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Stirling Drops Debut Single ‘All That Really Matters’ On Alleanza

Stirling, the impressive new talent from Canada makes a bold entrance onto the electronic music scene with his debut release ‘All That Really Matters.’ The rapidly rising Tech House DJ and producer is garnering a host of support from leading industry players and earmarked as an exciting name to watch this season.
More than just a first outing, ‘All That Really Matters’ is a powerful statement of intent. Deep, rolling, and emotionally resonant, the track captures a raw club energy that highlights the Alleanza sound. With this release, Stirling joins Alleanza’s growing roster, embodying the label’s commitment to both seasoned artists and emerging talent. his debut sets a strong precedent and marks the start of an exciting journey ahead. 
Founded in 2011 by Jewel Kid, Allenza Recordings was relaunched last year. Universally known for its electronic-focused releases, primarily navigating from House through to Techno, the label has a substantial discography including a range of successful EPs and LP’s. Hosting a collection of artistic talent, from The Yellowheads to Enrico Sangiuliano, Loco & Jam, and Tom Hades, Allenza Recordings sets to welcome Stirling to their ever-growing family, further cementing their position as an imprint that nurtures the stars of tomorrow.
Stirling is a London, Ontario-based artist and, through a sequence of recent events and signings that include Farris Wheel Recordings, he has become recognised for his high-energy sets and punctuated, powerful grooves that instantly ignite the dancefloor. Rooted in club culture from an early age, he translates his musical expression with raw emotion and electrifying rhythms built purposely to move the dancefloor. With a string of releases already lined up for 2025, he’s fast becoming a talent that is registering with international promoters and label heads alike.
All That Really Matters is set to drop on all major streaming platforms on May 9th, solidifying Stirling’s and Allenza’s placement in the current electronic music scene. 
Stirling  – All That Really Matters
Released 09/05/25

Pre Save https://found.ee/ALN015

Find Out More & Follow 
Stirling Instagram | TikTok | Official Website
​​Alleanza Recordings Instagram | Beatport | Soundcloud
 
The post Stirling Drops Debut Single ‘All That Really Matters’ On Alleanza appeared first on Electric Mode.
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Déepalma Records Unveils ‘My Rose’ by Sandy Rivera, Aruhtra, Deeprule & ANNABELLA – A Deep House Gem in Bloom

Déepalma Records is poised to make waves in the deep and organic house scene once again, this time with a dynamic collaboration between the legendary Sandy Rivera (Kings of Tomorrow), rising groove architects Aruhtra & Deeprule, and the deeply expressive vocal artistry of ANNABELLA. Their latest release, ‘My Rose’, lands on April 25, 2025, serving up two compelling versions, each offering its own unique sonic journey.
The Original Mix leads the charge—a pulsating, tribal-infused production designed to move dancefloors deep into the night. Fueled by kinetic lead synths, atmospheric piano chord swells, and ANNABELLA’s captivating vocal work, this version delivers a driving, emotive energy that seamlessly bridges underground sophistication with main-stage appeal.
For those craving a deeper groove, the Deep Mix steps in with a sultry, hypnotic approach. Rooted in a headier bassline and a steady cowbell groove, this mix takes a smoother route—its lush piano chords and ANNABELLA’s ethereal vocals wrapping around listeners like a warm embrace, making it an essential selection for intimate late-night sessions.
With its spellbinding blend of deep organic elements, ‘My Rose’ stands as a testament to Déepalma’s continued curation of world-class electronic music. The anticipation begins early, with the radio version of the Original Mix dropping on April 18 across all streaming platforms—an early taste of what promises to be one of the essential releases of the season. Stay tuned. Let ‘My Rose’ bloom.
Stream here: https://deepalma.com/2025/04/18/my-rose-feat-annabella/
The post Déepalma Records Unveils ‘My Rose’ by Sandy Rivera, Aruhtra, Deeprule & ANNABELLA – A Deep House Gem in Bloom appeared first on EDMNOMAD.
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MARQUS and SNAJDER Share the Story of ‘UNBREAKABLE’ and More

1. Hey MARQUS and SNAJDER! Glad to have you here to talk with you about your latest release ‘UNBREAKABLE’.
SNAJDER: Super excited to be here! We’ve poured a lot of emotion and energy into this track, and it’s always meaningful to get to talk about that process.
MARQUS: Thanks a lot for having us! It’s always a pleasure to talk about the music we care about — and UNBREAKABLE is definitely one of those tracks.
2. Can you please tell us more details about ‘UNBREAKABLE’? How did it come to life and how did you meet each other?
SNAJDER: ‘UNBREAKABLE’ is a really personal track for me. It was born out of a tough period in my life — I was and still am battling cancer, and music became my therapy, my escape, and my strength. I wanted to create something that captured that fight, that resilience — not just for me, but for anyone going through something heavy. That’s where the core message of being unbreakable comes from. It’s about rising, even when everything is pushing you down. I met Marqus through the music scene — we connected instantly, both musically and personally. There was real chemistry in the studio from day one.
MARQUS: We met online back in early 2024, I believe through mutual friends on Facebook. One of us added the other — I can’t quite remember who — but what I do remember is how quickly we clicked musically. We shared a very similar vibe when it comes to EDM, especially the melodic but high-energy sound. UNBREAKABLE is our latest Future Rave-inspired release, with an emotional vocal, uplifting energy, and a powerful drop. We wanted to make something that hits both the heart and the dancefloor.
3. What sets ‘UNBREAKABLE’ apart from your previous work, and why should listeners tune in?
MARQUS: UNBREAKABLE captures something very honest and euphoric — it’s emotional and melodic, but still has that festival edge. For me, it represents everything I love about Future Rave: the tension, the atmosphere, the lift. It also shows how our collaboration has evolved — it sounds more mature, more focused, and more impactful.
SNAJDER: What sets ‘UNBREAKABLE’ apart from my previous work is how raw and real it is. This isn’t just a track you vibe to. It’s more than just a dance track; it’s an anthem of survival, strength, and self-belief. Compared to my earlier releases, which leaned more into feel-good energy or club vibes, UNBREAKABLE has a deeper emotional layer. You’ll feel it in your chest — but there’s also this vulnerability that I haven’t explored this openly before.
4. How would you describe your sound?
MARQUS: I’d say my sound is a blend of Future Rave, Progressive House, and melodic big room energy. It’s dark, emotional, and euphoric — I love creating tracks that build tension and then explode with feeling.
SNAJDER: I’d describe our sound as emotional, energetic, and empowering — a blend of melodic electronic music with powerful drops and honest storytelling. It’s where vulnerability meets intensity. My influences come from both the underground and the mainstream, mixing deep feelings with festival-level energy.
5. Who is MARQUS and SNAJDER and why music? At what age did you each get into music and how?
MARQUS: My journey started in 3rd grade singing in a choir, but I dropped that pretty quickly for skateboarding. When I was around 12, I discovered electronic music — my first CD was Trance Energy 2002, and I used to make mixtapes with a dual CD/tape deck. That passion grew fast. By 13, I was producing music in Reason 2.5 and later moved to Cubase, which I still use today.
SNAJDER: I started messing around with DJ gear when I was about 12, but it wasn’t until my teenage years that I really dove in. It was never just about the beats; it was about expressing what I couldn’t say out loud. Production came later in life, and that’s when the mission changed — I wasn’t just making tracks, I was building anthems for people who feel everything deeply and fight silently.
6. Do you remember the name of the first song that made you love electronic music?
SNAJDER: It was the album Daft Punk – Homework that got me inspired to electronic music.
MARQUS: Absolutely — Warp Brothers – Blast The Speakers. That track was on Trance Energy 2002 and it completely changed the way I heard music. I was hooked instantly.
7. Who or what has been your biggest inspiration throughout your music journey?
SNAJDER: When it comes to music production, my biggest inspiration has always been Swedish House Mafia. Their ability to make music that feels both intimate and made for huge crowds is something I’ve carried with me ever since.
MARQUS: Artists like Swedish House Mafia, Avicii, Axwell, Angello, Ingrosso, Martin Garrix, and Deadmau5 have played a massive role in shaping my sound and vision. They showed me that electronic music can be both powerful and deeply emotional.
8. What’s the one activity you love doing in your free time when not making music?
MARQUS: I really enjoy slowing down when I’m off the grid — spending time with my girlfriend, relaxing with our cats, going for walks in nature, and just letting my mind wander.
SNAJDER: When I’m not making music, one of my favorite things is playing padel. I also love spending time with friends and family, and I’m a huge Formula 1 fan — the speed, the strategy, and the adrenaline really speak to me.
9. Can you tell us more about your dream and future collaboration and what do you hope to achieve in the next 5 years in your professional career?
SNAJDER: One of my biggest dreams is to collaborate with artists who’ve shaped the sound and energy I’ve always looked up to. I want to play on major festival stages around the world, and launch more collaborations with both established and rising talent.
MARQUS: I’d love to collaborate with someone like Axwell or Martin Garrix someday — people who really understand the melodic power of EDM. In five years, I hope MARQUS is on main stages at festivals like Ultra or Tomorrowland.
10. This is all for now. Thank you for your time answering our questions. Where can our community find out more about your music and your future releases?
SNAJDER: You can find me on Instagram at @snajderofficial and all streaming platforms under SNAJDER. Thanks again for the opportunity and the great questions!
MARQUS: Thank you so much for having us! You can find me on Instagram at @marqusofficial, and my music is out everywhere under MARQUS. We also have another collaboration coming this summer — so keep an eye out for that!
Stream the song – https://open.spotify.com/track/3lhmrAVscjs6MqKFTZOISL?si=e522dc6fa2164f71
The post MARQUS and SNAJDER Share the Story of ‘UNBREAKABLE’ and More appeared first on EDMNOMAD.
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BIIA Releases ‘Angelo,’ the Emotionally Charged Lead Single from Her Upcoming EP

