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After setting Transmission Bangkok 2024 ablaze with an electrifying performance, Maddix sat down with us to reflect on his unique musical journey, his game-changing collaborations, and the recent launch of his signature Maddix Rumble plug-in. Known for pioneering a bold fusion of Big Room, Techno, and Trance, Maddix opened up about the freedom he’s found in merging genres and his evolving role as an inspiration to aspiring producers worldwide. From his unforgettable set at Transmission to his upcoming debut marathon set at ADE, Maddix continues to redefine what it means to push boundaries in electronic music.
You’ve just finished an insane set here at Transmission in Bangkok. Could you tell us a bit about it? How do you feel? 
I feel amazing. I think this is the best set I’ve done in the whole of Thailand and it was a crazy crowd. I love it so much. 
You’re known for merging big room, techno and trance, could you tell us about this journey and how you got to this point? 
So back in the day, I used to do big room only and I got a bit tired of the genre and wanted to do something different. So I realized that actually I wouldn’t buy a ticket to my own show because I would rather go to a techno event and that’s the moment I realized I should change it to something different. I went to the studio and managed to get some techno influences, some trance influences, it’s like a mix of everything and I love it. I can now play at Transmission but also play a techno stage and I love it. A lot of freedom. 
I wanted to talk about your collaborations and your mentorship. So you’ve worked closely with Hardwell over the years and have had a lot of releases with him. How has that relationship influenced this transition from big room to techno? 
He’s been a really good friend during my big room days. He’s also changed his style and it was a perfect fit so we decided to do some collaborations together and it’s worked out perfectly. I love to work with him. He’s a really talented DJ and producer. 
Following up on that, what would be your favorite collaboration with him if you had to pick one. 
That’s hard. But I really like Satisfaction and I still play it because it’s like techno-y.
I wanted to talk about your recent launch – the Maddix Rumble plug-in. Could you tell us about that? 
I remember Revealed Recordings, Hardwell‘s label that I’m still working with asking me if there’s anything that pops up in my mind as they want to build some plug-ins. It was hard to think of as I’m always in the studio producing music and then I realized that I’m manually creating all these rumbles and using all these crazy plug-ins to do it. I thought can we do it in one plug-in, and I shared my ideas and they loved it. Its out now and I use it for almost every single track myself and a lot of techno and trance DJs they actually use it.
So what’s the significance it has on home producers, or Instagram/TikTok DJs who see you as an inspiration and want to make the same music as you? How do you think this will help them?  
I think it helps them make the same kinds of kicks I make way faster because it’s the signature sound. All the presets I put in there are actually presets I use myself. I use them for my kicks and they can just grab it and in a second they can have the same thing.
So you’ve played at some of the biggest festivals in the world and you have ADE coming up. Could you tell us a bit about that?  
It’s actually my first my only event at ADE and it’s the first time I’m going to play a 7 hour set. I mean I’ve done 3 hour sets before but yeah this one is going to be 7 hours. There’s going to be a lot of back-2-backs happening with a few of my favorite artists and it’s going to be massive. The day after I will also be playing at AMF which is the biggest show there. I’m going to be playing in a stadium in front of 30,000 but I’m really looking forward to it.
Looking ahead and talking about the future, what can fans expect like besides ADE and beyond that? 
There are three more releases coming this year, including some special ones before the end of this year. I’m also working on some new music which is difficult to do because I’m touring so much but there’s a lot of exciting stuff happening. Basically I go with the flow. I’m just making music and see what comes out. I try it out and if it doesn’t work, I change the song. 
Do you have any last words and about your set today?  
Transmission Bangkok was amazing. I love it here. It was my first time at this festival here and insane energy. I was a little afraid because I do not play trance that much but you guys went crazy and I loved it. Thank you. 

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Innellea takes us back into his dark but comforting universe with his new single ‘Euphoria‘. A song that, as its name suggests, indicates a feeling of great emotion for a specific event, such as a celebration or an important milestone in our lives. Available now via his imprint Distorted Youth.
Since the beginning of his productive activity back in 2016 until the latest songs and remixes, Innellea has always shown that, although his predominant style is susceptible to be within the house and melodic techno, his musical repertoire has always gone a little further in terms of creativity compared to artists of a similar nature, thus confirming himself as an uneven producer within his genre.
Based on this concept, the artist presents a new single called ‘Euphoria’ which seems to continue the path proposed by his most recent album The Belonging. Throughout the track, he confirms a clear melancholic and existentialist tone but also, at the same time, powerful and aggressive with a hopeful final message.
Innellea- ‘Euphoria’
This song is another example of the constant dominance of cybernetic and industrial sounds permeating the electronic music scene in recent months. At the same time, it presents a variation of sounds more typical of House than melodic techno at the beginning. However, after the build-up of the middle part, we can more clearly notice the characteristic style of the DJ and producer from Munich.
Unlike his previous album and works, this one shows a more optimistic feeling considering it captures an iconic moment in Innellea’s life, which gives it precisely the feeling of ‘Euphoria‘, a piece of light in the midst of perpetual darkness. We can say in 2024 he has established himself as an artist who is not according to be pigeonholed into a specific musical genre, and who seeks to express his feelings and talent through different means.
You can listen to Innellea- ‘Euphoria’ below!

The post Innellea Shows Once Again His Mastery With Uplifting single ‘Euphoria’ appeared first on EDMTunes.
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The recent death of Quincy Jones sent shockwaves across the music industry as artists and fans took to social media to share about his impact on their lives. Among them was David Guetta, who shared a heartfelt post about his encounter with Jones at the Grammys a few years ago.
