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XP Music Futures unveils first wave of speakers

XP Music Futures, the music conference by MDLBEAST Foundation, has announced its first speakers for the 2024 edition, set to take place from December 5th to 7th in Riyadh’s JAX District. Leading voices in both the MENA and international music scenes with Dystinct, Marcella Araica, Asayel, Fulana, Dish Dash all headlining a diverse line-up of panels, workshops, and discussions. These speakers are set to share their insights on the evolving music landscape, drawing from their rich experiences as artists who have shaped and influenced contemporary sounds in the region.
As part of the 2024 program XP Presents will feature a large cohort of Nigerian talent that have been instrumental in the global success of their regional sound including Joeboy, Kold AF, Wizard Chan. Their participation underscores XP Music Futures’ mission to foster growth, innovation, and impact in the MENA music ecosystem, shining a light on the Nigerian music scene and its impact across the globe. XP Music Futures would also like to express its gratitude to key partners Warner Music.
“I’m really excited to see a platform like XP putting a spotlight on music from the African continent and honoured that they’ve asked me to participate and share my perspective and experience!” -Temi Adeniji -Managing Director of Warner Music Africa.
XP will feature a variety of local and international experts in their field, ready to share their wisdom and knowledge with those in attendance including Mohini Dey, Bas, DJ Yoda, KIKO, Bombino. Previous editions have hosted renowned global and regional stars that have come and shared their wealth of knowledge. Artists and innovative industry figures such as producer and label owner Don Cannon, DJ Khaled, Cosmicat, Nicole Moudaber, Fat Joe, David Guetta and many more have spoken at the Riyadh event.
XP Music Futures returns to Riyadh for another year on the 5th, 6th & 7th of December in Jax Diriyah. 

For all updates on XP Tickets, please register with us: Here
The post XP Music Futures unveils first wave of speakers appeared first on Decoded Magazine.
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Trance Visionary TJD Releases 36-Track Compilation, DJ Mix, & Film SPF INFINI: GENESIS and Announces Tour

Montreal-based artist TDJ concludes her acclaimed SPF INFINI series with GENESIS, a groundbreaking audio-visual project that combines a narrative-driven music video, a flawless DJ mix, and a 36-track compilation.
In this final installment, TDJ explores the profound disconnection between humans and their environment through a cinematic journey that takes place on a private plane. The music video showcases stunning visuals, including an airborne dance with a dragon and an impromptu skydive, while the compilation features original music from a talented group of up-and-coming artists.
The music in SPF INFINI GENESIS is a blend of trance, electro, techno, hardcore, and emo, showcasing TDJ’s versatility as a producer. The compilation includes tracks from SofTT, Panteros666, fknsyd, Yoshiko, 1luu, and many more. While TDJ may portray an icy character on screen, her live performances are full of energy and passion. She will be touring throughout the fall, including stops at Intercell for ADE, Dreamstate Festival, and EDSea and EDC Orlando.
You can catch her on her tour dates down below:
TDJ Upcoming Tour Dates
October 19 – Intercell – Amsterdam, The Netherlands
October 24 – Frágil – Lisbon, Portugal
October 25 – Club Kaiku – Helsinki, Finland
October 26 – Madame Loyal – Bordeaux, France
November 2 – EDSea – Miami, Florida
November 8 – The Ground – Miami, Florida
November 10 – EDC Orlando – Orlando, Florida
November 15 – Boiler Room – Mexico City, Mexico
November 22 – Dreamstate – Long Beach, California
November 29 – Coda – Toronto, Canada
November 30 – SAT – Montreal, Canada
December 6 – Soundcheck – Washington, DC
December 7 – 99 Scott – New York City, New York
December 13 – Public Works – San Francisco, California
December 27 – OXI – Berlin, Germany
December 28 – Colour Factory – London, United Kingdom
January 11 – Le Bikini – Toulouse, France
January 18 – Dachstock – Bern, Switzerland
January 24 – Cabaret Sauvage – Paris, France
February 7 – Slalom – Lille, France
February 8 – Tama – Poznan, Poland
February 14 – Warehouse – Nantes, France
February 15 – Belle Électrique – Grenoble, France
February 21 – The Internatiiional – Seoul, South Korea
February 23 – WWW X – Tokyo, Japan
The post Trance Visionary TJD Releases 36-Track Compilation, DJ Mix, & Film SPF INFINI: GENESIS and Announces Tour appeared first on EDMTunes.
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TikTok Content With Electronic Music Jumps 70% as Platform Launches New Global Hub

TikTok's relationship with music is undergoing a transformation. Its platform has become a driving force for the discovery of electronic music, boasting a 70% growth in video creations featuring the genre year-over-year, according to a press release issued by the company.
Sub-genres like drum & bass, techno and trance have all seen notable increases in popularity. To capitalize on this momentum, TikTok has launched its global #ElectronicMusic hub coinciding with the recent Amsterdam Dance Event.
TikTok’s global community is not just consuming electronic music—they’re fueling its future. From remixing tracks to sharing clips from live sets, users are helping artists achieve rapid virality, like EDM.com Class of 2024 member Kenya Grace, whose track "Strangers" picked up steam on TikTok and has since garnered over 1 billion streams across services.
Serving as a launchpad for emerging talent and established icons alike, TikTok is amplifying the reach of electronic music artists across the globe. However, while the company is ramping up its efforts to promote music, it is simultaneously shutting down its native music streaming service, TikTok Music. The platform, which launched in 2019, aimed to compete with giants like Spotify and Apple Music but was available only in select regions like Brazil, Mexico and Australia prior to its closure. 
TikTok, however, isn't backing away from music entirely. Instead, they are doubling down on features like the "Add to Music App" function, allowing users to save songs from the platform directly to major streaming services. This strategic shift suggests that the company sees more value in bolstering its core strength, short-form video creation, rather than competing directly in the crowded streaming space.
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SoundCloud Insights Reveal Electronic Music Fans as Most Engaged Worldwide