After months of anticipation, BIIA finally unveils her long-awaited track Angelo, a seismic release that has been stirring dancefloors ever since its electrifying debut at her now-iconic Boiler Room set for Teletech Festival. Among the most requested IDs from her set, Angelo has already built a cult following—now, fans can finally immerse themselves in its full glory.
A rising force in the electronic music scene, BIIA has quickly established herself as a trailblazer, blending raw energy with emotional depth. Known for her intense, high-octane performances and genre-defying productions, she has become a key figure in the new wave of hard techno. Her ability to merge hypnotic melodies with relentless percussion sets her apart, making her one of the most exciting artists to watch.
A deeply personal statement, Angelo is more than just a track—it’s an odyssey into BIIA’s mind, her roots, and the fantasies that shape her artistic vision. Infusing hard-hitting big room energy with introspective lyricism, she crafts an experience that speaks directly to an entire generation. Ethereal yet relentless, the track’s soaring synths blend seamlessly with punishing schranz-inspired percussion, creating a euphoric yet high-impact anthem destined to ignite dancefloors worldwide.
Marking a pivotal moment in her artistic journey, Angelo signals the beginning of a new era for BIIA. With a sound that bridges the past from the new, this release cements her as a defining force in the electronic music landscape.
Spotify I Instagram I Soundcloud
BUY / STREAM: BIIA – ‘ANGELO’ HERE
The post BIIA Releases ‘Angelo,’ the Emotionally Charged Lead Single from Her Upcoming EP appeared first on Electric Mode.
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In Conversation With Charlotte Plank

Unstoppable powerhouse vocalist and producer Charlotte Plank is currently seeing her latest vision ClubLiminal come to life, infusing classic jungle, experimental indie pop and dance, carving out a sound that’s not only authentic but deeply relatable. From reworking her high energy tracks into lush stripped back acoustic gems to recording new mashups, Charlotte couldn’t be busier ahead of her country wide ClubLiminal tour. 
Perpetually on the brink of something big and new, we caught up with Ms Plank to chat about everything from her songwriting process to the evolution of her sound since those early collaborations with Rudimental and Notion, and what it’s like navigating what’s shaping up to be a truly unforgettable summer of 2025.
What have you been getting up to today?
I just got back from recording some stripped back versions of a few of the tracks from the EP— ‘chemical fashion’ and a few others.
That’s exciting! We just heard your stripped back version of Notion on TikTok—it was stunning...
Yeah, I just wanted to do a little mashup. I did one earlier this year, like a Kid LAROI/Everlong mashup—just combining songs you wouldn’t expect to go together. Obviously, that NOTION  track is blowing up right now, and I’m a big fan of his. I work with him quite a lot, and he’s just a great guy.
Clams Casino and Imogen Heap have been big influences, so I wanted to blend something classic with something new. I also recorded a stripped-back version of chemical fashion and a stripped-down version of Temporary Friends. That one was actually just a song I originally wrote to piano, and then he took it, chopped it up, and turned it into this bass-heavy track.
I think it’ll be cool for people to hear the original version of that, along with Little Miss Sunshine, which is coming on the EP. I’m really excited for everyone to hear these!
The chemical fashion stripped back version should be fun…
I’m excited to have that out. That release, in general, has been a good step for the rest of the project. It’s got all my classic sounds, but with something new—some fresh bits in there as well, foreshadowing what’s coming next in the first year.
Love that track. It makes you feel nostalgic, but for the present moment…
Exactly, that’s really my sound. It’s nostalgic, which comes from my influences, but there’s also this feeling of nostalgia in the melodies and sounds I use. At the same time, it has a fresh, unique twist.
Could you share more about the classic sample in “Nightshift”? It really captures that perfect jungle vibe.
I’ve always been unsure about using samples, as I feel like it’s done so much in dance music and, in a way, that doesn’t always represent the original well. However, I think it’s important to pay homage to rave classics that inspired me and that I grew up listening to—and if done in a tasteful way, it’s great to serve a classic up to new generations who may have never heard the original!
This tune has always been a favorite of mine growing up. It’s from the album Goodbye Country (Hello Nightclub), which basically sums up my teens. It’s such a sick, seamless blend of genres, mixing house with dancehall/reggae, dub, bassline… which Groove Armada do so well. Similarly to how I like to fuse contrasting genres in my own music. I’ve always wanted to sample the iconic bassline and really hone in on it, so doing a D&B flip on it only seemed to make sense.
It was just for fun at first, but as soon as we started laying in my new verse, it felt special. We’d taken all the iconic elements of the original but served them up with all my Plankisms, while also leaning into some of MC M.A.D’s familiar melody. Having him redo his original rap on the tune and shout me out as well honestly sounded so surreal. No one else had done a D&B flip of the tune before, so we had to keep it tightly under wraps for months while I was dying to play it out in my sets. Very few artists get the approval of someone as big and iconic as Groove Armada, so I feel honored they trusted me to bring their classic back around in a new way for new generations!
Classic jungle holds a special place for you—who are some of the key influences that shaped your sound in this genre?
Classic jungle has heavily inspired my music from the start. I think initially because, when I was young, I sang a lot of soul, RnB, indie music—many different genres—and jungle has always sampled and lent itself so well to blending with other genres so seamlessly. I’ve been inspired by the likes of LTJ Bukem, especially the way he blends ambient jazz, strings, and breaks so beautifully. His Producer 01 album has heavily influenced tracks like stargirl and ellen. The likes of Goldie and Shy FX have also heavily influenced elements of my sound. Along with Calibre, who mixes ambient, jazz, soul, breaks, and dub so well, his work really influenced little miss sunshine.
Can you walk us through your songwriting process? Do you usually start with the lyrics or the melodies? How does it typically go?
It really varies. I’ve got this sort of Bible on my phone—it’s just my notes app, but you wouldn’t want to read it. It’s basically a stream of consciousness where I jot down random thoughts at any time of day—song inspirations, lyrics, or even just single words. There’s all sorts in there, from song titles to fragmented ideas.
Usually, I either go in thinking, I need to talk about this, I need to write about this, or I’ll scroll through my little songwriting Bible for inspiration. But I’m generally more of a melody-first person as well.
So either I’ll lay down a chord structure or record random melodies as voice notes. I use my voice notes kind of like my notes app—I’ll just record ideas whenever they come to me. It always seems to happen when I’m in the car, when I can’t actually use my phone, and I’m like, I’ve got this idea! I’ve got this idea! I try to capture it in the moment, but then later, I go back and think, Wait, what was that idea I was trying to find?
I feel like most writers are the same—there’s no strict process. Usually, the most chaotic situations lead to the best stuff.
I love that. So I’d say your lyrics definitely come from a personal place?
Yeah, 100%. I love writing for others, and I really enjoy that process, but I find it hard to write about purely hypothetical situations. I feel like that happens a lot in dance music—like, imagine you’re going out and feeling this or that. Each to their own, but for me, it’s difficult to write about things that haven’t happened or aren’t happening around me. My lyrics usually come from personal stories, things my friends are going through, or just observations about the world around me.
I was saying the other day that I like to imagine my music as a soundtrack to my life—almost like romanticizing everything, as if I’m in some kind of modern-day fairy tale. That’s how I try to shape my sound—something cinematic, coming-of-age. A lot of people can relate to it because it’s about growing up, finding yourself, and navigating the weird and wonderful parts of that journey.
Yeah, it definitely comes across in both the music and the videos…
Thank you! I’m excited to explore visuals even more and really dive into that world because it’s such a big part of my overall vision. For me, the music and visuals go hand in hand, and it’s a great way to showcase more of my personality.
I think visuals add so much more character to a song. It’s easy to just drop a track and be like, Here it is, but being able to tell a story through the visuals as well makes it so much more impactful.
“ellen” carries a lot of emotional depth—was it inspired by a particular person? The rolling breaks give it such an uplifting, hopeful energy.
“‘ellen’ is written about a time in my life when I had lost faith in music (with it being such a heavenly but hellish place at times) and myself. I was working two jobs, trying to figure out a way to make music work while being on a bit of a path of self-destruction and feeling lost about who I was. ‘ellen’ is my middle name, signifying the girl in between—’she’s caught in the in-between of who she is and who she wants to be’ (lyrics). She’s the girl behind the Charlotte Plank that all my friends, family, and fans knew. I had so much bubbling under the surface and more to give than my jobs in customer service, but I was scared to try. I thought, at the age of 20 when I wrote this, if I could just hold on, battle the demons, and ‘make it’ by 27, like some of my idols—Amy Winehouse, Kurt Cobain—who sadly had their careers and lives cut short at that age, I’d be okay. Hence the lyrics, ‘ellen, if you can make it past 27, this moment won’t last forever.’ So everything I do and have done is for ellen, the girl in between who I was and who I want to be.
Do you have any dream collaborations—whether with producers or vocalists—you’d love to work with?
Ooh, yeah, so many! Obviously, the classics—Clams Casino, Frank Ocean, Aphex Twin—they’re my absolute favorites. I’d love to work with them in some capacity, even if it’s just adding a little harmony to something.
Beyond that, I just love the whole process of collaborating. Working with other writers, experimenting with different electronic producers—I think that’s really exciting. I produce all my own stuff, but collaborating with others and bringing in new perspectives is always fun.
What can we expect for the rest of the year?
Yeah, so the next EP is dropping soon, which I’m super excited about! There’s more music on the way—this year is really all about getting more music out. Plus, more live shows and hopefully some touring. Just continuing to build and grow.
I wanted to ask you, ClubLiminal is going to be a huge tour for you, but so far, what has been your most memorable performance? If you could pick just one…
Just one? Oh, sorry. Well, the last tour was amazing. It was great to go from doing shows with my DJ, which I love, but I’ve always dreamed of performing with a band. The last show of my headline tour in London with the band was probably one of my favourites ever. It just brought all the songs to life in a way I’d imagined when I was younger. I’d seen bands like The Prodigy and Pendulum perform live, and seeing that kind of dance music played live with a band—it was just something I’d always been inspired by. I remember watching videos of Goldie performing live, jumping around the stage with two drummers, looking like he was having the best time.
That show in London was definitely a highlight. Alongside that, playing Glastonbury this summer was also incredible. It felt like a full-circle moment for me—being able to go back there after attending as a kid and now performing on those stages. It was quite surreal. Yeah, I was dying.
I’m sure you’re facing a lot of attention right now. I’d love to hear your thoughts on being Brit-nominated, the pressure that might come with that, and how you’re managing with all the spotlight?
Yeah, again, that was a really surreal moment. I’ve only been doing music full-time for the last two years, so to be Brit-nominated that soon was like, wow. I remember watching the Brits during lockdown and telling myself, Okay, I’ll give myself five years. I’ll be there in five years. I’m going to make it happen. So to be nominated that quickly was a huge moment—very surreal.
There is definitely pressure, like wanting to keep up the momentum and thinking, Okay, I want to come back next year as Best New Artist or have one of my solo songs nominated. But I think it’s healthy pressure. It pushes me to keep moving forward. I work best under pressure—if I don’t have a goal to work toward, I don’t function as well. It’s about having a deadline and a target to hit. I guess it’s just how I’ve always worked and how I got out of the supermarket and into music full-time.
It’s important to set goals, and yeah, I’m hoping to come back next year and, who knows, win Best New Artist or have one of my own tracks nominated. I find it inspiring to see other females stepping up, like Charli XCX and Lola Young —big inspirations. It’s great to see all the amazing women in music this year.
Speaking of things happening naturally, do you have any pre-show rituals? Anything you do to bring good vibes or positive energy before you go on stage?
I might drink a glass of wine, though that can go one way or the other. Sometimes I feel like I need it—it puts me in a good space for the show and helps me enjoy it. Other times, it makes me even more nervous. White wine definitely makes me more anxious, and I tend to go over my setlist one last time. I always make last-minute changes, even though my boyfriend and my DJ always ask, Why are you changing it five minutes before the set? I don’t know, I just feel like I need to. Maybe it’s a mental thing, like I think the set won’t be better than the others unless I tweak it slightly, making it a bit different.
I think it’s my way of convincing myself that this set will be different and better than any other, which makes it feel special. It’s a little subconscious thing, but I always do it. I don’t know if that counts as a ritual, but it’s definitely part of my pre-show process. I also end up mulling over the same three items of clothing, trying to decide what to wear!
That’s good, though, to feel it out and make adjustments. I think you’re doing the right thing as an artist, following your intuition.
Yeah, I think as artists, you don’t get bored, but you can get tired of doing the same songs. Your biggest fear is that the crowd might find it boring, even though they’ve never heard it before. You just want to make it extra special for everyone, or play new stuff that no one’s heard yet. I’m always bad at that. I’ll make something in the studio, and the next day I’m like, I want to play this! I need to get it out! My attention span is just crazy short. But I think it’s healthy because I love testing stuff out early and getting feedback on it.
For example, with my song Rage, I hadn’t even shown my team yet, but I played it at a gig in Sheffield. It was a late slot, so I knew I had to go heavier than usual. I threw it in the set—it wasn’t even mixed yet—and it went off. People were recording videos, and my team messaged me like, What was that song? Why haven’t we heard it yet? And that ended up being my next release. So yeah, I guess that’s part of the process—making last-minute changes to the set.
Where do you want to see it go from here? 
Yeah, I mean, to the public, it might look like I’m evolving, but to me, it just feels like a natural progression. I’ve always been open about drawing inspiration from so many different genres—dance, indie, alt-pop. Even with my first song, Hate Me, I think I described it as if Nirvana, Aphex Twin, and PinkPantheress had a baby. It was a whole mix of influences, and I think that’s just continued to grow and evolve as I’ve become a better writer and been exposed to even more inspiration.
Right now, I feel like the music I’m making is the most exciting and the most true to me. It was really nice to hear the other day on the radio—when chemical fashion was played, one of the DJs said, It really feels like Charlotte has been on a journey over the past couple of years, experimenting with sounds, and this feels like the most ‘Charlotte Plank’ song we’ve had yet. That meant a lot because there’s so much more where that came from.
I actually feel like I’m a year ahead of my own project. I’ve already written a lot of music for the next year, and I’m kind of already in that next headspace. As I said, I wouldn’t call it impatience, but my attention span is short—I’m always onto the next thing. But I think that’s a good thing, to always be ahead, evolving, and growing. I’d hate to be stuck in one place or pigeonholed. One thing about me is that I’ve always been experimental—I want to be a pioneer of something new. I don’t want my music to just sound like something else. I want people to say, That sounds like Charlotte Plank.
That’s what excites me—working with producers and hearing them say, I’ve never made anything like this before. That’s exactly what I want. So I’m just really excited for the world to hear more and make their own minds up about it. I think it’s some of the most exciting stuff I’ve made yet.
If I had to put it into words, I’d say it’s indie-tinged dance music—somewhere between intimacy and chaos. It’s relatable, raw, and forward storytelling over a mix of indie, atmospheric, and chaotic dance sounds. Over the next few months, I’ll be exploring different tempos and sonic worlds, and I’m excited for people to step into my melantronic world.
Yeah, it’s so good to be acknowledged for your sound like that. I heard the radio clip too, and that was a really special moment.
Yeah, it was just, I don’t know—it felt like I had been working toward something for so long, and to finally be recognized for it, to see that people are witnessing the journey and taking it in, was really special. It was like, oh, okay, they see it.
I think everyone is on their own little solo mission. We share so much with the world these days, but sometimes it feels like you’re constantly putting things out without knowing if people truly understand it. So when you get that kind of recognition, it’s like, oh, you get it. People are starting to get it.
Because, yeah, I don’t want to be pigeonholed into one box—I think I would implode.
Well we don’t want that!!
Follow Charlotte Plank; Instagram | TikTok | YouTube
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Interview with AVAION: Breaking Boundaries with ‘Wacuka’ and the 360° Experience

