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More often than not, year-end coverage published by the music industry's vast pool of media outlets is limited to its artists and performers.
To honor the extraordinary work of the industry's unsung people and brands, EDM.com annually recognizes a group of leaders whose contributions redefined dancefloors and helped shape the future of electronic dance music.
Record Label: Experts Only
Forged in the crucible of a late-2023 rebrand, John Summit's Experts Only imprint emerged with a clarity of vision that few could match this year.
From releases like Max Styler's "Lights Out" and Chris Avantgarde and Kevin de Vries' "Killa," the label was a primary driver of the conversation about the ever-evolving boundaries of tech house music. Summit's own debut album, Comfort In Chaos, arrived mid-year as a tour de force of emotion and experimentation, bolstered by standout remixes like Cassian's stunning take on "Shiver" and YDG's transformative remix of "Go Back."
The label's ambitions also extended far beyond its music, with the Experts Only Ski Weekender in Vail curating a groundbreaking fusion of slope-side adventures and dancefloors. Inspired by Summit's own passion for skiing, the event brought the label’s ethos to life: bold, unflinching and deeply connected to its audience.
In one short year, Experts Only emerged as a creative force that respects the roots of house music while fearlessly carving out its own future, setting a high bar for what it means to lead with vision and purpose.
Words by Cameron Sunkel.
Honorable Mentions: Memory Palace | HypnoVizion | Defected Records
Experts Only
Club: Club Space
A cornerstone of global club culture, Miami's Club Space isn't an ordinary venue—it's a rite of passage.
In 2024, the venue's ethos of "the party never ends" was tested and proven when it closed for three months of structural renovations. Even in its absence, the Space legacy loomed large as Factory Town held down the scene while fans restlessly waited. When the fall finally arrived, Space's reopening party, headlined by Peggy Gou, reminded us why this 2,000-capacity spot holds an outsized influence in the dance music community.
From a marathon 36-hour Miami Music Week closing party featuring Carlita, Marco Carola and more to a 24-hour Art Basel closing party with 23 DJs from 13 countries, Space was a seedbed of club culture. The venue isn't just about major festival weekends—it snaps into action for cultural events like Formula One Race Week, when Black Coffee and MEDUZA dazzled behind the decks. Now, Tiësto is primed for a rare "Sunrise" set in January 2025.
Club Space's significance transcends its size, earning its place as a destination where DJs from around the globe gather to create something extraordinary. And in 2024, its organizers continued to live up to their prevailing tenet: whether it's 3am, sunrise or mid-morning, they've got your back.
Words by Cameron Sunkel.
Honorable Mentions: Cloud 9 Fiji | Ushuaïa Ibiza | Drumsheds
Club Space.Adi Adinayev
Music Company: Vita Motus
For the idealistic minds behind the producers of music festivals, one question often gnaws like a spider in the brain: can a stage be more than just a platform? For Vita Motus, the design studio behind Coachella's groundbreaking Quasar stage, it's a resounding "yes."
Led by its ambitious founder and CEO, Heather Shaw, Vita Motus has executed phantasmagoric stages for EDC, Electric Forest and Lightning in a Bottle, among other major festivals. But she found herself in a three-month pressure cooker ahead of Coachella, where the studio was tasked with building a universe unto itself.
The stage's monolithic LED walls, Shaw told EDM.com back in April, were designed "to push the boundaries of what's possible at music festivals." Her team ultimately delivered, establishing a bastion of iconoclastic festival design within Coachella's hallowed desert metropolis.
The stage became the epicenter of EDM at the nation's most iconic music festival, which in 2024 teemed with unforgettable rave moments. Fans willingly plunged into the rabbit holes of innovative three-hour DJ sets by RÜFÜS DU SOL and a cancer-free Michael Bibi, among other influential electronic acts. Eric Prydz and Anyma, two of the industry's most subversive creators of visual displays, also performed together for the first time as the sun set.
To that end, Quasar dissolved the boundaries between electronic music and performative spectacle, reimagining the inert concert stage as a living, breathing organism.
Words by Jason Heffler.
Honorable Mentions: End Overdose | Playtime Engineering | WavMaker
The Quasar stage at the 2024 Coachella Valley Music and Arts Festival. Julian Bajsel
Music Executive: Cindy Charles
Cindy Charles didn’t just change how we hear electronic dance music this year. She changed how we feel it—both together and apart.
Charles tragically died in October following a traffic accident during the Amsterdam Dance Event, the world's leading electronic music summit. But before we lost Twitch's trailblazing Head of Music, she led the development of the platform's pioneering DJ category, a breakthrough that established it as the first to provide a long-term home for DJs to legally livestream.
Charles, a visionary agent of change in the intersection of music and technology, redefined how artists and creators engage with audiences online. She remains revered for leading Twitch's label relations and music licensing operations, fostering an ecosystem that enables DJs to build fanbases and achieve financial freedom on the platform.
In addition to fiercely championing rave culture, Charles was also an unshakeable advocate for women in the music industry. She co-founded the San Francisco chapter of She Is The Music as well as Women In Digital, a community of over 1,500 members with a mission "to help women define a limitless future for all by shining a light on careers in digital and technology."
Words by Jason Heffler.
Honorable Mentions: Christine Thomas (Dolby) | Adam Russakoff (Ultra Worldwide) | Jeff Abel (Excision Presents)
Cindy Charles.Twitch
Event Organizer: Breakaway Music Festival
Breakaway didn't just host music festivals in 2024—it created destinations at scale.
Breakaway lived up to its name in 2024, leaving competitors in its dust as it became the nation's preeminent traveling EDM festival. The event's organizers are now poised to expand to a bevy of new markets in 2025, swelling to a staggering 12 cities.
That kind of growth was a white whale for independent festivals in 2024, a time when inflationary pressures hiked operating costs to prohibitive levels. Nevertheless, Breakaway managed to become the fastest-growing music festival brand in the country, due in part to their knack for blending high-profile headliners with undiscovered talent in lineups that felt both elite and accessible, a rare feat in a crowded market.
Breakaway's influence, however, is greater than the sum of its dozen parts. The brand supercharged its sustainability efforts by partnering with Zero Waste Event Productions, a leading provider of recycling, composting and waste management services, to divert from landfills over 25,000 pounds of recyclable materials, including harmful plastics.
Breakaway's proprietors also recently announced that all of their 2025 festivals will accept cryptocurrency as payment, mirroring its ethos of progress and inclusivity to foster a new kind of freedom on and off the dancefloor. "As the music industry continues to evolve, we’re committed to adapting to the needs of our fans and staying ahead of the curve," said co-founder and CEO Adam Lynn.
Words by Jason Heffler.
Honorable Mentions: DEF | House Calls | FIVE Music
Breakaway Music Festival.KURSZA
Visual Artist: Tobias Gremmler
Tobias Gremmler's larger-than-life artistry was impossible to ignore in 2024, imbued with an almost intangible quality that connected deeply with Afterlife's broadening global audience.
His work with Anyma on the superstar DJ's tour and sophomore album, Genesys II, transformed towering LED screens into portals, immersing fans in haunting spaces where the boundaries between performer and participant disintegrated. Blending Afterlife’s iconic dual themes of robotics and nature, Gremmler's awe-inspiring visual concepts captivated audiences in high-profile venues from Los Angeles to Miami to Amsterdam, threading an ineffable emotional connection amidst the grandeur of stadium-scale productions.
Anticipation is now building for Anyma's historic Las Vegas Sphere New Year's Eve show and residency, "The End of Genesys," which will see Gremmler's transhumanist visual designs envelop the record-breaking venue for its first-ever electronic music shows. His creative direction is ambitious by all accounts, and it's reshaping how we experience and engage with EDM's most transcendent performances.
Words by Cameron Sunkel.
Honorable Mentions: DR01D VISUALS | Wesley So | Neurite
" frameborder="0" allowfullscreen>YouTube Channel: Book Club Radio
What do butterfly houses, Y2K vampires, frat parties, robot uprisings, Florida men, murder mysteries and 2010s EDM all have in common? They’re all themes for Book Club Radio’s epic parties—err, "meetings"—in 2024.
Each theme is truly immersive: the DJs curate mixes to fit each, the crowds dress up for the part and the backdrops are filled with madcap props often hand-built by the Book Club Radio crew. The feverish fandom around their YouTube channel is a testament to the fresh perspective that the Brooklyn-based collective, founded by the inimitable Jojo Lorenzo, is bringing to dancefloors.
Words by Saad Masood.
Honorable Mentions: Flavour Trip | Tracklib | putyouon. by Steve Cardigan
Audio Engineer: A. G. Cook
When Charli xcx recorded her global hit "360" and said, "You gon' jump if A. G. made it," she was sending a message.
One of hyperpop's most influential producers, A. G. Cook has made a name for himself crafting music for international superstars like Beyoncé, Hikaru Utada and Caroline Polachek. While that pedigree is impressive in its own right, his brilliant work on Charli's viral sensation, Brat, may go down as his finest.
Serving as an executive producer of Brat and vocal engineer of most of its tracks, Cook propelled his longtime collaborator's latest album not only to the top of the charts, but also to the lime green-colored pinnacle of pop culture. There would be no "brat summer" without him.
Cook's work on Brat led the album to a staggering seven Grammy nominations, including Album Of The Year, Best Dance/Electronic Album, Record Of The Year ("360") and Best Pop Solo Performance ("Apple").