In the digital sphere where electronic music mainstays like Kygo and Marshmello once found their footing, SoundCloud is now reporting that fans of the genre comprise its most dedicated, vocal and active community. 
Released during this year's Amsterdam Dance Event (ADE), new data from SoundCloud proves that the electronic genre's fanbase is outshining other music communities with staggering engagement statistics. In an "Essential Insider Knowledge" panel during last week's summit, SoundCloud CEO Eliah Seton and house music producer Mau P revealed fresh insights into the platform's electronic music ecosystem.
The community is not only growing in size, but its listeners are also the most engaged of any genre on the platform. According to the data, electronic music fans are 104% more likely to share content, 85% more likely to repost and 52% more likely to comment than fans of other genres.
The revelations mark an important chapter for SoundCloud, which almost faced bankruptcy nearly a decade ago. The company in 2017 narrowly avoided collapse thanks to a $169.5 million capital infusion. The platform struggled to monetize its massive user base at the time, with layoffs and office closures threatening its future. Today, SoundCloud's thriving electronic music culture continues to play a pivotal role in its story, helping the company reassert its standing as a vital hub for artist creativity and fan interaction.  
Trance, hardcore and house, which drive the highest engagement rates on SoundCloud, are leading a surge of activity, with the lattermost genre topping the charts for the most streams and listening time. Global data reveals that countries like Belgium, Austria and Germany dominate electronic music streams while Vietnam is emerging as a hotspot by virtue of its fast-growing "Vinahouse" sub-genre. 
With over 400 million tracks and a mission rooted in empowering artists, SoundCloud is banking on this enduring connection with electronic music fans to continue shaping the future of the industry. Check out the company's official blog post to discover more statistical insights on electronic music's reach and impact on the platform.
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Ultra Music Festival Celebrates Historic 25th Anniversary With 25-Part Docuseries

Ultra Music Festival is pulling back the curtain on 25 years of rave royalty with a groundbreaking docuseries that will keep fans in a heightened state of anticipation until the festival's historic 2025 edition.
To celebrate the upcoming 25th anniversary of the brand's flagship Miami edition, Ultra has unveiled All Eyes On Us, a 25-episode docuseries designed to explore the iconic EDM festival's enduring legacy. Produced by the visionary team at NOMOBO, the program captures the essence of Ultra through the voices of artists, fans and industry titans who have helped shape the event’s profound impact on stateside EDM culture.
Three parts of the series have been released thus far. The first episode, "Open The Gates," reflects on the ceremonial homecoming that occurs each March as Ultra's gates swing open to welcome tens of thousands of electronic music enthusiasts.
The second, "That First Ultra," transports viewers into the memories of some of the festival's biggest performers, like Hardwell, Pendulum and Marshmello, as they fondly recount their first Ultra experience.
Released just last week, the third chapter in the All Eyes On Us saga, "All Eyes On You," offers a behind-the-scenes glimpse into the meticulous preparation of Ultra's prolific closing sets. Dutch powerhouse W&W take center stage as they prepare for their debut closing performance at Ultra Europe while heavy0hitters like Armin van Buuren and Nicky Romero reflect on the high-stakes artistry involved in crafting an unforgettable Ultra setlist.
The series not only serves as a love letter to the past, but also fuels anticipation for the 2025 edition. Fans can look forward to headlining performances by Martin Garrix, Zedd, Afrojack and Carl Cox, alongside rare back-to-pack performances. With additional lineup announcements on the way, Ultra 2025 promises to be one for the history books.
You can catch new episodes of All Eyes On Us every Monday via the UMF TV YouTube channel. Ultra is scheduled to return to its longtime home of Bayfront Park from March 28-30, 2025 and tickets are on sale now.
Follow Ultra Music Festival:
X: x.com/ultra
Instagram: instagram.com/ultra
TikTok: tiktok.com/@ultra
Facebook: facebook.com/ultra
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Skrillex ‘Scary Monsters & Nice Sprites’ is Now 14 Years Old

Released on October 22, 2010, Skrillex’s EP ‘Scary Monsters & Nice Sprites’ marked a defining moment in electronic music. Featuring nine tracks, including six originals and remixes by Noisia, Zedd, and Bare Noize, this EP showcased Skrillex’s ability to blend chaotic, bass-heavy dubstep with melodic elements. The title track, ‘Scary Monsters and Nice Sprites’, captivates listeners with a whimsical intro before plunging into a visceral soundscape, creating an electrifying experience that resonates through the body.
This EP catapulted Skrillex into the mainstream, solidifying his influence on the dubstep genre. Its success went global, achieving platinum status in the US, Canada, and Australia, and earning a gold certification in Australia. Notably, ‘Scary Monsters & Nice Sprites’ played a pivotal role in bringing dubstep to the forefront of music culture, even making history at the 2012 Grammy Awards when dubstep was recognized for the first time by the Recording Academy.
At the 54th Grammy Awards, Skrillex was nominated in five categories, including Best New Artist, and took home three Grammys: Best Dance/Electronica Album, Best Dance Recording, and Best Remixed Recording, Non-Classical for Benny Benassi’s remix of ‘Cinema’ (Skrillex Remix). This marked a turning point for electronic music, with Skrillex leading the way.
Thanks to ‘Scary Monsters & Nice Sprites’, Skrillex not only showcased his groundbreaking style but also helped bring dubstep into mainstream recognition. The EP remains a landmark release that redefined the electronic music scene and paved the way for dubstep’s rise to global popularity.

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This New FTC Rule Makes Canceling Subscriptions Easier

The FTC just approved a game-changing “click-to-cancel” rule that simplifies how consumers cancel subscriptions in the U.S. This regulation aims to protect consumers from deceptive practices and ensure cancellations are as easy as signing up. 
Music streaming giants like Spotify, Apple Music, and Amazon Music, which serve hundreds of millions of subscribers globally, are among the companies most impacted. These platforms will now need to streamline their cancellation processes to match the simplicity of their sign-up systems.
The FTC receives thousands of complaints annually about shady subscription practices, and this rule aims to reduce that number. Backed by the Biden administration’s ‘Time is Money’ campaign, it addresses long-standing consumer frustrations. However, some business groups express concerns that the rule might drive up costs for consumers.
Here’s what’s in the rule:
1. Canceling Should Be Easy
If a company, like Spotify or Amazon Music, lets you subscribe online, they must allow you to cancel through the same method with the same number of steps. No more navigating complex menus or searching for hidden options to end your subscription.
2. No More Deception
Companies can no longer mislead consumers with hidden terms. The rule makes it illegal for sellers to lie or misrepresent any material facts about their subscriptions.
3. Informed Consent
The FTC’s rule also requires businesses to get your informed consent before charging you for any recurring subscription. This puts more control back into your hands, ensuring you’re not hit with unexpected fees.
4. Clear Disclosure
Businesses must provide clear, truthful, and easy-to-find information about their subscriptions. If a subscription has conditions or automatic renewals, they need to disclose that upfront.
5. Multiple Cancellation Options
If you subscribed in person, you should be able to cancel online or over the phone with no added hassle.
This rule will go into full effect by April 2025. It applies to most subscription-based programs, regardless of the media in which they were sold. Companies that violate this rule could face civil penalties and be held liable for refunds. 
Two things were dropped from the final version of this rule. Companies won’t have to send you annual reminders about your subscriptions, and they can still offer you alternatives or ask if you want to hear their pitch before canceling — but only after getting your consent first. This new rule is a big win for consumers. It gives us more control over our subscriptions and stops companies from trapping us in hard-to-cancel services. Let’s hope it sets the stage for even stronger consumer protections in the future.
The post This New FTC Rule Makes Canceling Subscriptions Easier appeared first on EDMTunes.
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Martin Garrix and Friends Deliver Ultra Track ‘Gravity’

Martin Garrix, one of the biggest names in electronic music, has teamed up with longtime friend and fellow DJ/producer Sem Vox to release their long-awaited track, ‘Gravity.‘ Featuring vocals from rising talent Jaimes, this track has already become a fan favorite after its premiere at Ultra Music Festival Miami and has earned a permanent spot in Garrix’s festival sets throughout the summer.
A Collaboration Built on Friendship
The collaboration between Garrix and Sem Vox is the result of years of friendship and creative synergy. Their relationship spans more than 15 years, with the two playing back-to-back sets at various festivals in their early days. This track holds special significance for both artists.