Known for his groundbreaking work with artists like Michael Jackson, Frank Sinatra, and Ray Charles, Jones’ influence on music and culture was massive. His production of Michael Jackson’s ‘Thriller’ album, a cultural phenomenon, cemented his legacy as one of the greatest music producers of all time.  
In the post, Guetta expressed his admiration for Jones’ work, particularly the “Thriller” album, and recalled a memorable meeting at the Grammys where they conversed in French, a language Jones mastered. Guetta’s tribute highlights the far-reaching influence of Jones’ legacy and the profound impact he had on countless artists around the world.
The post David Guetta Pays Heartfelt Tribute to Quincy Jones appeared first on EDMTunes.
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Emerging UK producer Morty (real name Harry Evans) has just released a new single, ‘Stay With Him‘. Aiming to be much more than just a song, this track features strong vocal performance and explores the theme of toxic relationships, turning into a piece with a much deeper meaning than what can be seen at first glance.
With its driving beat and emotive lyrics, ‘Stay With Him’ showcases Morty’s ability to blend raw emotion with energetic production. The song has its roots in personal experiences, and serves as a call for empowerment. “I wanted to create something that’s not just about sound, but about feeling“, says Morty, regarding the single.
Morty’s music has been gaining recognition in the UK and beyond. He has performed at various venues across the country and is now expanding his international reach with upcoming shows in Zurich and Prague. He’s committed to creating music that connects with listeners on an emotional level. His focus on storytelling and authenticity has stood him firmly in the scene, making him a proper artist to watch in the coming months.
You can listen to Morty’s ‘Stay With Him’ down below!
The post Morty Releases New Powerful Single ‘Stay With Him’ appeared first on EDMTunes.
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Electronic music producer OBLVYN just conquered a new summit, by releasing her highly anticipated album, Self Help. This complete piece is a deeply personal project, which revolves around her most intimate, thoughtful side, through themes of resilience, heartbreak, and the power of human connection.
The album portrays a beautiful collection of Melodic Bass tracks which all showcase OBLVYN’s signature soundprint — Bass blended with emotive storytelling. She has quickly risen to prominence in the electronic music scene, earning recognition for her innovative production techniques and captivating live performances. Her collaborations with renowned artists like Seven Lions and Au5 have further solidified her position as a leading figure in the genre.
Self Help is a testament to OBLVYN’s growth as an artist. By sharing her personal journey through music, she aims to inspire and connect with listeners on a deeper level. “Self Help represents my journey over the past few years, turning challenges like self-doubt and heartbreak into something positive”, says OBLVYN. “Each track is meant to offer comfort and strength to those going through tough times”.
‘Everything‘ with Wayfie, ‘Bloom‘ featuring Roseanna, ‘Colours‘, and ‘Pouring Rain‘ with Luxtides, are just a handful of previously lifted singles from the complete eight-tracker crafter by the 2022 Western Canadian Electronic Artist of the Year. Listen to the entire Self Help album by OBLVYN below!
The post OBLVYN Shares Personal Journey Through Her New Album, Self Help appeared first on EDMTunes.
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Universal Music Group, ABKCO and Concord Music Group are seeking "at least" $500 million in damages after filing a copyright infringement lawsuit against TuneCore and the music distributor's parent company, Believe, Billboard reports.
TuneCore allows independent artists to easily distribute their music across major streaming services like Spotify, Apple Music and Amazon. The company, which in 2015 was acquired by Believe for an undisclosed sum, says it's paid out over $4 billion in revenue to artists since its 2006 launch.
UMG, ABKCO and Concord have collectively accused TuneCore of enabling "massive" fraud and piracy in the bombshell lawsuit, filed November 4th in Manhattan federal court. The coalition's complaint alleges that Believe's platform is "overrun with fraudulent 'artists' and pirate record labels" that are distributing illegal derivatives of hit songs to streaming services and social media.
Those so-called artists, lawyers for the plaintiffs claim, uploaded "minor variants" of hit tracks by the likes of Kendrick Lamar, Ariana Grande, Justin Bieber, Lady Gaga and many more. They reportedly attempted to avoid detection by attributing the music to intentionally misspelled names like "Kendrik Laamar,' "Arriana Gramde," "Jutin Biber" and "Llady Gaga."
Believe, which operates in over 50 countries, has positioned itself as an independent, artist-friendly alternative to major label distribution. The explosive lawsuit, a major escalation in the ongoing battle against music piracy, accuses the company of failing to adequately police its platform.
"Believe is a company built on industrial-scale copyright infringement," a UMG spokesperson said in a statement. "Their illegal practices are not limited to cheating artists on major labels but artists on independent labels as well—including artists on the independent labels within the trade bodies of which Believe is itself a member."
"It’s no wonder that Believe has been outspoken against the streaming reform principles for which so many major and independent labels have been advocating. Why? Because such reforms would undermine and expose their system of building scale and market presence by distributing music for which they have no rights and illegally collecting royalties to enrich themselves and their co-conspirators."
A spokesperson for Believe vehemently denied UMG's claims and said the company is preparing to fight them in court.
"As companies that work with artists and labels around the world, we take the respect of copyright very seriously," the Believe rep told Billboard. "We strongly refute these claims, and the statements made by Universal Music Group and will fight them. We have developed robust tools and processes to tackle this industrywide challenge, working collaboratively with partners and peers and will continue to do so. We have been at the forefront of the digital music ecosystem for nearly 20 years, supporting the development of independent artists and labels, and have been awarded Tier 1 status and included in the Preferred Partner Program across all music stores."
You can read the full complaint, obtained by MBW, here.
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Home Bass, Orlando's architect of electronic music-fueled "stay-where-you-play" experiences, has announced their 2024 lineup.
