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Insomniac's Escape Halloween Festival Furthers Its Frightfully Fun Festivities in 2024

Billed as the world's largest Halloween dance music festival, Escape marked its spooky return to the hallowed grounds of the NOS Events Center last weekend with a few frightfully fun surprises.
The immersive Crazy Town area at Escape Halloween.Jamal Eid
Known as one of Insomniac Events' most immersive experiences, the two-day event included a new layout and expanded footprint to its sinister San Bernardino location. Some of these changes included the expanded Sewer District, the movement of the Crazy Town area, the addition of the Voodoo Village, and a modification of the Wicked Woods stage.
The expanded Sewer District.Jose Murga
The new Voodoo Village.Keiki-Lani Knudsen
Additionally, this year's event marked the beginning of Insomniac's partnership with the beloved electronic music brand, Boiler Room. Held inside The Cauldron, the warehouse venue included the cultural curator's signature 360° atmosphere for two days of multi-genre productions.
Boiler Room takeover inside The Cauldron.Gina Joy
The 2024 edition of Escape would also be the last time attendees would be able to party with one of the festival's most iconic features, The Grimm. 
The giant puppet skeleton, which overlooked the decks inside the main stage for years, is finally being laid to rest after years of eerily commanding the venue's megastructure. In a post to the event's Instagram page, the company revealed it would replace The Grimm and return to its Psycho Circus theme for 2025.
The menacing skeleton puppet known as The Grimm, RIP.Gina Joy
The Grimm was just one of the many stages held inside the extensive layout at the world's largest Halloween dance music festival. From massive race tracks to intimate art cars, each distinct stage was home to a variety of artists from all corners of the electronic dance space.
Take a peek at a few select snapshots from our favorite performances from Escape Halloween 2024.
Martin Garrix
Gina Joy for Insomniac Events
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HAYLA Paints the Night With Soul-Stirring Debut Album, "DUSK"

In a world where vocals often play second fiddle to the beat, DUSK, HAYLA's highly anticipated debut album, flips the script. 
From start to finish, the project presents an intimate journey through vulnerability, heartache and triumph, all while tethered to pulsating dance rhythms. HAYLA's voice becomes the central force, an instrument as dynamic and commanding as any synth in its own right.
'It’s amazing to work with so many of the collaborators I’ve worked with, but when you go at it alone it does feel quite exposing," HAYLA tells EDM.com. "Because of the audience from the DJs I’ve worked with potentially coming over to listen to my music, I hope I live up to people’s expectations... I’m so fortunate to have these audiences listen to my music and support me."
"I’m really proud of what I’ve created... It’s something, for once, where I can say, 'I have something tangibly mine' and I hope people get to know me more."
From the opening notes of "Only I," DUSK makes one thing clear: HAYLA is here to claim her place as both a vocal powerhouse and a compelling songwriter. The album kicks off with a somber tone as gentle arpeggios bubble beneath her soaring voice, delivering a heart-wrenching yet resolute message. It’s a delicate balance, one that showcases her gift for turning pain into beauty.
Elsewhere, HAYLA stuns with "Freefall," a track that encapsulates the emotional core of the album through throbbing basslines and shimmering synths. Co-produced with Grammy-nominated musician Carl Ryden, the song navigates love's most precarious moments in a surefire highlight that feels like both a confession and a catharsis.
The depth of "Freefall" is beautifully contrasted by the airiness of another standout track, "Visions of You."
"The song story behind it is really when you’re starstruck by infatuation and the thought of that one person that gets you through the day," HAYLA explains. "That one person that you can’t wait to see again that makes you feel good. It was a really fun thing to write. It’s probably the happiest track on the album."
HAYLA.c/o Press
But HAYLA's strength lies not only in her ability to captivate with anthems of heartache. She also offers profound moments of introspection, such as on the hauntingly beautiful titular track, "DUSK." Produced and written entirely by HAYLA herself, the album's closer invites us into a sonic twilight where languid strings build as her vocals hum in ethereal waves, creating a dreamlike soundscape that drifts into darkness. 
It’s a track meant for quiet reflection, best enjoyed, as HAYLA herself suggests, just before the world fades into night.
"I won’t lie, I was incredibly nervous about showing that side of myself," she tells us. "It’s something I’ve done behind closed doors to broaden my musical horizons and to have a more integral part of ownership of a track. I would really like to do more production. Working with so many amazing producers, to say what you want a track to sound like or integrally be a part of a track is amazing, but to actually do it myself felt like something I wanted to experiment with."
"It’s a completely experimental piece," she continues. "It’s an instrumental piece. I suppose its more of a vibey piece. It was something I could actually, for once, put a bit of a, 'This is my body of work' and try to get what’s in my head out into the open. Experimentally, that freedom was great to do.”
Fans have more to look forward to from HAYLA as she's set to take the stage at LA's Roxy Theatre for her debut headline show on December 4th. In the meantime, listen to DUSK below and find the new album on streaming platforms here.
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Zingara Releases Spiritual "For the Crystal Children" EP Ahead of Headline Tour

