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Apple Has Put Aside iPhone Monthly Subscription Program Plans

Since the year before, there was an assumption that Apple would implement an iPhone subscription program very soon. Well, according to an article from Phandroid, the global tech supergiant has put aside plans to put plans for this unique program. This iPhone subscription program, if implementation plans were to happen, would have allowed iPhone users to upgrade their phones every year, as long as they paid the monthly subscription fees. Paying these fees would be like the same goes for any subscribers paying their subscriptions for a gym membership, streaming platforms, educational courses, and so on.
Since Apple has cast away these plans, it is now uncertain what the subscriptions fees would have been. A lot of iPhone users still pay plenty of subscription fees nonetheless due to subscribing monthly (or weekly or however they would pay varying on time) on various apps they use. If these plans came into fruition, it would not come as a surprise since it does seem like the monthly iPhone subscription program could have bore plenty of revenue gradually. No one knows for sure when will Apple decide to once more think about implementing an iPhone subscription program.
The post Apple Has Put Aside iPhone Monthly Subscription Program Plans appeared first on EDMTunes.
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Marshmello, Steve Aoki, and other artists reportedly misused pandemic relief grant money

Marshmello, Steve Aoki, and other artists were accused of pocketing millions of dollars that were awarded to them in the form of pandemic relief grant money, according to an investigation published earlier this week by Business Insider.
The pandemic relief program—called the Shuttered Venue Operators Grant—was intended to allocate funds to struggling independent venues and arts group throughout the pandemic. The investigation reports that Marshmello—lesser known as Christopher Comstock—received a $9.9 million grant. When the SBA (Small Business Administration) asked Marshmello’s business manager for proof of how the money was spent, his business manager stated that Comstock had pocketed it all.
Business Inside also stated that Steve Aoki’s loan-out company was awarded millions in grant money but when reporting its allocation, DJ Kid Millionaire Touring claimed it spent payroll and $1.9 million was used for officer pay. Steve Aoki is the company’s lone officer.
Neither artists has responded to the allegations at the time of writing.
Via: Business Insider
Featured image: Marshmello/Facebook
The post Marshmello, Steve Aoki, and other artists reportedly misused pandemic relief grant money appeared first on Dancing Astronaut.
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Skrillex Wipes His Instagram Except One Curious New Post

Skrillex has set the speculation wheels rolling, again! The Los Angeles-based Grammy-winning producer has cleared out his entire Instagram, save one photo. Yes, you heard it right! All these years of content & posts wiped out clean for his whopping 12.5 million followers. This dastardly act has left his fans concerned about the future.


Early December witnessed something unusual to start the jitters. An accompanying statement post his latest track, “Heavy Heart,” featuring Loco Dice and Fireboy DML has started raising the eyebrows. Reflecting on this new phase, Skrillex wrote, “I’m feeling every cell in my body, feeling so alive and connected as I move into this new phase.” He also revealed that his 15-year record deal with Atlantic Records is coming to an end—a milestone that he described as “surreal.” It is still unclear if ‘Heavy Heart’ is his final project with Atlantic Records, or if there is one final album in the pipeline for 2025.

Fans have been speculating the permutations behind this sudden move. From predicting a new album to bearing the brunt of a mental breakdown, rumour mills across the internet have been chugging like never before. Some barber experts also claimed that Sonny John Moore (Skrillex’s real name) might have removed at least 6-10 inches and kept it clean cut on the top. A recurring theme in fan discussions is whether Skrillex might be retiring the Skrillex alias entirely, or simply pausing new releases until larger projects are complete.

Skrillex is next scheduled to perform at the Sunburn Festival in Goa, India on the 28th of December.
The post Skrillex Wipes His Instagram Except One Curious New Post appeared first on EDMTunes.
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Ian Storm Explores And Transforms Nostalgia Through Latest Two-Part Album, Born In The 80’s

Here’s an extensive body of work, with an extensive love for the golden decade of music.
It’s perhaps the most meaningful bracket of time for music. Arguably (do argue with me, I’m ready) the best tracks in modern-day history were born in the 80s. Also, the rise of Dance music as a whole has a strong link to the decade. And so, it’s always nice to see — or rather, hear — someone paying homage to it. Cue Ian Storm.
Ian Storm is a successful producer with over 400 million streams. Hits of his, such as ‘Run Away’ and ‘Losing My Religion’ have garnered support from top artists. He’s founded Storm Music Group and has released music on major labels. Do you know what he’s also done? He’s put out an album.
In a recent interview, Ian discussed his new album, Born In The 80’s, a two-disc body of work that features twelve original tracks on The Creation disc, showcasing his personal evolution, while bringing back reinterpretations of influential tracks on The Inspiration disc.
Ian Storm. Talking about the LPs as a deeply personal reflection of his artistic journey, Storm emphasizes the profound impact of his 80s childhood, particularly his father’s restaurant, where he was exposed to music from artists like Enya. Moments like that, he recalls, were the seed that eventually turned into him being the creator behind the music.
Far from only touching upon the album, he highlighted the importance of authenticity, advising aspiring artists to prioritise their own vision over chasing trends. “Do what you feel you should do“, he stressed, “don’t try too much to follow trends or run after hypes“.
While the album is, of course, a huge milestone for Storm himself, the entire concept portrays something even greater for all of us listening: there’s an art to the craft of remembering and reimagining the past. I’m going to break character here and speak from my corner as an artist myself: I’m often worried about my influences slipping through the cracks and being planted too heavily in my original songs. I’m constantly asking myself if this melody I’ve created, I may have heard it somewhere else, and so on. And I end up sort of trying to mask those influences out of fear. That’s why I’m loving this concept of Ian, because it allowed him to not only create more new stuff, but also go back and revisit those songs that marked who he is today.
Listen to Ian Storm’s latest LP, Born In The 80’s, below, along with the tracklist to both halves.
Ian Storm — Born In The 80’s Tracklist
Part One: The Creation
Dance It All Away Je Veux with George Dala and DNVX Back In My Life with Michael Ford Surf Song with Polina Vita Highs & Lows with Ron van den Beuken and John Laurant featuring Menno Compasso Brasileiro with Michael Ford featuring Denise Krammer Darkest Before Dawn with SilkandStones We Are Young with SilkandStones featuring Vanessa Campagna Flames Nightmare with Bertie Scott She Don’t Dance Barely Alive with Ron van den Beuken & Menno Part Two: The Inspiration
Losing My Religion with John Laurant and Carl Clarks featuring Polina Vita Run Away with Ron van den Beuken featuring Menno Clocks with Ron van den Beuken Every Breath You Take with Ron van den Beuken featuring Menno Somewhere Only We Know with Menno and Mark Cole This Is The Night with Michael Ford Who Needs A Heart with Lotus Mad World with SilkandStones California Dreamin’ with Carl Clarks and John Laurant Missing with SilkandStones featuring Menno Kayleigh with Ron van den Beuken featuring Menno Dust In The Wind with Ron van den Beuken featuring Menno Jungle with Ron van den Beuken featuring JordinLaine Somebody Told Me The post Ian Storm Explores And Transforms Nostalgia Through Latest Two-Part Album, Born In The 80’s appeared first on EDMTunes.
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We Belong Here secures all-star lineup for 2025 return to Miami: Eric Prydz, Kaskade, Lane 8, Steve Angello, and more

There’s a general consensus that festival season formally kicks off in March. And before the chaos of Miami Music Week ensues later in the month, there’s a multi-day event happening in Miami that is also a must-attend: We Belong Here. After hosting its New York City debut this past fall, We Belong Here is now headed back to Virginia Key Beach Park for a fourth time on March 1 – 2.
We Belong Here secured an all-star lineup for the ages for its weekender in Miami, announcing that Eric Prydz, Kaskade, Lane 8, and Steve Angello will be its crew of headliners, with an undeniably stacked undercard of Cristoph, LP Giobbi, Massane, and Yotto joining the initial lineup reveal. If the aforementioned names were not enough, the festival teased that there’s a special guest that will be added to the poster at a later point as well as the remainder of its 2025 lineup.
Pre-sale signup for We Belong Here’s return to Miami is available here, with the pre-sale set to happen on December 23 at 12PM ET.