Billed as "Florida’s largest music festival resort takeover," Home Bass returns November 7-11 for its sixth year. Fans of the event can look forward to a makeover at a new resort location, the four-star Doubletree by Hilton at the Entrance of Universal Orlando, which features an outdoor pool, jacuzzi, splash pad, arcade, five onsite dining experiences and a pair of massive event spaces.
The elevated hospitality will meet its match through Home Bass' stellar 2024 lineup. Fans attending this year will be able to catch electrifying DJ sets from Crankdat, Deathpact, Malaa, Feed Me, Rossy, UZ, Kill Safari (Kill The Noise and Bro Safari). Bass music superstar NGHTMRE is also primed for a rare throwback set.
Check out the full to Home Bass 2024 lineup below and purchase passes here.
c/o Home Bass
The organizers of Home Bass have also announced a spate of new onsite experiences, like a brand-new silent disco with three stages. Ravers in 2024 can also partake in morning yoga sessions and the beloved Frick Frack Black Jack experience.
Home Bass also offers a VIP upgrade, which allows pass-holders to access express shuttle lines, VIP viewing areas, the daily "Beats & Brunch" outing and exclusive merchandise.
Considering the event's dates coincide with EDC Orlando, shuttles to and from the festival's location at Tinker Field will be available.
You can find out more about Home Bass here.
Follow Home Bass:
Instagram: instagram.com/homebass
X: x.com/homebassorlando
TikTok: tiktok.com/@wearehomebass
Facebook: facebook.com/homebass
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The Ninth Circuit U.S. Court of Appeals has upheld a lower court's decision allowing a class action lawsuit to proceed against Live Nation and its subsidiary, Ticketmaster, over accusations of excessive ticket pricing.
The plaintiffs in the class action suit claim that Live Nation has monopolized the ticketing market, thereby inflating prices and limiting consumers' choices in the process. The court condemned the company's attempt to enforce restrictive arbitration policies, agreements that force customers to settle disputes privately rather than in court.
The ruling declared those policies "unconscionable and unenforceable." The development marks a significant shift after previous lawsuits were effectively blocked by these terms, which the court found made it nearly impossible for consumers to hold the ticketing giant accountable.
Live Nation initially argued that purchasing a ticket implicitly meant consumers waived their right to sue and instead required arbitration. However, the appeals panel has found the terms to be overly biased, stating in the decision that they were "so dense, convoluted, and internally contradictory as to be nearly unintelligible."
The ruling comes amid other ongoing legal troubles for Live Nation, including a separate multimillion-dollar lawsuit following a Ticketmaster data breach that exposed the private information of up to 560 million users, per TheTicketingBusiness.
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When NASA envisions art for space, it aims to bridge worlds.
Enter Jon Hopkins and Ólafur Arnalds, whose new track, "Forever Held," was inspired by letters from NASA creative director Erica Bernhard. Described as "love letters from Earth to space," Bernhard's writings reflect humanity's deep-rooted connection to the cosmos, a theme brought vividly to life by the musicians.
Awash in Arnalds' haunting strings, the piece is a work of tranquil, cinematic resonance that speaks to Earth's "fragility and power," Hopkins said. Bernhard sees the renowned electronic music producer's work as a soundscape that bridges "the awe and wonder of space" with "the rhythms of life on Earth," creating a journey that prompts listeners to reflect on humanity's cosmic role.
Adding a unique twist, "Forever Held" is part of NASA's "Space for Earth" experience in Washington, DC, a first-of-its-kind exhibit where Earth is viewed through the eyes of agency's satellites. Both Bernhard's letters and stills from her video for the song will accompany it as it travels to the lunar surface, a symbolic expression of humankind’s enduring desire to reach beyond our home planet.
Before its lunar mission, "Forever Held" has already had an earthly debut thanks to Coldplay, who recently used the song to open their latest album, Moon Music. You can listen to the full composition below.
Follow Jon Hopkins:
X: x.com/jon_hopkins_
Instagram: instagram.com/mrjohnhopkins
Facebook: facebook.com/johnhopkinsmusic
Spotify: tinyurl.com/2dfkdthx
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Universal Music Group has made it clear that any advancement in AI music technology must put artist rights at the forefront. 
With a series of high-profile lawsuits targeting AI developers who trained models on copyrighted works without authorization, UMG's legal actions have demonstrated the label giant's commitment to protecting artists. Now, the company is taking proactive steps to reshape the landscape by joining forces with Klay Vision to develop an ethical framework for AI-generated music.
Klay has committed to creating "responsibly trained" models that uphold copyright laws, an approach UMG deems essential in preserving the integrity of human creativity. The firm aims to ensure that its models support rather than compete with traditional music catalogs, focusing on innovation that benefits instead of replacing human artistry.
"Building generative AI music models ethically and fully respectful of copyright, as well as name and likeness rights, will dramatically lessen the threat to human creators," the companies said in a joint statement.
UMG has been carefully curating partnerships with companies that share its vision for ethical AI. Deals with companies like SoundLabs, and now Klay, illustrate the company's resolve to protect their intellectual property.
According to UMG’s Chief Digital Officer, Michael Nash, "advancing generative AI technology in ways that are both respectful of copyright and have the potential to profoundly impact human creativity" remains a top priority.
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When it comes to rallying crowds, few do it like Alan Walker—but the chart-topping dance music artist's recent tour raised the bar even higher. With nearly 160,000 tickets sold across nine cities, the Indian leg of his "Walkerworld" tour became the highest-grossing international tour ever in the country, IQ Magazine reports.
Promoted by Sunburn, Asia's biggest electronic music festival, Walker's latest tour captivated audiences across India from Mumbai to Shillong. The monthlong run reportedly generated over $5 million in revenue, underscoring the "Faded" producer's unique appeal as well as the unstoppable growth of India's live music market.
