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[Event Review] Of The Trees Impacted AREA15 For Moonglade Tour

A night was definitely lived. Of The Trees brought his highly expected Moonglade Tour to the futuristic venue AREA15 in Las Vegas for a night of delicious Bass music. The Colorado based DJ filled the night with incredible supporting acts November 29th. These included label favorites Detox Unit, Ternion Sound, and Mindset. FIENDI provided us with a fantastic opening number that set the tone for the rest of the evening.
Of The Trees’ Production
The Maine native took us on a journey with a beautiful cabin set up. The support artists had their own unique visual packages that boosted their track selections. Furthermore, as Of The Trees started his set, the audience teleported into a special, homey cabin like setting that was mesmerizing and stunning. The tracks each had a special feeling that reflected on the visuals. The event was such a special night at the venue, which is widely known for it’s psychedelic and modern approach to entertainment. We even got some merch from the artist.
The Music
The Memory Palace label head does an amazing job at mixing different subgenres of bass into their sets. From deep wubs, to drum and bass or downtempo, each set brought a dynamic and essential soundscape that inspired the crowd. Our favorite set of the weekend, besides the headliner, goes to FIENDI. The only woman on the lineup threw down an incredible set that gave us energy from start to finish. With a gorgeous aura, and insane track selection, the newcomer has a bright future ahead.
The Vibes
The crowd was as friendly and fun as ever. The cold desert weather did not stopped anybody from having a good time. Their warm smiles keep the energy going through each set into the finishing set from Of The Trees. The supporting acts spent some time with the crowd for some dancing and compliments after their sets, which gave us a very intimate night.
Up next, Of The Trees continues his Moonglade tour in North America. The tour will visit cities including Toronto, Chicago, Boise, and Montreal.
The post [Event Review] Of The Trees Impacted AREA15 For Moonglade Tour appeared first on EDMTunes.
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15 Years Ago: The Legacy of Steve Aoki’s Remix of “Pursuit of Happiness”

Steve Aoki’s remix of Kid Cudi’s “Pursuit of Happiness,” featuring MGMT and Ratatat, burst onto the scene on December 5, 2009. This remix remains one of Aoki’s most iconic creations, resonating with listeners worldwide and leaving an incredible mark in not just the EDM world, but Hip-Hop too.
The original version of “Pursuit of Happiness,” from Kid Cudi’s debut album Man on the Moon: The End of Day, is a journey through themes of self-discovery, fame, and existential doubt.
Steve Aoki took the track and infused it with his signature EDM style. Aoki’s remix accelerated the tempo, layered basslines, and introduced fun drops that reimagined the track for the electronic music scene.
The remix quickly became a staple in clubs and music festivals, bridging genres and introducing a broader audience to both Kid Cudi’s lyricism and Aoki’s EDM flair. Its release came at a time when electronic music was beginning to dominate mainstream culture, paving the way for more cross-genre collaborations.
More than a decade later, Steve Aoki’s “Pursuit of Happiness” remix is still celebrated for its impact. The track remains a fan favorite, often closing Aoki’s live sets with a surge of nostalgia and amazing vibes. For Kid Cudi, it showcased the versatility of his artistry and how his music could transcend genres and moods.
Whether you’re reliving memories of 2009 or discovering the track for the first time, Steve Aoki’s remix of “Pursuit of Happiness” continues to embody the raw joy and escapism that music offers.
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Groove Cruise Announces 2026 Dates On Royal Caribbean’s Wonder Of The Seas

After a stunning edition of Cruise Cruise 2024 and Groove Cruise 2025 right around the corner, we can now start planning for Groove Cruise 2026, now that official dates have been released. For the third consecutive year, Groove Cruise will claim its title as the world’s largest floating music festival, embarking on its 38th sailing from January 22-26, 2026, taking captains (attendees) to an exciting new destination shrouded in mystery. Watch the Groove Cruise Miami 2026 trailer HERE.
About Groove Cruise
Groove Cruise isn’t just any music festival; it’s a life-changing adventure that blends the serenity of the open sea with the transformational power of music, community, and connection. When you embark on Groove Cruise, it feels like one big family reunion. Groove Cruise unites people worldwide, creating a second family affectionately known as the #GCFAM. The #GCFAM is connected by shared values, a love for music, and an inclusive spirit. This close-knit community fosters a sense of belonging, where captains form lifelong friendships and connections.
Groove Cruise 2026 will take place aboard Royal Caribbean’s Wonder of the Seas, the world’s largest cruise ship by staterooms, offering a transformational experience at sea, elevating the festival to new heights with unparalleled luxury, adventure, and world-class entertainment, with 96 hours of nonstop dance music across 13 stages, 100+ world-class DJs and producers, and much more. Making her debut in 2022, The Wonder of the Seas features eight unique neighborhoods, each offering a distinctive vibe, and is home to over 40 bar and dining experiences. 
Notable highlights include the brand-new Suite Neighborhood, offering an exclusive, elevated space for captains seeking luxury and privacy. Featuring the Celestial Suite, this exclusive, luxurious suite redefines opulence, providing the perfect haven for a group of up to 10 Captains seeking the ultimate Groove Cruise experience. Featuring a private plunge pool, a fully stocked bar, a slide, and an expansive living area, this suite offers an unmatched level of comfort and privacy while personalized butler service ensures every need is met. For those craving a taste of Southern comfort, the Mason Jar restaurant and bar serves up Southern staples and new twists on classics, perfect for brunch, dinner, or late-night cravings. Captains can race down the tallest slide at sea, The Ultimate Abyss, the FlowRider surf simulator, twin rock climbing walls, The Perfect Storm, a trio of high-speed waterslides, a 10-story-high zip line and the Central Park neighborhood lined by more than 20,000 natural plants.
Tickets & Discount Code for Groove Cruise 2026
Groove Cruise 2026 prices are listed below, with quad inside cabins starting at $999. Want a discount on cabins? Mention the code edmtunes during purchase. You can register for priority resale here.
Groove Cruise Miami 2026’s announcement comes ahead of the 37th sailing from Miami to Labadee from January 23 – January 27, 2025. Sold out nine months before the sailing and prior to the line-up announcement, Groove Cruise’s 2025 Miami sailing promises to be an unforgettable journey aboard Royal Caribbean’s Allure of the Seas, featuring over 100 world-renowned producers, performers, and DJs, including Eric Prydz, James Hype, Meduza, Nicole Moudaber, and Special Guest Seven Lions.
The post Groove Cruise Announces 2026 Dates On Royal Caribbean’s Wonder Of The Seas appeared first on EDMTunes.
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Swedish House Mafia and The Weeknd's "Moth to a Flame" Flutters Into Spotify's Billion-Stream Club

A glow too bright to ignore, Swedish House Mafia and The Weeknd's "Moth to a Flame" has entered Spotify's illustrious three-comma club.
The track today eclipsed the billion-stream threshold, the second to do so for the iconic Swedish House Mafia trio after their generational EDM anthem "Don't You Worry Child." The Weeknd, meanwhile, now has a staggering 23 songs in the club at the time of this writing, according to streaming data from Kworb.
Known for their anthemic drops, Swedish House Mafia took an understated yet hypnotic approach with the brooding track, which appeared on the "Alternate World" edition of The Weeknd's Dawn FM album. The group's haunting production wrapped itself around his velvet falsetto, creating a moody alchemy that resonated deeply with listeners. Lyrically, the song's themes of obsession and the pitfalls of hedonism mirrored its dark, irresistible sonics.
The collaboration also marked a pivotal moment for both acts. For Axwell, Sebastian Ingrosso and Steve Angello of Swedish House Mafia, it was arguably the apogee of their momentous comeback after a hiatus of nearly a decade. For The Weeknd, it further solidified him as a formidable bridge between pop and electronic music.
You can go behind the scenes of the "Moth to a Flame" music video below and stream the track here.
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Kraftwerk Reveal 2025 North American Tour, "Multimedia"