Words by Nick Yopko.
Honorable Mentions: Cassian Stewart-Kasimba | Emily Lazar | Sonny Moore
A. G. Cook.c/o Press
Artist Management: Metatone
In an impressive seven-year period, Metatone founders Holt Harmon and Parker Cohen have built an independent management powerhouse. And in 2024, the firm set new standards for driving success in the house music world.
Their secret? A results-driven, holistic approach and wealth of resources that help DJs reach new audiences. Since bringing John Summit aboard during the company's formative years, Metatone has cultivated a formidable roster of producers that includes Max Styler, Ranger Trucco, Deeper Purpose and Layton Giordani.
Its commitment to fostering both the wellness and creative freedom of its roster remains at the heart of its philosophy. Through the expansion of Metatone Media, the company provided its artists with tailored support in branding, touring logistics and content creation, empowering them to focus on crafting groundbreaking house music.
And that they did. From Summit's stratospheric debut album Comfort in Chaos to Giordani's rare official remix of deadmau5's "Strobe" to Max Styler's prolific run of tech house hits, Metatone broke out this year. Its proprietors also worked diligently to position their artists at the cutting-edge, like when Summit sold out Madison Square Garden.
Words by Mikala Lugen and Rachel Freeman.
Honorable Mentions: 2+2 Management | Club Class | Kompass Music Group
John Summit, who is represented by Metatone, performing at Madison Square Garden.Alive Coverage
Music PR: Falcon Publicity
In just five years, Falcon Publicity has managed to become one of the leading forces in media relations within the mercurial world of electronic dance music. It's the brainchild of PR vet Alexandra Greenberg, whose decades of expertise have led her to acquire a remarkable roster of artists, brands and events in that short time.
Deeply influential electronic artists like deadmau5, Kraftwerk, Richie Hawtin and Kaskade all call Falcon home. The firm had its talons on the pulse of dance music in 2024, executing a slew of innovative, high-profile campaigns that propelled it to the industry's corps d'elite.
One was HAYLA, whose stentorian vocals dominated playlists and music festivals all year. After collaborating with John Summit, Kx5, Kygo and MEDUZA, the surging singer-songwriter broke out as a solo artist with the help of Greenberg, who ran press for her scintillating debut album, DUSK.
And then there's techno superstar Anyma, who in 2024 announced he'd be the first electronic music artist to perform inside the record-breaking Las Vegas Sphere. What started out as a single New Year's Eve performance quickly snowballed into a historic DJ residency with enough audiovisual specs to change the fabric of Sin City raving—and Falcon is shaping the narrative.
Words by Ulises Vargas.
Honorable Mentions: Bampire | MP3 PR | JSloane Creative
Falcon Publicity founder and CEO Alex Greenberg.Lindsey Byrnes
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The most mysterious man in electronic music has made it extremely difficult to collect his entire discography, with an abundance of music floating around the internet but no way for fans to trace it back to him or verify its authenticity. For many years he'd release special tracks exclusively on vinyl, which could only be purchased at a singular tour date or festival appearance.
Aphex Twin has now gathered 38 recordings—previously released only on wax from 2016-2023—and uploaded them to streaming services. The new compilation, Music From The Merch Desk (2016-2023), is out now on Warp Records.
The first two tracks were released as part of his Day For Night Festival performance while the final five were sold at London's Field Day Festival. Included in the new album is a remix from his alter ego, AFX, amongst other masterfully produced offerings from the artist who leaves more questions than answers. It marks the second re-release of the year from Aphex Twin following October's reprint of Selected Ambient Works Volume II.
Listen to Music From The Merch Desk (2016-2023) below.
View the original article to see embedded media.
Follow Aphex Twin:
X: x.com/aphextwin
Facebook: facebook.com/aphextwinafx
Spotify: spoti.fi/34xoFmQ
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A voice that first captured the ears of electronic music fans with "Escape," a collaboration with deadmau5 and Kaskade's Kx5, HAYLA has now become impossible to miss. The British singer-songwriter has now announced her first solo U.S. tour, offering fans in four major U.S. cities a front-row seat to one of today's most defining voices of the genre.
Having released her scintillating debut album DUSK last month, HAYLA is decisively spearheading her own path. Recorded over three years, the 10-track collection is both expansive and deeply personal, traversing themes of loss, renewal and self-discovery.
Her sold-out headlining debut at LA's Roxy Theatre earlier this month was a promise kept—proof that her voice is now, unequivocally, the main event. In February 2025, she will bring that momentum to four cities across the United States: New York City's Webster Hall, Denver's Bluebird, San Francisco's Great American Music Hall and Seattle's Neumos.
Tickets to HAYLA's February 2025 tour go on sale December 19th at 9am local time.
c/o Press
Follow HAYLA:
X: x.com/haylasings
TikTok: tiktok.com/@haylasings
Instagram: instagram.com/haylasings
Facebook: facebook.com/haylasings
Spotify: https://spoti.fi/41MXBgq
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1. Afterlife Presents: Anyma ‘The End of Genesys’
Where: Sphere, Las Vegas, USA
When: December 27, 28, 29, 30, 31 & January 1, 10, 11
Las Vegas’ cutting-edge Sphere venue sets the stage for Anyma’s “The End of Genesys” showcase. With breathtaking visuals and immersive soundscapes, this Afterlife production is a must for electronic music lovers looking for a futuristic and unforgettable NYE experience.
2. Neon Countdown
Where: Bangkok, Thailand
When: December 30, 31
Asia’s premier electronic dance music festival is back, bigger and brighter than ever. Held in the vibrant city of Bangkok, Neon Countdown promises an epic lineup of international DJs, stunning pyrotechnics, and a buzzing atmosphere to welcome 2024.
3. Proper NYE
Where: San Diego, USA
When: December 31 & January 1
Proper NYE combines coastal vibes with world-class talent in sunny San Diego. Dance into the New Year with an incredible lineup spanning house, techno, and everything in between.
4. Decadence
Where: Arizona, USA
When: December 30, 31
Known as the “City of Decadence,” this festival transforms Arizona into a dazzling paradise for music lovers. Featuring an impressive roster of top-tier artists, Decadence delivers an unforgettable two-day celebration.
5. Awakenings NY
Where: Amsterdam, Netherlands
When: December 28, 29, 31
Renowned for its pulsating techno beats, Awakenings NY is a favorite among European festivalgoers. This year’s edition offers multiple dates to experience Amsterdam’s legendary electronic music scene.
6. Countdown NYE
Where: San Bernardino, California, USA
When: December 31
Prepare for a space-themed celebration at Countdown NYE in San Bernardino. With an interstellar lineup of artists and larger-than-life stage production, this one-night-only festival is perfect for a galactic end to 2023.
7. Fresh Start Festival
Where: San Francisco, California, USA
When: December 31 & January 1
Kick off the New Year with the Fresh Start Festival in San Francisco. With a mix of music genres and a vibrant crowd, this two-day event guarantees an energetic start to 2024.
8. Forever Midnight
Where: Los Angeles, California, USA
When: December 31
Los Angeles’ “Forever Midnight” promises an enchanting night of music, dance, and celebration. As the clock strikes twelve, revelers can expect an unforgettable countdown in the City of Angels.
Whether you’re into pulsating beats, immersive experiences, or vibrant cultural settings, these NYE festivals are your ticket to starting 2024 on a high note. Secure your tickets now and get ready to celebrate in style!
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The collection includes seven exclusive new remixes, led by rising Belgian talent MAXI MERAKI’s take on “Saturday”, alongside contributions from a supergroup collaboration of Selim Sivade, BARON, Meloko, and Konvex plus remixes from Dennis Cruz, Rockin Moroccin, Tripolism, Xinobi & AWEN, and Massimiliano Pagliara. These join previously released remixes from electronic music luminaries RÜFÜS DU SOL, CamelPhat, Mind Against & Dyzen, and more.
The remix collection emerges at the peak of an extraordinary chapter for WhoMadeWho. Throughout 2024, the Danish trio has evolved far beyond their origins, amassing several awards and accolades for their revolutionary live experience. Their groundbreaking stage production, conceived with architectural powerhouse Bjarke Ingels Group (BIG) and brought to life through visuals by flora&faunavisions, EyeMix Studio, and Christopher Mulligan, has transformed venues into immersive wonderlands from New York to Santiago de Chile. Kiss & Forget, their eighth studio album, stands as a testament to the power of artistic collaboration, uniting diverse creative forces to craft both a sonic and visual masterpiece. The album transcends typical genre constraints through masterful collaborations with Kölsch, RY X, Adriatique, Blue Hawaii, and nour, while its visual counterpart, now streaming on YouTube, sees Berlin-based director Thomas Kuhn and creative director and photographer Polina Vinogradova weave a mesmerizing narrative that explores the transient nature of human connection, youth, and memory – themes that echo throughout both the original album and the remixes. Looking ahead to 2025, WhoMadeWho prepares to push their artistic boundaries even further with their ‘Kiss & Forget’ live album tour, including confirmed stops at Paris’s Olympia and London’s iconic Roundhouse.
