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Overdose of Bass – Two Track EP
This dynamic techno two-tracker combines the signature styles and incredible talent of Adam Beyer and Eli Brown, making it a must-listen release. The title track ‘Overdose of Bass’ features a heavy, rumbling bassline that commands attention, truly living up to its name. With crisp, driving percussion pushing the beat forward, the track creates an exhilarating sense of momentum. The rattling snares and intense breakbeats lead into a processed spoken vocal, delivering a captivating half-sensual, half-robotic riff of “there it goes/overdose of bass.” Coupled with Doppler siren builds, this creates a mysterious, spacey call-and-response that will resonate on the dance floor. Perfectly crafted for peak-time moments, this track is poised to become a must-have festival anthem this fall!
‘Living in The Moment’ the standout second track of this extraordinary EP, transcends conventional techno music. It captivates listeners with its soaring, emotive melody that inspires a profound sense of uplift. The driving techno beat, paired with a pulsating Moroder-esque bass synth and an ever-intensifying riff, creates a sense of urgency that pulls you in. The hauntingly beautiful female vocal adds an ethereal touch, especially during the powerful central breakdown, making for an unforgettable listening experience. The track expertly balances darker, industrial techno elements with uplifting, almost ethereal tones. This duality makes it versatile, fitting both underground clubs and massive festival stages. The driving bassline and precise percussion ensure it retains the raw power expected from a Drumcode release.
The combination of these elements results in two tracks that capture the emotional highs of living fully in the moment. They also still being a dancefloor weapon. It is a testament to Adam Beyer and Eli Brown’s ability to push boundaries while still staying true to techno’s core. Hope you enjoy the EP as much as we do. Stay tuned to EDMTunes for your favourite music updates.
The post Adam Beyer x Eli Brown Release Exciting Overdose of Bass EP appeared first on EDMTunes.
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A New Kind of Nightlife
On October 31, 2024, Kismi made its dazzling debut in Bel Air, leaving attendees in awe of its unique concept. The brand, founded by Christine Ann Becker, promises to reinvent nightlife by blending high-energy music with exclusive, private settings. Inspired by Ibiza’s legendary club culture, Kismi delivers an intimate, service-driven experience for those who crave connection, comfort, and unforgettable music.
Held at an 18,500-square-foot modern estate, the Halloween event lived up to the hype. Designed by Adrian and Diego Rudomin, the venue offered breathtaking views, glass-walled rooms, and a terraced pool. It perfectly captured Kismi’s mission of combining elegance with a thrilling atmosphere.
Alex Paul attends Kismi’s launch party, headlined by Keinemusik’s &ME on October 31, 2024, in Bel Air. Music That Moved the Crowd
Headlining the event was &ME of Keinemusik, a collective known for its eclectic mix of techno, deep house, and afrobeat. &ME’s set was nothing short of electrifying. He blended bold rhythms with creative freedom that kept the crowd dancing all night. It goes without saying that this was a highlight of the night. If the launch party is any indication of the extravagance to come, we are all in for a treat.
Keinemusik’s &ME headlines Kismi’s launch party, where guests enjoyed specialty Tequila Don Julio Cocktails on October 31, 2024, in Bel Air. Moojo djs Kismi’s launch party, headlined by Keinemusik’s &ME where guests enjoyed specialty Tequila Don Julio Cocktails on October 31, 2024, in Bel Air. Keinemusik’s &ME headlines Kismi’s launch party. Keinemusik’s &ME headlines Kismi’s launch party. French house artist Moojo kicked off the evening with his energetic beats, setting a lively tone right from the start. His set, filled with deep house grooves, had guests swaying before &ME took the stage. Together, these performances created a vibe that was both intimate and exhilarating.
Kismi and Co-Founder Christine Becker Celebrate the Launch of a New Luxury Nightlife Brand, Sponsored by Don Julio 1942 and Shoku.
Luxurious Details
Kismi isn’t just about the music—it’s about the full experience. Guests indulged in a luxurious menu crafted by Shoku LA. They did so while sipping cocktails made with Tequila Don Julio 1942 and Alma Miel. The impeccable service and attention to detail added a layer of exclusivity, making every moment unforgettable.
The crowd was equally remarkable, made up of tastemakers and music lovers who brought an infectious energy. It was the kind of gathering where every conversation felt meaningful, and every moment seemed to sparkle.
What Makes Kismi Special
Kismi draws its name from the English phrase “kiss me,” the Turkish word “kismet” (destiny), and the Hindi word “kism” (variety). These elements reflect the brand’s mission to create a nightlife experience rooted in connection, diversity, and destiny. By combining high-quality music, exquisite venues, and an intimate vibe, Kismi stands out as a fresh take on LA’s nightlife scene.
This debut was more than just a party—it was a movement. Kismi brought together the best elements of Ibiza’s energy, LA’s glamour, and a handpicked crowd to create something entirely new. If the launch is any indication, Kismi is set to redefine luxury nightlife for years to come.
About Kismi:
KISMI, the new luxury nightlife brand, is transforming the landscape of high-end music experiences with its exclusive, service-driven events that bring together music, ambiance, and connection. Follow @kismiofficial on Instagram for the latest updates, or contact [email protected] for membership details and upcoming events.
The post Kismi Debuts in Style: Keinemusik’s &ME Headlines Luxe Halloween Launch in Bel Air appeared first on EDMTunes.
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With Armin van Buuren and Moby teaming up on this new edition of ‘Extreme Ways’, it brings out a new, phenomenal take to a classic banger. Armin van Buuren debuted this exciting version of ‘Extreme Ways’ at Ultra Music Festival earlier this year, as well as this most recent Tomorrowland and other notable, spectacular sets that he had put on throughout most of 2024. The remake of ‘Extreme Ways’ beautifully merges striking piano builds with a crescendo that one must experience when listening to the track for the first time. Click ‘Play’ on the Spotify link below to stream ‘Extreme Ways’ from Armin van Buuren and Moby, a track that transcends time and vibrant musical periods, no matter what.
Photo Credit: Armada MusicThe post Armin van Buuren and Moby Team Up in ‘Extreme Ways’ Remake appeared first on EDMTunes.
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Fresh off turning “Drive” into 2023’s first gold dance album and announcing his genre-spanning Prismatic shows, Tiësto’s tapped the perfect collaborator. Siren, the Latin Grammy-nominated pen behind hits for Jason Derulo and Lizzo, brings raw island energy to the Dutch legend’s crisp production.