Kraftwerk are bringing their pioneering electronic music back to North America in 2025.
The influential group will head out on an expansive tour, "Multimedia," to celebrate the 50th anniversary of their first U.S. tour back in 1975. They're also commemorating the release of their breakthrough album Autobahn, which was composed by founders Ralf Hütter and Florian Schneider, the latter of whom passed away in 2020.
Released in 1974, Autobahn was more of a paradigm shift than an album. Its 22-minute title track, an electronic ode to the German highway system, introduced the world to Kraftwerk's trailblazing blend of synthesizers, minimalism and conceptual soundscapes. The album laid the groundwork for modern electronic music, influencing everything from techno to house to synthpop.
Their first U.S. tour in 1975 was a bold leap, bringing Europe's avant-garde to American audiences and paving the way for generations of electronic artists. Now, with "Multimedia" the band will revisit that legacy through new audiovisual production transporting fans back to the Autobahn era while accelerating toward the future.
Kraftwerk's "Multimedia" shows will take place in 25 cities across America and Canada starting March 6th, 2025 in Philadelphia. Other markets planned for the tour include Miami, Denver, Chicago, Toronto, Nashville, Austin and Brooklyn, among other major cities.
Kraftwerk will also head to Coachella's desert metropolis to make their third festival appearance on April 13th and 20th. They are joined on the lineup by Zedd, Keinemusik, Above & Beyond and The Prodigy, among many other high-profile electronic artists.
Tickets for Kraftwerk's "Multimedia" tour will go on sale to the general public Friday, December 13th at 10am local time. A pre-sale is taking place today, December 11th at the same time and you can sign up for access here. Check out the full list of dates below.
The flyer for Kraftwerk's "Multimedia" tour.c/o Press
Follow Kraftwerk:
X: x.com/kraftwerk
Instagram: instagram.com/kraftwerkofficial
Facebook: facebook.com/Kraftwerk
Spotify: spoti.fi/3htJXtC
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ZOYA Releases Her Album Debut, ‘Eternity’

There’s a spectrum of reasons why artists create albums. ZOYA however never set out to make one in the first place.

It began with what is now ‘Eternity’s penultimate track, ‘When Heaven Calls’, a piece she wrote in the aftermath of the most tragic of circumstances three years ago. ‘Heaven’ became the first in a track series, which then bloomed organically into what we’re looking at here today: the young Bulgarian producer and DJ’s debut LP.     
ZOYA goes on to explain: “In 2021, I lost my mother to Covid. It happened very suddenly, and it brought into perspective just how short and transient everything is. My grief was so great that nothing made sense anymore. I found solace only in music – it saved me! I created the first track of the following series, titling it ‘When Heaven Calls’, which is dedicated to mom. My inspiration grew from that piece of music into a full album. Each track on it carries its own story and individual emotional thread, creating a tapestry of my journey through grief and healing.

Through my music, I would like to allow others to connect with those emotions, creating a shared experience that they too can also find comfort in. My story is a testament to the enduring nature of love expressed through art. I decided to call it ‘Eternity’, as through it, I wanted to gift you a piece of myself. Music is eternal and therefore, one day when I am gone, you will still be able to feel a part of my soul, that will live through my tracks – a part of the ‘Eternity’.”
ZOYA’s album release brings to a head the most transformative year in her career. In the illustrious form of ‘In Search Of Sunrise 20’, it saw her mix her first music compilation (which also became her debut vinyl release), while playing in a host of new cities and countries, and remixing leading scene lights, Markus Schulz amongst them.


For those with keener ears, some of ZOYA’s sorrow will be discernible across the thirteen tracks that comprise the album. ‘Gone’, ‘Endless’ and ‘Eternity’ itself speak titular volumes to the loss that sparked its process. Moreover though, it’s as also a celebration of life (or one life in particular); a cathartic listening experience, rich with creative, intuitive, heartfelt melodies and nuanced production moments. Taken as a whole, ‘Eternity’ plays start through finish much like a ZOYA set, each piece beautifully complimenting the last, while in turn framing the next.
Where words might prove a distraction, ‘Eternity’ doesn’t shy from instrumentalism. The progressively natured ‘Gravity’, the harmonic ebb/flow of ‘Riverside’ and her most recent single, the Balearically-shaded ‘Crystal Cove’, illustrate her stylistic range. They though only heighten the emotional impact of its vocal numbers. ‘Gone’ grips from its very first lyrical line, while ‘One [We’d Be Love]’ is as sweetly sung as ‘Free’ (with FACTORe & SCHROEDS) is as dramatic and breaks-driven. With ZOYA taking the lion’s share of production duties on her own shoulders, collaborations are only occasional on ‘Eternity’. ‘Freya’ sees ZOYA reteam with Nourey (after ‘All Night’), which takes tangible inspiration from the Norse goddess of love, beauty and fertility. The album’s close-out moment meanwhile comes by way of ‘Purple Skies’: a pulsing, meditative swansong, teaming her with Dennis Sheperd.
ZOYA’s ‘Eternity’ gives the producer/DJ the album launchpad she may not have intended … but was likely always destined to make. Released Dec 6, you can pre-order/save it from today, here [blackhole.lnk.to/eternityalbum].

++++STOP PRESS+++ On episode 605 of their Group Therapy radio show, Above & Beyond announced the release of ‘Eternity’, just ahead of a special guest mix from ZOYA herself. You can catch her lighting up the ABGT decks here.


Tracklist: ZOYA – Eternity01. Crystal Cove
02. Freya (with Nourey)
03. One [We’d Be Love]
04. Eternity
05. Gone
06. Endless
07. Gravity
08. Riverside
09. Synapse
10. Power
11. Free (with FACTORe & SCHROEDS)
12. When Heaven Calls
13. Purple Skies (with Dennis Sheperd)
           
instagram.com/zoyasmusic
youtube.com/c/zoyasmusic
open.spotify.com/artist/5eqThkuR9VjiLuYfzESTp7
beatport.com/artist/zoya/390052
facebook.com/zoyavocalist
x.com/zoyasmusic

blackholerecordings.com
instagram.com/blackholerecordings
soundcloud.com/blackholerecordings
facebook.com/blackholerecordings
twitter.com/BlackHoleRec
The post ZOYA Releases Her Album Debut, ‘Eternity’ appeared first on EDMTunes.
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A Guide to the 2025 Zamna Festival, Tulum's Ultimate Winter Escape

This winter, Zamna returns to Tulum to once again to infuse Mexico's Riviera Maya with an unforgettable blend of music and mystique.
As is tradition, the world-renowned festival will transform Tulum into a sanctuary of rhythm, welcoming the global house and techno fandom to bask in the region's tropical splendor under the stars. Featuring influential acts like Keinemusik, Boris Brejcha and Tale of Us, this year's Zamna is shaping up to be the brand's most ambitious yet, with fresh stages, enhanced visuals and a comprehensive talent lineup.
As the sounds of Zamna thrum through the jungles of Tulum, electronic enthusiasts should prepare to be transported by the music, energy and sheer beauty of this unique festival. With each breathtaking backdrop and performance, the event promises moments that blend the surreal and sublime, capturing the spirit of Tulum like never before.
Read on to discover an essential guide to over a dozen can’t-miss events Zamna events taking place in Tulum over New Year's Eve and beyond. You can find out more about next year's festival here.
ARBAT Tulum
Date: December 31, 2024 Artists: ARBAT, special guests Tickets: Purchase here c/o Zamna
BORIS BREJCHA Tulum
Date: January 2, 2025 Artists: Boris Brejcha, Moritz Hofbauer Tickets: Purchase here c/o Zamna
METAMORFOSI Tulum
Date: January 2, 2025 Artists: Joseph Capriati, More TBA Tickets: Purchase here c/o Zamna
EXPERTS ONLY
Date: January 3, 2025 Artists: John Summit, More TBA Tickets: Purchase here c/o Zamna
NO ART Tulum
Date: January 3, 2025 Artists: TBA Tickets: Purchase here c/o Zamna
Afterlife Tulum
Dates: January 4 & 6, 2025 Artists: Tale of Us, More TBA Tickets: Purchase here c/o Zamna
Bedouin Presents SAGA
Date: January 7, 2025 Artists: Bedouin, More TBA Tickets: Purchase here c/o Zamna
ANTS Tulum
Date: January 7, 2025 Artists: Adam Beyer b2b Ilario Alicante, Andrea Oliva b2b Gordo, Franky Rizardo, Ms Mada, Paco Osuna b2b Melanie Ribbe Tickets: Purchase here c/o Zamna
PHASE ONE
Date: January 8, 2025 Artists: Tiësto, Mathame, Colyn b2b Innellea, Cassian, Korolova, Alfa Romeo,  Tickets: Purchase here c/o Zamna
KEINEMUSIK Tulum
Dates: January 10 & January 13, 2025 Artists: Keinemusik, more TBA Tickets: Purchase here for each date c/o Zamna
ADRIATIQUE Tulum
Date: January 12, 2025 Artists: Adriatique, more TBA Tickets: Purchase here c/o Zamna
TIME MACHINE
Date: January 12, 2025 Artists: Agents of Time, more TBA Tickets: Purchase here c/o Zamna
GATES OF AGARTHA
Dates: January 16-19, 2025 Artists: TBA Tickets: Purchase here c/o Zamna
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Tomorrowland Belgium 2025 : Pre-Registration Begins