Featured image:
The post We Belong Here secures all-star lineup for 2025 return to Miami: Eric Prydz, Kaskade, Lane 8, Steve Angello, and more appeared first on Dancing Astronaut.
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The FTC Announces Final Rule to Ban Hidden Ticket/Travel Fees

The FTC (Federal Trade Commission) just announced its final ‘Junk Fees Rule’ that aims to crack down on hidden fees that appear at checkout. These hidden fees usually appear for consumers who are purchasing tickets for live events, hotels, AirBNBs, and other entertainment and leisure amenities. The FTC chairwoman Lina Khan stated, ““People deserve to know up-front what they’re being asked to pay—without worrying that they’ll later be saddled with mysterious fees that they haven’t budgeted for and can’t avoid”. She later added, “The FTC’s rule will put an end to junk fees around live event tickets, hotels, and vacation rentals. This will save Americans billions of dollars and millions of hours in wasted time”.
The FTC will help consumers save tons of time and money through the ‘Junk Fees Rule’
According to an article from Digital Music News, the ‘Junk Fees Rule’ supports consumers and genuine, supportive companies and business who have encountered dishonest practices that ticket sales corporations such as Ticketmaster and Stubhub have conducted over the years. The FTC also studied live event marketing and short-term lodging industries’ check-out process, which led to the implementation of this rule. Additionally, the rule aims at various junk fees such as ‘resort fees’ and ‘convenience fees’ that can result in triple-digit final price amounts at checkout.
The new ‘Junk Fees Rule’ will also require businesses to truthfully show the real total price inclusive of all mandatory fees when they present any price of live-event tickets or short-term lodging in various manners. The vote that approved this new rule was 4-1, with Commissioner Andrew Ferguson the only individual who dissented. Last but not least, the ‘Junk Fees Rule’ will also help consumers save a lot of time and money from looking for honest, total prices for live-event tickets and short-term lodging. Click on this link from the official webpage of the FTC to read more about the bipartisan ‘Junk Fees Rule’ that will change the way ticket sales corporations will sell tickets moving forward.
Image Courtesy: FTC (Federal Trade Commission)The post The FTC Announces Final Rule to Ban Hidden Ticket/Travel Fees appeared first on EDMTunes.
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The Best Electronic Music Producers of 2024

Editor's Note: EDM.com proudly publishes four installments of annual year-end coverage: Industry Leaders, Performances & DJ Sets, Music Producers and Songs.
DJing and music production are different. But the difference between the two is like a wallflower—it hides in plain sight, and it's vastly misunderstood.
Publishing a "Top DJ" list would undermine the originality, creativity and unbridled imagination of the artists who dedicate their lives to music production. To honor their profound commitment to the art, the EDM.com staff annually recognizes 10 of the year's best.
In no particular order, discover the best electronic music producers of 2024 below.
PAWSA
There's a running joke in the house music scene that PAWSA's USB is like a genie's lamp—every track feels like a wish granted. The UK producer is notorious for teasing fans with unreleased music in his live sets for years before officially releasing it.
In 2024, however, a number of PAWSA's hotly anticipated tracks hit the airwaves. The common thread between his releases—like "DIRTY CASH (MONEY TALKS)" and "TOO COOL TO BE CARELESS"—is a hedonistic mix of old-school dance music and modern tech house. He effortlessly blends timeless '90s vocals with thumping drums and basslines.
Less is more for the minimal house virtuoso, and that's the best part. His stripped-back style eschews intricate melodies and busy, over-produced beats in favor of raw grooves. It's not just music you hear, but music your body feels—a direct line to the pulse of the dancefloor.
Words by Saad Masood.
PAWSA.Izzy Hassan
ISOKNOCK
Armed with generational production skills and an unapologetic disregard for convention, ISOxo and Knock2 proved in 2024 that some artistic combinations are simply written in the stars.
Through reconstruction by deconstruction, their deliberately provocative artistry cut through the formulaic noise of today's EDM with both industrial precision and visceral intimacy. In a year marred by TikTok-fueled predictability, they smashed the playbook with nail-spiked baseball bats and brought anarchy to the algorithm, proving that unfiltered creativity still has a place in today's fractured streaming sector.
The duo, collectively known as ISOKNOCK, shocked fans back in August when they surprise-released their debut album, 4EVR. Equal parts beautiful and belligerent, the project is a song-cycle of raw dance bangers that lock horns with punk's snarling spirit. One of the year's best albums, it's an experience that left us feeling like we'd been through some kind of metaphysical car wash—battered and soaked in sound, but somehow cleaner for the experience.
ISOKNOCK's music also translated like clockwork to their 2024 live shows, which transformed dancefloors into middle-fingers-in-the-air battlegrounds that demanded physical and emotional surrender. The duo debuted at Coachella, demolishing the festival's legendary Sahara Tent before daring gravity at Chicago's North Coast Music Festival by performing in a shipping container suspended by a crane.
Words by Jason Heffler.
Knock2 (L) and ISOxo (R) of ISOKNOCK.Miranda Nicusanti/EDM.com
Martin Garrix
In a banner year for electronic dance music, Martin Garrix reminded us that the future of the genre belongs to those bold enough to reimagine it. As it rapidly evolved throughout 2024, he remained a lighthouse—brilliant, influential and perpetually in motion.
Garrix's music has always managed to engineer ageless memories in the minds of his fans, but this year, he returned to his progressive house roots and fired up the nostalgia machine more than ever. He was a force of nature, proving that sometimes the most groundbreaking moments come from rekindling the spark that first lit the fire.
Every week it seemed like fans had a vintage Garrix banger to look forward to, born from his ability to weave his roots into a new and electrifying vision. He started with the unforgettable "Carry You," an anthem of hope released in February alongside Third Party, Oaks and Declan J Donovan. Then came three consecutive singles in as many weeks, a succession that culminated in the release of IDEM, a rapturous EP featuring larger-than-life collaborations with DubVision, Mesto and more.
The euphoria then bubbled over this summer when Garrix released "Wherever You Are," a soaring festival favorite showcasing both his technical mastery and lyrical depth. But it might not end there—after Coldplay featured his song "Breakaway" in their viral Glastonbury set, he hinted that an original collaboration with the iconic band could come in 2025.
Words by Jason Heffler.
Martin Garrix.Louis van Baar
Jamie xx
2024 brought the revival of the inimitable Jamie xx, whose release of In Waves—his first studio album in nearly a decade—led to one of the year's most compelling electronic music projects.
It was worth the wait. In a year where songs were churned out faster than a ChatGPT prompt, In Waves stands as a testament to taking your time in the pursuit of a bold creative vision. It's sometimes joyful and sometimes hauntingly introspective. A project covering such a range risks feeling cluttered or disjointed, but not in the skilled hands of this English beatsmith.
A raw love letter to club culture, In Waves told an exhilarating narrative through unforgettable tracks like "Baddy on the Floor" (with Honey Dijon), "All You Children" (with The Avalanches) and "Waited All Night," the lattermost of which Jamie produced alongside his former bandmates from The xx, Oliver and Romy. By design, it's difficult to box these diverse tracks into a single genre classification.
Jamie's music also left quite a cultural footprint in 2024. Before he even released In Waves, he returned to his home of London to host a curated event, "The Floor," and manifested his dream of opening his very own club. It was a snapshot not only of his boundless creativity, but also his deep-rooted appreciation of the UK underground.
Words by Rachel Freeman and Shakiel Mahjouri.
Jamie xx.Krists Luhaers
LP Giobbi
LP Giobbi has built her career on a foundation of innovation and empowerment, but she took them to new heights in 2024.
Her infectious energy and genre-defying sound crept into the bedrock of Dotr, her hotly anticipated sophomore album. The record stands as a tour de force, blending her signature piano-driven house beats with soulful contributions from a compelling roster of collaborators, including Alabama Shakes, Portugal. The Man, Panama, Jacob Banks and Holly Bowling. Tracks like "Feel" and "Bittersweet" became instant hits, encapsulating Giobbi's unparalleled ability to bridge the gap between classical musicianship and modern dance music.
She also remained steadfast in her commitment to fostering inclusivity in the electronic dance music community through her beloved FEMME HOUSE community, organizing workshops, mentorship and resources to combat industry disparities. The organization in March teamed up with Insomniac Records to release a massive compilation featuring music by Mary Droppinz, Lisbona Sisters, ZOF, Bexxie and other promising women in dance music.
Words by Mikala Lugen.
LP Giobbi.Christopher Polk/Penske Media
Pretty Lights
Pretty Lights' comeback demonstrated that true innovation takes time, introspection and a fearless leap into the unknown.
Dual Fusion Unity, his first new original music in seven years, humbly reminded fans why he remains one of a kind. The radiant EP is vintage Pretty Lights, a kaleidoscopic journey through glitchy electronic textures, soulful vocal samples, funky brass flourishes and moments of pure analog warmth.
On its opening track, "Road to the Stars," Pretty Lights' reflective monologue serves as a poignant emblem of his extraordinary journey, crystallizing the return of a beloved artist seemingly at peace with creating art for its own sake. "I'll fly a starship across the universe… and I'll be back again," he crooned.
Touring once again with a live band, Pretty Lights picked up where he left off, elevating his live compositions into something even more dynamic by fusing raw instrumentation into his performances. In a genre often seen as saturated with pre-programmed sets, his music once again stood out as deeply human.
Words by Cameron Sunkel.
Pretty Lights.Brittany Teuber
John Summit
Just when you think John Summit can’t outdo himself, he does. If 2023 was his crescendo, 2024 was his symphony.
He sold out massive arenas, like New York City's Madison Square Garden and LA's Kia Forum; performed at the world's biggest festivals, like Tomorrowland and Coachella; and curated bespoke events for his Experts Only imprint, including a ski trip in Colorado and a luminous Lake Tahoe mountain party.
2024 was the year Summit unveiled his debut album, Comfort In Chaos, an anthemic yet intimate masterstroke in which he took his songwriting to new heights. His HAYLA-assisted festival anthems "Where You Are" and "Shiver" remained staples, but he also took risks, wading into the waters of drum & bass ("palm of my hands" with venbee), breakbeat ("Stay With Me" with Of The Trees) and techno ("Resonate" with Kaskade and Julia Church).
However, he didn't stop at Comfort In Chaos. He emerged as a Renaissance man, one day remixing The Temper Trap, the next Green Velvet. He even dropped one of the year's best dubstep tracks alongside Subtronics and Tape B.
2024 wasn't just another chapter for John Summit—it was the year he rewrote the rulebook on what an electronic music artist can achieve.
Words by Saad Masood.
John Summit.c/o AEG Presents
Sara Landry
There are many, many reasons why Sara Landry holds the nickname "High Priestess of Hard Techno."
But the most convincing one—even in a year that saw her etch her name in Tomorrowland's history book as the first hard techno DJ to play its storied Mainstage—was Spiritual Driveby. Posing life's greatest questions at blistering BPMs, Landry's remarkable debut album effectively crystallized one of the most explosive electronic music breakouts in recent memory.
Just like her ferocious DJ sets, the EDM.com Class of 2024 superstar dragged us into a vortex of brutal euphoria with her uncompromising approach to techno production. Teetering on the edge of avant-garde and vocal-driven techno, the 12-track opus saw her team up with a compelling group of collaborators, like Nico Moreno, Shlømo and the illustrious Mike Dean. The album even features a haunting soliloquy from her personal hypnotist.
Landry soared to new heights and emerged as one of the most in-demand names in music, incinerating dancefloors and cementing herself as the undeniable "It Girl" of techno in 2024. And as she weaponizes her arsenal for her Coachella debut next year, all we can do is hold on for dear life.
Words by Mikala Lugen and Jason Heffler.
Sara Landry.c/o Press
Justice
From the opening bars of Hyperdrama, Justice's first new album in eight years, the duo reminded us why we fell in love with their timeless electro in the first place.
While it's still anchored in the gritty analog tones that made them icons, the album found Xavier de Rosnay and Gaspard Augé exploring uncharted territory with a renewed sense of adventure and emotional depth. They transcended the simple pleasures of body music to speak to the tragedies, triumphs and bittersweet complexities that loom over the dancefloor's euphoric release.
Eschewing the aloof electronic stoicism that defined Justice's earlier works, Hyperdrama bleeds candor and restless yearning without abandoning their roots. Tracks like "Generator" and "Neverender" (with Tame Impala) have already earned their place as modern dance classics, reinforcing Augé and de Rosnay's ageless knack for crafting generational music.
But it’s not just the music that made Hyperdrama stand out. They are said to have spent months working with a team of computer scientists to produce the album's accompanying live show, ultimately elevating it into a groundbreaking, multi-sensory experience that captivated crowds at Coachella and the Hollywood Bowl, among many others.
Words by Jason Heffler and Rachel Freeman.
Justice.Michael Buckner/Penske Media
LSZEE
Good luck finding a more unique, yet refined, electronic album this year than LSZEE's self-titled debut.
Fusing CloZee's globe-spanning sound with LSDREAM's spiritual funk and bass, the album is a transformative experience. There exists no collaborative partnership in the electronic music scene quite like this one; LSZEE sounds distinctly like LSZEE.
The album's songs cover a lot of ground sonically, but flow seamlessly together with an overarching sense of wonder. Pay special attention to "NIGHTHAWK," an absolute showstopper at the duo's live sets throughout the year.
LSZEE are now embarking on what they claim to be their only tour in 2025. Do yourself a favor and see them before it's too late.
Words by Shakiel Mahjouri.
CloZee (L) and LSDREAM (R) of LSZEE.Harold England/ShutterKlick
Honorable Mentions:
Rezz
Peggy Gou
Odd Mob
Coco & Breezy
Syzy
Jon Casey
Eptic
TSHA
longstoryshort
Sammy Virji
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Lady Gaga Says She "Loved Collaborating With All the DJs" on New LG7 Album