Sem Vox shared: “Martin and I have been friends for more than 15 years. We’ve played back-to-back at several festivals when we were younger, and ‘Gravity’ holds a special place in our hearts. It reflects the emotions we’ve all experienced at some point in our lives.”
Track Breakdown: “Gravity”
The track opens with Jaimes’ emotive vocals, paired with a rising synth that builds anticipation. As the vocals blend seamlessly with the synth, drums kick in, supporting the growing energy of the song. The track builds toward an explosive “reach to the sky” drop—a signature element of Martin Garrix’s style, creating a euphoric moment for listeners.

After the drop, another verse from Jaimes continues the anti-gravity theme, keeping the energy high. This progression leads into a second drop, mirroring the first but amplifying the core message of the track. ‘Gravity’ combines Garrix’s classic sound with Sem Vox’s dynamic production, creating a perfect balance of emotion and energy.
Want to watch ‘Gravity’s first time on stage? Here is the live recording of Martin Garrix’s 2024 Ultra Miami set.
Summary & Instrumental
For all you lovely DJ’s out there – don’t miss out on the instrumental version of ‘Gravity’. These releases are a celebration of friendship, creative growth, shared musical journeys, and remaining a few feet off the ground. With Martin Garrix’s signature sound, Sem Vox’s influence, and Jaimes’ powerful vocals, this track is set to leave a lasting impact on the electronic music scene. Don’t miss out on this electrifying new track. Listen now on your favorite streaming platforms and feel the energy for yourself.

The post Martin Garrix and Friends Deliver Ultra Track ‘Gravity’ appeared first on EDMTunes.
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NOISES Presents Cultural Influences With Catchy Beats in ‘BNP’

NOISES is a house DJ/producer from the West Coast of the United States and he recently released his latest track, ‘BNP,’ on October 11th. This track may have the potential to become a top, underrated banger of the fall season coming from a rising DJ/producer. This release sure does have the power to turn up the heat on dance floors with a unique, vibrant West Coast groove, which also has phenomenal house music vibes as well. ‘BNP’ is a vibrant reflection of NOISES’ Latin heritage, and the track has an awesome combination of an old-school Chicano rap sample teaming up alongside wickedly good house groove, upbeat percussion, and a funky bass-line that may become memorable too.
In fact, this track genuinely combines his cultural roots with his musical identity, crafting a sound that confirms that it does belong to himself. In the end, the outcome of ‘BNP’ is an intense, energetic, groovy dance music anthem that shows off NOISES’ talent and skillset that perfectly brings in musical influences for his tracks. This amazing inclusion of various musical influences also allow the artist to continue staying true to his signature style, a style that have gained him supporters in the likes of Deadmau5, Dillon Francis, Alison Wonderland, and Zeds Dead since he started his career in 2019. Click ‘Play on the Spotify link too stream ‘BNP’, a track that can become the catalyst for NOISES to become one of the EDM industry’s rising stars in the genre.
The post NOISES Presents Cultural Influences With Catchy Beats in ‘BNP’ appeared first on EDMTunes.
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Eli Brown: ‘Escape From Planet Monday’

2024 has truly been the year of Eli Brown – and it’s only growing further as he gears up for another thunderous release and label pop-up at Glamcult. His undeniable talent continues to ignite a seismic shift across the scene, entangling the underground’s edge with mainstream appeal in a way that’s nothing short of pure alchemy. Fresh off his sold-out show at Rockefeller Center — where he became the first-ever techno artist to grace the iconic stage—Brown is proving once again his ability to move beyond creative boundaries with effortless determination.
‘Escape From Planet Monday’ is his latest single. A high-octane collaboration with LUSU featuring Sarah De Warren, the track immediately tantalizes listeners with a deep, pounding bassline, promising an intense journey at nothing short of breakneck speed. ‘Escape From Planet Monday’ offers a hypnotic rhythm, woven with lush harmonic scales and echoing synths, evoking a haunting, otherworldly vibe as it plunges into the sonic recesses of the underground. The track’s trance-like lyrical refrain creates emotional depth and adds a viscerally addictive layer that lures listeners even deeper while the resonant bass lines continue to erupt with raw energy. Listen here:
Alongside the new track, Eli Brown teamed up with HI-LO to present the ultimate label showcase at the beloved Amsterdam underground outpost, Glamcult, on Wednesday, October 16. Individually known for their trailblazing contributions to the space, Eli Brown and HI-LO have once again blended their talents, and are plunging fans into the depths of the underground at Amsterdam’s Glamcult store, showcasing the peak of collaborative artistry and sonic exploration. The Arcane x Hilomatik Pop-Up pushes the boundaries of the genre, entwining the worlds of music, fashion and culture, and is a continuation of Eli Brown’s ability to push what has long been considered subversive into popular culture.
The post Eli Brown: ‘Escape From Planet Monday’ appeared first on EDMTunes.
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Dimitri Vegas & Friends to Headline Twilight Harbor at Brooklyn Navy Yard This Weekend

This Halloween weekend, prepare to be transported to an festive world of music, costumes, and thrills at the Twilight Harbor Festival. Presented by Ignite Group and Smash the House, the festival brings Dimitri Vegas to headline the Duggal Greenhouse in Brooklyn Navy Yard on Saturday, October 26th. Joining him on support is the heavy hitting Bassjackers. The 35,000-square-foot Duggal Greenhouse will be transformed into a visually stunning playground, decked out with festive set designs, lasers, lights, and special effects. This is the Halloween party to be at this upcoming weekend.
General admission tickets grant access to a complimentary food festival and a haunted house, adding to the spooky atmosphere. VIP attendees can elevate their experience with premium bottle service, ensuring a night of top-notch music paired with exceptional drinks. Remember, the event is strictly 18+ and kicks off at 9 PM, running all the way through 4 AM, ensuring a full night of festivities.
GA tickets are currently on waitlist but standing VIP is still available here.
Dimitri Vegas is a legend in the electronic music scene, renowned for his electrifying performances, groundbreaking productions, and infectious energy. As one-half of the acclaimed duo Dimitri Vegas & Like Mike, he has consistently pushed the boundaries of dance music, delivering chart-topping hits and captivating audiences worldwide. With a career spanning over two decades, Dimitri Vegas has solidified his status as a global EDM icon. His DJ sets are legendary, filled with high-energy tracks, mind-blowing visuals, and adrenaline inducing thrill that keeps crowds dancing all night long. He has performed at some of the world’s largest and most prestigious music festivals, including Tomorrowland, Ultra Music Festival, and Electric Daisy Carnival.
The post Dimitri Vegas & Friends to Headline Twilight Harbor at Brooklyn Navy Yard This Weekend appeared first on EDMTunes.
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Gene Farris Unveils Killer Feel-Good House Track, ‘Euphoria’