Tomorrowland is set to return in 2025 with a new chapter in its ever-evolving story. This year’s edition will explore Orbyz, the latest addition to the enchanting narrative of the Great Library. Fans worldwide are already counting down the days to secure their spot at one of the most iconic music festivals on the planet.
Key Pre-Registration Information
Pre-registration for Tomorrowland Belgium 2025 tickets begins on December 5, 2024, at 15:00 CET via your Tomorrowland Account. To ensure a seamless process, make sure your personal details are updated in your account before pre-registration opens.
For details about ticket sales, pricing, and the various packages available, visit the Tomorrowland Belgium website.
Ticket Sale Dates
Here are the important dates to keep in mind for the Tomorrowland Belgium 2025 ticket sales:
Global Journey Travel Packages:
Saturday, January 18, 2025 – 17:00 CET WorldWide Pre-Sale:
Saturday, January 25, 2025 – 17:00 CET WorldWide Ticket Sale:
Saturday, February 1, 2025 – 17:00 CET Exclusive Opportunity: First 20 Initiative
Tomorrowland is offering a special opportunity for the first 20 people to pre-register from each country of residence*. These lucky individuals will receive a dedicated ticket link to purchase up to 4 tickets before the WorldWide Pre-Sale. Note that WorldWide Ticket Sale prices will apply.
Winners of the First 20 initiative will be informed before the Pre-Sale begins.
Get Ready for Tomorrowland 2025
With the promise of an unforgettable tale and an unparalleled lineup, Tomorrowland Belgium 2025 is shaping up to be an unmissable event. Mark your calendar for December 5, update your Tomorrowland Account, and prepare for a magical journey into the world of Orbyz.
For more information, head over to the Tomorrowland website.
The post Tomorrowland Belgium 2025 : Pre-Registration Begins appeared first on EDMTunes.
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Toolroom’s Unstoppable Groove with Maur & Dave and James Haskell

Toolroom once more shows why it’s a powerhouse in electronic music as we draw to the finish of the year. The label offers two huge tracks assured to rule clubs and events both, with a perfect mix of nostalgia and forward-looking inventiveness.
From James Haskell‘s explosive debut on the main label with Go Deep to Maur‘s amazing reworking of Dave Spoon‘s timeless At Night, these releases are evidence of Toolroom’s unequaled ability to develop the sound of now while honoring its historic past.
Maur & Dave Spoon – At Night
This is the summer anthem with dance floor chatter and Shazam searches increasing. Finally, Maur’s reinterpretation of Dave Spoon’s legendary At Night lands on Toolroom, and it’s really amazing. Considered the pillar of Toolroom’s golden age from 2006, the song was innovative for its day. To create something ahead of their time, Dave Spoon—now Shadow Child—combined strong tech house beats with electro-laced melodies. By 2024, Maur’s updated version will preserve the core that made the original unique while adding its trademark big-room energy and melodic sensibility.
Following an astonishing 30+ million streams last year, Maur explains why they are front and foremost in the scene. Already sparking club nights all around, this song has early backing from Gorgon City, Danny Howard, Adam Beyer, and Nicky Romero. At Night is likely to rule playlists and festival sets well beyond 2024 with its driving beat, evocative buildup, and unquestionable energy.

James Haskell, Mark Knight & Gene Farris – Go Deep
James Haskell is demonstrating from the rugby field to the DJ booth that he is not only a one-trick pony. Label founder Mark Knight teamed up with Haskell and Gene Farris for Go Deep, which is evidence of Toolroom’s dedication to developing new talent. From the Toolroom Academy to the main label, Haskell’s path has been explosive, dotted with notable releases and big events. This most recent partnership highlights his artistic development and Toolroom’s talent for identifying and supporting new talents.
Peak-time tech house banger Go Deep was created for the most electric moments on the dance floor. It’s raw, throbbing, and deftly created; Gene Farris gives the song even more clear vocal flare. Mark Knight’s production quality is outstanding; it ties everything together with a degree of polish that screams “main stage materials.” Early support from heavyweights including Gorgon City, Adam Beyer, and Tini Gessler will help Go Deep to become a mainstay in the tech house scene.

The next chapter for Toolroom
Both songs perfectly capture Toolroom’s ongoing impact as well as its capacity to close the distance between the classics and the modern edge. The label still leads the way in electronic music whether it’s recreating a song like At Night for today’s listeners or highlighting the next great artist like James Haskell.
Given these disclosures, Toolroom’s legacy is not just safe but also vibrant.
The post Toolroom’s Unstoppable Groove with Maur & Dave and James Haskell appeared first on The Groove Cartel.
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The largest outdoor spatial audio festival ever to hit the UK is coming to London

The largest outdoor spatial audio festival ever to hit the UK is coming to Crystal Palace Park from 2 to 4 May 2025. Presented by spatial audio pioneers Polygon Live, in partnership with Full Fat 360 and OpenLab, Polygon Live LDN will see groundbreaking performances by Arooj Aftab, Gold Panda, Halina Rice, Jon Hopkins, Nitin Sawhney, Photay, Tinariwen, and more. Step inside this immersive world and redefine your perception of live music.
Polygon Live LDN will feature the world premiere of Polygon’s dual-dome stage design. Each hemispherical structure will be rigged with an impressive 12.1.4 system: 12 L-Acoustics speaker arrays surrounding the audience, a festival-grade sub-wall delivering earth-shaking bass, and four overhead arrays raining crystal-clear sound from above. With almost 100 speakers across each dome, the total count features five times the number of speakers typically used for a stage of this size. The structure also features a vast lattice of LED lighting that will enhance the space, enveloping audiences in a cocoon of spatialised sound and synchronised lighting.
Polygon will welcome the effortlessly cool Pakistani-American singer, Arooj Aftab, who will showcase her extraordinary vocal range, producer and composer Gold Panda, celebrated for his intricate, sample-driven soundscapes and genre-blurring artistry. Halina Rice will showcase her ambient textures and complex synthesiser work, while Jon Hopkins, fresh from collaborating with NASA and the release of his seventh album Ritual, will demonstrate how ideally suited he is for a Polygon performance. British producer and composer Nitin Sawhney, renowned for his contributions across various creative platforms is also on the bill, as will Polygon veteran Photay, who will bring his intricate fusion of organic percussion, warm synthesisers and field recordings to the stage. Tinariwen closes off the first release of artists with an interplay of traditional Tuareg music and electronic sounds that lends itself so naturally to spatialisation.
“Originally, our deployment of spatial audio emerged from the live sets of electronic music,” explains Polygon CEO Nico Elliott. “Live DJs use a number of sounds, textures, frequencies and rhythms, which helped to push our understanding of what’s possible in spatial audio.” “At Polygon Live LDN, our programming has evolved. Working in partnership with renowned curators OpenLab, we’ve brought together an incredible line-up of visionary artists spanning electronic, world, jazz and experimental music to showcase their work in our 360° environment.”
The artists performing at the festival will collaborate with Polygon’s spatial sound engineers to tease out the individual components of every track using L-Acoustics’ L-ISA processor. This allows every element to move around, above and through the audience as the artists perform, completely immersing the audience in sound. Talking about the technology, DJ and producer Be Svendsen said it was “hands down one of the best sound systems I have ever heard and played on”.
Though critical, the sound is not the only part of the experience. Polygon is intent on creating a truly immersive and multisensory environment. This involves synchronising the music with an enormous web of lighting across both domes, creating a unifying experience that feels nothing short of transcendent.
After highly successful events this year at TOKEN2049 in Singapore, the ADE in Amsterdam, and Wonderfruit Festival in Thailand, Polygon is set for in London in 2025. Early bird tickets are on sale now via the Polygon Live website.

