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Kygo’s eponymous world tour is about more than one man. His story can’t be told without collaboration, a plot point the legendary producer is highlighting around the globe.
Kygo landed in Vancouver, British Columbia on October 10th as part of the ongoing Kygo World Tour. The Norwegian DJ did not pack light, bringing along several friends with whom he’s crafted global dance hits.
Collaborators Parson James, Justin Jesso and Zak Abel all performed in Vancouver as well as dance music producer Vandelux and chart-topping songstress Zara Larsson. Most tour dates are supported by two of the following eight musicians: Sam Feldt, Larsson, Gryffin, Sofi Tukker, HAYLA, Vandelux, Victoria Nadine and Klangkarussell.
Kygo sprinkled intimate moments with the audience between sharing the spotlight. He regularly played an electronic keyboard during his set but commanded attention most when sitting at the grand piano front and center.
His piano strokes were a frequent highlight, especially when accompanied by singers or a stunning sextet of violinists. The grand finale incorporated many of these elements with the addition of marching percussionists.
Kygo playing piano at Rogers Arena in VancouverJeff Vinnick Images
Kygo’s production included two elevating platforms, pyrotechnics, lasers, confetti and synchronized light-up crowd bracelets. Thursday’s headliner shared the wealth of these production elements. Each collaborator had a standout moment during the show.
Jesso performed multiple songs, including his 2017 collaboration "Stargazing." A highlight moment was when he invited a fan (shoutout to Jessica) onstage to perform the track and jam with the musical duo. James got the awards show treatment as a camera followed him from backstage at Rogers Arena to the stage while performing their global hit “Stole the Show.”
Abel performed both “Freedom” and “For Life” with Kygo. Arguably the show’s most memorable visual saw Kygo and Abel playing piano and singing, respectively, on an elevating platform as overhead lasers beamed a cone around them.
Zak Abel and Kygo performing at Rogers Arena in VancouverJeff Vinnick Images
Kygo is one of the most globally recognized electronic musicians, boasting multiple songs exceeding one billion Spotify streams. Kygo acknowledges his broad reach with a wonderful variety act. Timeless dance music tracks, pyrotechnics, live singers and instrumentalists and—in Larsson’s case—a full-blown pop concert come together seamlessly. There’s something for everyone.
If you head to Kygo’s tour to sing your heart out to “It Ain’t Me” or “Higher Love,” you won’t be disappointed but rewarded tenfold. The tour celebrates a remarkable 11-year career and acknowledges that success isn’t built alone. A party is more fun with friends after all.
Kygo performing at Rogers Arena in VancouverJeff Vinnick Images
Take a look at Kygo’s remaining 2024 and 2025 tour dates below and head here to purchase tickets.
Oct 17 – Los Angeles Nov. 6 – Copenhagen, Denmark Nov. 8 – Oslo, Norway Nov. 9 – Trondheim, Norway Nov. 13 – Johanneshov, Sweden Nov. 15 – Berlin Nov. 17 – Budapest, Hungary Nov. 21 – Koln, Germany Nov. 23 – Vienna Nov. 26 – Amsterdam Nov. 29 – Assago, Italy Dec. 3 – Brussels Dec. 7 – Paris Dec. 11 – London Dec. 13 – Dublin Jan. 23 – Toronto Jan. 25 – Mexico Feb. 28 – Junggu, South Korea March 1 – Funabashi, Japan March 7 – Melbourne, Australia March 8 – Sydney Follow Kygo:
X: x.com/kygomusic
Instagram: instagram.com/kygomusic
TikTok: tiktok.com/@kygomusic
Facebook: facebook.com/kygoofficial
Spotify: spoti.fi/3bNxrT3
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Ultra, known for curating some of the most beloved dance music festivals in the world, has revealed the headliners for the second season of its RESISTANCE club residency at M2 Miami.
ARTBAT, Carl Cox, Eli Brown and Vintage Culture are just a few of the many major DJs booked for the residency. Nestled in Miami Beach's Art Deco District, M2 will welcome back the famed techno and house music offshoot from November through May.
The RESISTANCE Season 2 series kicks off November 2nd with Mahmut Orhan, Davide Squillace b2b Matthias Tanzmann and Township Rebellion slated to play the highly anticipated Opening Party.
RESISTANCE is also gearing up for special events during Miami Art Week and New Year's Weekend. Techno heavyweights Mind Against will play during Art Week and a mystery headliner has been booked for New Year's. The residency will ultimately wrap up on May 10th, 2025 with an epic Closing Party.
Tickets and tables for the residency are available here.
Follow RESISTANCE:
Facebook: facebook.com/resistance
X: x.com/resistance
Instagram: instagram.com/resistance
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The Top 101 Producers showcases the most influential artists in the music industry—those whose productions have garnered massive support from DJs worldwide. This unparalleled ranking is entirely data-driven, making it a standout feature that highlights real achievements in an ever-evolving industry. With insights from 1001Tracklists.com, the rankings are calculated meticulously based on each artist’s unique DJ support from October 1, 2023, to September 30, 2024. Join us in celebrating the exceptional talents shaping the sound of today’s music!
John Summit – Clenching the #1 Position 2024🏆
A huge round of applause for Chicago’s very own John Summit, who has just had an extraordinary year as a producer! Along with topping the 1001Tracklists’ Top 101 Producers for 2024, he sets a high bar for his peers. With his sensational remix of ‘Sweet Disposition,’ claiming the #1 position for the most DJ-supported track, and his powerful anthem ‘Shiver’ featuring HAYLA, landing at #7, it’s clear that John is redefining the sound of today’s music. His impressive achievements showcase his talent and passion, making him a must-follow artist in the industry. Don’t miss out on the magic he continues to create!
David Guetta – Moves down to #2
David Guetta once again proves to the music industry he is a force to reckon with. He secures the #2 spot this year after dominating as the #1 artist in 2019, 2022, and 2023. The legendary French DJ continues to deliver hit after hit. One of them includes his sensational remake of ‘Perfect (Exceeder)’ by Mason vs. Princess Superstar. With this achievement, Guetta is celebrating his impressive sixth consecutive Top-5 finish.
