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Amazon Drops $200 Off JBL PartyBox Speaker for Early Black Friday

Amazon Drops $200 Off JBL PartyBox Speaker for Early Black Friday
Black Friday is just around the corner, but Amazon has already rolled out one of the season’s most exciting deals. Right now, you can snag the JBL PartyBox Stage 320 for just $399.95 — a jaw-dropping $200 off its regular price of $600. This splash-proof, portable party machine is the perfect addition to any gathering, whether indoors or out. This is a huge party speaker that you can take anywhere.
Powerful Sound Meets Stunning Lights
The JBL PartyBox Stage 320 is more than just a speaker; it’s a full-on party companion. With 240 watts of JBL Pro Sound, this beast delivers booming bass from its two 6.5-inch woofers and crisp highs from two 25mm dome tweeters. It’s powerful enough to fill a tennis court with sound, making it ideal for outdoor events.
Adding to the vibe, the PartyBox comes with a built-in light show that syncs to your music. Starry effects, light trails, and strobes will turn any space into a dance floor. Whether it’s a karaoke session or a late-night jam, the PartyBox Stage 320 makes every moment unforgettable.
Ready for Any Occasion
The PartyBox Stage 320’s portability is a major win. Despite its solid 36-pound build, the speaker is easy to move thanks to built-in wheels and a telescoping handle. It’s splash-proof with an IPX4 rating, so you can bring it poolside without a worry. Plus, with up to 18 hours of battery life, it can power your party from day to night — and beyond with a wired AC connection.
For added fun, you can connect multiple JBL speakers via Auracast technology to amplify the sound. Dual mic and guitar inputs make this speaker a dream for karaoke lovers or budding musicians.
Don’t Miss the Deal
At $399.95, the JBL PartyBox Stage 320 is at its lowest price ever. Whether you’re prepping for summer parties or need a showstopper for your indoor gatherings, this deal is a steal. Head over to Amazon now and grab the ultimate party machine before the price goes back up.
Check out this killer deal, here.
The post Amazon Drops $200 Off JBL PartyBox Speaker for Early Black Friday appeared first on EDMTunes.
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Above & Beyond Release ‘Another Breakdown’, Second Single from Upcoming EP

Above & Beyond release ‘Another Breakdown‘, the follow-up single from their forthcoming Tranquility Base Vol. 2 EP. A euphoric club anthem with classic trance elements, ‘Another Breakdown’ debuted at Above & Beyond’s Group Therapy 600 celebrations in Mexico City in front of 14,000 people. The glistening synth pads were met with a hands-up moment from the crowd, quickly becoming a well-loved ID for fans.  
During a busy year of worldwide shows, including Brazil, Canada, the UK, and the US, the GRAMMY-nominated founders of Anjunabeats have been hard at work in the studio on their next Tranquility Base volume. The EP series’ name references Above & Beyond’s beloved Tranquility Base alias, which was revered for its contribution to the trance genre, including iconic records such as ‘Surrender’, ‘Oceanic’, and ‘Razorfish’.
Following the enormous success of Volume 1 of the EP series last year, Above & Beyond are back with the second set of five club-dominating instrumental records. The Tranquility Base Vol. 1 EP peaked in the #1 slot on Beatport’s Techno releases chart, with singles ‘Angry JP8’ and ‘500’ both hitting Beatport Trance #1.
Above & Beyond’s ‘Another Breakdown’ is out now via Anjunabeats, with the full Tranquility Base Vol. 2 EP dropping on December 6.
Don’t miss Above & Beyond at Dreamstate SoCal on November 23.
TOUR DATES 
Nov 22 – Nov 23 – Dreamstate SoCal – Long Beach, CA
December 31 – Factory Town – Miami, FL 
March 30 (2025) – Ultra Music Festival – Miami, FL
Stay tuned for more news!
The post Above & Beyond Release ‘Another Breakdown’, Second Single from Upcoming EP appeared first on EDMTunes.
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Awakenings Drops First Artists For Their Summer Festival Edition

Awakenings Summer Festival has unveiled the first wave of artists set to perform at its Summer 2025 edition, scheduled for July 11-13 in Hilvarenbeek, Netherlands. Renowned for its stellar lineups and immersive experiences, Awakenings continues to be a cornerstone in the global techno scene. They coming out strong with big names such as Charlotte De Witte, Ben Böhmer, Carl Cox, Miss Monique, 999999999, and more.
Talk about techno heaven! Awakenings offers visitors a wider range of camping accommodation options. A lot of space for outdoor lovers to set up their own tent in the woods. For those that don’t want to bring their own tent, or are traveling from abroad there will be a wide variety of luxurious accommodations and pre-set-up tents. You can learn more about the Grand Camping, Comfort Camping & Relax Resort options here.
Don’t miss a beat and be the first to get access to all inside information and tickets for Awakenings Festival 2025. Early sign-up also includes access to group tickets and to all accommodations which are limited! Camping options sell out fast, so be sure to sign up for the ticket sale happening November 20th, 16:00 CET.
Check out some of the highlights from Awakenings Summer Festival 2024.
The post Awakenings Drops First Artists For Their Summer Festival Edition appeared first on EDMTunes.
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Meta Announces Feature to Allow Users to Reset Instagram Algorithm

Algorithms define contemporary times of the internet. A user’s feed is categorically sorted by the application’s AI. This is once he/she boots up Instagram. This is strategically based on a user’s past activity to keep him/her engrossed as long as possible. Showing random posts would not have an impact on an user. The key is to hold the user’s curiosity to flame social media addiction.

An accidental share or a harmless ‘like’ on something that is of relatively little or equivalent to no interest can jig up the algorithm inaccurately. A user’s feed might be flooded with the flawed algorithm now taking charged based on that previous activity. This was an activity that was intended to be passing or short-term. One option in the past to overcome this would either be telling Instagram of a user’s preference not to see these unrelatable posts. The second is to start with a new account altogether. Not anymore, as Instagram is going to let you reset your algorithm, as per Meta.
On Tuesday, Meta announced these changes. They are currently testing a user’s ability to reset their “recommendations” (read algorithms). Upon clearance, posts on one’s Explore page, Reels tab, and main feed will likely consist of more relatable and relevant content as compared previously. It will also eliminate the likelihood to miss out on content that might have been of importance and suitability to a user.
Resetting your Instagram algorithm
Upon rolling out the option from a user’s end, it can be located in Instagram settings. The path is as follows :

Opening the app – Go to profile – Tap on the hamburger or three lines menu in the top right – Content preferences by scrolling down under ‘What You See’ – Tap the new Reset suggested content option

Instagram will warn a user that this reset is irreversible. It will also recommend to unfollow certain accounts in place of resetting the ‘recommendations’ altogether. An user who has made up his/her mind to reset can proceed to select the Reset suggested content option and hit the option again on the resultant pop-up.