AVAION: Breaking Boundaries with ‘Wacuka’ and the 360° Experience
In the ever-evolving world of electronic music, few artists have managed to create such a distinctive fusion of sounds as AVAION. His track “Wacuka,” featuring Kenyan artist Sofiya Nzau, has become a global sensation, catching the attention of industry giants like Calvin Harris while bridging cultural influences with electronic beats.
In this exclusive interview, AVAION takes us behind the scenes of his creative process, discussing how the collaboration with Sofiya Nzau came together almost effortlessly, resulting in a sound that defies traditional genre classifications. He also reveals details about his ambitious “You Are Seen” tour featuring an innovative 360-degree setup that promises to deliver a more intimate and energetic experience for fans.
Your track “Wacuka” has become a massive success. What was the collaborative process like working with Sofiya Nzau and the Kenyan influence she brought to the track, and how did you maintain your signature sound while exploring these new rhythmic elements?
It was actually really easy. I was already familiar with her vocals from a previous song of hers. She had released some vocal packs online that many producers were using, and I had used them before because I’m a big fan of her voice and the Kenyan African vibe.
Her management reached out to us, saying she had some material available, and she sent me the vocal take of ‘Wacuka.’ It was perfectly recorded in one take, everything sounded good, and I immediately knew I could work with it. I think the song was finished after just two days—everything flowed naturally.
It’s a nice combination of her vocals and the emotions she puts into them, paired with the drop I created and the synthesizers that establish the overall vibe. It’s somewhere between Afro house and deep house, but also neither of those genres—it’s many styles combined. I think that’s what makes it something new and refreshing that people can connect with. You can feel melancholic listening to it, but you can also dance to it. And I appreciate the meaningful message of female empowerment that Sofiya brings to the track.”
Artists like Calvin Harris reaching out personally about “Wacuka” must have been validating. Who did you look to for inspiration when you were starting out, and how has their influence shaped your sound?
When I started out around 2012, one of my biggest influences was Tchami—he was like the godfather of deep house. He had these different sounds, and everything he did was unique—I just completely fell in love with it.
These days, I really love The Blaze, Ben Böhmer, and Elderbrook. They’re all amazing artists. I think connecting with many different people and taking small inspirations from here and there to create your own thing is the whole point of being an artist.
Your upcoming “You Are Seen” tour features a 360-degree live setup. What inspired this concept?
I wanted to take a step up from the last tour. We have bigger venues now and a different concept with me in the middle of the space. There’s a platform with lights underneath that can flash, creating more of a visual light show. In the previous tour, we only had the venue’s lighting, but this time we have a specific concept behind it. Having me in the middle with people around me makes it more intimate. It’s going to be insane—still a live show with live vocals and the same setup, but with more energy, more intimacy, and a bigger, better, sweatier experience.
You have a new track that just came out on Sony Music, ‘I Can’t Find You’. Can you share with us and the listeners the story behind the track?
It’s a collaboration with Oscar Matt, a Swedish producer. It started when he released a TikTok with a musical idea he created. People in the comments were tagging me, saying ‘AVAION could fit on this.’ After seeing my name tagged about ten times, I decided to check it out and thought, ‘That’s actually really good.’ So I messaged him to send me the stems so we could make it into a complete song. It’s really nice how it all came together—he was just a guy uploading stuff on TikTok, people thought I would be a good fit, and now we have a song coming out.
To check out the full interview head on over to the 10 Days in Dance podcast:
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Listen to “Find Xanadu” by Alison Goldfrapp