Lady Gaga has always had a love affair with electronic music, and it seems her upcoming LG7 album will push that passion into bold new territory.
Gaga today revealed that her long-awaited seventh studio album will heavily feature collaborations with DJs and dance music producers, including the French electro icon Gesaffelstein.
"I loved collaborating with all the DJs and Gesaffelstein on my new album," Gaga told the Los Angeles Times. "I loved learning about industrial music and about all the different crevices of electronic music."
Revered for her ability to reinvent herself, Gaga's dive into industrial electronic sounds could mark her most daring evolution yet, even after 2020's cyberpunkian Chromatica album. A neon-soaked odyssey through heartbreak and healing, that record featured production from Skrillex, Madeon, Axwell, Boys Noize and Tchami. She twisted the knife in the album's hyperactive remix package, recruiting Arca, Mura Masa, A. G. Cook and more.
Gesaffelstein stands as an ideal Gaga collaborator after releasing his first album in five years, GAMMA, back in March. Embracing a similar approach to Chromatica, his virtuosic command of texture and timbre felt both alien and intimately familiar.
Speaking with Vogue in September, Gaga revealed that LG7 is set to release in February 2025, just a few months before her hotly anticipated headlining set at Coachella. She has since released the album's lead single, "Disease," a dark midtempo track; and "Die With a Smile," a ballad with Bruno Mars that became the fastest song to reach a billion streams on Spotify.
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Dancing Astronaut’s Breakout Artist of 2024: Max Styler

Rhetorical question: Are there more stars in the universe or Max Styler hits? 
We’re fully aware that Max Styler isn’t a new artist. But in 2024, it felt like Styler experienced the surge he’d been working towards for the past decade or so — an ascension that prompted him to become one of the most-talked-about artists in all of dance music this year, and an ascension that would eventually provide the basis for this article. 
Styler’s deservingness of Dancing Astronaut’s Breakout Artist of 2024 title has been well-demonstrated, but if we needed to justify our auspicious sense of how Styler’s year would unfold, let’s remember that he had not one, but two then-unreleased weapons in Dancing Astronaut’s most-anticipated IDs of 2024 list: “Rhythm Machine” with Westend and “Lights Out.” The former landed within the first few weeks of 2024 — and it set off an avalanche.

Before anyone could even finish streaming the latest Styler release this year, it seemed as if three more of his IDs would quickly follow. And even when the identity of the given ID’s creator wasn’t public information, many — including us — blindly assumed it belonged to him. The odds of that high-grade, tech-house production coming from Max Styler’s computer seemed that much more likely, given the rate at which he was releasing music.
12 months later, 13 Styler releases have hit the streaming board since January, where they join a pair of cuts from Habitatt, his and Spencer Howard’s new alias. This release total is one that not many of Styler’s peers could measure up to — and few ultimately did.
But it wasn’t just about quantity. This year, Styler balanced quantity and quality across 15 tracks, with each ensuing record even more fine-tuned than the one that came before it. “On Repeat,” alongside Dancing Astronaut Artist to Watch in 2025, Clüb De Combat, doubles as an example and a victory lap that formally concludes Styler’s year of releases. Ultimately, all 15 of these tracks were undeniably unavoidable in dance music’s live circuit and beyond; it didn’t matter if you were seeing Dom Dolla or Kevin de Vries or Solomun.
We could just end our case there, but — of course — we won’t. While his releases simultaneously traveled the globe aboard other DJs’ USBs, Styler coordinated his own packed-out touring schedule. And as we moved later and later into the year, so did the timing of his sets at events and festivals. The capacities of the venues where Styler would appear (and routinely sell out) grew in size as well, leading to the inevitable announcement of a 2025 tour.
It didn’t just feel like Max Styler’s name was inescapable in 2024, it simply was. Whether it was his latest and greatest ID that people were salivating over or one of his sets that prompted fans’ immediate demands for an upload, it was all Max Styler, all year long. 
We’ve had somewhat of a hunch about his candidacy for a while, but we are now formally putting it in writing: Congratulations to Max Styler, Dancing Astronaut’s Breakout Artist of 2024.

Featured image: Mason Rippel
The post Dancing Astronaut’s Breakout Artist of 2024: Max Styler appeared first on Dancing Astronaut.
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Armin van Buuren and FISHER Lead Finland's Weekend Festival 2025 Lineup

Finland’s Weekend Festival has become a late-summer pilgrimage for electronic music enthusiasts in recent years and its forthcoming 2025 edition is shaping up to be equally unforgettable. 
The Espoo-based event recently announced its lineup, charting course for a high-energy mix of established superstars and pioneers of the craft alike. House music superstar FISHER is among the DJs slated to headline the festivities, along with mainstage vets Blasterjaxx and Showtek. 
Hardstyle and hardcore fans are sure to revel in the intensity of Angerfist and Sub Zero Project, while MEDUZA's sleek club grooves are set to bring a touch of stylistic sophistication. The established event of nearly a dozen years wouldn't be complete without dance music titan Armin van Buuren, who will also be joining the lineup. 
This year's edition of Weekend Festival drew approximately 20,000 attendees from around the world to Vermo Arena, putting forth a dynamic lineup and production experience that left attendees with lasting impressions. Themed "Disco Nation," the festival featured three uniquely curated stages: the WKND Stage for mainstage music, the Future Stage home to pulse-pounding hardstyle and drum & bass, and the CNNCT Stage offering a haven for techno and house enthusiasts alike.
Join the opening weekend August 1-2, 2025 at Vermo Arena. Tickets are on sale now.
View the original article to see embedded media.
Follow Weekend Festival:
X: x.com/weekendfestival
Instagram: instagram.com/weekendfestival
TikTok: tiktok.com/@weekendfestival
Facebook: facebook.com/weekendfestival
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KNTXT Welcomes Acid Asian’s ‘Visionary Deep Soul EP’

Returning to work with Charlotte de Witte, Brazilian techno artist Acid Asian, sometimes known as Fábio Seiki, shows his much-awaited Deep Soul EP on her esteemed KNTXT label. Reflecting his varied musical experience and creative approach, this dynamic selection of tracks shows his original mix of hard techno, acid, rap/trap, and psytrance.
Beginning the Acid Asian project during the 2020 epidemic, Fábio has quickly gained popularity in the techno scene and became the first Brazilian musician to put out on Charlotte’s sub-label RPM. Acid Asian keeps leaving a lasting impression on the worldwide electronic scene with exceptional performances at Tomorrowland Brasil, DGTL São Paulo, and other events across Japan, India, and Europe.
Charlotte de Witte, who has supported Acid Asian since 2021, praised the release:
Another evidence of his skill and unwavering inventiveness is the Deep Soul EP, which provides a rich and thrilling experience destined to enthrall techno listeners all around.