The nine-city spectacle saw Walker perform at arenas with capacities from 10,000 to 30,000, marking his debut in cities like Kochi, where his fan base turned out in record numbers.
View the original article to see embedded media.
Surprise appearances by Bollywood icons like Alia Bhatt and musicians like Pritam added to the fanfare, uniquely elevating the energy of each stop.
Sunburn CEO Karan Singh described Walker’s influence as "phenomenal," noting the significance of his tour in demonstrating India's appeal to international artists and hinting at even bigger global names headed for Indian stages in the near future.
Walker today announced another leg, "Walkerworld: Asia Tour Pt. II," which will head to Kuala Lumpur, Tokyo, Seoul and more. Fans can purchase passes here.
Follow Alan Walker:
X: x.com/IAmAlanWalker
Instagram: instagram.com/alanwalkermusic
TikTok: tiktok.com/@alanwalkermusic
Facebook: facebook.com/alanwalkermusic
Spotify: spoti.fi/3Pf8lxx
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Another festival has fallen victim to these grim past months, a time of gathering cancellations by the hour. Gem & Jam Festival organizers have released a statement to communicate they’ve made the difficult decision to postpone the 2025 event. They, however, confirm the festival will return in 2026.
The organizers cited “unforeseen challenges” in curating the 2025 lineup as the reason for the postponement. They expressed their commitment to delivering a top-notch experience and believe that taking a year off will allow them to return stronger than ever. “After tirelessly working on the lineup and things not falling into place like they usually do, it just didn’t feel right“, they said.
“That being said, mark your calendars for February 6-8, 2026, because we’ll be back at the Pima County Fairgrounds in Tucson, ready to deliver something truly special“, the statement continues. Ticket holders for the 2025 event have the option to either hold onto their tickets, which will be automatically transferred to the 2026 event with a free VIP upgrade, or request a full refund.
Read the full statement below, and stay tuned for more news about the Dance music world.
The post Gem & Jam Festival Cancel 2025 Edition, Claim “Unforeseen Challenges” appeared first on EDMTunes.
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A new documentary film exploring the life and career of the late Electronic music producer Avicii will premiere on Netflix later this year. One of the greatest and most beloved acts of EDM is further expanding his legacy, as news has arisen that a visual piece on his story will come to the website.
Titled Avicii – I’m Tim, the film offers a glimpse into the artist’s rise to fame, his struggles with mental health, and his tragic passing in 2018. Featuring never-before-seen footage and interviews with friends and family, the documentary provides an intimate look at the life of one of modern music’s most iconic figures.
The documentary will also include a full recording of Avicii’s final performance at Ushuaïa Ibiza in 2016. This performance marked the end of the artist’s touring career as he focused on his mental health and other projects.
The Tim Bergling Foundation, established in memory of the artist, will continue its mission to support mental health initiatives, particularly among young people. The foundation recently announced its support for Dance For Life, a Swedish initiative focused on mental health awareness and suicide prevention.
Avicii, real name was Tim Bergling, was a Swedish DJ, record producer, and songwriter. He was a defining figure in the Dance scene, known for his innovative production style, experimental approach to writing legendary songs, and overall chart-topping hits. Some of his most famous songs include ‘Levels’, ‘Wake Me Up’, and ‘Hey Brother’.
[H/T] DJ Mag
The post Avicii Documentary And Final Ibiza Show Coming To Netflix appeared first on EDMTunes.
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Vegas-bred pop provocateur Max Rae isn’t just climbing the industry ladder – she’s taking the express elevator. Fresh off setting UK venues ablaze supporting BLUE’s sold-out Greatest Hits tour (where The Sun dubbed her “Glasto-worthy” in those signature sequin catsuits), she’s now crashing the EDM party with Hakkasan resident DJ Jeff Retro on a thunderous remake of Janet Jackson’s “If.”
The collab makes perfect sense – Retro’s been sharing deck space with Calvin Harris and Martin Garrix at Vegas’s holy trinity (Omnia, Hakkasan, WET Republic), while Rae’s been busy collecting scalps on both sides of the Atlantic. Between strutting runways at London Fashion Week, igniting Pride stages with Amber Riley, and going viral on TikTok, she’s engineered a takeover that feels both calculated and chaotic in the best way.
Now, with Aston Merrygold tour dates looming and a Montell Jordan-blessed flip of “This Is How We Do It” locked for early 2025, Rae’s positioned herself as pop’s next not-so-secret weapon. The Daily Mail called her “the perfect hype boost,” but that feels like an understatement – she’s not boosting the hype, she’s manufacturing it. And judging by those Yorkshire Post “stunning vocals” and that “infectious energy,” we’re all buying what she’s selling.
The post Max Rae and Jeff Retro’s add retro breaks to Janet Jackson’s ‘If’ appeared first on Dancing Astronaut.
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From humble roots Down Under to a global presence, Balance Music proudly celebrates 25 years at the forefront of independent electronic music with the inaugural Balance Croatia Festival at The Garden Resort in Tisno, Croatia from Friday 8th to Monday 11th August 2025. Under the leadership of director Tom Pandzic, the Australian label has played its part in shaping, and documenting 25 years of progressive dance music.

The iconic Balance Series mix compilation albums are a true badge of honour, putting you in the ranks of legends like Hernan Cattaneo, Danny Tenaglia, Nick Warren, Guy J, and Joris Voorn. Alongside the albums, Balance Music and sub-label Dawn till Dusk, have nurtured quality EP releases from both upcoming and established artists to showcase progressive, melodic and organic house sounds.

In an industry defined by fleeting trends, Balance Music hasn’t just endured – it has thrived, remaining relevant while staying true to its ethos. It’s time to celebrate that commitment, and they are doing it big: 3 days, 3 nights, 3 stages, 50+ artists, and 4,999 revellers.