Renowned DJ and producer Gene Farris, with close to three entire decades’ worth of a career in the industry, has unveiled a new track ‘Euphoria‘, the lead single to his recent album under the same name, released on October 18th. The LP highlights Farris’ best sounds throughout his years as a producer.
‘Euphoria’ is designed to evoke a sense of summer joy and uplift listeners with its infectious energy. Gene Farris is a global ambassador of the Chicago House sound. He has been at the forefront of the genre since the early days of Acid House and Disco. Once inspired by artists such as Lil’ Louis, Farris is now the source of inspiration for newcomers to the industry.
“The message for the album is to bring back feel-good quality House music, Dance music that can stand through time. Music made for your hearts and soul, that’s meant to be enjoyed by all music and Dance lovers“, Farris reflects.
Gene has had a successful career, playing in over 40 countries and releasing music on labels like Toolroom, Relief, Dirtybird, Spinnin’ Deep, ViVa Music, and Defected.
With ‘Euphoria’, Farris continues to push the boundaries of House music and solidify his status as a legendary DJ and producer. Have a listen below!
The post Gene Farris Unveils Killer Feel-Good House Track, ‘Euphoria’ appeared first on EDMTunes.
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"A Little Bit Alexis": How Schitt's Creek's Kitschy EDM Anthem Became a Cult Classic

Half a decade later, we're still trying to untangle how a send-up of vapid EDM somehow became genuinely, unironically beloved.
The world has changed a lot in five years, but one thing remains constant: the cultural footprint left by "A Little Bit Alexis," Alexis Rose's gloriously kitschy anthem from Schitt's Creekk. It's a gift that keeps on giving, much like Moira Rose's vocabulary.
When Schitt's Creek star Annie Murphy took center stage as Alexis—socialite, jet-setter and reformed party girl—the campy track was meant to be nothing more than a punchline. But "A Little Bit Alexis" quickly became a phenomenon, immortalizing Alexis' wild and whimsical energy by way of shameless lyrics laced through a pulsing, formulaic electro house beat.
Her intentionally chaotic choreography and pitch-imperfect delivery only made it more iconic.
In crafting this earworm, the Emmy Award-winning actress teamed up with her real-life husband, musician Menno Versteeg, who stepped in as co-producer alongside his Hollerado bandmate Nixon Boyd. Murphy, the mastermind behind Alexis' endearingly delusional pop star moment, says they couldn't get through the recording without laughing.
"Not even close," Murphy tells EDM.com. "In fact, it was the laughing that made the song what it was. As soon as someone would cackle or blurt out, "Oh my god that's so dumb,' we would immediately record whatever that idea was."
Countless spontaneous dance parties and karaoke catastrophes later, the track has amassed over 10 million digital streams and even managed to land on Billboard's US Dance/Electronic Songs chart, where it climbed to a peak of #21. In the annals of fictitious dance-pop stardom, who'd have guessed that Alexis' squawking vocals about expensive sushi and cute huge yachts—and being a little bit single even when she's not—would outlast her 15 minutes of fame?
"Sometimes the corniest answer is the only answer, okay?!" Murphy explains. "The most meaningful impact was seeing the giggles and the goofiness that it brought people. Seeing it being performed at drag brunches, or watching people do their own versions of it during lockdown, complete with the 'choreography' was incredibly special."
Recording "A Little Bit Alexis" (0:29) When that rhinestone-encrusted lyrical cyclone swept through our playlists in 2019, it left us forever changed—and slightly confused. It's a far cry from the raw indie-rock sound of Versteeg, who will soon release a new solo album, Why We Run.
That contrast, Versteeg says, is what made the song such a blast to produce.
"We knew it had to be kitschy and over the top, so the mandate was: check your restraint and indie sensibilities at the door," Versteeg explains. "We sat down in the studio and immediately pulled up the video for 'Work Bitch' by Britney. We didn't even look at another thing. We came back the next day and Nixon had that awesome bassline... Yes it definitely sounds very similar. That was the point: derivative, catchy and fun."
Menno Versteeg and his dog, Roger.Kendel Carson
Why We Run is set to drop December 13th on Versteeg's own label, the Toronto-based Royal Mountain Records. Fans of "A Little Bit Alexis," of course, won't hear the same detached, beautifully brazen trash-pop on the album.
But they'll find themselves at home thanks to the playful unpredictability of Versteeg, who says he and Murphy "have taken some of the experience of writing this song into our other work."
Look no further than the wild music video for "Bad Dog," a track about Versteeg's canine best friend, Roger. He says Roger is a cuddle monster that everybody loves, but in the video, he's "a sword-wielding, freebasing, peanut butter-gobbling 'treat' dealer" to all of his and Murphy's friends' dogs.
With tinctures of classic rock's soulful authenticity, there's a gritty honesty and raspy warmth in Versteeg's sound. Just like the life of Alexis in Schitt's Creek, his music has always felt like a soundtrack to a beautifully imperfect life and the quest to make sense of its messiness.
With that in mind, it's fair to wonder if Versteeg can not only reconcile the enduring appeal of "A Little Bit Alexis," but also balance artistic integrity with commercial viability in the face of its runaway success. It's impossible not to second-guess creative decisions and puzzle over their implications, imagining if they might become part of pop culture years down the line.
Versteeg believes music that stays true to itself holds value beyond success and moves people deeply, whether it's found in a totemic TV show or a dimly lit dive bar with graffiti-covered walls.
"I believe that artistic integrity always has to come first, but also that every form of art at every level of 'success' can be done with integrity," he explains. "Coming up with original ways to express thoughts and feelings, helping people feel something inside themselves, or helping people escape themselves... great art does this weather it's hanging on the wall in the Tate or being sung to three people in the pub down the street."
"Some things make money, others never will. Part of being a true artist is following your own path, regardless of how bumpy or smooth it gets."
Versteeg is now blazing that path's trail on a North American tour, to which fans can purchase tickets here. His upcoming album, Why We Run, is now available for pre-order.
c/o Royal Mountain Records
Follow Menno Versteeg:
Instagram: instagram.com/sebastianingrosso
TikTok: tiktok.com/@ingrosso
X: x.com/ingrosso
Facebook: facebook.com/sebastianingrosso
Spotify: spoti.fi/3Xn23ij
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Instagram Now Lets You Add Music To Your Spotify Library

