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[EDMTunes] Carl Cox Replaced By Jeff Miles As Movement 2025 Headliner

We have news that may be disappointing for fans as we kick off the week. Carl Cox is being replaced as the headliner for Day One of Movement 2025, with Jeff Miles taking his place. The iconic British DJ will now postpone his highly anticipated appearance at the Detroit event until 2026. Carl shared this announcement on Instagram, citing scheduling complications as the reason for the change. However, he reassured his loyal fans that he is committed to delivering an unforgettable live show at Movement next year. Mark your calendars—his return in 2026 promises to be a spectacular experience not to be missed!
Carl Cox Replaced by Jeff Miles
Movement organizers confirm Jeff Mills will take over the headline slot previously held by Cox on Saturday, May 24th. Widely regarded as one of the most iconic American figures in the Techno scene, Mills stands out as a pivotal force among the internationally acclaimed talents emerging from Detroit. As a founding member of the legendary Underground Resistance, Mills was instrumental in defining not just the artist roster but also the innovative label ideology alongside his partners “Mad” Mike Banks and Robert “Noise” Hood during the late ’80s and early ’90s. His extensive and diverse discography boasts an impressive array of groundbreaking albums. They are inspired by space and science fiction, as well as a collection of club-focused EPs that have captivated audiences worldwide. The eagerness for Mills to grace the stage in his hometown is palpable, as reflected in his statement below:
The 19th edition of Movement confirmed their line-up earlier this month. Movement will happen at Detroit’s Hart Plaza on May 24-26. It will feature artists including Anfisa Letyago, Boys Noize, Carl Craig, Charlotte de Witte, Jamie xx, John Summit, Patrick Topping, Sara Landry, Mau P, The Blessed Madonna and many more. There are 3-day and 1-day passes for GA and VIP still available, grab yours here.
The post Carl Cox Replaced By Jeff Miles As Movement 2025 Headliner appeared first on EDMTunes.
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[EDM.com] Ray Volpe Reveals Long-Awaited Debut Album, "FOREVER, VOLPETRON"

From SoundCloud remixes to headlining the Hollywood Palladium, Ray Volpe's artistic evolution has been leading to one monumental announcement: his debut album, FOREVER, VOLPETRON.
Volpe announced the news in front of a sold-out crowd at the famed LA venue over the weekend. The show, which he characterized as "the best night of [his] entire life," marked the finale of his barnstorming "VOLPEVERSE" tour.
Volpe, whose seismic drops and anthemic melodies have become a staple of today's bass music scene, called the moment "too surreal to process." But for fans, it felt inevitable. The EDM.com Class of 2022 star has been steadily shaping the genre's next chapter, whether through viral hits like "Laserbeam" or high-profile sets at the world's biggest festivals.
For Volpe, whose sound has ranged from teeth-rattling dubstep to emotive melodic pieces, a full-length album represents the apogee of a career spent defying genre boundaries. The announcement marks a significant milestone for the producer after 15 years of honing his distinctive sound in electronic music's trenches.
"I’ve always tried to stick to what I believe in, sonically," Volpe wrote on social media. "It’s finally time to put all of this together. Every influence, every ounce of my being, into a full body of work. This album is a love letter. From me, to you."
Volpe has not announced the release date of FOREVER, VOLPETRON at the time of this writing, but said the album is due out "later" in 2025. 
View the original article to see embedded media.
Follow Ray Volpe:
X: x.com/rayvolpe
TikTok: tiktok.com/@rayvolpe
Facebook: facebook.com/rayvolpemusic
Instagram: instagram.com/rayvolpe
Spotify: spoti.fi/3dqG1WH
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[EDMTunes] Live Nation In Talks With Spotify, Apple, and Amazon About Superfan Tiers

Spotify, Apple, and Amazon are in talks with Live Nation about adding a pre-sale for live events to super-premium tier subscribers. Live Nation President and CEO Michael Rapino confirmed the news on the company’s earnings call on February 20th. Rapino has been trying to find a model with all 3 of them that benefits both parties.
The confirmation arrives a few days after Bloomberg reported that Spotify’s long-touted ‘Super Pro’ tier could arrive this year and that early access to concert tickets could be one of the perks. Other perks include hi-fidelity audio and AI-powered remixes and playlisting. Spotify is considering charging up to $5.99 more per month on top of a Premium subscription for access to the tier. Rapino had this to add
Early access to concert tickets could be one of, if not the biggest selling points, for Spotify’s superfan tier. You know how hard it can be to get through a Ticketmaster queue for a huge show. Skipping that may be worth the $5.99 more per month.
The so-called “Streaming 2.0” era will usher in a variety of new listening perks. According to UMG Chairman and CEO Sir Lucian Grainge, streaming 2.0 will represent a new age of innovation, consumer segmentation, geographic expansion, greater consumer value, and ARPU growth.
The post Live Nation In Talks With Spotify, Apple, and Amazon About Superfan Tiers appeared first on EDMTunes.
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[EDM.com] This Is the Event Partner Working With Billy McFarland to Produce Fyre Festival 2

