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Nikademis Teams Up With Josh Rubin on Emotionally Charged Track ‘Lose It All’

Denver based artist Nikademis has released his final track off of his debut EP ‘Stepping Out Of Shadows‘. Titled, ‘Lose It All‘, join in on what might be one of his most emotional tracks to date.
‘Lose It All’ is a captivating track that blends the delicate beauty of a piano melody with intricate mid tempo melodic dubstep elements. The song opens with a beautiful piano riff that sets both a haunting but hopeful tone, drawing listeners in before the beat drops. Josh Rubin’s vocal performance adds depth and intensity to the lyrics, which explore themes of uncertainty, doubt, and a fear of losing the connection with the other person. The dubstep elements in the song are expertly crafted, providing a driving rhythm that complements the emotional intensity of the vocals. The production is polished and precise, with each element seamlessly blending together, showcasing the artistry behind Nikademis’ sound design.
Known for his dark, mysterious soundscapes and contrasting empowering melodies and vocals, Nikademis has quickly gained popularity in the EDM scene. Originally from Long Island, the 25-year-old producer has achieved significant success with tracks like ‘I Don’t Wanna Know’ with Friendzone and Candace Sosa, ‘Talking to Ghosts’ with We are Fury and SOUNDR, and his official remix of ‘U & Me’ from ILLENIUM’s GRAMMY-nominated album ‘Fallen Embers.’ His unique sound and style have earned him support from prominent artists such as ILLENIUM, Dabin, William Black, Blanke, and others.
In 2024 alone, Nikademis has released ‘Waking up in a Dream’ with 9 Worlds and Donna Tella, and ‘Numb’ with LEUTHERO and Skye Silansky. With his continued success and growing fanbase, Nikademis is undoubtedly a rising star in the melodic dubstep scene.
The post Nikademis Teams Up With Josh Rubin on Emotionally Charged Track ‘Lose It All’ appeared first on EDMTunes.
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[WATCH] Fred again.. Opens Up On Interview With YouTuber Nardwuar

In a recent interview with renowned music journalist Nardwuar, the electronic music star Fred again.. offered a glimpse into his creative process and musical influences. The video features a lively and engaging conversation between the two sensations with a bunch of detail. Nardwuar, known for his energetic and unpredictable interviews, challenges Fred again.. with a series of unexpected questions and gifts.
Throughout the interview, Fred discusses how he goes about music in detail, from the past to the present. He shares stories from his childhood, including how his father’s love of music inspired him to pursue a career in the industry. Fred again.. also talks about his early experiences as a musician, his collaborations with other artists, and his songwriting process.
Nardwuar’s signature style, which involves surprising his interviewees with gifts and trivia questions, adds a playful and entertaining element to the interview. This creates great chemistry between the two sides, as Fred’s responses are witty, insightful, and full of passion for music.
The interview provides a fascinating glimpse into the life and work of Fred again.., one of the most exciting young talents in the electronic music scene. It’s a must-watch for fans of both Fred Again and Nardwuar’s approach to journalism. Watch it below! Also, click here to watch it on YouTube.
The post [WATCH] Fred again.. Opens Up On Interview With YouTuber Nardwuar appeared first on EDMTunes.
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Electric Love Festival 2025 Unveils Exclusive Hotel Packages 

Electric Love Festival, one of Europe’s premier electronic music events, has revealed a brand-new look and announced exciting hotel packages for its 2025 edition. Set against the picturesque backdrop of the Salzburgring and Lake Fuschl region, the festival continues to elevate the fan experience with curated accommodation options and enhanced VIP offerings.
Photo credit: Pikzelz
Luxurious Stays for Electric Lovers
Festival-goers can now book stays at two exclusive ELF Hotels, each offering unique perks to enhance the Electric Love experience:
H+ Hotel Salzburg: Starting at €541.50 per person for a 3-night stay, this centrally located hotel offers stylish rooms, a fitness area, and an extensive breakfast buffet. Its proximity to Salzburg central station makes it ideal for easy festival access. Hyperion Hotel Salzburg: For those seeking luxury, packages start at €720 per person for a 3-night stay. This elegant hotel in the heart of Salzburg features modern rooms, culinary delights, and access to spa facilities. Both ELF Hotels provide exclusive benefits such as on-site ticket exchange and special surprises for guests. ELF Hotels are exclusively booked for Electric Lovers, making it easy to connect with fellow festival visitors. Immerse yourself in the Electric Love experience from the moment you arrive, and create unforgettable memories before even setting foot on the festival grounds.
Photo Credit: H-Hotels.com
VIP Travel Package: The Ultimate Electric Love Experience
For attendees looking for a premium festival experience, Electric Love presents the VIP Travel Package, starting at €2,251 per person. This all-inclusive option features:
– Accommodation at the 5-star Hyperion Hotel
– CUPRA Platin VIP Lodge Tickets for all festival days
– Private shuttle services to the festival site
– Brunch at the renowned Hangar-7, followed by a private tour through Hangar-7 and Hangar-8
– Luxury shuttle with onboard bar to the The ORGANICS Beach, including tickets
– Professional hair and makeup styling right at the hotel on all festival days
Photo Credit: H-Hotels.com
Partner Hotels for Every Preference
For attendees looking for a cozy night’s sleep after the festival, Electric Love offers a range of partner hotels to choose from:
IMLAUER & BRÄU: Starting at €522 per person, this hotel blends Salzburg’s authentic charm with modern comfort. It features the traditional Bräu-Stub’n restaurant and access to wellness facilities. IMLAUER Hotel Pitter: From €595.50 per person, enjoy breathtaking views of Hohen Salzburg Fortress from the rooftop terrace. Spacious rooms and the lively PitterKeller bar provide the perfect festival retreat. Hotel am Mirabellplatz: Starting at €508.50 per person, experience elegant comfort in the heart of Salzburg with excellent connections to the city’s finest sights. Hotel Jakob in Fuschl: From €411.50 per person, this serene escape by Lake Fuschl offers a cozy haven just 15 minutes from the festival grounds, complete with its own beach access. All partner hotels include breakfast and are conveniently located near festival shuttle services or the event grounds.
Photo Credit: Guenter Standl
Secure Your Spot at Electric Love 2025
Electric Love Festival 2025 promises to deliver another unforgettable weekend of world-class electronic music, cutting-edge production, and the unique atmosphere that has made it a must-attend event on the global festival calendar. 
The ticket pre-sale for ELF25 starts tomorrow, October 17, at 7 PM CEST. Those who wish to secure the highly demanded VIP categories are encouraged to purchase their tickets as soon as the ticket shop opens.
For more information and to book your Electric Love 2025 experience, visit https://www.electriclove.at/
Photo Credit: Raul Barcia
About Electric Love Festival
Electric Love Festival, held annually at the Salzburgring since 2013, is one of Europe’s leading electronic music festivals. Attracting 180,000 visitors from over 70 countries, it offers a unique blend of top-tier musical acts, stunning alpine scenery, and a spirit of unity and euphoria that resonates with electronic music lovers worldwide.
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ADE Events you don’t want to miss: Reinier Zonneveld x Free Your Mind