Dimitri Vegas, Tiësto, & HUGEL – Top 5 of 101 Producers 2024
Rising to #3 is Belgian superstar Dimitri Vegas. He has made waves by climbing 15 spots to achieve his highest ranking in the nine-year history of the Top 101 Producers. Claiming the #4 position for the second year in a row is Tiësto. Who continues to demonstrate his unwavering influence in the scene. Finally, French producer HUGEL has taken the world by storm with his captivating Latin house sound. He is landing at #5 for his best finish yet. His collaboration with Diplo, ‘Stay High,’ has become a standout track this year, showcasing his immense talent and creativity.
Highlights Of The 2024 List
This year’s rankings highlight an impressive diversity, featuring artists from 22 countries. The UK leads with 26 artists, followed by the Netherlands and the United States with 15 each. Italy contributes 6 artists, while Australia and Germany add 5 each, and Brazil, France, and Sweden each have 4. Additionally, we see representation from Belgium, Croatia, Denmark, Greece, Mexico, Norway, Poland, Portugal, Russia, Serbia, Slovakia, Spain, and Ukraine. This vibrant array of talent truly celebrates the global artistic spirit—an opportunity not to be missed!
The 2024 Top 101 Producers list is thrilling, featuring 15 debut artists and 13 returning artists, showcasing the dynamic nature of the music scene. Leading the newcomers is Layton Giordani at #24, followed by GENESI at #44 and Gabry Ponte at #56. Diplo makes a strong return at #17 after a year away, proving his enduring presence in the industry. This year’s biggest movers include Max Styler, who leaped 72 spots to #16, Pickle, rising 47 spots to #43, and Argy, climbing 46 spots to #40. Martin Ikin is up 33 places to #30, Odd Mob jumped 32 spots to #10, and Mark Knight registered a 31-place increase to #19.
The Future Of Dance
In addition to celebrating the Top 101 Producers, 1001Tracklists has unveiled the highly anticipated ‘Future of Dance’ list. This expertly curated selection highlights 101 remarkable artists who have not only made a significant impact in 2024 but are also set to redefine the landscape of dance music for years to come.
As the ADE celebrations kick off, RSVP to the free show on Thursday, October 17th. Here 1001Tracklists celebrates the Top 101 Producers and the Future of Dance with its first-ever two-stage event! Held at the stylish Room Mate Aitana Hotel during the “Meet Me At The Hotel” series, this landmark party features exclusive back-to-back sets from a stellar festival lineup.
Hope you enjoyed this read! Stay tuned to EDMTunes for all your dance music updates.
The post John Summit Tops 1001Tracklists’ Top 101 Producers 2024 appeared first on EDMTunes.
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ATLiens have continuously placed themselves at the forefront of the bass music landscape. And the masked, outer-worldly duo are continuing that reputation with the release of their long-awaited debut album, LEAVING THE WORLD BEHIND. Preceded by “BLACK SHEEP” featuring GG Magree, “IMY” with Dion Timme,r and “BE YOUR GHOST” featuring Roniit, ATLiens’ album previews had listeners rightfully excited about the full body of work, with its complete arrival boasting a diverse array of styles and soundscapes, showcasing their versatility across 13 tracks.
The Atlanta-based duo have made a name for themselves over the years behind the strength of tracks like 2019’s “Fading Out” with Sara Skinner and 2017’s “Alchemy” to name just a couple. They’ve been supported by the likes of Skrillex, Zeds Dead, RL Grime and more. And even with all these triumphs, they had yet to put out a full body of work under the ATLiens moniker. Now, that all changes with the release of their debut album.
LEAVING THE WORLD BEHIND will be coupled with a 20+ date headline tour of the same name. It features stops at the San Jose Civic Center, the Armory in Minneapolis, Roxy in Atlanta and the Torch at the Coliseum in Los Angeles among others. Tickets can be purchased here.

Listen to ‘Leaving The World Behind’ in full below.
*insert album*
Featured image: Coby Corradino
The post ATLiens deliver 13-part debut album, ‘LEAVING THE WORLD BEHIND’ appeared first on Dancing Astronaut.
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Channeling the energy of the greatest NBA team of all-time, Sherm and Rich DietZ have reunited for a new dance anthem, "96 BullZ."
Out now via Hood Politics Records, this tech house juggernaut is a swaggering reimagination of the Chicago Bulls' classic theme song, "Sirius." It's a time machine disguised as a rave anthem, teleporting you courtside to the electric atmosphere of that legendary Bulls championship squad, all while keeping your feet firmly planted on today's dancefloor.
"We've always said Hood Politics Records was like the '96 Bulls," Rich DietZ said. "It only felt right to make this track with Mr. Chicago himself, Sherm."
"96 Bullz" demands your attention like His Airness staring down a defender in crunch time. The production is crisp, driven by a bassline that rumbles with the warmth of the United Center during a playoff run. Meanwhile, snippets of MJ's wisdom punctuate the groove as Sherm and DietZ's kickdrums stomp through the mix.
While the concept could have easily veered into gimmick territory, the producers maintain a delicate balance, creating an artful track that works both as a tribute and a standalone house banger. "96 Bullz" succeeds in bridging generations, offering something for both nostalgic sports fans and electronic music enthusiasts alike.
You can download this DJ weapon for free here and listen below via SoundCloud.
Follow Sherm:
X: x.com/sherminthebooth
Instagram: instagram.com/sherminthebooth
TikTok: tiktok.com/@sherminthebooth
Facebook: facebook.com/ShermInTheBooth
Spotify: spoti.fi/31HVYpt
Follow Rich DietZ:
X: x.com/richdietzmusic
Instagram: instagram.com/richdietzofficial
TikTok: tiktok.com/@richdietzofficial
Facebook: facebook.com/richdietzofficial
YouTube: youtube.com/richdietzofficial
Spotify: spoti.fi/33e5f6v
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People of Tomorrow from all corners of the world have united once again in Itu, São Paulo for Tomorrowland Brasil 2024, immersing themselves into the magical world of ‘Adscendo’. A remarkable festival weekend unfolded, marked by the debut of the iconic CORE stage and Freedom by Budweiser stage, along with a breathtaking drone show in collaboration with Alok. Relive the magic of Tomorrowland Brasil 2024 and watch a bunch of full live sets now on YouTube and in the Tomorrowland App, including performances by Adriatique, AFROJACK, Alok, Amber Broos, Andromedik, ANNA, Armin van Buuren, Axwell, Carola, Cat Dealers, Hardwell, NERVO, Öwnboss, Steve Aoki, Timmy Trumpet, Vini Vici, and many more.
