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We Need to Talk about Buntai

Like any good idea, the conception of such requires patience, determination, and a strong foundation. Buntai, like many local brands, started out with an objective to impose their blueprint onto the London scene. In this case, through designing and selling clothes. Until four years ago, during lockdown, when they decided to embark on a musical journey that would see them become one of London’s most authentic underground collectives – achieving a flurry of accolades throughout this period. Post lockdown, they began their guest mix and interview series with their first event and an EP drop following shortly after. From uk garage, dubstep, bassline, and a whole host of other 140 sounds, alongside their occasional foray into the jungle arena, Buntai represent a modern and forward-thinking approach when representing the underground scene in its entirety. 
Recent releases from Four Eyes, Nik Fury, Rolla B, OP Breaks, Architek, and Jaz have instigated an indisputable anticipation around the label side of the brand. With an array of new music coming out from the likes of the legendary DJ Hybrid, Tommy Villiers, Ance, Four Eyes, Jaz, FSHR, Jaynie, and CamUKG over the course of the back end of 2024 and beginning of 2025. We can be certain that momentum will not ease up as Buntai begin to mark their stamp on the UK electronic scene as a whole.
A lack of fear when showcasing new sounds, and genres, is exactly what makes this project tick. Buntai means ‘squad’ in Japanese, and the tight knit team they’ve built certainly lives up to its name. Run by London-based music entrepreneur Akira, as well as creative pillar Mia Marshall, whilst counting on an extremely talented DJ and producer roster at their disposal has forged a community that is flourishing on all fronts. Throwing some of the best raves around London, curating a continual body of exciting releases, and obtaining a strongly followed radio and social media presence, collectively, is no mean feat. 
The scene sorely needs outlets such as Buntai to push the artists who have the talent to reach the top. With an undeniable vision in place, we caught up with Akira and Mia to find out more about their beginnings, as well uncovering plans on the immensely exciting releases coming up for the label. 
Before we take a look at the present day, why don’t we have a quick chat about how and why, you started Buntai?
It started through our love to rave. We both needed a creative outlet during lockdown. When we started, we didn’t know what it was going to be. We didn’t know if we wanted it to be a podcast, a radio show, a clothing line, an events brand, or a bunch of other stuff. We basically took a year trying to do all of the above. Buntai essentially started in lockdown, but was fully established in September 2021 – where our first party took place, our first clothing drop happened, and where it ultimately felt like everything really began. This was definitely the teething ground stage, but we really enjoyed doing it. Although, unofficially, the concept of Buntai started way before this, back when I (Akira) was still in secondary school. The idea was that I could design clothes that me and my friends could afford. So everyone could wear good quality clothes for not nearly as much. The meaning of Buntai in Japanese connotes the word family, and that’s what the idea has always been about – to help the ‘family’ out. That ethos has run right through bringing us to today, whether it be giving a DJ a set who doesn’t normally get to play out in front of a crowd or allowing an up-and-coming producer a chance to release a track. We’re here to help the community out however we can.  
Establishing yourselves into the scene must’ve been a change of pace from coming out of lockdown?
For sure. Our first proper event was in collaboration with LAVALAND/NiNE8COLLECTIVE at Werkhaus. We’ve got to give a big shout out to Lava La Rue and Nige for believing in us and wanting to work with Buntai. Without that push I don’t think we’d be where we are today. 
That must’ve been a nice feeling for such an established brand to give you the nod of approval! How did that come about in the first place?
We first met Nige in a pub, and by the end of the evening he was super invested in us. I think he saw a hunger in us to want to get to the top. Their whole ethos is community driven, so once the other members of the collective knew about us, they were willing to help us out. Nige featured on the first Buntai Sessions, during lockdown, which was a mini series fusing mixing and podcasting into one. He bigged up our future plans, and it felt nice to have someone support us like he did. Shortly after, NiNE8 member Bone Slim actually joined Buntai. Which was such an amazing feeling for us. He brought a new light to our brand and has consistently supported us in every way he can. Being able to run our Rinse FM show together will always be one of our greatest memories and achievements.
I’d love to hear some Buntai highlights over the years.
Being able to have Four Eyes on our team, someone we’ve supported from the beginning of his journey, and to see how much he’s blossomed, has been a real privilege to witness – getting to see Girls Don’t Sync spin his release with us at Boomtown’s Origin stage in 2023 was crazy. Hearing a track that we released, on such a big stage in the world of dance, was unbelievable. I’d also have to say getting a room 3 takeover at Fabric was a real moment for the whole brand. We took it all in as we saw Citizen close the evening with a heaving room 3.
I guess once you established yourselves as a top grade events brand, the natural progression was to start churning out the releases. Why was it the right time for Buntai to do this?
We want to have a catalogue that has longevity and is tangible. The events are great, but we’re not doing them all the time. It essentially gives the brand a sound. You can go on our bandcamp or soundcloud page and see what we’re all about. We love going through submissions, and now we’ve grown we get submissions from some of our favourite producers. Uk garage and dubstep are definitely our foundation, but we will always be down to branch out – as long as the song is to our taste. 
Why don’t we go through some of the releases coming up soon on Buntai. Let’s start with the DJ Hybrid 2-tracker EP. 
Side 1 is a rolling garage track called ‘Dedicate The Style’ and side 2 is a dubstep track called ‘Mish Mash’. It’s a very interesting combination. He’s obviously known for his jungle and drum & bass sounds, but these two tunes are serious. He sent us about 10 tracks, we were going through them and they were all insane. It was hard to whittle it down. The route we want to go down for the foreseeable future is to release two-trackers, with a potential longer LP in the future – with a collection of tracks from everyone that’s released on the label so far.
And other releases we can look forward to over the next 6 months.
Yes, plenty. We’ve got an Ance one coming out soon too called ‘Matter Of Time’. He’s such a versatile artist, it’s only a matter of time before he properly breaks through. Also coming up is a Tommy Villiers remix of ‘Too Much Sauce’ by Bakey and Capo Lee, as well as a two-part EP coming from him next year which will be his original music. He’s someone who really cares about the music despite all his success and he’s really on board with what Buntai stands for. So it was about time we got him on a release to be honest. Of course, we’ve got more Four Eyes releases, with an imminent Chris Stussy remix of ‘Desire’ coming next year. We’ve got stuff coming from Buntai resident Jaz, who’s already released with us this year with her debut track ‘Harder, Better, Faster, Stronger’. DEEPROT even premiered it on their Youtube channel, which was massive for all of us. We’re going to put together a 5 track dubpack with her, similar to the one we did with Four Eyes, and have a limited amount on our Bandcamp. We met her right at the beginning of our journey, she helped us out by getting us an event at the Red Bull HQ which was pretty much the first real brand we ever got to work with. It’s really nice that we’ve still got her around and the fact she’s now able to release with us is a real full circle moment. Also next year, we’ve got Jaynie and FSHR releasing a heavy dubstep number with us, as well as a CamUKG track who’s still a pretty fresh name with a serious armoury of production behind him. 
To wrap up, who are some names you’d love to work with in the future?
There’s a producer called Moreofus who the whole Buntai family really vibe with when it comes to production. We saw him at Outlook this year and were completely blown away. Shout out to White Peach boss ZHA as well, a big inspiration in every form. Then the likes of Sicaria and Neffa T would be unreal too. We were lucky enough to have Neffa at our Lengfield Festival back in 2022. We’d love to also mention some stand out names from over the years. Plenty of amazing figures that deserve some light. Shout out Modula, a core Buntai member that’s been with us from the beginning. Lakiya, a new creative pillar for Buntai that has the brightest of futures ahead of her. The rest of the team – LISH, Citizen, Insectcrusha, Andz, CTRL, TS, Zero, Rishi, and Holly, head of Favourite Child and Digital Footprint, a GOAT in this scene. Also, Sam and John, the boys behind Pull Up Recordings. Too many amazing names to mention.