Zingara, bass music's spiritual sojourner, opens a new passageway through the cosmos with her new EP, For The Crystal Children.
The conceptual EP's four tracks place life and time under a microscope, all kicked off by Zingara's personal indoctrination through the title titular track, "For The Crystal Children."
"When it was time to start brainstorming new ideas, this concept popped into my head," Zingara said in a statement. "The Crystal Children are souls that volunteer to come to Earth to help the collective learn to love and heal."
From there, the EP bursts into a kaleidoscope of color and sound, with Maurice Brown and Steller joining the expedition. An undeniable highlight of the EP is when both join Zingara for its final track, "Rhythm of Life," which is saturated with jazzy saxophone melodies and the sounds of dripping water, mixed and distilled into an otherworldly potion.
Zingara's is now embarking on her headlining "For The Crystal Children Tour," which kicks off today in Urbana, Illinois, with 14 other US locations to follow. Tour dates and tickets can be found here.
Listen to For The Crystal Children below and find the new EP on streaming platforms here.
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Nintendo Launches Streaming App To Compete With Spotify

Nintendo has stepped up their game. The iconic brand, owner of franchises such as the Mario Bros, Kirby, Pokémon, and others, has unveiled its latest surprise: a dedicated music streaming app. Nintendo Music, available on iOS and Android, offers a curated selection of classic gaming tunes from franchises like Splatoon, Animal Crossing, and The Legend of Zelda.
The app, exclusive to Nintendo Switch Online subscribers, allows users to stream or download tracks for offline listening. It features curated playlists themed around games, moods, and characters, as well as a unique “spoiler” feature that filters out tracks from your unfinished games. For those seeking relaxation, the app also offers extended versions of select tracks, which can last up to an hour.
Nintendo’s recent string of unexpected announcements, including the launch of an alarm clock and the development of a mysterious MMO, has kept fans on their toes. While the gaming giant continues to keep its cards close to its chest regarding the next-gen Nintendo console, it’s clear that they are exploring new avenues to engage with their audience.
Watch the trailer and read more here.
The post Nintendo Launches Streaming App To Compete With Spotify appeared first on EDMTunes.
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Crankdat and Juicy J Team Up for Rowdy Single, "Open The Pit"

It's not every day you hear rap icons on mosh pit-inducing dubstep tracks, but Crankdat and Juicy J are here with their heavy-hitting collaboration, "Open The Pit."
The pair recently debuted the single together at LA's Hollywood Palladium, where Crankdat sold out a doubleheader in which he said he "accomplished the biggest goal [he] had set for 8 years."
The bass music heavyweight, who is gearing up to debut an ambitious stage setup in 2025, provided a fittingly frenzied atmosphere. He then intensified the anticipation to a fever pitch by playing "Open The Pit" at North Coast Music Festival and Lost Lands. 
The track operates like this: while Juicy J hypnotizes us with the line, "When you hear this song you gon' open up the pit," Crankdat brings about that prophecy with an emphatic dubstep drop.
"This song has been three years in the making and getting Juicy J on it was a dream come true," said Crankdat. "Along with the record we are also releasing a music video that has been a labor of love to plan out and help create, and I can’t wait for everyone to see and hear it."
The music video is inspired by Grand Theft Auto, which is sure to have the chronically online asking, "We got Crankdat GTA before GTA 6?"
You can listen to the raucous single below and find it on streaming platforms here.
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Lilly Palmer Remixes Armin’s Legendary Track ‘Blah Blah Blah’

Hot off the music press this New Music Friday, we’re thrilled to dive into Armin’s incredible track ‘Blah Blah Blah’ remixed by Lilly Palmer. You can find it streaming on all your favourite platforms via Armada Music. Don’t miss out—listen to this fiery remix on this beautiful fall morning and let us know what you think!
Techno Remix of ‘Blah Blah Blah’
Do you recall the excitement when Armin van Buuren released ‘Blah Blah Blah’ back in 2018? That catchy, repetitive vocal hook was impossible to resist. The original track masterfully blends trance and big-room elements, delivering unmatched energy. Its straightforward yet unforgettable lyrics— “All we ever hear from you is blah blah blah” showcase Armin’s playful spirit while connecting deeply with fans, injecting humour and relatability. Fast forward a few years, and audiences were thrilled to hear Lilly Palmer’s remix. Debuted by Armin himself at A State of Trance 2024 in Rotterdam.
This fresh take on ‘Blah Blah Blah’ takes the energy up a notch, with Palmer’s signature intensity and high energy bassline. Palmer’s remix expertly maintains the song’s original punchy vocals while elevating it with intense build-ups and drops. It creates a vibrant, underground energy that resonates with techno and tech-house enthusiasts. Renowned for her powerful blend of techno and innovative crossover elements, the starlet injects her signature psytrance mayhem. This exhilarating reimagining will thrive on dance floors and electrifying festival sets, making it a must have for any playlist.
Lilly Palmer
Lilly Palmer is an electrifying techno DJ and producer on the rise, celebrated for her dark, driving sound and commanding energy on the dance floor. You’re likely to recognize her from her recent hit,‘Hype Boy.’ Hailing from Germany and now based in Zurich, Switzerland, Lilly has forged a reputation for her innovative style. She seamlessly blending techno, progressive, and tech house with an emphasis on deep basslines and entrancing rhythms. Her music exudes a raw, industrial edge, crafting an atmosphere that transports listeners into a captivating trance. With performances at some of the most prestigious clubs and festivals worldwide, including Tomorrowland, Awakenings, and Amnesia Ibiza, Lilly’s magnetic stage presence and ability to engage audiences make her one of the most in demand artists in the techno scene.
Hope you enjoy this rework of the classic and stay tuned to EDMTunes for all your EDM updates.
The post Lilly Palmer Remixes Armin’s Legendary Track ‘Blah Blah Blah’ appeared first on EDMTunes.
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Phrva Drops Entrancing Debut EP, "Crave"