The result? A cross-cultural club weapon that feels both fresh and inevitable.
Between his landmark Vegas residency deal and Siren’s recent Riton collab, both artists are operating at peak power. “Tantalizing” isn’t just another notch in Tiësto’s platinum-studded belt – it’s proof that dance music’s elder statesman still knows how to read the room, even when he’s rewriting the rules.
The post Tiësto and Soaky Siren craft cross-cultural club weapon appeared first on Dancing Astronaut.
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Garrix kickstarts the track with pulsating synths uplifted by soaring strings. Locking into a head-nodding groove, a prominent bass thump underlines Jex’s arresting melodies. Hypnotic verses break like a wave on a dramatic drop as she laments, “Don’t wanna hear my heart say, ‘I told you so’.” With an addicting melodic performance and Garrix’s signature dance-pop production, ‘Told You So‘ came to life after Garrix heard Jex singing the song’s irresistible vocal hook on TikTok and immediately reached out to produce the track.
The post Martin Garrix & Jex: ‘Told You So’ appeared first on EDMTunes.
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Out now via STMPD and Casablanca Records, the track captures that electric moment of romantic recognition when your heart seems to know something your mind is still processing. Through Garrix's production finesse and Jex's aching vocals, it beautifully explores a tug-of-war between the fear of regret and the thrill of vulnerability.
"Told You So" surges with that undercurrent of urgent emotional momentum, its lyrics transporting us inside veins attached to a heart that prefers instinct over hesitation. Jex's hook, "Don't wanna hear my heart say, 'I told you so,'" feels like a mantra for anyone daring to leap into love despite the risk of free-fall.
Meanwhie, her tortured vocals slice through Garrix's shimmering synths, balancing an anthemic intensity with a confessional softness. Blending festival energy with late-night introspection, the song is like running through rain—an electrifying rush that feels both exhilarating and tender. Check out the official music video below.
The roots of "Told You So" can be traced to TikTok, where Jex posted a video of her singing the song's vocal hook. That clip caught the attention of Garrix, who "immediately" reached out to produce the track, according to a press release.
"From writing this hook alone in my apartment, to Martin finding it and bringing it to life, this entire thing has been a dream come true," Jex said. "'Told You So' is so authentic and special, and I am stoked for it to finally be out in the world."
You can find "Told You So" on streaming platforms here.
Follow Martin Garrix:
X: x.com/martingarrix
Instagram: instagram.com/martingarrix
TikTok: tiktok.com/@martingarrix
Facebook: facebook.com/martin.garrix
Spotify: spoti.fi/2YszVxQ
Follow Jex:
X: x.com/jexjordyn
Instagram: instagram.com/jexjordyn
TikTok: tiktok.com/@jexjordyn
Facebook: facebook.com/jexjordyn
Spotify: tinyurl.com/bdefdvhh
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An impressively eclectic list of magnificent artists, including AFROJACK, Agents Of Time, Alex Wann, Andromedik, Amber Broos, Amelie Lens, ANNA, Argy, Armin van Buuren, Axwell, Dimitri Vegas, DJ BORING, HAAi, Henri PFR, HUGEL, Indira Paganotto, Jennifer Cardini, Joris Voorn, Kevin de Vries, Kölsch, Lost Frequencies, LP Giobbi, MANDY, MATTN, Meduza, Mind Against, Miss Monique, NERVO, Netsky, Nina Kraviz, Pablo Bozzi, R3HAB, Rivo, Rose Ringed, Samm, Steve Aoki, Sub Zero Project, Vintage Culture, W&W, Yulia Niko, and many more, will perform across a collection of magical indoor and outdoor stages.
Tomorrowland Winter 2025 will be inspired by the brand-new theme Paperworld, a magical parallel universe that connects the different Tomorrowland worlds, which will find its way to Alpe d’Huez in 2025. A metaverse of realms, Paperworld is the parchment patchwork of all Tomorrowland tales ever told, forming into words, sentences, and ultimately stories, which can each turn into a unique world of their own.
Catering to fans of all genres and sounds in electronic music, the winter festival will welcome 22.000 People of Tomorrow in the beautiful Alps for a unique week-long winter festival adventure filled with snow, skiing, snowboarding, amazing outdoor activities and the best electronic music performances. More than 150 of the planet’s greatest artists will be playing across 7 indoor and outdoor stages on the mountains and in the ski resort.
For tickets and information, please visit tomorrowland.com.
Stay tuned for more news!
The post Tomorrowland Winter Unveils the 2025 Line-up appeared first on EDMTunes.
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The Whet Foundation
Through Destination Donation, the Whet Foundation gives back to the destinations visited by Whet Travel clients, providing essential items to underprivileged children. Whet Foundation prioritizes Mental health awareness, offering soul-enriching sessions for all artists, attendees, and staff on board. The Celebration of Life Ceremony is where loved ones no longer with us are celebrated and participants have the opportunity to share their stories. The Community Captains program identifies student leaders, fostering personal development and entrepreneurial spirit. The Whet Foundation is dedicated to ocean conservation, organizing beach cleanups and events to raise awareness and support research efforts.
Groove Cruise Miami 2025 offers exciting ways for attendees to get involved. Many volunteers rate their Whet Foundation experience as the highlight of their cruise.
The Groove Cruise Miami 2025 Whet Foundation initiatives follow below.
DESTINATION DONATION
The Groove Cruise Miami 2025 Whet Foundation Destination Donation initiative will support malnourished children and families through Second Mile, focusing on reducing childhood malnutrition and improving health for women and children in Haiti. With a caregiver-centered approach, Second Mile addresses health and nutritional needs, offering education, training, and income-generating activities. Haiti has the highest maternal, infant, and child mortality rates in the Western Hemisphere, with 45% of the population facing severe food insecurity. Tragically, 1 in 10 Haitian children dies before age 5, and over 70% of parents seeking help at the Malnutrition Treatment Center have no income when their child falls ill.
We are asking the #GCFAM attendees to help collect the requested donations listed below for Second Mile. All donations can be brought to the Captain Support Desk on the first day of Groove Cruise Miami 2025. Captains attending Groove Cruise Miami 2025 can volunteer to deliver donations to the children and engage in activities, including art and music.