For three days and nights in August 2025, Balance Music will host the biggest line-up of progressive and melodic artists to ever grace Croatia’s stunning location. Expect the scene’s legends alongside the next generation of quality artists. Phase 1 line-up announced on 21st November.

The Balance Croatia festival will also collaborate with leading brands The Soundgarden, Skyline Events, and Super Progressive to maintain the high level of music programming.
The picturesque Garden Resort in Tisno is renowned for its Adriatic Coast beaches that’s glazed with crystal-clear waters. Flanked by charming local architecture, this holiday setting feels straight out of a movie, an idyllic backdrop for an electronic music event that is nothing short of a fantasy.

Balance Music will join other leading brands Defected, Love International, Dekmantel, and Dimensions during the Croatian summer at the picturesque Garden Resort in Tisno on the stunning Adriatic Coast. With accommodation options ranging from camping and glamping, to cozy apartments, hotels, and beachside cabins, the location invites you to tailor your perfect Adriatic getaway. Ample space sets the scene for open-air parties featuring our world-class acts on incredible stages.

At the heart of the site, The Yard Stage dazzles with stunning visuals crafted for maximum vibes, surrounded by bars, food shacks, and essential facilities. Along the Adriatic coastline, the Beach Stage provides breathtaking views and an extraordinary backdrop for Balance Croatia. The Olive Grove, shaded by trees and conveniently located near the beach and amenities, serves as the perfect spot for both daytime lounging, and nighttime raving at the festival. At night, the famed Barbarella’s Discotheque entices you to dance all night under the stars.
Balance Music Director Tom Pandzic says: “After 25 Years at the helm of Balance, I thought it was time to celebrate our illustrious history! The Balance Croatia Festival will be a unique gathering of passionate music lovers, unlike anything seen previously. We will honour 25 years of memories, and the times when music meant more. We’ve invited over 50 world-class artists to soundtrack the weekend on Croatia’s stunning Adriatic Coast in Tisno… Under the sun, on the beach, with you. We are also excited to be partnering with The Soundgarden, Skyline Events, and Super Progressive for the inaugural Balance Croatia Festival.”

Visit balancecroatia.com for pre-sale sign-up, tickets, and full info
The post Balance Music announces Balance Croatia Festival appeared first on Decoded Magazine.
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Last Friday 1 November, we were spoiled with a 36 track various artists (VA) release which has been curated by OS:MAN, head of Motive Hunter Audio, with an important mission to raise money for Warchild’s Gaza Emergency Appeal. Counting on support from the likes of Tim Reaper, DJ Hybrid, Fez The Kid, Bruk, and Vxrgo, whilst also relying on releases from close friends of the label including Fendi-K, Arkyn, Blake, Agility, and insectcrusha, this project is the epitome of a forward-thinking underground concept that gives a true representation of the flavoursome sonics that create our culture. A coming together of the established with the new is exactly why this VA will mark itself as one of the standout electronic grassroots projects of the year. Varying from their bread-and-butter jungle sounds, to more techno and bass numbers with forays in such through Dusty Dan, smokey.t, and Joycey – all corners of the underground are covered. With such a breakthrough year as a result of a multitude of jungle releases that have been widely celebrated over the course of the last 11 months, it was only right we bring this multifaceted project to the attention of the wider electronic dance family.      
What’s the deal with the VA then, it’s been a while since you’ve released anything right? 
So after our brief hiatus from releasing this year following our jam-packed start including the likes of Nectax and Dwarde, Fendi-K and myself, and Tim Reaper, Worsleyy and Cheetah, plus the Bristol lot Fez The Kid, Bruk and Toby Ross. I wanted to come back with a bang. This release is my polite reminder to everyone that we’re still about, more than ever, whilst also giving back to people who really do need support via the VA profit contributions to War Child’s Emergency Gaza Appeal. It’s a wicked thing to be able to have this many artists contributing their work to a bigger thing in the name of doing something beneficial, just glad I created the opportunity to orchestrate it.
Why 36 tracks? 
Great question, had this a lot unsurprisingly! The angel number 36 symbolises achieving a balanced life, shifting your focus to what matters most, and using your creative powers to help others. Which is precisely what this VA represents. 
What’s next for Motive Hunter? Vinyl, finally! I’m so proud to say that finally, and definitely long-overdue, we’re releasing EP’s now on wax. First up we’ve got Arkyn ‘The Pressure’. A wicked four-tracker with collaborations from DJ B & Syntax. Absolute jungle-tekno heaters. We’re actually doing a launch party at Tola for it on the 30th November, headlined by the legends Krome & Time, plus Distant Planet’sHughesee and Louise Plus One. Set to be one for the books.
Bandcamp
Event

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Charlotte de Witte shows why she stays at the forefront of contemporary techno with her latest release, the Sanctum EP, fresh off her spectacular performance at Amsterdam Dance Event and fifth straight #1 Techno DJ ranking in DJ Mag.
This release represents an interesting partnership with French soprano Marion Di Napoli, whose ethereal voice gives de Witte’s usually gloomy, driving sound a fascinating new depth.
Starting with its title track “Sanctum,” the EP opens with a strong basis for interweaving elements: futuristic synth work, acidic undertones, and Di Napoli’s mesmerizing vocals — thunderous warehouse-ready kicks. Demonstrating de Witte’s developing skill, the work strikes a careful equilibrium between industrial force and spiritual mood.
With Di Napoli’s vocals deftly cut and repeated into hypnotic rhythms, “Fourth Dimension” exhibits advanced sound design. Precision-engineered hi-hats and a throbbing rhythm that keeps vitality while providing space for the human element of the vocals to shine through improve the rolling techno framework of the track.