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Rob GEE Unleashes “This Is My Sound” – A Masterful Fusion of Classic Rave and Modern Production

EDM pioneer Rob GEE is back with a new track that bridges the gap between old-school rave energy and modern production techniques. “This Is My Sound” showcases the veteran producer’s ability to evolve while staying true to his roots; delivering a fresh perspective on dance music that’s already igniting dancefloors across the globe.
Known for his signature 200 BPM productions, GEE takes an interesting turn with “This Is My Sound,” setting the tempo at 168 BPM. This deliberate choice allows the track’s powerful kick drum to breathe while maintaining the high-energy atmosphere that fans have come to expect. GEE dubs this fusion of groovy beats and hard dance energy ‘NüCøre,’ marking an exciting evolution in his sound while staying true to the harder styles.
The track has already proven its worth in clubs across the Netherlands, United States, Italy, Austria, and Australia and lit up the dancefloor at major festivals such as Defqon1, Escape, and Ground Zero, demonstrating that GEE’s musical instincts remain as sharp as ever.
“I wanted to go back to my roots a bit and really bring the 909 to the forefront because there’s a lot piepness going on right now,” GEE explains. “At the same time, I wanted to put some of today’s sauce on it production wise, and most of all I just want to see people dance.”
The track features GEE’s distinctive vocals and melodies, but with an endearing twist – the vocal samples used in the track are actually the same ones he uses to communicate with his famous dog, Buster Black. This personal touch adds another layer of authenticity to a production that’s already brimming with character.
Speaking of Buster Black, the track’s artwork pays clever homage to the iconic RCA Victor logo, which featured Nipper the dog listening to a phonograph. GEE’s modern interpretation places Buster Black in front of a wall of speakers, creating a perfect visual metaphor for the track’s blend of classic and contemporary elements.
In an era where many artists chase trends, “This Is My Sound” stands as a testament to GEE’s commitment to artistic authenticity. The track’s groovy, yet energetic approach demonstrates that innovation doesn’t require abandoning one’s musical identity. Instead, it’s about finding new ways to express that identity while keeping the dancefloor moving.
“This Is My Sound” is available now on all major platforms from GEE thAng Music.
#PositivianVibes
Connect with Rob GEE
-Website: https://therealrobgee.com/
-Instagram: https://www.instagram.com/therealrobgee/
-Facebook: https://www.facebook.com/TheRealRobGEE
-YouTube: https://www.youtube.com/@Therealrobgee
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Featured image by Samantha Wong

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Lady Decibel Opens Up On New Single In New Interview

Lady Decibel, the rising DJ and Producer duo, have been making steady waves in the electronic music scene with their innovative blend of nostalgic sounds and modern production. Hailing from diverse backgrounds in Manila and Minsk and now based in Orlando, they bring a fresh approach to dance music that resonates with both seasoned fans and newcomers alike. Their latest release, ‘I Try’, showcases their evolving sound, bridging classic House and R&B influences with contemporary energy. We caught up with Lady Decibel to learn more about the journey behind this new track and how it fits into their artistic vision.
Hi Lady Decibel, how are you doing?
Heyy, we’ve been doing really great lately, thanks for asking!
Tell us about how the creation of ‘I Try’ came about – what were the inspirations or initial goals behind the production?
As with most of our productions, we begin by building around an exceptional vocal, letting it guide the rest of the track. Our previous release, ‘Waiting’, leaned more towards a Trance vibe. With ‘I Try’, we wanted to switch things up by drawing from our earlier House music influences and incorporating those elements into the mix.
How did you approach the layering of different synth textures in ‘I Try’ to keep the energy flowing?
We started with chords sampled from an acoustic piano to shape the low-mid frequencies, adding strings to fill out the high-mids for a solid base. For the first chorus, we brought in a new synth chord layer to elevate the track at the drop, adding a melodic high for an uplifting vibe. The breakdown features a high-pitched pluck synth, keeping listeners engaged, followed by a new lead melody before the second drop. This third drop features a melodic switch-up that’s inspired by 90s and early 2000s Trance, giving the track a fuller experience. By extending ‘I Try’, we aimed to create a deeper emotional connection, which shorter tracks often miss.
What message or feeling did you want the listener to take away after hearing ‘I Try’?
The lyrics—“I try, I try for you… you know that I’d do it all for you”—convey a sense of dedication and commitment. It’s about sticking by someone, no matter what. This track gives a vibe of loyalty and care without being overly dramatic. As a couple, we’ve been through ups and downs, so ‘I Try’ expresses that part of us, our take on the effort it takes to keep love alive. We hope it resonates with listeners in similar situations.
How did you craft the bassline in ‘I Try’ to drive the track forward and give it a strong dancefloor energy?
The bassline follows a rolling double 1/16th note pattern alongside the main chord melody. Rolling basslines typically bring a sense of momentum in dance music, and they keep the track flowing and engaging, perfect for the dancefloor.
How do you see ‘I Try’ fitting into a live DJ set? What kind of response do you imagine on the dancefloor?
We love to include a lot of vocal tracks in our DJ sets because they create a connection with the crowd. High BPM tracks, especially around 140 BPM, really get the energy going. With ‘I Try,’ we’re aiming to bring a fun, danceable energy to the floor, keeping everyone hooked on the vocals and melodies.
How did you balance the vocals with the instrumental elements in ‘I Try’?
Since vocals sit in the mid-range frequency, we carefully placed instrumental elements in the low, low-mid, and high frequencies to avoid clashing. This balance is crucial for a well-mixed vocal track.
In what ways does ‘I Try’ represent a step forward in your artistic vision?
We’re huge fans of R&B, and part of our vision is to blend R&B with modern Dance music. ‘I Try’ reflects that vision with its R&B-inspired chords and vocals. At the same time, it brings the energy of early rave with fast BPMs, and we think we’ve captured that mix well with ‘I Try.’
Can you explain how you designed the rhythmic elements of ‘I Try’, such as the percussive hits, to complement the overall groove?
‘I Try’ features percussive elements that create a danceable groove, with snare and crash fills inspired by early ’90s Dance music. We layered dynamic drum elements to keep the energy high and capture that ravey, old-school vibe.
Looking ahead, what’s next for Lady Decibel?
We’re focusing on developing our high-BPM modern Dance sound and collaborating with other American artists. We’re also working with BabeATX, a community for women, non-binary, genderfluid, and genderqueer folks in the Electronic music scene in Austin, Texas. BabeATX runs Babe Records and hosts a festival called Babestock. Plus, we have some remixes coming up, so stay tuned for those. Thanks for having us, and we’re excited to share what’s next! https://www.instagram.com/babeatx
With ‘I Try’, Lady Decibel continues to shape their distinct path in the Electronic music scene, embracing both personal storytelling and the energy of classic rave culture. As they look ahead, their vision includes expanding their unique sound and collaborating with like-minded artists, showing that they are not only creating memorable music but are also dedicated to fostering a more inclusive community within the scene. Fans can anticipate more releases and exciting collaborations that further establish Lady Decibel as artists with a thoughtful approach to their craft.
To listen to ‘I Try’ and stay updated on their journey, be sure to follow Lady Decibel online.
Listen and Buy ‘I Try’ Now:
Lady Decibel Online  
Beatport | Instagram | Spotify  
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Andrew Canlon Reveals All About His Latest Single In Exclusive Interview