Discover the 10 most played tracks of Tomorrowland Brasil 2024 with performances from over 150 artists across 6 iconic stages, Tomorrowland Brasil 2024 captured the hearts of festivalgoers with the most electrifying beats, highlighted by the top 10 most played tracks of Tomorrowland Brasil 2024.
Adam Port, Stryv – Move ft. Malachiii Barbatuques – Baiana (Pablo Fierro Edit) Ivan Gough & Feenixpawl ft. Georgi Kay – In My Mind (Axwell Radio Edit) RÜFÜS DU SOL – Innerbloom The Temper Trap – Sweet Disposition (Axwell & Dirty South Remix) Gotye ft. Kimbra – Somebody That I Used To Know (SIDEPIECE Remix) KAAZE ft. Alina Pozi – Papi Fred again.. x Swedish House Mafia – Turn On The Lights Again (ft. Future) Gala – Freed From Desire Pryda – Allein The post Tomorrowland Brazil 2024 Sets Posted to YouTube appeared first on EDMTunes.
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Denver based artist Nikademis has released his final track off of his debut EP ‘Stepping Out Of Shadows‘. Titled, ‘Lose It All‘, join in on what might be one of his most emotional tracks to date.
‘Lose It All’ is a captivating track that blends the delicate beauty of a piano melody with intricate mid tempo melodic dubstep elements. The song opens with a beautiful piano riff that sets both a haunting but hopeful tone, drawing listeners in before the beat drops. Josh Rubin’s vocal performance adds depth and intensity to the lyrics, which explore themes of uncertainty, doubt, and a fear of losing the connection with the other person. The dubstep elements in the song are expertly crafted, providing a driving rhythm that complements the emotional intensity of the vocals. The production is polished and precise, with each element seamlessly blending together, showcasing the artistry behind Nikademis’ sound design.
Known for his dark, mysterious soundscapes and contrasting empowering melodies and vocals, Nikademis has quickly gained popularity in the EDM scene. Originally from Long Island, the 25-year-old producer has achieved significant success with tracks like ‘I Don’t Wanna Know’ with Friendzone and Candace Sosa, ‘Talking to Ghosts’ with We are Fury and SOUNDR, and his official remix of ‘U & Me’ from ILLENIUM’s GRAMMY-nominated album ‘Fallen Embers.’ His unique sound and style have earned him support from prominent artists such as ILLENIUM, Dabin, William Black, Blanke, and others.
In 2024 alone, Nikademis has released ‘Waking up in a Dream’ with 9 Worlds and Donna Tella, and ‘Numb’ with LEUTHERO and Skye Silansky. With his continued success and growing fanbase, Nikademis is undoubtedly a rising star in the melodic dubstep scene.
The post Nikademis Teams Up With Josh Rubin on Emotionally Charged Track ‘Lose It All’ appeared first on EDMTunes.
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In a recent interview with renowned music journalist Nardwuar, the electronic music star Fred again.. offered a glimpse into his creative process and musical influences. The video features a lively and engaging conversation between the two sensations with a bunch of detail. Nardwuar, known for his energetic and unpredictable interviews, challenges Fred again.. with a series of unexpected questions and gifts.
Throughout the interview, Fred discusses how he goes about music in detail, from the past to the present. He shares stories from his childhood, including how his father’s love of music inspired him to pursue a career in the industry. Fred again.. also talks about his early experiences as a musician, his collaborations with other artists, and his songwriting process.
Nardwuar’s signature style, which involves surprising his interviewees with gifts and trivia questions, adds a playful and entertaining element to the interview. This creates great chemistry between the two sides, as Fred’s responses are witty, insightful, and full of passion for music.
The interview provides a fascinating glimpse into the life and work of Fred again.., one of the most exciting young talents in the electronic music scene. It’s a must-watch for fans of both Fred Again and Nardwuar’s approach to journalism. Watch it below! Also, click here to watch it on YouTube.
The post [WATCH] Fred again.. Opens Up On Interview With YouTuber Nardwuar appeared first on EDMTunes.
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Electric Love Festival, one of Europe’s premier electronic music events, has revealed a brand-new look and announced exciting hotel packages for its 2025 edition. Set against the picturesque backdrop of the Salzburgring and Lake Fuschl region, the festival continues to elevate the fan experience with curated accommodation options and enhanced VIP offerings.
Photo credit: Pikzelz
Luxurious Stays for Electric Lovers
Festival-goers can now book stays at two exclusive ELF Hotels, each offering unique perks to enhance the Electric Love experience:
H+ Hotel Salzburg: Starting at €541.50 per person for a 3-night stay, this centrally located hotel offers stylish rooms, a fitness area, and an extensive breakfast buffet. Its proximity to Salzburg central station makes it ideal for easy festival access. Hyperion Hotel Salzburg: For those seeking luxury, packages start at €720 per person for a 3-night stay. This elegant hotel in the heart of Salzburg features modern rooms, culinary delights, and access to spa facilities. Both ELF Hotels provide exclusive benefits such as on-site ticket exchange and special surprises for guests. ELF Hotels are exclusively booked for Electric Lovers, making it easy to connect with fellow festival visitors. Immerse yourself in the Electric Love experience from the moment you arrive, and create unforgettable memories before even setting foot on the festival grounds.