What could possibly be more exciting than a brand new track from Alison Goldfrapp? Perhaps the thrilling announcement of her upcoming album! For those who might have missed it, Alison Goldfrapp has just unveiled her latest single “Find Xanadu” on BBC Radio 2, alongside the exciting news that her new album “Flux” is set to drop on August 15th.
I was genuinely thrilled for this new era to unfold. I remember Alison sharing online about her studio time with Stefan Storm from The Sound of Arrows. Instantly, my imagination ignited, envisioning the soundscapes their collaboration could create. Now, with the release of “Find Xanadu,” those dreams have transformed into reality. The moment the cosmic, widescreen synth-pop enveloped me, paired with Alison’s ethereal vocals, I felt myself lifted into a state of pure bliss. To make this collaboration even more extraordinary, Richard X is also on board for production, adding that perfect finishing touch.
Presumably “Find Xanadu” sets the scene for the album, and in this instance, dreamy euphoria fills the air.
Further hinting at the album, Alison explains…
Get ready for an unforgettable night! Alison Goldfrapp will be the opening act for Scissor Sisters on their exciting 25th anniversary UK and Ireland arena tour next month. Don’t miss the chance to see them live at The O2 in London. Secure your remaining tickets now!
“Flux” arrives on August 15 via Alison’s own recently launched indie label, A.G. Records. Pre-order/pre-save here.
Connect with Alison Goldfrapp
Facebook: https://www.facebook.com/AlisonGoldfrappOfficial/
X: https://x.com/alisongoldfrapp
Instagram: https://www.instagram.com/alison_goldfrapp/
The post Listen to “Find Xanadu” by Alison Goldfrapp appeared first on EQ Music Blog.
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Listen to “Vertigo” by Sophie Ellis-Bextor

Sophie Ellis-Bextor is on an unstoppable roll, and that’s a certainty! As she gears up for her biggest UK and Ireland headline tour yet, she has just unveiled “Vertigo.” This is an exciting new track that serves as a tantalizing preview of her upcoming album. After the dazzling release of “Freedom of the Night” in late 2024, she initially rolled into 2025 at a measured pace. However, she’s now igniting the excitement as she approaches her tour, delivering two stunning tracks in less than a month.
In her captivating recent release “Relentless Love,” Sophie Ellis-Bextor explores an exhilarating rush of emotions. She draws a powerful parallel between the intoxicating experience of falling in love and the thrill of an exhilarating ride. She masterfully revisits this theme in her latest track “Vertigo,” where she vividly portrays the profound effects of love. Both songs encapsulate the irresistible thrill of romance, highlighting how love can elevate our spirits and sweep us away on wild adventures.
It’s clear from the fresh material that Sophie is making a dazzling comeback to her iconic disco sound. The vibrant styling and infectious energy are paving the way for a scorching summer and an exhilarating experience when the album launches. Sophie is inviting everyone to lace up their dancing shoes, so get ready to dance like never before.
There’s even more exciting Sophie Ellis-Bextor news! Series 15 of her acclaimed podcast, Spinning Plates, has officially launched, and Episode 150 is a must-listen. This installment features an engaging conversation with Olympic athlete and TV commentator Paula Radcliffe. And is perfectly timed to capture the post-London Marathon excitement! Don’t miss it! as Paula’s insights could be incredibly beneficial for Sophie’s fans. Her audiences will undoubtedly be put through their paces on this tour, indeed their own dancing marathon, bopping along.
Connect with Sophie Ellis-Bextor
Facebook: https://www.facebook.com/SophieEllisBextor/
X: https://x.com/sophieeb
Instagram: https://www.instagram.com/sophieellisbextor/
The post Listen to “Vertigo” by Sophie Ellis-Bextor appeared first on EQ Music Blog.
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EMERGING ARTISTS: Haute & Freddy

A captivating alt-pop duo has caught my attention this week: the LA-based Haute & Freddy. They’ve skillfully generated excitement on TikTok, leading to sold-out shows in NYC, showcasing their distinctive theatrical charm. Their 18th-century-inspired aesthetic sets them apart visually, while their music transports listeners into a synth-pop dreamscape filled with infectious beats, ethereal vocals, and intriguing, esoteric themes. It’s no surprise that Haute & Freddy have made such a strong impression on me.
I must confess when I first encountered this dynamic duo, I approached them with a certain level of skepticism. I felt it was essential to find concrete evidence that their musical talent measured up to the vibrant and eye-catching imagery they projected. This scrutiny seemed justifiable to me, especially in an era where viral sensations easily arise on platforms like TikTok. While capturing the momentary attention of audiences through catchy trends is one thing, maintaining relevance and demonstrating lasting artistry is an entirely different challenge. Haute & Freddy, with their distinctive styling that blends modern aesthetics with a nostalgic 80s vibe, truly carve out a unique niche for themselves in the music landscape. Their ability to combine flair with substance not only captivates but also invites deeper appreciation for their artistry.
When delivering the latest track “Shy Girl,” the duo echoes the past, present and future of pop in one fell swoop.
They share…
Absolutely, I can foresee this duo not just remaining relevant, but also evolving into a prominent and influential collective that attracts a dedicated following.
Now, with the release of “Shy Girl,” Haute & Freddy’s momentum is picking up speed, promising more high drama, unique shows, and visual feasts to come.
Connect with Haute & Freddy
Instagram: https://www.instagram.com/hauteandfreddy/
The post EMERGING ARTISTS: Haute & Freddy appeared first on EQ Music Blog.
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This upcoming film is dubbed a “love letter to techno music and Berlin nightlife” – watch the trailer now

Fancy taking a dive into the underbelly of the Berlin rave scene? Techno drama Rave On is set to debut later this month at Cannes Film Market, and it promises to be a “rave odyssey” like no other.
Written and directed by Nikias Chryssos and Viktor Jakovleski, the film will sink viewers into the vibrant world of Berlin’s nightlife. The film is a “singular cinematic experience that blends a fictional narrative with a guerrilla documentary approach and immersive cinematography,” Variety reports.
READ MORE: Another new club is opening in London – despite predictions that 57% of clubs will be closed by 2030 Filmed across a series of iconic Berlin clubs during real-life techno nights, the film follows a chaotic evening of clubbing. Sales agency The Playmaker will be sharing the film, and head of sales Moritz Hemminger considers it “a love letter to techno music and Berlin’s nightlife”.
While just one trailer for Rave On has been, it already showcases the film’s intensity. “Our international distributors are in for a wild ride!” he laughs.

The film stars a number of German talents. Aaron Altaras, star of dark comedy TV series The Zweiflers, is at the forefront, while Clemens Schick, who appeared in 2023 action-thriller Dogman, also features. A slew of DJs are also involved, from Hieroglyphic Being to Lucia Lu.
Musically, the film’s techno offerings will vary, spanning from club classics to new DJ mixes. Exclusive tracks have been provided by Ed Davenport and Berlin composer John Gürtler, who has also composed tracks for 2024 movie The Outrun and 2019’s System Crasher.
“Techno music is one of the most important German cultural exports,” producer Andro Steinborn tells Variety. “Rave On is as raw and as real as the music itself. It is an authentic and rare cinematic rollercoaster, bringing that culture to the big screen.”
Rave On will be screening at the Cannes Film Market on 15 May, and will hit German cinemas on 31 July.
The post This upcoming film is dubbed a “love letter to techno music and Berlin nightlife” – watch the trailer now appeared first on MusicTech.
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Whisnu Santika, Akeey & Liquid Silva Release Explosive New Track ‘Are You Ready’

Acclaimed Indonesian DJ and producer Whisnu Santika returns with a musical heatwave, teaming up with rising producer Akeey and international lyricist Liquid Silva for ‘Are You Ready’, a high-impact electric release on Spinnin’ Records. Marking Whisnu’s debut on the iconic label, this milestone collaboration signals a major step forward in his global journey. Fueled by relentless drops and futuristic energy, ‘Are You Ready’ raps into the mindset of digital creatives designed to awaken and inspire the power within.
Melodic trumpet lines and hypnotic vocal hooks set the tone for ‘Are You Ready’, guiding listeners through a vivid landscape, layering groove-laced drums, basslines that pulse with motion, and kinetic drops. The arrangement stays electric, with each section unlocking new momentum and pushing the rush even higher. A bold, adrenaline-charged anthem at its core, it fuses tech house textures, electro funk, and melody into a blend that refuses to stand still. It drives forward with the precision of a video game, pulling you into a high-speed world where every sound accelerates the experience, channeling the raw force of digital transformation.