In this exclusive interview, we catch up with Andrew Canlon to delve into the story behind his latest release, ‘Liquid Love.’ Known for his unique ability to blend Classical Music techniques with the pulse of modern electronic production, Andrew Canlon shares how he crafted this energetic track from an initial melody into a full-bodied anthem primed for the dancefloor. From the inspiration and creative process behind the track to his vision for live performances, Andrew Canlon gives us an inside look at his evolving sound, creative process, and what fans can expect next.
Hi Andrew Canlon, how are you?
Doing well, thanks for having me.
To start, what inspired the creation of ‘Liquid Love’?
‘Liquid Love’ is definitely a product of just playing around in the studio. I started with the beat and could hear a melody, but I didn’t have any lyrics in mind. As I was humming along to the track, those words just formed in my head, and I started to riff on it. That’s how the verse came to be as well. Sometimes I just enjoy wordplay and the challenge of making things fit together and rhyme in a cool way. It doesn’t have to mean anything deep or specific; it just has to fit the vibe, and ‘Liquid Love’ sounded cool and kind of edgy.
Can you tell us more about the lyrical themes in ‘Liquid Love’?
It’s very much open to interpretation. Because I came up with the phrase ‘Liquid Love,’ it seemed either intriguing or just kind of gross. What is Liquid Love? I don’t know. It’s whatever you want it to be.
What message do you want listeners to take away?
The message of this song really comes through in the music. I just want you to dance, man. I always had that intention when working on the track, but things really went up a notch when I took it to Joey Wunsch at Flux Studios here in NYC. He took what I did and poured jet fuel all over it.
What was the production process like for ‘Liquid Love’?
It was fun! I loved vibing on it at home in my bedroom studio, but going to Flux Studios and working with Joey was amazing. Getting in the vocal booth to give a real performance and watching Joey work with the stems to really beef it up was so cool to see. When he played me his first cut, I remember my eyes going wide. The bass hit me square in the chest. It was awesome.
Can you walk us through your approach?
Yeah, it was a really simple approach. Once I felt the beat and the melody forming, it was just a matter of solidifying the song structure. Joey made some changes to the arrangement, but I loved everything he did. It was a great collaboration.
What kind of energy or mood were you aiming to create with ‘Liquid Love’?
I knew from early on that this was going to be a shameless EDM dance club track. With ‘Liquid Love,’ there was only one direction to go, and I embraced it.
How does ‘Liquid Love’ fit into the broader scope of your discography and evolving sound?
I’m so glad you asked. I recently released a live 60-minute electronic set that includes ‘Liquid Love’ as part of the mix. It’s cool to see how it fits into my discography, as it works really well! I tend to lean more into Melodic/Progressive House, but it’s great to have tracks that just get people moving.
How do you balance storytelling with musicality in a track like ‘Liquid Love’?
With this song, I think you let the audience fill in the blanks. The title is ambiguous, so I didn’t want to get too specific with it. While it hints at romance, it’s largely undefined.
What was your creative process like when developing the vocal hooks for ‘Liquid Love’?
Great question. I wanted the vocals to blend in, making the whole track feel like a living, breathing force. This led to a breathy vocal that feels raw. You can hear me inhaling and exhaling, making it organic yet synthesized. Again, credit goes to Joey for a sizzling vocal mix.
The track features dynamic hooks and ambient sonic textures—how did you balance these contrasting elements to create a well-balanced mix and an engaging experience for listeners?
Thanks for noticing. I started by programming the beat and laying down the melody before handing it over to Joey. We collaborated, but I tried to give him space to bring his own flair. I trusted him to get us there, and he did.
How do you envision ‘Liquid Love’ being received in live performances, and how do you plan to incorporate it into your sets?
Great question. I highly recommend checking out my live set on YouTube, as it showcases how ‘Liquid Love’ interacts with other tracks in a live environment. It fits in seamlessly.
What’s next for Andrew Canlon? Can you share any more about your upcoming releases, projects, or performances?
It’s been a busy summer with two new singles and a live set, but I’m looking forward to attending ADE for the first time in 2024 and working with my partners to take this show on tour. That’s always been my goal. I believe we’re in a great position to make that happen as we close out the year and look to 2025. I release new music regularly, so follow along for updates on new releases and NYC shows as we pursue that dream!
As Andrew Canlon continues to carve out a distinct space in the Electronic Music scene, ‘Liquid Love’ comes as another step forward in his creative journey, exemplifying his abilities, sound and approach. With plans for live shows and new music, aiming to expand his fan base and share his music with new audiences, Andrew Calon appears on a promising trajectory. So, stay tuned and be sure to follow his journey, keeping up-to-date with Andrew Canlon across social media.
Listen and Buy ‘Liquid Love’ Now:  
Andrew Canlon Online  
Instagram | Website  
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Fernweh Drops Techno Banger ‘Nebula Awakening’

2024 has marked an explosive year for techno artist Fernweh, who has unveiled a total of nine new tracks, each track reflecting his evolving sound in the techno genre. Now, with the release of his 10th single, ‘Nebula Awakening’, Fernweh further cements his place as a standout artist of the year.
‘Nebula Awakening’ is a high-energy techno banger that builds on Fernweh’s previous releases, like ‘Nebula Horizon’, ‘Lunar Orbit’, ‘Quasar Sensity’, and ‘Ethereal Unity’. Each of these tracks has seen Fernweh dive deeper into his signature blend of intense techno beats and rich, ambient textures, carving out a soundscape that is both powerful and profoundly emotive.
The new single, ‘Nebula Awakening’, embodies the essence of techno with its thundering basslines and precise synth work, but it also stands out for its ambient layers. These atmospheric details add an emotional depth and expansive feel to the track, transporting listeners into the universe Fernweh continues to explore through his music. This track isn’t just about the beat; it’s about creating a journey that resonates both physically and emotionally, a testament to Fernweh‘s skill in constructing multi-layered soundscapes.
As fans digest ‘Nebula Awakening’, Fernweh has confirmed that there’s more to come in 2024. With his track record so far, each new release promises to push the boundaries of techno, blending its raw, pulsating energy with an ambient quality that makes his work truly unique. Fans and newcomers alike can look forward to an artist who continues to push the envelope, promising more groundbreaking singles that are sure to define the year’s techno scene.
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RÜFÜS DU SOL Have Spectacular Response To Inhale/Exhale Tour

It’s been little over a week since GRAMMY award-winning electronic band RÜFÜS DU SOL announced all dates for their global Inhale/Exhale Tour 2025 in support of their latest album. And they have shattered records, selling over half a million tickets and achieving sellouts for 31 shows worldwide. Their immense popularity is evident across major markets in Australia, Europe, the UK, and North America.
Inhale/Exhale Tour 2025
We all adore the incredible trio RÜFÜS DU SOL, and we can’t miss the chance to see them live. Their performances promise to be nothing short of unforgettable. Ticket sales skyrocketed last week and the band achieved record-breaking numbers. They have an exciting lineup of venues for their 2025 shows. Noteworthy highlights include landmark performances at iconic venues such as Rose Bowl Stadium in Pasadena, CA, and two unforgettable nights at New York Red Bulls Arena in NJ. Also a groundbreaking, one-night-only immersive experience at Crystal Palace Park in London, UK. Additionally, they’ve sold out five shows in their home country. These include three nights at Rod Laver Arena in Melbourne and two nights at Qudos Bank Arena in Sydney.
The addition of 10 new shows to their tour lineup. This includes Melbourne and Sydney, a second show in Brisbane, and new dates in Berlin, Amsterdam, Barcelona, New York, and Toronto. This reinforces their reputation as one of the foremost live electronic acts in the world today. With 47 headline shows across four continents, RÜFÜS DU SOL is poised for its most monumental tour yet. Special guests Glass Beams, Neil Frances, Overmono, and Sofia Kourtesis will join them for select shows across North and South America. Don’t miss SG Lewis, who will deliver an unforgettable live set in Australia and New Zealand. RÜFÜS DU SOL will support sustainability initiatives through their tour teaming up with Live Nations’ Green Nation Team. They will focus on reducing single-use plastics, enhancing recycling and minimizing food and other waste. The boys get candid on their upcoming tour,
NOTES FOR NOTES® Collaboration
In the wake of the incredible excitement surrounding their album Inhale/Exhale and world tour, RÜFÜS DU SOL is taking an inspiring step by partnering with NOTES FOR NOTES® to make a meaningful impact in the community. This collaboration will aim to fundraise for a new recording studio that will give youth free access to a safe and creative space for exploring and recording music. NOTES FOR NOTES® is dedicated to empowering young people. They provide them with musical instruments, expert instruction, and a supportive studio environment. Thus allowing music to serve as a powerful catalyst for positive change in their lives. Additionally, Live Nation is joining this noble effort with a generous contribution to bolster the vital work of NOTES FOR NOTES®. Together, they can nurture the next generation of musicians and changemakers.
I can’t stop hitting the repeat button on this album. Inhale/Exhale represents a major turning point for RÜFÜS DU SOL, encapsulating ten years of growth and transformation. Born from personal journeys and a renewed creative approach, this album delivers a powerful, emotional experience. One that reveals a deeper, more mature, and sonically varied side of the band. With this release, RÜFÜS DU SOL transforms the landscape of electronic music. I look forward to them seamlessly blending intimacy with the electrifying energy of a stadium performance. Secure your tickets here to experience their live shows in 2025.
Stay tuned to EDMTunes for all your electrifying dance music updates!
The post RÜFÜS DU SOL Have Spectacular Response To Inhale/Exhale Tour appeared first on EDMTunes.
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[WATCH] Above & Beyond At ABGT600 In Mexico City