Hypnotic bass is how Phrva communicates that his reign is just beginning—and while listening to his debut EP Crave, we are all subjects.
Crave begins with "Is It All," a mesmerizing track in which gentle vocals float amongst a sea of dark bass. The track's refrain, continuously repeated, conjures a somber introspection. "Mind" comes to bat next, uplifting listeners with a lively trap beat that pinballs a trilling melody.
Finally, the EP's last track reminds us what Phrva always wants: "More." That sentiment is stated throughout the track as a cliffhanger of sorts, leaving us wanting the same.
"Crave is my first original project, and I hope that it shows the scope of what I’m aiming to achieve with my music," said Phrva, who is set to join Tape B on tour as support for the producer's upcoming Reno and Denver shows. "At the core, Phrva is all about following a feeling and groove and not overthinking it, and the tracks on this project were all created with that mentality."
Listen to Crave and find the new EP on streaming platforms here.
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Mathame's "Discovery Channel" Is a Dark Techno Rebirth of a 90's Cult Classic

Like stepping through a wormhole back to the golden age of MTV, Mathame's new single "Discovery Channel" updates an ageless Bloodhound Gang anthem with a modern techno twist. 
Out now on Republic and Casablanca Records, the track pulses with the intensity of a late-night dancefloor drenched in nostalgia. Joining forces with Lyke, the Italian duo has taken Bloodhound Gang's 1999 hit "The Bad Touch" and mutated it into a darker, headier vessel where the gleeful absurdity of the original meets Mathame's shadowy atmospherics. Remembered for its cheeky lyrics and provocative refrain ("So let's do it like they do on the Discovery Channel"), the original became an MTV mainstay, celebrating carefree irreverence and playful energy.
Mathame's interpretation brings the instantly recognizable hook to life with a melodic techno twist, luring listeners with the familiar lyrics only to send them spiraling into a tidal wave of club-shaking synths. Synth stabs surge skyward while the rhythmic thrum of Mathame's bassline hurtles forward.
Since debuting "Discovery Channel" at ADE, the track is becoming a crowd favorite in their performances. "It immediately became a hypnotic, magical piece in our sets," the duo said, adding that its evolution from cheeky pop hit to techno anthem felt instinctive.
Listen to "Discovery Channel" below and find the new single on streaming platforms here.
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Skrillex, Four Tet, Champion and Naisha Drop Genre-Blending Banger, "Talk To Me"

When Champion, Four Tet and Skrillex join forces, they don’t wait for an invitation.
"Talk To Me," their new collaborative single featuring Naisha, slips right into the bloodstream with a captivating, bass-heavy beat and entrancing vocals, setting off a heady mix of self-assured swagger and introspective groove that's primed to invigorate dancefloors everywhere.
Melding the creative instincts of Champion, Four Tet and Skrillex with Naisha's impressive vocal range, the track simultaneously feels both immediate and enduring. Champion brings his rhythmic mastery to the mix, crafting a slinky groove that brims with underground grit while Four Tet’s signature experimental touch adds an infectious bounce. All the while, the track's powerful bassline hums and churns with unmistakable Skrillex heft.
Naisha's vocals then float in, her ethereal falsetto pulling us in with a delicate yet direct "talk to me" hook that drips with allure. Her vocals shift seamlessly from angelic lilt to hip-hop-inflected grit, a compelling tension between sultriness and self-confidence.
"Talk To Me" marks another stroke of genius in the collaborative timeline of Four Tet and Skrillex. Their previous collaborations, including the atmospheric "glow" from Fred again..'s recent album, saw the pair testing new sonic boundaries, threading textured soundscapes with a distinctly uplifting flair. The impact of their collaborative history isn’t lost on "Talk To Me," which had become a crowd favorite after plays during Four Tet’s Lollapalooza and Portola sets, among others.
Listen to "Talk To Me" below and find the new single on streaming platforms here.
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Bexxie and Yurie Team Up for Haunting House Track, "Sacrifice (You & I)"

Bexxie and Yurie have joined forces for a stellar new collaboration, "Sacrifice (You & I)."
Blending enthralling house beats with emotive vocals, the track pulses with a raw energy that feels both seductive and eerie. Bexxie's and Yurie's rhythms grip tight as the vocals expose a simmering intensity, unfurling the story of someone caught between love and regret.
An anthem for broken promises, "Sacrifice (You & I)" propels with an edgy, almost ghostly undertow. Lyrics like "I can’t breathe every time our worlds collide" linger with a dark allure, each line unraveling the painful balance between love and loss. It’s house music that haunts—both on the dancefloor and in our minds.
"Sacrifice (You & I)" is out now on Purple Tea Records. Listen to the new single below and find it on streaming platforms here.
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SUBSHIFT & Basura Boyz summon a ‘Disco Demon’

Rising stars SUBSHIFT and Basura Boyz have joined forces to deliver the most sinister tech house banger of the year. The UK-based SUBSHIFT, fresh off electrifying crowds at Tomorrowland and Ushuaia Ibiza, brings his razor-sharp production expertise to the table, while Chicago’s tech house maverick Basura Boyz (Nick) injects his signature acid-laced style into their collaboration “Disco Demon.”