Capturing the heart of the anthem, Whisnu Santika says: “The energy you’re looking for isn’t out there, it’s already within you. ‘Are You Ready’ is your moment to rise.”
With each collaborator bringing a distinct voice to the mix, the synergy is undeniable. Akeey’s polished production touch meets Whisnu’s signature rhythm-forward style, while Liquid Silva injects the song with lyrical fire, giving the tune its hypnotic vocal edge. Speaking about the spirit behind ‘Are You Ready’, Akeey shares, “Fuel your passions and own your creativity. Are you ready to make your mark?”. Reflecting on the energy, Liquid Silva adds, “You always have to be ready, ready to fight for your future and silence the doubts that stand in your way.” Together they transcend the club – turning it into a personal call to awaken, to move, and to own your power.
Whisnu Santika continues to stand at the forefront of Southeast Asia’s electronic scene. Known for standout performances at global stages like Tomorrowland summer and chart-topping anthems like ‘Cartel’ and ‘Mi Casa’, his productions walk the line between innovation and impact. With ‘Are You Ready’, the Indonesian heavyweight redefines the dancefloor narrative once again, with a summer-ready, high-voltage anthem built on the theme of capturing the spirit of fearless love and limitless power.

To celebrate the release of ‘Are You Ready’, Whisnu Santika launches his May Indonesia Tour under the banner of LOV3TOWN, with eight dates across the country. Centered around his latest single and supported by standout highlight like ‘JTown’ and ‘LOV3’, the tour brings Whisnu’s fast paced sounds to cities including Jakarta, Bali, and Bandung. Each show blends glitch-themed stage design, immersive visuals, and interactive short-form content, creating an experience that mirrors the emotional depth and personal empowerment at the heart of ‘Are You Ready’, ‘LOV3’, and ‘JTown’.
‘Are You Ready’ is out now on all streaming platforms via Spinnin’ Records. Listen HERE
The post Whisnu Santika, Akeey & Liquid Silva Release Explosive New Track ‘Are You Ready’ appeared first on Electric Mode.
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Dynamic Techno forces Nicolas Julian and AIROD release new collaboration “Real Shit”

On May 2nd, two of Europe’s most dynamic techno forces—Nicolas Julian and AIROD— unleash their highly anticipated collaboration “Real Shit”, released via Nicolas Julian’s own imprint, Backlog.
 
“Real Shit” is a high-octane techno weapon: hard-hitting, raw, and perfectly crafted for peak-time moments. Built on thunderous kick drums, distorted vocal snippets, and acid-soaked synth lines, the track captures the urgent spirit of underground rave culture while pushing the boundaries of modern hard techno. It’s a sonic rollercoaster that embodies both artists’ distinct strengths—Nicolas Julian’s trance-laced energy and AIROD’s industrial, emotional intensity.

Nicolas Julian, the Hamburg-born, Berlin-based producer, has quickly made a name for himself with viral releases like his Techno cover of Future’s “Mask Off” and an official remix for industry legend Moby. With a growing global fanbase, millions of monthly streams, and a reputation for electrifying live sets, Julian is one of the brightest new stars in the techno universe.
 
AIROD hails from Paris and is widely recognised as one of the most influential figures of the modern European techno scene. Founder of Elixyr Records, he’s known for his raw productions and commanding performances at iconic venues and festivals like Awakenings and Time Warp.

“Real Shit” is available for pre-save now: 
BACKLOG.lnk.to/BL008_RealShit
 
The release is accompanied by a bold, striking artwork that visually captures the intensity and grit of the track—setting the tone for what promises to be one of this year’s essential techno anthems.
https://www.nicolasjulian.com/
https://www.airod.fr/
https://www.instagram.com/airod_music/?hl=en
https://www.instagram.com/nicolas.julian/?hl=en

 
The post Dynamic Techno forces Nicolas Julian and AIROD release new collaboration “Real Shit” appeared first on Electric Mode.
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Kygo and Victoria Nadine Channel Their Own Love Story for New Track, "Can't Get Enough"

Norwegian hitmaker Kygo has unveiled a new single, "Can’t Get Enough," a dance-pop collaboration with his partner, Victoria Nadine. Blending tropical house textures with a pulsating pop core, the track is out now via Casablanca Records.
Nadine, a rising pop artist in her own right, delivers heartfelt vocals that glide over Kygo's signature synth flourishes and warm piano chords. Built around the saccharine hook "I just can’t get enough, I’m craving your love," the song marks the couple’s first musical release together, turning their real-life romance into radio-ready chemistry.
Though Kygo has collaborated with global pop icons including Selena Gomez and Ellie Goulding, "Can’t Get Enough" feels notably personal. It's the first of "dozens" of records he's worked on with Nadine, he said.
"'Can't Get Enough' is a really special record to me that was the result of Victoria and I writing maybe a dozen songs together over the last year," Kygo said. "It feels like a perfect combination of her sound and my sound that took us both a bit outside our comfort zones musically. We've already performed the song a couple times together while on tour in Asia and are so excited for everyone to hear this song and perform it around the world together in the future."
You can listen to "Can't Get Enough" below and find the new single on streaming platforms here.
Follow Kygo:
X: x.com/kygomusic
Instagram: instagram.com/kygomusic
TikTok: tiktok.com/@kygomusic
Facebook: facebook.com/kygoofficial
Spotify: spoti.fi/3bNxrT3
Follow Victoria Nadine:
Instagram: instagram.com/victorianadine
TikTok: tiktok.com/@victoriaanadine
Facebook: facebook.com/victoriaanderseen
Spotify: tinyurl.com/2h5cw66s
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Live Nation Earnings Keep Softening Post-COVID—Q1 Revenue Drops 11% Year-Over-Year

Photo Credit: Yvette de Wit
Live Nation reports a slow start in Q1 2025. But the company has lots of revenue booked that is yet to be realized, according to CEO Michael Rapino.
Live Nation’s Q1 2025 earnings report shows drops in total revenue and adjusted operating income compared to the same quarter the year prior. Overall revenue came to $3.38 billion—an 11% drop from last year, with adjusted operating income dropping 6% to $341 million.
The first quarter results come after Live Nation reported moderate year-over-year growth in its earnings last year. Live Nation showed a small increase in total revenue and a slower growth rate in adjusted operating income. But things have slowed since the burst in live event attendance in the couple of years post-COVID.
However, Live Nation isn’t forecasting dark skies all year, as CEO Michael Rapino pointed to event-related deferred revenue—money earned for future events they’ve got booked—stands at $5.4 billion. That’s up 24% year-over-year, and will lead to a “historic” year for live music, according to Rapino. Similarly, there were 95 million tickets sold for Live Event concerts, up double digits from the previous year.
“As more artists tour the world, fan demand is reaching new heights across ticket sales, show attendance, and on-site spending. Ticket sales are pacing well ahead of last year, with deferred revenue for both concerns and ticketing at record levels,” says Michael Rapino, President and CEO of Live Nation.
“To support even more fans seeing their favorite artists, we’re continuing to expand our global venue network, adding 20 major venues through 2026. As the global experience economy grows, the live music industry is leading the way, and we’re positioned to compound growth by double digits over many years.”
Globally, Live Nation had its best Q1 for concerts, with a revenue of $2.5 billion and a record adjusted operating income of $7 million, thanks to growth in markets like Latin America and Asia Pacific. International attendance was also similar to that of the prior year, with 22.3 million fans attending 11,300 shows. Sell-through rates in the first week for shows were consistent in this quarter with that of Q1 2024.
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SiriusXM Posts Q1 2025 Revenue Dip and Reiterates Full-Year Guidance — Shares Fall 9% on the Day

SiriusXM has posted its Q1 2025 financials, including a revenue dip, and reiterated its full-year guidance. Photo Credit: SiriusXM
SiriusXM has reported small revenue and net income decreases for Q1 2025, when its satellite radio subscribers dipped from the same period in 2024. Nevertheless, execs have reiterated their full-year guidance.
The savings-minded company shed light on its first-quarter showing today, pointing to almost $2.07 billion in revenue for the three-month stretch. Down about 4% from 2024’s first quarter, the figure reflects slips on the core satellite radio side (revenue fell 5% YoY to $1.58 billion) and Pandora (a 2% or so YoY decline to $487 million).
Behind satellite radio, SiriusXM disclosed $1.47 billion in subscription revenue (down 5% YoY), with a cumulative $111 million stemming from advertising, equipment, and other sources yet.
Separately, SiriusXM reduced its cost of services by 4% YoY to $644 million during the quarter, the report shows. And as of March 31st, self-pay subscribers were down 1% YoY to roughly 31.34 million, with the falloff representing a 16% improvement from its Q1 2024 counterpart. But paid promotional subs and paid accounts in Canada decreased by a combined 439,000, the document indicates.
Shifting to Pandora, the business posted $132 million in subscription revenue (down 1% YoY) and $355 million from advertising (down 2% YoY). Fueling those sums were 42.36 million MAUs (down 6% YoY), including 5.71 million self-pay subscribers (down 5% YoY).
And in keeping with the figures, Pandora’s ad-supported listener hours totaled 2.35 billion during Q1, about 5% less than in 2024’s opening quarter.
All told, SiriusXM identified adjusted EBITDA of $629 million (down 3% YoY), with net income of $204 million (compared to $241 million in the prior-year quarter).
During the corresponding earnings call, SiriusXM execs didn’t reveal an abundance of new information; among other things, they aren’t anticipating a “material impact” on their operations from auto tariffs.
But they did reiterate their high hopes for an ongoing advertising buildout – besides doubling down on the initially mentioned 2025 guidance. That guidance refers to revenue of $8.5 billion, adjusted EBITDA of $2.6 billion, and a free cash flow of $1.15 billion.
“Q1 marked our first full quarter since unveiling our new strategic direction and sharpened focus on super serving our core in car audience at SiriusXM,” CEO Jennifer Witz said.
“We are already seeing early benefits from these efforts as reflected in our solid first quarter results. Given our momentum and despite broadening economic uncertainty, we’re pleased to confidently reiterate our full year guidance today,” concluded Witz, whose company in March initiated a new round of layoffs.
Despite this confidence, the market doesn’t appear too enthusiastic with the financials; during today’s trading, the spun-off SiriusXM (NASDAQ: SIRI) saw its share price slip close to 9% to $19.50 per share.
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Trailer for Rave On, Movie Set Within Berlin Techno Scene, Revealed for Cannes Film Market