The long-anticipated ABGT600 weekender in Mexico City has officially come and gone, and Above & Beyond is helping us relive the magic with the full official set posted YouTube. The event took place October 19-20th at Hipódromo de las Américas in Mexico City to celebrate 600 episodes of their long-running radio show, Group Therapy Radio.
The weekend kicked off with an hour-long Deep Warmup Set, filmed on the extensive water transport system of Xochimilco. The trio sailed through the canals while playing tracks like Marsh and Volen Sentir’s collaboration, ‘Ascension,’ PROFF’s ‘Love On A Real Train’ retouch, and even a reimagination of the Orbital classic ‘Halcyon On and On.‘
The trio then headed to Mexico City for ABGT600, marking the first ABGT celebration in two years, following the sold-out ABGT500 in Los Angeles, in which 22,000 fans from all over the world attended. The lineup for ABGT600 Mexico City boasted the best and brightest in melodic house and electronica, with fan favorites across both Anjunabeats and Anjunadeep. Day one featured sets from Above & Beyond, as well as Alex Sonata & Therio, anamē, Genix, Hana, and Kasablanca, while Day two welcomed performances from CRi, Durante, James Grant & Jody Wisternoff, Lutrell b2b Qrion, Nicky Elisabeth, Nils Hoffman, Rezident, Romain Garcia, and Sebastian Sellares.
You can watch Above & Beyond’s full set at this milestone event below, which includes a few of the same tracks from the Deep Warmup Set, as well as everything from ‘Crazy Love‘ to ‘Chasing Highs‘ to ‘Sirens of the Sea.‘ Enjoy!
The post [WATCH] Above & Beyond At ABGT600 In Mexico City appeared first on EDMTunes.
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THIS WAS ADE 2024: UPCLOSE FOUR TET

Amsterdam Dance Event (ADE) is a cornerstone in the scene of electronic music, known for its massive gatherings, exclusive showcases, and unique collaborations that attract artists, fans, and industry leaders from around the globe. With five days full of over 1000 unique events across nearly 200 venues in Amsterdam, one has to make some tough choices in terms of which ones to attend.
When making a selection of the 2024 ADE events that we at EDMHouseNetwork wanted to experience, there was one name that naturally came to mind – Awakenings. Having firsthand experience with their jaw-dropping productions, we just knew they would bring something unforgettable to ADE. We most definitely weren’t wrong, and here is what we had the honour to experience during Upclose Four Tet.
Awakenings attention to production detail was clear from the moment we stepped inside, with the event centrepiece – the mesmerizing moving mirror – captivating the crowd and reflecting projectiles of light that danced across the space. Above, a 2,5 km network of LED-lights stretching over the ceiling, creating a dynamic visual narrative that aligned with every beat and submerged the crowd in vibrant colours.
The nearly 96 moving hoists that shifted the lightning fixtures throughout the space, created a feeling of constant motion and depth that added to the immersive visuals. A 360m2 LED screen spanned the venue which provided a cinematic backdrop, which elevated the energy of every drop. With over 500 additional lights tactfully placed across the Gashouder, and lasers layering the space, there was a true futuristic vibe to the production.
With the D&B Audiotechnik sound system – one of the most powerful sound systems in the world – every bassline and buildup resonated with clear precision, and turned the Gashouder into an enveloping sonic experience. To complete the immersive experience, Awakenings had adjusted the DJ booth placement for their Upclose shows and positioned it more centrally, to bring the DJ and fans closer together.
Photo: Elske Niessen Four Tet, known for his extraordinary gift for building anticipation and constructing his sets with a detail-oriented track selection, created a sense of journey that built up expectation with each transition. Rather than going for instant drops, Four Tet layered rhythmic complexity, letting melodies and beats weave and evolve, gradually pulling the crowd deeper into his soundscape. The slow buildups kept the crowd on edge, creating a feeling of suspense that spreads through the audience.
This, in combination with the Upclose production, amplified the tension with lighting and visuals to perfection. As Four Tet’s tracks unfolded, the moving LED strips and expansive light strips above the crowd pulsated in sync, adding a mesmerizing and hypnotic dimension to the experience. With each new element that emerged – a new bassline or rising synth – the lighting changed or intensified in a way that heightened the sense of the approaching release.
Once the music finally hit its peaks, the Gashouder erupted in cheers and whistles as the audience responded with an unrestrained outpouring of excitement. The combination of Four Tet’s complex buildups, Upclose immersive production and the audience’s raw excitement created a symphony of expectation, climax and release and became a defining moment of ADE 2024.
As the event concluded and people began to exit the venue, an undeniable energy still pulsed through the crowd. You could see a sparkle in everyone’s eyes, a kind of childlike happiness that’s rare to witness in adults, and many of the attendees we spoke to during and after the event shared that this was the best musical experience they’d ever had. These reactions and heartfelt responses were, to us, proof to just how extraordinary the Upclose Four Tet experience had been.
During ADE 2024, Awakenings took their Upclose concept to new heights and set a new standard for the music event industry. An achievement that’s a testament to their constant evolution in production techniques, experimentation with new concepts and unyielding commitment to quality. This growth mirrors the fluid and ever-evolving nature of the electronic music scene itself, and is driven by the shared passion of the Awakenings team, who pour their hearts into every event.
For those who missed the chance to experience Awakenings or Upclose at ADE, don’t fret – Awakenings returns soon to the iconic Gashouder for an unforgettable New Year’s celebration. From December 28 to 31, four unique events await, each offering a distinct journey through sound, light, and space. Find the full lineup and ticket details here, and start getting ready for an immersive experience that will stay with you long after the final beat drops.
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THIS WAS ADE 2024: AWAKENINGS x KI/KI x JÄGERMEISTER