Brace yourself for a pure, unfiltered connection to music as Reinier Zonneveld x Free Your Mind takes over ADE this Saturday. Set against the backdrop of one of the world’s most anticipated music festivals, this collaboration promises to be nothing short of extraordinary.
Reinier Zonneveld, a Dutch techno visionary, is renowned for his dynamic live performances, where he builds tracks in real-time. Every set he delivers is a masterclass in control—a unique journey through dark, pulsating techno infused with melodic peaks and powerful drops.
But it’s not just Reinier Zonneveld that will make this night at ADE unforgettable. He’ll be supported by a lineup of top-tier artists, each bringing their own distinctive sound to the stage and contributing to a full-spectrum techno experience:
Angerfist: A legend in the hardcore scene, Angerfist is known for his relentless energy, blending fast-paced beats with dark, heavy basslines that often push beyond 180 BPM. His signature intensity sets the tone for any night. DIØN: A rising star in the techno scene, DIØN has been making waves with his raw, high-energy approach. His sets pull from rave and warehouse traditions, blending old-school sounds with modern, pulsating beats to create a powerful and captivating atmosphere. DYEN: A key figure in the revival of old-school techno, DYEN draws inspiration from the 90s and early 2000s while keeping his sound fresh and modern. His sets are a barrage of pounding kicks, hard grooves, and industrial soundscapes, delivering an unrelenting energy that drives the dancefloor into a frenzy. Hardkar: Known for fusing industrial and hardcore techno, Hardkar’s sound is heavy, gritty, and intense. His performances are defined by mechanical, hard-hitting rhythms, all infused with an unmistakable underground vibe. Might or might not be an alias of one of the other DJ’s that will be performing that night! Kiki Solvej: Bringing a distinct blend of melodic techno with a driving, powerful edge, Kiki Solvej’s sets shift between ethereal atmospheres and deep, bass-heavy rhythms. Her ability to balance these elements makes her a standout in the techno scene. Paula Temple: An icon in industrial techno, Paula Temple is renowned for her dark, abrasive sound. Her sets are a sonic assault, layered with harsh, metallic textures and throbbing basslines that leave a lasting impression. Raxeller: Fusing raw energy with pounding, hypnotic beats, Raxeller’s sets are driven by relentless rhythms and infectious grooves. His ability to blend a range of hard techno influences with an authentic underground edge makes him a standout artist. What makes this event even more special is the involvement of Free Your Mind, one of the longest-running techno event organizations in the Netherlands. Known for creating immersive experiences, Free Your Mind is celebrated for pushing the boundaries of what techno can be, with carefully curated lineups and stunning production designs.
Combining Reinier Zonneveld’s boundary-breaking live performances, a powerhouse lineup of artists, and Free Your Mind’s forward-thinking production, Reinier Zonneveld x Free Your Mind is guaranteed to be a highlight of ADE, that promises to go beyond music and deliver a fully immersive experience. AFAS Live, the venue where will take place on Saturday between 23:15-08:00, is furthermore designed to amplify the intensity of live performances, making it the perfect setting for a immersive sensory journey.
If you haven’t secured your tickets to Reinier Zonneveld x Free Your Mind yet, make sure to do so by clicking here, cause this will without a doubt be one of ADE’s most talked-about nights.

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ADE Events you don’t want to miss: Upclose ADE | presents Four Tet

Imagine walking into the Gashouder, the massive industrial dome that usually pulses with thousands of ravers, but this time has an atmosphere that feels different—intimate and almost personal. With the DJ booth set in the center, surrounded by the audience on all sides, you’re not just watching the artist—you become a part of the experience, and the music wraps around you like a warm pulsing wave, pulling you in deeper with every beat.
If this sounds like something that you’d like to be a part of, then Upclose ADE | presents Four Tet this Friday is exactly what you are looking for.
Known for its large-scale productions, massive venues, and cutting-edge lineups, Awakenings has built a global reputation for delivering unforgettable experiences (read about Awakenings Festival 2024 here). One of the reasons behind the event organization’s success is its ability to adapt and evolve, and their Upclose concept is a true testament to that.
As a part of the broader Awakenings offering, Upclose departs from the massive warehouse setting and focuses on a celebration of intimacy and musical exploration. The idea is simple, yet profound: bring the audience closer to the artist both physically and sonically, to create a more immersive and personal experience. Something that isn’t about the spectacle but about connection—between the music, artist, and the crowd.
With Four Tet leading the charge this year, the audience will witness how he transforms the greatness of the Gashouder into something much more personal. Known for his ability to create complex, emotional soundscapes that blur the lines between genres, Kieran Hebden (Four Tet) is expected to deliver a set that is introspective and mesmerizing, weaving delicate rhythms and atmospheric textures into the venue’s rich acoustic environment.
Saoirse, on the other hand, who will also be performing during Upclose ADE | presents Four Tet, is known for her ability to keep the crowds on their toes and switch between styles and tempos, ensuring that the energy in the room remains electric. The audience can therefore prepare itself for an evening that feels intimate, yet charged with excitement.
Upclose ADE | presents Four Tet, taking place at the Gashouder this Friday between 15:00 – 21:30, is shaping up to be one of the most memorable events of ADE 2024. Make sure that you don’t miss out by securing your ticket here.
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KI/KI Takes Over Gashouder: A 5-Hour Marathon Set at ADE 2024 Hosted by Awakenings