The post KNTXT Welcomes Acid Asian’s ‘Visionary Deep Soul EP’ appeared first on The Groove Cartel.
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Ready to Step Into the Void?

Bangkok’s newest nightlife destination, Void Club, has already opened its doors, but the real celebration is just around the corner. With its Grand Opening Party on December 25th, Void is set to solidify its place as RCA’s most exciting new venue. Combining cutting-edge visuals, a world-class sound system, and an unbeatable lineup of international DJs, Void has quickly become a must-visit for anyone who loves music, dance, and unforgettable nights.
Where Technology and Music Meet
Void isn’t just a nightclub—it’s an experience. From the moment you step inside, you’re greeted by towering LED screens that light up the entire venue, immersing you in visuals that shift and evolve with the music. The sound is precise, the lighting is reactive, and the atmosphere feels alive. It’s not just a party; it’s a fully immersive escape into music and visuals designed to keep you in the moment.
What truly sets Void apart is its ability to replicate the energy of a massive festival within an intimate space. Whether you’re on the dancefloor, enjoying the High Table Zone, or watching from the comfort of the VVIP Balcony, the production values are unmatched, creating a space that feels both exclusive and electric.
The Countdown to December 25th: Grand Opening Party
Void has already made waves since its soft opening, but the Grand Opening Party on Christmas Day will take things to the next level. Headlining the night are none other than NERVO, the Australian DJ duo ranked #50 in DJ Mag’s Top 100 DJs. Known for their chart-topping hits and energetic sets, NERVO will deliver a performance that promises to make this Christmas one for the books.
The celebrations don’t stop there. Void is also hosting Neon Countdown pre-parties, bringing even more big names to the stage. On December 27th, Mike Williams, known for his melodic house hits, will take over the decks. The following night, Blasterjaxx, the powerhouse duo famous for their high-energy big-room sound, will keep the party going. These events are a taste of Void’s commitment to bringing world-class talent to Bangkok.
Setting the Standard for Bangkok Nightlife
Void Club is more than just another addition to RCA—it’s changing the game for nightlife in Bangkok. With its festival-level production, carefully curated DJ lineups, and unique spaces for every type of partygoer, Void has everything needed to become the city’s go-to spot for electronic music and more.
Located on Rama 9 – RCA Road, Void is easy to find and even easier to enjoy. Its four seating zones—from the energetic High Table Zone to the exclusive VVIP Attic—offer something for everyone, whether you’re looking to dance all night or lounge with friends in style.
Join the Party
Void is already creating a buzz, and with the Grand Opening Party and December’s packed lineup, it’s clear this venue is just getting started. If you’re ready for a nightlife experience that combines incredible music, next-level visuals, and an atmosphere that stays with you long after the night ends, Void Club is where you need to be this holiday season.
Book your spot now and get ready to step into something unforgettable.
To stay updated about events, check out their Facebook and Instagram pages!

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Energy & Empathy: The Rise of Klueless