Donation List (Requested Donations for Second Mile)
NUTRITION:
Clothing (Preemie-4T All Genders) Toys For Development (Newborn Through Age 5) Coloring Books Crayons Chalk Stickers Notebooks Drawing Pads Color Pencils Sandwich Crackers (i.e. Cheese Peanut Butter) Candy (i.e. Blow Pops Jolly Ranchers) MATERNITY:
Socks And Bonnets Receiving Blankets Preemie/Newborn Onesies COMMUNITY:
Soccer Balls Sports Equipment Backpacks Attendees for Groove Cruise Miami 2025 wanting to sign up to volunteer for Destination Donation can log in to your Whet Travel account HERE by December 2, 2024. Monetary donations could be made HERE.
Celebration of Life Ceremony
The annual Celebration of Life Ceremony will be hosted to celebrate our loved ones who are no longer with us. The celebration consists of a biodegradable wreath and biodegradable note cards, where participants can share their stories, write a message to their loved ones, and put their message in the wreath to be thrown overboard. In many cultures, the ocean is a primary factor that makes life possible on Earth. Sending off the departed into the ocean symbolizes the end of physical life and the beginning of spiritual rebirth. With the written notes to loved ones, this allows all present to participate and share in this moving experience. It symbolizes a farewell and an opportunity for closure and healing.
Mental Health Talks & Workshops
When The Music Stops is a nonprofit and community that supports emotional and mental health through music, connection, and love. The Whet Foundation partners with When The Music Stops to facilitate mental health talks. These cover topics like meditation, maintaining balance, recognizing symptoms, and the power of journaling. When The Music Stops mental health talks and workshops aboard Groove Cruise Miami 2025, include The Power of Music Artist Panel, The Keys to Happiness Workshop, and The Power of Authentic Connection.
The Power of Music Artist Panel: invites artists to share how music has impacted their lives. The GCFam can ask questions and share their own stories, creating bonds and positivity through music. The Keys to Happiness Workshop: This workshop is a wonderful opportunity for the GC Family to learn about the building blocks of happiness and how they can apply them to their daily lives. The Power of Authentic Connection: This interactive workshop will explore the power of authentic connection to foster deeper relationships and stronger community bonds. About Groove Cruise
Groove Cruise’s 2025 Miami voyage – an unforgettable journey aboard Royal Caribbean’s Allure of the Seas – promises 96 hours of continuous music, a plethora of one-of-a-kind life-changing experiences, and Groove Cruise’s signature immersive programming. Attendees can look forward to 13 stages on the ship plus two on the island, with top-notch production, performances by esteemed DJs, daily theme parties, artist-led activities, beachside destination events, volunteer experiences, mental health discussions, and more.
Groove Cruise has established itself as the world’s leading and largest floating dance music festival for over twenty years. Launched in 2004, it has become the most prominent music cruise event ever. Groove Cruise unites people worldwide, creating a second family affectionately known as the #GCFAM. This close-knit community fosters a sense of belonging, where attendees form lifelong friendships and connections. Embarking on a Groove Cruise feels like one big family reunion. It embodies the spirit of discovering your unique rhythm.
Groove Cruise is a non-stop life-changing experience comprising four days of beach, pool, theme parties, numerous delectable restaurants, 24/7 electronic dance music, art installations, and exotic destination experiences. In addition to the standard cruise amenities, there are artist activities, Whet Oasis Zen Experience, world-class production, and various onboard events that rival the best dance music festivals in the world. Groove Cruise has won many awards since its inception in 2004. This includes Best Music Cruise and Best Fan Community (affectionately known as the GCFam). It has also been rated the number 80 festival in the World by DJ Mag this year. This is a truly remarkable feat being named alongside festivals that boast 100 times the capacity of even the biggest cruise ships.
The post Groove Cruise Miami 2025 Announces Whet Foundation Giveback Experiences appeared first on EDMTunes.
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The eccentric performer from Essex has been the name on everyone’s lips over the last few years, responsible for some of your favourite drum & bass sets in recent times. His euphoric energy resonates with that of the old-school hardcore scene, which he took a lot of inspiration from back in his early raving days. A truly one-of-a-kind entertainer behind the decks, it’s clear to see for all how passionate he is throughout the abundance of stellar performances he’s executed. His undeniable understanding of the rave scene is a real cornerstone in how he curates his sets in the dance. In his artillery of tracks, he boasts some of the best jump-up songs in the game including, the bouncy, ‘Hands In The Air VIP’, the recently released ‘High Energy’, and the climactic ‘Run (Part 2)’ – you can expect a relentless energetic aura around each and every production.
With releases on some of the best labels around including Rinse, Hospital Records, V Recordings, and Souped Up, as well as playing at some of the most iconic venues in the UK and around the world, it’s fair to say his journey has seen him reach the very top. On the back end of his UK ‘High Energy’ tour which includes a big London show at Electric Brixton and XOYO event in Birmingham over the course of the weekend, as well as already completing sold-out shows in Southampton, Brighton, Nottingham, Bristol, and Cardiff throughout November, and a final event in Leeds coming up on December 6, we are treated to a final act of the year that will undoubtedly sign off 2024 as Mozey’s most prolific period to date. We caught up with the maverick selector taking a look back on his fascinating career, and what we can expect from him moving forward.
What influenced you to follow the drum & bass scene growing up?
Musically, I was always into alternative music. Stuff that was outside the box like metal and punk. The dance music sort of came a little further down the line. Once I was getting ready to leave school, I had a couple of mates that had started raving and that’s what got me into the drum & bass scene. I was more into the old-school hardcore stuff. My first rave was a Tranzmission one at Alexandra Palace. That was a big one to start with. In regards to DJing and producing, that was way down the line for me. I was definitely a raver before anything else. For about 10 years, I was just happy with going raving. Just through having a lot of mates in the scene, and having my face recognised, helped a lot when I decided to give a career in the scene a go.
I guess meeting a lot of people through your raving days helped you understand how the scene worked a lot better.
Yes, it did. In my time raving I’d be getting to know the promoters, DJs, and a bunch of other people who were heavily involved in the scene – going out with them to the events. It was equally as important to see what mistakes people were making and learning from that. A lot of acts come into the scene quite green and it’s easy for them to get wrapped up in it all. Because I was a bit older when I was making a go of it all, I think that it helped me not make a lot of the mistakes that other people might make. When it came down to my productions, it helped that I already knew a lot of the legends in the scene through various different friends. For example, if there was a release on V Recordings it helped that I already knew Bryan Gee and Jumpin Jack Frost. Obviously the tracks needed to be good, but it goes a long way in terms of getting your tunes heard if you already know the people who need to listen to it. Networking back in my raving days certainly achieved that.
What DJs and producers were you feeling during these formative years?