The EP ends with “Fugato,” an ambient tune that defies de Witte’s usual dancefloor-oriented production in bold measure. Here, Di Napoli’s exotic vocals float above a cinematically charged backdrop, demonstrating that de Witte’s production talents go much beyond peak-time techno.
Following her triumphant KNTXT Turbo Club gigs at ADE (which attracted 12,000 attendees across four parties) and before of her expected all-night-long set at LA’s City Market, this release marks a turning point in de Witte’s career. The EP shows a careful development of her sound, adding vocals while keeping the dark, driving image that has been her trademark.
The Sanctum EP shows Charlotte de Witte’s reasons for still ruling the worldwide techno scene. She has produced a work that pushes limits yet stays true to her artistic vision by incorporating Marion Di Napoli’s mysterious voice into her hard-hitting technique. The EP effectively closes the distance between underground techno authenticity and more general musical appeal, hence strengthening de Witte’s position as one of the most fascinating voices in electronic music.

The post Our take on Charlotte de Witte’s ‘Sanctum EP’ (KNTXT) appeared first on The Groove Cartel.
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Earlier this year, WhoMadeWho captivated audiences with a sold-out live performance in their hometown at Forum, Copenhagen. If you missed this incredible event or want to experience their mesmerizing set again, you’re in luck! They’ve just released a full-length recording of this live show on YouTube—be sure to check it out below.
WhoMadeWho Live Performances
The band launched their highly anticipated live tour at the end of 2023. Where they unveiled an innovative concert experience that seamlessly blends music, design, and architecture. The innovative spectacle featured stunning visuals by Berlin-based studios flora&faunavisions, EyeMix Studios, and Christopher Mulligan. It is complemented by an extraordinary stage design crafted by the acclaimed Danish architecture firm Bjarke Ingels Group (BIG). This unique partnership resulted in an audio-visual spectacle that redefined their creative approach, showcasing the very best of their artistry.
WhoMadeWho’s performances are renowned for their immersive quality, combining diverse genres and live instrumentation with electronic beats. Their distinctive fusion of indie, rock, and electronic sounds creates an exhilarating atmosphere—often likened to a “live DJ set” bursting with energy, yet enriched with the emotional depth of live musicians. A highlight of their shows is the stunning visual element, where elaborate lighting and stage designs elevate the emotional resonance and immersive quality of their music. This stands out in Black Box during their Forum live set, where grand visuals and lighting synchronize perfectly with their performance.
The band took their live setup around the world. Quickly selling out shows in cities like Paris, London, New York City, Los Angeles, Istanbul, Santiago, and many more. Their performance has gained global acclaim, earning them the ‘Best Live Performer’ award at the 2024 Beatport Awards. Then followed by the title of “Best Organic House” at the DJ Awards held during the summer. WhoMadeWho released their stunning eighth studio album, Kiss & Forget, which features collaborations with artists such as Kölsch, RY X, Adriatique, Blue Hawaii, nour, and others. Many tracks from the album have become staples in the band’s live setlist.
Up Next
Don’t miss the chance to experience WhoMadeWho live at Berlin’s Tempodrom on November 11th! Following this electrifying performance, they will continue their tour at the renowned Olympia in Paris and the iconic Roundhouse in London in 2025. Stay tuned for the official tour announcement—exciting details are on the way!
Stay tuned to EDMTunes to hear all your latest EDM announcements!
The post [Watch] WhoMadeWho Spectacular Live Performance In Forum appeared first on EDMTunes.
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On November 5, FISHER, one of the most charismatic names in tech-house, turns 38. FISHER has become a global phenomenon since bursting onto the EDM scene in the late 2010s. Born Paul Nicholas Fisher in Australia, he was once a professional surfer before shifting gears and diving headfirst into music. This career move proved to be monumental for the EDM world, as FISHER quickly gained a dedicated following.
FISHER’s breakthrough came in 2018 with the release of “Losing It,” a track that hit the top of the charts and earned him a Grammy nomination for Best Dance Recording. “Losing It” became an instant festival favorite, and it’s still played by DJs across the globe. His success continued with other hits like “You Little Beauty” and “Atmosphere,” further solidifying his influence in the tech-house world.
His music is known for its minimal basslines and upbeat sound that draw inspiration from classic house while still feeling modern. FISHER has played at some of the biggest festivals worldwide, including Coachella, Tomorrowland, and EDC Las Vegas, drawing insane crowds with his high-energy sets.
As he turns 38, FISHER continues to evolve, expanding his sound and immersing into new collaborations while staying true to his tech-house roots. Happy Birthday FISHER—here’s to more bangers and unforgettable moments.
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Quincy Jones, the iconic music producer, songwriter, composer, and arranger, has passed away at the age of 91. The news was confirmed by his family on Sunday.
Jones’ illustrious career spanned several decades, during which he collaborated with some of the greatest musicians of all time. He was a pioneer in the music industry, seamlessly blending Jazz, Classical, Pop, Hip-Hop, and R&B. His work with artists like Frank Sinatra, Ella Fitzgerald, Diana Ross, and Michael Jackson has left an enduring legacy.
Perhaps his most significant collaboration was with The King Of Pop himself, Michael Jackson. Jones produced three of Jackson’s most iconic albums: Off the Wall, Thriller, and Bad. These albums revolutionized the music industry, and are, as of today, undeniable works of art, and also a part of general culture.
Beyond his musical achievements, Jones was also a talented film and television composer. His work on films like “The Italian Job“, “In the Heat of the Night“, and “The Color Purple” has been widely acclaimed.
