wathint’ abafazi, wathint’ imbokodo” (You strike a woman, you strike a rock) – is a celebration of women who have long been overlooked by society. The remix amplifies this message, turning it into a rallying cry for dancefloors across the continent and beyond. The duo’s interpretation adds layers of urgency and excitement to Seagirl’s powerful vocals, creating an irresistible call to action that demands listeners both move their feet and open their minds.
By infusing afro-house elements into Seagirl’s powerful narrative, TAPIWA & Simbai have created a bridge between generations, between tradition and modernity. They’ve taken a song about the struggles and successes of women and transformed it into a unifying anthem that resonates across gender lines and national borders. “Imbokodo” in their hands becomes not just a celebration of women’s strength, but a testament to the power of music to inspire, unite, and ignite change.
The post TAPIWA & Simbai bridge the gap between African rhythms and electronic music on remix of Novuyo Seagirl’s ‘Imbokodo’ appeared first on Dancing Astronaut.
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Cheat Codes and Julia Church collaborate on ode to dating – ‘Modern Tragedy’

In their latest single “Modern Tragedy,” Cheat Codes taps into the zeitgeist of millennial dating woes, delivering a radio-ready EDM-pop confection that follows a tried and true formula to sink in its catchy hooks.
Featuring vocals from Julia Church, the track attempts to elevate standard club fare with a veneer of emotional depth, but ultimately falls short of true innovation. The Los Angeles trio’s production is characteristically slick, building from a pulsing bassline to a predictable crescendo of driving percussion and swirling synths.
Church’s vocals drive the songs appeal, infusing the lyrics with a hint of authentic emotion. Lines like “So here we go again / A night to feel alone” capture the ennui of modern romance and the all to common experience of getting ghosted.
“Modern Tragedy” arrives as yet another entry in the market of songs dissecting modern dating culture. A dance pop single that will resonate with listeners seeking catharsis for their romantic frustrations.
Cheat Codes continues to demonstrate their ability to craft radio-friendly hits, and “Modern Tragedy” suggests they know what they’re doing — and they do it well.
The post Cheat Codes and Julia Church collaborate on ode to dating – ‘Modern Tragedy’ appeared first on Dancing Astronaut.
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Circuit Faker release pensive, ambient single ‘We Grow Too Slow’

In the ever-evolving landscape of electronic music, Circuit Faker emerges as a curious anomaly with his latest single “We Grow Too Slow.”
Circuit Faker’s approach to electronic music is decidedly minimalist, eschewing the bombastic drops and frenetic energy often associated with the genre. Instead, “We Grow Too Slow” unfolds at a glacial pace, mirroring its thematic content with a soundscape that feels both expansive and claustrophobic.
The track opens with a pulsing synth line that evokes the steady tick of a clock, immediately setting the tone for the temporal exploration to come. Layers of ambient textures gradually build, creating a rich tapestry of sound that seems to stretch and warp as the song progresses.
The track’s willingness to embrace discomfort and challenge listeners’ expectations is commendable, even if the execution occasionally verges on self-indulgent.
For those who appreciate electronic music that prioritizes atmosphere and concept over danceability, Circuit Faker’s latest offering is certainly worth a listen. “We Grow Too Slow” may not be a main stage banger — but it’s a thought-provoking piece that lingers in the mind long after the final notes fade away.
The post Circuit Faker release pensive, ambient single ‘We Grow Too Slow’ appeared first on Dancing Astronaut.
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Crumb Pit drops genre-hopping smash ‘Undercover’