The post The largest outdoor spatial audio festival ever to hit the UK is coming to London appeared first on Decoded Magazine.
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Decoded Magazine presents Walter Gutierrez (WCross)

We caught up with the co-founder of Golden Wings Music (GWM) Walter Gutierrez to celebrate our 10th birthday along with an exclusive mix. GWM, spearheaded by WCross, originated from the famed GWM Radio and has since become a beacon for high-quality Progressive House music on a global scale.
The journey of Golden Wings Radio began humbly in WCross’s kitchen, evolving steadily into a professional entity. It welcomed its first guest, Denis A, in August 2011. To reach broader audiences, WCross transitioned to Innervisions Radio in the UK. The growth of GWM has been significantly powered by the partnership of two close friends: Arturo Mercado, who cemented the brand’s presence in Mexico, and Iván Castro, who expertly managed its daily operations from Germany.
GWM’s distinctive approach and dedication to excellence have attracted artists from prestigious platforms such as Proton and Frisky. As WCross proudly mentions, “Everyone who plays on the station does it with respect and love,” highlighting the passion and commitment that set GWM apart in the music industry.”
Decoded Magazine · Decoded Magazine Presents WCross Golden Wings Radio famously started in your kitchen (we all know the best ideas and parties happen there), as a true passion project. What kind of challenges did you face in getting it off the ground, and how did you manage to grow it into the influential platform it is today?
Thank you for this interview. It’s important for me and the team I represent to be able to share our story in a respected publication like Decoded Magazine, where so many significant figures from our scene have appeared and been featured. As you mentioned, the story is real. Golden Wings Music Radio (GWM) began broadcasting from a small table in my kitchen.
In 2013, CID INC and Scotty.A each stayed with me for 15 days after performing at a GWM party. They wanted to visit the radio’s studio. I laughed and said, “What studio?” Everything they saw was operated from my home. I showed them my table, covered with stickers, notes, dates, and future guests’ names, along with a whiteboard I used as a schedule for shows. They couldn’t believe it. Now, looking back with a professional, dedicated studio, it makes me smile and feel nostalgic about those days.
While I cooked for them, they watched me design e-flyers and run the radio. We’d listen together to mixes sent in by artists who wanted to be part of the programming. While they stayed with me, they helped define the mix quality that would air on the station. It was fun, and I learned a lot.
Golden Wings grew organically, and the final product was always professional and polished. Henri (CID INC) and Scott expected a team production, with employees, radio programmers, and designers. But seeing how I did it, they kept supporting me because GWM was functioning on a large scale—attracting followers, setting trends, introducing new DJs and producers, and allowing them to share the lineup and e-flyers with world-famous artists like Sasha, Rodriguez Jr, Riva Starr, Danny Howells, Guy Gerber, and more.
We hosted popular shows like Tronic Radio (Christian Smith), Suara (Coyu), Renaissance, Radio Therapy (Dave Seaman), Perspectives (Darin Epsilon), and many others. Having these artists drew others to want to be part of our lineup. Many who are now well-known in the industry, like Brian Cid, Simos Tagias, Silinder, East Cafe, Nikko.Z, Dale Middleton, and more, first had their music broadcasted on Golden Wings.
As for the challenges, the main one was overcoming the fear of rejection—and learning to say no myself, without coming across as arrogant or hostile. I had to manage my ego and that of many artists, understand how the industry works, and even more challenging, figure out what to do when prominent figures in our scene said yes. It’s stressful to ensure everything runs smoothly—from the radio sound, server reliability, and software, to ensuring the art resonates with listeners.
Another challenge was realizing that artists aren’t necessarily loyal—they’ll often move on to other stations. Sometimes, artists who requested airtime for months would leave for other stations after finally securing a slot. And one of the most significant challenges was recognizing that I was on my own and responsible for everything, even the smallest detail. In a close-knit industry, where everyone knows each other, people can be very supportive when things are going well, but it can also be brutal. They don’t always realize the power of their vote—or their veto.
Over time, with a lot of hard work, GWM became a recognized brand synonymous with quality. Even if someone didn’t want to broadcast on my station, they knew what GWM was about. Our programming stood out from other stations with unique features we continue to offer, like being free for listeners, and airing DJs and producers at the prime time for their country, so they can interact with their fans live.
Launching GWM gave me several advantages as an Argentine radio station—it was the only station exclusively dedicated to our genre with the world’s top DJs. Argentina has always had a strong global presence, with a fanatical audience that understands electronic music, especially the progressive style, thanks to the influence of Hernán Cattaneo.
Almost all artists loved the idea of finding a new way to reach Argentine audiences, and GWM was a showcase for their talent, opening doors to perform in Argentina. Another success was designing e-flyers that gave each artist—from Sasha to lesser-known underground DJs—an individualized promotion, something other stations weren’t doing. I remember when Sasha aired on my station, and a listener posted a photo from Tomorrowland, saying he was listening to Sasha from the festival. Our listeners often shared these kinds of beautiful gestures, sending photos of their laptops or phones tuned into the station. It was amazing.
It was a huge amount of work, but it all paid off when artists shared their experience of airing on GWM and the live connection with listeners. I kept a close eye on what happened and what people wanted from the brand.
Over time, two close friends joined me, strengthening GWM’s growth. Arturo Mercado, a DJ and producer from Mexico, helped establish the brand in the Mexican scene, hosting events and bringing progressive Latin and Central American artists to the station. Then there was Iván Castro—now my partner in GWM—a Colombian DJ living in Germany. He’s a programmer and the reason the station airs daily. Iván had his own show on GWM and offered help with web programming, app design, and technical maintenance. His show, Introspectives, featured artists like Patrice Bäumel, Roy Rosenfeld, and Olaf Stuut.
Together, we grew GWM, and soon artists who previously broadcasted on Proton and Frisky wanted to have their shows on GWM. It transformed from a hobby I created to broadcast my mixes into a major responsibility. When someone shares their music, it’s an act of love for their craft. They put their trust in us, sharing their work, reputation, and brand with us. The reason we’ve been able to return with more strength is that we’ve always respected that.
Did Golden Wings Radio achieve financial success from the start, or did you go through some tough times? How challenging was it to get people to invest in the brand and the station in the beginning?
In 2012, I launched the station with a clear vision and goal: to get my name out there as a DJ and feature the best in our scene. I wasn’t focused on monetizing it at all—it never brought in any income, except for one single dollar donated via PayPal. It was always funded from my own pocket, and every sponsor I had came through service exchanges.
Even the Golden Wings parties I organized, where DJs like DAVI, CID INC, Marc Poppcke, Rich Curtis, Ioan Gamboa, Scotty.A, Nikko.Z, Derek Howell, Mike Griego, Kevin Di Serna, Juan Demenicis, Marcelo Vasami, and Sound Process performed, were all about building and establishing my brand. It was actually cheaper to throw a party, even if it didn’t generate much revenue, than to run a global marketing campaign. Back then, fans shared the content that artists posted on Facebook like crazy. There was no Instagram.
When a DJ or producer would post on their page that they were playing in Argentina at one of my events, it was great for GWM because it caught the eyes of artists, labels, brands, and the audience. There weren’t as many social networks as there are today, so everything was more centralized, without having to compete with so many other channels of communication. As a result, many top promoters and artists started reaching out to play at my events, and others even recommended artists to me—like when Hernán Cattaneo suggested Rich Curtis in 2013. And if the maestro recommended him, it had to be done!
Speaking of rejection, how hard was it to face it when you were sending your mixes to other radio stations? Did that experience inspire you to create your own station?
Before enjoying the success that GWM had in its first stage—and continues to have today—I went through plenty of frustration and anger. I wanted my mixes to be played on major radio stations but had no idea how to break through. I’d spend hours perfecting my mixes and downloading music, just like thousands of DJs around the world. But when I’d send those mixes to the top stations at the time, they wouldn’t even reply to my emails. That left a mark on me.
So, I changed my strategy and started with smaller stations. I remember the owner of Xelestia Radio (Puerto Vallarta, Mexico) heard one of my sets that I posted on Facebook and invited me to play on his station, even though it wasn’t electronic music-based. He liked it and offered me a monthly spot, and that’s how Golden Wings by WCross began. The name Golden Wings came from a listener’s comment on that same set: “You make me fly like Golden Wings.”
I asked for a two-hour slot to play my exclusive mix along with one from a guest DJ. Within a few months, thanks to the number of artists who wanted to join and the program’s success, we covered 70% of Xelestia’s schedule. We had a solid audience because it was unique for a Mexican station, not even fully electronic, to feature artists like Armin Van Buuren, DAVI, DENIS A, and Robert Babicz. Plus, it stirred curiosity—“Who is WCross?” (my alias).
On Xelestia, fans could listen to entire sets from their favorite artists for free, and download them from the website and SoundCloud. After a while, I felt the need to grow further and moved to Innervisions Radio (UK), run by Gary Harkin, where I could develop the concept I envisioned for my WCross brand. Artists like David Grahna, Marc Marzenit, and Henry Saiz all played on the show. The station change was a big leap, but everyone followed me. That gave me the strength to establish myself as a DJ and launch my own 24/7 online radio station dedicated to progressive house in Argentina.
It was important to me to give DJs and producers from almost every province in the country a chance, not just focus on Buenos Aires. This led to FM stations in different provinces playing the mixes I provided. Thanks to that, artists like Scotty.A and Derek Howell got to perform in places across Argentina—Rosario, Mendoza, San Luis, San Juan, Mar del Plata, Jujuy, and Salta. We were creating a new way of engaging with music, sharing stories through it, and leveraging social media to connect.
Let’s talk about Denis A. How did you manage to have him as your first DJ on the radio show?
Wow, the very first guest—you guys really know GWM! I reached out to him in August 2011, inviting him as a special guest on the radio show I was running on Xelestia Radio. I felt that my show needed artists who were in the big leagues, and I loved his productions. So, I worked up the courage to message him, and he just said yes. It was such an incredible feeling because he was the door that opened to artists like Monaque, Phonic Deep, Ezequiel Marotte, Julio Largente, DAVI, Dpen, and Victoria R, and everything that came after was amazing. Every time we talk, I thank him for his support because it was so important for my project. He trusted me without even knowing me, and when I launched my own station, DAR Session was one of the first shows we aired.
You’re known for giving everyone an equal shot, from big names to emerging DJs just starting out in their bedrooms. What drives you to support artists in this way?
Great question, let me think… It’s my own story that drives me—knowing that someone trusts me and my platform, that artists believe I’ll protect their brand or help build it. Because, like I mentioned, when someone sends me a mix, so much is on the line—their passion for music, their craft, their trust, part of their journey, and how they want to shape their personal brand and style.