Amsterdam Dance Event (ADE) is celebrated as a central hub for electronic music, where fans, artists and industry figures come together in a city that comes alive with sound. Every year, hundreds of events compete for attention across Amsterdam, and this year there was one, Awakenings x KI/KI x Jägermeister, that stood out for two reasons: its production magic and the fact that it was free. EDMHouseNetwork was there to witness this spectacular event, and here is what we have to say about it.
It was clear that Awakenings had outdone themselves from the moment you stepped into the Gashouder. With a visual setup dominated by a moving mirror that cast beams of light, a 2.5 km network of LED lights, and a 360-square-meter LED screen, the venue itself became a canvas of lightning. Due to the nearly 100 moving hoists repositioned lights throughout the night, the visuals felt alive, breathing with each beat. The result was a setting that embraced you, and connected you to the music and those around you.
The nights music was primarily driven by KI/KI, whose styles blurs the edges between euphoric trance and pounding techno. Known for weaving intense, high-energy tracks that shift like a tidal wave, KI/KI kept the crowd moving and often leaned into unexpected transitions that brought waves of euphoria. Thanks to the state-of-the-art D&B Audiotechnik sound system that filled every inch of the Gashouder, KI/KI’s drops came through in a unmatched, sharp, powerful clarity.
The DJ booth was positioned close to the crowd, which created an amplified feeling of connection between KI/KI and the audience, that not only got to experience her music but became a part of the atmosphere that she created. As the night progressed, each element – the light, sound and energy from the crowd – blended into a holistic experience that touch both mind, body and soul. The complex production wasn’t just visual but kinetic, and brought a dynamic layer to the night, making it fell like each transition in the set was an event on its own.
Awakenings x KI/KI x Jägermeister was a testament to how high-calibre production can elevate a musical event into a full-body experience. It wasn’t just another show, but an exhibition of masterful production and artistry that solidified Awakenings status as a true industry leader. An achievement that proves Awakenings unyielding commitment to the music community, and passion for creating heart-driven experiences that go far beyond the ordinary.
For those who missed this special event, Awakenings offers fans another chance to dive into their world-class production during their anticipated NYE celebrations at Gashouder, between 28-31 of December. The lineups and tickets can be found here, and if you’re planning on ringing the New Year with an unforgettable experience, one of the four different Awakenings NYE events is something that we full-heartedly recommend.
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Tomorrowland’s Immersive Experience in Madrid is Now Live!

The Tomorrowland Immersive Experience announced in September has officially opened its doors in Madrid! People from around the world came to discover Tomorrowland’s unique immersive audio-visual experience for all ages at the emblematic WiZink Center (La Sala de Cristal) in the heart of Madrid.
Created and developed by the Tomorrowland and XR Music Hub teams (formed by Layers of Reality and Blanco y Negro Music), the Tomorrowland Immersive Experience offers guests a nearly 45-minute journey into the magical world of Tomorrowland, while exploring some of the most iconic themes in the history of the festival, including The Story of Planaxis, The Book of Wisdom, The Elixir of Life, and many more. Tickets and more info are available on immersive.tomorrowland.com.
Designed for all audiences, the Tomorrowland Immersive Experience is set to become one of Madrid’s most popular attractions, giving visitors the chance to explore a breathtaking world of wonder, adventure and cutting-edge technology, where the stories behind the different Tomorrowland themes and worlds come to life. Kicking off with a trip down memory lane through 20 years of Tomorrowland history, people will get the chance to get to know one of the world’s largest and most iconic festivals. Afterwards, several digital installations allow visitors to explore some of Tomorrowland’s key features, values and objects, and get an initial glimpse of Tomorrowland’s DNA, before walking inside the other mythical realms of Tomorrowland for a unique and unprecedented VR experience. At the end of the experience, guests can pass by the shop and discover a wide selection of different Tomorrowland items & gadgets.
The post Tomorrowland’s Immersive Experience in Madrid is Now Live! appeared first on EDMTunes.
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CamelPhat & Massano Unite on Explosive ‘Oblivion’ EP for Simulate Records

The electronic scene is buzzing with excitement as CamelPhat and Massano unveil their powerful two-track EP, Oblivion, the latest release on Massano’s Simulate Records. Marking the 12th installment of Simulate’s storied catalog, this collaboration is a journey into the dark, melodic depth both artists are known for, capturing the raw, emotive energy that defines their work. Featuring intense synths and unforgettable vocal performances, the Oblivion EP is already making waves on dancefloors worldwide.
A Perfect Fusion of Signature Sounds
The title track, ‘Oblivion’, sets a powerful tone with CamelPhat’s signature melodic synths merging seamlessly with Massano’s hard-hitting, dark beats. Vocalist Nu-La brings a haunting intensity to the track, capturing the listener with soulful, almost ghostly lines that elevate the production. CamelPhat’s touch is undeniable, with sweeping soundscapes and synth lines that build a sense of tension and release, making ‘Oblivion’ a high-octane experience from start to finish.
The Emotive Power of ‘Glowing’
The second track, ‘Glowing’, introduces David O’Dowda’s emotive vocals, bringing a melancholic yet uplifting vibe. The chemistry between O’Dowda’s voice and the moody production enhances the track’s depth, embodying both light and dark energies. CamelPhat and Massano balance aggressive synths with melodic undercurrents, creating a dance-ready anthem that feels introspective and exhilarating at once. This dynamic, layered sound is exactly what makes Oblivion such a memorable release on the Simulate label.
A Milestone for Simulate Records
For Simulate Records, Oblivion is more than just another release; it’s a defining moment. As the label’s 12th installment, it showcases the caliber of artists it champions and the forward-thinking sound it cultivates. This EP, featuring vocalists Nu-La and David O’Dowda, highlights a production that is both sonically and emotionally impactful. With CamelPhat making their Simulate debut alongside label founder Massano, Oblivion is a testament to Simulate’s bold, boundary-pushing ethos.
With its infectious rhythms and powerful vocals, Oblivion is sure to become a staple in both CamelPhat and Massano’s sets. Be ready to hear these tracks lighting up clubs and festivals alike, cementing Oblivion as one of the most exciting EPs of the year.
The post CamelPhat & Massano Unite on Explosive ‘Oblivion’ EP for Simulate Records appeared first on EDMTunes.
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Alesso Launches New Label Body Hi with ‘Lonely Heart’

Alesso starts a bold new chapter with his latest track, ‘Lonely Heart’. This release marks the launch of his new label, Body Hi. It represents a shift towards atmospheric, underground sounds, showcasing Alesso’s evolving style and new artist.
‘Lonely Heart’: Alesso’s New Sound
The single ‘Lonely Heart’ blends deep basslines with rock-inspired vocals. Inspired by the 1983 classic ‘Owner of a Lonely Heart’ by Yes, Alesso reimagines it with a modern twist. The result is a moody and hypnotic vibe, departing from his usual upbeat tracks. With ‘Lonely Heart’, Alesso brings a more immersive sound. The launch of Body Hi signals a new era, promising more tracks that emphasize a progressive and moody feel.
Released in 1983, ‘Owner of a Lonely Heart’ is a standout track by the British progressive rock band Yes. The song integrates rock, new wave, and electronic elements, showcasing the band’s innovative direction during that era. With its memorable guitar riff and introspective lyrics addressing themes of solitude and self-reliance, the track resonated with a wide audience. Notably, it achieved significant commercial success, reaching the number one spot on the US Billboard Hot 100 chart, marking a pivotal transition from Yes’s traditional progressive rock roots to a more contemporary, radio-friendly sound. Alesso and his new label will have thousands dancing to these long lost vibes in no time.
Body Hi: Alesso’s Record Label
Body Hi allows Alesso to explore intimate, emotive music. The label focuses on tracks that resonate deeply, offering more creative freedom. It moves away from commercial sounds, diving into a more personal side of Alesso’s music. John Alto, the first artist signed to Body Hi, collaborates with Alesso on ‘Lonely Heart’. This partnership sets the stage for future releases, highlighting diverse and experimental sounds. Fans can expect fresh music from Alesso’s new label soon.