Photo Credit: H-Hotels.com
VIP Travel Package: The Ultimate Electric Love Experience
For attendees looking for a premium festival experience, Electric Love presents the VIP Travel Package, starting at €2,251 per person. This all-inclusive option features:
– Accommodation at the 5-star Hyperion Hotel
– CUPRA Platin VIP Lodge Tickets for all festival days
– Private shuttle services to the festival site
– Brunch at the renowned Hangar-7, followed by a private tour through Hangar-7 and Hangar-8
– Luxury shuttle with onboard bar to the The ORGANICS Beach, including tickets
– Professional hair and makeup styling right at the hotel on all festival days
Photo Credit: H-Hotels.com
Partner Hotels for Every Preference
For attendees looking for a cozy night’s sleep after the festival, Electric Love offers a range of partner hotels to choose from:
IMLAUER & BRÄU: Starting at €522 per person, this hotel blends Salzburg’s authentic charm with modern comfort. It features the traditional Bräu-Stub’n restaurant and access to wellness facilities. IMLAUER Hotel Pitter: From €595.50 per person, enjoy breathtaking views of Hohen Salzburg Fortress from the rooftop terrace. Spacious rooms and the lively PitterKeller bar provide the perfect festival retreat. Hotel am Mirabellplatz: Starting at €508.50 per person, experience elegant comfort in the heart of Salzburg with excellent connections to the city’s finest sights. Hotel Jakob in Fuschl: From €411.50 per person, this serene escape by Lake Fuschl offers a cozy haven just 15 minutes from the festival grounds, complete with its own beach access. All partner hotels include breakfast and are conveniently located near festival shuttle services or the event grounds.
Photo Credit: Guenter Standl
Secure Your Spot at Electric Love 2025
Electric Love Festival 2025 promises to deliver another unforgettable weekend of world-class electronic music, cutting-edge production, and the unique atmosphere that has made it a must-attend event on the global festival calendar. 
The ticket pre-sale for ELF25 starts tomorrow, October 17, at 7 PM CEST. Those who wish to secure the highly demanded VIP categories are encouraged to purchase their tickets as soon as the ticket shop opens.
For more information and to book your Electric Love 2025 experience, visit https://www.electriclove.at/
Photo Credit: Raul Barcia
About Electric Love Festival
Electric Love Festival, held annually at the Salzburgring since 2013, is one of Europe’s leading electronic music festivals. Attracting 180,000 visitors from over 70 countries, it offers a unique blend of top-tier musical acts, stunning alpine scenery, and a spirit of unity and euphoria that resonates with electronic music lovers worldwide.
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Brace yourself for a pure, unfiltered connection to music as Reinier Zonneveld x Free Your Mind takes over ADE this Saturday. Set against the backdrop of one of the world’s most anticipated music festivals, this collaboration promises to be nothing short of extraordinary.
Reinier Zonneveld, a Dutch techno visionary, is renowned for his dynamic live performances, where he builds tracks in real-time. Every set he delivers is a masterclass in control—a unique journey through dark, pulsating techno infused with melodic peaks and powerful drops.
But it’s not just Reinier Zonneveld that will make this night at ADE unforgettable. He’ll be supported by a lineup of top-tier artists, each bringing their own distinctive sound to the stage and contributing to a full-spectrum techno experience:
Angerfist: A legend in the hardcore scene, Angerfist is known for his relentless energy, blending fast-paced beats with dark, heavy basslines that often push beyond 180 BPM. His signature intensity sets the tone for any night. DIØN: A rising star in the techno scene, DIØN has been making waves with his raw, high-energy approach. His sets pull from rave and warehouse traditions, blending old-school sounds with modern, pulsating beats to create a powerful and captivating atmosphere. DYEN: A key figure in the revival of old-school techno, DYEN draws inspiration from the 90s and early 2000s while keeping his sound fresh and modern. His sets are a barrage of pounding kicks, hard grooves, and industrial soundscapes, delivering an unrelenting energy that drives the dancefloor into a frenzy. Hardkar: Known for fusing industrial and hardcore techno, Hardkar’s sound is heavy, gritty, and intense. His performances are defined by mechanical, hard-hitting rhythms, all infused with an unmistakable underground vibe. Might or might not be an alias of one of the other DJ’s that will be performing that night! Kiki Solvej: Bringing a distinct blend of melodic techno with a driving, powerful edge, Kiki Solvej’s sets shift between ethereal atmospheres and deep, bass-heavy rhythms. Her ability to balance these elements makes her a standout in the techno scene. Paula Temple: An icon in industrial techno, Paula Temple is renowned for her dark, abrasive sound. Her sets are a sonic assault, layered with harsh, metallic textures and throbbing basslines that leave a lasting impression. Raxeller: Fusing raw energy with pounding, hypnotic beats, Raxeller’s sets are driven by relentless rhythms and infectious grooves. His ability to blend a range of hard techno influences with an authentic underground edge makes him a standout artist. What makes this event even more special is the involvement of Free Your Mind, one of the longest-running techno event organizations in the Netherlands. Known for creating immersive experiences, Free Your Mind is celebrated for pushing the boundaries of what techno can be, with carefully curated lineups and stunning production designs.
Combining Reinier Zonneveld’s boundary-breaking live performances, a powerhouse lineup of artists, and Free Your Mind’s forward-thinking production, Reinier Zonneveld x Free Your Mind is guaranteed to be a highlight of ADE, that promises to go beyond music and deliver a fully immersive experience. AFAS Live, the venue where will take place on Saturday between 23:15-08:00, is furthermore designed to amplify the intensity of live performances, making it the perfect setting for a immersive sensory journey.
If you haven’t secured your tickets to Reinier Zonneveld x Free Your Mind yet, make sure to do so by clicking here, cause this will without a doubt be one of ADE’s most talked-about nights.

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Imagine walking into the Gashouder, the massive industrial dome that usually pulses with thousands of ravers, but this time has an atmosphere that feels different—intimate and almost personal. With the DJ booth set in the center, surrounded by the audience on all sides, you’re not just watching the artist—you become a part of the experience, and the music wraps around you like a warm pulsing wave, pulling you in deeper with every beat.
If this sounds like something that you’d like to be a part of, then Upclose ADE | presents Four Tet this Friday is exactly what you are looking for.
Known for its large-scale productions, massive venues, and cutting-edge lineups, Awakenings has built a global reputation for delivering unforgettable experiences (read about Awakenings Festival 2024 here). One of the reasons behind the event organization’s success is its ability to adapt and evolve, and their Upclose concept is a true testament to that.