In an era where genre-bending is less an exception and more a prerequisite for relevance, Crumb Pit emerges as a transatlantic harbinger of sonic fusion. Their latest offering, “Undercover,” is a meticulously crafted exercise in cultural osmosis, blending the gritty lyricism of British street poetry with the pulsating urgency of the American EDM landscape.
The LA/London duo’s fourth single in as many months, “Undercover” is a paradoxical revelation—a track that simultaneously exposes and obfuscates. It’s a clever play on words from a pair whose ascent has been anything but covert. Their sound—a chimera of The Streets’ verbose urbanity and Dizzee Rascal’s frenetic energy—is wrapped in a sheen of drum & bass that feels both nostalgic and startlingly contemporary.
Space Yacht Records, ever the electronic tastemakers, recognized Crumb Pit’s potential early on, featuring their initial salvos “WGDC” and “Country Club” in their Tune Reactor compilations. This co-sign precipitated a string of performances that read like a who’s who of LA’s electronic haunts—The Roxy, Sound Nightclub, and Space Yacht’s own weekly sonic séances.
But it’s with “Undercover” that Crumb Pit truly flexes their production muscle. The track is a tastemaker-pop confection that defies easy categorization. It’s drum & bass, yes, but it’s also a treatise on the voyeuristic nature of party culture, viewed through a fisheye lens of distorted beats and crystalline production. The vocals float above the fray, at once part of the maelstrom and coolly detached from it.
In lesser hands, such a concoction might collapse under its own ambition. But Crumb Pit navigates these waters with the confidence of seasoned mariners, charting a course between innovation and accessibility that few of their peers can match.
With “Undercover,” they’ve crafted a potential hit that doesn’t just nod to the zeitgeist—it helps define it. In doing so, they may have inadvertently blown their own cover. Anonymity, it seems, is a luxury they can no longer afford.
The post Crumb Pit drops genre-hopping smash ‘Undercover’ appeared first on Dancing Astronaut.
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Book of the Month – First Floor Vol. 1: Reflections on Electronic Music Culture – Shawn Reynaldo

Written by veteran journalist Shawn Reynaldo, First Floor is a weekly newsletter that focuses on electronic music, along with the culture and industry that surround it. Over the course of just a few years, it’s become one of electronic music’s most influential platforms, routinely putting many of the genre’s thorniest issues under the microscope while reckoning with changes in the culture during a time of profound transformation.
A collection of Reynaldo’s most thought-provoking essays, First Floor Volume 1 provides a nuanced, wide-ranging look at contemporary electronic music culture, with a particular focus on systemic issues that often go undiscussed.
Topics covered included the evolving nature of electronic music fandom and artistry, value shifts brought on by the current changing of the generational guard, the shortcomings of the modern music press and the growing gap between electronic music’s foundational rhetoric and the genre’s present-day norms.
Incorporating both pieces originally published in the newsletter (all of which have been updated) and exclusive new material from Reynaldo himself, the book also features a foreword by veteran artist and 3024 label founder Martyn.
Available via Velocity Press
The post Book of the Month – First Floor Vol. 1: Reflections on Electronic Music Culture – Shawn Reynaldo appeared first on Decoded Magazine.
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Rockwell’s Top Ten Remixes