“Disco Demon” tears through speakers with predatory precision and unkind intentions. SUBSHIFT’s masterfully crafted bassline hits like a freight train, while Basura Boyz layers in hypnotic synth work and a vocal hook that burrows deep into your psyche: “I met her at the after’s / She’s my disco demon.” The track, born from an inspired week-long session, caught fire during Miami Music Week, earning instant approval from the Black V Neck crew. Now landing on Strangelove, a sublabel of the legendary Toolroom Records, “Disco Demon” captures two producers operating at the peak of their powers, crafting dark, propulsive tech house that demands to be played at maximum volume.
The post SUBSHIFT & Basura Boyz summon a ‘Disco Demon’ appeared first on Dancing Astronaut.
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New EDM Friday: Skrillex, Martin Garrix, Zerb, HI-LO, Kaskade & More

Champion, Four Tet, Skrillex & Naisha – Talk To Me
Champion joins forces with Four Tet, Skrillex, and Naisha on the hypnotic new single ‘Talk To Me’. The three renowned producers create a bold and sultry soundscape as Naisha shifts fluidly from ethereal vocals to hip-hop inflected delivery on this captivating self-love anthem, which the four artists wrote together. Anticipation for ‘Talk To Me’ has been keen ever since Four Tet and Skrillex teased out the track as an ID in recent sets.
Martin Garrix presents: Ytram x CMC$ x Malarkey – I Don’t Know Your Name (The Wire)
Under his Ytram alias, Martin Garrix teams up with CMC$ and Malarkey for ‘I Don’t Know Your Name (The Wire),’ a deep house track with a haunting vocal hook and dark, atmospheric beats. The trio’s production delivers a bass-heavy, pulsing rhythm that blends Ytram’s underground vibe with CMC$ and Malarkey’s energetic touch, making this a track that stands out for its moody, late-night feel.
Kygo & Imagine Dragons – Stars Will Align (Zerb Remix)
Brazilian producer Zerb brings a fresh spin to Kygo and Imagine Dragons’ ‘Stars Will Align,’ infusing the track with a vibrant, tropical house twist. Zerb’s remix lightens the original’s anthemic feel, adding a bouncy rhythm and laid-back vibe that’s perfect for beachside parties and chill playlists. With bright synths and a catchy groove, this remix breathes new energy into the track.
HI-LO – Hypomania
HI-LO (Oliver Heldens’ techno alias) brings the heat with ‘Hypomania,’ a track that takes listeners on a high-energy journey through thumping basslines and hypnotic synths. Known for his deep, gritty techno sound, HI-LO captures a sense of intensity and release that makes this track perfect for dark rooms and packed dance floors. ‘Hypomania’ is a testament to his ability to keep the underground scene electrified.
Kaskade & Wilkinson – Shine On
Kaskade and Wilkinson come together for the first time on ‘Shine On,’ a track that beautifully merges Kaskade’s melodic house sound with Wilkinson’s drum and bass influence. The result is a powerful, uplifting anthem with deep basslines, lush synths, and an infectious chorus that sticks with you. It’s a versatile track that works for both high-energy sets and reflective moments, showcasing the best of both artists’ styles.
Honorable mentions:
Above & Beyond — React
Armin van Buuren- Blah Blah Blah (Lilly Palmer Remix)
Bassjackers – Wake the F Up
Brooks – Falling
David Guetta & Alphaville & Ava Max — Forever Young (Hypaton Remix)
Dual Damage & MC Livid – Rebel Revolution
Green Velvet – Percolator (Chris Lake & Bontan Remixes)
Headhunterz – Live Forever
Jeffrey Sutorius – Young & Famous
Jonasu, RSCL – Fade Away
MATHAME x LYKE – Discovery Channel
Stream all these tracks and more in our New EDM Friday playlist – follow here.

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One Death Being Investigated at Camping World Stadium Ahead of EDC Weekend

One person has died after an incident at Camping World Stadium, according to the Orlando Police Department.
The incident occurred on Wednesday afternoon. As of today, Thursday, one person was transported to a nearby hospital where they were pronounced dead, according to officials.
The cause of the incident is still under investigation by the Orlando Police Department. This investigation comes amid set up for the massive EDC festival set to begin next week on November 8. EDC Orlando returns for its 13th edition next weekend on November 8 – 10.

The post One Death Being Investigated at Camping World Stadium Ahead of EDC Weekend appeared first on EDMTunes.
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Prodigy Artists Announces Promotion of Eric Bindman to Director of Operations

Prodigy Artists, a leading music management company, has announced the promotion of Eric Bindman to Director of Operations. Bindman, a seasoned industry veteran, has been an integral part of the Prodigy Artists team for over two years, serving as a Senior Manager for artists such as Audien, Elephante, Niiko x Swae, and Mattilo.
With a 15-year career spanning talent buying, touring, publishing, marketing, and logistics, Bindman brings a wealth of experience to his new role. Prior to his tenure at Prodigy Artists, he tour managed renowned artists including Deorro, Two Friends, Gareth Emery, 3LAU, Vicetone, Yung Bae, and Haywyre.
Here’s what Bindman had to say about his new role:
Founded in 2012 by Steven Haddad and Will Runzel, Prodigy Artists offers a comprehensive suite of services to its clients, including artist management, touring and event planning, publishing, social media marketing, accounting and financial management, human resources and team building, and travel logistics. The company’s roster is comprised of talented producers and electronic music artists such as SLANDER, NGHTMRE, HEKLER, Wolfgang Gartner, Pauline Herr, Bekon, and Sean Turk.  
In 2023, Prodigy Artists’ roster collectively sold over 380,000 tickets, a testament to the company’s dedication and drive in helping their artists build successful careers. A recent prodigy artist win goes to Bekon who earned a credit as one of the producers of Hozier’s hit single ‘Too Sweet,’ which reached No. 1 on the Billboard Hot 100.
Co-founders and owners of Prodigy Artists Steven Haddad and Will Runzel offered a joint statement hinting at big things to come for the company: “We have a number of important and exciting things planned for the company this year and after working with Eric for two years, we feel confident that he has the right commitment and skills to move these forward. Coupling this with the fact he is a meticulous and skilled artist manager, we feel he will excel in his new role and bring invaluable expertise to this next stage of growth.”