Rave On is a new drama film on Berlin’s techno scene. Today, the trailer for the movie is out now. The film is written and directed by Nikias Chryssos and Viktor Jakovleski. The film follows Berin music producer, Kosmo (Aaron Altaras), as he tries to deliver his new vinyl record to a legendary DJ at a notorious techno club. What begins as a simple task transforms into an existential rave odyssey through Berlin’s club scene. The film blends a fictional narrative with a guerrilla documentary approach. It’s even filmed at real parties in actual techno locations to capture the authenticity of Berlin’s nightlife. Additionally, the music features a mix of club classics and original tracks created exclusively for the film by artists Ed Davenport and John Gürtler. Expect the film to debut in Germany on July 31, 2025 and screened at the Cannes Film Market this month.
A statement from the playmaker expressed that techno music is one of the most important German cultural exports. Rave On shall showcase raw and real experiences and promises an authentic atmosphere and roller coaster ride of a watch. There have been a plethora of documentaries on some of our favorite artists. Those include Avicii, Armin van Buuren, Carl Cox, Swedish House Mafia, Hardwell, Martin Garrix, and more. Some other fictional films on the international electronic music scene include Eden (2014), Beats (2019), and Berlin Calling (2008). For films on music festivals, The Festival (2018) is a British comedy film that follows a group of friends as they attend a massive music festival after one of them experiences a particularly rough breakup. If you’re looking for a laugh, check out this lighthearted, raunchy comedy about friendship, heartbreak, and the transformative (often messy) experience of attending a large music festival.
Check out the trailer for Rave On below. What are your thoughts?
Source: Variety
The post Trailer for Rave On, Movie Set Within Berlin Techno Scene, Revealed for Cannes Film Market appeared first on EDMTunes.
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Brooklyn Mirage Releases Statement: Opening Is Delayed By Inspection

Earlier today, the Brooklyn Mirage was gearing up for an incredible opening weekend, hosting Hard Techno High Priestess Sara Landry for her Eternalism tour stop in New York. Sadly, their official Instagram account released a statement informing attendees that the show for tonight has been canceled due to an inspection deadline.

The New Brooklyn Mirage
The megavenue, which has been under new management since last year, has been under construction for the 2025 season. The Brooklyn Mirage has historically been an EDM mecca, and this year will be no different. Artists in the 2025 lineup include Nora en Pure, Adriatique, James Hype, Artbat, Illenium, Meduza, Black Coffee, and more. Moreover, the venue also hosts different productions, events, and festivals, including Pride, Elrow, S20 New York, City Fox, and the Amsterdam-based production Awakenings.
The Statement
Unfortunately, the Mirage did not manage to clear the inspection deadline. To guarantee the safety of all attendants and staff, the show tonight has been canceled. Positively, tickets will be immediately refunded.
The Mirage will keep the public updated about the remaining shows for the weekend. Moreover, they will keep us informed about final inspection and signoffs.
The post Brooklyn Mirage Releases Statement: Opening Is Delayed By Inspection appeared first on EDMTunes.
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[WATCH] DJ Mag Shares Nora En Pure Purified Jungle Island Set From Miami Music Week

Nora En Pure’s Purified event at Jungle Island during Miami Music Week 2025 was a sold-out show that took place on Thursday, March 27, 2025. The South African DJ known for her deep house sound took her Purified brand to the tropical and unique setting of Jungle Island located on Watson Island, Miami. Now, you can listen to DJ Mag’s special recording of Nora En Pure’s set from this event premiered on YouTube. She treated the crowd to a two-hour set and played some of her latest Enormous Tunes tracks such as ‘Indulgence’, ‘Pretoria’, ‘Protected’, and ‘Epiphany’. Additionally, she also played tracks by other artists such as Tinlicker, Dominik Gehringer & Jordan Arts, and Anyma & Massano. Not to mention nine unknown track IDs yet to be revealed. You can view the tracklist here.  
The lineup for the event included Nora En Pure, Yotto, Innellea, Adam Sellouk, Paradoks, and Jono Stephenson. The Purified event series is known for its deep house and melodic techno sound. What’s more, Nora often performs in unique and often beautiful locations, where her sets evoke peace to accompany the environment. And that is why she is known as the Queen of Deep House. She is globally recognized for her signature blend of melodic deep house, progressive house, and indie dance, characterized by cinematic soundscapes, ethereal melodies, and organic instrumentation.
This year, she has a rigorous performance schedule in the US, South America, Europe, Indonesia, and Australia. With three new releases this year already, the year is still only beginning. Tune into her takeover on Pandora Chill Radio! We can’t wait to see what’s next from her. Watch her DJ set live from Purified Jungle Island, Miami below.
Nora En Pure DJ Set Live From Purified Jungle Island – Miami Music Week
Source: DJ Mag
The post [WATCH] DJ Mag Shares Nora En Pure Purified Jungle Island Set From Miami Music Week appeared first on EDMTunes.
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Las Vegas Nightlife & Hospitality: Behind The Scenes With Koco Nikki

Speaking with EDM Maniac, Koco Nikki shares her journey from Los Angeles to Las Vegas, where she has forged a path as a leader in the nightlife and hospitality industries. A double alumna of UNLV, Nikki’s career spans roles with TAO Group, Virgin Hotel, and large-scale Insomniac festivals. As co-founder of Elation Events, she helped shape the underground electronic music scene while prioritizing safety and inclusivity. 
Today, as a Lecturer at UNLV and a key figure at Zouk Group, Nikki is not only advancing her own career but actively mentoring the next generation of people in the industry, pushing for a more inclusive, collaborative, and empowering future for all in nightlife and hospitality.
Maniac Magazine: Give us a rundown of your personal background, your career, and the key moments along the way.
Nikki: I’m originally from Los Angeles. I moved to Vegas a little over a decade ago, initially to escape the high cost of living and heavy traffic. But it seems like they both followed me here! I am a double alumna of the University of Nevada, Las Vegas, where I earned my Bachelor’s and Master’s degrees in Hospitality Management and Administration. 
Music and hospitality have always played a significant role in my life, as they create meaningful relationships and experiences. Throughout my career, I’ve had the opportunity to work across various areas in the nightlife and entertainment industry. I worked for TAO Group in VIP promotions and marketing, and later joined the team at Virgin Hotel, working artist relations for a beach club. I am also fortunate to have and still work large-scale Insomniac festivals, such as Dreamstate and EDC.
One of my achievements is that in 2018-2019, I co-founded and co-owned Elation Events, a start-up live music events company. We created, marketed, and produced multiple live music events, starting with trance, then added Hardstyle and Techno/House to the mix. Our events averaged between 400 and 600 people per show the first year, and we produced close to 20 shows. I also created a partnership with Insomniac Events to bring “Dreamstate” branded shows to off-strip locations, resulting in a thriving underground live music culture. 
Currently, as my big-girl job, I serve as a Lecturer in the Food and Beverage and Events department within the William F. Harrah College of Hospitality at UNLV. During the weekends, I continue my passion and involvement in hospitality and guest experience with Zouk Group in Resorts World Las Vegas, managing VIP hospitality and curating memorable experiences for my guests. 
Maniac Magazine: Your career in the nightlife industry is inspiring. What were some of the most significant turning points that helped you break through?
Nikki: Working in the nightlife and entertainment industry has definitely been an exciting journey. With each passing year, I find myself reflecting on the challenges I faced and the growth that has followed.  Of course, there have been challenges, but each one pushed me to become more resilient and more passionate about what I do. And for that, I am deeply grateful. I have also been fortunate to have had mentors, managers, and colleagues who believed in me and opened doors along the way. Their support played a significant role in helping me get to where I am today.
Maniac Magazine: How have you navigated the challenges of a male-dominated industry, and what steps have you taken to ensure women’s voices and perspectives are represented?
I had to learn to be assertive and set boundaries. Nowadays, when I see a female entering the industry, I make it not only a point to uplift them by offering help and advice, but also to push them towards opportunities that may arise. Creating a safer, more inclusive environment has also become a top priority for me. The nightlife industry has carried a stigma of harassment and unsafe conditions, and it’s time we actively work to change that stereotype.
Maniac Magazine: For women aiming for leadership positions in industries that aren’t always diverse, what advice would you give to help overcome obstacles and build a solid support system?
Nikki: The journey is not going to be easy. Know your worth and stay resilient. There will be moments when your contributions will go unnoticed, and you will feel overlooked. But don’t let that shake your confidence. Be compassionate and speak up for those around you, regardless of their role. There will be others that still feel shy and are intimidated to stand up for themselves. Above all, keep your integrity and be real. In an industry full of distractions and noise, staying grounded in your values and ethics, and being genuine will set you apart.
Maniac Magazine: The Las Vegas nightlife scene has seen a lot of change over the years. How do you see women contributing to this transformation, and what do you think the future holds for women leaders in the scene?
Nikki: Las Vegas is welcoming different facets of entertainment, in addition to nightlife in the city: sporting events, concerts, etc. As more women step into high-level leadership roles, they are shaking the male-dominated industry. I foresee women becoming trendsetters, reshaping the culture towards being more inclusive and creating safe yet memorable experiences. 
Maniac Magazine: Looking back at your journey, what achievements are you most proud of, especially in terms of paving the way for women in the nightlife and hospitality industries?
Nikki: I still look back proudly on my time with Elation Events—we were focused on creating unforgettable experiences for the underground electronic music scene in Las Vegas. Our events had prioritized safety, inclusivity, and community, offering not only memorable moments but also meaningful growth opportunities for those eager to learn about live music event coordination.
Today, I am grateful to have a voice as a university-level Lecturer. My goal is to positively shape the next generation of industry leaders, encouraging them to lead with integrity and respect for their community. 
Maniac Magazine: Looking ahead, how do you hope to empower or mentor the next generation of women in nightlife? What changes would you like to see in the industry as more women step into leadership roles?
Nikki: I absolutely feel mentorship plays an important role in anyone’s career. I hope to be the kind of mentor I once needed: someone who not only listens and offers guidance, but someone who, without ego, connects emerging young women with opportunities that will support their career growth. 
The Las Vegas nightlife is surreal and iconic, but it is also ready for an evolution. I would love to see more women step into executive leadership roles, such as VP of Entertainment or Director of Operations, not only leading with intention but also shaping future strategy and operations. I hope the nightlife industry becomes more collaborative than competitive and more inventive than corporate. 
The post Las Vegas Nightlife & Hospitality: Behind The Scenes With Koco Nikki appeared first on EDM Maniac.
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Why You Feel More Like Yourself At A Rave Than In Real Life