An alert will confirm the reset with normalcy being restored by returning to the main feed.
The post Meta Announces Feature to Allow Users to Reset Instagram Algorithm appeared first on EDMTunes.
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Celebrating 10 Years of David Guetta’s Album Listen

On November 21, 2014, David Guetta released ‘Listen’, his sixth studio album, showcasing a new side of the French DJ and producer’s artistic vision. Moving beyond his typical high-energy dancefloor anthems, ‘Listen’ was a deeply personal project that incorporated acoustic instrumentation, orchestral arrangements, and an emotional depth not often seen in EDM at the time. The album marked a bold step forward in David Guetta’s career, blending pop, EDM, and heartfelt storytelling.
‘Listen’ featured a star-studded lineup of collaborators, including Sia, Nicki Minaj, John Legend, Emeli Sandé, and Sam Martin, delivering unforgettable hits such as ‘Dangerous’, ‘Lovers on the Sun’, and the smash ballad ‘What I Did for Love’. These tracks not only dominated the charts but also demonstrated David Guetta’s ability to evolve and push the boundaries of electronic music. With a mix of radio-friendly hits and introspective tracks, ‘Listen’ appealed to a broader audience, resonating deeply with fans and critics alike.
Ten years later, ‘Listen’ remains a testament to David Guetta’s versatility and artistic growth. As one of the most influential figures in EDM, David Guetta continues to shape the sound of the genre, but ‘Listen’ stands out as a milestone album that proved dance music could also be soulful and introspective.
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Skrillex Speaks Out Against Music Industry, Plans to Ditch Label

The Grammy-Winning Los Angeles producer Sonny Moore, also known as Skrillex, announced his upcoming departure from his partnership with Industry Giant Atlantic Records to focus on independent releases, after one final project with the label. The artist widely known for being of the pioneers of Dubstep and 2010s EDM shared his thoughts on a thread of posts on X (formerly Twitter).
Skrillex Goes Independent
The artist explains that his inspiration is taking him on the right tracks for his artistry, and that means parting ways with the label
Moreover, the DJ explains how existential he feels about it, given the political game he feels the industry plays consistently, this confuses him. Even though he uses the term ‘independent”, he still gives due credit to his production team and other creators that will continue this journey with Skrillex into 2025.
The producer continued the thread trying to explain the dangers of the industry and he alludes to seeing many young artists in consistent panic. However, he bases his focus on keeping his objectives simple, in a way that he can continue to make music, which speaks to emotion and beauty.
Skrillex
Sonny had a huge comeback releasing his second and third albums consecutively in 2023, nine years after his debut release. Furthermore, he launched a massive campaign with creatives Fred Again.. and Four Tet. The trio took over Coachella, Times Square, and our hearts. In effect, the project awarded them a Grammy for their track ‘Rumble’, alongside Flowdan.
Skrillex still has one more project under Atlantic until he is able to have full control of his creative juice to deliver what he does best: A high quality auditory buffet.
The post Skrillex Speaks Out Against Music Industry, Plans to Ditch Label appeared first on EDMTunes.
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Plastikman’s iconic track “EXhale” now available for exclusive interactive remixing

The iconic Plastikman track “EXhale” from creative visionary Richie Hawtin is now available within the groundbreaking new entertainment platform KOR Protocol. 

As part of the inaugural interactive release, the drop of “EXhale” – originally conceived as part of the seminal 2014 “Ex” album, from the onetime live performance of Hawtin’s invitation at the Guggenheim’s 2013 International Gala – opens yet another phase of creativeness for the track, via dance heavyweight Dixon’s remix.

Richie Hawtin and Dixon are creative visionaries known for redefining the artist-fan connection, each remaining two of the most respected and prolific producers/remixers/DJs of the last twenty years and, alongside the included release of “My Love for You” by British producer Sound of Fractures, reflects each artist and KOR Protocol’s dedication and vision towards reimagining a passive music release as a highly collaborative process – transforming traditional music consumption into participatory art.

Entering a new ambitious chapter of fan empowerment, expression, and creativity today, this release   
represents a unique fusion of artistry and technology that will drive the next generation of interactive music.

As emerging technologies continue to inspire creative expressions in the digital sphere, transdisciplinary artist collective Transmoderna, spearheaded by Dixon, has positioned itself at intersection of electronic music and digital arts as an unparalleled audiovisual experience whose latest work within the Black Mirror multiverse demonstrates a highly stimulating artist collaboration.

The release also includes Grammy award-winning musician and technologist Imogen Heap with her latest single “What Have You Done to Me. Heap has long been an innovator, responsible for pushing the boundaries of art and technology over a multiple-decade career

Each artist and track selected for the first release represents a unique fusion of artistry and technology that will drive the next generation of interactive music. 

This unprecedented approach aligns with KOR Protocol’s core mission to empower creators and fans to interact with IPs freely, bringing new value and creativity to music by removing traditional barriers to remixing and production. Widening the possibilities of a richer fan experience, listeners and creators can now create their own remixes using the advanced interactive music and visual tools within KORUS, powered by KOR Protocol’s advanced, professional-grade digital tools. 

KORUS, built on the KOR Protocol, is an interactive music platform aimed at empowering artists and audiences alike through enhanced intellectual property (IP) rights, fair distribution, and transparent royalty mechanisms. A revolutionary step for fan-creator interaction, it enables artists to upload, remix, and distribute music, along with other IP, in a secure, community-centered environment.

A Revolutionary Step for Fan-Creator Interaction
The release of “EXhale” on KORUS opens a new frontier in the relationship between artists and their fans. Fans can not only enjoy Dixon’s remix of this iconic track but also create their own remixes using the interactive tools on KORUS, powered by KOR Protocol’s advanced AI and IP management solutions. This approach aligns with KOR Protocol’s mission to empower creators and fans to interact with IPs freely, bringing new value and creativity to music by removing traditional barriers to remixing and production​.