Did you know that KI/KI will be taking over the Gashouder tonight with an epic five-hour set as part of ADE? Hosted by Awakenings and powered by Jägermeister, this marathon runs from 00:00 to 05:00, and the audience can expect an unforgettable performance.
KI/KI, an Amsterdam-based DJ, has quickly risen as a leading figure in the techno and rave scenes. Starting out as a resident at the renowned Spielraum in 2018, she has since performed at legendary venues like Bassiani and Boiler Room. Her music blends fast-paced trance, acid, and techno, creating a sound that’s both futuristic and nostalgic. KI/KI is also the founder of Slash, a label promoting her work and that of other like-minded producers.
This event is even more special as it was completely free for those lucky enough to pre-register and claim a ticket in time. This gives fans a unique opportunity to not only witness KI/KI in full form but also to experience one of Awakenings’ world-class productions at the iconic Gashouder.
KI/KI 5 Hours at Gashouder is the second event Awakenings is hosting during ADE, after Upclose ADE | Marlon Hoffstadt presents Daddycation that kicks off at 18:30. Here’s a glimpse of the other exciting Awakenings events you can experience at ADE in the coming days:
17/10 – Awakenings ADE Adam Beyer presents Drumcode 18/10 – Upclose ADE | presents Four Tet 18/10 – Awakenings ADE Adriatique present X 19/10 – Awakenings ADE Joris Voorn presents Spectrum 19/10 – Awakenings ADE Amelie Lens presents Exhale 19/10 – Awakenings ADE Joseph Capriati presents Metamorfosi 20/10 – Awakenings ADE Sunday Closing If you haven’t secured your tickets for Awakenings during ADE yet, make sure to do so as quickly as possible by clicking the links above. With Awakenings’ cutting-edge production combined with a lineup of incredible artists taking over Gashouder, each show promises an experience you definitely don’t want to miss!
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A Second Sphere Venue Is Coming to Abu Dhabi

As the record-breaking Sphere continues to redefine entertainment in Las Vegas, a doppelgänger is poised to do the same in Abu Dhabi.
The United Arab Emirates capital is set to become the second location to build a Sphere venue after the structure's proprietors, Sphere Entertainment, reached an agreement with the Abu Dhabi Department of Culture and Tourism.
"The vision for Sphere has always included a global network of venues, and today’s announcement is a significant milestone toward that goal," James L. Dolan, the company's Executive Chairman and CEO, said in a press release. "Sphere is redefining live entertainment and extending the reach of its transformative impact. We are proud to collaborate with DCT Abu Dhabi to develop Sphere in their city."
At 366 feet tall and 516 feet wide, the $2.3 billion orb in Vegas is the world's biggest spherical structure. Inside, a bleeding-edge concert venue projects mind-boggling graphics on the world's largest and highest-resolution wraparound LED screen, which extends over and behind the crowd.
The concert venue inside the Sphere structure in Las Vegas.Rich Fury/Sphere Entertainment
The news arrives after plans to open a second Sphere location in London were thwarted by the city's mayor, Sadiq Khan, who reportedly turned down Dolan's proposal on the grounds it would have caused "unacceptable harm to hundreds of residents."
Located in a "prime spot" in the Abu Dhabi metropolis, the new venue is said to emulate the size and scale of its counterpart in Sin City, which has a capacity of 20,000. The Vegas Sphere generated over $1 billion in revenue in the fiscal year since its grand opening.
In other Vegas Sphere news, Anyma was recently confirmed as the pioneering venue's first-ever electronic music headliner. Collectively billed as "The End of Genesys," a reference to the superstar DJ's stunning audiovisual brand and albums of the same name, the historic residency comprises eight shows: December 27th to January 1st and January 10th to 11th.
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San Francisco Mayor Issues Official Proclamation to Name a Day After Zedd

Zedd has been honored by the City and County of San Francisco with a day in his own name.
October 12th, 2024 is now "Zedd Day" in the City by the Bay, according to the superstar DJ, who announced the official proclamation this week. Issued by Mayor London Breed, it lauds Zedd as "an integral part of the San Francisco performing arts community."
Mayoral proclamations are typically issued for the purpose of public awareness, education or civic duties. Save for FISHER's day in Vegas, they are rare in the music industry, so Zedd celebrated by showing his off during a set at San Francisco's famed Bill Graham Civic Auditorium.
Fresh off the release of Telos, his first album in nearly a decade, Zedd is riding a hot streak of 14 sold-out concerts at Bill Graham, where he's performed for roughly 100,000 people over the course of nine years, according to the venue.
The proclamation also notes that Zedd was "instrumental" in the city's pandemic recovery efforts after headlining the first event at Bill Graham following a shutdown period of 18 months. The sold-out show took place August 6th, 2021.
Check out Zedd's announcement below.
View the original article to see embedded media.
Follow Zedd:
Instagram: instagram.com/zedd
TikTok: tiktok.com/@zedd
X: x.com/zedd
Facebook: facebook.com/zedd
Spotify: spoti.fi/2CoYpk2
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Meetch Drops Killer New Single ‘’Take It Slow’