[H/T]: Pollstar

The post Prodigy Artists Announces Promotion of Eric Bindman to Director of Operations appeared first on EDMTunes.
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How Kompass Music Group Is Charting a New Course In Artist Management

In the high-stakes world of electronic music, where the demands are as relentless as the rewards are exhilarating, Kompass Music Group is charting a course in artist management grounded in mental wellbeing and community.
Founded by industry stalwarts Blake Coppelson, Jay Rogovin, Alec Donkin and Jade Gaines, Kompass, which was named EDM.com's best artist management firm of 2023, is redefining success by prioritizing artists' creative freedom and growth from a holistic perspective. With a roster as diverse and dynamic as Vintage Culture, Of The Trees, UZ, Carola and more, the team understands that nurturing mental health is essential for sustaining lasting careers.
Integral to this mission is Kompass' collaboration with 4 O’clock Consulting, a partnership with mental health advocates Kristin Karas and Stacey Forrester. Together, they bring a thoughtful, structured approach to support the individuals behind the music, helping to fortify a culture of care and responsibility. Their alliance echoes recent findings on the power of electronic dance music to enhance mental health, underscoring the genre’s unique capacity to uplift and provide solace.
Kompass manifested this ethos in a spectacular way at the 2024 Amsterdam Dance Event, where the company hosted an intimate boat party alongside NOISIA's influential label, VISION Recordings. Transforming a decommissioned industrial vessel into a floating warehouse, the atmospheric event featured What So Not, Opiuo, Skeler and more, whose performances resonated with the visceral, authentic energy that Kompass cultivates so well.
David Giovannini, Mouna Dif and Franz Hilberath, three of the seasoned members of Kompass' team, share a vision for artist management that transcends the traditional to champion careers marked not only by achievement, but also by resilience, purpose and community.
View the original article to see embedded media.
EDM.com: Kompass is all about shaking up the status quo—what was the moment you realized the traditional artist management model wasn’t working, and how did that spark the creation of Kompass?
David Giovannini: I wouldn't necessarily say that the traditional artist management model wasn't working, as much as the model wasn't working for those of us who came together to form KMG. The formation came together by us managers collectively pulling from personal experiences, both on the business and community involvement sides. All of us have a deep relationship with music, and we have actively participated in the creation and curation of music communities based amongst genres we love. Approaching business with the knowledge and experience as passionate event-attendees, as well as, having formed deep, life-long relationships due to music, has allowed us to navigate the artist/management relationship from a place of commonality.
Mouna Dif: When I joined the company a little over a year ago, I was drawn to its mission of shaking up the traditional artist management model. I’ve always felt that the old ways of managing artists didn’t fully support their creative freedom or adapt to the ever evolving industry. Kompass stood out because it embraces innovation and puts the artist at the center, helping them take control of their narrative and explore new ways to connect with their audience.
Franz Hilberath: I really connected with Kompass' commitment to inclusivity in building a management team, the genuine care for artists and team members as individuals, and the overarching goal to champion authentic, unique artistry. This inclusive and caring approach was a game changer for me—it highlighted that the traditional, often transactional management models were no longer sufficient in supporting true artistic freedom and personal growth.
EDM.com: Kompass has partnered with 4 O’clock Consulting, known for their work in areas like risk reduction and mental health. What led you to collaborate with experts from outside the music industry, and how has that shaped Kompass’ approach to artist management?
David Giovannini: Our collective experiences as participants within the "music scene" has given us insight as to why conversations around harm reduction, mental health, and the music industry are imperative. In life, we have all gained so much through the sub-communities within electronic music. Those experiences led us to understand that these communities function best when we lean onto and learn from one another. 4 O'Clock helped us collectively form Kompass' core values, which we believe are the five most-important pillars to how we operate as artist managers. They're an integral branch of KMG that offers direct consultation and stewardship with every artist and manager involved with the company.
Mouna Dif: Our partnership with 4 O’clock Consulting goes beyond supporting artists—it extends to the people working behind the scenes, like managers, who play a crucial role in shaping an artist’s career. As a woman manager pushing boundaries and advocating for women artists, their support has been vital to my well-being and that of the artists I represent. In a male-dominated industry where preconceptions still exist, the battles we face are tougher and can be a real strain. 4 O’clock Consulting has been instrumental in helping both my artists and myself navigate these challenges and continue to move forward.
Franz Hilberath: The collaboration with 4 O'clock Consulting reflects our approach to providing more comprehensive resources for managers, who often have thankless, exhausting, and sometimes maddening roles. They check in on us not just as professionals but as people, fostering a holistic workplace environment where I feel supported both personally and professionally. This partnership has been crucial in nurturing a supportive, team-oriented culture at Kompass.
EDM.com: If Kompass could design the future of live events, what would that look like? How do you envision your artists connecting with fans in more meaningful ways beyond just the music?
David Giovannini: As managers, we are diplomats of the creative vision. If the artist dreams it, our mission is to build it to the highest caliber of our ability. Whether it be a dark, intimate room with sweat dripping from the ceilings, or an over-the-top production meant to tingle every human sense - we want to make it happen.
Artist-fan connection has to be consensual on both sides. An artist has to want to take that interaction "beyond just the music," and the fans have to want to engage and participate with what the artist puts out there. In the end, authenticity is key.
Mouna Dif: My vision for the future of live events involves creating intimate and unique experiences in memorable locations. I imagine smaller-scale gatherings where artists and audiences can connect authentically, allowing fans to form lasting memories. Offering exclusive merch and unique elements would make each event special, ensuring these experiences go beyond just the music and foster meaningful connections
Franz Hilberath: Building on what Mouna mentioned, I see a future where underground acts create more unique, personal experiences. While commercial, mainstream events are at a peak, there’s a growing demand for authenticity and less commodified experiences. The future lies in intimate, memorable events that allow fans and artists to connect on a deeper level.
EDM.com: Success in the music industry can be fleeting. How does Kompass help its artists build not just a momentary buzz, but a career that withstands the test of time?
David Giovannini: Everything I've mentioned - shared experience, deep passion, creative vision, community engagement, mental health checks. All of these elements are the kindling to the fire one needs to take on "the industry." Pair all of that with a trusted team that is in place to understand/refine/accomplish, and ideally, that will lead to a long, fruitful career. Also, sometimes you just have to ride the ride.
Mouna Dif: We focus on long-term success by nurturing each artist's unique creativity. Instead of using a one-size-fits-all approach, we develop customized plans that cater to each artist individual needs & wishes. We also understand the importance of a balanced career and avoid relying solely on revenue streams like touring. Most importantly, as the music industry evolves with AI and algorithms and new technologies continue to erode artists' streaming revenue, while touring becomes increasingly costly in the current economic crisis post-COVID, we guide our artists in diversifying their work to build sustainable careers that can withstand the test of time.
Franz Hilberath: We focus on fostering long-term brand and business health. Our approach helps create a sustainable brand and artistry that supports artists in using their careers as a vehicle to progress through life and achieve personal milestones, much like others in more traditional careers. We actively audit, manage, and improve their brand, business, and personal lives—these are the pillars of our long-term support strategy.
EDM.com: What’s an unconventional lesson you've learned from managing artists that most people wouldn’t expect, and how has it shaped how Kompass operates today?
David Giovannini: The nature of our work allows us the freedom to travel, visit venues, connect with teams and explore new cities around the world. KMG encourages our managers to accompany our clients at important/unique events and connect with our peers beyond that next Zoom call. This has allowed us to form a global web of resources and relationships. Also - airtag your luggage and equipment!
Mouna Dif: An unconventional lesson I've learned is the power of embracing vulnerability. Many assume artists should always project confidence, but authenticity creates deeper connections with fans. This has shaped Kompass by encouraging our artists to share their true selves in their music and interactions. We foster an environment where vulnerability is seen as a strength, leading to genuine engagement and lasting relationships.
Franz Hilberath: An unconventional lesson has been the power of flexibility. In a field where rigidity can be the norm, learning to adapt to the unexpected—whether it's changing industry trends, personal artist needs, or even global events like the pandemic—has taught us the value of being nimble and responsive. This flexibility has shaped Kompass to be resilient, ensuring that we and our artists can thrive in any circumstance.
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The Final Countdown To EDC Orlando Begins! Our Guide To EDCO Weekend