What also drives me is wanting DJs to avoid the frustration I went through, which I was lucky to overcome with something even greater. When someone anywhere in the world, whether they’re a pro or underground DJ, spends hours sending me a mix for the station, it moves me, and I’m deeply grateful. I love when the same e-flyer has Sasha, Art Department, and an underground artist side by side. The happiness and gratitude in the messages I receive—that’s what fills my heart, and it’s a big part of our success. It inspires many artists to bring their best and deliver quality mixes, knowing that the magic of radio is you never know who’s on the other side listening—it could be a huge opportunity.
When I say it’s my story that drives me, it’s because after GWM and my personal brand grew, I finally got to play on major stations as a guest, which was gratifying in its own way. I believe people who work hard and give their all deserve a shot. You don’t have to be a big name to get a chance. You have to trust and take risks, which is why I always make room for everyone who brings quality.
One day I told my partner Silvia, who was essential in all this because she supported me through everything, “I’m going to create my own station to play my mixes. I’m never asking another station for a slot again. And I’ll make it one of the best online stations in the world.” That was the spark of an idea that grew into a recognized brand.
Thanks to my effort, dedication, and GWM, I’ve been able to play in some of Buenos Aires’s best clubs and across Argentina, in places like Club Pacha. I’ve even played in Mexico and the United States. I got to host and do b2b sessions with CID INC, DAVI, Marc Poppcke, Scotty.A, Derek Howell, and Rich Curtis, creating amazing moments together. I’ve also been able to send music to, and communicate with, legends like Hernán Cattaneo, Nick Warren, Nick Muir, and John Digweed, and meet great people like Steve Parry and Mitch Alexander, who help me so much with my project.
Could you tell us about your process for ensuring the music and format on the station stay top-quality? Any funny stories about receiving music files?
The process starts with listening to a lot of mixes from underground artists—because with established names, we already know what they’re bringing, and there are no issues. But I do listen to them in advance as well. Before a new artist goes live on GWM, I listen to two or three of their mixes. Then, I invite them to submit an exclusive one in 320 kbps, which is the quality we broadcast at and part of why we’re known for our sound. I put a lot of emphasis on DJs—while many today also produce, the focus is always on the DJ, which I believe is the essence of our scene.
When selecting, I listen carefully to the transitions. Reading the tracklist lets me know if it fits the station’s musical style, but you can’t just put a mix on air based on the tracklist alone. It could have issues when exported, sound inconsistencies in the track choices, or volume discrepancies in the transitions.
As a funny detail, there are artists who send me “cloned” mixes with the same tracks that Hernán uses in Resident, his weekly show. I also sometimes get repeats—when I ask for an exclusive mix, many send me one that’s already played on other stations. I watch out for those details; if I tell them it’s not exclusive, they either disappear or take a month to send a new one. The ones who clone mixes don’t get airtime, and we don’t invite them back.
In 2017, you paused Golden Wings to complete your law studies. How challenging was it to put your dream on hold and come back to it later?
It was a tough, very emotional decision that came at the right moment and impacted me positively. I believe that GWM would have faced a lot of wear if it had continued. A cycle had been completed, and I needed to focus on my studies, but the brand didn’t disappear. Instead, I used that time to further grow GWM Label, which I’d started with Mariano Favre in 2014. Many prominent artists have released and still release music on my label, with great support from names like Sasha, Digweed, Cattaneo, Warren, Guy J, and Patrice Baumel. The label brought me a lot of joy because, in a way, the artists were still connected to GWM, and I to them.
But without a doubt, closing the radio left a big gap in the scene, as artists and listeners have told me. During the seven years it was off the air, the brand was preserved, and it maintained its standard of artistic and musical quality through the label, which regularly ranked high on various charts.
Even though the radio wasn’t broadcasting, many artists and listeners kept reaching out, talking about GWM’s quality, the good memories, and its events. But most importantly, it stayed linked to an era that felt special. We’d created something that gave everyone access to quality music, for free. That’s the highest form of recognition a brand can achieve in a musical environment—GWM had established a unique standard.
In 2023, I decided GWM had to come back, and I did it in two phases. The first was a weekly two-hour show every Friday on a local FM station in my city (yes, a local FM! [laughs]), which helped me gauge its impact on artists and listeners, who were thrilled to have it back. I received many congratulatory messages.
Then one day, with a team that loves music and is committed to raising the bar, I reconnected with amazing people in our scene, like Steve Parry, Lexicon Avenue, Anthony Pappa, Nick Muir, Kasey Taylor, Gai Barone, Luke Brancaccio, Jamie Stevens, Dave Walter, Sean Harvey, Ranj Kaler, Four Candles, Fordal, East Café, Zuker, Paul (AR), Silinder, and others. Even though they knew it was a local station, they joined with such humility and grace, and the show’s growth on Secla FM skyrocketed.
Seeing its impact, I knew something special had stayed dormant, just waiting for a second chance. So, one night at 2 a.m. in Germany, I called my partner Iván, and we reopened the online radio. Right away, many artists reached out to get their monthly show or to appear as guests. I’d always thought that if I ever brought GWM back, it would have to be big—and that’s exactly how it turned out.
In recent years, we’ve seen how progressive house has taken on unique forms in different parts of the world, but it seems like South America is shaping something truly special in this space. From your perspective, how do you see the evolution of the electronic music scene in South America? There seems to be a contagious energy coming from the continent. Would you say it’s finding its own identity, or is it still heavily influenced by global trends?
I’m pretty critical when it comes to how South American, and especially Argentine, artists tend to imitate styles. Many want to sound like Guy J, copy the trendy labels, or make music just so some big name might play it on their show or live set. And if they get lucky, they often forget where they came from or how they once asked to be played on the radio. They turn into trend-followers with no real identity, and then they don’t last. Many get caught up in the latest sound trends, with poorly mastered, noisy, and compressed tracks. I see them chasing likes on social media and putting the music second. The mass appeal of it all has made it more about posing for the photo than giving the music its own personality.
Unfortunately, a lot of Argentine producers aren’t very supportive of each other—not everyone, but the majority. They’re often quick to criticize, rarely congratulating one another when they achieve success. It’s a shame because that attitude doesn’t build anything, and it only makes them seem antisocial. I don’t see this in places like Mexico, Colombia, Chile, Brazil, Uruguay, the United States, parts of Asia, or Europe, where there’s a lot more mutual support.
On the other hand, there are artists here who are on another level, with their own unique sound and style, like Simon Vuarambon, David Calo, Mike Griego, Fefo, Abity, Golan Zocher, Gux Jimenez, Karlos Elizondo, David Podhel, Matias Larrosa, Santi Mossman, Berni Turletti, Nico Sparvieri, Doffo, Demis Almada, Derk, Paul (AR), and the duo EANP (Nicolas Petracca and Ezequiel Anile). These artists are constantly pushing, searching, and improving their craft.
Since its comeback, Golden Wings Radio has climbed to the top of the game, hosting some of the biggest names in the industry. How did you manage this transformation from a kitchen mixing project to a global heavyweight?
I like that “global heavyweight” line, even if it’s not quite there yet—it sounds nice (haha), say it again, my ego’s awake! I was able to enjoy the transformation, even with the stress that comes from maintaining a quality standard. I grew personally and as a DJ too. Earning respect in our industry isn’t easy. There’s plenty of good music and quality radio out there, but if we were offering just more of the same, it wouldn’t be worth it. That’s why, when we talk about transformation, I believe GWM changed the rules of the game in a way and carved out its place. Everyone who plays on the station does it with respect and love.
How has this journey been for you, and what can we expect in the future?
The journey has been beautiful, filled with music, solidarity, respect, and responsibility, because what may be a hobby for one person can be a livelihood or a moment of divine connection for others.
Our focus is on maintaining high artistic and musical standards; we’re developing a new website, apps, and testing artificial intelligence. We had to adapt to the new forms of communication. In this stage, we’ve given it a local touch, communicating in Spanish and emphasizing that we’re a radio station from Argentina. Before, we did it in English, and I think that’s why we were listened to more in other countries than in my own. Thanks to the addition of Pepe Arias to our team, who is the curator of GWM and someone very influential in social media for the progressive scene, as well as the founder of a follower group for John Digweed and Bedrock, we’ve been able to shift in that direction, unifying our networks, different platforms, and communication channels. It’s been very positive.
This year, we’re participating for the first time as guests at ADE, and we want to be one of the associated brands next year and have a larger role in this great event.
Today, listeners aren’t redirected to a website during a show; they decide when and what to listen to, which is why we’re working on opening GWM to different platforms. But radio will never die, even if listeners prefer different platforms; for DJs, being on the radio is important, or they wouldn’t have radio shows.
Thank you again for the interview! I know it was lengthy, especially in times when people think they don’t have time to read, but I felt it was important to share how a guy like me, somewhere in the world, came up with an idea that turned his frustration into a unique opportunity with something I love.
Tracklisting
Pablo Bolivar, Sensual Physics – Backen Punch (Pedro Capelossi Remix) [Seven Villas Music]
Stelios Vassiloudis – One Man Down (Original Mix) [Default Position]
Tone Of Arc – The Hard Road (Larrosa (AR) x Nico Sparvieri x SACK Reinterpretation)
Sasse – Stelios Vassiloudis – The Z (Original mix) [Bedrock Records]
The Black Atlantic – Fragile Meadow (Rampue Remix) [Vordergrundmusik]
Ingrid Chavez – Justify My Love (Charles Webster Midnight Mix) [Ten Windows Records]
Charlie May – Midnight (Nhar Remix) [emFire]
Flowers And Sea Creatures Wrong Jeremy – The Very Next Day (Adriatique Remix) [My Favorite Robot Records]
Wild Dark – Pleasure People (Original Mix) [Nazca Records]
Nevidomij – The White Shadow FR – The Sky (Original Mix) [Tenampa Recordings]
Carerra Tavares – Ardent [Music is 4 Lovers]
Donato Dozzy – Cassandra (Original Mix) [Claque Musique]
Raxon – Andromena (Original Mix) [Ellum]
Larrosa (AR), Nico Sparvieri, Sack (AR) Overfall (Dove City – Remix) [Golden Wings Music]
C’hantal – The Realm (Auggi+ Edit)
Patch Park – Mutant Marc Marzenit (Haunted House Remix) [Ground Factory Records]
Raxon – Destiny (Original Mix) [Bedrock Records]
Fabrication – Hot Foot (Jamie Stevens – Anthony Pappa Remix) [Recovery Collective]
Daniel Curotto – Mediterraneo (Gai Barone Remix) [Golden Wings Music]
Rockka – Necromancer (Digital Mess Remix) [Mango Alley]
Daniel Curotto – Mediterraneo (East Cafe Balearic Remix) [Golden Wings Music]
Lee Van Dowski Bastian Bux – Nine Lives (Original Mix) [Bedrock Records]
Chris Cargo – Synergy (Framewerk Remix) [If You Wait]
The post Decoded Magazine presents Walter Gutierrez (WCross) appeared first on Decoded Magazine.
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Neon Pony Merges Nature, Tradition and Tech in Bold New Series, "Beats in Hidden Retreats"