DJ and music Producer Meetch unveils his latest production, a Bass House track titled ’Take It Slow’. Following the release of ‘Snakes In My Head’ featuring vocalist Iris Goes, and ‘Feel It’, Meetch strikes back with another dynamic production that continues to develop and highlights his signature energetic sound and style.
Continuing his steady growth within the electronic music world, Meetch keeps on building a strong music catalog that displays his skills as a Producer, while his ventures as a radio show host also showcase his talent as a DJ and tastemaker; with his radio show ‘Digital Dance Radio’ reaching over 30 radio stations worldwide on a weekly basis, and featuring guests like VASSY, Yves V and Robin Schulz just to name a few. With over 50 episodes, Meetch continues to curate fresh sounds, as he grows his reach and community every week.
Now, introducing a new production, that pushes his sound forward, he aims to achieve new milestones while highlighting his own sound and music production approach. ‘Take It Slow’ features a lively beat, hard-hitting bass growls, and stabs, all grounded by a powerful low end and catchy vocals that guide the sonic journey. Refreshing drops soon release the track into a party-ready soundscape, with dynamic pads and textured layers that build on the energy, making for a compelling listen from start to finish.
With his characteristic sound full of energy, Meetch showcases once more, the talent and skill that makes his name one to follow closely, as he consistently releases instant favorites for the lovers of the genre. Make sure to follow Meetch over social media to remain updated on his latest projects, as he teases more music and live shows, with this new release marking another step forward in his evolving journey.
’Take It Slow’ is out now and available to stream and download across all major platforms and online stores here.
Listen and Buy ‘Take It Slow’ Now:
Meetch Online Spotify | Soundcloud | Instagram
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The Next Full-Sized Sphere is Coming To Abu Dhabi

Sphere Entertainment, the company behind the innovative Las Vegas Sphere, is expanding its reach to the Middle East. The company has confirmed its plans to build a new Sphere venue in Abu Dhabi.
The Abu Dhabi Sphere will be very similar in scale to the Las Vegas venue, offering a capacity of 20,000. This is the first official confirmation of the brand’s expansion outside Nevada, after rumors of them bringing a rounded building to London, and the confirmation of a smaller sphere in Dubai which won’t belong to Sphere Entertainment.
The expansion into Abu Dhabi aligns with the growing interest in the Middle East and North Africa as a music market. The region has experienced significant growth in recent years, driven by factors such as increased internet penetration and rising disposable income. “The vision for Sphere has always included a global network of venues, and today’s announcement is a significant milestone toward that goal”, said James L. Dolan, Executive Chairman and Chief Executive Officer of Sphere Entertainment.
Sphere Entertainment’s partnership with the Department of Culture and Tourism in Abu Dhabi will bring a new level of entertainment to the city. The company’s expertise in technology and content creation will be instrumental in creating unforgettable experiences for visitors.
The new Sphere venue is expected to attract a wide range of audiences and contribute to Abu Dhabi’s reputation as a global entertainment destination.
[H/T] Music Business Worldwide
The post The Next Full-Sized Sphere is Coming To Abu Dhabi appeared first on EDMTunes.
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The BPM Festival unveils phase one lineup for new location in 2025

As winter approaches, both snowbirds and sun-seekers can celebrate: The BPM Festival is returning with a stellar phase one lineup. After three wildly successful editions in the lush surroundings of Costa Rica, house and techno enthusiasts are gearing up to reunite from January 8–12 for the 2025 edition.
For the first time ever, BPM will touch down in its newest paradise: Playa Avellanas. With a stunning blend of beach and jungle, this fresh location promises an unforgettable backdrop for some of techno’s biggest names. The phase one reveal already boasts over 40 international acts, offering a mix of established legends and emerging talents. Heavy-hitters like Adriatique, ARTBAT, and CAMELPHAT are poised to deliver peak-hour energy in the jungle, while live sets from Cobblestone Jazz and Rodriguez Jr. will fully immerse festival-goers in a sensory experience.
With the phase two lineup just around the corner, BPM is offering a perfect escape from the winter blues. Check out the full phase one lineup below. Festival passes and more information are available on the official BPM website.
Featured image: Chris Lavado
The post The BPM Festival unveils phase one lineup for new location in 2025 appeared first on Dancing Astronaut.
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Avicii Vocal Anthem ‘Seek Bromance’ Has Turned 14 Years Old

Before Avicii became a global sensation with hits like ‘Levels’, ‘Wake Me Up’, and ‘The Nights’, it was ‘Seek Bromance’ that laid the groundwork for his meteoric rise. Released on October 12, 2010, this anthem was the vocal version of his track ‘Bromance’, and it quickly turned into a massive hit, charting in the top 10 in multiple countries. The music video alone racked up over 100 million views, catapulting Avicii into the spotlight and setting the stage for his legendary career.
Tim Bergling, the man behind Avicii, left an unforgettable legacy in the electronic dance music (EDM) scene and beyond. His career was marked by incredible success, with billions of streams and views, defining a generation of EDM lovers. Even after his untimely passing in April 2018, Avicii‘s music continues to inspire. In 2019, his posthumous album ‘TIM’ was released, featuring collaborations with artists like Aloe Blacc, A R I Z O N A, and Imagine Dragons, further solidifying his place as an icon in the music world.
‘Seek Bromance’ remains a timeless reminder of Avicii‘s extraordinary talent and the lasting impact he had on the music industry.
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We Need To Talk About Aum

Known best for a twisting blend of genres and influences, London-based DJ, Aum, continues to leave ravers tantalised. A unique artist with 10 years of experience and many strings to her bow,  she is recognised widely for her captivating fusion of Caribbean heritage and deep understanding of South London’s bass music culture.
Aum focuses on community and culture. Beyond her own artistic pursuits, she is wholly dedicated to fostering a platform for marginalised artists. Aum Presents The Electronic Diaspora is a series of events showcasing the talent and diversity of global majority musicians. From amapiano and garage to footwork and dubstep, these events offer a rich tapestry of electronic sounds. This year alone, Aum has curated takeovers at both Glastonbury and Boomtown, further amplifying the voices of underrepresented artists within the electronic music scene.
Straight off the back of some exciting international gigs, we jumped into the conversation to find out more…
Aum! You’ve had a busy year. Any highlights?