As a part of the broader Awakenings offering, Upclose departs from the massive warehouse setting and focuses on a celebration of intimacy and musical exploration. The idea is simple, yet profound: bring the audience closer to the artist both physically and sonically, to create a more immersive and personal experience. Something that isn’t about the spectacle but about connection—between the music, artist, and the crowd.
With Four Tet leading the charge this year, the audience will witness how he transforms the greatness of the Gashouder into something much more personal. Known for his ability to create complex, emotional soundscapes that blur the lines between genres, Kieran Hebden (Four Tet) is expected to deliver a set that is introspective and mesmerizing, weaving delicate rhythms and atmospheric textures into the venue’s rich acoustic environment.
Saoirse, on the other hand, who will also be performing during Upclose ADE | presents Four Tet, is known for her ability to keep the crowds on their toes and switch between styles and tempos, ensuring that the energy in the room remains electric. The audience can therefore prepare itself for an evening that feels intimate, yet charged with excitement.
Upclose ADE | presents Four Tet, taking place at the Gashouder this Friday between 15:00 – 21:30, is shaping up to be one of the most memorable events of ADE 2024. Make sure that you don’t miss out by securing your ticket here.
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Did you know that KI/KI will be taking over the Gashouder tonight with an epic five-hour set as part of ADE? Hosted by Awakenings and powered by Jägermeister, this marathon runs from 00:00 to 05:00, and the audience can expect an unforgettable performance.
KI/KI, an Amsterdam-based DJ, has quickly risen as a leading figure in the techno and rave scenes. Starting out as a resident at the renowned Spielraum in 2018, she has since performed at legendary venues like Bassiani and Boiler Room. Her music blends fast-paced trance, acid, and techno, creating a sound that’s both futuristic and nostalgic. KI/KI is also the founder of Slash, a label promoting her work and that of other like-minded producers.
This event is even more special as it was completely free for those lucky enough to pre-register and claim a ticket in time. This gives fans a unique opportunity to not only witness KI/KI in full form but also to experience one of Awakenings’ world-class productions at the iconic Gashouder.
KI/KI 5 Hours at Gashouder is the second event Awakenings is hosting during ADE, after Upclose ADE | Marlon Hoffstadt presents Daddycation that kicks off at 18:30. Here’s a glimpse of the other exciting Awakenings events you can experience at ADE in the coming days:
17/10 – Awakenings ADE Adam Beyer presents Drumcode 18/10 – Upclose ADE | presents Four Tet 18/10 – Awakenings ADE Adriatique present X 19/10 – Awakenings ADE Joris Voorn presents Spectrum 19/10 – Awakenings ADE Amelie Lens presents Exhale 19/10 – Awakenings ADE Joseph Capriati presents Metamorfosi 20/10 – Awakenings ADE Sunday Closing If you haven’t secured your tickets for Awakenings during ADE yet, make sure to do so as quickly as possible by clicking the links above. With Awakenings’ cutting-edge production combined with a lineup of incredible artists taking over Gashouder, each show promises an experience you definitely don’t want to miss!
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As the record-breaking Sphere continues to redefine entertainment in Las Vegas, a doppelgänger is poised to do the same in Abu Dhabi.
The United Arab Emirates capital is set to become the second location to build a Sphere venue after the structure's proprietors, Sphere Entertainment, reached an agreement with the Abu Dhabi Department of Culture and Tourism.
"The vision for Sphere has always included a global network of venues, and today’s announcement is a significant milestone toward that goal," James L. Dolan, the company's Executive Chairman and CEO, said in a press release. "Sphere is redefining live entertainment and extending the reach of its transformative impact. We are proud to collaborate with DCT Abu Dhabi to develop Sphere in their city."
At 366 feet tall and 516 feet wide, the $2.3 billion orb in Vegas is the world's biggest spherical structure. Inside, a bleeding-edge concert venue projects mind-boggling graphics on the world's largest and highest-resolution wraparound LED screen, which extends over and behind the crowd.
The concert venue inside the Sphere structure in Las Vegas.Rich Fury/Sphere Entertainment
The news arrives after plans to open a second Sphere location in London were thwarted by the city's mayor, Sadiq Khan, who reportedly turned down Dolan's proposal on the grounds it would have caused "unacceptable harm to hundreds of residents."
Located in a "prime spot" in the Abu Dhabi metropolis, the new venue is said to emulate the size and scale of its counterpart in Sin City, which has a capacity of 20,000. The Vegas Sphere generated over $1 billion in revenue in the fiscal year since its grand opening.
In other Vegas Sphere news, Anyma was recently confirmed as the pioneering venue's first-ever electronic music headliner. Collectively billed as "The End of Genesys," a reference to the superstar DJ's stunning audiovisual brand and albums of the same name, the historic residency comprises eight shows: December 27th to January 1st and January 10th to 11th.
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Zedd has been honored by the City and County of San Francisco with a day in his own name.
October 12th, 2024 is now "Zedd Day" in the City by the Bay, according to the superstar DJ, who announced the official proclamation this week. Issued by Mayor London Breed, it lauds Zedd as "an integral part of the San Francisco performing arts community."
Mayoral proclamations are typically issued for the purpose of public awareness, education or civic duties. Save for FISHER's day in Vegas, they are rare in the music industry, so Zedd celebrated by showing his off during a set at San Francisco's famed Bill Graham Civic Auditorium.
Fresh off the release of Telos, his first album in nearly a decade, Zedd is riding a hot streak of 14 sold-out concerts at Bill Graham, where he's performed for roughly 100,000 people over the course of nine years, according to the venue.
The proclamation also notes that Zedd was "instrumental" in the city's pandemic recovery efforts after headlining the first event at Bill Graham following a shutdown period of 18 months. The sold-out show took place August 6th, 2021.
Check out Zedd's announcement below.
View the original article to see embedded media.
Follow Zedd:
Instagram: instagram.com/zedd
TikTok: tiktok.com/@zedd
X: x.com/zedd
Facebook: facebook.com/zedd
Spotify: spoti.fi/2CoYpk2
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DJ and music Producer Meetch unveils his latest production, a Bass House track titled ’Take It Slow’. Following the release of ‘Snakes In My Head’ featuring vocalist Iris Goes, and ‘Feel It’, Meetch strikes back with another dynamic production that continues to develop and highlights his signature energetic sound and style.