Sometimes, amongst the rising stars, you find a gem. Mix raw talent with passionate flair, innate musicality and a positively charged kilowatt aura – enter, Klueless. Quickly cementing herself as an enigmatic force to be reckoned with in the bass music world, the mesmerising selecta is on a mission to spread love and high-impact basslines, across every BPM in the book.
With performances spanning a range of bass genres, styles and events, her sets pack armfuls of grit and glittering attitude, along with an irresistible energy that compels audiences to their toes. Part of the new inclusive wave, she’s breaking into the industry and its heart, with a steady determination to platform talent that needs it most, whilst encouraging us to do better, be better and love ourselves more. Klueless is the name but she’s everything but. All heads will know the PLUR message but for this promising artist, it’s the very essence of her work.
Gradually, more of the community are starting to tune their ears to Klueless’ gospel. Fresh off of a series of sizzling summer sets, events season has seen her debut on the Free From Sleep mix series and join the mighty Kool FM in their new roster of shows. We wanted to know; what drives the musically ambidextrous DJ, how she envisions the scene’s future and where the journey has taken her so far. Read on for all things music, mental health in rave culture and the glimmers in between.
Kamila! Why are you Klueless? Because you’re clearly very switched on…
I was at uni, a DJ friend of mine and I went for a walk and a smoke and thought up ‘Klueless’. A lot of people assume that, because I’m a confident, good-looking woman, that I don’t know what I’m doing. That I don’t know what’s happening back here, what those buttons do.  I wanted to take back that power by turning it on its head and saying, yeah, I may be clueless in certain things, but not music, and you’re going to be left clueless by the time my set is finished! There’s a feminist perspective to it, similar to us queer people taking back the word ‘queer’. Plus, my full name is Kamila with a K.
Would you call yourself a feminist?
100%. I think a lot of people don’t understand what that word really means. The best way that I’ve learned that word is from a Beyonce track, Flawless. She quotes Chimamanda Ngozi Adichie, an influential black woman activist, speaker and author; the word ‘feminist’ means a person who believes in the social, political and economic equality of the sexes. Anyone can be a feminist if you genuinely believe that men and women can be equal. That just made complete sense to me.
We know the scene needs inclusivity and things that bring us together, now more than ever. How do you think things have changed for the better?
I think we are getting better. It’s been amazing to see a lot more black women DJing and on lineups. Drum and bass music originated from black culture and I think it’s important to support anybody from that background to be more involved in the scene. Don’t get me wrong, we are doing that, but I think a lot of promoters are still booking the same all cis-white-male lineups which isn’t genuinely inclusive and supportive of so much diverse talent. I do think a lot of brands and labels are doing great at being adamant on making sure that we stay inclusive and diverse, which is amazing, but I think it’s just going to take time for more women, more black women, more trans women and more ethnic people to feel more comfortable in representing themselves in a scene where they might feel like a minority. Promoters do better!
I consider myself a minority as I’m mixed Kazakh and English, and was born in Kazakhstan. I’d love to preach and represent a bit more which I’m starting to do. I do know another Kazakh producer; lucidbeatz who makes amazing music. When he released a jungle track ‘with u’ I posted it on my Instagram account straight away. I’ve never heard someone Kazakh make something like that. When I heard this I thought ‘this needs to be reposted!’ Afterwards, I noticed that some people from the scene had started following him. So just goes to show it’s good to branch out and support.
Agree, always show some love to an artist you enjoy, every little bit of support counts. Let’s talk shows. You’ve been everywhere this year!
Ah yes! First of all, I’m really grateful to everybody for including me on a lineup. I’m so humbled to know that people are seeing what I’m doing and want to support me. I am genuinely so blessed! I would say I have a top three favourite nights from this year so far. I was quite proud that I was asked to do Shogun Sessions back in August. Personally, that wasn’t my greatest technical set, but the selection was spot on for the show. The amount of appreciation and love that I got from the community was just unbelievable. 
That – is exactly what I love about bass music and rave culture, everybody being so supportive and sharing the love and appreciation for your work, your curation and your ability to perform. That was something I was incredibly grateful for and a big milestone moment for me. The second one has to be Jungyals and Gays, which is a female and queer based collective that host women and queer centred events. They’ve been killing it this year and booked me for their 360 Bday bash at Loki. I went there without any expectations; it was fucking packed, it was sweaty, and everyone was in such a hype mood. Nobody felt like they had to act a certain type of way. Everyone was in their element, doing their thing. And of course, Unorthodox. That summer day rave was absolutely crazy and the best Unorthodox so far!
It’s been amazing to see more queer events grow recently and in turn grow the scene.
Yes! Everyone is half naked and free; being who they are, just being human. Personally that’s how I resonate with being queer, or my queer identity. I feel human, like a human being, in touch with myself and with my body. I don’t feel like I’m in the matrix. I’m not a robot! I also love how a lot of queer events are multi genre too. At Jungyals and Gays, I heard people spinning garage, then a bit of breaks, then I came on to play dubstep; the BPM just kept creeping up towards the end of the night. It’s had an effect on me by making me start to consider building more variety into my sets, instead of just one genre each time.
I love how you align your identity and values to music. Though first, we know you’re a multi genre queen, but what genre was your first love?
I loved drum and bass before I even realised what drum and bass was. When I first started making music, at 14, 15 for GCSE Music, I based my first ever track on Andy C, ‘Heartbeat Loud’ before I knew that it was drum and bass. The first track I ever made was drum and bass but I didn’t know it! Then I started experimenting with different genres like hip hop and got some vinyl decks at one point, to teach myself how to mix on vinyl and learn how to scratch. I bought loads of old school hip hop vinyls; Nas’ N.Y. State of Mind, Earl Sweatshirt. Then that died very quickly because I got used to fast paced digital DJing with other genres. Dubstep and the garage came in when I was at uni, I got fully immersed in drum and bass, but also explored the bassy speed garage. After uni, I explored a little further and I fell in love with 140 and its super grimy yet deep and smooth and heavy sound. I ended up getting a bunch of tracks which I played around with and realised that mixing them all is completely different. But, you can double garage and dubstep, which I now do religiously.
You’ve got to have a favourite child…
UKG and speed garage are very bouncy and wobbly, round and warm. It fills your chest but you can still bounce to it. But then dubstep makes you feel like a gangster in the sense of giving you a confidence boost. I love it. Dubstep or grime is a genre that’s been misunderstood for some time, but it has some insane history. Jungle has a very unique groove to it, which I really adore, especially the fast scatty drums. Nia Archives is killing it right now and she’s a black woman representing jungle! If I had to pick, it would be drum and bass for the amount of versatility within it.
There’s so much more to the bass genre than at first meets the eye.
It’s a limitless sound, I think bass music is genuinely so limitless because the way that we produce it is through a computer and through that there are infinite ways of creating. We can create anything in sound design, even a new sub genre.
Like skatimal.
Like skatimal. I’ve been saying more often these days thanks to Gabs, or Gifta. There are some tracks that I don’t know how to describe genre wise, apart from being skatimal. 
Who are your favourite artists right now?
Hamdi all the way. Taiki Nulight, borne is making some really cool music. Effin, he makes heavier dubstep using a lot of samples from 1950s music. Flava D probably has been my biggest inspiration, because she is the epitome of everything that I’m trying to do, I very much look up to her. She’s also queer, she’s a woman, and she’s been making music for ages, but she started making grime first, then garage with Royal-T and DJ Q and eventually drum and bass. She’s my biggest inspo for bass music overall, she can make literally anything. Satl also did the LA Fling EP this year with Brandy Haze, an R&B vocalist, which I adored. When I make drum and bass, I love to include jazz instruments or R&B vocals, hooks, to create a groove.
You’ve mentioned production and projects in the past. Is there a Klueless release on the horizon?
Yes! I’m getting closer and closer to releasing something. I have a lot of fun making bootlegs and edits, as well as making my own original stuff. I don’t want to give away too much yet, but I would say I’m still a little way off being ready to finally get that music out there. I’ve had a lot of help from a lot of really good friends, in terms of feedback and advice. I’m really confident in the direction it’s going in, it’s probably the best it’s been ever since I started. I was very on and off for a long time because of my confidence and because of this huge fear of failure. The shift in my mindset has massively allowed me to improve my production abilities. When you use your environment and play to your strengths, you can accomplish amazing things. 
I want to stay as dedicated and focused on the process rather than the end result. If I can get myself excited for what I am doing and not what I haven’t done yet, that massively helps with my confidence. I want to start reaching out to my audience and make more encouraging content on social media to get other people out of that rotten, negative mental space. Because no one can grow in that environment and in that headspace.
Is there a specific habit that you’re trying to pin down as part of your process?
The need to be more aware of creating healthy habits, prioritising real self care, especially when you’re playing out a lot and having late nights. We’re all surrounded by a lot of temptation, and if we’re able to balance the fun nights with the working nights, then that can make things easier. Personally, I make sure that production is part of my routine, if it’s not daily, then it’s at least weekly. I think the biggest creativity killers are comparison and envy. 
I’m generally not a jealous person, I’m very comfortable and confident in myself. But when it comes to music, that’s the only time I’ve ever started to feel negatively and compare myself to others. There have been so many times where I’ve had huge insecurity after playing a set – where I didn’t feel I did that well and the thoughts that I had on myself are just absolutely terrible. I know so many artists who have the same problem. That’s another reason why I want to advocate for mental health. My mom is a therapist and she’s massively helped me with a lot of my mental issues, but also my self esteem. Self esteem for a music artist is one of the most important things we need! We cannot openly share ourselves and our deep work with the rest of the world without it.
Thank you for sharing that. Mental health is important for everyone but the music industry does bring unique challenges.
Practising gratitude, self affirming, doing things you enjoy, getting active, laughter – all these things can help. We all want to be successful. But at the end of the day, just being happy is the make or break in your life, it’s absolutely key. If I was depressed or had difficult mental health problems, I wouldn’t be able to do anything. That’s why your happiness and your mental health is number fucking one. It changes your life completely. We’re all familiar with substances, we’ve all had fun with it. But there is a point where if you want to take this industry seriously, you have to find a balance or get rid of it completely. You have to prioritise what you want. I know artists who are sober, clean, but even then sometimes their self esteem isn’t great, which is why they’ve laid off in the first place. I think we’re getting there with awareness of all this and there’s a lot of wellbeing content online, which I love.
Looking forward, how do you think bass music can help and shape the world?
The sense of collectiveness and the feeling of freedom and care for others can do a lot for people and the world. Standard clubbing environments can feel quite toxic. If you look at bass music, if you go to a rave, everyone is so cuddly and considerate; you say sorry if you bump into someone, you check if someone’s okay if they’re on the floor, if you see somebody upset in the toilet, you ask them if they’re okay. That wouldn’t really happen in other places. Younger generations go raving because they feel safer, that they’re surrounded by good people, they’re free, not being judged. I’ve noticed people are becoming less judgmental, becoming a lot more understanding of mental health and more open-minded and appreciative of culture.
So drum and bass is going to save the world?
Haha yes! But really I think raving does bring a different perspective to the human race, it’s made a big impact so far and we’ll see where it goes.
10000% agree. What do you love most about the community?
The fact that there’s little judgement. Growing up, my mum raised me to be a very self assured person. She’s always complimented me and given me lots of words of affirmation. At school, I was always picked on because of that, people thought that I was too confident for my own good, or that I drew too much attention to myself. I like to have a positive vibe and a positive outlook on life and people and the others didn’t like it. When I went raving, I could truly be myself and not be judged, which is what I mean by freedom. I can be hyper, I can be silly. I’m just happy and love showing my emotions. When I go into a rave, everyone enjoys seeing other people just have fun. It’s very carefree, very relaxed and judgement free.
My heart! I love this. I think we can all feel proud to be part of this community. Quick fire round now; if you had to do a B2B with a non drum and bass artist who would it be?
Hamdi for sure. One because the music is fucking hype and two because its so hype then everyone else is so hype. I haven’t sweated so much in my life than at a Hamdi event.
What elevates a set from good to great?
Energy. It’s all about the way that you show people that you love what you’re doing. I’ve played sets before where I feel like I haven’t done as well technically as I could have. But because of my energy and how much I enjoy what I do, regardless of how well I’m doing it, these nights have been some of the best sets I’ve ever played. Your energy, your persona and personality matter.
Huge! We’re so excited to see what you’ve cooked up! Finally, do you have a message to the heads?
Focus on the process and your systems, rather than the end results. Believe in yourself and fuck what anyone else thinks!
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Interview with Gabry Ponte: From ‘Blue (Da Ba Dee)’ to San Siro Stadium – Reflections on 2024 and 25 Years of Success

Italian DJ and producer Gabry Ponte has been a defining force in electronic dance music for over two decades. From the global phenomenon ‘Blue (Da Ba Dee)’ to his upcoming historic show at San Siro Stadium, Ponte continues to push boundaries in the dance music scene. In this exclusive interview, the former Eiffel 65 member discusses his Grammy-nominated track’s enduring legacy, his milestone-packed 2024, and his vision for the future of electronic music. From launching his new label PENTAPHONIA to collaborating with industry titans like Steve Aoki and Sean Paul, Ponte shares insights into his creative process and the evolution of dance music.
Before jumping into your 2024 highlights. Let’s start things off with a bit of nostalgia. ‘Blue (Da Ba Dee)’ is undoubtedly one of the biggest dance tracks of all time and has become a global cultural phenomenon. How do you feel about the track’s enduring legacy, and did you ever imagine it would still be so popular decades later?
It’s hard to explain the phenomenon of Blue (Da Ba Dee), also because it takes on forms and dimensions of such magnitude that even I am amazed! Blue has been at the center of a movement and the evolution of dance music worldwide, and just thinking that after 25 years it received a second Grammy nomination thanks to the rework by David Guetta and Bebe Rexha speaks volumes about its longevity and relevance.
I am, and always will be, grateful for this track. It’s evergreen…actually, everblue!
Concerning the impact of ‘Blue’, we’ve all heard numerous remixes of the track but which remix or interpretation of ‘Blue’ has impressed you the most?
As mentioned before, David’s remake is one of a kind!