We are one week out from EDC Orlando and we are buzzing with excitement. Here’s some highlights of what to expect for the weekend. Aside from their superstar lineup across their five stages: KineticFIELD, circuitGROUNDS, neonGARDEN, stereoBLOOM and Ryno Bus Art Car, there will also be a stellar selection of after parties. Tickets are almost sold out so make sure you get yours while they are still available at edcorlando.frontgatetickets.com. Also be sure to download the Insomniac Events App so you can see updates to set times, a map, and other useful information for the festival!
The Lineup
This year’s lineup features big festival staples like Alesso, Eric Prydz, Kaskade, Alison Wonderland, Mochakk, Noizu, Gareth Emery, Guiseppe Ottaviani, Slander, Mau P, and many more. Also be sure to check out some of the insane Back to Back sets on the schedule including Kaskade b2b Alison Wonderland (EDCO debut), Deorro b2b Timmy Trumpet (worldwide debut), Oliver Heldens b2b Benny Benassi (worldwide debut), Dillon Francis b2b Disco Lines, Dimitri Vegas b2b Steve Aoki (EDCO debut), WORSHIP (Sub Focus b2b Dimension b2b Culture Shock b2b 1991) (first kineticFIELD appearance), FLY WITH US (AC Slater b2b Chris Lorenzo), Carl Cox b2b Vintage Culture (worldwide debut), HoneyLuv b2b Bontan (EDCO debut), AMÉMÉ b2b HoneyLuv (worldwide debut), Ahmed Spins b2b Jaden Thompson (worldwide debut), and WAXTRODA (Matroda b2b Wax Motif).
The Afters
Tickets for the EDC Orlando afterparties are on sale now. Head to the official websites for The Vanguard, Celine, and Elixir to make your purchase. However, one of the most anticipated events in this lineup is the EDC Orlando afterparties at Insomniac’s own venue, The Vanguard. With a diverse range of artists and genres, these parties promise to keep the music going and the crowd dancing all night long.
Starting on Thursday, October 6, the pre-party at The Vanguard sets the stage for an epic weekend of music. House music lovers will be in for a treat as Noizu, Odd Mob, and TOBEHONEST take the stage for the Insomniac Records takeover. The energy will be high, the beats infectious, and the atmosphere electric as attendees gear up for a weekend of non-stop dancing.
With Factory 93 at the helm, Friday night at The Vanguard promises to be a sonic journey like no other. So come prepared to let loose, embrace the music, and immerse yourself in the electrifying energy that only a Factory 93 event can deliver.
Saturday night at The Vanguard will see the stage taken over by none other than Illenium, known for his emotion-stirring Bass music and captivating performances. As the crowd sways to the melodic beats and heartfelt lyrics, a sense of unity and connection will fill the air, creating a truly magical experience for all in attendance.
Meanwhile, Sunday night at The Vanguard will be headlined by Alesso, who will bring his Pop-forward sound to the stage and keep the party going deep into the night. With his catchy melodies, infectious rhythms, and undeniable charisma, Alesso is sure to have the crowd on their feet and dancing until the early hours of the morning.
The post The Final Countdown To EDC Orlando Begins! Our Guide To EDCO Weekend appeared first on EDMTunes.
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Uniting the World Through Rhythm and Soul, Afro House Ascends at ADE 2024