Earlier this month Rockwell released ‘LOW ART [Remixes]’ on Obsolete Medium. In honour of this, we asked the man himself to select his favourite remixes. Disclaimer: he told us it was very very hard to pick just ten!
Visages – Lunar Eclipse ft. Strategy [Alix Perez Remix]
I was a big fan of the original, and played it every set until I got my hands on the remix! The remix smoothed out the arrangement and made the drop section really exciting – leaving that silence with the vocal really accentuated the urgency of the track when the drums come back in!
Klinical – Around Me [Workforce Remix]
Another track where subtle touches to the arrangement, really help to give it impact on the dancefloor. A crunchy relick where the staccato rhythmic pattern causes carnage without resorting to cheap and distasteful gimmicks!
Konflict – Messiah [Noisia Remix]
I’m a big fan of this period of drum and bass where the darker side of things was starting to go to the next level, and artists like Noisia and Phace were really pushing production standards and sound design. I don’t really feel like they added much in terms of new content to the remix, and I think sometimes when you are dealing with such revered source material, its best to not change it too much and be faithful to the original. Using the high pass filter to heighten anticipation for the drop and all of the signature Noisia edits and touches brought it bang up-to-date, and when it strips back to just the beats and the bass, I just can’t get enough of it!
Kings of the Rollers – Shella ft. Chimpo [Halogenix Remix]
Everything about this is super crunchy and grungy. A super tasteful minimal jump up-ish remix, which really complimented the hugely underrated Chimpos’ playful wordplay.
Phace & Noisia – Micro Organism [Buunshin Remix]
I really love the original, which takes me back to an interesting time in drum and bass where everyone reigned in the loudness and aggression, and was making super minimal tracks. I like the way Buunshin kept the vibe of the original in the intro, but segued into contrasting contemporary territory with lots of white noise and crunch – crazy, but tasteful!
Absolute Zero & Subphonics – The Code [SKC Remix]
I mean, this is just lashing isn’t it.
Future Cut – 20/20 [Future Cut Remix]
One of my favourite drum and bass tracks ever – perfectly moody, interesting turnarounds, sci-fi FX – what’s not to love? Also, remixing yourself is quite an interesting proposition…
Wots My Code – Dubplate [Total Science Remix]
Again, one of my favourite drum and bass tracks ever, and probably the track that really pulled me into loving the genre as much as I do. The arrangement is perfect, and the drums have a really interesting texture and pace to them. Total Science actually sent me the stems to this years ago but the couple of times I’ve actually tried to have a look at it, nothing has even come close to this.
Moving Fusion – Atlantis [Bad Company Remix]
I think the arrangement is what gets me on this one – it just builds and builds and builds, in contrast to most, especially contemporary tracks, where all of the attention is on the drop. It conjures imagery of landing on a spaceship on a distant planet. I would remove that horn stab though!
Culture Shock – There for You [Breakage Remix]
One of the things that I’ve really liked about Breakage’s production over the years is his really tasteful yet sparse integration of musicality – it was all over his dubstep and it was really nice to see creep back in again with this remix for Culture Shock. The drums are very naughty as well – as you would expect from a Breakage production!
Rockwell’s next EP ‘LOW ART [Remixes]’ on Obsolete Medium is out now.


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Martin Garrix confirms no ADE RAI show in 2024

After a successful edition last year, the Martin Garrix Amsterdam RAI show won’t happen this year, in 2024, the artist announced via Twitter. Nonetheless, Martin Garrix confirmed that he would play at the Amsterdam Music Festival on the 19th and at the STMPD label night on the 17th during ADE.
Martin Garrix’s ADE show at Amsterdam RAI got global attention in 2018 when the massive show production was recorded in full an put on YouTube. The almost 2-hour show now sits at 3 million streams on YouTube.
The following year, in 2019, he brought his biggest show to date. The Ether showed Martin Garrix delivering what, at the time, was one of the most technologically advanced shows in the dance music industry.
Then, Covid-19 happened and the show was paused until last year. In 2023, Martin Garrix presented the next evolution of his RAI show called IDEM. The show was another massive success.
Besides being one of the most awaited shows during the Amsterdam Dance Event, Martin Garrix RAI’s performance was also one of the few under-18 events you can find during ADE. Besides the main event on Saturday night, Martin Garrix always planned an all-age event the day before in the late afternoon-early evening, letting underage people experience the party.
This year, nothing of all of this will return.
Will Martin Garrix at Amsterdam RAI happen at ADE 2024? Unfortunately no, Martin Garrix announced no Amsterdam RAI in 2024.
With a post on X (formerly Twitter), Martin Garrix confirmed that it won’t be the Amsterdam RAI show during ADE 2024. Martin Garrix will play at the Amsterdam Dance Event 2024.
As every year, his label, STMPD, will host the annual showcase on the 17th of October at the AFAS Live. Two days later, Martin Garrix will headline the biggest event during ADE, the Amsterdam Music Festival at the John Cruff Arena.
If you were looking to attend Martin Garrix’s Amsterdam RAI show, you must wait until ADE 2025.