Continuing his steady growth within the electronic music world, Meetch keeps on building a strong music catalog that displays his skills as a Producer, while his ventures as a radio show host also showcase his talent as a DJ and tastemaker; with his radio show ‘Digital Dance Radio’ reaching over 30 radio stations worldwide on a weekly basis, and featuring guests like VASSY, Yves V and Robin Schulz just to name a few. With over 50 episodes, Meetch continues to curate fresh sounds, as he grows his reach and community every week.
Now, introducing a new production, that pushes his sound forward, he aims to achieve new milestones while highlighting his own sound and music production approach. ‘Take It Slow’ features a lively beat, hard-hitting bass growls, and stabs, all grounded by a powerful low end and catchy vocals that guide the sonic journey. Refreshing drops soon release the track into a party-ready soundscape, with dynamic pads and textured layers that build on the energy, making for a compelling listen from start to finish.
With his characteristic sound full of energy, Meetch showcases once more, the talent and skill that makes his name one to follow closely, as he consistently releases instant favorites for the lovers of the genre. Make sure to follow Meetch over social media to remain updated on his latest projects, as he teases more music and live shows, with this new release marking another step forward in his evolving journey.
’Take It Slow’ is out now and available to stream and download across all major platforms and online stores here.
Listen and Buy ‘Take It Slow’ Now:
Meetch Online Spotify | Soundcloud | Instagram
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Sphere Entertainment, the company behind the innovative Las Vegas Sphere, is expanding its reach to the Middle East. The company has confirmed its plans to build a new Sphere venue in Abu Dhabi.
The Abu Dhabi Sphere will be very similar in scale to the Las Vegas venue, offering a capacity of 20,000. This is the first official confirmation of the brand’s expansion outside Nevada, after rumors of them bringing a rounded building to London, and the confirmation of a smaller sphere in Dubai which won’t belong to Sphere Entertainment.
The expansion into Abu Dhabi aligns with the growing interest in the Middle East and North Africa as a music market. The region has experienced significant growth in recent years, driven by factors such as increased internet penetration and rising disposable income. “The vision for Sphere has always included a global network of venues, and today’s announcement is a significant milestone toward that goal”, said James L. Dolan, Executive Chairman and Chief Executive Officer of Sphere Entertainment.
Sphere Entertainment’s partnership with the Department of Culture and Tourism in Abu Dhabi will bring a new level of entertainment to the city. The company’s expertise in technology and content creation will be instrumental in creating unforgettable experiences for visitors.
The new Sphere venue is expected to attract a wide range of audiences and contribute to Abu Dhabi’s reputation as a global entertainment destination.
[H/T] Music Business Worldwide
The post The Next Full-Sized Sphere is Coming To Abu Dhabi appeared first on EDMTunes.
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As winter approaches, both snowbirds and sun-seekers can celebrate: The BPM Festival is returning with a stellar phase one lineup. After three wildly successful editions in the lush surroundings of Costa Rica, house and techno enthusiasts are gearing up to reunite from January 8–12 for the 2025 edition.
For the first time ever, BPM will touch down in its newest paradise: Playa Avellanas. With a stunning blend of beach and jungle, this fresh location promises an unforgettable backdrop for some of techno’s biggest names. The phase one reveal already boasts over 40 international acts, offering a mix of established legends and emerging talents. Heavy-hitters like Adriatique, ARTBAT, and CAMELPHAT are poised to deliver peak-hour energy in the jungle, while live sets from Cobblestone Jazz and Rodriguez Jr. will fully immerse festival-goers in a sensory experience.
With the phase two lineup just around the corner, BPM is offering a perfect escape from the winter blues. Check out the full phase one lineup below. Festival passes and more information are available on the official BPM website.
Featured image: Chris Lavado
The post The BPM Festival unveils phase one lineup for new location in 2025 appeared first on Dancing Astronaut.
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Before Avicii became a global sensation with hits like ‘Levels’, ‘Wake Me Up’, and ‘The Nights’, it was ‘Seek Bromance’ that laid the groundwork for his meteoric rise. Released on October 12, 2010, this anthem was the vocal version of his track ‘Bromance’, and it quickly turned into a massive hit, charting in the top 10 in multiple countries. The music video alone racked up over 100 million views, catapulting Avicii into the spotlight and setting the stage for his legendary career.
Tim Bergling, the man behind Avicii, left an unforgettable legacy in the electronic dance music (EDM) scene and beyond. His career was marked by incredible success, with billions of streams and views, defining a generation of EDM lovers. Even after his untimely passing in April 2018, Avicii‘s music continues to inspire. In 2019, his posthumous album ‘TIM’ was released, featuring collaborations with artists like Aloe Blacc, A R I Z O N A, and Imagine Dragons, further solidifying his place as an icon in the music world.
‘Seek Bromance’ remains a timeless reminder of Avicii‘s extraordinary talent and the lasting impact he had on the music industry.
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Known best for a twisting blend of genres and influences, London-based DJ, Aum, continues to leave ravers tantalised. A unique artist with 10 years of experience and many strings to her bow,  she is recognised widely for her captivating fusion of Caribbean heritage and deep understanding of South London’s bass music culture.
Aum focuses on community and culture. Beyond her own artistic pursuits, she is wholly dedicated to fostering a platform for marginalised artists. Aum Presents The Electronic Diaspora is a series of events showcasing the talent and diversity of global majority musicians. From amapiano and garage to footwork and dubstep, these events offer a rich tapestry of electronic sounds. This year alone, Aum has curated takeovers at both Glastonbury and Boomtown, further amplifying the voices of underrepresented artists within the electronic music scene.
Straight off the back of some exciting international gigs, we jumped into the conversation to find out more…
Aum! You’ve had a busy year. Any highlights?