Listen to ‘Lonely Heart’ today and experience the sound of Body Hi.
The post Alesso Launches New Label Body Hi with ‘Lonely Heart’ appeared first on EDMTunes.
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DubVision Drop Massive Progressive House Track ‘I’ll Be There’

DubVision has returned to STMPD RCRDS in style. Their newest track ‘I’ll Be There’ is a huge progressive house track. It is beautiful festival anthem that has been played out for sometime now. It is a mesmerizing blend of uplifting melodies and infectious beats. Played by Martin Garrix throughout ADE, it is the first single after the release of their debut album Another World.
DubVision has been on a tear for many years now but 2024 has been a special one for them. Dropping their debut album was huge but in addition they have impressive other singles. ‘Wherever You Are’ with Garrix is a personal favorite of mine. Right when I heard it at EDC I knew it was a special one. They also had a collaboration with Afrojack in ‘Underwater.’
The Dutch Duo has an amazing ability to produce a diverse amount of music from their club bangers to their uplifting anthems like ‘I’ll Be There.’ Make sure to check it out below!

The post DubVision Drop Massive Progressive House Track ‘I’ll Be There’ appeared first on EDMTunes.
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Carl Cox Is Debuting a "Never-Before-Seen" Live Show at Ultra Music Festival 2025

Carl Cox, a bastion of Miami's iconic Ultra, is unveiling a "never-before-seen" live show at next year's festival, its organizers announced today.
The techno legend, who remains a lynchpin of Ultra's storied RESISTANCE MegaStructure, did not appear in 2024 after performing at the festival a staggering 19 times since its launch back in 1999. But he's now returning and meeting the moment by debuting a brand-new show, "Evolution."
The venture marks Cox's "first-ever fully live Ultra set," according to a press release. "Evolution" mirrors the improvised brilliance of 2022's Electronic Generations album, which Cox at the time called his first-ever body of work as a live artist in an intimate interview with EDM.com.
"For the first time ever, I’ll be performing my new show 'Evolution,' which is a full live set, at Ultra Music in Miami this March," Cox said in a statement. "This means I'll be playing my music live on stage, using a combination of hardware and software to create and manipulate sounds in real-time. Unlike a DJ set with pre-recorded tracks, or my hybrid set that combines elements of live performance and DJing, I'll be crafting and evolving the music live, adding an extra layer of spontaneity and energy to the performance."
The ambitious show will serve as the closing set of Ultra's inaugural "Carl Cox Invites" stage takeover. Richie Hawtin, Adam Beyer, Stephan Bodzin and Dubfire are also poised to perform, among other influential techno artists.
"This is something I’ve been planning for a long time, and I couldn’t be more excited to bring it to life," Cox continues. "I promised you all something special in honor of their 25th anniversary, and this is it!"
View the original article to see embedded media.
Ultra's organizers are celebrating the totemic EDM festival's 25th anniversary in 2025. Cox is joined on the bill by fellow headliners Martin Garrix, Hardwell, Zedd, Alesso, Gesaffelstein, Armin van Buuren, Axwell, Charlotte de Witte, Afrojack and Tiësto, among others. The 2025 lineup also features rare collaborative DJ sets by deadmau5 b2b Pendulum and Anyma b2b Solomun.
In other Ultra news, the festival recently launched an embracive docuseries to celebrate its prevailing legacy and impact on stateside EDM culture. The program, All Eyes On Us, will feature 25 episodes.
Ultra is scheduled to return to its longtime home of Bayfront Park from March 28-30, 2025. Tickets are on sale now and more artists will be announced in the weeks ahead.
Follow Carl Cox:
X: x.com/carl_cox
Instagram: instagram.com/carlcoxofficial
TikTok: tiktok.com/@carlcox
Facebook: facebook.com/carlcox247
Spotify: spoti.fi/3oJKvw8
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AlphaTheta Just Launched A New Budget-Friendly DJ Controller

AlphaTheta‘s iconic brand, Pioneer DJ, has just introduced the DDJ-FLX2, a budget-friendly, versatile DJ controller designed to cater to both beginners and experienced DJs. This compact and user-friendly device offers a range of features to enhance your DJing experience.
Priced at just $179, Pioneer made sure that wallet size is not a worry, effectively allowing virtually any interested individual to dive into the world of DJing. The DDJ-FLX2 is compatible with most popular DJ software right out of the box, such as rekordbox, djay, and Serato DJ Lite. Also down the topic of versatility, whether you’re using a smartphone, tablet, or computer, you can easily connect the controller and start mixing your favorite tracks.
One of the standout features of the DDJ-FLX2 is its Smart CFX and Smart Fader functions. These two features are combinations of more complex DJ techniques used to transition and warp tracks, but all mapped and automatically programmed to one single knob, allowing even the more beginner users to sound like industry professionals. Additionally, the Performance Pads enable you to trigger hot cues, samples, and effects, adding creativity and flair to your sets.
With its lightweight and compact design, the DDJ-FLX2 is perfect for DJs on the go. Its USB bus power capability eliminates the need for an external power supply, making it even more portable.
Find more about the controller right here.
The post AlphaTheta Just Launched A New Budget-Friendly DJ Controller appeared first on EDMTunes.
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We need to talk about DJ Jackum