It gave the track a second life without distorting it, while making it contemporary. There have been many reworks and remixes of the song, but this one stands out above all, without a doubt.
Your ’25 Anni di Dance’ tour celebrated 25 years of your music career and kicked off 2024 in style. What were some of the most memorable moments from the arena tour?
The celebratory tour for my 25-year career will leave so many beautiful memories in my mind, but if I have to choose one, I’d say stepping onto the stage in Milan for the first show, with a venue of over 12,000 people completely sold out, was a fantastic moment. When, at the end of the show, a group of fans started chanting “San Siro, San Siro” over and over, I became convinced that we could put on a great show at the “Scala del Calcio”, as the Meazza Stadium in Milan is often called.
You launched your boutique label PENTAPHONIA earlier this year, exclusively on Beatport. What inspired you to create the label, and what’s your vision for discovering and promoting new electronic music talent?
Pentaphonia was created to be a space dedicated to club releases, as free and experimental as possible. We’re just at the beginning of this journey, yet we’ve already achieved results that have exceeded expectations, with numerous tracks charting in the most relevant genres. This makes me realize we’re on the right path.
For next year, we already have an exciting release schedule, featuring both top-tier names and emerging artists whom I can’t wait for you to discover.
This past year saw some incredible cross-genre collaborations from Tiesto and Dimitri Vegas & Like Mike’s remix of ‘Mockingbird’ to your track with Steve Aoki’Save Me’ and the dancehall-inspired ‘Born To Love Ya’ with Sean Paul and NATTI NATASHA. What has been the most rewarding part of collaborating and what has been the most challenging part?
Collaborating with artists of this caliber and such immense talent is a constant source of inspiration and pushes you to raise the bar of what you demand from yourself. The artistic encounter with any artist is enriching in itself, and having the opportunity to work with talents of this level is truly an honour.
Speaking of recent music, your single ‘Ghost’ closed out this year, can you tell us about the creation of this track?
‘Ghost’ was a fun project because it let me tap into my nerdy-nostalgic side. Reworking such a well-known theme is no small challenge. Everyone recognizes that melody, and in my opinion, when you approach these iconic musical pieces, your task is to give them a fresh, contemporary feel without altering their essence. I had a lot of fun creating this track, and the audience’s excitement when I play it live is truly incredible.
You’re set to headline Milan’s San Siro Stadium – a massive milestone for any electronic artist. What does this event mean to you, especially as an Italian DJ who’s been pioneering the dance music scene?
It’s a dream come true to be honest. San Siro is a legendary venue, and to be the first DJ to perform there feels like a huge win not just for me but for the entire dance music community too. When I started djing back in the days there was not such a thing as “superstar djs” the dj was supposed to be playing in clubs and today I have the opportunity to perform in front of more than 50k people I still can’t believe it. It’s a chance to showcase how far our scene has come.
You’ve taken to some epic stages this year including Tomorrowland Brasil, Arabax Music Festival, Moon & Stars Festival. Are there any moments behind the decks from 2024 that stand out?
The thrill of performing in front of thousands of people is truly indescribable. You never get used to it—it gives you a unique adrenaline rush and creates a connection with the audience that is unforgettable. Thousands of hands and hearts beating in unison amplify the emotions conveyed through the music to the highest degree. It’s a collective ritual of immense power.
Electronic music is constantly evolving with technologies like AI and immersive experiences. How do you see these emerging technologies potentially transforming music production and live performances in the next few years?
Music is an extraordinary testing ground for technological advancements and has the unique characteristic of always being at the forefront, embracing and being influenced by innovation earlier than many other forms of artistic expression. I see AI as a tool that can assist artistic intuition and speed up certain processes. However, without the awareness and the ability to control the machines, it will never reach its full potential. Therefore, studying music and production remains essential for everyone—to be the drivers of this change rather than being overwhelmed by it.
As someone who’s been at the forefront of electronic music for 25 years, looking ahead to the future, what emerging trends or new sounds in the global dance music scene are you most excited about, and how do you see yourself potentially incorporating these into your future work?
A notable trend is the revival of sounds that were huge around the period I started making music. I’m thinking about iconic synthesizers like the Korg M1 or sampler like the 909 or the 303 which shaped electronic music in the 90s. These elements are being reinterpreted and the results are pretty cool to me.
Catch Gabry Ponte live in 2025!
Gabry Ponte, Electric Brixton, London on 1st March 2025. More info here.
Gabry Ponte, SAN SIRO DANCE, San Siro Stadium, Italy, 28th June 2025. More info here.

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One Mix With Charlotte de Witte For Apple Music

Techno enthusiasts all over the world just gasped a little bit. Beatport’s Nr. 1 Techno DJ Mother Charlotte de Witte just released her final mix of the year called One Mix for Apple Music. The set takes us on a transcendental and atmospheric journey on spatial audio to celebrate an incredible year for Techno. The Belgian DJ and tastemaker explained on social media that the mix was couple months in the making, including studio sessions at the atmos studio in Los Angeles alongside the Apple Music Team.
One Mix with Charlotte de Witte
Usually when we get a de Witte set, you can expect brand new music, with lots of underground hypnotic and atmospheric sounds. The One Mix did not disappoint, starting of with some really unexpected electro and breakbeat vibes. As the Techno begins, we dive deep into dark and acidic undertones. The track selection continues with the likes of Inox Traxx and Nicolas Boudaieff. Moreover, we bounce the energy higher with one of Charlotte’s original tracks from her latest EP. The Marion Di Napoli collaboration ‘Fourth Dimension’, flips the script into more energized soundscapes. Then, we finish up strong with more talented producers such as Peppe Amore, and KnTxT label newcomers Alpha Tracks and Gaston Fiore.
This mix takes you on an adventure that dwelves in the darkness and ethereal. Its power comes from the outstanding blend of Dark Techno with Trance, dabbing into different emotions and sounds that are limitless. Charlotte does it yet again with an inspiring set that represents her prowess in her reign.
What’s Next?
Charlotte had an incredible year. To sum things up, she completed a major world tour with KnTxT. Then, she launched her archive label Epoque. In addition, she had massive success with the KnTxT Turbo at Amsterdamn Dance Event. Lastly, Charlotte is prepping for three sold out nights for her B2B Event with Exhale Label owner Amelie Lens, in Ghent, Belgium, in late January.
The post One Mix With Charlotte de Witte For Apple Music appeared first on EDMTunes.
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The End Of Getter, No New Music

Tanner Petulla, known professionally as Getter, is an American DJ, producer, and rapper who has significantly influenced the electronic music scene. Emerging in the early 2010s, Getter gained recognition for his dynamic dubstep tracks and collaborations with prominent labels like Firepower Records and OWSLA, the latter founded by Skrillex. Getter became a beloved name in bass music. However, his career took a major turn with the release of his 2018 album ‘Visceral‘.
Visceral marked a departure from Getter’s signature sound, showcasing a more introspective and experimental side of his artistry. While the album was praised by critics for its emotional depth and production quality, it received harsh backlash from many fans who expected the aggressive bass drops he was known for. The negative reception took a toll on Getter, and he ultimately canceled his Visceral tour, stating that the experience had left him feeling unsupported and disheartened. Getting booed, and having things thrown at you during your show by your fans is truly saddening.
In a 2022 interview with This Song Is Sick, Getter revealed that this period significantly impacted his passion for releasing music. He explained, “There’s no point in putting out music if it’s going to drain me mentally. I just don’t care about being the biggest anymore.” This sentiment, combined with the lasting disappointment from Visceral, led him to step away from consistently releasing music under the “Getter” moniker.
Earlier this year, Getter through his Terror Reid rapper alias officially announced the end of his project, signaling a desire to pursue creativity without the pressure and expectations that come with his established persona. While his future remains uncertain, his journey serves as a testament to the challenges artists face when evolving their sound.
The post The End Of Getter, No New Music appeared first on EDMTunes.
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The Bloody Beetroots to Embark on 20th Anniversary Tour in 2025

The Bloody Beetroots' new tour will celebrate 20 years of punk rock-infused electronic music.
Since 2005, the influential producer has brought edgy, hybrid performances to fans all over the world. With plenty of guitars, screams and intense electro production, he has united listeners of many genres with a sound that's equally appealing to those who prefer their music made with strings and those who prefer it from a computer. Now, in honor of the 20th anniversary of his project, The Bloody Beetroots will embark on a world tour celebrating this seminal sound.
Sir Bob Cornelius Rifo says his setlists will include a bevy of his most beloved collaborations, like "Warp 1.9" (with Steve Aoki), "Zoning" (with ZHU) and "Out of Sight" with Paul McCartney of The Beatles). The man behind the mask shared a lengthy statement reflecting on what propelled him for two decades and the importance of punk rock in his creative process.
"Looking back on the past 20 years of my career, one word encapsulates it all: Chaos," he said. "It’s the force that has shaped The Bloody Beetroots, driving every reinvention and defining its evolution. At its core lies a single root—punk—woven into the fabric of electronic music. This fusion wasn’t just a creative choice; it was a way to fully articulate my identity, my influences and my philosophy in sound."
"When I started The Bloody Beetroots, it was more than a project—it was a vision," he continues. "A bold attempt to reconcile two seemingly opposite worlds: the raw rebellion of punk and the boundless energy of electronic music. Growing up immersed in both, I wanted to create something that bridged the gap, something that allowed these influences to coexist naturally. It wasn’t just about innovation—it was about finding harmony in the chaos."
The tour is set to kick off February 8th, 2025 in London. Tickets are on sale now and can be purchased here.
Follow The Bloody Beetroots:
X: x.com/bloodybeetroots
TikTok: tiktok.com/@bloodybeetroots
Instagram: instagram.com/thebloodybeetrootsofficial
Facebook: facebook.com/thebloodybeetroots
Spotify: spoti.fi/3sromlx
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Lane 8 Declares Winter Early With The Last Mixtape Of 2024