Why This is Important: Enabling True Artistic Collaboration
Traditionally, remixing iconic tracks involved complex legal agreements and technical hurdles. With KORUS, these barriers are dismantled by leveraging the KOR Protocol’s IP Vault and licensing module, ensuring all contributions and remixes are appropriately managed and attributed on-chain. This creates a space where artists like Plastikman can safely and ethically allow their music to be reimagined.


KOR Protocol is a decentralized open framework and growing suite of tools revolutionizing the way digital content and intellectual property are created, managed, and monetized. By integrating advanced AI with robust blockchain technology, KOR Protocol supports artists, musicians, filmmakers, and developers in protecting their creations and engaging directly with global audiences in innovative ways whilst protecting their creative works.

PIXELYNX, the first developer behind KOR Protocol was acquired by Animoca Brands, leaders in the web3 and entertainment space. From IP registration, licensing, and royalty tracking to decentralized interactive content creation, KOR Protocol enables artists, developers, and fans to collaborate seamlessly shifting the paradigm of traditional IP management. For more information, visit www.korprotocol.com
Download the remix pack here
The post Plastikman’s iconic track “EXhale” now available for exclusive interactive remixing appeared first on Decoded Magazine.
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Israeli duo Gproject team up with Coexist for scintillating new single ‘The Moment’ on Alteza Records 

Gproject, a high-energy electronic music duo from Israel have been honing their craft for quite some time, with each of their psytrance anthems leaving a distinct impression within the dance scene. Delivering a truly scintillating new single, ‘The Moment’ is more than set on captivating audiences worldwide, with the addition of fellow Israeli DJ/Producer Coexist on the track, making for an end product that can’t be missing from anyone’s hard-hitting playlist. Returning on Vini Vici’s imprint, Alteza Records, ‘The Moment’ has arrived at the most fitting of times, marking a successful 2024 for both Gproject and Coexist, and of course, paving the foundations towards an even brighter 2025 that lays ahead. 
Infusing their signature sound(s), Gproject and Coexist can only be described as a match made in heaven, with each act perfectly embodying their passion towards their respective craft, and when combined, the result is nothing short of spectacular. A psy rave anthem that will tear up clubs and festivals all around the globe, ‘The Moment’ incorporates a vast array of high energy musical elements, whilst its most infectious drop will have listeners begging for more. Dynamic but yet invigorating, be prepared to immerse yourselves in a musical experience like no other, with a euphoric aura oozing throughout the track’s entirety, and in turn, leaving listeners with a nostalgic feeling as it comes to a close. 
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fabric London’s DJ mix series celebrates 25th anniversary

London’s fabric nightclub has been a hotspot for those who enjoy nightlife, electronic music, and dancing; for a quarter of a century, numerous hedonists have traveled from all around the world.
Clearly keeping among the most creative, respected, and honest music policy in the club scene. Having overcome many obstacles including a pandemic and government interference, the venue stays an absolute career high for any DJ to perform within its deep underground confines. Now, with a unique commemorative photographic print by UK music culture artist Mark Vessey, its label and mix curating series are recognized as part of their 25-year milestone.
This work reminds us of the tangible media we love and what they mean to us, therefore extending Mark Vesey’s particular philosophy of honoring the past. Using medium and large-format photography, he brings our attention to the materiality of items and increases their relevance.
Created by the leading and most revered Electronic Music DJs in the scene, these images show fabrics of actual CD releases for an artwork celebrating and depicting the label’s most renowned mix compilations. visually recording the distinctive, cutting-edge, innovative sounds that drove the club’s lengthy history and revolutionary music policy. All in their classic, immediately identifiable tin shell.
London club fabric is rightfully commemorating 25 years of delight on the dancefloor. Along with a commemorative book and now this unusual artwork, this historic jubilee year has included a globe tour and special music releases.
From November 2001 until November 2018, fabric ran two mix compilation series under the direction of a range of both new and seasoned DJ’s. Mirroring and reflecting the sound of their main club evenings, these were fabrics and fabriclife. Every mix comes out on its own, alternately every month. Combined sold more amazing 1.8 million physical units worldwide, both series.
Their devoted worldwide audience loved and religiously performed the mixes, which included some of the biggest names in the business including Ricardo Villalobos (2007), DVS1 (2017), LCD’s James Murphy and Pat Mahoney (2017), LTJ Bukem (2009), Four Tet (2011), Daniel Avery (2012), Mo Wax and UNKLE. James Lavelle (2001) plus Swayzak among many more. Each series concluded with their respective 100th installments in October 2018.
Rising creative talent Mark Vessey, best known for investigating and honoring icons of modern pop and dance culture, has graphically caught the passion and spirit of this collection. He carefully chooses the topics of his images—magazines, books, vinyl records—that have particular meaning within the popular cultural legacy of the 20th and 21st Centuries. Continuing his DJ and vinyl music theme, this new poster and photo follow on from his widely praised work with Carl Cox, Norman Cook aka Fatboy Slim and Founder of Defected Records Simon Dunmore.
Fabric London dancefloor The post fabric London’s DJ mix series celebrates 25th anniversary appeared first on The Groove Cartel.
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The Return Of Brooks

After a 2-year hiatus, earlier this year Brooks finally made his return to the music scene and has got right back into releasing amazing tracks and performing some electrifying DJ sets. Brooks rightfully had taken some time out to look after himself, lying low for a while and ceasing to post anything on social media while still making occasional appearances at festivals, but now he’s fully back which is incredibly welcome news to hear.
Back in June he made his return to releasing music in epic style with ‘Let It Out’ which unveiled a new style from him that was still unmistakably Brooks. It was yet another display of his incredibly creative sound design that showed his ever-evolving sound and proved he was back with a bang. Only a month after this he dropped ‘Monster’ which was another really strong track with another display of his genius when it comes to inventive productions.
Since then, the Dutch DJ has stamped each month with a huge performance taking to the stage at S20 Festival in July, doing a DJ set for Slam! in August, dropping some awesome ID’s at Ushuaia in September, and in October we got the fantastic ‘Back 2 Brooks’ event at Amsterdam Dance Event. This event saw Brooks take to the stage to do a series of back 2 back sets with the likes of Mesto, Justin Mylo, Mike Williams, Vluarr and many more which was a major highlight from ADE.
Having made such a strong return to the music scene it’s fair to say that there’s a lot to look forward to from Brooks in the coming year. What’s your favourite Brooks track so far since his return? Let us know in the comments down below.
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fabric and British artist Mark Vessey collaborate on artwork commemorating the ground-breaking and diverse CD mix series across 25 years