Fan of UK Garage? Then there’s a 90% chance you’ve already heard of DJ Jackum. Dressed in a pink balaclava and huge yellow glasses, he’s making serious waves in the electronic scene. He’s taking us back to ten years ago, to the heydays of 140, dubstep, and grime. With his aggressive and energetic garage, he wants to bring this big energy back to the rave. 
If you’re going to a DJ Jackum set, you can expect “big tunes, dubs, and rowdiness”, as he explains it. “People come to these nights knowing that we’re going to go mad, you know. We’re going to sweat. We’re going to go mental.” And that’s exactly what he’s doing at his UK shows at the moment. Time to talk to him! 
Hi DJ Jackum! How are you doing?
I’ve been doing well! I’m starting to feel like everything’s really coming together. The shows have been getting better and better. The Jackum name is getting a bit more well-known, and people are starting to get the sound and what I’m trying to do. I’m here for it! It’s all been really positive. 
Nice to hear! How can you tell that your sound is catching on?
The biggest thing for me was when fans would start showing up with balaclavas on. I even played a show in Paris where four people in the crowd were wearing the pink balaclavas. I think that’s wicked. It shows that people all around the world are starting to get it. At first I was a bit worried how my more high energy and aggressive style of garage was going to be perceived, but to see that there’s people reacting that well to it, that’s nice to see. 
I originally got into the scene through 140 dubstep, grime, and bassline. Coming from the North of England, bassline has always been prominent in the underground music scene. It’s those genres where you get that high energy. You would go to the rave and when the tunes dropped you were jumping around, you were going crazy, you were calling for wheel ups… The energy was through the roof. There are probably a lot of contributing factors but energy seemed to go
slightly down in the rave, especially after covid. Everything almost got reset. My whole vibe is that I want to get the rave back to where people were jumping around screaming and losing their minds. That’s my happy place.
When did you realise that there were a lot of people wanting that same feeling back?
Parklife was a big moment for me. This year I got to go back to back with Badger and PJ Bridger. It was super interesting because it felt like the triangle of garage. You had Badger bringing the uplifting and happy side of garage, PJ brought the underground vibe, and then you’ve got my high energy. Playing out in front of all those people was amazing, the reactions were sick. That’s when I felt like, yes, let’s do it. 
You’re on quite a busy schedule at the moment, with a headline tour coming up next year… 
It’s great. At the start of this year I had a full-time job which I didn’t like very much. To be in a position where I’m busy enough to do music full-time now, it’s literally a dream come true and I’m super grateful for it. To be looking forward to playing the UKF15 Drumsheds show is insane. UKF was our introduction to electronic music back in the day, so to get shows like that coming in is unreal. 
With my upcoming headline tour, we want to go smaller again. Small venues, they’re the bread and butter of the UK dance scene. Playing huge festivals and clubs is wicked, but smaller 200 to 400 cap venues… they just have a totally different feeling. Everyone’s in a dark sweaty room together and dancing. It’s the best feeling in the world. The idea behind this headline tour is to create shows with this tight-knit feeling. It’s going to be six dates full of pink balaclavas. My dream vision for this tour is that I want to be at the ticket office. I want to be the one putting the wristbands on people, and give them the balaclava. I want to look every fan in the eye and say, “Thank you for coming. Let’s go mental in half an hour’s time.”  
A big part of the tour is that we’re going to be working with specific promoters that we love. In Leeds you’ve got Airspace, in Manchester there’s Ghosts of Garage, in the Midlands you’ve got Psyked…  These are all promoters that I hold near and dear to my heart. You always hear about DJs, and about venues but no one sings the praises of promoters. Without the promoters, there’s nowhere for people to go and party and so we’re going to be working closely alongside some of those promoters that I’ve mentioned. 
You’re known as this guy with the pink balaclava and big glasses. How did you come up with this look? 
I’ve been wearing the pink bally for over a year and a half now. I wish I had some insane story about when I started wearing it, but I never really thought about it at the time. Me and my partner, we have a dress-up box at home for house parties. We have this box full of stupid hats and glasses, and we make everyone put a hat on out of the box. We had this pink balaclava sitting in there and one day I just put it on, not thinking anything of it. The reaction to it from people was wicked, and it got me thinking. I’ve always loved the idea of anonymity. Daft Punk for example, their faces are hidden. MF Doom, the rapper he wears a mask, Slipknot even. So, when the reaction to the balaclava was good, I  used that as a go-ahead to lean into it.
There is something to be said about anonymity. Does it feel like people focus more on the vibes and the music then? 
On one hand you’re removing your identity from the music, so that should in theory shift the focus onto the music and not the identity. But then again, by hiding your face and having this other identity, it becomes about the identity as well so it’s almost backwards. The number one benefit of the balaclava for me, it definitely has an effect on me when I’m performing. It’s like a plate of armour. You feel protected behind it and that takes some inhibitions away from you and brings out a confidence in you that you wouldn’t normally be able to tap in. I find DJing terrifying, I really do. I still get very, very scared before my sets, but putting on the pink balaclava has become a ritual. I’d be backstage and then five minutes to go, the mask comes on, the glasses go on… That’s when I get in the zone. It puts me in a frame of mind where it’s not Jack going up on stage, it’s Jackum, and Jackum goes mental, he goes crazy. 
You were saying how there’s people showing up in pink balaclavas to your sets. How does that feel? 
I recently played a set at BOG Bristol, where we handed loads of balaclavas out to the people behind the decks. It was probably one of my favourite sets I’ve ever played because everyone behind me was wearing the balaclavas. Their faces were hidden, and I think that that helped them to go mental and really get into the music. They all knew that they’re on camera and being filmed so normally you might be a bit worried about “do I look good,  do I look too drunk, my mum gonna see this or dad gonna see this…” But because everyone was in the masks, they felt how I felt. The balaclava plays a massive part in that because they feel how I feel, where they’re protected and they’re hidden, but in plain view at the same time. They can dance how they want, they can do whatever they want, and no one no one knows it’s them. It definitely has an effect on people. It gave me a lot more confidence as a DJ, and I think anything a more up and comer DJ  can do to try and put their nerves at ease that isn’t drinking a ridiculous amount of alcohol is positive. 
Your music has got quite a unique style to it as well. How did you get there? 
The vocals that I sample play a big part in it, that’s my grime influence coming in. Talking about everything that I love, high energy, people going mad, that’s grime, and grime demands that reaction out of people. It’s nearly the only place where I’ve ever found vocals that match the energy of my music. Another part is, when it comes to production, I’m absolutely not a perfectionist. It doesn’t have to be the most beautifully crafted, spent 100 hours on a thing for it to be enjoyable. Sometimes it’s okay if it’s a bit rough around the edges. I was massively into punk and heavy music when I was younger, and I still carry that whole aesthetic and mentality with me. All the music I love is rough around the edges, it’s got imperfections. In the music scene right now, there’s a massive emphasis on technical perfection and making sure the mix is perfect. To me, that is the most uninspiring thing about music, that’s so boring! I want to push a bass into a distortion and get the loudest, angriest sound possible and then run it.
I’ve been producing for about 10 years now. When I started out, I made the mistake of focusing on the technical details too much. I went down a rabbit hole, but then I reached a spot whereI realised that I hadn’t actually made a song and exported it in years. I was a producer, but I wasn’t producing any music. This realisation changed my whole approach to one where I absolutely had to finish every track by the end of the week. Whether I thought I could work on it more or whether I thought a section needed work… If I hit a week on a track, then that was it. I was forcing myself to be happy with unfinishedness. I teach 1-to-1 music production lessons, and I always tell people to aim for ‘80% finished’. If you can get your track 80% done, that’s good enough. It’s way better than a song being sitting on your hard drive unfinished for six months. 
You recently released ‘One More’ on UKF, a 160 bpm dubstep track. What’s the story behind this one? 
I normally make garage and 140, so this is much quicker than anything else I’ve done. This track is the epitome of what I’ve just been talking about, something being rough around the edges, full of layers. The whole track is based around this huge gnarly bass and when I play back the bass, it always seems to sound different. It crunches in different ways. ‘One More’ is the prime example of a loud, rowdy tune. UKF is a perfect place for it. 
Any last thoughts?
I want to shout out all of the promoters and everyone that we’ve worked with. Ghosts of Garage, Psyked, Airspace… There are too many for me to mention but all the promoters that have backed what I’m doing um and put me in those rooms with the fans. I’m super excited to see what comes next. 
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Google’s New Generative AI Tool Lets Users DJ and Mix Music With Text Prompts

Google is seeking to redefine the DJ experience with its latest generative AI innovation, MusicFX DJ, which allows users to mix tracks simply by typing prompts. 
The tech giant's new AI-powered DJ tool doesn’t rely on existing tracks, instead creating entirely new music in real-time by adjusting sounds based on user-generated text prompts. Working in partnership with Grammy-winning musician Jacob Collier, Google refined the tool to be more accessible, encouraging novel forms of musical experimentation for mainstream audiences.
Developed by the company's artificial intelligence research laboratory, Google DeepMind, the tech makes it possible for anyone to mix music live simply by typing phrases like "uplifting trance" or "dark cinematic tech house." The project represents an attempt to "open the doors of music creation" beyond professional DJs," according to a blog post shared by Google DeepMind.
There's no doubt, however, that this AI-driven "DJ" experience raises timely questions about authenticity in live performance and may amplify the ongoing debate over AI's impact on the creative arts. It's a groundbreaking development, but one that could be regarded by traditional DJs as a bastardization of turntablism and the precision, practice and intuition behind the art form.
Google's AI-powered MusicFX DJ tool.Google DeepMind
Google has added several features to MusicFX DJ that are usually exclusive to seasoned DJs, including control over specific instrumentation. With options to modify key, tempo and the "mood" of the music, the tech affords users the flexibility to personalize their sessions, which can be shared with friends in collaborative "jam sessions." They can even download 60-second clips of their creations, expanding MusicFX DJ's utility for online creators looking to add original soundtracks to their content.
Google's first foray into generative music, MusicLM, used advanced machine learning to create nuanced compositions generated from text alone. MusicFX DJ takes the core principles of MusicLM and applies them in an interactive setting, adding more DJ-oriented controls and the ability to modify multiple prompts simultaneously.
You can find out more about MusicFX DJ via Google DeepMind's blog post and watch Collier utilize the tool below.
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Creamfields Announces New 360° Outdoor "Mega Stage"