My favourite DJ at the rave was Hazard. But also, the likes of G Dub, Sub Zero, Original Sin, and Taxman were levelling up the jump-up stuff around that time. Things started feeling a little bit more thought out. This was a time where jump-up was getting played out across the board throughout the scene. Funnily enough, when it came to making music I wasn’t really making jump-up to start with. I was making the deeper, liquid stuff. In the end, that side of things wasn’t really what I was about as a raver, so I started making the sub-genres I enjoyed listening to from the events I used to attend.
What was life like before Mozey the DJ?
I started off as a plumber at a school. Then I became a heating engineer. I was doing mechanical engineering. I got a degree in mechanical engineering with the Open University. I did that whilst I was working with a renewable energy company. That actually helped me get in the mindset of just getting stuff done. I was working and studying, whilst also trying to make tunes. It’s really prepared me for the busy schedule I now have. I did actually have a career change after the mechanical engineering gig and went back to my studies to learn about sound engineering. I ended up getting a job as a sound engineer in a post-production studio. I was doing the audio for films and adverts for about five or six years. I was really progressing within the profession but my music career started to drastically pick up so I had to let the studio know I was going to take up my music full-time.
Before we move onto life as Mozey the DJ and Producer, what were some of the standout raves you were attending as a punter?
The Breakin Science events were always the best for me. I did love the vibe. Although it was a proper rough drum & bass crowd. Anything that was at the old Coronet was so much fun. Also, the MC conventions at Brixton’s Mass were mad, there were some horror stories from that venue. Back then, I loved nothing better than a rough jump-up rave.
How did the journey as Mozey the DJ begin?
Well, my first release was in 2017 and it took 2 or 3 years before I moved on to Serial Killaz, Souped Up, and stuff like that. In that period I was only just finding myself as a producer. These things always take a bit of time. Especially trying to find a sound that makes you happy. When it came to DJing, first and foremost, I was always just a producer. I used to muck around with some mates on the decks back in the day, but it was never anything serious. It was only when I was starting to get noticed through my own tunes that I started to get a couple of bookings. I realised then that I needed to start learning how to DJ properly, as that part of it was never really something I tried to achieve. The first set I did was a COVID-restricted event in Bristol where everyone was sat down. I struggled that day, but gradually as I started watching and learning from other DJs I began to get better. Within a few months, I was able to sort myself out. Despite the initial struggle I just got on with it to be honest, and I’m still learning all the time.
Wow, you’ve really picked up that side of things quickly!
Thanks, I’d like to think so. I’ve learnt that things are constantly changing. What the ravers want can change, so it’s important to keep in touch with that. Just getting yourself in front of a crowd really helps. Once you have the massive club monitors near you, or something cuts out, or the CDJs aren’t working properly, you learn how to manage a bunch of different scenarios during the rave. If something goes wrong now I’m way more equipped to deal with it.
It seems you’ve taken things to the next level over the last two years. What’s been some key moments contributing to your rise within the scene?
One of the big ones was the DnB Allstars 360 set at The Cause last April. The set on YouTube did really well. It would’ve been the first time a lot of people saw me being serious about the DJ side of things. Beforehand, everyone knew I was on the production graft. It was the first real taste a wider audience got of what it’s like to see me play live. I was able to showcase my energy. Playing on the main stage at Printworks was a gamble DnB Allstars took with me and I feel like, again, I was able to show off what I’m all about. The reach these sets get online does really help. So a Big thanks to them. Playing at Wembley for Hedex’s event, as well as when he brought me out on Boomtown’s main stage in 2023 for his closing set were also big moments for me. Playing at a festival like Boomtown where I’ve been going as a raver for so many years and being on such a big stage was such a full-circle moment.
Were there any releases that you’d say have been significant to your journey?
The last 12 months have definitely been very important release wise. The ‘Hands In The Air’ VIP became a staple tune in loads of peoples’ sets. Serum encouraged me to VIP the track. The difference between the original and the VIP was that this one was easy to build in the clubs. I learnt a lot from Serum showing me that there were different ways to market and get a record out. ‘Party Muscle’ and ‘Run’ were also other big tunes for me. I feel like they were unique ideas at the time. ‘Run’ was especially a big one that blew up in the club as well as the socials. Having these types of club tracks is what I’m all about and it’s definitely cemented me as a good club DJ. It was wicked to do a few releases with Rinse at the beginning of the year. My latest single ‘High Energy’ is out with them and it’s already been doing the rounds in the club scene.
Souped Up Records seem to have really believed in you with some of your most noticeable tracks coming with them. How does it feel to get support from such an exciting label?
It’s great. Serum, who runs the label, has been like a mentor to me over the years and has been a massive part of my journey so far. The relationship between me and the label really works because of my approach to music. I’m here to try and have fun and entertain people, I feel that’s the ethos of the label. It’s been a while since I’ve worked with the label so I’d love to get back working with Souped Up again next year.
Let’s talk about the High Energy Tour.
It’s sold out which is amazing. So far we’ve had Southampton, Brighton, Nottingham, Bristol, Cardiff. We’ve got London, Birmingham, and Leeds to come at some unreal venues. I’d already done a few headline bits that have sold out like at Village Underground and Earth Hackney, both in London. I guess the next step was to get a regional tour going around the UK to give back to the fans. It’s been flying with some unreal DJs on the bill. Headline shows are my favourite thing to do because it’s your crowd. I’m sure everyone says it, but I feel like my crowd are the best ravers. The other acts that play on my bills will always tell me about how amazing my crowd was for them. It’s a real blessing being able to play out my tunes to such a brilliant set of fans.
What were some highlights of the summer?
I did a big Australia and New Zealand tour with Chase & Status. The scene over there is unreal. It blew my mind that they knew all my tunes considering I was so far away from home. I’ve got more stuff coming up over there so I can’t wait to go back. I also did a North America tour with Hedex which, again, was insane. Every crowd over there really brought the energy. I did especially love going to New York though. The UK festival season really delivered for me this year. My set at Parklife had a huge crowd. It was a surreal experience. Playing The Glade stage at Glasto was wicked. What can I say? Glasto is Glasto. Finally, going to Ibiza is always a treat. There were so many things to choose from.
Your fanbase is arguably one of the loudest in the scene. It must be nice to have such dedicated support…
I’m the luckiest person in the world to have that kind of fanbase. I try to give as much back to them as they’ve given to me. I grew up watching so many DJs, I remember if I didn’t feel a certain energy back from them I’d start questioning whether they even wanted to be there. Every time I step in front of a crowd of ravers I give it a hundred percent every time. It’s a really special thing. I try to interact as much as I can with them on socials. At the end of the day, if you haven’t got your fans you haven’t got much else. When I was a raver and meeting my favourite DJs I remember how special that was. I’ll always put in the effort with my following, I enjoy it as much as they do.