In a world that often demands conformity, some of us only truly breathe when the bass drops.
For those unfamiliar with the rave scene, it might just look like a chaotic mix of lights, flailing bodies, and pounding music. But for ravers, it’s more than that—it’s the only space where we feel fully ourselves. Rave culture, at its core, is about radical self-expression, acceptance, and freedom. It offers an escape from the rigid expectations of daily life. In a society that asks you to fall in line, the rave invites you to let go.
1. The Mask We Wear in “Real Life”
In daily life, people often wear masks—metaphorically speaking. At work, you’re the professional. With family, you may play a certain role. Online, you curate a version of yourself that fits the platform. It’s all a performance based on rules set by other people.
The modern world encourages us to hide our quirks, repress our emotions, and stay within the lines. Most social settings reward safety and punish vulnerability. Expressing too much joy, sadness, weirdness, or raw energy can feel like a risk.
But raves flip that script. Come exactly as you are, or better yet, come as who you really want to be.
2. The Permission to Be Free
At a rave, there’s no dress code. Glitter is welcome. So are neon, fur, wings, or almost nothing at all. People dance without worrying who’s watching. Strangers hug without inhibition. You can scream, cry, spin in circles, or sit quietly on the grass and just be. In real life, we have to follow the orders of our parents, teachers, bosses, and so many others telling us who to be and how to act. In a world built on conformity, authenticity is a true act of rebellion. This unspoken permission to be your true self is incredibly powerful. It unlocks something deeply human. For some, raves are the only place that gives them that kind of permission.
3. Music is a Mirror
The music itself plays a huge role. Dubstep, techno, house, trance—all of it is immersive. It’s not about singing along or performing. It’s about surrendering to a rhythm bigger than you. In those moments on the dance floor, time melts. The ego fades. People often describe feeling “connected to everything” or “like their truest self.” This isn’t just poetic language, it’s neuroscience. Music, movement, and collective energy release dopamine, oxytocin, and endorphins. These brain chemicals are linked to joy, bonding, and authenticity.
4. A Chosen Family
Rave culture is built on community. Not just going out with friends, but finding people who get you in ways your biological family or “real life” friends may not. The values of PLUR (Peace, Love, Unity, and Respect) may sound cheesy to outsiders, but they outline a code of conduct in the rave world. Whether it’s trading kandi, helping someone who’s overwhelmed, or simply vibing with a stranger under the lasers, these are moments of shared humanity. And when you feel accepted without having to hide or explain yourself, something inside you softens. You remember who you are beneath the noise of expectations.
5. There’s No Pressure to Achieve Anything
In everyday life, we’re constantly chasing goals, like grades, promotions, money, followers, and external validation. We’re taught that our value comes from productivity or accomplishment. That grind mentality can make it hard to feel at peace with just existing. But at a rave, there’s no scoreboard. No agenda. You’re not there to impress anyone—you’re there to feel, to move, to exist in the moment.
6. It’s a Reconnection to Your Inner Child
Most adults lose touch with their inner child. We’re told to grow up, be serious, and stop dreaming. But raves bring playfulness back to life through costumes, art installations, interactive lights, dancers, theme camps, and so much more. People tap into creativity and imagination they forgot they had. They paint their faces, dance barefoot, hug strangers, build things, and let loose. That reconnection to uninhibited play can remind someone who they were before the world told them who to be. 
So… What Is “Real Life” Anyway?
Here’s the twist: when people say they feel more like themselves at a rave, maybe their rave self is their real self. Maybe it’s not about escaping life—it’s about returning to it. It’s about returning to the unfiltered, unpolished version. The version that isn’t edited for LinkedIn or dulled down for uptight dinner party conversations.
Raves aren’t perfect. They can be messy, loud, and intense. But they remind us of something sacred: that our most authentic selves deserve space. Not just on the dance floor, but everywhere.
So the next time someone says, “I feel more like myself at a rave than in real life,” don’t assume they’re lost in fantasy. Maybe they’ve just found a version of reality the rest of the world hasn’t caught up to yet.
Featured Image Courtesy: Insomniac Events.
The post Why You Feel More Like Yourself At A Rave Than In Real Life appeared first on EDM Maniac.
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Why You Feel More Like Yourself At A Rave Than In Real Life

In a world that often demands conformity, some of us only truly breathe when the bass drops.
For those unfamiliar with the rave scene, it might just look like a chaotic mix of lights, flailing bodies, and pounding music. But for ravers, it’s more than that—it’s the only space where we feel fully ourselves. Rave culture, at its core, is about radical self-expression, acceptance, and freedom. It offers an escape from the rigid expectations of daily life. In a society that asks you to fall in line, the rave invites you to let go.
1. The Mask We Wear in “Real Life”
In daily life, people often wear masks—metaphorically speaking. At work, you’re the professional. With family, you may play a certain role. Online, you curate a version of yourself that fits the platform. It’s all a performance based on rules set by other people.
The modern world encourages us to hide our quirks, repress our emotions, and stay within the lines. Most social settings reward safety and punish vulnerability. Expressing too much joy, sadness, weirdness, or raw energy can feel like a risk.
But raves flip that script. Come exactly as you are, or better yet, come as who you really want to be.
2. The Permission to Be Free
At a rave, there’s no dress code. Glitter is welcome. So are neon, fur, wings, or almost nothing at all. People dance without worrying who’s watching. Strangers hug without inhibition. You can scream, cry, spin in circles, or sit quietly on the grass and just be. In real life, we have to follow the orders of our parents, teachers, bosses, and so many others telling us who to be and how to act. In a world built on conformity, authenticity is a true act of rebellion. This unspoken permission to be your true self is incredibly powerful. It unlocks something deeply human. For some, raves are the only place that gives them that kind of permission.
3. Music is a Mirror
The music itself plays a huge role. Dubstep, techno, house, trance—all of it is immersive. It’s not about singing along or performing. It’s about surrendering to a rhythm bigger than you. In those moments on the dance floor, time melts. The ego fades. People often describe feeling “connected to everything” or “like their truest self.” This isn’t just poetic language, it’s neuroscience. Music, movement, and collective energy release dopamine, oxytocin, and endorphins. These brain chemicals are linked to joy, bonding, and authenticity.
4. A Chosen Family
Rave culture is built on community. Not just going out with friends, but finding people who get you in ways your biological family or “real life” friends may not. The values of PLUR (Peace, Love, Unity, and Respect) may sound cheesy to outsiders, but they outline a code of conduct in the rave world. Whether it’s trading kandi, helping someone who’s overwhelmed, or simply vibing with a stranger under the lasers, these are moments of shared humanity. And when you feel accepted without having to hide or explain yourself, something inside you softens. You remember who you are beneath the noise of expectations.
5. There’s No Pressure to Achieve Anything
In everyday life, we’re constantly chasing goals, like grades, promotions, money, followers, and external validation. We’re taught that our value comes from productivity or accomplishment. That grind mentality can make it hard to feel at peace with just existing. But at a rave, there’s no scoreboard. No agenda. You’re not there to impress anyone—you’re there to feel, to move, to exist in the moment.
6. It’s a Reconnection to Your Inner Child
Most adults lose touch with their inner child. We’re told to grow up, be serious, and stop dreaming. But raves bring playfulness back to life through costumes, art installations, interactive lights, dancers, theme camps, and so much more. People tap into creativity and imagination they forgot they had. They paint their faces, dance barefoot, hug strangers, build things, and let loose. That reconnection to uninhibited play can remind someone who they were before the world told them who to be. 
So… What Is “Real Life” Anyway?
Here’s the twist: when people say they feel more like themselves at a rave, maybe their rave self is their real self. Maybe it’s not about escaping life—it’s about returning to it. It’s about returning to the unfiltered, unpolished version. The version that isn’t edited for LinkedIn or dulled down for uptight dinner party conversations.
Raves aren’t perfect. They can be messy, loud, and intense. But they remind us of something sacred: that our most authentic selves deserve space. Not just on the dance floor, but everywhere.
So the next time someone says, “I feel more like myself at a rave than in real life,” don’t assume they’re lost in fantasy. Maybe they’ve just found a version of reality the rest of the world hasn’t caught up to yet.
Featured Image Courtesy: Insomniac Events.
The post Why You Feel More Like Yourself At A Rave Than In Real Life appeared first on EDM Maniac.
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Free Chicago Festival Taste Of Randolph Shares Sneaky-Good Lineup For 2025