The last year has been a bit crazy, my hobby of being an artist has really snowballed. I’ve ended up in a DJ career without really meaning to. I’ve always loved DJing but I don’t think I saw it as being at the forefront of my career. Fortunately, it’s taken over from everything, which is really cool. I started 2024 on The Lot Radio in Brooklyn, New York which was an exciting way to enter the new year. March was a busy month for me supporting Mozey at his headline show in London, as well as AMC at his Adrenaline show, Critical Sound in Bristol, Particle’s album launch, and my debut at Planet Wax record shop, a staple in the London music scene. Another highlight of mine was the What’s On Your Mind panel with Turno. It was an honour to be brought in by him and Grace to talk about my life story and my mental health. That was a massive highlight. It was amazing to sit there alongside such incredible people to talk about our lives and struggles. Dani from Crazy P was on the panel after me and I just couldn’t believe how we were worlds and generations apart, but her story resonated with me so much.
Rest in peace, Dani. A memory you will no doubt treasure…
She was incredible! She made me feel so peaceful and I was lucky enough to work with her on a few more occasions over the summer.
This season I’ve also been travelling about with the Critical Sound family across loads of shows including our Summer Sonics event at The Cause and Noisily Festival. As well as performing with Dillinja and The Valve Sound System this year. We’ve done gigs in London, Bristol and at Boomtown. Which was insane. That was the biggest crowd I’ve ever played to. It was pouring down with rain, I was performing out of a gazebo nearly blowing away in the wind. It was probably the most chaotic, fun and stressful set I’ve ever played. There were over 7000 people there, but I was so glad that I couldn’t see the whole crowd. My nerves were already so bad. I’m a really anxious person, I’m trying to manage that more now. I used to be a singer in a gospel choir and I ended up putting singing on hold because of my stage fright. Whereas I saw DJing as hiding behind equipment in order to perform, but as the gigs became more important to me, they also started to get larger in scale and I’m sort of in the public eye now, I have been very nervous and cautious about what I’m doing on stage.
I guess when you’re building a brand up too, people recognise you. They’re coming to see you. Which is great, but adds another layer of pressure?
Yeah exactly, but it’s nice too. I’ve just come back from Tenerife after supporting Chase & Status. Playing to different audiences is difficult, especially if you are playing support to an act like Chase &Status but after the sets I performed there, I got a couple hundred new followers, loads of messages, and made new friends too – shout out Nick, Bridie, Rosco, and Lew – It was nice to have good feedback and relieve some of that internal and external pressure. I don’t necessarily need gratification from other people but it is nice in those situations when you’re warming up for such a major artist who are doing so well at the moment. I’d like to say a special thank you to one of my dear friends, Ben, for having me be a part of the line-up alongside Tailor Jae and Sica ria. If you’re looking for a manager check out Ben Carden-Jones!
Big up Ben… We all need a little bit of validation every now and then, just so we know what we’re doing is alright.
With some gigs, I don’t need that at all because I know the crowd and I know what I’m playing is up their street but I think where I’ve moved to such a heavy jungle sound if I play to a heavy D&B crowd, sometimes I feel like my sound and style gets a bit lost. I have started mixing old school jump up with jungle now to those more drum and bass crowds, I do draw for these tracks to try and engage with that audience more and bring them into my world of music. Old jump up was my bread and butter, that’s what I grew up on- Playaz.