‘Kiss & Forget (Remixes)’ Tracklist:
1. WhoMadeWho – Saturday (Maxi Meraki Remix)
2. WhoMadeWho – Children (Mind Against & Dyzen Remix)
3. WhoMadeWho & Kölsch – Heartless (Alex Wann Remix)
4. WhoMadeWho – Sweet Cuddles (Selim Sivade, Baron (FR), Meloko, Konvex__ Remix)
5. Adriatique & WhoMadeWho – Miracle (RÜFÜS DU SOL Remix)
6. WhoMadeWho & RY X – Love Will Save Me (Camelphat Remix)
7. WhoMadeWho – A3LA (Rockin Moroccin Remix)
8. WhoMadeWho – You Belong To No-One (Tripolism Remix)
9. WhoMadeWho – Sweet Cuddles (Dennis Cruz Remix)
10. WhoMadeWho & Blue Hawaii – Kiss Me Hard (Adam Ten Remix)
11. WhoMadeWho & Xinobi – Bedside (Xinobi & Awen Remix)
12. WhoMadeWho – You Belong To No-One (Massimiliano Pagliara Remix)
The post WhoMadeWho Releases Remix Package for ‘Kiss & Forget’ appeared first on EDMTunes.
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This tranquil compilation album that one should hear to ease in their day (and week, especially with the ongoing holiday season), is a perfect listen and the artwork on the Chronicles 24 album cover definitely does resonate with its vibrant, atmospheric theme. The artwork is a very beautiful, deep water shot of a jellyfish pair from professional underwater photographer, Daniel Nicholson, who took pictures of the beautiful types of jellyfish, including the large Lion’s Mane jellyfish with 100-foot long tentacles and the barely visible Irukandji which can adapt any environment they see fit. Click ‘Play’ on the Spotify link to stream Purified Records’ beautiful Chronicles 24 album, which allows oneself to feel all the peaceful vibes all around with.
The post Purified Records Bring Out Soothing ‘Chronicles 24’ Compilation appeared first on EDMTunes.
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An Unforgettable Experience Awaits
Time Warp has built a reputation for pushing the limits of music, technology, and atmosphere. Attendees can expect cutting-edge sound systems, immersive stage designs, and a production that blurs the lines between reality and art. With a rich history spanning decades, Time Warp continues to set the gold standard for electronic music festivals.
This year’s event brings together a carefully curated lineup of international stars, from techno titans to rising innovators. Fans will be treated to solo performances and rare b2b sets, ensuring an unparalleled sound journey from start to finish.
Warp Mannheim 2025 Lineup
Time Warp Mannheim 2025 features some of the biggest names in the scene, with artists delivering their signature high-energy performances. The full lineup includes Adam Beyer, Black Coffee, Charlotte de Witte, Nina Kraviz, Ricardo Villalobos, Sven Väth, and Richie Hawtin. From heavyweights like Marco Carola, Joseph Capriati, and Ben Klock to rising talents like Syreeta and HAAi, the lineup reflects Time Warp’s mission to blend established legends with new voices shaping the future of electronic music.
The Atmosphere of Time Warp
Time Warp is not just a music festival—it’s an experience. The combination of state-of-the-art visuals, mind-blowing light installations, and the energy of thousands of passionate fans creates an atmosphere unlike any other. The five uniquely designed stages are crafted to transport attendees into a different world, where music takes center stage and time feels suspended.
From its industrial roots in Mannheim to its expansion across continents. Time Warp remains the ultimate destination for electronic music lovers.
Tickets and Details
Tickets are already in high demand, so fans are encouraged to secure their spots early.
Date: April 5th, 2025 Location: Maimarkthalle, Mannheim, Germany Tickets: Available now via the Time Warp official website (link here) Don’t miss this chance to witness the world’s finest DJs and producers come together for an unforgettable celebration.
The post Time Warp Mannheim Unveils Stellar 2025 Lineup appeared first on EDMTunes.
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In 2025, Ollie Mundy is set to make his highly anticipated return to Ibiza, building on a series of standout winter events on the island. Renowned for his signature sound and electrifying vibe, Ollie has cultivated a loyal following and proudly announced his second consecutive year with the award-winning event series Back To Mine and Days Of Disco.
The summer season holds even greater promise, with exciting collaborations already in the works and exclusive OVAVA label parties to be unveiled as the new year begins, cementing Ollie’s status as a key figure in Ibiza’s dynamic music scene.
With a lineup of new releases already signed and slated for an early-season drop, Ollie Mundy’s sound is poised to dominate the island’s biggest parties once again with his unique sound, solidifying his status as a key player in Ibiza’s musical landscape.
Ollie Mundy has had a landmark year, delivering standout performances at London’s legendary Fabric and New York City’s Hot Situations, alongside high-profile UK festival appearances and a triumphant return to Burning Man, his spiritual home. His tracks have garnered widespread support across Germany, France, Egypt, Australia, the UK, Ibiza, Colombia, and beyond, with releases on respected labels like My Other Side of the Moon and Sondela.
Ollie comments: “I’m really excited about the future of the label, especially with the incredible amount of interest coming in so quickly. Recently performing for legends like Jo Mills and Soul Central in Ibiza has further motivated me to expand my presence on the island. As my production evolves, I can’t wait to share my forthcoming releases, really highlighting the energy and emotion my music sets to convey.”
This year has also marked a pivotal moment in his evolution, highlighted by the launch of his own imprint, OVAVA Music. Riding the global wave of attention toward his genre, Ollie has achieved extensive streaming success, with recent playlists reaching over 300,000 listeners and cementing his growing influence on the international stage.
Ollie Mundy’s recent releases, “Kimra” and “Nothing,” have solidified both his rising influence and OVAVA Music’s growing presence in the scene. Closing out the year, Ollie has unveiled an exclusive DJ promo featuring a collection of unreleased tracks, including “Uh Oooh,” “The Mountains,” and “Searching.” These tracks have already garnered high-profile support and been spotlighted in renowned publications such as DJ Mag, Mixmag, and Techno Mood, further amplifying his reputation in the industry.
As Ollie Mundy prepares for his Ibiza residency, fans can expect an exciting mix of new music and major updates in 2025. With a packed schedule and rising influence, his momentum is only set to grow.
Ollie Mundy – Unreleased
Now Available on Exclusive DJ Promo
‘Uh Oooh’ Limited Edition Download Here: https://soundcloud.com/olliem/ollie-mundy-uh-oooh
Find Out More & Follow
Ollie Mundy: Linktree
OVAVA Music: www.ovavamusic.com
The post Ollie Mundy Celebrates a Milestone Year for OVAVA Music & 2025 Residency appeared first on Electric Mode.
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Artists appear in alphabetical order.
Aaron Hibell
When conceptualizing Dancing Astronaut’s 2025 class of Artists to Watch, it was clear that Aaron Hibell — one of dance music’s most promising aspiring acts — should and ultimately would grace our annual list. His brand of cinematic melodic techno has garnered millions upon millions of impressions on social media, thanks to his remixes of popular tracks, like Billie Ellish’s “‘CHIHIRO,” and “destroyer of worlds,” from the Oppenheimer soundtrack.
Hibell’s collaboration with 2024 Artist to Watch Alex Wann, “set me free,” received support from artists like RÜFÜS DU SOL, Tiësto, and Adriatique, and even soundtracked Ultra Miami’s 2024 aftermovie. No coincidence, considering that Hibell scored the aftermovie, further strengthening the case for his recognition as an Artist to Watch. And if all of this wasn’t enough, he’s gearing up to release his debut album in 2025, with which he’ll further evolve his sound and expand his global reach. — Zach Salafia
Featured image: CRUZOE
Adam Sellouk
Adam Sellouk closed out his 2024 with a bang: an official remix for Empire of the Sun’s “We Are The People.” The highly-anticipated remix made the rounds on the festival circuit this summer, garnering support from Mau P, Tale of Us, John Summit, and more.
Other highlights of his discography from this past year include a collaboration with Anyma, as well as an EP released via Afterlife, The Antidote. The outlook for Sellouk in 2025 is unsurprisingly bright; the newly-minted Artist to Watch will kick things off with a date at Afterlife Tulum in January. — Zach Salafia
Featured image: Adam Sellouk/Instagram
ALLEYCVT
ALLEYCVT had herself a massive year. A string of original releases like “F______LOVE YOU,” “STRATOSPHERE,” and a high-profile collaboration with high-octane bass trio Levity, “ONE FOR YOU,” helped to bolster her growing discography. In addition to putting out a steady stream of singles this year, the DJ/producer/singer triple threat embarked on her headline “FEEL IT” stateside tour this fall and just recently announced phase two of the tour, set to continue into 2025. ALLEYCVT also received support from the likes of Zeds Dead and ILLENIUM and played major festivals like Lost Lands, HARD Summer, and North Coast in 2024, leaving no doubt that she’s worthy of an Artist to Watch in 2025 nod. — Zach Salafia
Featured image: Rukes
Amy Wiles
After starting her DJ career at just 16 years old, London’s Amy Wiles became a resident DJ for Above & Beyond’s Anjunabeats in 2018. However, she wouldn’t release her debut single (“Biding Time”) until 2021, and that was just the beginning of what the label standout had in store.