Chicago’s Taste of Randolph has locked in another sneaky-good lineup for the free community festival’s 28th summer.
Windy City music fans can stop by the long-running block party on Randolph St. in the West Loop from June 13-15, where they’ll be treated to six blocks of food and drinks from more than 15 of Chicago’s top restaurants, and sounds from an eclectic roster of heralded house DJs, indie bands and alternative acts.
On the electronic side, this year’s lineup features a headline B2B from Chicago house icons J. Worra and Gene Farris, a live performance from Montreal electro-funk duo Chromeo, and a bevy of bumping DJ sets from Kyle Watson, Chris Luno, Girl Math (VNSSA B2B Nala), and Yung Bae, plus more of Chicago’s finest in DJ Heather B2B Lady D and Trés Mortimer, among others. 
Fans can also catch iconic electronic rockers Phantogram, acclaimed Chicago-hailing ensembles OK Go, Slow Pulp, and Spitalfield, and more alternative acts like Slow Joy and Scarlet Demore. Check out the full lineup below.
Though Taste of Randolph’s 2025 food partners are yet to be announced, last year’s event featured bites from Baked Cheese Haus, Forno Rosso, Gaijin, Gino and Marty’s, and other Chicago vendors. Merchant booths will also showcase goods from local businesses.
Taste of Randolph is open on Randolph St. between Peoria and Racine from 5-10PM on Friday, June 13, and Noon-10PM on Saturday and Sunday, June 14-15. Admission is free, but there is a $10 suggested donation, with all proceeds going toward the West Loop Community Organization.
For more information, visit tasteofrandolph.org.

Featured image courtesy: Taste of Randolph. Credit: Kennedy Cottrell.
The post Free Chicago Festival Taste Of Randolph Shares Sneaky-Good Lineup For 2025 appeared first on EDM Maniac.
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Merlin Officially Joins the Music Fights Fraud Alliance, Aims to ‘Build a More Ethical Digital Marketplace’

Merlin is now a member of the Music Fights Fraud Alliance. Photo Credit: Merlin
Months after bringing on its first director of content integrity, Merlin has officially joined the Music Fights Fraud Alliance (MFFA).
The indie collective (and AI fair-training advocate) announced as much this morning. Established in 2023, Music Fights Fraud, in keeping with its name, bills itself as “a global task force aimed at eradicating streaming fraud.”
And in pursuit of the objective, MFFA is said to collaborate with the 23-year-old National Cyber-Forensics and Training Alliance (NCFTA) on “a shared database of identified fraud markers.”
From there, members can “track, investigate, and respond to fraudulent activity in real time,” according to Music Fights Fraud, which welcomed former Recording Academy government-relations MD Michael Lewan as executive director in February.
Regarding these members, the MFFA’s diverse ranks include Downtown, Spotify, Amazon Music, SoundCloud, DistroKid, Believe, and about 15 others, the appropriate website shows.
That group now features Merlin as well – with CEO Jeremy Sirota describing his organization’s MFFA membership as a means of building “a more ethical digital marketplace” for actual artists.
“Illegitimate activity siphons revenue away from genuine artists and undermines trust across the entire ecosystem,” Sirota indicated. “We believe that protecting the value of music is rooted in collaboration, accountability, and transparency.
“Since the MFFA’s founding, Merlin has championed its work to our members. By joining the MFFA, we can help to better defend the rights of genuine artists and build a more ethical digital marketplace,” the Merlin head concluded.
As things stand, it’s not exactly a secret that many “genuine artists” are getting a rawer-than-ever deal on streaming services, which are facing daily floods of AI “music.” This refers in part to controversial royalty-accrual stream minimums and an adjacent spike in library sizes.
At the intersection of those points, many already know that a small percentage of uploads are generating recording royalties on Spotify. Less widely considered, however, is the portion therein of royalty-accruing works attributable to AI as opposed to proper human talent.
That isn’t a Spotify-specific criticism; in fact, the service claims to have promptly put the kibosh on a multimillion-dollar AI royalty scam. (It probably doesn’t need saying given the multimillion-dollar descriptor, but other DSPs weren’t nearly as quick to catch on; MFFA may help prevent similar situations and federal charges moving forward.)
Nevertheless, reports have shed light on alleged streaming farm operations on Spotify and different DSPs. And when dozens of identical 50-second tracks, all attached to generically named “ghost” artist profiles with just a handful of monthly listeners each, have racked up thousands of streams apiece over multiple years on Spotify alone, it’s hard not to be suspicious in this area.
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Trisha Yearwood Partners with Virgin Music Group for New Music and Recent Catalog

Photo Credit: John Mayer (VMG), Mandy McCormack (TeamTY), Jordan Isbell (VMG), Trisha Yearwood, Jen Bontusa (VMG), by Natalie Simmons
Trisha Yearwood partners with Virgin Music Group for new music and her recent catalog via her Gwendolyn Records. Her new album, THE MIRROR, is set for release on July 18.
Virgin Music Group, the leading partner to independent artists, labels, and entrepreneurs, has announced the signing of a partnership with country superstar Trisha Yearwood and her label Gwendolyn Records for new music and the artist’s recent catalog.
The deal also brings Yearwood home to the Universal Music Group family with Music Corporation of America (MCA), the Nashville-based label she called home from 1990 through 2006. MCA will continue to work her catalog from his era.
This new chapter in Yearwood’s legendary career officially kicks off today with the pre-order and pre-save campaign for THE MIRROR, her first album of songs fully co-written and co-produced by the Georgia native. Tomorrow, “The Wall Or The Way Over” and “Bringing The Angels” will be released as a preview of what’s to come from the full album, which is due for release on July 18. Fans can pre-order the album now, available in digital, CD, standard vinyl, and limited-edition custom color vinyl.
“I’m honored to join forces with Virgin Music Group as I embark on this exciting new chapter. Bringing my Gwendolyn label into the MCA/Universal family truly feels like coming home. I can’t wait to share my new album, THE MIRROR. Creating this music has been one of the most rewarding experiences of my life,” said Trisha Yearwood.
“Trisha Yearwood is one of the most talented and enduring artists in the world,” said Jacqueline Saturn, President, Virgin Music Group North America, and EVP of Global Artist Relations. “We are so proud to have her and her Gwendolyn Records catalog on our roster and are looking forward to her legions of fans hearing this incredible new music.”
“We are thrilled to welcome Trisha Yearwood back to the family, coming full circle as we celebrate and amplify her iconic MCA catalog. In partnering her Gwendolyn Records label with Virgin Music Group, Trisha enters an exciting independent chapter—one where she retains creative and commercial control, supported by a world-class global team. We are so happy for her,” said Mike Harris, President and CEO of Music Corporation of America.
“Trisha is one of the beloved artists in Nashville,” said Jen Bontusa, Virgin’s Senior Vice President of Label Management based in Nashville. “It’s been amazing working with her and her team so far and we’re looking forward to a long and successful partnership.”
Yearwood also recently received three new RIAA certifications. The most played song by a female artist in the history of Billboard’s monitored era, “She’s In Love With A Boy,” was certified double platinum, while “Walkaway Joe” and “XXX’s and 000’s (An American Girl)” were certified gold.
To support her new music, Yearwood is embarking on her first headlining tour in six years. The spring run launched April 30 in Austin, TX.
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EDC Las Vegas Drops 2025 Lineup For Country-EDM Fusion Stage, YeeDC!

Dust off your dancing boots—the lineup is here for EDC’s country music crossover party, YeeDC!
After grabbing headlines and rounding up ravers in its debut at last year’s EDC Las Vegas, the genre-bending party series is back at the festival’s Downtown EDC area for 2025, where it promises to again blend the heart of country music with high-octane electronic beats all weekend long.
With electrifying sets to come from country music mixers VAVO, Country Night, and Roadhouse, fans can expect a night of remixed hits from the acoustic genre’s biggest stars and crossover talents like Morgan Wallen, Kane Brown, Marshmello, and more. 
Attendees can also check out the Rave Ranch, showcasing small businesses, specialty “Boozy Boot” cocktails, professional dancers, burlesque performances, and even line dancing lessons to make sure you’re steppin’ in time. Check out the full YeeDC! lineup below.
Following its debut in 2024, the rootin’ tootin’ party rolled on to Beyond Wonderland 2025, hosting a pop-up at the Beatbox Art Car, and brought down home vibes to Insomniac’s first-ever floating festival, EDSea, as a standout theme. Now, beyond the festival circuit, it has evolved into its own standalone party series, showcasing its unique country-electronic fusion and bringing big names, such as Brandi Cyrus, to clubs across Southern California.
Before and after YeeDC! returns to EDC Las Vegas, fans can practice their two-stepping at three YeeDC! club shows this month, touching down at Time Nightclub in Orange County on May 9, Avalon Hollywood in Los Angeles on May 23, and Bloom in San Diego on May 25.
EDC Las Vegas will return to the Las Vegas Motor Speedway this May 17-19, with performances from Martin Garrix, Eric Prydz, Alison Wonderland B2B Kaskade, ILLENIUM B2B SLANDER, Gorgon City, Dom Dolla, Charlotte de Witte, Sara Landry, Gesaffelstein, Dimension, and hundreds more.
For more information on YeeDC!, visit lasvegas.electricdaisycarnival.com or check out the party’s official Instagram page.

Featured image courtesy: Insomniac Events / YeeDC!
The post EDC Las Vegas Drops 2025 Lineup For Country-EDM Fusion Stage, YeeDC! appeared first on EDM Maniac.
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