The organizers of Creamfields have revealed HALO, an innovative "mega stage" coming to the popular electronic dance music festival in 2025.
HALO serves as both a rebrand and an expansion of Creamfields' fan-favorite Runway stage, which debuted back in 2022. The cyclical outdoor arena stands at a diameter of 45 meters and will be outfitted with "pioneering 360 and overhead video, lighting and sound" from the multi-disciplinary UK design studio Lucid Creates.
"We're incredibly grateful to be given the space and the opportunity to create such ambitious structures and shows like Runway and now HALO with Creamfields," said the firm's Founder and Creative Director, Chris Carr. "It's not an easy thing to pull off, but creating these groundbreaking experiences really is what drives us all."
Check out an artist's rendering of HALO, provided by Creamfields, below.
c/o Creamfields
View the 2 images of this gallery on the original article 2025 is set to be the festival's "most ambitious" year yet with regard to its production, per the press release. The reveal of HALO follows that of another groundbreaking stage, APEX, which Creamfields claimed will be "the largest indoor festival superstructure in the world."
APEX is expected to have a capacity of 30,000, topping that of Madison Square Garden, Hollywood Bowl and the Gorge Amphitheatre, among other iconic music venues.
Creamfields returns to the Daresbury Estate in Cheshire, England over Bank Holiday Weekend from August 21-24. The 2025 lineup has not yet been announced at the time of this writing.
Tickets will go on sale Wednesday, October 30th at 9am GMT.
Follow Creamfields:
X: x.com/Creamfields
Instagram: instagram.com/creamfieldsofficial
TikTok: tiktok.com/@creamfieldsofficial
Facebook: facebook.com/officialcreamfields
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Carl Cox Announces Evolution Live Show Coming to Ultra 2025

Techno King, Carl Cox, is bringing some excitement to kick off your Tuesday. We already knew that Carl Cox was returning to Ultra Music Festival 2025 to celebrate the 25th Anniversary of the festival, and we already knew that he was planning something big. Now we’re getting some info on just what he has in store. After Carl Cox brought his Hybrid-Live show to Ultra a few years back, he’s taking it to the next level of ingenuity with his new ‘Evolution’ show.
Carl Cox announced his new show called ‘Evolution’ making a debut at Ultra’s Resistance Megastructure in March. Rather than a hybrid live set, this will be a fully live set. There will be no pre-recorded tracks being played like a traditional DJ set. He will be using a combination of hardware and software on stage to create and manipulate sounds live as he performs. It will be something like watching a DJ/producer create a track from the first element, and then adding layer after layer of different sounds until you see a full track created.
He says he’s been planning this for a long time and he provided a little preview in his Instagram post. You’ll see a setup that looks like something you might see from Stephan Bodzin or Porter Robinson. Carl Cox frequently talks about how he likes to challenge himself and create the same level of effort that was required back in the days of Vinyl DJing. Needless to say, this takes things to a totally new level and we’re psyched to see it in action!
The post Carl Cox Announces Evolution Live Show Coming to Ultra 2025 appeared first on EDMTunes.
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Central Cee, Charli XCX, Sabrina Carpenter And More To Headline Primavera Sound 2025

The highly anticipated Primavera Sound, 2025 lineup just got even more exciting! British rap sensation Central Cee has been added as a headliner, joining Charli XCX, Sabrina Carpenter, and Chappell Roan for the June 5-7 festival at Barcelona’s Parc Del Fòrum. Returning after his 2023 Primavera debut, Central Cee’s star has only risen, and his unique blend of Drill, Hip-Hop, Dancehall, and Reggae will bring a new flavor to this year’s lineup.
Central Cee: A British Rap Icon Comes Full Circle
Central Cee’s return to Primavera Sound marks an exciting moment for the festival. When he performed in 2023, he was an up-and-coming talent; now, he’s a transcendent figure in the urban music scene, representing a modern-day Brit-pop for the drill generation. Known for hits that capture the voice of the streets with a melodic and relatable style, Central Cee’s sound resonates from the pavements of London straight to the hearts of his fans. His addition adds another layer to an already eclectic lineup that embraces the present and future of music.
A Stacked Lineup: Pop, Indie, and Urban Heavyweights
Alongside Central Cee, fans can catch headliners Charli XCX, Sabrina Carpenter, and Chappell Roan, each bringing their own distinct style to the festival. This year’s bill also features a mix of Indie Rock and Electronic heavyweights like LCD Soundsystem, FKA Twigs, Fontaines DC, and Haim, along with cutting-edge acts like Clairo, Turnstile, TV On The Radio, and Floating Points. With acts from Waxahatchee to Beabadoobee and Caribou, Primavera Sound 2025 promises to be a deep dive into the current music landscape, giving fans a taste of everything from dreamy Pop to gritty urban beats.
Ticket Info, Fan Sale, and Exclusive Offers
The fan sale for Primavera Sound 2025 opens on October 28 at 11:00 CET, with general admission passes priced at €295 and VIP tickets at €495, both subject to availability. Furthermore, General sales will follow on October 29 at 11:00 CET via Fever. Revolut users will enjoy a 10% discount on full festival tickets, adding perks for Primavera Sound Porto and other Primavera tours in Spain, extending the festival experience well beyond Barcelona.
Primavera Sound Barcelona 2025 is set to deliver another unforgettable festival weekend, with an iconic lineup celebrating music’s present and future. Central Cee’s addition, along with a blend of new and legendary acts, makes this year’s festival unmissable for fans across the musical spectrum.
Lastly, for tickets, and more information, be sure to check out their official website, here.
The post Central Cee, Charli XCX, Sabrina Carpenter And More To Headline Primavera Sound 2025 appeared first on EDMTunes.
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Don’t Miss Carl Cox Live in North America This November

The iconic Carl Cox kicks off his highly anticipated November tour across the US and Mexico, delivering a series of electrifying performances. This tour brings his renowned Hybrid and DJ sets to life, offering fans one last opportunity to catch Cox live in North America before the year ends.
An Immersive Experience in Los Angeles
The standout show of the tour is Carl Cox’s first-ever 360° performance at the Shrine Expo Hall in Los Angeles. This in-the-round format immerses the audience, creating a unique visual and auditory experience. Fans surround the stage from all sides, allowing for deeper engagement and an entirely new way to experience Cox’s energy and sound.
Featured Collaborations on Tour
During his November tour, Carl Cox will share the stage with notable artists, enhancing each event’s dynamic:
Vintage Culture: The famous Brazilian DJ and producer, renowned for blending soulful house with pop hooks and tropical rhythms. He will perform alongside Cox at EDC Orlando on November 8th. Afrojack: The Dutch DJ and producer, known for his energetic electro house tracks and collaborations with major artists, will join Cox at the Shrine Expo Hall in Los Angeles on November 9th. These collaborations promise to elevate the tour’s energy, offering audiences a diverse and top tier dance music performance.
Tour Highlights and Sound Evolution
From bustling clubs to massive festival stages, Cox’s tour promises dynamic beats and diverse musical blends. His sets move effortlessly from soulful house rhythms to deep, pulsating techno, ensuring a range of sounds that keep the energy at a peak. When Cox shifts into Hybrid mode, expect cutting-edge creativity, where live elements blend seamlessly with his DJ mastery.
Carl Cox Live: November Tour Dates
The tour will hit major North American cities, featuring both club nights and festival appearances:
November 8th: EDC Orlando – DJ Set B2B with Vintage Culture November 9th: Shrine Expo Hall, Los Angeles – Hybrid Set, 360° In-The-Round November 15th: Club Space, Miami – DJ Set November 16th: Seismic Festival, Austin, TX – Hybrid Set November 17th: Dreamfields Festival – Hybrid Set November 22nd: Better Together Festival, Phoenix, AZ – DJ Set November 24th: Zouk Nightclub, Las Vegas – DJ Set Ticket Info
Tickets are available now, and demand is expected to be high. With this being Cox’s last chance to perform in North America in 2024, these shows are essential for any fan of electronic music. If you are interested in the Los Angeles 360° Shrine Expo Hall show and would like to buy your tickets now, they are on sale at Golden Voice.

Don’t miss out—experience one of Carl Cox’s 2024 final shows in North America! Visit here for more details and ticket information.
The post Don’t Miss Carl Cox Live in North America This November appeared first on EDMTunes.
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