The post Martin Garrix confirms no ADE RAI show in 2024 appeared first on The Groove Cartel.
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Ross Mintzer mints kaleidoscopic sonic identity within electronic music

Ross Mintzer may not be a household name in the mainstream, but within the ever-evolving landscape of electronic dance music, he’s carving out a unique niche. Known for his ability to seamlessly merge live instrumentation with digital production, Mintzer’s genre-defying sound is quickly earning him a dedicated following. His music takes inspiration from an eclectic array of influences, blending electronic beats with elements of world music, folk, and even rock, creating a sound that’s distinctly his own.
Born and raised in New York, Mintzer’s early musical career was heavily influenced by his jazz saxophonist uncle, Bob Mintzer. His background in traditional jazz helped shape his approach to music, giving him the tools to experiment with complex melodies and rhythms that go beyond standard electronic dance music fare. As Mintzer transitioned into electronic music, he didn’t leave those influences behind; instead, he fused them with modern production techniques, creating an unmistakable hybrid style.
Tracks like “Victory” and “World Goes Round” showcase this unique blend of live instrumentation and digital production. In “Victory,” for example, Mintzer’s signature saxophone melodies glide over deep electronic beats, giving the track a richness and texture not commonly found in electronic music. The song “Lucid,” one of his most recent releases in 2023, further highlights his ability to create atmospheric soundscapes, combining melodic synths with intricate electronic rhythms. This balance between organic and electronic sounds is what sets Mintzer apart from many of his contemporaries in the dance scene.
Mintzer’s live performances are another area where he stands out. Unlike many electronic artists who rely solely on pre-recorded tracks and DJ sets, Mintzer brings live elements into his performances. Saxophone solos, live percussion, and on-the-fly production tweaks create a more dynamic and immersive experience for his audience. This approach to live performance is rare in the EDM world, where laptop-based sets often dominate the stage.
“I don’t just want people to hear the music, I want them to feel it,” Mintzer said in a recent interview. “I want my live shows to be an experience where the audience is fully immersed in the sound, the visuals, and the energy.” It’s this dedication to creating an engaging, multi-sensory experience that makes Mintzer’s shows unmissable for fans of both electronic and live music.
As he prepares for his upcoming performance at Eau Claire’s Pablo Center on November 22, 2024, Mintzer continues to push the boundaries of what EDM can be. Supporting acts DOKTOR and NOLEPHANT will join him, adding their own brand of high-energy performances to the evening. The show promises to be a unique blend of genres, with visuals designed to enhance every moment of the performance. “This show is about connection,” Mintzer says. “I want the audience to leave feeling empowered, inspired, and part of something bigger.”
To catch Ross Mintzer live, tickets are available for his upcoming show at the Pablo Center
online.
The post Ross Mintzer mints kaleidoscopic sonic identity within electronic music appeared first on Dancing Astronaut.
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Loreno Mayer Releases Nostalgic Progressive House Tune ‘A Little More Love’