Have there been any standout collaborations you’ve had?
In terms of DJing, I’ve loved going back to back with Serum. Hopefully, we can play out together more. And with production, I’ve enjoyed doing a couple of tunes with Hedex. I really get on, and work well, with him. In general, I don’t like to do lots of back to backs or production collaborations as I like to play my own sets. I have to admit, collaborations in the studio or on the decks are quite rare for me. But if I buy into the idea of working with someone then I’ll definitely give it a go.
What’s next for Mozey?
In 2025 there’ll be lots of international stuff, as well as plenty more UK events. In terms of making music, I just want to carry on enjoying making my music and see what happens. I’d love to do a bigger project next year, whether that be an album or something to that scale we’ll have to wait and see. Hopefully, there’ll be some collaborations with people I enjoy working with. It’s hard to picture too much. As things have started going on such an upward trajectory for me, it’s important to just stay focused and work as hard as I can.
Catch Mozey At XOYO Birmingham
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Transporting the zeitgeist of future-facing, eighties pop production onto modern dance floors, the title track ‘No Solutions’ is a fizzy, escalating ode to some of Flügel’s very earliest musical influences. Playfully channeling the wide-eyed electronics pioneered by The Human League or Soft Cell, it accelerates into a contemporary funhouse of wild oscillations and dreamy melodies.
‘Sapphire’ shifts this sound palette forward, a steady acid-not-acid bubbler that maintains maximum intrigue and pressure, occasionally breaking through its hazy clouds with pillowy breakdowns and a sense of space-age whimsy. Flügel takes the same palette in a different, more exacting direction on ‘Dragged’, spinning a creeping, Krautrock-esque groove that pays homage to the steady, lifting pulse of German kosmische traditions. Lift off!
Stream / Download here
The post The return of Roman Flügel appeared first on Decoded Magazine.
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The story behind Martin Garrix’s Told You So
Featuring the newly emerging electronic pop sensation Jex, “Told You So” is a nuanced trip into progressive house terrain that highlights the extraordinary musical flexibility of the Dutch superstar.
The origin of the song is as contemporary as its sound, evidence of the influence of social media in the scene of modern music. Originally a TikHub event, it developed into a full-fledged musical partnership spanning multiple genres. Recorded just in his apartment, Jex’s first hook attracted Garrix’s discriminating ear and made a basic social media post a worldwide success.
The tune beats with contagious energy open with layered synths that progressively create captivating rhythms. Jex’s vocals thread across the song, offering an emotional depth that distinguishes “Told You So” from a standard dance floor hit. Garrix’s technical prowess is evident in his creation of an emotionally compelling yet technically outstanding soundscape.
For Garrix, who just tied with Dutch great Armin van Buuren for the most poll wins in history by securing his sixth #1 spot in the DJ Mag Top 100 poll, this release arrives at a critical juncture. Working with Jex shows an artist not hesitant to venture into uncharted musical ground and challenge limits.
Martin Garrix talks about the new song
Garrix said, his enthusiasm clear, “Working on this track with Jex has been an absolute dream.” For Jex, the song marks a turning point as he follows the success of his past joint venture with Rival and Lost Sky, which already has over a million streams.
The Sound of Progressive Evolution “Told You So” is a statement rather than a one-sentence observation. The complex bass tones, sweeping strings, and well constructed melodic structure of the tune highlight a more sophisticated, grown-up attitude to electronic music. This progressive house masterwork strikes me as both familiar and revolutionary.
Released concurrently with the tune, the accompanying music video looks to be as creative as the song itself. Both supporters and detractors of Garrix’s already outstanding career are calling it a possible game-changer.
Now accessible on all digital channels, “Told You So” is more than simply a song; it’s a musical trip allowing fans to taste the next development of Martin Garrix‘s sound.
Quick Facts
Artist: Martin Garrix feat. Jex Single: “Told You So” Release Date: November 22, 2024 Genre: Progressive House Notable Achievements: Garrix’s 5th DJ Mag #1 ranking Viral TikTok origin story Immediate digital platform release
The post Martin Garrix Unveils Progressive House Anthem “Told You So” appeared first on The Groove Cartel.
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Long before EDM went mainstream, Tegan and Sara were dance music early adopters, lending their distinctive harmonies to Tiësto and David Guetta tracks. Now they’ve found the perfect modern collaborator in Cartal, whose platinum-certified work with Lights and Karen Harding proves he knows how to handle iconic voices.
While the twins tap into their teenage memories of Calgary raves for lyrical inspiration, Cartal (after “only 30 versions”) delivers a stadium-ready production that honors both their indie roots and his festival expertise. Landing just before his Spring 2025 North American tour, “Right On Time” proves some collaborations are worth the wait – even if they take 30 tries to perfect.
The post Felix Cartal and Tegan and Sara are ‘Right On Time’ with 90s dance hit appeared first on Dancing Astronaut.
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An emerging star, first in Australia, and now returned in triumph to her native Scotland, Mha Iri was 2023 Beatport #1 best-selling Hard Techno female artist + #2 in Peak Time/Driving Techno, while her five Drumcode and Filth On Acid releases all made Top 10, with two at #1. Her extensive touring schedule this year included Awakenings, Terminal V, Tomorrowland, and killer sets at this ADE’s Gashouder for Drumcode X Awakenings and Dockyard X Mystic Garden Festival.
Next month she returns to Australia for a five-date tour including Eat The Beat Festival alongside Carl Cox, Chris Liebing and Lilly Palmer, followed by Gashouder with Awakenings for New Year. Mha Iri’s 2024 releases on Drumcode, FOA and TRICK have made her assertive, hyper-speed brand of techno with melodic elements a key part of the scene in very short time.
First EP single ‘Leader Of The Pack’: hits the ground running with racing techno beats, hoover synth chords, and dark, no-prisoners spoken lyrics, while use of doppler FX and multiple stabs keep the vibe dynamic, urgent, relentless. Big breakdowns with siren-sound builds and deep-plunge drops complete the perfect dance fuel. ‘The bigger you get, the more backlash you get. But remember, your passion makes you unique. All the noise isn’t relevant. You’re the boss, bringing something special to the table. Keep following your dreams and be unapologetically you.’ Mha Iri.