Get ready to embrace the magic of the holiday season! Lane 8 has just dropped his much-anticipated Winter 2024 Mixtape, signaling the official start of winter. This year, his mixtapes brought us the charm of fall late and now deliver the warmth of winter early. Don’t miss out on Daniel’s Winter 2024 Mixtape, available today on this cozy Wednesday through This Never Happened on your favorite streaming platform. Tune in and let the music elevate your winter vibes!
Winter Mixtape 2024
For the next two hours and 42 mins be immersed in the sounds of incredible artists like Ashibah, Sultan + Shepard, Rinzen, Ocula, and Massane, all featuring in the This Never Happened compilation. Joining this prestigious lineup for the first time are mOat, Pambouk, and Tenvin, making this a must-listen event. You’ll also hear from familiar favorites like deadmau5, Disclosure, and Jeremy Olander. Plus, we have the thrill of 10 mysterious IDs labeled ‘ID-ID’ to keep you intrigued until their official releases. Don’t miss out—check out the full tracklist here! here.
As we approach the end of the year, we can’t help but express our gratitude for the incredible experiences Lane 8 fans have enjoyed in 2024. This year has been truly remarkable, especially with the release of his much-anticipated album, Childish. Our team at EDMTunes has been captivated by Daniel’s work, and it comes as no surprise that Childish has secured a spot on our Top 10 albums of the year. Among the standout tracks, ‘You’,a collaboration with Kasablanca, shines brightly, ranking as one of our Top 15 tracks of 2024. Furthermore, Daniel’s collaboration with Kasablanca on their debut album, highlighted by the emotional track ‘Remission’ adds to the excitement.
Get ready for an unforgettable 2025, as Lane 8 is gearing up for the Childish Tour. The first leg of his North American Tour has been announced, so be sure to check out the dates here. If you’ve never experienced a This Never Happened show, you owe it to yourself to attend. Leave your worries behind, let go of your fears, and fully immerse yourself in the present moment on the dancefloor—absolutely no phones allowed. This Never Happened. Stay connected with EDMTunes for all the latest in dance music!
The post Lane 8 Declares Winter Early With The Last Mixtape Of 2024 appeared first on EDMTunes.
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Elrow Announces Residency at New [UNVRS] Ibiza ‘Hyperclub’

An alliance is set to reshape nightlife and entertainment in Ibiza this summer: elrow has officially unveiled its Saturday residency at the revolutionary new [UNVRS], the world’s first ‘hyperclub’, set to open in 2025. Combining next-generation technology, immersive design, and elrow’s unparalleled creativity. This partnership will run every Saturday from June 7th to October 4th, 2025.
Redefining Clubbing Culture
[UNVRS] is promised to be a groundbreaking venue designed to push the boundaries of nightlife with cutting-edge technology, advanced architecture, and transformative experiences. For elrow—a brand with over 150 years of entertainment experience—this new residency is a game-changing opportunity to evolve its experiential productions into unparalleled levels of spectacle. The 2025 season will feature four reimagined elrow themes:
Hallucinarium – A psychedelic cosmic journey exploring consciousness through kaleidoscopic visuals and mind-bending projections. Kaos Garden – Inspired by Okuda San Miguel, a vibrant reinterpretation of Bosch’s Garden of Earthly Delights, blending urban art with interactive installations. Nowmads – A celebration of cultural diversity and intergalactic exploration, where tribes, animatronics, and surreal narratives merge. Sambowdromo – A carnival-inspired Amazonian wonderland with samba rhythms, immersive visuals, and vibrant Brazilian energy. Each Saturday, elrow promises an immersive multi-sensory experience where music, art, and technology collide. Thus creating larger-than-life productions for a global audience. A fifth theme, for the Closing Party, will make its debut this summer.
A Cinematic Announcement
The residency was announced in style with a cinematic ‘2025: A Space Rowdissey’ trailer, which premiered in Barcelona to 500 key figures in music, art, and media at Barcelona’s Phenomena Experience Cinema. Starring elrow’s founders Juan Arnau Jr. and Cruz Arnau, along with their father Juan Arnau Sr., and featuring Yann Pissenem, CEO of The Night League, the trailer teased an interstellar adventure leading to this monumental partnership.
A Historic Partnership and Immersive Evolution
During the premiere, a fireside chat featuring Juan and Cruz Arnau, Yann Pissenem, and Romain Pissenem—CEO of High Scream LTD—highlighted the significance of the elrow-[UNVRS] alliance.
Cruz Arnau, co-founder of elrow, shared: “This marks the culmination of our journey in Ibiza, taking us back to our roots but with a vision for the future. [UNVRS] offers a space to redefine creativity and elevate our shows to levels never before imagined.” Yann Pissenem, founder of The Night League, added: “elrow’s legacy and [UNVRS]’s innovation will set a new global standard for nightlife—clubbers are in for an unforgettable experience.” Juan Arnau Jr., Creative Director of elrow, emphasized: “With this new space, we can integrate aerial acrobatics, animatronics, and cutting-edge tech into our themes. It’s a turning point for elrow.”
Elrow’s technical director Ferran Pascual explained how [UNVRS] enhances their vision.
Additionally, music remains central to the experience, with global electronic acts set to feature throughout the season, promising world-class lineups every Saturday.
With tickets on sale now, elrow and [UNVRS] are poised to write a new chapter in Ibiza’s legendary clubbing history.

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We Belong Here Goes All in on Golden Hour Vibes with Insane 2025 Lineup

At this point in the age of electronic dance music festivals, it’s not often that a festival lineup completely nails it with a lineup that hits all the right notes. We Belong Here just accomplished this major feat with its 2025 lineup and our jaws are on the floor. This boutique beach festival on Miami’s Virginia Key is now in its 4th year, and it has completely figured out the vibe that it is trying to cultivate. This festival, returning on March 1-2, 2025, is all about nature and golden hour vibes, featuring emotional deep and progressive house that you could listen to at the beach, on the ocean, or anywhere in nature. This year’s lineup shows that the festival is going all in on that vibe.
Screenshot This lineup is nearly perfect with headliners Eric Prydz, Kaskade, Lane 8, and Steve Angello. They are supported by Cristoph, LP Giobbi, Massane, and Yotto. Each of these artists will play 2 hour sets and there is still more to be announced, including a special guest headliner who has never played before at the festival.
A presale is available by signing up here for early ticket access. Tickets go on sale Thursday, December 26, with early access available starting Monday, December 23, for those who register for the presale in advance on the festival website: www.webelonghere.world/miami. 
For those traveling from afar or looking for a staycation, We Belong Here has partnered with Moxy South Beach, AC Hotel, and Element Hotel in Brickell to set up travel accommodation packages. In addition to discounted rates, guests can expect a curated experience with festival-adjacent amenities. For more details, head to https://www.webelonghere.world/miami-travel/

The post We Belong Here Goes All in on Golden Hour Vibes with Insane 2025 Lineup appeared first on EDMTunes.
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Kappa FuturFestival Announces First Wave of 2025 Lineup

Italy’s globally acclaimed KappaFuturFestival has unveiled its first wave of artists that will perform at its 12th edition returning to Parco Dora, Torino on July 4-6, 2025. The event remains one of the world’s most celebrated electronic music events, connecting the many facets of Italian culture to the past, present, and future of the genre’s foremost flag bearers. Let’s take a look at some of the names we know so far.
The lineup is spearheaded by the legendary Carl Cox, a Kappa FuturFestival stalwart who returns for his 9th appearance with his Live set in tow alongside fellow Futur favorite Seth Troxler who makes his 8th appearance. The lineup also boasts Belgian techno powerhouse and KNTXT label head Charlotte de Witte, techno titans Adam Beyer B2B Maceo Plex, Anyma who returns following last year’s Voyager stage triumph, and the visionary Nina Kraviz who set the Solar stage ablaze last year.

Kappa FuturFestival also welcomes several acts making their debut at the festival in 2025, including Italian powerhouse Alignment, Ukrainian duo Artbat, Detroit’s DJ Stingray 313 going B2B with Helena Hauff, the eclectic Caribou Live, and Germany’s Binh, celebrating 10 years of his Time Passages label. Additional highlights include the influential scene veteran DJ Hell, industrial techno riser Fantasm, and back to backs from Francesco Del Garda B2B Ben UFO, Cloudy B2B Novah, Airod B2B Anxhela, and Ogazòn B2B Ryan Elliott – a worldwide exclusive for the festival.