Listen to a beautiful track we recently came across.
We’re happy to welcome back an artist we’ve featured a number of times on our site. Even if you don’t recall his name at first, you surely have heard his music, at ASOT1000 for instance, or the Group Therapy radioshow, or Andrew Rayel’s sets. He’s all over the world, and his name is Loreno Mayer.
Loreno Mayer
From Croatia to the world, Loreno Mayer has truly left a mark on the Dance scene during his years involved in the industry. His tracks have been supported by top DJs and featured at major festivals. Proper singles of his took off in quite an impressive way, namely, ‘GIANTS’ being supported all over the world, and more recently ‘Who You Are’ trending on 1001Tracklists reaching the Top 10 on overall tracks.
Having worked with a variety of artists such as Paul Arcane and Quizzow, and also releasing a handful of solo singles on labels such as Revealed, AVA, and Nanostate, he’s more than well on his way to becoming one of the leading forces of the Dance industry in the near future, that’s for sure.
‘A Little More Love’
A release signed on BODYWRMR, label belonging to former Dash Berlin icon Jeffrey Sutorius, Mayer’s latest single is called ‘A Little More Love’, and even though the title has the word “little” in it, the story of how the track came to be is huge. In conversations with us, he told us the piece was first ideated in the middle of Lockdown, in 2020. By far the longest time Loreno spent on this track was switching between vocalists, as three voices had a go at it.
The first one to vocalise this tune was Brandon Mignacca, from the Rock band Chair Warriors. When he received the vocals, Mayer immediately imagined a different track. So that vocal line gave birth to an entirely new track which is now the successful ‘Lose It All’. After that, he turned to Alessa for vocals and Robbie Rosen as a writer. The idea was so good, Loreno once again crafted an entirely new idea with those vocals, which became ‘Without Your Love’.
He finally got approached by Joe Taylor, who’s worked with stars like Tiësto and Kygo, and he too had a go. The rest is history. The track was finally finished, and you can hear the result right now. The finished track is a blast from the past, a spot-on moment of nostalgia for those decade-old Progressive House sounds we all know and love.
Listen to Loreno Mayer‘s incredible new ‘A Little More Love’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Loreno Mayer Releases Nostalgic Progressive House Tune ‘A Little More Love’ appeared first on EDMTunes.
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Pretty Lights Just Dropped a Secret, Encoded EP—Here's How to Unlock It

Seven years since Pretty Lights released new original music, the drought is over.
Pretty Lights, who returned to the stage last summer after a half-decade hiatus, recently announced a pair of rare Vegas arena concerts taking place in late-October. The iconic electronic music producer has now revealed details, but there's much more than meets the eye—and ear.
Pretty Lights today shared a trailer on YouTube to tease the shows, which are billed as "3033: Ancient Future" and "1996: Rave Origins." Hidden in plain sight, however, in the video's description is a cryptic easter egg: "to unlock a doorway find the eyecon."
Naturally, the first place to look was Pretty Lights' website. After scrolling down to the bottom, a strange ocular icon appears in alignment with his social media favicons. Clicking it triggers a password-protected website containing the following message:
Entering the password, "secret," enables access to the site, at which point another message appears:
And just like that, voilà: a new Pretty Lights EP featuring five brand-new tracks. Titled Dual Fusion Unity, the record is playable only on the decoded site via a retro, dotcom-era Winamp media player and is not yet available on streaming platforms.
Awash in warm analog synths and textured production, the music is vintage Pretty Lights, a kaleidoscopic fusion of electro-soul, funk and bass music. It's a breathtaking EP that pours gasoline on the hype surrounding the "multi-sensory" shows in Vegas over Halloween Weekend.
Taking over the illustrious MGM Grand Garden Arena from October 25-26, Pretty Lights will take the same stage commanded by The Rolling Stones, Madonna, Elton John, Bruce Springsteen, Paul McCartney, Beyoncé, Lady Gaga and countless other music icons. Prior to last year's momentous comeback, he had remained out of the public eye since the summer of 2018, when he performed for a sold-out crowd at Colorado's Red Rocks Amphitheatre.
The shows are part of Pretty Lights' "Soundship Spacesystem 2024 Check Your Vector Tour." Fans can purchase tickets here.
Follow Pretty Lights:
Instagram: instagram.com/prettylights
X: x.com/prettylights
Facebook: facebook.com/prettylights
Spotify: spoti.fi/2GkoC5A
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longstoryshort Releases Profound Bass House Single ‘In My Mind’