Let’s dive into Aum presents: The Electronic Diaspora. What’s the concept?
Aum presents: The Electronic Diaspora is an event series and concept that I came up with because, to be honest, I was getting sick and tired of promoters telling me that there are no artists of colour to book. It’s a lie. I was tired of getting into these arguments, whether it’s face to face or on social media, I was sick and tired of butting heads and being told one thing when actually, it’s down to their laziness and people being stuck in their ways. So I started the series, which was sort of a protest in my head but also a nice thing to do because I have so many amazing friends of colour who are artists that I wanted to showcase and platform who I feel don’t get the light shined on them. Or, if they do get booked, they’re getting opening slots when actually, they’re primetime DJs. I wanted to showcase and platform the global majority and marginalised artists. I am a woman of colour. I am of mixed heritage and I’ve had many debates with my friends of colour and my white friends too about the importance of having a much wider demographic performing on stage. 
Representation is so important, across the whole scene.
It really is. There was a festival I went to recently where there was a full female lineup on one of the nights, and there were no women of colour on the line up. That really cut me deep considering the amount of women of colour that started and have contributed to drum & bass, DJ Flight, Kemistry, Jenna G, Chickaboo, Rachel Wallace, and Eva Lazarus, just to name a few. It started from black men and women, then the white community was brought into it. That time and era was amazing. The 90s and the noughties had such mixed demographics on their line ups. I don’t know what’s happened over time. Anyway, there were no women of colour on this line up even though it stated they were representing women in D&B, then I looked around me and I realised I was also the only woman of colour in the crowd too, and I’m mixed race, I’m fairer skinned. I felt so ostracised and isolated. I was upset. Even now talking about it, it makes me feel upset. I wanted to leave that day. From having these strong emotions, I wanted to channel my anger and frustration into something positive rather than arguing about it with people online and in person. I’ve seen people come at it from that angle and it doesn’t do anything. If someone has core beliefs and values that what they’re doing isn’t wrong, and they truly believe they’re not ostracising a group of people, you’re not going to change them by arguing with them until you’re blue in the face.
This is a positive and productive way of doing it. You’re literally showing them, rather than telling them, that there are artists of colour that they can book.
Exactly. This is why I’m doing it. Starting the club night has been incredible though because I’ve now made so many new friends from marginalised communities, whether that’s the queer community, the black community, the asian community. I’ve actually opened up my roster of friendships because I do feel like I have isolated myself a lot from my black heritage over the years. I moved from London when I was 13 and didn’t move back until I was 18. For 6 years I was in Dorset, which is a really white place. I went from being one of the whitest kids at my school in South London to one of the blackest kids in my school in Dorset, so I ended up being so withdrawn from my heritage, and not celebrating my blackness enough and really engrossing myself in my culture. It’s taken a few years for me to find my feet but it’s been really nice to open up my platform and life from doing this. So, although I’ve had to do the work, it’s been an amazing journey. It’s also opened up so many opportunities for me personally. I want to thank Katie Marshall for giving me a space to host an Aum Presents at Glastonbury, which was incredible. And Dan Tsu at The Rum Shack, Glastonbury is definitely another highlight of my year. I hope the series keeps getting bigger and more recognised. Everything is going in the right direction.
Talk to us about some of the artists you’ve booked!
Mia Koden came down for the first event, who used to be part of Sicaria Sound. We had Ehua. We had Jamiu who is a close friend of mine, he helped me pick the name ‘The Electronic Diaspora’. We were trying to be careful not to be so ‘We’re black, and we make music, and we’re playing here!’ The Electronic Diaspora is more vague because it’s not about strictly being black or brown, it’s about heritage, What is your diaspora? So yeah, big up Jamiu. My friend AMA came down, she’s a new mummy now too so that’s lovely. Verbz and Mantmast were hosting, two supportive men in music. That is something I want to shout about, there are good men in music. The bad do outweigh the good, in my opinion, and statistically speaking, but there are lots of really good men in music. Jack Workforce for example, goes above and beyond for women in music. He goes above and beyond as a friend and as a mentor. Manchester promoter Rich Reason is another good man in music, doing amazing things for his community and the wider demographic. Dogger too, he’s a great friend of mine and supports me in some of my best moments and worst. I’d like to mention Rob Cracknell and Tom Hoyle for their support this year in all aspects of my career from being on stage to behind the scenes. They have both really nurtured all the business hats I like to wear.
Artists I’d love to mention and put the spotlight on are; Peppa Sounds, Chy, Pablo Gyal, Gold Tooth, Sicaria, Salo, Q Sermon, Akira, Missy P, Local Citizen, Rose Bud, and so many more. I can’t wait to eventually work with them all in the near future.
It’s important to big up everyone who is fighting for change and actively helping the scene progress in a healthy way.
It’s a community effort and I do have so much positive support from the wider white community too, which is great. Something I would like to mention is that I’ve heard too many people saying that the rave is just for music and that we need to keep politics out of it. I don’t actually know what planet these people live on but music has always been a political movement. From the mods & rockers in the 50s and 60s to the hippies during the 60s and 70s in a field dropping acid and smoking to the origins of Glastonbury, these were political movements. It was a statement. House and techno in the early 80s, early 90s in America was a statement for the black queer community to stand up for their rights and their movements, creating safe open spaces for their people. And in the 90s and the noughties, drum and bass and jungle were the same thing, making changes. It was a movement for the black and poorer communities in the UK. So specifically for white males in drum and bass – who are mostly ravers – to go out of their way to tell artists who are living and breathing this community that the dance and industry isn’t the place to talk about politics, I find that frustrating. Telling women off for talking about the lack of diversity is wrong, telling people of colour off for talking about the lack of diversity is wrong. People saying we shouldn’t be doing fundraisers or wearing t-shirts for Palestine and the Middle East. That is literally what our platforms are for. It’s what music was made for. People are almost being drawn away from what raving, music, parties, and gatherings were really for, are what they have been about for many decades, so I want to remind people, educate people and give opportunities to those who deserve them. It’s important to me. 
Up and coming shows, and engagements…Friday October 18. I have Critical Sound, Fabric 25 at of course Fabric London, the iconic club celebrating its 25th birthday, a venue very close to my heart and career in music. On Saturday 19. I have a guest mix airing on BBC Radio 1 on Charlie Tee’s show, big thank you for having me. Next week I will be making my Berlin debut at a club night called Magma, the location is secret which I find very fitting, I have my all-black outfit at the ready! Over the winter months, I’ll be heading out of Europe and over to Aotearoa, New Zealand with a stop or two on the way so keep an eye out.
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On ‘AVALON,’ SOREN delivers hard dance from the desert

SOREN’s status as one of the most promising American acts in the hard dance scene isn’t up for debate. That’s the key takeaway from “AVALON,” a thunderous addition to the Dirty Workz signee’s statement-making series of singles this year.
Fittingly billed as “hard dance from the desert,” the Dancing Astronaut Artist to Watch in 2024‘s answer to “ON MY OWN” expands his strong musical identity (defined by dark, dramatic melodies; arena-sized sound; and a cerebral and distinctive sense of invention). On it, the Middle Eastern influence that threads “AVALON” and its bright, forward-thinking color kicks add a sense of novelty to SOREN’s inimitable, well-practiced, and immediately recognizable sound. And although the Middle Eastern feel that “AVALON” evokes is stylistically new for the SOREN project, it’s anything but for Bryce Sorensen, the Los Angeles-based producer behind it.
“When making this track, I was reminded of how much of an influence KSHMR has always been for me, dating all the way back to when I first started listening to dance music,” he said. “With ‘AVALON,’ I pay tribute to him by imagining what a SOREN hardstyle song would sound like when inflected with the Middle Eastern flair for which KSHMR is known.”
“AVALON” is SOREN’s fifth single of the year, following his recent appearances at EDC Las Vegas in May and Ultra Music Festival Miami in March. Stream it below.
Featured image: SOREN
The post On ‘AVALON,’ SOREN delivers hard dance from the desert appeared first on Dancing Astronaut.
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DUSA Drops Debut Experimental, Self-Titled EP