2024 proved to be Wiles’ biggest year yet, between consistent touring, which included her sold-out debut headline show to complement her debut EP, Here I Am, and an official remix for Oliver Heldens. She has even more original music waiting in the wings for 2025 and at least one place to play it — Dreamstate San Francisco — with more soon to come. — Zach Salafia
Featured image: rage_festival/Instagram
Anamé
In 2022, the Anjuna-backed duo, comprised of Marcus Schössow and Thomas Sagstad, burst onto the scene with their Above & Beyond collaboration, “Gratitude.” That, coupled with the release of their debut album, 2023’s Beautiful World, helped to tee up a momentous 2024 that included a collaboration with Kasablanca, a double-single release, “Hero / It Can Be Better Now,” and an album tour. The production pair has already announced that it will hit the road in 2025 for its Hopes & Fears album tour—with the album scheduled for February—staging yet another year of mounting success. — Zach Salafia
Featured image: Tyler Hill
Arcando
At the start of each year, we hear that the coming calendar will be a drum ‘n’ bass takeover. Well, in 2024, rising drum ‘n’ bass tastemaker Arcando did everything within his power to make that claim ring true, accurately calling 2024 his “best year yet” when sharing his Spotify Wrapped recap.
Martin Garrix’s deployment of Arcando’s “Jungle” remix (alongside “Scared To Be Lonely”) at Ultra in March was a highlight of Miami Music Week that attracted just about everyone’s attention. What would follow is a campaign that saw the Dutchman further expand his touring agenda and add eight more releases to his track record, including an inevitable STMPD RCRDS signing, where he became the first-ever artist to release a drum ‘n’ bass track on the label, alongside Dancing Astronaut Artist to Watch alumni, Vluarr. As the door to the drum ‘n’ bass world continues to blow open, Arcando will be standing front and center in 2025. — Ross Goldenberg
Featured image: _alexrue_/Instagram
Beltran
A no-doubt selection for this list, Beltran first gained notoriety with “Smack Yo” on Solid Grooves in 2022. 2024 was a breakout year for the Brazilian DJ, who made his presence known in the United States with gigs at Coachella, Hard Summer, and Space Miami, among others. Along the way, Beltran joined forces with Vintage Culture for one of the most in-demand IDs of the year, a remix of Kelis’ single, “Bossy.” These factors sealed the deal for Beltran’s inclusion among our list of the artists to watch in 2025. — Alex Lambeau
Featured image: Guilherme Da Rocha
Clüb De Combat
Clüb De Combat are ready for their biggest year to date. After signing with Creative Artists Agency earlier this month, the Israeli duo is preparing to set out on its debut American club tour in 2025. But before they hit the road, Clüb De Combat just dropped off their eagerly anticipated collaboration with Max Styler on Experts Only, “On Repeat.” It follows the slamming project that the production pair delivered on Solomun’s Diynamic label in May, Time EP. If it wasn’t already apparent, Clüb De Combat have seen tremendous support from dance music’s most recognizable DJs, and their upcoming releases will be heard worldwide in the coming year. — Alex Lambeau
Featured image: Hugo Lendinning
GENESI
Turn the clock back to the end of 2022, and you may remember an ID that had dance music in a white-knuckle grip. GENESI—who had remained anonymous previously—was revealed to be the name that was behind what would become one of the following year’s most talked-about releases, “Everything You Have Done” alongside MEDUZA.
Fast forward to now, and GENESI has built up a more-than-impressive resume, with 14 releases already to his credit over the past two years. In 2024, it felt like GENESI had truly begun to come into his own, with 10 of that tally arriving within the last 12 months. These productions landed on a slate of esteemed labels, including MEDUZA’s Aeterna Records, a widely-supported linkup alongside Max Styler on Insomniac Records, REALM Records, Tomorrowland Music, and more. All of them invariably fell into the hands of just about every A-list DJ imaginable, from Steve Angello to Anyma, to Vintage Culture to Armin van Buuren. As GENESI warms up for 2025, he’s already responsible for an ID alongside MEDUZA that will become a part of Dancing Astronaut’s most-anticipated releases of 2025, presuming it doesn’t arrive within the next few weeks. — Ross Goldenberg
Featured image: GENESI/Instagram
Henri Bergmann
Dancing Astronaut was originally introduced to Herni Bergmann when she appeared on an Afterlife (Dancing Astronaut’s 2022 Label of the Year) compilation at the end of 2023. After witnessing Henri Bergmann’s back-to-back alongside Magit Cacoon at Cityfox’s summer edition at The Brooklyn Mirage earlier this year, we were immediately sold on her artistic potential.
In the time since June, our faith in Bergmann grew tenfold, leading to the Automatik Records label head’s spot on our record of Tomorrowland 2024’s must-see sets. But this affirming flash of promise this spring was just one part of a year in which the melodic techno talent repeatedly reinforced why she should be a part of Dancing Astronaut’s Artists to Watch in 2025. In 2024, Bergmann put up six releases, fashioned Automatik’s second 15-piece compilation, and appeared on several of Zamna’s lineups. Her year auspiciously — and fittingly — concluded with the news that she will join Afterlife’s annual trip to the jungles of Tulum, where she’ll open 2025 alongside the likes of Tale Of Us, Cassian, and fellow 2025 Artist to Watch Adam Sellouk. — Ross Goldenberg
Featured image: Henri Bergmann/Instagram
Jackie Hollander
Jackie Hollander’s discography may be young, but it’s already making waves. Two years into her career, the “All My Friends Are Hot” producer boasts releases on Insomniac Records, REALM Records (alongside current Dancing Astronaut Artist to Watch, Ellis Moss), Nervous Records, and FEMME HOUSE.
Following her first summer tour, featuring standout festival debuts at Outside Lands and EDC Orlando, Hollander is primed for a breakout 2025. Hailing from the Bay Area, she enters the new year backed by thousands of fans and industry heavyweights alike. As a rising house and techno tastemaker, Jackie Hollander is scratching the surface of what will be a long and fruitful career. — Cameron DeFaria
Featured image: Jackie Hollander/Instagram
John Alto
During Alesso’s stop in Brooklyn this past September, right before he brought out a future Dancing Astronaut Artist to Watch, he grabbed the microphone to say that “it’s always important to lift up new producers and talents.” After making his debut on STMPD RCRDS at the beginning of the pandemic, John Alto catapulted into the limelight in 2024 after he paired up with one of our favorite Swedes for “Lonely Heart.”
“You’re going to hear a lot about [Alto],” Alesso told the thousands standing before him at Brooklyn Storehouse. And we’re here to back that claim. Earlier in the year, Alto teased his next chapter, which ultimately led to his first shows in the U.S. — in Salt Lake City, Brooklyn, and Los Angeles — and hinted that there’s much more to come in the year ahead, leading to an inevitable inclusion in our list of Artists to Watch in 2025. — Ross Goldenberg
Featured image: Cory Ann Roberts
Josh Baker
A master of the unreleased, Josh Baker is arguably the most-talked-about house music DJ in the UK. A seasoned producer who even teaches classes on music production, Baker heads the rapidly-growing record label and event series, “You & Me.” Rounding out his year with a 20-show headline tour, he’ll certainly be a high-priority target for many of the world’s biggest music festivals. His two latest singles on the Three Six Zero record label have seen tremendous success, and there is only more to be heard. — Alex Lambeau
Featured image: Josh Baker/Instagram
Linska
To some, the name Linska may ring a bell. If it does, it’s because Linska is the new musical venture from London-born actress Ella Balinska, but it’s anything but a hobby for her. Linska became a full-time endeavor this year after Balinska introduced the project alongside Rebūke in January—with “Digital Dream”—and made her DJ debut at Splash House this past spring.
When Dom Dolla unleashed a scorching, techno-laden ID in Forest Hills, New York, many — including us — were left staring at an empty Shazam result. That ID — “Bad Boy,” released this past Friday via Realm Records — was quickly attributed to Linska. It went on to make the rounds in ensuing sets from Dom Dolla, the Realm founders, Gorgon City, John Summit, Dancing Astronaut Artist to Watch alumni Volaris, and more. Linska’s debut solo release debut decisively sets the stage for her artistic journey to mature and expand in 2025 with what she forecasts as “more silly beats.” — Ross Goldenberg
Featured image: Linska/Instagram
LUSU
LUSU, a joint project launched in 2022 by Wiwek and Mike Cervello, ignited the scene this year with their self-described brand of “cinematic techno.” Their style embodies a unique sense of euphoria complemented by driving techno basslines, perhaps best exemplified by their collaboration with HI-LO, “Dizzy.” Other highlights from this past year include a collaboration with Eli Brown and releases on record labels like Drumcode, Hilomatik, and Arcane. The duo is already primed to expand on this year with a mountain of yet-to-be released tracks, eight of which can be found in their Parookaville set from this past July. And one of those aforementioned IDs—known as “Brain”—has already made its way into Eli Brown’s tracklists to help bolster LUSU’s year to come. — Zach Salafia
Featured image: Sebastian Wawrzyniak
Luzi Tudor
As one may expect, Dancing Astronaut has a soft spot for This Never Happened — our reigning Label of the Year — and its diverse cast of talent. Our streak of including its signees in our annual class of Artists to Watch will unsurprisingly continue into 2025 with Luzi Tudor, who joins fellow TNH affiliates Otherwish, Grigoré, and Natascha Polké.