Forget the neon glow of festival stages—Neon Pony is taking her one-of-a-kind performances to places where the stars provide the spotlight and the earth provides the bassline.
The hybrid DJ, drummer and vocalist today launched an ambitious new series, Beats in Hidden Retreats. The project takes her signature mix of live drumming, vocals and electronic music far beyond the typical stage, placing it in remote landscapes where technology and tradition collide.
Filmed in sacred, awe-inspiring locations worldwide, each hourlong episode showcases Neon Pony's unique artistry while celebrating indigenous culture and natural beauty. Drawing on her Apache heritage, she blends ageless rhythms with modern beats to deliver performances as visually arresting as they are sonically powerful.
Her custom-built drum kit, equipped with integrated lights that pulse to the music, transforms each location into a living, breathing concert space.
View the original article to see embedded media.
Having shared stages with EDM icons like Zedd and Kygo and performing at festivals like Ultra and Coachella, Neon Pony, whose real name is Chastity Ashley, plans on using her new series to go beyond entertainment. Beats in Hidden Retreats aims to connect audiences to the spiritual and cultural roots of music while highlighting the role of technology in pushing creative boundaries.
With this groundbreaking fusion, she's not just performing music—she's reimagining how we experience it.
"I don’t just perform music. It's about creating an elevated experience that bridges the past and the future," Ashley explains. "Beats in Hidden Retreats is about honoring the sacred rhythms of the earth while introducing a new kind of musical performance that has never existed before. It’s a celebration of the land, the sound, and the stories we carry with us."
The first episode chronicles Neon Pony's dazzling hybrid drum and DJ set at the intimate Cloud 9 club, also known as "Fiji's Floating Paradise." The intimate venue is surrounded by nothing but turquoise water and breathtaking panoramic views of the Fijian archipelago. You can watch the video below.
Follow Neon Pony:
X: x.com/chastityashley
Instagram: instagram.com/chastityashley
YouTube: youtube.com/neonpony
Facebook: facebook.com/officialneonpony
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Don’t Let Daddy Know Returns To Madrid On February 8, 2025

Global touring brand Don’t Let Daddy Know (DLDK) is making its highly anticipated return to IFEMA Madrid on February 8, 2025. Known for its explosive energy, top-tier DJs, and mind-blowing production, DLDK is set to deliver an unforgettable night that will leave you buzzing for weeks.
This iconic event transforms IFEMA into the ultimate party destination, bringing together thousands of music lovers from around the globe. It’s more than just a night out – it’s a celebration of unity, music, and pure euphoria under one roof.
With a to-be-announced lineup packed with world-renowned electronic dance music stars, this year’s edition promises to take your clubbing experience to a whole new level. Whether you’re a die-hard fan or new to the scene, DLDK Madrid 2025 is your chance to join the movement that’s captivated hearts from Amsterdam to Ibiza and beyond.
Tickets are expected to sell out quickly, so don’t wait! Secure your spot on the waiting list here and get ready to be part of the #DLDK family.
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Win Tickets to Kaskade's Christmas-Themed Takeover of Historic Brooklyn Paramount