“fabric has always been about culture, music culture, club culture, youth culture and art. The venue has always strived to be as forward thinking and innovative on all levels not just its music offering. The artwork for our flyers across 25 years has always been progressive as too the artwork for our mix series. Its makes sense that the physical CD compilations of fabric are documented and celebrated.  We are thrilled to work with UK artist Mark Vessey, who will immortalise the collection for all to see”. Cameron Leslie, fabric Co-Founder
 
There is a large section society that adores nightlife, electronic music and dancing, London’s fabric nightclub has been a mecca for these people and a celebrated international destination for countless hedonists for a quarter of a century. Arguably maintaining one of the most innovative, respected and incorruptible music policies in the club world. Having survived many challenges including a pandemic and government intervention, the venue remains an absolute career high for any DJ to play within its deep underground walls. Now its label and mix curation series are celebrated as part of their 25 year anniversary with a special commemorative photographic print by UK music culture artist Mark Vessey. 
 
This work continues Mark Vesey’s specialist ideology of honouring the past, reminding us of the physical mediums we cherish and what they mean to us. By shooting collections using medium and large-format photography he draws our attention to the physicality of objects and magnifies their significance. 
 
Here is photographs fabrics physical CD releases for an artwork that celebrates and depicts the labels most loved mix compilations, created by the scene’s leading and most respected Electronic Music DJs. Visually documenting the unique, cutting edge and pioneering sounds that spearheaded the clubs long history and trailblazing music policy. All in their iconic and instantly recognisable tin casing. 
 
“Being able to document the physical mix series for such a world renowned club and label is an honour. I hope to immortalise and distil the impact of their physical release series within my art, so much that it will be there to view on display in the club for future generations of clubbers to see”. Mark Vessey
 
It’s no secret that London club fabric is celebrating 25 years of bringing joy to the dancefloor. This landmark anniversary year has featured a world tour, special music releases, a commemorative book and now this unique artwork.
 
From November 2001 to November 2018, fabric ran two mix compilation series, compiled by a variety of emerging and established DJs. These were fabric and fabriclive, mirroring and reflecting the sound of their main club nights. All the mixes are released independently on an alternating monthly basis. Both series combined sold over staggering 1.8 million physical units globally. 
 
The mixes were cherished and religiously played by their loyal global fanbase, featuring some of the industry’s biggest names including names including Ricardo Villalobos (2007), DVS1 (2017), LCD’s James Murphy and Pat Mahoney (2017) ,LTJ Bukem (2009), Four Tet (2011), Daniel Avery (2012), Mo Wax and UNKLE James Lavelle (2001) and Swayzak in addition to many others. Both series ended with their 100th instalments respectively in Oct 2018. 
 
The passion and spirit of this collection has been captured visually by artist Mark Vessey, a rising creative star, best-known for exploring and celebrating icons of contemporary pop and dance culture. He lovingly curates, the subjects of his images which include magazines, books and vinyl records that have had special significance within the popular cultural heritage of the 20th and 21st Centuries. This new print and photograph follows on from his critically acclaimed work with Carl Cox, Norman Cook aka Fatboy Slim and Founder of Defected Records Simon Dunmore, continuing his DJ and vinyl music theme.
Available via here
The post fabric and British artist Mark Vessey collaborate on artwork commemorating the ground-breaking and diverse CD mix series across 25 years appeared first on Decoded Magazine.
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NOT BAD FOR A GIRL Launch Record Label: EQUAL PARTS

NOT BAD FOR A GIRL is a UK collective that provides support and opportunities for women, non-binary, and transgender people in the music industry. After launching five years ago, this electric – and completely unapologetic – Manchester-born group has made a name for itself as both a high-energy DJ act and a vital resource for up-and-coming artists. The work they have done within music has been important and impactful from day dot, as they continue to fight the good fight for marginalised people.
Fast forward to now and the launch of EQUAL PARTS! A record label set up specifically to release music from artists who have historically faced greater barriers to entry due to their gender. After a recent study found that 51% of women in music have been discriminated against due to their gender, and a third of women in music have been sexually harassed, NOT BAD FOR A GIRL aims to continue to combat these issues and address other barriers to entry, through the work of the label.
The name of the label is borrowed from a slogan they coined in the early days of the collective; ‘equal pay, equal opportunity and EQUAL PARTS SPIRIT AND MIXER’. Which is, perhaps, one of the greatest slogans of our time. Stick it on a billboard, scream it from the top of your lungs, say it louder for the people at the back.
We jumped into conversation with Martha – one of the founders – to find out more.
Martha! What’s going on in the wonderful world of NOT BAD FOR A GIRL?
It’s honestly the most exciting time I think. We’ve been running for 6 years now which is unbelievable. It’s such a long time. When we started out we were literally throwing house parties, giving out cans at the door, there were no venues or anything like that. We weren’t charging people, everything was free entry. We started out as students in Manchester and now we’re where we are now. We’ve helped so many people, given so many people their first sets, given loads of people their first opportunities to play at festivals. We’ve curated stages at Boomtown, Project 6… done all of the stuff. We’re part of the Converse All Star creative community which is really fun, and now we’re launching a record label! All of these things are happening and it’s so fun that it’s basically the same 6 people pushing this forward and really believing in it.