The last year has been a bit crazy, my hobby of being an artist has really snowballed. I’ve ended up in a DJ career without really meaning to. I’ve always loved DJing but I don’t think I saw it as being at the forefront of my career. Fortunately, it’s taken over from everything, which is really cool. I started 2024 on The Lot Radio in Brooklyn, New York which was an exciting way to enter the new year. March was a busy month for me supporting Mozey at his headline show in London, as well as AMC at his Adrenaline show, Critical Sound in Bristol, Particle’s album launch, and my debut at Planet Wax record shop, a staple in the London music scene. Another highlight of mine was the What’s On Your Mind panel with Turno. It was an honour to be brought in by him and Grace to talk about my life story and my mental health. That was a massive highlight. It was amazing to sit there alongside such incredible people to talk about our lives and struggles. Dani from Crazy P was on the panel after me and I just couldn’t believe how we were worlds and generations apart, but her story resonated with me so much.
Rest in peace, Dani. A memory you will no doubt treasure…
She was incredible! She made me feel so peaceful and I was lucky enough to work with her on a few more occasions over the summer.
This season I’ve also been travelling about with the Critical Sound family across loads of shows including our Summer Sonics event at The Cause and Noisily Festival. As well as performing with Dillinja and The Valve Sound System this year. We’ve done gigs in London, Bristol and at Boomtown. Which was insane. That was the biggest crowd I’ve ever played to. It was pouring down with rain, I was performing out of a gazebo nearly blowing away in the wind. It was probably the most chaotic, fun and stressful set I’ve ever played. There were over 7000 people there, but I was so glad that I couldn’t see the whole crowd. My nerves were already so bad. I’m a really anxious person, I’m trying to manage that more now. I used to be a singer in a gospel choir and I ended up putting singing on hold because of my stage fright. Whereas I saw DJing as hiding behind equipment in order to perform, but as the gigs became more important to me, they also started to get larger in scale and I’m sort of in the public eye now, I have been very nervous and cautious about what I’m doing on stage.
I guess when you’re building a brand up too, people recognise you. They’re coming to see you. Which is great, but adds another layer of pressure?
Yeah exactly, but it’s nice too. I’ve just come back from Tenerife after supporting Chase & Status. Playing to different audiences is difficult, especially if you are playing support to an act like Chase &Status but after the sets I performed there, I got a couple hundred new followers, loads of messages, and made new friends too – shout out Nick, Bridie, Rosco, and Lew – It was nice to have good feedback and relieve some of that internal and external pressure. I don’t necessarily need gratification from other people but it is nice in those situations when you’re warming up for such a major artist who are doing so well at the moment. I’d like to say a special thank you to one of my dear friends, Ben, for having me be a part of the line-up alongside Tailor Jae and Sica ria. If you’re looking for a manager check out Ben Carden-Jones!
Big up Ben… We all need a little bit of validation every now and then, just so we know what we’re doing is alright.
With some gigs, I don’t need that at all because I know the crowd and I know what I’m playing is up their street but I think where I’ve moved to such a heavy jungle sound if I play to a heavy D&B crowd, sometimes I feel like my sound and style gets a bit lost. I have started mixing old school jump up with jungle now to those more drum and bass crowds, I do draw for these tracks to try and engage with that audience more and bring them into my world of music. Old jump up was my bread and butter, that’s what I grew up on- Playaz.

Let’s dive into Aum presents: The Electronic Diaspora. What’s the concept?
Aum presents: The Electronic Diaspora is an event series and concept that I came up with because, to be honest, I was getting sick and tired of promoters telling me that there are no artists of colour to book. It’s a lie. I was tired of getting into these arguments, whether it’s face to face or on social media, I was sick and tired of butting heads and being told one thing when actually, it’s down to their laziness and people being stuck in their ways. So I started the series, which was sort of a protest in my head but also a nice thing to do because I have so many amazing friends of colour who are artists that I wanted to showcase and platform who I feel don’t get the light shined on them. Or, if they do get booked, they’re getting opening slots when actually, they’re primetime DJs. I wanted to showcase and platform the global majority and marginalised artists. I am a woman of colour. I am of mixed heritage and I’ve had many debates with my friends of colour and my white friends too about the importance of having a much wider demographic performing on stage. 
Representation is so important, across the whole scene.
It really is. There was a festival I went to recently where there was a full female lineup on one of the nights, and there were no women of colour on the line up. That really cut me deep considering the amount of women of colour that started and have contributed to drum & bass, DJ Flight, Kemistry, Jenna G, Chickaboo, Rachel Wallace, and Eva Lazarus, just to name a few. It started from black men and women, then the white community was brought into it. That time and era was amazing. The 90s and the noughties had such mixed demographics on their line ups. I don’t know what’s happened over time. Anyway, there were no women of colour on this line up even though it stated they were representing women in D&B, then I looked around me and I realised I was also the only woman of colour in the crowd too, and I’m mixed race, I’m fairer skinned. I felt so ostracised and isolated. I was upset. Even now talking about it, it makes me feel upset. I wanted to leave that day. From having these strong emotions, I wanted to channel my anger and frustration into something positive rather than arguing about it with people online and in person. I’ve seen people come at it from that angle and it doesn’t do anything. If someone has core beliefs and values that what they’re doing isn’t wrong, and they truly believe they’re not ostracising a group of people, you’re not going to change them by arguing with them until you’re blue in the face.
This is a positive and productive way of doing it. You’re literally showing them, rather than telling them, that there are artists of colour that they can book.
Exactly. This is why I’m doing it. Starting the club night has been incredible though because I’ve now made so many new friends from marginalised communities, whether that’s the queer community, the black community, the asian community. I’ve actually opened up my roster of friendships because I do feel like I have isolated myself a lot from my black heritage over the years. I moved from London when I was 13 and didn’t move back until I was 18. For 6 years I was in Dorset, which is a really white place. I went from being one of the whitest kids at my school in South London to one of the blackest kids in my school in Dorset, so I ended up being so withdrawn from my heritage, and not celebrating my blackness enough and really engrossing myself in my culture. It’s taken a few years for me to find my feet but it’s been really nice to open up my platform and life from doing this. So, although I’ve had to do the work, it’s been an amazing journey. It’s also opened up so many opportunities for me personally. I want to thank Katie Marshall for giving me a space to host an Aum Presents at Glastonbury, which was incredible. And Dan Tsu at The Rum Shack, Glastonbury is definitely another highlight of my year. I hope the series keeps getting bigger and more recognised. Everything is going in the right direction.
Talk to us about some of the artists you’ve booked!