Fresh off a year of captivating singles, the experimental electronic duo DUSA comprised of Luke Forgay and Lydia Stockar has unveiled their highly anticipated self-titled debut EP. This project showcases the duo’s unique blend of cutting-edge music production and striking visual art, reflecting their boundless creativity.
This debut EP is a sonic masterpiece woven with elements of experimental bass, glitch, and ambient electronica. DUSA’s distinctive sound is further enhanced by their captivating visual aesthetic, creating an unique listening experience. The duo’s commitment to blending music and visual art is evident in the custom artwork and graphic design that accompany the EP.
Hailing from the vibrant artistic scene of Dallas, Texas, DUSA is a multi-talented artist with a passion for pushing boundaries and exploring new creative frontiers. Growing up amidst the kaleidoscope of art forms that define Southern California, DUSA’s formative years were steeped in a melting pot of influences, from the laid-back rhythms of surf culture to the avant-garde expressions of the electronic music scene. This diverse tapestry of experiences laid the foundation for DUSA’s artistic journey, instilling a deep appreciation for creativity in all its forms. With a voice that’s both haunting and soulful, DUSA captivates audiences with intrinsic rhythms and sound design that linger long after the music fades. DUSA’s dynamic live performances are a testament to the raw emotion and authenticity that define their artistry.
The post DUSA Drops Debut Experimental, Self-Titled EP appeared first on EDMTunes.
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Berlin Beats Meet Viral Feats in Fabian Farell, Mondello'G and Derb's New Spinnin' Track, "Germany & Techno"

Cologne-born breakout Fabian Farell has landed on Spinnin' Records with "Germany & Techno," an electrifying collaboration with Mondello'G and Derb.
The trio of producers teamed up with content creator Krys Tha Sis to produce a club roller with a pulse so heavy it feels like the rhythm of a Berlin night. The track swaggers in with a mischievous wink, warping Krys' viral TikTok critique into a sonic weapon. Her voice is masterfully distorted and manipulated into a rallying call that rides atop relentless kickdrums.
"Germany & Techno" stomps through with cold, industrial techno beats, but there’s an undeniable humor lurking beneath the surface. The collision of techno purism with TikTok irreverence creates an off-kilter energy, ultimately delivering a dance banger that's as much satire as celebration thanks to its chaotic blend of kitsch and craft.
Listen to "Germany & Techno" below and find the new single on streaming platforms here.
Follow Fabian Farell:
Instagram: instagram.com/fabianfarell
TikTok: tiktok.com/@fabianfarell
Facebook: facebook.com/fabianfarell
Spotify: tinyurl.com/3e88ycv9
Follow Mondello'G:
Instagram: instagram.com/mondello___
TikTok: tiktok.com/@mondello____
Facebook: facebook.com/deejay.mondello
Spotify: tinyurl.com/44ntaehm
Follow Derb:
Facebook: facebook.com/derbofficial
Spotify: tinyurl.com/eyrjwt9w
Follow Krys Tha Sis:
Instagram: instagram.com/krysthasis
TikTok: tiktok.com/@kaiserkrys
Spotify: tinyurl.com/9fvxx2tc
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Pretty Lights to Wrap 2024 Tour With Massive New Year's Arena Doubleheader

The Windy City is about to be drenched in the cosmic brilliance of Pretty Lights, who has announced a momentous pair of arena concerts to usher in 2025.
The fabled electronic music producer and sampling virtuoso is set to celebrate New Year's at Chicago's Wintrust Arena from December 30-31. The rare twin bill will showcase his signature blend of kaleidoscopic visual production and electro-soul, a mesmerizing combination that has earned him a devoted following over the years.
Pretty Lights had remained out of the public eye since the summer of 2018, when he performed for a sold-out hometown crowd at Colorado's Red Rocks Amphitheater. He then reemerged for last year's "Soundship Spacesystem Tour," returning to the stage by virtue of a surreal concert in Denver.
Pretty Lights' comeback reached new heights during the ensuing "Soundship Spacesystem 2024 Check Your Vector Tour" as he blazed back onto the scene through a slew of momentous headlining performances, including a long-awaited return to Red Rocks. Now, as that triumphant tour reaches its zenith, he's primed to close it with a grand finale that promises to be nothing short of extraordinary.
Early access to VIP tickets will be available Wednesday, October 16th at 10am CT on Pretty Lights' website. He'll then host an artist presale the following day at the same time before a general ticket release on Friday, October 18th at 10am CT.
Thursday's artist presale will only be accessible to those who sign up for a unique code on the site. In an effort to mitigate bots and resellers, the codes will be delivered by Seated via email and SMS in the hour prior.
You can read Pretty Lights' full announcement below.
View the original article to see embedded media.
Follow Pretty Lights:
Instagram: instagram.com/prettylights
X: x.com/prettylights
Facebook: facebook.com/prettylights
Spotify: spoti.fi/2GkoC5A
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The Cure’s Robert Smith Says Artists Are the Real Reason for High Ticket Prices

The Cure frontman, Robert Smith, has fired critics against artists who blame ticketing sites for inflated ticket prices. Smith, a vocal critic of Ticketmaster’s “dynamic pricing” system, made the comments following an investigation into the company’s handling of Oasis’ UK and Ireland ticket sales.
Smith expressed his belief that artists should prioritize affordability for fans over maximizing profits. He criticized the use of dynamic pricing, which allows ticket prices to fluctuate based on demand, as a “scam”. He said, “We don’t need to make all this money. My fights with the label have all been about how we can price things lower. The only reason you’d charge more for a gig is if you were worried that it was the last time you would be able to sell a T-shirt“.
Last year, Smith successfully negotiated partial refunds for The Cure fans who were facing high ticket prices for their Lost World tour. He emphasized the importance of creating a positive experience for fans and building long-term relationships with them.
Oasis, another band that faced criticism over ticket prices, has announced that they will not be using dynamic pricing for their upcoming North American tour. This decision follows backlash from fans who were outraged by the high prices for their UK and Ireland reunion tour.
The ongoing debate over dynamic pricing highlights the need for transparency and fairness in the ticketing industry. As artists and fans continue to advocate for affordable ticket prices, it remains to be seen how the industry will adapt to meet their demands.
[H/T] The Independent
The post The Cure’s Robert Smith Says Artists Are the Real Reason for High Ticket Prices appeared first on EDMTunes.
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Viral producer/award-winning violinist THMPSN fuses phonk and UK rap on new single “Riot”