‘Give You’ ft. Argy (UK) keeps up the punishing pace with arp-y bass, a solid wall of beats, and higher, resonant vocal riffs, with melodic phases competing with ripped metal stabs in the breakdown, while ‘Go Hard’ goes well hard with rampageous percussion, distorted morse code stutters, mighty breakdowns using doppler to twist the sonic knife as the drop approaches, and a funky male vocal riff – all of it full of hooks from sudden changes or omissions.
The Elements theme: Mha Iri is very aware of her Scottish/Gaelic roots, including a ‘deep love for nature. This series of EPs reflects this connection. The four elements – Earth, Air, Fire and Water – provide endless creative interpretation, allowing me to express various aspects of myself as a person and artist’ she says. ‘I found this beautiful amethyst crystal cave in Scotland for the artwork—it felt perfect.’ The first EP, themed around Earth reflects her own grounded and down-to-earth approach in her personal life and career.
Mha Iri ‘Leader of the Pack’ single is out now, get it Here. Full EP drops 6th December on [PIAS] Électronique. Save it Here.
Track List:
Leader of the Pack Give You ft. Argy (UK) Go Hard The post Mha Iri announces ‘Leader of the Pack’ EP, her [PIAS] Électronique Debut appeared first on Decoded Magazine.
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The track fuses Latin house heat with spoken-word swagger, built on thundering kicks and attitude-heavy basslines. It’s a fitting debut for Monarka, which Varela envisions as more than just another label – it’s meant to be a cultural hub where sophisticated Latin house meets underground edge.
For Varela, who’s been demolishing stages from Ultra Miami to Tomorrowland Winter, this is a natural evolution.
Between his tech house credentials and Cor.Ece’s recent work on “Dance To Keep From Crying,” “Revolution” isn’t just another dance track – it’s a statement of intent for Latin house’s global takeover.
The post Gian Varela Launches Monarka Records with Dance Floor Revolution appeared first on Dancing Astronaut.
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Martin Garrix teams up with Jex for ‘Told You So,’ a euphoric house anthem brimming with uplifting melodies and infectious energy. Featuring Jex’s smooth, soulful vocals, the track combines Garrix’s signature big-room flair with a more melodic and emotive vibe. Perfect for mainstages and summer playlists alike, this track captures the perfect balance of emotion and energy.
Armin van Buuren x Moby – Extreme Ways
Armin van Buuren reimagines Moby’s iconic ‘Extreme Ways’ with a high-energy trance twist. Staying true to the original’s haunting atmosphere, Armin injects his signature driving beats and festival-ready intensity, resulting in a powerful fusion of classic and modern sounds. This collaboration is both a nod to Moby’s legacy and a testament to Armin’s ability to bring timeless tracks to today’s dance floors.
Nicky Romero x Timmy Trumpet x GESES – Here We Go Again
Nicky Romero, Timmy Trumpet, and GESES join forces for the explosive big-room anthem ‘Here We Go Again.’ Featuring massive drops, hard-hitting basslines, and anthemic melodies, the track is packed with energy from start to finish. With each artist bringing their unique style to the table, this collaboration is a surefire festival favorite that’s bound to ignite dance floors worldwide.
HI-LO x Chocolate Puma – WTFU
HI-LO and Chocolate Puma team up for ‘WTFU,’ a hard-hitting techno banger with groovy undertones. Featuring pounding basslines, crisp percussion, and hypnotic vocal chops, the track is a masterclass in underground energy. With HI-LO’s gritty techno expertise and Chocolate Puma’s house-driven touch, ‘WTFU’ is perfect for dark warehouse sets and late-night club vibes.
Kaskade & Punctual & Poppy Baskcomb – Heaven Knows
Kaskade, Punctual, and Poppy Baskcomb deliver a melodic masterpiece with ‘Heaven Knows.’ The track blends Kaskade’s emotive house sensibilities with Punctual’s sharp production and Baskcomb’s powerful, soaring vocals. Featuring lush synths and a catchy chorus, ‘Heaven Knows’ strikes a balance between introspection and dance-floor energy, making it a standout in this week’s releases.
Honorable mentions:
22Bullets ft. Ekko – Solar Symphony
Above & Beyond – Another Breakdown
Adam Beyer, Eli Brown – Overdose of Bass
Ben Nicky & LNY TNZ feat. Ly.Ryline – Alive
Cheat Codes ft. salem ilese – TYSM
Don Diablo x P Money – Keep Pushin’ (Beast)
Dimitri Vangelis & Wyman – Monsters
Eats Everything – Upside Down
Harris & Ford x Prezioso x SHIBUI – Hands Up
Jazzy x CamrinWatsin – Touching Heaven
John Summit, HAYLA – Shiver (Wilkinson Remix)
KAAZE ft. CERES – Faded
Lucas & Steve ft. Jordan Shaw – Heart First
MATTN x Calvo x Crystal Rock — Who’s That Girl
Mr. Belt & Wezol x Qobra x Alex Hosking – Keep It Exciting
Paul van Dyk & Reznor – Stay
Solardo, Joshwa – Slow Down / Pink Dave
Steve Aoki x Sam Feldt x XANDRA x Zak Abel x Nile Rodgers – I’m Going Out
Tujamo x Dannic – Rock the House
Will Sparks & Sarah De Warren – Pulse
Stream all these tracks and more in our New EDM Friday playlist – follow here.
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Vienna’s Felix Benedikt is the man behind this vital alias and is one of Europe’s most fascinating acts right now. He has released his evocative sounds on several influential labels and often produces his music live on analogue machines. In efect, they lend each track a dynamic edge. Moreover, he ignores all rules and tempos and explores across a wide range of subtle in-between styles. Thus, he shows this perfectly in this ep.
He is one of Europe’s most fascinating acts right now. He has released his evocative sounds on several influential labels such as Ellen Alien’s BPitch and Morbid records. Often, he produces his music live on analogue machines which lend them a dynamic edge.
Thrife Life EP
This new record brings together his most diverse musical influences of recent years and explores brand new sonic territory by overcoming existing genre boundaries. It was produced in a small secluded fishermen’s village in Greece and experiments with a new aesthetic in terms of vocals and various genre references.
First up is ‘New Forgiveness’ with its tightly woven layers of gurgling bass and loopy percussion. Ghoulish voices are offset by super sweet female tones and suspensory chords that keep you floating above the dance floor. ‘Secrets’ picks up the pace with rubbery and smooth drums and bass. The cherry on top is the angelic vocals all working you into a trance.