Once an underground movement known for its deep, soulful grooves, it's no secret that Afro House is surging into dance music's mainstream. And the 2024 Amsterdam Dance Event left no doubt about its broadening global reach. 
This year's edition of the world's leading electronic music summit drew in roughly 500,000 fans to the Dutch capital, where Afro House took center stage. Across a myriad of high-energy showcases and informative panels, the genre's foremost innovators made a collective stylistic mark on the conference, proving their movement is capable of uniting diverse voices and sounds.
Afro House's presence at ADE 2024 was a journey across soundscapes, storytelling and cultural fusion that seemed to resonate with audiences hailing from every corner of the world. The week kicked off with the debut of Ópalo Records on October 16th at the iconic Panorama Studio in A'DAM Tower. As the sun set over Amsterdam, the launch event began with a packed panel discussion titled "Afro House: From Roots to Global Impact," led by MANU and featuring 16 influential voices in the genre.
The intimate discussion journeyed through the genre's cultural evolution into a powerful force within the global electronic music community. Artists, producers and fans alike came together to explore the its past, celebrate its present and envision its promising future.
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Under the twinkling city lights, the rooftop venue turned into a dance sanctuary as Afro House icons AWEN, DJEFF and Floyd Lavine took over the decks in celebration of the official Ópalo Records launch party. Blending Afro rhythms with an Ibiza-like atmosphere, the evening showcased the genre's power to transport audiences, fusing the genre's signature groove with euphoric soundscapes. The experience reflected precisely the unique blend of community and artistry that the genre champions, while champagne toasts and heartfelt exchanges filled the night with camaraderie.
Two days later, the momentum continued with the Ópalo x Nambaka event at Soulkitchen on October 18th. FNX Omar, Karyendasoul and Lazarusman took the stage with powerful live performances that collided live drumming, dance and electronic music, bringing the genre’s rich textures to life.
At Club Prime the next day, the TRIANGLE event "Dive into the Unknown" offered a different, but no less intimate, flavor of Afro House. Rising stars Joezi and Tayllor led the night, infusing the room with deep, tribal elements rooted in the underground. With a focus on emerging Afro House artists, TRIANGLE set a stage for the genre’s future innovators in an intimate, transformative space.
TRI△NGLE - Instagram
For fans looking for a communal celebration of transformative unifying power, the One Tribe event at Shelter was among the standout events of ADE. Staged in the underground Shelter venue beneath A'DAM Tower, the night brought together renowned artists like LP Giobbi and EDM.com Class of 2023 inductee AMÉMÉ. Funky, deep sonics poured from the Funktion-One sound system as LED visuals pulsed in harmony with the crowd's movements. Travelers from across the globe came together under One Tribe's message of unity, celebrating the characteristically connective energy that Afro House brings to the dance floor.
ADE's Afro House offerings culminated with the MoBlack Records Showcase at Chicago Social Club, curated by a luminary of the genre, MoBlack. Each set by Arymé, Francis Mercier, Benja and EDM.com Class of 2024 star Nirefreak brought a unique approach to the genre's fusion of soulful rhythms with future-forward electronic beats. The night felt like an evolving tribute to the genre's ancestral roots, drawing in those seeking a deeper experience of its sound and spirit.
Douglas Ledieu
Afro House's presence at ADE 2024 substantiated the genre's role as a transformative and unifying force within electronic music more clearly than ever before.
Across performances, panels and celebrations, it connected its cultural past with an inclusive, innovative future—and showed the global dance music fandom that its pulse is only growing stronger.
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[Event Review] Audio Obscura Pres. House Nation at ADE