What’s the key factor that got you to the 6-year mark?
Friendship. 100%. We’re all best mates. We’re kind of like family, there are frustrations sometimes too. But I’m obsessed with it. I have ADHD so it’s a hyperfocus for me, so that’s definitely something. I can’t put it down. I don’t think I’ll be able to put it down until it’s finished, and I don’t know what that looks like! Another thing with having a team is that if I need to step away from it, someone can pick it up. This is what I’m always saying to women, transgender and non-binary people who are trying to step into an industry that isn’t super welcoming to them: find your friends, find your people, unionise and have someone who has your back because no one is made to be consistently creative and to output consistently, yet this is the world we live in. We live in a world where this is expected of you, so if you can form some kind of group where between you you can consistently output then that’s so much easier. It’s a community. It’s nicer. 
Let’s circle back to the big news: You’ve just launched a record label! Tell us about EQUAL PARTS.
The name, first of all, comes from a slogan that we used to use when we started out because we were very much party people… with a feminist message, of course. The slogan was ‘equal pay, equal opportunity and EQUAL PARTS SPIRIT AND MIXER’ because whenever we mixed drinks it was always equal parts spirit and mixer. 
It also represents how we want to use this as a platform to champion people who don’t normally get championed in the music industry. I think there is so much happening at the minute for DJs. There’s so many workshops and support but actually for producers, it’s much harder. There is also less access to education and platforms for people from historically marginalised demographics who are just starting out. I think, for us, we do a lot for and with DJs, it was time to take that next step and support another area of the industry. That was where the idea came from. Also, we’re all so passionate about music. We always hear tracks, people will send us stuff too and we’ll be like ‘That’s such a banger!’ and then we’d pass it on to someone else. Eventually, I was like, “Guys. We need to be releasing some of these tunes!” They were too good to let go. I’m so excited about the people we are releasing with.
Yes! Talk us through what’s incoming…
The first release is from THT GRL who is one of our members. She’s a production duo with her partner PCKRNG, who is the former owner of DOIN BITS magazine. We’ve signed their track ‘Don’t You’ which has had some really big coverage already. It’s seen a lot of success on George FM and BBC. I love that you can really tell that they’re partners through the music they make. When I listen to their tunes I get the same excited, chaotic feeling as when I hang out with them. Also, the rate that they churn out tunes is unbelievable. They make like 4 a week. It’s bonkers, but great, because they’re constantly sending music.  DaiSu is also a really exciting addition to the label, their production journey has been a joy to watch. Their track is such a banger that I just want to get it out now. I’m so excited for everyone to hear it! Another artist that we’ve got is called Urbi who’s really cool. She’s from Manchester. She actually played her first DJ set at one of our open decks a year ago, and now we’ll be releasing her first ever release next year, so it’s a really nice full-circle moment for us.
Very exciting! Any other artists you can share?
Shirley Temper who is a British/Thai producer. She’s really cool. They do stuff with Das Booty. They are so fun musically. So high energy, so intensely spirited but also with some really feminist themes that come through the vocals of her tracks. Also, just from chatting to them it was immediately like, ok, we’ve really connected here. We’ve had really similar experiences of feeling isolated in the industry. We were even talking about how hard it is to work with record labels because there is no information about how to understand those business aspects of the industry. Nobody knows how much they should be getting or if a contract is fair. So there was definitely a connection there where we said we wanted to be as transparent as possible. I’ve got loads of experience in music, I’ve worked at lots of different labels over the past 7 years and I have a really good understanding of how things should work. It’s really nice to now be able to bring that knowledge to other people and help them. 
So there’s a mentoring aspect to the label too. Do you have plans to add a mentorship scheme into the mix alongside releasing music?
We are absolutely desperate to do a mentorship. We have it all planned out, it’s just funding it which is the issue. So if anyone is reading this article and wants to fund the mentorship – please get in touch! But yes, we’d love to do that, and in the meantime, we have our group chat which is one of the main aspects of being in the collective. It’s a sounding board for advice from a community of engaged people. People send us music which isn’t finished which is absolutely fine, we’re so happy to give feedback on it and to give advice. That’s why we’re doing what we’re doing, we want to help and we’re not looking specifically for artists who have lots of experience either. It’s never been how we’ve done things. If someone is really dedicated and has a really great sound and you can tell that you care, they are the main things we’re looking for in artists.
What’s the vibe of EQUAL PARTS? Musically, what can people expect?
We’re not limiting ourselves to genres. That’s something we’ve never done. Even our DJ sets will go from northern soul to speed garage. I think a lot of people are moving away from sticking to one genre. A lot of artists aren’t pigeonholing themselves in genres anymore, which I think is really cool. What we want to do is bring our audience on a journey with us and have them go from A to B and listen to songs that they’ve never heard. Maybe even try genres that they don’t even like. What I can say though is that it will all be dance music. The vibe is fun, silly, sometimes feminist, and always having a really good time.
Would you say we’ve made progress in terms of inclusivity in the UK music scene?
I think so! But I mean, there’s a lot of superficial progress too. There’s people doing things because they feel like they have to, which we knew was going to happen but honestly, so long as it has a positive impact, I’m ok with that. There is a lot of performative action though, I would say, and that doesn’t change anything. It doesn’t change the fact it’s so hostile, it doesn’t change the fact that everytime I speak to women, trans or non-binary people they’ve got horrible stories to tell. Everything from sexual abuse to microaggressions. All of that scale makes the industry so hostile and it is such a barrier to entry. It’s a shame. 
I know we’ve made progress, and most of the labels have a diverse roster now but at the same time, there’s so much further to go. That’s why we’re doing what we’re doing, because we’re fed up with it, to be honest. I spent the beginning of running NOT BAD FOR A GIRL with so much enthusiasm, then there was a dip, then I thought things were changing a little, and then recently I took stock. Politically, the world is burning, so I had a massive push from pure frustration. Enough is enough. 
There must be so many different emotions that you experience as a woman yourself in the industry, who is also running NBFG and constantly fighting the good fight for others. How does that take its toll on you?