You’ll surprise yourself singing “in my mind, in my mind” later today, trust us.
We’ve got great news to share. DJ and producer longstoryshort continues his impressive run of productions with the release of his new Bass House tune, ‘In My Mind‘. This brand-new track offers a deep dive into the artist’s psyche, exploring themes of escapism and self-reflection.
Since launching his journey with ‘Back to the Start’ in 2019, longstoryshort has forged a path that defies expectations, delivering EPs, singles, and remixes that have all caught the attention of industry powerhouses such as ODESZA, Dillon Francis, Tchami, and others. His seal of quality is an effortless excellence at weaving immersive narratives through his music while blending Cinematic Bass, Hip-Hop, and House.
‘In My Mind’
The track opens with haunting vocal echoes, immediately setting a captivating atmosphere. The driving bassline and meticulously crafted synths create a powerful and energetic soundscape that is both powerful (as it should for the larger festivals) and also very reflective, in particular referring to the pads and evolving textures that evoke a sense of mystery.
Beyond its infectious energy, “IN MY MIND” offers a deeper layer of meaning. As longstoryshort explains, the track “is about escapism. The hypotonic repetition of that vocal phrase implies stillness of being in your mind. It alludes to finding sanctuary in your mental space and seeking solace within yourself.“
Listen to longstoryshort‘s ‘In My Mind’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post longstoryshort Releases Profound Bass House Single ‘In My Mind’ appeared first on EDMTunes.
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MSG Is Bringing a Micro-Sized Sphere to Dubai

MGM Resorts International has announced a new project in Dubai called The Island. Located on Bluewaters Island, the resort will have three separate hotels – MGM, Bellagio, and Aria. But what’s even more interesting is that the complex will have a special round-shaped event space, in other words, a Sphere-like building, much like the Las Vegas one.
MGM Resorts CEO Bill Hornbuckle said that the Dubai Sphere won’t be as big as the one in Las Vegas, but it will still be very impressive. The capacity is rumored to be less than 1000, as opposed to the Las Vegas Sphere which holds 20,000 people in standing capacity. He explained the Dubai Sphere will have a smaller space for shows and other events, but it will offer a unique experience that tells the story of Dubai’s history.
Take a look at the picture above. The Dubai Sphere is set to be the round object in the middle of the take.
MGM originally planned to have a casino in the project, but they have decided not to include one because of current UAE laws. However, Hornbuckle said that they hope gaming might be allowed in the future.
The Island project is a partnership between MGM Resorts and Wasl Hospitality and Leisure, a Dubai-based hotel company. Construction is happening now, but the opening date is not yet known. The Island will compete with other big resort projects in Dubai, such as Wynn Resorts’ $4 billion project and Caesars Entertainment’s existing properties.
[H/T] Casino.org
The post MSG Is Bringing a Micro-Sized Sphere to Dubai appeared first on EDMTunes.
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Jeremy Olander Officially Releases Decade-Old Hit ‘Nextune’

They say good things comes to those that wait. Referred to by fans as ‘Soundbar ID 03‘, Jeremy Olander‘s ‘Nextune’ has been wreaking havoc in the Swede’s sets across the globe for close to a decade. Now, it’s finally getting an official release on Vivrant Imprint. Patience is a virtue, and this song is as timeless as ever.
‘Nextune’
Right at the intersection of Deep House and Techno, Olander possesses the skills to develop enigmatic and inspiring soundscapes. ‘Nextune’ has been a fan favorite for a decade, and releasing it this year pays homage to its timelessness. A sound that never gets old, the progression of string arrangements and soft melodies builds up into a dynamic and titilating drop. Olander continues to amaze us with his production skills, following prior releases such as Megatron EP on the brand new Interstellar label, and ‘Steps‘, earlier this summer.
Jeremy Olander
The Stockholm-based DJ and producer is one of the best figures in the Melodic House and Techno scene. With direct support from Sasha and John Digweed, he has claimed the love of his fans through his work. Olander has also established support with Eric Prydz, Yulia Niko, Yotto, and Argy. The swede continues his tour in Europe and North America for the rest of the fall.
‘Nextune’ will surely let your hips loose and lift your heart up, just saying.
The post Jeremy Olander Officially Releases Decade-Old Hit ‘Nextune’ appeared first on EDMTunes.
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