Amsterdam Dance Event (ADE) is one of the most anticipated events in the electronic music scene, and this year was no exception. Audio Obscura, known for their spectacular events, teamed up with Honey dijon to present House Nation at the G STAR factory. Despite a last-minute change in the lineup, the night filled with incredible music and energy that kept fans dancing for hours.
The event was set to feature Miss Honey Dijon as the headliner, but due to logistical reasons, she was unable to make it. However, Audio Obscura x ADE quickly found a solution by adding Patrick Mason as the surprise headliner. With a lineup that included Benny Rodrigues B2b Carista, Carlita, Desiree, Julianax, Kikelomo, and Major League Djz, the G STAR factory was the place to be for music lovers.
One of the highlights of the night was definitely Patrick Mason, known for his fast beats and explosive performances. His set captivated the audience, leaving them in awe of his talent and energy. Despite the initial fans’ disappointment of Honey Dijon not being able to perform, the night turned out to be a memorable experience for all of us who attended.
A Night to Remember: Patrick Mason Steals the Show
The G STAR factory set the stage for an unforgettable night of music. Each DJ brought their unique style to the table, keeping the crowd moving for a solid 8 hours of non-stop beats. The crowd was a mix of dedicated fans and curious newcomers, all united by their love for electronic music and the promise of a night to remember.
One of the standout performances of the night was undoubtedly Patrick Mason, whose fast beats and explosive energy had the crowd in a frenzy. Known for his dynamic sets and ability to read the room, Mason delivered a performance that left everyone in awe. His seamless transitions, live dancing and infectious energy created an electric atmosphere that had the crowd begging for more. It was clear that Mason was in his element, and his passion for music shone through in every track he played.
As the night came to a close, the cheers and applause for Patrick Mason echoed throughout the G STAR factory. His electrifying set had set the bar high for future events, solidifying his reputation as a must-see DJ in the electronic music scene. Audio Obscura x ADE had once again delivered a night to remember, proving that Amsterdam truly does not disappoint when it comes to music and nightlife.
About Audio Obscura
Audio Obscura is an electronic music promoter that puts cutting-edge dance music into unusual, breathtaking, off-limits spaces around the world. Audio Obscura has changed the face of clubbing by bringing the world’s best electronic music acts into iconic settings from concert halls to train stations to museums and beyond.
Having grown up within club culture, the company went on a mission to push the artform into new spaces and contexts to help it to continue to evolve and reach new audiences. The idea of putting raves into spaces that were traditionally off-limits to club promoters as a revolutionary act in the battle to ensure that electronic music garners the respect, protection and support that it deserves.
The venues represent only one side of the story, however. Their commitment to putting the DJ at the centre stage of the event has helped to blur the lines between concert, rave, club and performance.
The post [Event Review] Audio Obscura Pres. House Nation at ADE appeared first on EDMTunes.
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Charlotte de Witte And Amelie Lens Discuss Their Careers and Future Plans at ADE 2024

Charlotte de Witte and Amelie Lens two of the most prominent female techno DJs in the industry, sat down together at ADE 2024 to discuss their music careers. The conversation dove into the ups and downs they have faced. They also reflected on insights into the challenges of being women in a male-dominated industry and how they navigated through it.
Charlotte and Amelie have both faced comparisons and criticisms throughout their careers. Despite the challenges, they persevered and found success on their own terms, proving that they are more than capable of standing out on their own.
Challenges in the Industry
Charlotte opened up about the difficulties she has faced as a woman in the music industry, particularly in the male-dominated world of techno. She shared her experiences of encountering sexism and other derogatory comments on social media, which often made her question her place in the industry. Despite these challenges, Charlotte remained steadfast in her commitment to her craft, using her platform to advocate for gender equality and empowerment.
On the other hand, Amelie took a different approach to dealing with the pressures of the industry. Instead of focusing on social media and external opinions, she prioritized her personal life, including her family and music. By channeling her energy into her creativity and personal relationships, Amelie found a sense of balance and fulfillment that allowed her to stay true to herself amidst the noise of the industry.
Both Charlotte and Amelie emphasized the importance of staying true to oneself and not letting external influences dictate their paths. Their resilience and determination to carve out their own identities have been instrumental in their success, serving as a source of inspiration for aspiring artists navigating similar challenges in the industry.
The Power of Collaboration
Despite their past differences, Charlotte and Amelie’s collaboration at ADE 2024 was a powerful reminder of the magic that can happen when two talented artists come together. Their b2b show was a good fusion preview of their unique styles and energies, creating a dynamic and unforgettable experience for their fans. The chemistry between the two techno queens was palpable, showcasing their mutual respect and admiration for each other’s talents.
Through their collaboration, Charlotte and Amelie demonstrated the power of unity and solidarity in the music industry. By setting aside their past disagreements and focusing on their shared passion for music, they were able to create something truly special that resonated with their audience. Their performance served as a testament to the transformative power of collaboration and the beauty that can arise when artists come together in a spirit of creativity and mutual support.
As Charlotte and Amelie continue to inspire and empower others with their music, their journey serves as a reminder of the importance of staying true to oneself, embracing challenges, and finding strength in collaboration. Their story is a testament to the resilience and creativity of women in the music industry, paving the way for a more inclusive and diverse future for techno music.
The Big Show
Amelie Lens and Charlotte de Witte announce their grand return to the stage together at Flanders Expo in Ghent (Belgium). After weeks of teasing on social media and a hidden message during their shows, it is finally clear what the 2 DJs are up to. And what they’ve planned promises to be a once in a lifetime experience: on January 31, February 1 and February 8 (2025), for the first time ever, Belgian techno icons Amelie Lens and Charlotte de Witte come together for a unique back-to-back set.
This promises to be an unparalleled highlight in the techno world. Flanders Expo is once again transforming into the biggest techno temple ever, with 20.000 ravers each night, a spectacular visual production and the two leading women of our techno scene. The full line-up will be announced at a later date. Get your tickets HERE!

The post Charlotte de Witte And Amelie Lens Discuss Their Careers and Future Plans at ADE 2024 appeared first on EDMTunes.
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