Since her blissful take on melodic house was welcomed via 2021’s “Pandemonium,” Tudor has continued to solidify her stature as one of the most refreshing names in the genre and beyond. Tudor fittingly opened the calendar year as part of TNH’s North American run, where she supported Ben Böhmer and Le Youth, appeared on the first-ever lineup for We Belong Here’s New York City edition, and stacked up a quartet of releases in 2024, including an official rework of Sia in September. Tudor has already announced that she’ll join Sultan + Shepard on select dates of their 2025 tour and even teased a handful of unreleased tracks in the pipeline, making her promise for the coming year that much more compelling. — Ross Goldenberg
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Maesic
Even if you haven’t heard of Maesic by name yet, you’ve definitely listened to one of his tracks. A veteran producer for some of dance music’s biggest icons, Maesic has garnered hundreds of millions of streams, thanks in no small part to his staggering tally of production credits. In 2024, he collaborated with Hugel, released singles on Higher Ground and Nervous Records, and finally shared his long-awaited official remix of Tchami’s “Adieu.” Be prepared for more of Maesic, now that he’s regularly touring across every corner of the globe. — Alex Lambeau
Featured image: wallicorne/Instagram
MARTA
In 2025, all eyes are on Toronto’s rising dance queen, MARTA. Finding her groove at the intersection of techno and house, the 28-year-old spent 2024 carving out her path and staking her claim in the electronic music scene. She could be found warming up dance floors for heavy hitters like Mau P, Azzecca, and Dom Dolla, shaking it during her slots at Electric Island and Escapade Festival, and selling out her debut headline show — no biggie, right?
This year, she’s chartered her course into vocal-house territory, delivering three club-ready anthems and bringing Kyra Mastro along for the ride on their late-year collab, “Ritual.” With a growing discography and an electric fanbase behind her, MARTA is primed for a major breakthrough in 2025; and we’re here for the ride. — Natalie Pereira
Featured image: Patricia Brochu
Mary Droppinz
Mary Droppinz brings a unique and refreshing blend of bass and house to the fray. Standout singles from this past year include “Bass B$tch” and “Yummy Gummy,” released via Deadbeats. She’s closing out 2024 strong with her newest original, “Fight,” and dates at festivals like Lights All Night and Fresh Start, to name just a few of her upcoming stops. Droppinz shows no signs of slowing down in 2025 — she already features on the Lightning In A Bottle lineup and has multiple dates lined up in support of Zeds Dead, including a stop at the famed Brooklyn Mirage. — Zach Salafia
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Miss Dre
MISS DRE is a bona fide triple-threat. The DJ, producer, and vocalist made a splash this year with her remix of Tinashe’s “Nasty,” which enjoyed play out from Dom Dolla, Mau P, and MEDUZA, who significantly bolstered its reach. Along the way, MISS DRE released on labels like Realm Records (Gorgon City) and Insomniac Records and played a series of festivals, including Project GLOW, EDC Las Vegas, and Day Trip, among others. Looking ahead to 2025, MISS DRE will bring her signature brand of house across the country, thanks to upcoming dates in San Francisco, Los Angeles, Austin, and Miami. — Zach Salafia
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PACS
PACS made waves with his (technically unreleased) remix of RÜFÜS DU SOL’s “Innerbloom.” The proof is in the ever-growing list of support for PACS’ take, which currently includes Adam Beyer, Cassian, Kevin de Vries, and even RÜFÜS DU SOL themselves.
His activity since (originals like his two track OMNIA EP and singles like “Epilogue”) has evinced that his modern club take on the all-time classic was only a precursor for what was yet to come. PACS is currently sitting on countless unreleased originals and remixes that are due for a release in the new year and will continue to increase his traction. Considering these factors and the support he’s won from Tale of Us and Anyma, all signs point to a potential Afterlife debut in the near future. — Zach Salafia
Featured image: Gui Urban
Prospa
A powerful house duo hailing from the UK, Prospa have become one of the year’s fastest-growing acts, thanks to a profile-raising run of hits, not to mention their uplifting melodies and nifty disco beats, which have brought a sense of nostalgia to the always-evolving house space. In 2024, Prospa garnered millions of streams across their Circoloco Records releases, with “This Rhythm” and “If You Want My Loving” certifying their status as one of modern house music’s most promising new acts. The duo is poised for a breakout year in the Americas and just recently concluded its biggest North American tour thus far. — Alex Lambeau
Featured image: Prospa/Instagram
Riordan
If you’ve scrolled through TikTok at any point in the past few years, it’s likely that you’ve come across one of Riordan’s at-home production clips. Like many artists we’ve come to know and love since 2020, the UK native learned the ins and outs of dance music production when the pandemic struck. And after Gorgon City signed “Needle On The Record” — the garage-influenced weapon that can only be described as his breakout single — near the end of 2023, Riordan’s stock skyrocketed.
The coming year would see Riordan spend a bit more time outside of the UK, making festival debuts at EDC Las Vegas, Seismic Dance Event, and ARC Music Festival, appearing at label events for Realm Records and Experts Only, and performing at world-class venues like Brooklyn Mirage, Space Miami, SILO, and Amnesia Ibiza. A complementary collaboration with current Dancing Astronaut Artist to Watch Ellis Moss (“GETAWAY”) duly caps off Riordan’s 2024 release calendar and conveys that he’ll gladly take the baton from Moss and carry it into 2025. — Ross Goldenberg
Featured image: Riordan/Instagram
Rivo
In the age of TikTok and the creator economy, virality and commercial success can be achieved with just the push of a button. Parisian producer Rivo is a paragon of what’s possible when up-and-coming creatives leverage digital platforms, and even if the 22-year-old’s name doesn’t ring a bell, you’ve almost certainly heard his remix of Disclosure’s “You & Me.” His Afro house interpretation of the generational number enjoyed a seismic debut in 2023, soundtracking thousands of creator-generated videos.
While the profile-raising moves that Rivo made in 2023 set the stage for a momentous 2024, virality doesn’t equate to longevity. So he spent the past year powerfully evincing that his talents stretch far beyond social media ephemera, with yet another viral remix — this time, of Armin van Buuren’s “In And Out Of Love” — a stirring outing alongside Adriatique that plays like its name (“Like A Dream”), and the revelation of his first solo single, “Last Night,” via Capitol / Disorder Records.
These feats, coupled with several sold-out headline shows this year, and last year’s Beatport No. 1 (for “You & Me”), make one thing clear: Rivo is no flash in the pan. In 2025, he’ll only further build on the rock-solid foundation he’s laid in recent years. We’ll be watching, and you should, too. — Rachel Narozniak
Featured image: @alexxriche & @valentinhouee/Instagram
Y do I
Dancing Astronaut’s Artist to Watch classes have dipped into melodic techno more than just a few times in recent years, and next year’s is no exception. As we look toward 2025, there’s another name that we feel is guaranteed to not only become an Afterlife veteran, but also one of the genre’s sought-after names: Y do I.
Since the delivery of their debut album I Know in late 2021, childhood friends turned Y do I constituents Amos Chalfon and David Semo have continuously ripened their forward-thinking approach to techno. But 2024 was the year in which the duo truly began to hit its stride, with Massano’s invitation for Y do I to contribute to a Simulate label compilation and Argy and Tale Of Us’ offer for Chalfon and Semo to be a part of their White Isle residency serving as compelling proof of their momentum. And of course, we’d be remiss if we didn’t mention Kevin de Vries as one of Y do I’s many sources of support this past year; the former Dancing Astronaut Artist to Watch stood beside Y do I when they made their Afterlife debut this past September. With several Y do I IDs currently making the rounds, not to mention an upcoming appearance at Afterlife Tulum in January, the Chalfon and Semo are fully equipped for a formal breakout in 2025. — Ross Goldenberg
Featured image: by.monti
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The post Dancing Astronaut’s Artists to Watch in 2025 appeared first on Dancing Astronaut.
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The storied Belgian festival, which celebrated its landmark 20th anniversary this year, remains a cultural phenomenon that transcends borders, annually uniting the global EDM fandom from over 150 unique countries. As Google's annual list spotlights cultural landmarks and emerging trends, Tomorrowland's presence best indicates why the brand continues to be synonymous with EDM's broader "magical" allure.
Underscoring Tomorrowland's enduring relevance in the broader scope of pop culture, the festival appears in Google's "Year in Search" video recap alongside other viral standouts from 2024, like the beloved pygmy hippopotamus Moo Deng, the World Series Champion LA Dodgers and the hip-hop icon Kendrick Lamar.
Tomorrowland’s 2024 theme, "Life," took attendees back to a prequel of its 2016 "Elixir of Life" storyline, inviting visitors to explore a lush, mythical universe rooted in connection. This year's festival once again spanned two jam-packed weekends in July and featured DJ sets by Swedish House Mafia, Anyma, Hardwell, Sara Landry and hundreds more as nearly 400,000 attendees hinged on every waking moment of the action.
Watch Google's "Year in Search 2024" video below.
Follow Tomorrowland:
X: x.com/tomorrowland
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Instagram: instagram.com/tomorrowland
Facebook: facebook.com/tomorrowland
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Directed by Henrik Burman, the film delves into Avicii's meteoric rise, offering viewers an unprecedented glimpse into his creative process and the whirlwind trajectory that followed the release of his 2011 breakout hit, "Levels." The trailer features his reflections on the moment his career skyrocketed, recounting how he went from playing small clubs to amphitheaters in a series of steps, each seemingly shorter than the last.
The hits may have been prolific, but the story behind them was achingly human. Through never-before-seen footage and interviews with family, friends and collaborators, the heart-wrenching documentary illuminates the man behind the music, portraying not only his creative genius but also the personal cost of relentless touring and global stardom.