After diving into the world of Brazilian Phonk on his most recent singles, multifaceted producer, DJ, and violinist THMPSN is now exploring the sounds of UK rap on his latest track, “Riot.”
“Riot” sees THMPSN blending phonk aesthetics with a hard-hitting UK rap beat and his signature violin – a combination of elements that make for a raucous, one-of-a-kind listening experience. With towering vocals from UK artist Kris Kiss, “Riot” delivers pumped- up energy via its trunk-rattling instrumental and infectious rap flows. 
“Riot” kicks off with a propulsive reggaeton drum rhythm before introducing Kris Kiss’ vocals into the mix, who flows perfectly in the pocket of the beat. The track then evolves by adding pounding kick-drums, deep, distorted bass, and an ominous central synth melody – elements that add up to an immaculately produced banger that’s as brooding as it is thrilling.
“Riot” marks the fourth release in a string of genre-defying tracks that have positioned THMPSN as a pioneering force in the Phonk scene. Earlier this summer, he dropped “Nicole Aniston,” an official collaboration with Memphis hip-hop legend Kingpin Skinny Pimp, the most heavily sampled artist in the Phonk genre. Named after the adult film star who also recorded vocals on the track, “Nicole Aniston” is a drift Phonk banger that combines the genre’s signature aesthetic with THMPSN’s elegant string arrangements, adding a unique twist to the genre’s soundscape.
The “Nicole Aniston” self-directed music video showcases THMPSN’s filmmaking skills in a high-energy montage, starting with a reiki session featuring Nicole Aniston, followed by provocative scenes of women working on cars and high-speed aerial shots of drift car racing, perfectly capturing the drift Phonk vibe of the track.(Watch the official music video here).
Next, THMPSN unleashed “VIOLINO DA BRUXARIA,” a dynamic collaboration with Brazilian Phonk vocalists Dragon Boys that blends traditional Brazilian rhythms with dark, atmospheric Phonk elements, creating a transportive sonic journey. The official music video for “VIOLINO DA BRUXARIA,” is a visual accompaniment that evokes the spirit of the Fast and Furious movies by highlighting the symbiotic relationship between Phonk music and car culture. (Watch the official music video here).
After that, THMPSN unveiled “Tenebroso,” which showcased THMPSN’s signature style of deep, atmospheric soundscapes infused with the vibrant energy of Brazilian rhythms. (Watch the official music video here).
Originally from Australia and now Las Vegas-based, THMPSN’s musical roots are grounded in classical training and international performances, having performed at storied venues such as Dvorak Hall in Prague and Rheingoldhalle in Mannheim, as well as opening the Australian embassy in Berlin and lecturing at the French Conservatory of Music. After moving to the United States, THMPSN gained recognition as a viral content creator, helping build the YouTube channels of fitness icons Bradley Martyn and Calum Von Moger, while simultaneously using their platforms to promote his house music. His own viral violin performances further boosted his reputation. Known for his love of electronic music, violin, fitness, and animals, THMPSN has also immersed himself in the drift car world as an amateur driver, further adding to his unique persona.
STREAM/DL
The post Viral producer/award-winning violinist THMPSN fuses phonk and UK rap on new single “Riot” appeared first on EDMTunes.
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Los Angeles’ Skyline Festival 2025 Offers Exciting Updates

The year is not over yet, but, that doesn’t mean we can’t plan ahead! Insomniac’s House and Techno Festival Skyline Festival returns for its fourth edition. Gloria Morina Grand Park in Downtown Los Angeles returns as the host to our favorite underground House and Techno artists . This year’s rebrand alludes to a more polished outlook, with direct response to the raised concerns and feedback from attendees. Festival season starts bright and early as next year’s Skyline will take place February 15th and 16th.
Skyline Festival Levels Up
This year’s edition of the fast-growing cultural mainstay will feature a number of new improvements and features for party-goers. On-site amenities will be reconfigured from years past to allow for easier crowd flow and give ample space for dancing, eating, and communing. The event will also be opening doors two hours earlier in 2025 – with the music kicking off at 1:00 PM, nearly 12 hours of non-stop music will keep the party going all day long. Additionally, this year will see the introduction of an improved festival entrance with the doubling of entry lanes for a faster and more efficient experience.
Over the years, Skyline LA has cultivated a spirit of tastemaker sonic curation that salutes the innovative champions of the respective techno and house genres. Past acts at the festival include staggering performances by the likes of Diplo, Peggy Gou, Chris Lake, Green Velvet, Carl Cox, LP Giobbi, Dom Dolla, Charlotte De Witte, Michael Bibi, Cloonee, DJ Minx, and many more. 
Tickets for Skyline LA 2024 will go on sale beginning this Thursday, October 17, 2024 at 12:00 pm PST Here. 
About Insomniac
Insomniac produces some of the most innovative, immersive music festivals and events in the world. State-of-the-art lighting, pyrotechnics and sound design enhance these events. Alongside large-scale art installations, theatrical performers and next-generation special effects that captivate the senses. The quality of the experience is the company’s top priority.
Founded 30 years ago, Insomniac produces 10,000 concerts, club nights and festivals for seven million attendees annually across the globe. The company’s premier annual event, Electric Daisy Carnival Las Vegas, is the world’s largest dance music festival. It attracts more than 525,000 fans over three days.
The company was founded by Pasquale Rotella and has been based in Los Angeles since it was formed in 1993. In 2013, Insomniac entered into a partnership with global entertainment company Live Nation.
The post Los Angeles’ Skyline Festival 2025 Offers Exciting Updates appeared first on EDMTunes.
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