The phase one lineup is rounded out by Adiel B2B Quest, Azyr, Dixon, Donato Dozzy, Fleur Shore, Joe Claussell B2B Ron Trent, Kevin de Vries, Miss Monique, Nico Moreno, Paco Osuna, Reinier Zonneveld, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, and YOUniverse, with many more names forthcoming.
For tickets and more information on Kappa FuturFestival, visit the official website here.
The post Kappa FuturFestival Announces First Wave of 2025 Lineup appeared first on EDMTunes.
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deadmau5 Drops Remix Package of Iconic Track ‘Strobe’

Arugbably deadmau5’s most iconic track ‘Strobe’ is seeing 3 new remixes. The return of the classic track will take you on 3 unique journeys from Victor Ruiz, OddKidOut, and Layton Giordani. Lisbon-based techno producer Victor Ruiz executes an elevating techno take on the legendary ‘Strobe.’ It might be the favorite out of the bunch. He has this to say:
Building up the all-star package, the Layton Giordani remix–which previously was released earlier this fall, became one of the 100 most-played tracks at the global music industry gathering ADE. OddKidOut takes a different approach going a more bass-heavy route filled with break-beat drums.
The release of the Strobe EP follows other stellar remixes from deadmau5’ illustrious repertoire including the Jaded EP package, including J’aded’ remix by Volaris, Jauz’ ‘Ghosts ‘n’ Stuff,‘ John Summit’s ‘I Remember,‘ and Rebuke’s ‘Not Exactly,‘.
Upcoming deadmau5 shows:
DEC 18 – El Paso, TX – 11:11
DEC 19 – El Paso, TX – 11:11*
DEC 20 – Houston, TX – Stereo Live
DEC 21 – Dallas, TX – Silo
DEC 28 – Vancouver, BC – Contact Winter Music Festival
DEC 30 – Avondale, AZ – Decadence
DEC 31 – San Diego, CA – Nova SD
JAN 10 – Puerto Rico – El Patio
JAN 24 – Aspen, CO – X Games Aspen
JAN 24 – Aspen, CO – Belly Up
FEB 16 – Cordoba, Argentina – Cosquin Rock Festival

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Terry Golden’s ‘Art of Rave’: A Milestone Year of Talent, Energy, and Fresh Sounds

Terry Golden’s Art of Rave has continued to grow over the past year, reaching the milestone of 150 episodes and captivating audiences across more than 70 stations worldwide. With its commitment to showcasing the full spectrum of Electronic Music, Art of Rave has become a go-to destination for fans seeking both familiar sounds and fresh discoveries: an emblem of the passion and dedication behind Terry Golden’s creativity. Each episode not only reflects his deep understanding of the genre but also highlights Terry Golden’s unwavering commitment to connecting with his audience through music, captivating fans with his unique approach.
This year, Art of Rave reached new heights, not only in its listenership but also in its ability to attract world-class talent. Standout episodes featured guest mixes from Electronic Music heavyweights like Martin Jensen, Hardwell, and Nicky Romero, bringing refreshing vibes to the show whilst further enhancing the show’s ever-growing reputation.
With mixes spanning across the landscape of Electronic Music, Terry Golden’s Art of Rave has remained nothing short of diverse in both energy and sound throughout 2024, giving way to captivating vibes with each instalment. From featuring popular tracks from well-known Artists to diving deep into the genre to find hidden talents to showcasing music from Terry Golden’s own catalogue, the Art of Rave episodes continue to appear as a celebration of Electronic Music, all the while highlighting the signature approach, sound, and tastes of its host, Terry Golden.
As the new year approaches, Terry Golden shows no signs of slowing down. With exciting guest line-ups and a developing reach, Art of Rave is no doubt poised to make an even bigger impact on Electronic Music enthusiasts, continuing to forge ahead with more high-energy episodes and immersive sets.
Make sure to tune in and stay updated with the latest Art of Rave news by following Terry Golden across social media.

Listen Now to Art of Rave Now: 
https://music.amazon.co.uk/podcasts/9a4e4865-911d-4ba1-8c65-a7ff911a3114/art-of-rave
Terry Golden Online 
Soundcloud | Instagram | Spotify 

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Elrow Announces Saturday Residency at Ibiza’s [UNVRS] – The World’s First ‘Hyperclub’

The first details of elrow’s upcoming residency at the groundbreaking [UNVRS] are revealed today. This new space, scheduled to open in 2025, sets a new standard of excellence in global nightlife and entertainment, positioning itself as the world’s first ‘hyperclub’, where advanced technology, art, design, large-scale architecture and transformative immersive experiences come together to redefine clubbing.
The announcement was made via the premiere of a cinematic trailer, to 500 guests including key figures from the music industry, art, film and media from around the world at Barcelona’s Phenomena Experience Cinema.
Produced by creative studio Codea, the high-impact trailer stars elrow founders Juan Arnau and Cruz Arnau, along with their father Juan Arnau Sr., and features a special appearance by Yann Pissenem, CEO of The Night League. Together they star in an extraordinary and fun interstellar journey that leads them to this new joint adventure in Ibiza.
The screening was followed by a fireside-chat session with elrow co-founders Juan and Cruz Arnau. The brother and sister team, who come from a family with over 150 years history working in entertainment, have grown elrow into a global powerhouse, captivating more than 6 million people across 50 cities, 40 countries and 5 continents.   
They were joined on stage by Yann Pissenem, founder, owner and CEO of The Night League and Ushuaïa Entertainment, the creative and driving force behind [UNVRS] and the multi-award winning Ushuaïa Ibiza and Hï Ibiza – the latter officially recognised as the world’s number 1 club by DJ Mag in 2022, 2023 and 2024. Also on the panel was Romain Pissenem, founder, CEO and show director of High Scream LTD, renowned for his innovative immersive productions in the music industry and other major events such as the Closing Ceremony of the Paris 2024 Olympic and Paralympic Games. 
The panel, moderated by journalist Katie Knight, allowed the guests to expand on the details of this historic partnership between two giants of global entertainment. 
 
Elrow and [UNVRS]: a historic alliance in Ibiza that marks the beginning of a new era.
Cruz Arnau, co-founder of elrow, explains: “With this historic alliance we close the circle that began in 2012 with our arrival in Ibiza at Privilege’s Vista Club. Since then, we have felt at home in different clubs on the island, living magical moments at Space Club, in our residency at Amnesia, at our amazing parties at Ushuaïa Ibiza and now we are back in the big time, where it all started. This new era together at [UNVRS] is an incredible way to celebrate more than a decade of commitment to the past, present and future of clubbing culture”.
Yann Pissenem, founder, owner and CEO of The Night League and Ushuaïa Entertainment rejoins “The story of elrow is truly unique and long-standing. The Arnau family has been a reference in the entertainment world for over three generations now, and together, I am confident that we will write a new chapter for the books.  [UNVRS] and elrow joining forces will provide the most creative and innovative productions ever seen in a nightclub environment. There is no doubt that the results will blow clubbers away next summer.“ 
For Juan Arnau Jr, Founder and Creative Director of elrow, this new collaboration represents a turning point in the brand’s evolution: “At the end of last season, we had reached the limit of what we could do creatively on the island. This new concept allows us to integrate cutting-edge technology into our themes, from aerial acrobat engines to animatronic characters, creating dream worlds that blur the line between the physical and the digital, allowing us to take our shows to a level never before possible.” This evolution also extends to the programming, with “Some of the world’s biggest names in electronic music set to make us dance every Saturday.”
Romain Pissenem, CEO, Founder & Show Director High Scream LTD shares the sentiment: “At [UNVRS], we’re creating something special—a production that blends cutting-edge tech with the immersive and playful spirit of Elrow. From stunning visuals to groundbreaking stage design, every single element has been meticulously designed to elevate the party and take the Elrow experience to a whole new dimension.”
elrow: technology, creativity and unique immersive experiences
In its weekly residency during the 2025 season, elrow will take its creativity and spectacle to new heights every Saturday next summer with four rotating themes designed to take full advantage of the technological and immersive capabilities of [UNVRS]. 
Attention to detail has always been a hallmark of elrow, and in this new phase, the brand is fusing its legacy of craftsmanship with technological innovation. 
Ferran Pascual, elrow’s technical director, explains how the new space enhances the experience: “‘It’s a change of mentality. From a theatre-inspired ‘stage-centric’ experience, to a dynamic environment where every space in the club becomes part of the narrative. With more actors, interactive elements and surprises, every show will be bigger and better than ever.” 
The evolution is not just technological, with Juan Arnau Jr. pointing out that “Music has always been at the heart of every elrow event. 2025 is no different with some very big surprises planned for the residencies” He concludes: “Roweros (as our partygoers are known) will experience our dreamlike and creative worlds like never before, thanks to these new elements that blur the line between the physical and the digital. This ground-breaking new space will allow us to break down all the creative barriers that have been set up to date”.
Each themed party promises to deliver unique experiences, fusing music, technology, art and immersive entertainment in a format that will redefine nightlife.
Hallucinarium: Inspired by visionaries Alex and Allyson Grey, this cosmic journey transports attendees into a psychedelic universe that explores the peaks and valleys of human consciousness. With kaleidoscopic projections, dynamic sets and three-dimensional visual effects, attendees will experience a world where the boundaries between reality and perception dissolve. The synergy between art and technology creates an immersive environment that awakens all the senses.
Kaos Garden: Okuda San Miguel’s work comes to life in this modern reinterpretation of Bosch’s The Garden of Earthly Delights. Okuda’s signature vibrant colours and geometric shapes merge with animated murals, interactive sculptures and a spatial design that envelops visitors in unique creative chaos. It is a place where classic art meets contemporary urban culture, transforming the space into a visual and conceptual explosion that challenges the imagination.
Nowmads: A celebration of cultural diversity and intergalactic exploration, Nowmads combines tribes from different eras, cultures and worlds in an environment of constant transformation. This theme creates a hybrid universe full of surprises, from interactive scenarios to animatronic characters that invite attendees to embark on a journey where the only limit is their imagination. A display of lights, sounds and technology takes this theme to a whole new level.
Sambowdromo: The heart of the Brazilian Amazon is brought to the club with this theme that celebrates the energy and rhythms of samba. Shamanic rituals, wild animals and the vibrant essence of Brazilian carnival combine with a production that includes immersive projections, infectious rhythms and kinetic sculptures. From legendary footballers to mythical jungle figures, every detail comes together to create an unforgettable party full of life, colour and tribal energy.
Finally, for the as yet unannounced Closing Party, there will be a fifth theme, which, as is tradition, will be celebrated through a very special partnership to be unveiled in the coming months.
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