Instagram and Spotify have secretly rolled out a new feature: they’ve joined forces to let you add music to your Spotify library directly from Instagram. This new feature allows users to easily discover and add songs to their Spotify playlists with just a few taps.
This is how it works: when watching videos on Instagram Reels, users can now tap on the song to get more information or add it to their Spotify library. The feature is available for both iOS and Android users, as long as they have both apps up to date. To use the feature, users must link their Spotify account to Instagram. Once linked, songs added from Instagram will appear in the “Liked Songs” playlist and the “Your Library” tab on Spotify.
This integration mirrors a similar feature on TikTok, which allows users to add songs to various streaming platforms. While Spotify has launched this feature initially, it’s possible that they may expand it to other digital service providers in the future.
Spotify expressed excitement about this new partnership, stating that it aims to strengthen the connection between artists and fans. “At Spotify, we’re always looking for new ways to create a deeper connection between artist and fans, and with this Instagram integration we’re introducing new ways for users to discover more of their favorite artists and tracks“, they said.
[H/T] Digital Music News
The post Instagram Now Lets You Add Music To Your Spotify Library appeared first on EDMTunes.
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In Conversation With IRAH

IRAH, a name synonymous with taking the sound of dancehall to the forefront of drum & bass, is back with a new single, Gunfinger, featuring Chase & Status. This big room, system-melting track draws on all his experience as a prolific and versatile artist, zeroing in on the breakout success he enjoyed as a performer and writer behind Chase & Status & Bou’s platinum-selling 2023 single, Baddadan, which became a chart topper.
Emerging from the vibrant sound system culture of South London, IRAH has carved his own path through the drum & bass world. His undeniable talent led him to a breakout moment on Chase & Status’s seminal Return II Jungle album, lending his vocals to the anthem Program. 
Now, with Gunfinger, IRAH delivers a  menacing anthem purpose-built for raves big and small.  Produced by his long-time collaborators and winners of the Producer Of The Year award at the 2024 BRITs, Chase & Status, it feels every bit a festival-crushing, genre-defining record — and a recap of the true meaning behind the symbol that grew out of dancehall culture. UKF sat down with IRAH to delve into his upbringing in South London, the impact of his formative years spent in Jamaica, and how Gunfinger came to be.
IRAH, you have been on the scene, writing and making music for years now.  Let’s take it back to the beginning, what was the first thing that made you think “I want to get into this music thing?”
My first link to music was my dad. He just had a massive record collection. Stacks of vinyl on top of each other. So I’ll just remember as a child playing with them at first and seeing all the faith, and then all the names and all the jazz records and reggae records and that played in white labels and stuff. And then as you grow, you know, you start to understand what they are. One of the earliest records I remember was Bob Marley’s Catch a Fire album, because it had a lighter at the bottom of the cover. It was one of those iconic ones. That was my first introduction to music. I grew up in Brixton and was always surrounded by music. Brixton is one of my favourite places in the world because a lot of my favourite artists came from there. 
What was Brixton like back in the day?
Brixton to me? It was all about sound system culture. It was all about the local sounds. We had sound systems, like Silver Hawk Sound, and then we had foundational artists, Pulp Cut, Green Maiden, General Levy.  These were voices from the sound systems before drum & bass,  before jungle even. We knew them from sound system culture. Even though I was young, I knew about the local guys and respected them. 
You grew up with some of the greats who are now in the drum & bass scene. Anyone you’d recommend from that local scene you want to big up?
Congo Natty / Rebel MC still killing it. His voice is iconic. Lost Souljah too, she’s got a multiple level of talent going on. She does dancehall stuff, grime stuff, drum & bass stuff, singing, rapping all of it. 
You’re a man of many genres yourself. What would you consider your foundational genre? 
My foundational genre is and always will be reggae music. It’s the base, the foundation. It’s where it all began. 
Even though you’re from Brixton, you spent a few years on the island. Can you tell us about your time in Jamaica?
So I was 15 and my parents had moved us out to the countryside in Kent, as Brixton was getting a bit hot. Back then, I was young and I didn’t think. So I ended up getting in a bit of trouble. And in a classic Jamaican parent move, I was offered a lovely holiday in Jamaica, that I didn’t know was a one way ticket. It got spun on me and I was green to it. So I was shipped out to Jamaica to get some discipline and ground myself, which it did. I stayed there for a few years. Me and my dad, at my grandfather’s house, who was a pastor. I quickly saw real life. All that privileged little English boy behaviour quickly disappeared. I found the core of my being there. I was there for three and a half years from when I was 15 to 18. They were formative years.  
How did you manage to get back to the UK?
I got some money working in Jamaica, I was building houses with my cousin. Saved the money and got right into a whole new world. Because, remember, I’d left in the drum & bass era and came back into the UK garage era, right? Everyone was wearing white jeans and moschino belts and stuff. Looking back now, it was probably for the best man. In the drum & bass scene, we all needed to calm down around that time. I think we just got a bit crazy.
So let’s just talk about ‘Gunfinger’ featuring Chase & Status. What was your mindset like going into writing a track like Gunfinger? 
My mentality was all around the idea of wanting to contribute something to the scene. You know, a real contribution, rather than just a song. After Badadan, I realised how important what I was doing was. I wanted to start injecting some culture into the scene. Obviously we all know the gun finger salute is kind of when you hear a good song, when something good is going on. This is the kind of reaction that is intrinsic to the rave scene. I just wanted to keep the history of it, where it comes from, why it’s here and why we love it.  I thought we could inject some of the culture back into the scene while we can. 
In a weird way, it’s a kind of foundational track. I feel like I heard it 20 years ago. Not to say it’s old sounding or stale, but more in the sense of, why hasn’t this type of song been done before this?
Right? Because it’s a building block that needs to be there. And it was always there. It just needed to be dusted off.
So, you’ve obviously been collaborating with the Chase & Status boys for a while now. When did you get introduced to them?
Over the years, I bounced through every genre because I’m a lyricist. I’m a wordsmith. So we have no genres, just only frequencies that we adapt to. For years, I was doing grime. I left out of grime into comedy. I made a Facebook page called The REFIX Show, where I was doing voice overs of Family Guy, The Simpsons, and the Royal Family. If you’ve ever seen a clip online with a tv character speaking Jamaican, it was probably me.
I was doing that for a while, and I was putting my music as the backing tracks  and intros of the videos. One day, somebody called me and said that Chase & Status were opening up their sets with the REFIX show intro.
They sent me a few videos of the boys playing big shows, opening them up with my intro. I couldn’t believe it. So I reached out to see what was up, and they asked me to come down to the studio.
So that’s how you started working with Chase & Status?
Nah. When they asked me to go to the studio, I was like, nuh. They were doing drum & bass and I was dead set on making dancehall. At that time I’d already been in drum & bass. I’ve grown on a beat, evolved my posture in the bass. And I’m speaking to Vybz Kartel at this time, planning trips to Jamaica and dancehall kind of stuff, you know? 
What made you decide to work with them in the end?
What swayed me was the fact that actually flew into Jamaica to work on that album, the likes of Masicka, Cocoa Tea and Kabaka Pyramid. These are the real artists from Jamaica. They didn’t just get any old samples, they went there themselves and worked with local artists. That made me think,  “Do you know what? There’s something different about these guys.” And knowing them now, obviously now I knew there was definitely something different about it.
We went back and forth for a while, then I think a year later they hit me up again, determined to get me on a track. They sent me a dancehall beat and that’s what it did for me.. I came to the studio, I spent all day in there with them and got the lyrics down. My best stuff right there. I put the headphones down, I walked out and said “That’s it boys, I’m done.” A few days later, Saul gives me a call and goes “Can we just get one more take?”. He had an idea. So I went back in and they had turned the track into a drum & bass track. And that was originally Program, it was a dancehall beat.
I left there not even knowing what was going to happen. I just thought it was going to be a tune up and you get paid a little feature fee, you know, I was on the hustle at that time. A couple of days later, they sent me Program and my life changed from there. The first thing I thought was; Why didn’t I do this two years ago?!
I was just so blown away that they turned dancehall into this monster of a beautiful tune! That tune brought back all of my memories of drum & bass and jungle.  Everything came back and I haven’t stopped. Haven’t turned back since then.
Tell me a little bit about Badadan. Easily one of the biggest Drum & Bass tracks of all time. Break down how that track came together.
‘Badder than’. A word we use in the Jamaican language so much. It was just a throw away line. But when you look at that word, pull it by its own, you realise there’s so much packaged into this word. There’s a lot of self-empowerment there. One of the biggest ones, like badder than before. I think that’s the message that kind of went out to a lot of people. A lot of the messages I received were from people on a self-empowerment journey who listened to that song.
I wrote that song it all the way back in 2001. I was holding on to it for a long time, waiting for the right moment. So as soon as I heard the beat, you hear the tones and frequencies and it is like, yeah, that fits.
Was Baddadan going to be a dancehall tune too?
Everything I wrote was dancehall before. That’s what I was doing back then, I was in the world of competitive dancehall. And I think that’s why it  blended so well with the drum & bass. Drum & bass is born from jungle and jungle is born from reggae music. So they link together. There’s no overlapping edges. They just merge.
Your recent success with Program, Baddadan, and now Gunfingers all in a short few years, how was it impacted you as an artist? Has your artistic direction moved towards getting on those big drum & bass lineups?
I’ve been doing tours on rotation for years now. I’ve headlined every show that I’ve wanted to do. There is no headline show that I haven’t done, I’ve done every drum & bass line up out there. 
What I want to do is make drum & bass grand. If there’s a drum & bass gig going on, it has to be a big show. And drum & bass turns up these days. It is not the underground small thing I grew up with. Not like a local business. This is global heavyweight music now. It’s worldwide and better resourced, greater. I want to make sure that there’s some of that royalty in there where it belongs. And like a lot of artists out there, I want to evolve the genre, to bring the new. That’s my job in drum & bass at the moment. I’ve got some big things coming next year. 
Any advice you would give to aspiring DJs? Producers or vocalists trying to get involved in the UK scene?
First thing I would do is, spend your 10,000 hours doing what you need to do. If you’re a boxer, you need to put in your 10,000 hours in the gym before you get in the ring. Whether it’s mcing, singing, producing, DJing, don’t go out into the world unless you’ve put the work in first. Farmers have to get up and farm every morning. Musicians have to make music. You might be willing, but are you able? There’s nothing without toil. Once you’ve done your 10,000 hours getting your craft down, then you can create. Once you’ve done something good, hit up one of the artists you see shelling about, doing the things you want to be doing. Get in touch with someone who’s sick at what they do and sick at what you can’t do. If you’ve done the work, they’ll like what you do. Collaborate with them. Get them into the studio or get them behind the mic, and create. It’s like a sith lord. There’s always two. Or a magician and his assistant, there’s always two. If you’re just an MC or just a DJ, it’s a lonely world. Collaborate and that’s where the magic can happen. 
Outside of music, what else are you working on?
I make movies and I’m a stuntman.
Are you winding me up?
Never.  We’ve one coming out with Trigger and Flow Dan. A Kung Fu / comedy one we’re doing with Big Narstie. Then there’s one more called Hit Man incorporated which is a bit more John Woo, bullet time and that. 
In terms of what’s next for IRAH and the world of Drum & Bass, you mentioned that you’re working on big things for next year. Can you give us any hints of what’s to come?All I’ll say is, I want to build the ultimate bridge between the UK and Jamaica.