Narrated in part by Bergling himself, Netflix is set to release the film in tandem with Avicii – My Last Show, which revisits the night he graced the stage of Ibiza's storied Ushuaïa club for what would be his final performance. Less than two years later, he tragically died by suicide.
Both documentaries are scheduled to be released December 31st, 2024 on Netflix. Watch the trailer for Avicii – I’m Tim below.
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From South Florida to Global Stages
Diplo reminisced about his upbringing in South Florida, a region he credits for shaping his diverse perspective. Growing up in Broward County, a melting pot of cultures, he absorbed influences from Jewish, Haitian, and Jamaican communities. That cultural richness seeped into his music, giving him a signature sound that catapulted him to fame. Reflecting on his early days, Diplo recalled how he started DJing while working at a mall pizzeria, turning his passion into an international career.
Running as a Reset
Balancing over 300 shows a year can be chaotic, but running helps Diplo stay grounded. Whether it’s pounding out miles during a layover in Atlanta or exploring scenic routes in cities across the globe, he uses running to recharge and combat jet lag. The discipline he learned from his father—a Vietnam veteran—fuels his consistency. “No matter what, if you apply discipline, you’re going to succeed,” he shared.
The Diplo Run Club: A Unique Fusion of Fitness and Fun
The Diplo Run Club was born after Diplo ran the 2022 Miami Half Marathon and spontaneously ended up at a nightclub in his running gear. What started as a joke evolved into a movement, blending fitness and nightlife. With events in cities like San Francisco and Seattle, the Run Club brings together fans for morning runs followed by parties—a perfect mix of health and hedonism.
Diplo’s journey—from hustling as a DJ in Daytona to running marathons on LSD (yes, you read that right)—showcases his adventurous spirit. Whether he’s producing chart-topping tracks or organizing community runs, Diplo proves he’s always up for a challenge. Check out the entire interview below, enjoy!
The post Diplo Recalls Marathon On LSD On The Running Interview Show appeared first on EDMTunes.
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“Pride” is a genre-defying track that showcases Sherwøød’s unique approach to music production. Fusing modern electronic elements with influences drawn from hip-hop, indie rock, and R&B, the song begins with a pulsating rhythm and driving percussion that set the stage for its hypnotic groove.
“Pride” marks the first release from Sherwøød, the prequel to his forthcoming self-titled EP, a six-song project created in collaboration with renowned five-time gold record producer Joseph E-Shine. Each track weaves together immersive soundscapes and evocative narratives that resonate deeply.
Sherwøød comments: At its core, Pride is a song representing duality; on the surface it speaks of a growing frustration and disenchantment with holding out for signals, answers and reciprocations that never come, while at the same time it is an internal monologue questioning the paths I take and the search for meaning and self worth.”
Through his unique production style and poignant storytelling, Sherwøød is carving a space for himself in the music world, offering listeners a fresh perspective on emotional expression and musical innovation. To celebrate the upcoming release, he will be performing live at the Camden Assembly, 21 December 2024.
‘Pride’ will be available on all platforms from 21/12/24, promising to be a remarkable release for Sherwøød.
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The post London’s Rising Star Sherwøød Makes Bold Statement with Debut Single “Pride” appeared first on Electric Mode.
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To fully experience this album, we recommend listening from start to finish rather than shuffling through the tracks. Sorza weaves together a cohesive ten-track journey, complete with build-ups, perfectly timed breaks, and a satisfying resolution; the perfect ingredients for an album.
Following Pillars’ release, Sorza expanded his sound with a special release featuring an orchestral version of his track ‘Visions of what could be,’ adding a new layer of depth and emotion to his already evocative sound, as well as a full Audiovisual set which premiered earlier this month.
Congratulations on your album, ‘Pillars’. How did you start?
The Pillars project began in March 2023, with around 30 demos submitted. It was interesting because, after looking at all the tracks, I realised they could be grouped into distinct categories or “pillars”. That’s where the album title came from. With this release, I wanted to showcase these different facets of myself. The title also ties in perfectly with the artwork, where each isolated piece represents a pillar, symbolising the various sides of my sound.
The first single, ‘Does it hurt me,’ and the B-side, ‘Sonyo’ (the first pillar), reflect my deep interest in non-Western music cultures. For ‘Does it hurt me’ I even created my own microtonal scale and incorporated the çifteli, a beautiful Albanian instrument that I’m currently learning to play. The B-side, ‘Sonyo,’ is a reimagining of a track previously released by the Bulgarian electronic band, The Science, and draws inspiration from a Bulgarian folklore poem. The second pillar explores the current bass music scene. With ‘Never,’ I wanted to create something that aligns with the modern production aesthetic and style that’s trending right now.
On the other hand, tracks like ‘Take me’ and ‘Hiding in the sea’ are a nod to my roots and what initially inspired me as an artist. Which I think is the third pillar. ‘Take me’ is a bit of a throwback to older styles and was originally titled ‘Take me back to 17’. This refers to the year I really dove into bass music, discovered halftime, and got hooked on tracks from labels like Division, formerly run by Noisia. I was also 17 at that time. In total, there are three main pillars in the project, though some tracks blend elements from different pillars to create something new and hybrid.
You just released your AV set for Pillars. Can you tell us a bit more about that?
Alongside my work as Sorza, I also have an audiovisual collaboration called Arsyn with one of my friends, Aidan Mulcahy. Together, we’ve developed a series of visualisers specifically designed for the tracks that are featured in the AV set, which adds an exciting and immersive dimension to the project. The AV set showcases all of my music, including unreleased bootlegs, remixes, and tracks that haven’t been released yet. I think it’s a great way to wrap up the Pillars project. The set premiered last week and if you’re a fan of Pillars (and even if you’re not) then I definitely recommend you check it out on the Vision and Sorza YouTube channels.
Why did you choose VISION as a label?
Choosing VISION as the label for this project came as a very natural decision. I’ve known the Noisia team since 2016-2017 through my work with The Outsiders, and we had already collaborated with VISION. So, when the time came to release my solo project as Sorza, it made perfect sense to continue that partnership. Now that I have a clear vision for my solo sound, it feels right to share this new direction with a label I trust and have a history with.
With Pillars, I want to introduce something fresh to the scene, and I believe VISION is the ideal place for this kind of music. It’s also the label that first inspired me when I entered the scene at 17, so releasing this with them feels like a full-circle moment. This album went through a lengthy and intense A&R process, and I’m thrilled with the final outcome; I believe we’ve crafted something beautiful. For now, though, I’m eager to translate the music I make into a club setting. On another front, I’m also working on a significant album that will focus entirely on the listener’s experience.
You talked about how you’re also a part of The Outsiders. How does Sorza differ from that project?
As a drum & bass artist, I’ve found that most people aren’t particularly interested when you experiment with different genres. A significant portion of what I create as Sorza focuses on half-time tempos, but I don’t limit myself to just one genre. I explore various BPMs, styles, and production aesthetics—something I felt I couldn’t fully embrace within drum & bass. Now I feel free to step outside those limitations. I want to develop this project in a way that allows me to produce tracks more freely, without being confined to a single formula or worrying about whether the audience will be receptive. That sense of artistic freedom is something I’m eager to cultivate.
The Outsiders for drum & bass, Sorza for all the rest, then?
Most likely, yes. I created a drum & bass flip of my ‘Creating an Oasis’ remix, which I only released on SoundCloud. However, it doesn’t make much sense for me to pursue drum & bass as Sorza. I want to keep my projects as separate entities. I started this one with a specific vision, and returning to drum & bass now would feel a bit odd, though I’m not ruling it out completely. I would love to do a Sorza drum & bass set because it would be very different from what I do as The Outsiders.
You want to create more club music. Where did that feeling start?
It feels like we’re experiencing a revival of club music right now in both the mainstream and the underground scenes. For example, Beyoncé’s album RENAISSANCE and, of course, Brat, from Charli XCX — club music is becoming increasingly popular. In the bass scene, I’ve noticed acts with such a music background pushing this style in ways that intrigue me. That’s why I want to explore this side of bass music further. I want to create more dynamic sets that transition between club music and half-time, allowing for better build-ups.
When you play at the right clubs, the audience really gets what you’re trying to do, and those are the places where I want to perform and that’s the kind of music I want to make. Although The Outsiders released a half-time track, that trend was only a brief hype in the drum & bass scene back in 2017. We produced two half-time tunes for our 2222 EP, but quickly realised that people primarily see The Outsiders as a drum & bass duo. That’s when we decided to reserve our more multi-genre tracks for our solo projects.
Where do you get your inspiration?
I draw inspiration from artists like Ivy Lab, Nikki Nair, Thys, COIDO. Ivy Lab, especially, their label made a significant shift in their direction. Initially, they focused on half-time, but recently they’re leaning more towards club music. I find this transition both intriguing and inspiring. They are now in a position where they can experiment freely with their sound, which is something I aspire to achieve.
The older half-time Ivy Lab-style influences several tracks on the Pillars album. I feel that sound is often overlooked today, which is a shame. A lot of the music I create has its roots in halftime beats and electronic hip-hop. Recently, I started a live collaborative performance with Dutch rapper Keenan Mundane. I essentially bootleg his instrumentals and mix the tracks while he raps. Keenan has a raw, primal energy when he performs, and in our live shows, I really feel that connection to the hip-hop genre that influences much of the other music I produce.