It’s exhausting. It’s not just that either, I’ve been in rooms when decisions have been made about important industry things and I’ve heard how women have been spoken about and it’s been disparaging. It’s not all people, but it’s some people, and it shouldn’t be anyone. I’m there professionally and so I obviously have to challenge things, but I also have to do it in a way that is sensitive. It’s very emotional for me. You have conversations with men where they’ll play devil’s advocate. They see it as a theoretical topic but they disregard the fact that it’s more than that for the person they’re talking to. They’re ignoring my lived experience. It’s hard to toe the line between helping and being a human in the middle of it. Both of those things I have to weigh up. It’s hard to not get caught up in the frustration of how the world is. I know I need to protect myself so I know, to an extent, that I have to be emotionally distant and have my coping mechanisms. I run to my partner all the time for support, and we also have our NGFG group chat where we can share anything that’s been difficult for us. That group chat is invaluable to me. It’s such a great support network. It’s all about community and self-preservation.
We focus a lot on what people behind the scenes need to do to help with equality, but what do you think ravers and music lovers can do to help?
Something that I realised two years into running NBFG is that I had no women in my playlists! So buying and streaming music is a really great and important way to support. Buying tickets to shows where there are women, trans and non-binary DJs on the lineup. Messaging promoters and requesting these artists to play at their night, that is so helpful, never underestimate how powerful that is. Creating playlists, adding to your playlists, playing their tracks, and sharing them with friends. These are all such great ways of directly impacting the scene. Individuals often don’t realise how much of a big impact they can have. It really needs the support of everyone to equalise the playing field. 
Plans for the future of both the label and NBFG?
A lot of what we’re focusing on is the label. If anyone who has music and wants to get in touch, even if it’s not finished, or if you’ve got something and you’re not sure, I am really interested in hearing from people. Whatever you have, send it our way! In terms of other future plans, we’ll definitely have a label launch in London, which will be announced soon. We’re going through Good Night Out training currently which is training to better understand, respond to, and prevent sexual violence in nightlife. We’re being accredited for the course which is great and super useful. If anyone runs their own event, you can also book onto this training and learn how to deal with these horrible, but ultimately scarily common occurrences that happen within our nightlife, so that’s something that we’ve done recently that we’re really proud of too. Other than that, our plans, as always, are to just continue to smash it really, all the way through 2025. We’ll be doing festivals as usual and loads of club sets too. It’s going to be a good year.
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This is Ultra Music Festival Miami Phase 2 lineup

Additional Phase 2 performances are Ahadadream, Barclay Crenshaw, Crankdat, Da Tweekaz, Doctor P b2b Flux Pavilion, Frank Walker, Maddix, Morten, Odd Mob, Peekaboo, Said The Sky, Sub Zero Project, TOKIMONSTA, VTSS and more. Curating a stage takeover featuring debut festival performances from Ketboi69 (Partiboi69 x KETTAMA), Partiboi69 b2b Juicy Romance, and Skream b2b Interplanetary Criminal, Australia’s freewheeling underground maverick Partiboi69 will bring his alien event series “Area 69” to Ultra for the very first time. First-ever psytrance stage takeover for the festival will be presented by Powerhouse psytrance duo Vini Vici’s Alteza Records. The Dirty Workz label of Belgian hardstyle heavyweight Coone will make a fourth consecutive year return to the UMF Radio Stage. Notching more than 50 more bands to perform at the festival’s 25th-anniversary celebration, which will take place from Friday, March 28 – Sunday, March 30, 2025 at Bayfront Park in Downtown Miami, Ultra has revealed its star-studded Phase 2 lineup.
Ultra has already presented a slate of world-class headliners ahead of this historic event, confirming its reputation as the World’s Premier Electronic Music Festival.
Ultra’s Phase 1
Above & Beyond, Afrojack, Alesso, Armin van Buuren, Axwell, LSZEE (CloZee and LSDream), deadmau5 “retro5pective set”, Gesaffelstein, Hardwell, Martin Garrix, Nero, Pendulum (live), Subtronics, Tiësto, Zedd, and Zeds Dead (AV SET), Ultra’s Phase 1 lineup reveal says.
RESISTANCE is techno
Resistance, previously heralded as the most international dance and techno festival brand, will once more offer a rainbow of house and techno’s most in-demand performers on two stages: The RESISTANCE MegaStructure and The Cove. Previously announced RESISTANCE headliners are 999999999, Adam Beyer, ARTBAT, Boris Brejcha, Charlotte de Witte, Dubfire “EVOLV,” Eli Brown, Four Tet, Joris Voorn (Live), Mau P, Miss Monique, Nico Moreno, Richie Hawtin (DEX EFX X0X), Solomun (solo set), and Stephan Bodzin (Live).
Ultra Miami Phase 2 headliners
Ultra now reveals the next series of legendary performers going for Bayfront Park: Phase 2 headliners include multi-platinum producer and live instrumentalist Timmy Trumpet, high-octane Australian combo Knife Party, Dharma Worldwide boss and DJ-producer-songwriter KSHMR (Live), billboard chart-topper Gryffin, and global party starter Steve Aoki.
Additional Phase 2 players are aggressive bass queens from UK-based Ahadadream, a percussion producer Alleycvt b2b drum & bass master Jessica Audiffred, co-founder of RAM Records Andy C, enigmatic alien-themed pair ATLiens, genre-bending visionary Barclay Crenshaw, energetic bass producer Crankdat, melodic house star Frank Walker, hardstyle hero Brennan Heart, psytrance pioneers Infected Mushroom, Afrojack’s underground alias Kapuchon, headbanging bass virtuoso Level Up, big-room trailblazer Maddix, heavy bass powerhouse Marauda, electronic rock outfit Modestep, progressive house purveyor Da Tweekaz. Australian groove master Odd Mob, bass maestro Peekaboo, expressive future bass artist Said The Sky, Dutch hardstyle couple Sub Zero Project, Grammy-nominated beatsmith TOKiMONSTA, and modern techno force VTSS.
Ultra Music Festival Miami Some more techno
Ultra has tapped support acts including acid techno ace Charlie Sparks, Belgian duo Joyhauser, Australian underground queen Juliet Fox, London-based producer/DJ Kasia, German techno wonder Kevin de Vries, melodic techno queen Korolova, French DJ/producer MAGA, FCKNG SERiOUS label favorite Moritz Hofbauer, Saved Records label boss Nic Fanciulli, British tastemaker Patrick Topping, Romanian artist Nusha, and Italian underground act Olympe, rounding out the RESISTANCE lineup. American techno pioneer Josh Wink, who debuted at the very first Ultra Music Festival in 1999, will return for this special edition in honor of Ultra’s 25th anniversary. RESISTANCE will add two expertly curated back-to-back sets to this outstanding roster: the celebrated pair of Massano and Chris Avantgarde will make a much-anticipated comeback following their outstanding b2b set at Ultra 2024, while Space 92 x Popof Present Turbulences will be on show once more following their North American debut at Ultra 2022.
Partiboi69
Among these fascinating Phase 2 additions, Australia’s bold and quirky dance phenomenon Partiboi69—who will bring his cosmic event series Area 69 to Ultra for its first stage takeover—stands out. Partiboi69 blends ghetto house, Miami bass, and Detroit techno with cutting-edge visuals to create electrifying, genre-blurring concerts and his enigmatic energy. He is known for his humor-infused performances. Ketboi69 (the high-octane combination of Partiboi69 and KETTAMA), Partiboi 69 b2b rising Australian selec in Tor Juicy Romance, and Skream b2b Interplanetary Criminal mixing UK bassline with forward-looking techno will all have debut festival performances under the Area 69 takeover. Celebrated for creating chaotic, alien-themed bacchanals, Partiboi 69’s Area 69 stage takeover promises an immersive, otherworldly experience that will astound audiences.
Ultra’s first-ever psytrance stage on the Phase 2 lineup
Presented by their prestigious label Alteza Records, Powerhouse psytrance couple Vini Vici will showcase Ultra’s first-ever psytrance stage takeover. Trailblazers of the present psytrance movement, Vini Vici have revolutionized the genre by adding a new twist to old-school sounds. With a great roster of psytrance giants brought together by the Alteza Records stage takeover, Ultra’s 25th-anniversary celebration will have a fresh angle.
The Dirty Workz label of Belgian hardstyle heavyweight Coone will make a fourth consecutive year return to the UMF Radio Stage. Coone, a real innovator of the hardstyle movement, created history in 2022 by leading Ultra’s first-ever hardstyle stage and has since solidified Dirty Workz as the official venue for jumpstyle, joyous hard rhythms.
Adrenalize, Afrobeta, Alchimyst, Blazy, Boiish (Live), Coexist, Darksiderz, Dillon Nathaniel, Dimension, Fernanda Pitstelli, Gil Glaze, Hedex, Kami, Khromata, Mr. Black, Mykris, Nifra, Omiki, Rooler, Schrottagen, ShlØmo, Skepsis, Sota, Terra, The Purge, Wilkinson, and Zorza are among the additional Phase 2 supports.
The post This is Ultra Music Festival Miami Phase 2 lineup appeared first on The Groove Cartel.
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Virtual Music Festival, Decentraland, Returning With NGHTMRE, Mat Zo and More