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Here Are The Top 100 DJs In The World For 2024

One of — if not the — most important polls in the entire year for EDM is the iconic DJ Mag Top 100 DJs list. Year after year, the medium receives users’ votes from around the world and compiles a list which they present towards the end of the period. It’s a source cited by many, and a weapon of absolute pride for those who make it to the top.
This year, the results are in. Here’s what the DJ Mag Top 100 DJs 2024 list looks like:
#1: Martin Garrix, The Undisputed King
He broke into the scene over ten years ago, and he still crushes it to this day. Martin Garrix, who is still in his 20s, has managed to not only secure the top spot once again this year, he’s also tied a record. He now holds the record for the highest number of Top 100 DJs poll wins, matching fellow Dutchman Armin van Buuren. Both have placed first on five separate occasions. Also, since 2016, Garrix has won five out of nine years, and when he didn’t earn gold, he never placed outside of the top five.
#2 & #3: David Guetta And Dimitri Vegas & Like Mike
Not far below are two artists who have had not only lengthy careers but also amazing years. French icon David Guetta and Belgian duo Dimitri Vegas & Like Mike are two acts who you will have heard during 2024. They’ve toured all over the world and become headliners of the greatest festivals.
#4 to #10
Behind these three, the rest who make up the first tenth of the list are, in descending order, Alok, Timmy Trumpet, Armin van Buuren, AFROJACK, FISHER, Vintage Culture, and Peggy Gou.
Have a look at all the other DJs below:
The Next 50
DJ Mag also made public a shorter list titled The Next 50, which includes all DJs who didn’t get into the Top 100, but were close enough. Below you’ll find them all. And stay tuned to our page for more news!
Meduza Adam Beyer Michael Bibi Angerfist Lilly Palmer Acraze Blasterjaxx Morten Luca Testa Chris Lake Ummet Ozcan Diego Miranda Beauz Brennan Heart Alexander Popov Shogun Artbat Deorro Ofenbach Jay Hardway Le Shuuk Tale Of Us Green Velvet Camelphat Illenium Honey Dijon Nico Moreno Marten Horger Aster Lizzy Wang Mattn Azyr Will Sparks Fatboy Slim Tom & Collins Oguz Miss K8 Chase & Status Ben Hemsley Bicep Lane 8 Miss Monique Sonny Fodera 999999999 Marco Carola MK Joseph Capriati Anfisa Letyago Gorgon City Wade Richie Hawtin The post Here Are The Top 100 DJs In The World For 2024 appeared first on EDMTunes.
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"More Fire for Everybody:" Listen to Virtual Riot's Invigorating New Album, "Stealing Fire"