Christmas is quite literally coming early in 2024, thanks to Kaskade.
The chart-topping DJ and electronic music icon is gifting fans a surprise worth more than mistletoe kisses: a trio of Christmas-themed shows in New York. He's heading to the legendary Brooklyn Paramount on December 13th before returning for a momentous double-header on the 14th.
Kaskade has released a pair of nostalgic Christmas albums, breathing new life into Yuletide anthems of yesteryear like "Deck the Halls" and "Silent Night." The music is a masterclass in blending modern beats with timeless warmth, making it the perfect soundtrack for the iconic Brooklyn Paramount. Just as the historic venue weaves echoes of ageless glamor with contemporary culture, Kaskade is poised to curate a reimagined winter wonderland where past and present share the stage.
EDM.com is now running a special giveaway for a pair of tickets to the concerts as well as access to Ella's Lounge, the opulent club space located in the Brooklyn Paramount.
To enter the giveaway, follow @brooklynparamount and @edm, and share a comment and tag a friend in the Instagram post below. Then share the post on your Instagram Story, tagging each of those accounts.
The contest is open to 21+ US residents only and ends on Wednesday, December 11th at 11:59pm ET.⁠ The winner will be announced in the comments of the Instagram post below the next day.⁠
You can purchase passes to the shows here.
EDM.com & Kaskade Christmas Giveaway
2x GA passes to 1x show of winner's choice (12/13 evening, 12/14 matinee or 12/14 evening) 2x VIP passes to Ella's Lounge View the original article to see embedded media.
Follow Kaskade:
X: x.com/kaskade
Instagram: instagram.com/kaskade
TikTok: tiktok.com/@kaskade
Facebook: facebook.com/kaskade
Spotify: spoti.fi/3fHaUGk
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Dance, Scream, Repeat: SoCal Six Flags to Transform Into One-Night-Only Rave, Thrill City

Thrill City is officially returning in 2025 to transform Six Flags Magic Mountain into one giant dancefloor under the stars.
Hosted by the visionary team behind RASA World, the unique, elevated music festival experience is built for both the young and the young at heart. Thrill City debuted this year with flying colors, and it's now bringing back its audacious blend of beats, art and amusement park thrills to the Six Flags location in Valencia.
It's the first full amusement park takeover since 1994, and the next-gen RASA organization pulls no punches. For one night only, the entire park shuts down for Thrill City attendees, offering exclusive access to rides and carnival-style games paired with live DJ sets that mirror the white-knuckle intensity of its rollercoasters.
Thrill City in 2025 will also feature a special "Mystic Garden" experience where attendees can roam through lush, neon thickets and discover secretive art installations. The lineup has not yet been announced at the time of this writing.
Thrill City is scheduled for 8pm to 3am on March 22nd, 2025 at Six Flags Magic Mountain in Valencia. You can access the event's pre-sale tickets here.
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Brunch Electronik Announces Lineup for Second Los Angeles Edition

Barcelona’s beloved Brunch Electronik has announced the lineup for its second US edition. It is taking place in Los Angeles on January 18 at Exposition Park. In partnership with premier underground event collectives, Minimal Effort and SBCLTR, Brunch Electronik’s Los Angeles lineup features some of today’s brightest house and techno stars to soundtrack the daytime, open-air experience.
Brunch Electronik’s second Los Angeles edition follows its successful debut US show earlier this summer. The event takes its curational prowess to new heights by offering another standout array of performers for its latest iteration. The lineup features a live set from German techno and trance titan Stephan Bodzin, pioneering SCI + TEC label boss Dubfire, French party starter Apache, and eclectic LA-based DJ and producer Julia Sandstorm.

Established in 2013 as a Sunday afternoon weekly party in Barcelona, Brunch Electronik has since expanded into a globally renowned music project. It has hosted events across the world in cities across Europe as well as establishing a footprint in the US. Known for its dynamic atmosphere and innovative programming, Brunch Electronik skillfully fuses forward-thinking lineup curation, gastronomy, and sustainability initiatives to foster inclusive and diverse communities on their dance floors.

Set against the backdrop of Los Angeles with impeccably curated beats, Brunch Electronik at Exposition Park will deliver an incredible electronic music experience in the heart of sun-soaked Los Angeles. The second LA edition will feature Brunch’s signature food & beverage truck selection, an expansive vendor village, art installations, and more activities in addition to the world-class production the brand is known for.

Ticket pre-sale begins Thursday, December 5th and general on-sale begins Friday, December 6th including GA & VIP Backstage ticket options. Sign up for the presale here.
The post Brunch Electronik Announces Lineup for Second Los Angeles Edition appeared first on EDMTunes.
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 Dom Dolla Set To Play At Madison Square Garden

Grammy nominated Australian house music star Dom Dolla has announced his debut performance at New York City’s iconic Madison Square Garden, scheduled for March 7, 2025. This milestone follows his sold-out show at Forest Hills Stadium earlier this year, underscoring his rapid ascent in the EDM world.
Born Dominic Matheson, Dom Dolla has garnered international acclaim with hits like ‘Take It‘ and ‘San Frandisco‘ the latter earning him the Best Dance Release at the 2020 ARIA Music Awards.
Joining the Ranks of EDM Legends at MSG
Madison Square Garden has hosted some of the most iconic EDM acts in recent years, including Eric Prydz, Above & Beyond in addition to Swedish House Mafia, who performed a sold-out show in August 2022, and ODESZA, who headlined three consecutive sold-out nights in June 2024. Dom Dolla’s upcoming MSG show will place him among these elite artists, solidifying his place in EDM history.
Tickets for the March 7, 2025, show will be available to the general public starting December 11, 2024, at 10 a.m. ET. A limited presale is set to begin on December 10, 2024, at 10 a.m. ET. You can find the registration link for presale access through Dom Dolla’s official website or the Madison Square Garden ticketing platform to secure tickets.
Check out Dom Dolla’s Live Set at Drumsheds London, 2024
The post  Dom Dolla Set To Play At Madison Square Garden appeared first on EDMTunes.
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Kompany & Cyclops Drop Lethal Banger ‘Brain Busta’

Kompany & Cyclops have finally unleashed their latest sonic weapon, ‘Brain Busta‘ and it’s a relentless assault on the senses. The track has become a lethal weapon to play out at live shows. Out now on Monstercat, this high-octane track s a prime example of peak-time, face-melting dance music.
From the outset, ‘Brain Busta’ wastes no time in establishing its aggressive intent. A thunderous bassline rumbles beneath a combination of distorted synths and pulsating rhythms. The relentless energy is infectious, propelling the listener into an adrenaline inducing state. Both of their unique styles join together with a perfect blend of heavy-hitting drops and intricate melodies. The breakdown in between drops offers a brief respite from the intensity, allowing the listener to catch their breath before the next onslaught. A haunting vocal sample “the brain busta, the soul crusha” adds a touch of darkness to the mix, setting the stage for the final, earth-shattering climax.
The post Kompany & Cyclops Drop Lethal Banger ‘Brain Busta’ appeared first on EDMTunes.
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Steve Aoki Remix Of Pursuit Of Happiness Is Now 15 Years Old

Fifteen years ago, in 2009, as Steve Aoki ascended the ranks of DJ and producer stardom, he left an indelible mark with his remix of ‘Pursuit Of Happiness’. While Aoki was already making waves with tracks like ‘Wake Up Call’ and ‘BRRAT’, it was this remix that would become a defining moment in his career.
Originally released in 2009, the remix gained monumental traction after being featured in the 2012 film ‘Project X’. Since then, it has become a cornerstone of Aoki‘s repertoire and a timeless anthem in the electronic dance music landscape. 14 years later, the remix’s infectious energy and dynamic sound continue to echo across festival stages and club dancefloors worldwide.
The remix’s enduring popularity is a testament to its quality and the magic that happens when Aoki puts his signature touch on a track. Its viral success catapulted Steve Aoki into the mainstream spotlight, solidifying his reputation as a trendsetting force in the industry.
As ‘Pursuit Of Happiness (Steve Aoki Remix)’ celebrates its 15th anniversary, it stands as a symbol of Aoki‘s ability to transform music into unforgettable experiences. The remix’s ability to resonate with audiences, generation after generation, cements its status as a classic in the ever-evolving landscape of electronic dance music.