Mia Koden came down for the first event, who used to be part of Sicaria Sound. We had Ehua. We had Jamiu who is a close friend of mine, he helped me pick the name ‘The Electronic Diaspora’. We were trying to be careful not to be so ‘We’re black, and we make music, and we’re playing here!’ The Electronic Diaspora is more vague because it’s not about strictly being black or brown, it’s about heritage, What is your diaspora? So yeah, big up Jamiu. My friend AMA came down, she’s a new mummy now too so that’s lovely. Verbz and Mantmast were hosting, two supportive men in music. That is something I want to shout about, there are good men in music. The bad do outweigh the good, in my opinion, and statistically speaking, but there are lots of really good men in music. Jack Workforce for example, goes above and beyond for women in music. He goes above and beyond as a friend and as a mentor. Manchester promoter Rich Reason is another good man in music, doing amazing things for his community and the wider demographic. Dogger too, he’s a great friend of mine and supports me in some of my best moments and worst. I’d like to mention Rob Cracknell and Tom Hoyle for their support this year in all aspects of my career from being on stage to behind the scenes. They have both really nurtured all the business hats I like to wear.
Artists I’d love to mention and put the spotlight on are; Peppa Sounds, Chy, Pablo Gyal, Gold Tooth, Sicaria, Salo, Q Sermon, Akira, Missy P, Local Citizen, Rose Bud, and so many more. I can’t wait to eventually work with them all in the near future.
It’s important to big up everyone who is fighting for change and actively helping the scene progress in a healthy way.
It’s a community effort and I do have so much positive support from the wider white community too, which is great. Something I would like to mention is that I’ve heard too many people saying that the rave is just for music and that we need to keep politics out of it. I don’t actually know what planet these people live on but music has always been a political movement. From the mods & rockers in the 50s and 60s to the hippies during the 60s and 70s in a field dropping acid and smoking to the origins of Glastonbury, these were political movements. It was a statement. House and techno in the early 80s, early 90s in America was a statement for the black queer community to stand up for their rights and their movements, creating safe open spaces for their people. And in the 90s and the noughties, drum and bass and jungle were the same thing, making changes. It was a movement for the black and poorer communities in the UK. So specifically for white males in drum and bass – who are mostly ravers – to go out of their way to tell artists who are living and breathing this community that the dance and industry isn’t the place to talk about politics, I find that frustrating. Telling women off for talking about the lack of diversity is wrong, telling people of colour off for talking about the lack of diversity is wrong. People saying we shouldn’t be doing fundraisers or wearing t-shirts for Palestine and the Middle East. That is literally what our platforms are for. It’s what music was made for. People are almost being drawn away from what raving, music, parties, and gatherings were really for, are what they have been about for many decades, so I want to remind people, educate people and give opportunities to those who deserve them. It’s important to me. 
Up and coming shows, and engagements…Friday October 18. I have Critical Sound, Fabric 25 at of course Fabric London, the iconic club celebrating its 25th birthday, a venue very close to my heart and career in music. On Saturday 19. I have a guest mix airing on BBC Radio 1 on Charlie Tee’s show, big thank you for having me. Next week I will be making my Berlin debut at a club night called Magma, the location is secret which I find very fitting, I have my all-black outfit at the ready! Over the winter months, I’ll be heading out of Europe and over to Aotearoa, New Zealand with a stop or two on the way so keep an eye out.
Ravebot
SOREN’s status as one of the most promising American acts in the hard dance scene isn’t up for debate. That’s the key takeaway from “AVALON,” a thunderous addition to the Dirty Workz signee’s statement-making series of singles this year.
Fittingly billed as “hard dance from the desert,” the Dancing Astronaut Artist to Watch in 2024‘s answer to “ON MY OWN” expands his strong musical identity (defined by dark, dramatic melodies; arena-sized sound; and a cerebral and distinctive sense of invention). On it, the Middle Eastern influence that threads “AVALON” and its bright, forward-thinking color kicks add a sense of novelty to SOREN’s inimitable, well-practiced, and immediately recognizable sound. And although the Middle Eastern feel that “AVALON” evokes is stylistically new for the SOREN project, it’s anything but for Bryce Sorensen, the Los Angeles-based producer behind it.
“When making this track, I was reminded of how much of an influence KSHMR has always been for me, dating all the way back to when I first started listening to dance music,” he said. “With ‘AVALON,’ I pay tribute to him by imagining what a SOREN hardstyle song would sound like when inflected with the Middle Eastern flair for which KSHMR is known.”
“AVALON” is SOREN’s fifth single of the year, following his recent appearances at EDC Las Vegas in May and Ultra Music Festival Miami in March. Stream it below.
Featured image: SOREN
The post On ‘AVALON,’ SOREN delivers hard dance from the desert appeared first on Dancing Astronaut.
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Fresh off a year of captivating singles, the experimental electronic duo DUSA comprised of Luke Forgay and Lydia Stockar has unveiled their highly anticipated self-titled debut EP. This project showcases the duo’s unique blend of cutting-edge music production and striking visual art, reflecting their boundless creativity.
This debut EP is a sonic masterpiece woven with elements of experimental bass, glitch, and ambient electronica. DUSA’s distinctive sound is further enhanced by their captivating visual aesthetic, creating an unique listening experience. The duo’s commitment to blending music and visual art is evident in the custom artwork and graphic design that accompany the EP.
Hailing from the vibrant artistic scene of Dallas, Texas, DUSA is a multi-talented artist with a passion for pushing boundaries and exploring new creative frontiers. Growing up amidst the kaleidoscope of art forms that define Southern California, DUSA’s formative years were steeped in a melting pot of influences, from the laid-back rhythms of surf culture to the avant-garde expressions of the electronic music scene. This diverse tapestry of experiences laid the foundation for DUSA’s artistic journey, instilling a deep appreciation for creativity in all its forms. With a voice that’s both haunting and soulful, DUSA captivates audiences with intrinsic rhythms and sound design that linger long after the music fades. DUSA’s dynamic live performances are a testament to the raw emotion and authenticity that define their artistry.
The post DUSA Drops Debut Experimental, Self-Titled EP appeared first on EDMTunes.
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