As we know by now, Virtual Riot lives up to his name. He's now taken his masterful production one step further, dodging the confines of the electronic genre with his cinematic album, Stealing Fire.
Ahead of the album's release, Virtual Riot teamed up with Rezz to drop "Give in to you," a midtempo banger that catapulted to meteoric popularity immediately upon release. His transformative track "Believe What You Want" also found its way to fans in late-September, setting up an assist to today's slam dunk.
The titular track "Stealing Fire" showcases the most riotous (pun intended) elements of house and trap, flowing between the two in a seamless showcase of the album's variety. "Star Destroyer" follows suit with digitized melodies chopping to the beat of blasting lasers from a cosmic ship, its second house drop promising us nothing short of a diversified experience.
He then dials up the BPM in "Scorched Earth," which holds the promise of its title with a volcanic burst of four-on-the-floor beats, while "Nights On Fire (2024)" electrifies the album with a liquid drum & bass twist. Amidst the wild ride, "New Energy" also delivers on its title with gentle, free-flowing melodies that bring a refreshing tenderness to Stealing Fire. "Holding On To Smoke" follows in the same vein with its whimsical production and vocals from Raven Gray.
"When you are inspired by other people’s work, and you take the parts you like and re-interpret and combine them with something new; when you share knowledge that was previously gatekept or unavailable except to a select few; when you listen to music to put yourself into an altered state of mind — you’re stealing fire," Virtual Riot said in a statement. "And you don’t have to take it away; when you do it right, it spreads and multiplies, and in the end, there is just more fire for everybody.”
Virtual Riot is now taking the album on an eponymous tour with visuals by VJ Neurite. Kicking off in the fall, the tour will feature support by Culture Shock, Eliminate, HE$H, HVDES, IMANU, Moore Kismet, Nostalgix and Tokyo Machine, among others.
Listen to Stealing Fire below and find the new album on streaming platforms here.
FOLLOW VIRTUAL RIOT:
X: x.com/virtual_riot
TikTok: tiktok.com/@officialvirtualriot
Instagram: instagram.com/officialvirtualriot
Facebook: facebook.com/virtualriotmusic
Spotify: spoti.fi/3sgryDK
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Steve Angello Makes His Solo Return to the Brooklyn Mirage This Friday

After making his solo Brooklyn Mirage debut last year, Steve Angello is set to return to the iconic venue once again this Friday for another unforgettable night. Angello who is one third of dance music super group, Swedish House Mafia, has been on a tare this year with releases under his solo project as well as with his group.
It’s been a big year for Steve Angello as he reached a handful of huge milestones. He made his return to Coachella in April to to perform two weekends in desert and also performed a very special Size XX show in his hometown of Stockholm. He also released a handful of solo releases along with the much anticipated collaboration between Swedish House Mafia and Alicia Keys called ‘Finally’. The super group also made their Brooklyn Mirage debut in grand fashion in April by opening up the venue’s summer season in a surprise pop up show that sold out in seconds. Now, this Friday, Angello will be making his solo return to the venue and to add on the festivities, this show will also be a celebration for the release of of ‘Hooligans’. You can expect a mixture of Angello’s greatest personal hits along with a sprinkle of Swedish House Mafia magic in his upcoming set on Friday.
Tickets to see Steve Angello at the Brooklyn Mirage this Friday is going fast so make sure to secure them HERE now before they are all gone. Last year’s show was one of the best of the Mirage season so this one you definitely don’t want to miss out on.
The post Steve Angello Makes His Solo Return to the Brooklyn Mirage This Friday appeared first on EDMTunes.
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Half Baked reveals line-up for epic 22-hour 15th birthday party

Half Baked is one of the UK’s most revered underground parties and on Saturday, November 30th it celebrates turning 15 years old with an epic 22-hour party. The fun goes down at the brand’s own venue Number 90 in Hackney Wick, then at Starlane Pizza Bar, with firm favourites Sonja Moonear, Dyed Soundorom, Remi Mazet (Live), Giammarco Ossini, Bas Ibelini plusresidents Robin Ordell, Greg Brockmann, Sam Bangura and Olita all providing the soundtrack. Get tickets now at; https://ra.co/events/1991943.
Like all proper underground institutions, Half Baked has grown organically from humble and authentic roots. It started on a shoestring budget with the team always installing their own sound systems, building their own bespoke bars and devising their own production and lighting. All this was done from scratch in weird and wonderful unused spaces, often while trying to hold unsupportive councils and problematic neighbours at bay. 
It all started one Sunday afternoon in November 2009 in a derelict car park off Great Eastern Street in Shoreditch as a birthday celebration for co-founder Bruno. 150 people turned up and an immediately close-knit family was formed with all focus on the music of residents Robin Ordell and Greg Brockmann. News soon spread amongst the capital’s most discerning heads that something fresh and exciting was happening and before long Half Baked was the number one destination for Sunday afternoon clubbing in the capital. Within a year, thousands of clubbers were showing up and the brand embarked on a sold-out tour with stops at D-Edge in Brazil, Miami Winter Music Conference via cult parties at Europe’s finest such as Off Sonar Barcelona, ADE Amsterdam, Concrete Paris and Bar 25 Berlin. 
Central to Half Baked’s staunch DIY philosophy was finding new, quirky, unused venues for each party. Over the years they have hosted shows in open-air car parks, derelict warehouses, basements in Hoxton and even under the Shoreditch Overground lines. To find them, founders Bruno Cabral and Remi Landaz used to ride across East London on their bicycles, always on the lookout for an unlikely but irresistible new location. In honour of the role the bike has played in the history of Half Baked, a bicycle clad with lights is always erected above the dance floor as an iconic reminder of how the revolution started. 
A defining moment in Half Baked history came in 2013. After a series of infamous parties above a print factory at 90 Wallis Road, a chance to rent the whole building came up and founders Bruno and Remi took the plunge. That venue is now the award-winning Number 90 which also incorporates a restaurant and upstairs studios that house local creatives who were happy to help transform the space from a squat into what it is today; building bars, decorating and producing art installations. In 2014, the community-powered venue was awarded the ‘Best Local Business’ at the Mayor of Hackney’s Business Awards and won a Time Out Love London Award. Number 90 has now been the London home of Half Baked for over a decade and is constantly evolving as adjacent warehouses have been acquired and transformed into venues 90 Live and 90 Hideout.
From local roots to international acclaim, Half Baked has now hosted more than 600 events around the world and is also a taste-making record label with a catalogue of more than 25 releases from mainstays like Mathew Johnson, Shonky, Margaret Dygas, Voigtmann and the late great Mike Huckaby. 
All of this rich history, the friendships that have been formed and the love that has flowed will be celebrated in style with the biggest Half Baked ever on 30th November. The soundtrack will be a tasteful mix of house, techno, minimal and discerning deepness from some of the best in the game with long-time Half Baked family members including the minimal queen Sonja Moonear, deep digging Frenchman Dyed Soundorom, an immersive live show from Remi Mazet, plus Berlin-based Italian alchemist Giammarco Ossini and dreamy stripped-back sounds from Bas Ibelini.
Half Baked isn’t just a party; it’s an immersion in a new community. It’s somewhere you go with three friends and leave with 30 and there has been no better time to join the family than at this unmissable 15th birthday celebration. Tickets are available from £17 at RA.
HALF BAKED – 15 YEARS OF LOVE
Saturday 30th November | 22 Hours
Number 90 Live, Hackney Wick (22:00-06:00)
Starlane Pizza Bar, London (06:00-20:00 Sunday)
Tickets; https://ra.co/events/1991943
The post Half Baked reveals line-up for epic 22-hour 15th birthday party appeared first on Decoded Magazine.
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Trailer released for The Record Store Project documentary