Jones’ influence extends beyond the music industry. His philanthropic efforts and social activism have made a positive impact on the world. His passing marks the end of an era, but his legacy will continue to inspire generations to come. Many today mourn the passing of Quincy Jones, but his work and his sound will continue to outlive him for endless decades to come. Until the last mind has forgotten ‘Thriller’, and, for that matter, any remixes and even original songs inspired by it, his memory will still be alive.
[H/T] DJ Mag
The post Quincy Jones, Music Legend, Passes Away at 91 appeared first on EDMTunes.
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Netflix has announced the upcoming release of Avicii – I’m Tim, a documentary that takes an intimate look into the life of the late Tim Bergling, known globally as Avicii. Set for global release on December 31, 2024, the film offers fans a poignant and personal journey through Tim’s life and career, showcasing never-before-seen footage and personal interviews. In a unique approach, Avicii himself narrates much of the documentary, providing a deeply personal insight into his struggles, triumphs, and journey as an artist.
Avicii – I’m Tim traces Bergling’s journey from his early days as a shy boy in Stockholm to his meteoric rise as one of the world’s most beloved DJs. Through exclusive home videos and footage from a private archive, the documentary unveils the inner workings of a young artist who changed the landscape of electronic dance music forever. Directed by Henrik Burman and produced by Björn Tjärnberg, the film also highlights insights from those closest to Avicii, including family, friends, and fellow artists, shedding light on his life outside of the spotlight.
Adding to the experience, Netflix will also feature Avicii – My Last Show, a recording of Avicii’s final performance at Ushuaïa in Ibiza. This memorable set, held in one of the world’s iconic party destinations, gives fans the chance to relive the energy of his last performance on stage, a fitting tribute to a star whose music continues to inspire.
With the documentary and live performance releasing at year-end, Netflix aims to honor Avicii’s legacy by sharing the story of a groundbreaking artist who touched millions of fans worldwide.
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Already one of the most-memorable tracks in Argy’s 2024 sets, ‘RITMO’ combines the production of Argy, Omiki, and Son of Son. This release is a powerhouse track set to make its way into clubs all over the world.
A Fusion of Distinct Styles and ‘RITMO’ breakdown
‘RITMO’ opens with a classic, relentless techno rhythm, enhanced by an unforgettable vocal hook that captures all the attention. Argy’s signature melodic techno merges with Omiki’s progressive trance energy. Also, Son of Son’s operatic, obscure vocal influences, resulting in a seamless blend and a banger of a drop. They make use of different synth sounds throughout their drops that add diversity and keeps the attention throughout. Argy, Omiki, and Son of Son’s track ‘RITMO’ will be an excellent addition to any techno set for some time to come.
Argy, Omiki, and Son of Son
Known for reshaping the melodic techno scene, Argy has released impactful tracks like ‘Tataki’ and ‘Pantheon’. These have helped him gain global recognition for his innovative sound. This is not the first time he has produced with Son and Son and his unique style within melodic techno and xBlending operatic and obscure vocal influences. Their track, ‘Faust‘ on Argy’s album “New World“, already has millions of streams. Together, along with Omiki, A progressive trance artist from Israel who has collaborated with industry heavyweights like Vini Vici and Timmy Trumpet, are here with ‘RITMO’.

Fans can catch ‘RITMO’ on all streaming platforms.
The post ‘RITMO’ by Argy, Omiki, and Son of Son: A Captivating New Club Track appeared first on EDMTunes.
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Hi! Who are you?
We are Run Da Riddim, which is Jamaican slang for “Play the music”. Our original founders are Calum Leighton (Leighton) and Olly Ley (Chunk) who became friends at school through their shared love of music. They first started discussing the idea of creating a label at the beginning of 2021 when they were only 16 years of age. Later that year they met Callum Whiting (SEF) who became a co-founder.
What’s your ethos?
Leighton’s motto was “Let’s make jungle massive again”, so that’s what we want to do. But we are much more than that. Firstly we wanted to create a label so that we could represent ourselves professionally, and then use that as a platform to help other artists like ourselves who were looking to break through and put their own stamp on the D&B scene. But above all, we just want to use our label to express our love and passion for music.
Tell us your origin story...
Calum and Olly were just having fun mixing in Calum’s bedroom one day and started joking about how it would be great to create a label. We were already big fans of labels like Born on Road and Jungle Cakes so they gave us the inspiration I guess. The discussion moved on to ideas for a name and we quite quickly stumbled upon Run Da Riddim, and then started drawing up concepts for a logo. We later drew a mind map as well with all of our ideas of what we wanted to do with the label which included running events, releasing music, guest mixes and even podcasts. We’ve done all of them since, except the podcasts!
After all the planning we wanted a way to officially launch the label so decided to host a Summer Day Event where all of our residents could play, giving some of them their first opportunity to DJ at an event in front of a big crowd. We all had the best day, especially Leighton who had worked so hard to make it happen. 
At the end of the day we were all congratulating each other saying how this was the start of something special. Little did we know that less than 12 hours later tragedy would strike when our founder Leighton, and two of his friends, were in a fatal road traffic accident. 
Where are you based? Tell us about your local scene
Calum and Olly both went to school in Chippenham, Wiltshire and then went to Access Creative College (formerly dBs Institute of Music) in nearby Bristol to study DJ and Music Production. They found themselves in the heart of the UK’s drum and bass scene with events all over the city every week! There is a real mix of events from large to small, day to night with the full spectrum of dance music represented. We recently hosted our own 12-hour rave at Lost Horizon in Bristol from 3 pm to 3 am, both inside and out! There is no better city to be for anyone with a passion for D&B.
All of our residents are based in and around Bristol, Bath and Chippenham.
Do you have a specific sound or vibe?