Then the superb ‘Collect The Sun’ has a dubby and driving undercurrent with future synth lines. Furthermore, the song posseses richly atmospheric pads making for a cinematic trip. ‘Insomnia’ is an eerie and alluring blend of deep, urgent drums and bass. In addition, it has pitched up vocals that bring an ethereal and otherworldly edge.
These are four fresh tracks that have a personality all of their own, here is the Thrife Life EP
The post Alpha Tracks Drops Stellar ‘Thrive Life’ EP on RPM appeared first on EDMTunes.
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Starting in early 2000s, Angello released his first records under the name of Who’s Who. In 2003 he launched his own label called ‘Size Records,’ a company that still releases music to this day and the label through which Angello puts out most of his solo tracks.
Later in the 2000s, he rose to fame with productions such as his 2006 hit ‘Tell Me Why’ with Axwell and ‘Baby When The Light’ with David Guetta in 2007. Angello’s biggest single came in 2008 when he released a remake of ‘Show Me Love’ by Robin S.
A year later, the Swedish House Mafia members released their first track together along with Laidback Luke. ‘Leave The World Behind’ defined a new era of house music and the start of progressive house becoming one of EDM’s many portraits. However, the record was not credited under the group name, so Angello’s first official track as part of Swedish House Mafia was ‘One,’ a collaboration that featured Pharrell Williams.
From then, Steve Angello, also nicknamed as ‘Boss’ by the fans, released many successful productions, mainly with Axwell and Sebastian Ingrosso.
Following the break up of the supergroup in 2013, Angello decided to work solo again, releasing two albums, ‘Wild Youth’ and ‘Human,’ both showcasing different types of electronic music, but loved by fans. 2018 saw the boys get back together, reuniting on the Ultra Miami mainstage, closing the festival.
In present, Angello is doing work and touring both solo as well as with the Swedish House Mafia.
Celebrate Steve Angello’s birthday with his top 10 streamed tracks:
10. ‘Let You Do This’ Salvatore Ganacci and Sebastian Ingrosso [14m Streams]
9. ‘Wasted Love’ feat. Dougy [18m Streams]
8. ‘Nothing Scares Me Anymore’ [24m Streams]
7. ‘Sweet Dreams (Are Made Of This)’ [25m Streams]
6. ‘Children Of The Wild’ feat. Mako [27m Streams]
5. ‘Baby When The Light’ with David Guetta & Cozi [40m Streams]
4. ‘Payback’ with Dimitri Vangelis & Wyman [54m Streams]
3. ‘Leave The World Behind’ with Axwell, Sebastian Ingrosso, Laidback Luke [75m Streams]
2. ‘Tell Me Why’ with Axwell [151m Streams]
1. ‘Show Me Love’ with Laidback Luke [153m Streams]
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A Powerful Partnership for a Greener Future
To address the environmental footprint of large-scale festivals, Breakaway has teamed up with Zero Waste Event Productions, focusing on waste reduction through recycling, composting, and water bottle refills. This collaboration has had a substantial impact, enabling Breakaway to recycle thousands of pounds of materials in 2024. Here’s a breakdown of the impressive numbers:
• 7,205.4 lbs of cardboard
• 4,306.2 lbs of mixed plastic
• 4,211.1 lbs of aluminum cans
• 2,959.5 lbs of glass
• 580.3 lbs of mixed material
• 48.3 lbs of film/soft plastic
• 2,194.2 lbs of food scrap composted
In addition to recycling efforts, Breakaway has also contributed to local communities by donating 400 pounds of food to the ‘Food Not Bombs‘ organization and 200 pounds to local shelters, further solidifying their commitment to sustainability.
The Power of Attendee Participation
A key factor in Breakaway’s sustainability success is the active participation of festival-goers. By taking the initiative to recycle and reuse, attendees play a crucial role in reducing the environmental impact of the event. Breakaway’s 2024 success shows that when everyone contributes, even the smallest actions can lead to significant results.
Impressive Growth: Sustainability from 2018-2024
Looking back at previous years, Breakaway’s sustainability efforts have come a long way since. From 2018 to 2024, the festival’s recycling efforts have drastically improved. In 2023, the overall recycled weight was 5,800.3 pounds, but in 2024, they managed to recycle over 21,905 pounds—an astounding 300% increase in just one year.
CO2 Impact: A Massive Reduction in Emissions
The environmental benefits of Breakaway’s recycling efforts extend beyond waste reduction. By diverting 21,905 pounds of materials from landfills, Breakaway has prevented approximately 35.49 tons of carbon dioxide from entering the atmosphere. To put this into perspective, that’s equivalent to the amount of carbon absorbed by 591 trees over 10 years, or the energy needed to fully charge 4,317,103 smartphones.
Looking to the Future: A Sustainable Legacy
With their impressive achievements in 2024, Breakaway Music Festival continues to set the standard for sustainable festivals. Their partnership with Zero Waste Event Productions, the commitment of festival-goers, and their drive to innovate will help ensure that every year brings even more sustainable progress. As they look toward the future, Breakaway is on track to leave a lasting, positive impact on both the environment and the festival industry as a whole.
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The same report by Music Radar also cites a study by business analyst, MiDIA. It reveals that there was a 12% boost in the number of music creators between 2021 and 2022, rising to 75.9 million. MiDIA also forecasts that the number of music creators around the globe will swell considerably. It predicts an increase to 198.2 million people by 2030. This is figuratively more than double that of 2022.
A past study by music data analysis company Luminate supports these increasing dynamics. The study discovered 120,000 new tracks being uploaded to streaming services every day (as of 2023). Luminate said that this unanimously surpasses the figure of 93,400 the previous year. They also anticipated more than 43 million tracks being added to Spotify and other streaming sites by the end of 2023.
The post Study Says More Music Released in a Single Day of 2024 Than All of 1989 appeared first on EDMTunes.
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The festival's organizer, Goldenvoice, usually announces its lineup the first week of January. But the annual hype machine has shifted into overdrive much earlier than usual, which means influencers have six extra weeks to plan out their Instagram captions for Fashion Nova.
Headlining Coachella in 2025 are Lady Gaga, Green Day, Post Malone and Travis Scott. Beyond those contemporary superstars, however, is a wellspring of electronic music talent. And after a year teeming with unforgettable EDM moments—many of which went down at the stunning new Quasar stage—the nation's most popular music festival is primed to again spotlight the genre.