Decentraland and its blockchain-powered beats are returning in 2024 by virtue of another edition of the metaverse company's virtual music festival.
Decentraland Music Festival is one of the world's leading virtual fests. Since its launch in 2021, it has attracted users from 159 countries and featured performances by high-profile artists like RÜFÜS DU SOL, deadmau5, Björk, Soulja Boy, Alison Wonderland and Ozzy Osbourne.
However, this year's lineup is focused solely on electronic dance music, with headlining performances by NGHTMRE, San Holo, Mat Zo, BLOND:ISH, 33 Below and WHIPPED CREAM, among others.
c/o Decentraland
Founded in 2020, the immersive Decentraland touts itself as the "first decentralized, community-driven virtual world." Scheduled for November 20-23, its branded virtual festival runs through a decentralized autonomous organization (DAO), a member-owned community that allow platforms to operate devoid of a corporate leadership structure.
Organizers are also planning a slew of metaverse-based experiences, like music industry expo booths and discussions with top electronic record labels and brands. Those include the iconic drum & bass label Hospital Records as well as Audius, Beatport, LabelRadar and LANDR.
Festival attendees can also collect virtual merch and wearables featuring the branding of its headliners.
c/o Decentraland Music Festival
Bay Backner, head producer at Decentraland, said the festival's interstellar theme is at the heart of this year's virtual experience.
"We also see Decentraland as a 'third space' for music experience," Backner told Billboard. "It bridges the community fans find at live EDM festivals, like Tomorrowland and Ultra, with the accessibility and immediacy of streaming music at home. It is as easy to enter from your computer, but you’re simultaneously sharing an important, creative, transient experience with others from around the world. And importantly, Decentraland Music Festival is free and open to all.”
You can find out more about Decentraland Music Festival and discover its full schedule here.
Follow Decentraland:
Website: decentraland.org/musicfestival
X: x.com/decentraland
Instagram: instagram.com/decentraland_foundation
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EDMTunes Chats with MUST DIE! on Latest Album, VAMPIRE WEAPON: MIDNIGHT