We originally started out as a jungle/D&B label with lots of rolling bass and wobbles! But we also have residents that now focus just as much on 140 and UKG so we really are a multi-genre collective these days. Whatever genre we are playing we always want to get across an exciting and energetic vibe!
Do you have a regular artist roster? Who can we see releasing with you?
We now have 12 residents, including our late founder Leighton, and his sister Darcey (Dar C) who only took up mixing after losing her brother two years ago. As well as Olly and Callum, the other residents are Jacob (JIB), Tommy (TJB), Tom (H3), Beau (Rolla B), Oscar (OP Breaks), Gaby (GMD), Jay (TOFA) and Poppy (POP:P). 
Last summer we released our debut album called “Sounds of the Jungle” which Leighton had already started planning a year previously. As well as featuring several of our residents, including Leighton, OP Breaks, TOFA and H3 we were thrilled that Euphonique, who had taught Leighton at college, completed one of his tracks for the album. We also featured the shell suit otherwise known as Scuffed who Leighton had met many times on the scene, as well as the vocals of Marns who was at college with Leighton and Chunk.
Half of our residents have had official releases now, including on Run Da Riddim as well as other labels such as Jungle Cakes. The other half have been working hard at their production and we are planning a “This is Run Da Riddim” album for early next year to coincide with Leighton’s 21st birthday. The idea is to showcase all of Run Da Riddim’s talent and will be our 21st Birthday present to Leighton and our fans!
In the last month alone Scuffed has released two more tracks with us which is really exciting, including a remix of a tune by Omari Banks, a reggae and R&B artist from Anguilla in the Eastern Caribbean whom Leighton had met on holiday there more than 10 years ago. We have actually just completed a mini tour with Omari Banks across 3 different cities (Birmingham, Bristol and London) combining live music from Omari and his band with DnB/Jungle riddims! Scuffed’s remix of ‘No Point To Prove’ coincided with the Bristol leg of the tour and it was a particular highlight when Omari joined Scuffed on stage to sing along live.
Tell us about your A&R process…
We all regularly attend raves and events which is a great way to hear new talented DJ’s who more often than not are also producers playing out some of their own tracks. We are very active on Instagram and also Soundcloud where we will actively search for new tunes to listen to or play out and so is a great way to discover new talent. 
Collaborating with more established artists will inevitably help you grow and improve both musically and technically. So we have been reaching out to a number of artists that Leighton had met to finish his tunes which is great for his legacy as well as our label, but other residents have had some great collaborations too such as Rolla B with Deekline on Jungle Cakes. It is something we will definitely continue to encourage amongst our residents. 
We have actually just created a new email we will be using to encourage people to send us their tunes, so if you think your sound would suit our label please send it our way to [email protected]! We will listen to all submissions and provide feedback- whether we think it might be suitable for our label or not.
What makes you different from other labels?
The youthfulness and energy of our residents, which isn’t surprising given our founders were only 16 when Run Da Riddim was conceptualised! We all have our own different strengths, favourite styles and genres with a common passion for music, but now we are all galvanised by an even greater passion to keep Leighton’s legacy not only alive, but to grow the label to where we know he wanted to take it. 
He was such a caring guy, always looking out for others, and was the most passionate person about drum and bass music you could ever meet. He was always radiating positive vibes with a big smile on his face, encouraging others to follow their dreams as he was doing. He was a visionary with so many ideas for the label, and was a very talented DJ and producer with more than 20 projects on the go. It has been two years now and we are probably only just half way through bringing his plans and projects to life. 
One project is called ‘Bars & Bass’ and the idea is to showcase talented MC’s across the scene. This is one we want to get off the ground next year, so any MC’s out there hit us up! 
What does it take to run a drum and bass label in 2024?
Time, effort, consistency, but most of all passion for what you are doing. It’s not easy and takes up a lot of time. Most of us have full or part time jobs outside of Run Da Riddim, or are studying at college or university, so if you are not passionate about what you are doing it would be very difficult to keep putting the hours in day after day with everything else going on.
And it’s not just about having a collective of very talented musicians. You need a variety of skills. Networking is so important as you never know when it will provide your next opportunity, whether it’s finding someone who wants to release on your label, or vice-versa, or to collaborate on an event or tune. It comes naturally to some, but others need to make a concerted effort. We’ve found the scene to be so supportive and approachable though where everyone is happy to help each other grow and celebrate in each others success. 
Multi-media is obviously very important these days too. It’s great throwing an amazing event or releasing a banging tune, but unless you can showcase that through multimedia it’s much harder to reach new followers and grow your brand. And if you are lucky enough to have someone in-house with the skill and time to do it you can save yourself a lot of money!
What have you got coming up that we should look out for?
We have some really exciting projects in flight. One of our residents JIB has just released his debut track ‘Turn It’ on the label. The track ‘Move’ by Leighton and Scuffed that we released as a single in August is the first track of our next EP called ‘Dance To The Rhythm’ that we are releasing at the end of November. It features 4 tracks by Leighton that have been completed by other established artists who are releasing on our label for the first time – Jappa, Jman, Toby Ross and Oram. 
We are also really excited about the track Badger has completed recently for Leighton which he has been playing out all summer, including at Glastonbury and in Ibiza! It was just the week after he hit the UK’s official Top 40 charts with his remix of Nathasha Bedingfields ‘These Words’ that Alex somehow found the time to get in the studio to work on Leighton’s track. We will be forever grateful for his time and support, and for coming down to Bristol to headline our 12 hour tribute rave this summer. We don’t have a release date just yet but expect a big announcement coming soon! It will also be the first garage track to be released on our label, bringing some multi-genre flavours.
Longer term we’d like to establish a practice and recording studio in Bristol and also build our own rig! But we are talking a few years away yet.
Website / Instagram / BBC Points West


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