“A lot of us (DJs) kind of started at the same time and we all kind of grew together. Some I would just see in the record shops fighting over records or whatever. Hustling to try and get the latest import – actually, we don’t have that anymore. I miss that. We don’t have that kind of community where you just hang out and chill. Like I could spend hours in the record shop just chilling – there was a certain happiness, like a joviality to just being in as a punter and seeing certain regulars coming in again. I’d never thought of it like that before, but they were actually really good meeting hubs.” WAYNE C MCDONALD Newcastle
The Documentary Film
Contributors include Trevor Nelson, Marcia Carr, Claudia Wilson, Ammo Talwar MBE, DJSS, DJ Rap, Jazzie B, DJ Spoony, Wookie and Jeff Smith and Simon Dunmore. Produced by Simon ‘Schooly’ Phillips, the film will premiere at The University of Greenwich on the 26th October before being screened at independent cinemas, including Leicester’s Phoenix cinema on the 31st October and will later be released online.  
“There were very few women in these spaces. I remember a girl called Maria, she and I worked at Unity Records. And that was in the mid 90s. One or two women would come in, but again, it’s just very unusual to find us in those spaces. It’s just always guys. It’s like Willy Wonka finding the golden ticket to get the opportunity to be working in those stores. I saw as a privilege. And it was like a rite of passage almost for me, because not anybody could get a job in those stores. So that’s why I enjoyed the moment. The pay was crap, though. I used to get paid in records. Not actual wages, records. Get paid in records. And then if I did get paid some wages, I’d use my wages to buy more records. I just thought ‘I need this tune that’s in the brown paper bag under the counter’.” MARCIA CARR London
The documentary film is part of a wider project, which will also deliver a website, book, podcast series and KS3 education pack.
2Funky Arts Director Vijay Mistry said: “This has been our first national project, and we have been thrilled by the response – interviewing around 80 people and digging deep into this history. 2Funky Arts grew from 2Funky Records (1997-2012) – a specialist Black music store in Leicester, with an international reputation. So, we have first-hand experience of these shops as cultural powerhouses.”
Further information: www.theblackmusicrecordshop.co.uk
The post Trailer released for The Record Store Project documentary appeared first on Decoded Magazine.
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Martin Garrix releases three songs and wins the DJ Mag Top 100 in just 1 week

For Dutch DJ and producer Martin Garrix, the past week has been nothing less than remarkable, confirming his rank among the most powerful personalities in electronic dance music. From top-notch releases to a historic crowning event, Garrix has once more shown why he stays at the forefront of the business.
GRX, Ytram, and Martin Garrix
Starting the week with a set of releases under his several identities, Garrix highlighted a distinct aspect of his musical ability. He debuted “Empire,” a partnership under his GRX name with Brazilian singer NUZB on October 4th. As Garrix’s first-ever working with a Brazilian musician, this song marks a major turning point and increases his worldwide impact even more.

“Empire” started as evidence of Garrix’s dedication to honing his trade. Through live events over two years, the pair polished the song and generated excitement among listeners who keenly sought to find its writers. The name of the song honors its first performance on Garrix’s legendary show atop the Empire State Building in New York, therefore adding extra meaning to its release.
Reflecting on this career-defining cooperation, NUZB expressed his delight
Not far after on October 11th, Garrix resurrected his Ytram persona for “The Game,” a joint venture with LADANZA. Originally noticed by attendees at Garrix’s 2023 RAI Amsterdam, this exciting music features a deeper, bass-driven sound enhanced by LADANZA’s engaging vocals. The release of “The Game” suggests further fascinating possibilities resulting from Garrix’s several musical avatars.

“Gravity,” a much-awaited partnership between Garrix and his long-time buddy, Dutch DJ/producer Sem Vox, with vocals from emerging artist Jaames, was formally released this Friday. Originally a fan favorite during Ultra Music Festival Miami earlier this year, the song celebrates a 15-year friendship and creative synergy rather than only a musical alliance.
Sem Vox highlighted the importance of the cooperation:

The path the song travels from its Ultra Miami premiere to become a mainstay in Garrix’s event tells volumes about its influence and the flawless mix of both musicians’ genres enhanced by Jaimes’ expressive vocals.
Fifth Time Crowned World’s Top DJ
Garrix was crowned the World’s No.1 DJ in DJ Mag’s Top 100 DJs poll 2024, therefore marking a momentous event for him. Garrix ties fellow Dutch DJ Armin van Buuren for the most number of No. 1 DJ triumphs as he achieves his fifth time ranking first. Forty thousand spectators and millions of viewers watched the crowning event, which took place on October 20th at the AMF stage in Amsterdam‘s Johan Cruijff ArenA, streamed globally.
Garrix thanked Armin van Buuren personally and showed wonder
This success is evidence of Garrix’s amazing year, which included headlining his seventh season at Ushuaïa Ibiza, touring major festival venues around the world, and perhaps feeling his impact at Glastonbury when Coldplay performed his song “Breakaway” during their main set.

The post Martin Garrix releases three songs and wins the DJ Mag Top 100 in just 1 week appeared first on The Groove Cartel.
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