‘Does it hurt me’ and ‘Take me’ are two examples that incorporate this older style, yet they have been modernised with the production techniques and aesthetics.
Ultimately, I don’t want to rely solely on older sounds. With larger projects, I can showcase all the aspects of my musical vision, which is a crucial part of how I want people to perceive Sorza.
You really want people to see all sides of you, that’s beautiful! What other motivations did you have while making this album?
I have a bit of an obsession with storytelling, and I love weaving narratives into my music, especially for larger projects like this. I frequently listen to albums because I appreciate how one song can build on the next. It was a key goal for me with Pillars to avoid making it feel like a mere compilation.
This project took over a year to develop, and I aimed to create a clear, melodic opening that transitions into more eclectic sounds, culminating in a climax followed by an aftermath. The entire album revolves around this concept. Initially, there wasn’t an interlude between ‘Sonyo’ and ‘Never,’ but the transition felt too abrupt, so I composed an additional track, ‘At will,’ as an interlude to smooth it out.
I put a lot of thought into the progression of Pillars. Ideally, I want listeners to experience it from start to finish without shuffling the tracks, as that allows them to appreciate the story as I intended. Having 10 songs was essential for crafting this narrative. I find that with a shorter project, it’s much more challenging to create a full-circle moment. However, I also recognise the value of smaller releases; I’m not someone who likes to hold onto a project for an entire year. Overall, I’m really pleased with how this project turned out, and I’m glad it aligns with VISION’s … well, vision (ha).
Where does your interest in storytelling come from?
I consider myself more of a composer than just a producer. For me, composition is all about progression and the direction a piece takes. When I write songs, I strive to create unique experiences each time. While some tracks may have similar first and second drops, I believe there should always be a significant difference between them. It’s essential for each moment to feel distinct and to take the listener on a journey.
You can create a sense of progression within a single song, but I like to extend that narrative across an entire project, making the overall journey feel even more expansive. While some listeners might return to an album for one or two standout tracks, I aim for my audience to appreciate the album as a cohesive experience, drawn in by the flow and evolution of the music throughout.
Any last thoughts?
I want to thank everyone who supported and guided me through this entire process. The A&R journey was quite lengthy, and I learned so much from the whole process Big up to Jaap & Nik! I want to thank Aidan Mulcahy for creating all the visual content for the album and Matvey Murashko for capturing the images that brought those visuals to life. Additionally, I’m grateful to Jozef van der Veen, Jukaa—the other half from The Outsiders—who provided invaluable support behind the scenes and motivated me to put forth my best efforts for this project, as well as to my partner Sarah Smit, who helped me out with a bit of everything. I’ve received an enormous amount of help from various people, and I truly appreciate every single one of them.
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Can you give us an introduction on how you got into dance music? Did you know from the start you were going to use your own name / did you toy with using an alias of sorts?
The music industry has always been a source of inspiration for me. After graduating from my studies in Food Technology, the Covid pandemic hit. During this period, I had the time to invest in playing and producing music. To get myself into the market during this time, I performed at house parties and hosted livestreams. I experimented with various genres, including tech house (Vera Vera) and hard techno (Technovlinder), but my passion for techno stood out the most. From that moment on, playing and producing techno as VE/RA became my primary focus.
Congratulations on your debut on Drumcode, ‘Can’t Get Enough’. Tell us more about your creative journey on this new single.
Having my first release on Drumcode felt like a dream come true. With my track ‘Can’t Get Enough’, I aimed to define my sound and incorporate everything I love into one track. I combined a catchy vocal with trance-inspired melodies, acid elements, and powerful drums. Interestingly, I produced this track very quickly, everything fell perfectly into place.
You have had a great career so far, and big successes since your 2023 release ‘Love & Peace’. How does this latest single work towards your signature sound?
With ‘Love & Peace’ I believe we created something unique by blending a rap vocal with a techno foundation. I always try to stand out in my productions by experimenting with combinations of catchy vocals, trancey melodies, hard kicks, rolling basslines, and acid elements. At the same time, I aim to maintain my identity as a techno artist, which can be challenging but is also incredibly exciting!
Who are artists on your radar that you’d like to collaborate with?
Too many to mention, haha! But to mention some: Charlotte de Witte, Amelie Lens, Reinier Zonneveld, Adam Beyer, Space 92, Eli Brown, HI-LO, Kiki Solvej and Joyhauser.
I know you have a new single ‘Fusion’ set to be released on Filth On Acid, tell us about it and what else can we expect in 2025?
I’m super happy to be back on the Filth On Acid compilation, especially after contributing my track ‘Timeless’ last year. With ‘Fusion’, I aimed to create a high-energy techno track that combines acid drops with a dreamy break and tension-filled textures. I believe this track offers a truly unique listening experience. I hope listeners can feel its energy, particularly in the atmosphere of a dark techno club. Looking ahead to 2025, I already have a lot of new music lined up on incredible labels! Some major festivals are also on the horizon, but I can’t reveal anything just yet. Stay tuned on my socials to keep up to date!
VE/RA will be ending the year in Rotterdam at the Grotesque Indoor Festival on the 28th of December. Keep up with her 2025 tour dates and more here. We had a great time chatting with VE/RA, stay tuned to EDMTunes as we wrap up the year with all our exciting Year In Tunes features.
The post EDMTunes Exclusive With VE/RA About Her Musical Journey So Far appeared first on EDMTunes.
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25 Years of Defected
The coffee table book, priced at £50 RRP, delves deep into the label’s rich history, covering everything from its humble beginnings to its global dominance. With stunning visuals, including archival photography, event flyers, and release artwork, the book offers a comprehensive look at the label’s impact on the house music scene. Renowned visual artist and designer Trevor Jackson, who led the label’s 25th-anniversary rebrand, has curated the cover and creative direction. The 320+ page, 12″ x 12″ hardback, manufactured and printed in Italy, is a true collector’s item, limited to just 1500 copies.
To further commemorate its 25th anniversary, Defected has released a limited edition vinyl boxset of the Together series. This series, which has been a cornerstone of the label’s celebrations, features a collection of collaborative releases and remixes from both legendary and emerging artists. The boxset includes thirteen double-sided 12″ singles, individually sleeved and housed in a sleek, silver outer case. This is a must-have for any vinyl enthusiast and a perfect addition to any music collection.
Written by former Mixmag editor Nick Gordon Brown, who explains: “We let the interviewee’s words take center stage – an oral history if you will, the commentary is kept to a minimum, used primarily to set up the storytelling,” the book interviews Defected staff members past and present. Staff, DJs, artists, and members of the Defected community also give first-hand accounts of the ups and downs of the last quarter of a century of the label.
Here is what Defected CEO Wez Saunders had to say about the concept:
“The concept behind Together was to celebrate unity and collective creativity. In a time where the music industry often feels fragmented, we wanted to create a platform that brings artists, producers, and fans together—celebrating the past 25 years of Defected with the next 25 years. Together is about collaboration, breaking down barriers, and fostering a sense of shared purpose and passion. It’s a commitment to inclusivity and diversity, championing a wide range of voices and styles within the house music genre.”
DEFECTED: 25 YEARS IN THE HOUSE and The Together Boxset is currently shipping via the DStore official website.
Tracklist can be found below:
Together Boxset tracklist
A. Dennis Ferrer ‘Hey Hey’ (Da Capo & Kitty Amor Remix)
B. Hannah Wants x Sam Divine x Jem Cooke ‘Cruel Intentions’
C. Fish Go Deep & Tracey K ‘The Cure & The Cause’ (Idris Elba Remix)
D. Todd Edwards x Shermanology x Rudimental ‘Rain’
E. Cristoph x Sandy Rivera feat. Hayze ‘Changes’
F. Low Steppa & Crusy ‘Bullerengue’
G. Kings Of Tomorrow feat. Julie McKnight ‘Finally’ (Mochakk, Jay Mariani Cesar Nardini Remix)
H. Zach Witness ‘Can’t Get It Outta My Head’ (MK Remix)
I. Soulsearcher ‘Can’t Get Enough!’ (Prunk Remix)
J. YOURS ‘DÓNDE ESTÁ’ (Masters At Work Rowdy Remix)
K. DJ Gregory ‘Elle’ (Henrik Schwarz Remix) – vinyl exclusive
L. MEDUZA X Ferreck Dawn X Clementine Douglas ‘I Got Nothing’ (Ferreck Dawn Mix)
M. Intruder (A Murk Production) feat. Jei ‘Amame’ (Dunmore Brothers Remix)
N. Hot Since 82 feat. Ron Carroll ‘Preach’
O. Jack Back & THEMBA (SA) ‘Give Me Something To Hold’
P. Johnny Corporate ‘Sunday Shoutin’’ (TSHA Remix)
Q. Dennis Ferrer feat. Janelle Kroll ‘Mind Ur Step’ (Sam Divine Remix)
R. David Penn x Vintage Culture x Raphaella ‘Just Stay The Night’ – vinyl exclusive
S. Candi Staton ‘Hallelujah Anyway’ (Larse EVIP)
T. Darius Syrossian & Olive F feat. Fountain Sound ‘Cereal Groover’
U. Kings Of Tomorrow feat. April Morgan ‘Fall For You’ (Hot Since 82 Remix)
V. FCL ‘It’s You’ (Alex Wann Remix)
W. Riva Starr X Hilit Kolet feat. NEZ ‘Twerq It’
X. Kid Fonque X Sio ‘Rekindled’
Y. Sandy Rivera ‘I Can’t Stop’ (Joseph Capriati Groove Mix)
Z. Defected XXV – Etched vinyl
The post Defected Celebrates 25 Years with Special Edition Collector’s Book and Limited Edition Vinyl appeared first on EDMTunes.