A defiant force in the realm of bass music, MUST DIE! also known as Lee Austin Bates is a relentless innovator, pushing the boundaries of dubstep and beyond. With a decade of bass under his belt, he has solidified his position as a leading producer in the scene, captivating audiences with his dark, distorted soundscapes and relentless energy. MUST DIE! began building his cult with consistent releases on bass music’s most notable labels, leading him to represent Never Say Die, and more recently Kannibalen Records.
MUST DIE! cannot be contained within the boundaries of dance music genres with his forward thinking sound and bolstering drive to energize crowds worldwide. Throughout his career, he’s gone on to charter his sound design to unknown territories and continue to improve on his unyielding craft. As a way to close out 2024 with a bang, MUST DIE! recently released his latest 10 track album of work. VAMPIRE WEAPON: MIDNIGHT is his most personal album yet. Although he’s dropped a handful albums before – all of them being incredible – his latest venture is one that may be his most pure expression.
Here’s what he had to say about the album:
EDMTunes had the opportunity to speak with MUST DIE! on his latest album, check it out down below!
Hey Lee, thanks for chatting with us. First off can you give us an introduction of how you got your DJ name, and how you got into dance music?
I got my artist name from a bad movie called John Tucker Must Die, and it was my AOL Instant Messenger screen name for almost a decade prior to my using it as a musical alias. I was in love with dance music as far back as I can remember. Likely 6 or 7 years old. It has been a big part of my musical lexicon my entire life.
Congrats on the release of your latest album VAMPIRE WEAPON: MIDNIGHT. It’s described as your most personal yet, can you elaborate on what makes it so personal to you?
Thank you so much. It’s definitely an album that feels more like a personal accomplishment to me than a commercial music product. I held myself to really lofty standards and tried to improve as much as possible to reach them. It really helped me modernize my approach and my sound and brought the challenge and risk back into the process. I’m at my happiest when I’m not sure something is going to land but I know it’s going to get some sort of reaction either way. 
What are some of your favorite tracks on the album and why?
I loved making ‘2 Ya Face’ as my new alias XBLADE, and debuting that project on a MUST DIE! album just seemed fitting. I also had a blast making ‘Wanna Rock‘ and ‘Selecta’, which just reminded me of a style of music I’ve loved for so long now. 
How has your musical style progressed over time, and what distinctive elements define your sound within the bass music genre?
I don’t know if I have much of a sound anymore as opposed to an ethos or intent. I simply do not listen to much bass music, so a lot of my music is inspired by genres far away from my peers. Over time I have definitely embraced and allowed myself to pursue aggression or noisiness in a way I would have done in high school or with other projects, instead of relying on only melodicism to get my thoughts across. It’s definitely more me nowadays. 
Was there a particular song on the album that evolved and changed heavily from when you started it, to when you finished it?
‘Once Again’ was rewritten twice, so probably that one. Although, Frequency Knife was originally a very different iteration and just a set ID I made a few hours before Summoning of the Eclipse a couple of years ago. 
There’s a particular debut on the album we’ve got to talk about… Can you fill us in on the XBLADE project?
Absolutely! XBLADE is myself and Descender, my long time best friend, frequent collaborator, and former roommate. We have always made music together and I am really happy with what we are doing as XBLADE. Very in your face, aggressive, early rave influenced Hardcore and Uptempo. I can feel us shifting even more extreme as we write the first few releases, and I’m sure we will dabble with noise, splittercore, etc. We have maybe 5 songs ready to go and plan to just start letting them loose. 
Let’s talk about the only other collaboration on the LP “One Eight Seven.” How did that song come about with AFK?
We started it at his house when I stayed with him recently and I was so glad we could get it finished for the album. He has been an important and close friend of mine for over a decade now and I have wanted to write something new with him for ages. He’s been making really great stuff lately on his own too! I think we also both just really despise authority figures, and what better way to bond than to make an anti-police dubstep song. 
What’s next for MUST DIE!? Are there any upcoming projects, tours, or collaborations on the horizon?
I plan on starting my own military, and taking over various Petco and PetSmart locations along the west coast. I also plan on releasing more music, maybe not as a larger project but more consistently being present in the release schedule. XBLADE and Hivemind have music coming as well. 
When you’re not on tour or busy working in the studio, how do you like to spend your free time?
I’m a full time parent as well as a musician, so if I’m not parenting, I’m usually catching up on Horror movies and novels, playing through my video game backlog, or so burnt out I can only re-watch the entire Star Trek series. 
Lastly, any artists you’d like to collaborate with on your next album?
Only dead ones.
Stayed tuned to Lee’s socials to stay up to date with what he’s doing down below!
Youtube
Soundcloud
The post EDMTunes Chats with MUST DIE! on Latest Album, VAMPIRE WEAPON: MIDNIGHT appeared first on EDMTunes.
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Darby – Party EP

Darby’s PARTY EP seamlessly blends a concoction of innovative rhythms and emotional exploration. A rapidly rising name in Australia, Darby is already headlining tours, with this release set for November 1st under the esteemed NIGHTMODE label. His sound, an infectious blend where bass kisses house with exceptional vocal arrangements, remains unchallenged in its cutting-edge allure. 
Four tracks pave the EP’s journey: ‘TRUST (feat. Britt Lari)’, ‘PARTY (w/ OOTORO)’, ‘FLOW’, and ‘AUTOPILOT (feat. ÊMIA)’. Within it, the project mirrors his own growth—both as a DJ and in expression. Melding club atmospheres with its deeper emotional layers, Darby transcends the mere energy of club tracks, seeking the zeniths and introspective troughs of night-life revelries. Just as much about evolving behind the decks, his music digs into the spaces that birth its soul. 
Exploring escapism, the EP navigates from initial frivolity to introspective depths. In an environment where genuine emotions clash with the synthetic club aura, connections thrive amidst the chaos. Bridging spontaneous euphoria to reflective aftermath, every track is a psychoanalysis of club dynamics. Packed with UKG, Garage, Breaks, House, Bass House, and Electro, the EP captures his musical evolution toward festival readiness, focusing heavily on quality and impactful visual storytelling. With accolades like official remixes for Odesza and support from Skrillex, Darby strides boldly towards the U.S. market, offering tracks that bridge stage energy with intimate connection. As critics, blogs, and listeners revel in this evolving narrative, it’s just the start of what’s to come.
The post Darby – Party EP appeared first on EDMTunes.
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SXSW London 2025: Tickets, Venues, and Early Discounts Announced

SXSW London Prepares for Its 2025 Debut
For the first time, SXSW heads to Europe with its debut in Shoreditch, London, from June 2-7, 2025. The legendary festival, known for blending music, film, and tech, will bring its signature energy to the heart of one of London’s trendiest neighborhoods.
Tickets go on sale November 21, offering full access passes or individual program options. Early buyers, who purchase before December 19, will enjoy a 25% discount. Prices start at £488 for single-program passes and go up to £975 for all-access platinum passes.
Billboard Joins as a Key Partner
Billboard will host a special music night at the festival. The event will feature a globally acclaimed artist and highlight rising stars. The night will also include ticketed access for the public, making it a standout part of the schedule.
Mike Van, Billboard’s president, shared his excitement about the partnership:
“We’re thrilled to collaborate with SXSW London in 2025. This partnership celebrates global music and creativity.”
Shoreditch’s Vibrant Venues
The festival will take over some of Shoreditch’s most iconic spots, including Truman Brewery, Village Underground, and Shoreditch Town Hall. Attendees will explore a variety of venues, reflecting the area’s lively cultural scene.
To promote inclusivity, SXSW will donate 500 free passes to local charities and community groups. This effort ensures diverse representation and fosters a sense of belonging at the event.
Katy Arnander, SXSW London’s programming director, highlighted Shoreditch’s unique appeal:
“Shoreditch thrives on creativity, innovation, and diversity. We want the festival to leave a positive mark on the community.”
A Festival Shaped by Global Ideas
Organizers have already received thousands of session proposals from over 50 countries. The submission portal remains open until November 29, allowing more ideas to shape the festival.
SXSW London promises to deliver an unforgettable experience, blending local culture with cutting-edge programming. As June 2025 approaches, the excitement only continues to grow.
For more information, check out their official website, here.
[H/T] – Billboard
The post SXSW London 2025: Tickets, Venues, and Early Discounts Announced appeared first on EDMTunes.
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