Coachella returns to Indio's Empire Polo Club over two 2025 weekends: April 11-13 and April 18-20. In the meantime, check out a full list of the lineup's DJs and electronic music producers below.
Coachella 2025 electronic music artists
A.G. Cook
Above & Beyond
Alok
Amelie Lens
AMÉMÉ
Arca
Austin Millz
Basement Jaxx
Beltran
Ben Böhmer
Boris Brejcha
Charli XCX
Chase & Status
Chris Lorenzo
Chris Stussy
Coco & Breezy
Damian Lazarus
Dennis Cruz
Disco Lines
Dixon x Jimi Jules
DJ Gigola
Eli Brown
Francis Mercier
HAAi
horsegiirL
Indira Paganotto
Indo Warehouse
Infected Mushroom
Keinemusik
Klangkuenstler
Kraftwerk
Layton Giordani
Maribou State
Massano
Mau P
MEUTE
Mind Against
Moon Boots
Parcels
PARISI
Pete Tong x Ahmed Spins
Pole & Pan
salute
Sammy Virji
Sara Landry
Shermanology
Snow Strippers
The Prodigy
Tinlicker
Tripolism
underscores
Vintage Culture
VTSS
Yulia Niko
Zedd
The Coachella 2025 lineup is topped by headliners Lady Gaga, Green Day, Post Malone and Travis Scott.Coachella Valley Music and Arts Festival
Follow Coachella:
X: x.com/coachella
TikTok: tiktok.com/@coachella
Instagram: instagram.com/coachella
Facebook: facebook.com/coachella
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The game puts players behind the wheel of an unruly tour bus with a death wish, careening through through streets littered with obstacles as if the Road Runner moonlighted as a tour manager. The objective of this pixelated escapade? Snag guitars while dodging barbed wire in a high-stakes game of "don't crash and burn."
Using just three keys—up, down and the rebellious Z for leaping—players must dodge the spikes and collect guitars along the way. While not groundbreaking, the game oozes charm and reckless fun to mirror the energy of its creator, who is beloved for infusing his blistering beats with a punk-rock edge.
The game arrives ahead of Kayzo's "Unleashed XL" 2025 tour as well as the release of "SWEAT!," a new collaboration with Sullivan King dropping tomorrow, November 22nd.
You can play Kayzo Unleashed XL here.
View the original article to see embedded media.
Follow Kayzo:
X: x.com/kayzomusic
Instagram: instagram.com/kayzomusic
TikTok: tiktok.com/@kayzomusic
Facebook: facebook.com/kayzomusic
Spotify: spoti.fi/3kiAtQO
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This achievement is another strong example of the many successes that Shazam has provided for these past couple years. Last year, it launched “Concerts”, a personalized in-app concert discovery hub that lets users see any concert recommendations through any of the tracks on their Shazam history. Also in 2023, the app also unveiled the “Auto Shazam” feature, which allows users to identify songs on Shazam while they still logged onto TikTok, Instagram, YouTube and other apps. With the ever-enhancing popularity of Shazam worldwide, especially as many music fans around the world have more broadening musical tastes compared to decades past, it will be a matter of time until Shazam will have a total of 1 trillion song recognitions.
The post Shazam Reaches 100 Billion Song Recognitions appeared first on EDMTunes.
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Standing front and center was its conductor and commander, John Summit. A vanguard of today's dance music space, Summit seemed at ease as the sharp-edged vessel hovered and hypnotized, embracing the cheers as he pivoted through a symphony of soundscapes for two hours.
The show wrapped up a trio of sold-out performances Summit made inside the famed Inglewood venue. As part of his "Comfort in Chaos" tour, the Chicago native embraced the City of Angels and offered exclusive experiences only on display at these LA concerts.
One of those experiences was an angelic opening performance of his "Where You Are," his stratospheric dance anthem with HAYLA. Named one of EDM.com's best songs of 2023, the track and its soaring chorus were beautifully reimagined by a live orchestra.
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As cheers reverberated from the walls of the storied site, the symphony faded and Summit shifted the gears of his spacecraft. Punching it into overdrive, he was relentless, delivering an exhibition of electronic euphoria.
Throughout the course of the exhilarating night, Summit ran the gamut of his personal catalog. From "Eat The Bass" to "Human" and "What A Life"—and Odd Mob's massive remix of "Palm of My Hands"—he seamlessly cycled through his recent hits alongside his earlier projects.
John Summit performing at the Kia Forum in Los Angeles.Nat Goldie
Additional moments reserved specifically for the audience at the Forum included a string of special guest performances. These included Paige Cavell, who took to the stage for a live rendition of "Tears," and KOATES, who emerged later to perform "Undo."
The live orchestra returned to the front of the space capsule once again, this time with Julia Church. Her stunning live performance of "Go Back" was a feast to the ears, her melodic notes elevated by the soaring instrumentation alongside her.
John Summit, Paige Cavell, Julia Church and HAYLA.Nat Goldie
The final special guest lending her talents to Summit's spectacle was none other than powerhouse vocalist, HAYLA. Having contributed to not one, but two of Summit's biggest records in the last year, her vocals were fitting for the conclusion of a show of this caliber.
For HAYLA's first appearance, Summit relinquished control of the vessel and allowed her to command the audience before her. Impassioned and in unison, a sea of hypnotized humans sang along, hanging on to every syllable of "Where You Are."
John Summit and HAYLA.Nat Goldie
HAYLA returned shortly thereafter, this time in the company of the live orchestra for one final number, "Shiver." What followed was an exhilarating concoction of dance music nirvana. The subtlety of the string instrumentation paired with HAYLA's live vocals and the driving bass thumping from the speakers was literal music to our ears.
If an alien life form ever visited our troubled, turbulent planet and wanted to know what could sow division in our world, I would bring them to the last few minutes of this show. From the top rows to the floor of the Forum, everyone seemed to be in a moment of pure ecstasy.
John Summit performing at the Kia Forum in Los Angeles.c/o Press
The entirety of Summit's two-hour renegade was a safeguard from the ongoing of the outside world. As captain of the spacecraft, he carefully guided the audience through a kaleidoscopic visual and auditory journey.
Summit's mastery of his craft, paired with state-of-the-art production allowed us to suspend our realities, allowing for a brief moment of comfort in chaos.
Follow John Summit:
X: x.com/johnsummit
Instagram: instagram.com/johnsummit
TikTok: tiktok.com/@johnsummit
Facebook: facebook.com/itsjohnsummit
Spotify: spoti.fi/3oVz7hG
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