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2024 New Music
Amid the excitement of vibrant parties, Jack continues to delight audiences with his stunning singles, ‘Arrow’, ‘Calling’ and ‘Gather Together’.
‘Gather Together’
‘Gather Together’ released in May 2024, is a remarkable addition to EMBRZ’s discography. As the first single of the year under the acclaimed label This Never Happened, it takes a refreshing and introspective approach that sets it apart from his earlier works. EMBRZ skillfully combines his signature melodic house elements with profound emotional layers. He crafts a soundscape that is both meditative and uplifting. This track beautifully captures themes of unity and reflection, favouring simplicity and subtle transitions over grandiose buildups—reflecting his artistic evolution and innovative spirit.
‘Calling’
Midst of this summer, Jack joined forces with Forester for their first joint release, ‘Calling’. This collaboration merges EMBRZ’s signature ambient and dreamy soundscapes with Forester’s organic production style, creating a harmonious blend that feels both expansive and intimate. Heather Janssen’s evocative vocals add an extra layer of emotional depth, making the song deeply relatable. With themes of connection and introspection conveyed through warm synths and soothing rhythms, ‘Calling’ has struck a chord with listeners, solidifying its position as a standout track in the melodic house genre this year.
‘Arrow’
His latest release on Halloween, ‘Arrow,’ showcases a remarkable emotional depth. Collaborating with Bailey for the second time—after their successful track ‘All The Lights’ two years ago. Jack has crafted a song that envelops listeners in a rich, ambient atmosphere, complete with sweeping synths and intricate beats. This track beautifully captures a sense of yearning and movement, aligning with the powerful metaphor of an arrow. The partnership with Bailey elevates the exploration of emotion and sound, merging Bailey’s layered textures with EMBRZ’s enchanting melodic hooks, culminating in a piece that is both sonically rich and profoundly engaging.
A Massive North American Tour And A Groundbreaking Day Party Series
2024 has been a transformative year for EMBRZ fans, filled with unforgettable experiences. The journey began with a spectacular celebration at Proper NYE. Followed by his highly anticipated In Our Own Way Tour, which spanned across North America. From the frigid vibes of Montreal’s IglooFest to the electrifying atmosphere of Seattle’s renowned Q Nightclub. Continuing at the breathtaking Red Rocks, EMBRZ has consistently demonstrated his prowess as a leading force in electronic music.
In March, Jack concluded his album tour. Next up he set the stage for his next venture: the Day Party Series. In a world where club performances often start at 1 a.m., he innovatively transformed these into vibrant sunset affairs. This groundbreaking approach has captivated fans and earned widespread acclaim for blending immersive live performances with dynamic community interaction during the summer months. Jack has taken this unique concept across North America. Hosting unforgettable events at distinctive locations, from a Hudson River boat party to the rooftop of Sacramento’s Darling Aviary, and the Kabana Rooftop in Richmond, VA. With limited capacity at each venue, fans enjoyed an intimate atmosphere. This allowed them to connect deeply with EMBRZ’s emotive soundscapes. Most shows were a sell-out, signalling the exciting potential for this series to grow and thrive within the TNH community.
What to expect in 2025 from EMBRZ?
EMBRZ is not just a musician; he is crafting unforgettable experiences that fans will hold dear long after the music ends. As he concludes 2024, he has electrified audiences alongside Elderbrook at various shows across Europe. In 2025, Australia will have the unique opportunity to experience the “This Never Happened” shows with EMBRZ and Massane. EMRBZ will then head to India with Rinzen for the This Never Happened series in India, in 3 different cities. Get your tickets here. Don’t miss out on Jack’s incredible journey—he’s an artist you won’t want to overlook in 2025!
Stay tuned to EDMTunes for all your latest dance music updates.
The post EMBRZ – The Breakout Electronic Artist You Need to Know in 2025 appeared first on EDMTunes.
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When laying down a bassline, do you prefer funky slaps or smooth fingerstyle grooves?
For me, the song always dictates the technique, not the other way around. If I’m going for deep & heavy pocket grooves, I might thump & pluck the line, or if it’s something tight and syncopated, I might use the finger technique.
Do you feel more at home experimenting in the studio or performing live on stage?
Performing and entertaining live are in my DNA. I love studio deep dives too, but I love creating and performing music with a community, ultimately.
When it comes to inspiration, are you more influenced by classic funk legends or modern bass innovators?
I tend to lean towards the classic players because they always seemed to play for the song, no matter the complexity or simplicity of a bassline. I think studying and embracing the legends, is what has helped me develop my own style, while also remaining embedded in those same roots.
Do you prioritize crafting a danceable groove or creating a complex, experimental bassline when working on a new track?
Not to sound redundant, but it all goes to what the song needs. I always want to make you move with a bassline, whether it be physically or emotionally, but that song will give the instructions about how to accomplish that. The song has always been number 1 versus spotlighting a technique.
In terms of collaboration, would you rather jam with another bassist or a drummer who can match your rhythm?
I consider myself a drummer who plays notes, so a drummer collab is always best in my zone.
If you had to choose, would you prefer your bass tone to be clean and precise or gritty and distorted?
How about heavy and flanged?
On stage, do you lean towards engaging with the audience through high-energy movement or focusing on locking in a tight groove?
The audience and community are always my musical GPS. You often find some of the most epic performances recorded, live, and I think there is another source a player taps into when they are connected with their audience. I do sometimes get lost in a groove, but I want them to get lost with me.
Do you gravitate towards live instruments in your tracks or rely more on electronic production to enhance your sound?
My natural go-to is more live instruments because that’s where I started. But electronic production is where my heart seems to be connected the most. It’s like building your house with way more blocks.
When faced with a creative block, do you prefer jamming it out on your bass until inspiration strikes, or stepping away completely to recharge and refocus?
Just keep playing and writing. Sometimes I will feel stuck, but music always delivers and sometimes takes you in another direction. It’s always out there waiting for you to connect with it.
When writing, do you start with the rhythm section to lock in the groove or focus on melody and harmony first?
I think because I’m tracking live instruments, I tend to think beat & grove first, but I do still try to make sure those grooves have a strong melody. Just like a singing melody will have a hook that gets stuck in your head, I try to make the groove have the same melodic connection.
Throughout our conversation, Freekbass has shown dedication towards his craft; whether through live instruments or electronic production, he ensures his artistry remains dynamic and fresh, aiming to bring unique sounds to his listeners in both his studio work and performances. As he continues to evolve, Freekbass surely remains a name worth watching within the Electronic Music space: keeping up with his journey by following him across social media and staying up-to-date with his latest news, projects, and performances.
Freekbass Online
Spotify | Website | Instagram
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Based in Amsterdam, MITCH DB has rapidly gained momentum on the Electronic Music scene, gathering career milestones whilst continuing to develop and refine his signature style. With notable highlights that include amassing over 70 million streams across platforms to date, with now over 1 million monthly listeners on Spotify, to taking to the decks worldwide at renowned spots in countries like Spain, Sweden, Germany, and Thailand, his trajectory has placed him firmly on the scene as a talent be keeping close watch of.
Combining forces with Poylow, a Producer and DJ whose promise and potential appear just as high as MITCH DB himself, having had streaming success with tracks like ‘Hate You’ and ‘Friday,’ the pair blend their creative visions into a cohesive sound for ‘Lovefool,’ each leaning on the experience and skill set they have cultivated during their musical journeys. With Raïko complementing their abilities and sound with her own collaborative expertise, having already linked up with the likes of Darius & Finlay, Deep Chills, and Marcus Layton, this latest single emerges as an amalgamation of talent all while putting forward a bold sound surely primed to captivate listeners.
With vibrant energy, the thumping beat and gritty bassline of ‘Lovefool’ act as the anchor of the track, driving it forward as lively leads layer in, weaving amongst the crisp vocal line and bouncy low-end. As the arrangement balances tension and release, the track moves through evolving verses where punchy beats, shuffled percussion, and dynamic details lead the way, guiding back into full-bodied choruses punctuated by stuttering synths. Keeping the party-starter vibes high throughout, building through breakdowns and powerful drops, ‘Lovefool’ develops into an engaging and stimulating sonic experience, one sure to make an impact on the dancefloor and beyond.
A distinct addition to the discographies of MITCH DB, Poylow and Raïko, their cover of ‘Lovefool’ delivers a fresh, modern twist that is set to resonate with a wide range of listeners, making it onto the playlists of genre lovers worldwide with its dynamic sound.
Dive into the soundscape of ‘Lovefool’, out now via Soave Records and available to stream and download across platforms, and make sure to keep up with MITCH DB, Poylow and Raïko by following each of them via social media.
Listen and Buy ‘Lovefool’ Here:
https://www.beatport.com/release/lovefool/4837865
MITCH DB Online
Spotify | Instagram | Website
Poylow Online
Spotify | Instagram
Raïko Online
Spotify | Instagram
Soave Records Online
Website | Instagram
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