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Iconic Trance Song ‘For An Angel’ By Paul Van Dyk Is Now 30 Years Old

In the realm of trance music, few tracks stand as pillars of influence like Paul van Dyk‘s ‘For An Angel’, a timeless masterpiece that celebrates its 30th anniversary since its release on December 5, 1994. Crafted by the German maestro, this iconic anthem has left an indelible mark on the electronic music landscape.
Originally emerging during the formative years of trance, ‘For An Angel’ quickly soared to prominence, embodying the spirit of the genre with its ethereal melodies and entrancing beats. The track’s evocative journey, characterized by its pulsating rhythms and soaring synths, has made it a quintessential piece in the evolution of trance music.
Over nearly three decades, ‘For An Angel’ has not merely endured; it has thrived, becoming a symbol of trance’s enduring appeal. Its influence has reverberated through generations of electronic music enthusiasts, and its euphoric resonance continues to captivate audiences on dancefloors around the globe.
Paul van Dyk‘s enduring contribution to the electronic music landscape extends far beyond ‘For An Angel’. As a Grammy Award-winning artist and a trailblazer in the trance and progressive house genres, Paul van Dyk has consistently pushed boundaries, shaping the sonic landscape of the electronic music scene. As we celebrate 30 years of ‘For An Angel’, it remains an emblem of the timeless power of trance music, a genre that continues to unite and uplit listeners across the world.
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Spotify Wrapped Returns For A Brand New 2024 Experience

It’s the most wonderful time of the year again, if the Christmas and holiday cheer wasn’t enough, our December just got more Merry thanks to the 2024 Spotify Wrapped. Spotify Wrapped experience shines, delivering fans a unique, personalized recap of their listening journey, complete with immersive features.
The 2024 Spotify Wrapped is more than just a review. It’s a celebration of the incredible fans, artists, and creators who contributed to an unforgettable year. Wrapped is now more integrated than ever into the Spotify experience. This year, fans can explore enhanced listening insights sprinkled throughout the platform. The “share” functionality has been revamped for Wrapped. You can now share and discover if the content you’re streaming ranks among your top 100 songs, top 20 artists, or top five podcasts. Update your Spotify app on iOS or Android to get your exclusive 2024 Wrapped experience. Access it easily through the Wrapped feed on your Home screen, your ultimate destination for everything Wrapped. Celebrate your year in music!
Spotify Wrapped 2024
As you celebrate the artists, songs, albums, and podcasts that made this year unforgettable, don’t miss out on the exciting new and returning features designed for eligible users in this year’s personalized experience:
Your Music Evolution: Your musical tastes and moods shift throughout the year, and our latest feature captures that journey. Explore the unique musical phases that defined your year. With up to three phases presented alongside captivating descriptors, genres, and artists that resonate with you. Your Music Evolution Playlist: Your musical tastes and moods shift throughout the year, and our latest feature captures that journey. Explore the unique musical phases that defined your year, with up to three phases presented alongside captivating descriptors, genres, and artists that resonate with you. Your Top Artist Reimagined: Get to know your most-listened-to artist like never before. Featuring valuable insights such as “Longest Listening Streak.” Plus, see how you stack up with fellow fans through the “Top Listeners” feature. Uncover the percentage of listeners you share for your favourite artist. Your Music Videos Playlist: In markets where music videos are available in beta, Premium users will receive a curated playlist that brings together stunning music videos from the artists you love most this year. Enjoy a visual experience that complements your audio journey! Stay tuned to EDMTunes for all your latest updates.
The post Spotify Wrapped Returns For A Brand New 2024 Experience appeared first on EDMTunes.
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Elephante Releases Most Introspective Album to Date ‘COPE’ and Announces 2025 Tour

Elephante takes a deep dive into introspective territory with his latest album, COPE. This isn’t your typical dance floor anthems collection. COPE is a sonic journey that confronts emotional vulnerability with an unique genre-bending approach. Released via his own label, Hidden Horizon, the album is a testament to the artist’s ability to blend emotionally charged storytelling with innovative electronic production and champions his mission to uplift emerging and underrepresented voices in electronic music.
COPE delves into the complexities of healing and resilience, exploring the various ways we navigate trauma and hardship. Each track on the album represents a different facet of this journey, from nostalgic reflections to cathartic releases. The album’s focus single, ‘Taste of Your Tongue‘ featuring babyidontlikeyou, encapsulates the bittersweet nature of nostalgia and flawed romance. The track’s driving beats and shimmering synths perfectly complement the song’s poignant lyrics, creating a truly immersive listening experience.
‘All We Get‘ features uplifting vocals by Daye and driving beats, and explores themes of finding peace and gratitude amidst life’s challenges. It’s a powerful track that showcases Elephante’s ability to blend emotional depth with euphoric soundscapes. Tracks like ‘Don’t Turn Back‘ deliver the pulsating energy you crave from Elephante, with dazzling synths and thumping bass lines that will get your head nodding.
For those seeking an album that delves deeper, COPE delivers. Tracks like ‘All Is Not Lost‘, ‘Leave The Ground‘ and ‘Forever Weather‘ showcase a vulnerability not often seen in dance music. The raw emotions are amplified by stripped-down production choices, creating a sense of intimacy with the listener.
COPE is a deeply thematic album, with each track representing a different facet of dealing with life’s challenges. Here’s what Tim had to say about the album:
Full Tracklist:
1. Say It Like You Mean It (ft. Ridgely)

2. Don’t Turn Back (ft. Linney)

3. Leave The Ground (ft. Amber Liu)

4. Taste of Your Tongue (ft. babyidontlikeyou)
5. Amends

6. I Don’t Miss You Anymore

7. All Is Not Lost

8. Forever Weather

9. All We Get (ft. Daye)

10. Know Your Name (ft. HALUNA)
He will also be going on his COPE tour which will feature a brand new live show. Check out all dates down below.
The post Elephante Releases Most Introspective Album to Date ‘COPE’ and Announces 2025 Tour appeared first on EDMTunes.
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Tape B Drops Highly Anticipated EP, "Distortion Theory"

2024 has been a breakout year for Tape B, and his new EP, Distortion Theory, sends it off with a bang.
Selling out the majority of shows on his 2024 headlining tour and collaborating with Subtronics, John Summit, Ganja White Night, Juicy J and more, it's safe to say that fans are captivated by the meteoric bass music producer's "old school x new school" sound. Distortion Theory encapsulates that style through a stunning blend of nostalgia and modernity.
The EP kicks off with "Backspin Bass," in which the sound of vintage cassette tapes whir while vocal samples discuss how they operate. Listeners can then recognize the drop as the backtracking to Tape B's immensely popular VIP remix of "Loud" by the late Mac Miller.
From there, each track of Distortion Theory highlights Tape B's ever-evolving mixing skills. Deep and resonant vowel bass stretches through "Hot One" and "Back To Dust," while clever samples and screeching synths saturate "Nocturnal."
Elsewhere, "U Know What I'm Talkin' About (Touch The Sky)" and "I Won't Be Ur Drug VIP" display Tape B's penchant for marrying atmospheric vocals with grating bass. "Someone To Hold" follows suit as longtime fans will recognize the melody as that of "About Me Too" from his debut EP, Hallow Tapes. In fact, Tape B describes Distortion Theory as a tribute to that record.
"This is an ode to Hallow Tapes, and kind of like a second version of it... This EP feels like a great representation of where I’m at with music production at the moment," he explains. Looking to 2025, he adds: "My main goal for next year is to work with a lot more vocalists and get out of my comfort zone with composition."
Listen to Distortion Theory below and find the new EP on streaming platforms here.
Follow Tape B:
X: x.com/tapebbeats
Instagram: instagram.com/tapebbeats
TikTok: tiktok.com/@tapebbeats
Facebook: facebook.com/tapebbeats
Spotify: tinyurl.com/mwvmuh8v
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