Mexican event company Lostnights has been revealed as the production partner resurrecting Fyre Festival, the notorious 2017 event that ended in chaos and led to founder Billy McFarland's imprisonment for fraud.
The second iteration of Fyre Festival is slated for May 30th to June 2nd on Isla Mujeres, a small island off Mexico's Yucatán Peninsula near Cancún. Lostnights, an event organizer with deep ties to Tulum's electronic music scene, will handle production duties.
"I'm sure many people think I’m crazy for doing this again," McFarland said in a statement released today. "But I feel I’d be crazy not to do it again. After years of reflection and now thoughtful planning, the new team and I have amazing plans for Fyre 2. The adventure seekers who trust the vision and take the leap will help make history. Thank you to my partners for the second chance."
View the original article to see embedded media.
Lostnights produces events at Tehmplo, an open-air electronic music venue tucked away in the Quintana Roo jungle that regularly books influential DJs like Solomun, Michael Bibi and Vintage Culture. The company's CEO, Carlos López, also serves as a Director at Tulum's Day Zero, a dance music festival founded by renowned DJ and producer Damian Lazarus.
Lostnights boasts on its website about being "adept at logistics, coordination, and execution, ensuring every element of your event is flawless." This claim will face unprecedented scrutiny as the company attempts to rehabilitate the Fyre Festival brand. McFarland in 2022 was released from prison after serving four years for wire fraud following the botched event on the Bahamian island of Great Exuma.
The new location choice of Isla Mujeres presents its own challenges. The island, which has a population of less than 23,000, has limited infrastructure compared to major festival destinations, raising questions about pain points in the original event's collapse. Just over half of households on the island have internet access, according to the Municipality of Quintana Roo.
Lostnights claims on its website that "operations are the backbone of any successful event" and that they "handle logistics with a keen eye for detail." Whether this expertise can overcome the logistical nightmare that defined the ill-fated Fyre Festival remains to be seen, but it's worth noting that McFarland reportedly brought on ancillary hotel, travel and ticketing companies to help.
Wikimedia Commons
The good news, however, is that Isla Mujeres is considered one of the safest destinations in Mexico. It was ranked among the top islands to visit in North America in the 2024 Readers' Choice Awards by Condé Nast Traveler, following a significant increase in tourism since 2019.
Isla Mujeres welcomed approximately 944,401 visitors that year, per the Quintana Roo Secretary of Tourism, marking a substantial 35.4% increase from the previous year. This upward trend continued into 2022, with monthly tourist arrivals reaching up to 200,000 and ballooning hotel occupancy rates on the island, according to Latin American tourism news outlet REPORTUR.
A total of 2,000 tickets to Fyre Festival 2 went on sale today, February 24th, ranging in price from $1,400 to a staggering $1.1 million. A lineup has not been announced at the time of this writing.
More information about Fyre Festival 2 can be found on its official website.
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[EDMTunes] Westend and HOSANNA Ignite Dancefloors with ‘Drum Death’ on Experts Only

Tech house aficionados Westend and HOSANNA have joined forces to unleash their latest track, ‘Drum Death’, a pulsating anthem released on Experts Only. This collaboration not only showcases their production prowess but also highlights the deep-rooted friendship between Westend and John Summit, the label’s founder.
Drum Death’ is a masterclass in tech house production, featuring a driving bassline, crisp percussion, and hypnotic vocal samples that collectively create an electrifying atmosphere. The track’s relentless energy is designed to captivate listeners and dominate dancefloors, making it a must-have for DJs and electronic music enthusiasts alike.
The release of ‘Drum Death’ on Experts Only is particularly significant, given the history between Westend and John Summit. Their connection dates back to 2017 when they first interacted through the Only Killers, No Fillers (OKNF) Facebook group, a platform known for fostering collaborations among emerging artists. Over the years, their relationship has evolved from online exchanges to real-life camaraderie, including joint performances and collaborative projects. This enduring friendship is a testament to their mutual respect and shared passion for electronic music.
Experts Only, under John Summit’s direction, has rapidly established itself as a powerhouse in the electronic music scene. The label is committed to promoting innovative sounds and supporting artists who push the boundaries of tech house and beyond. ‘Drum Death’ exemplifies the label’s ethos, blending cutting-edge production with infectious rhythms that resonate with a global audience.
As ‘Drum Death’ continues to gain traction, it’s poised to become a staple in sets worldwide, further solidifying Westend and HOSANNA’s reputation as dynamic forces in the industry. Listeners can stream the track below and experience the synergy that defines this exceptional release.
Listen to Westend & HOSANNA – ‘Drum Death’ here:
The post Westend and HOSANNA Ignite Dancefloors with ‘Drum Death’ on Experts Only appeared first on EDMTunes.
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[EDMTunes] GENESI & MEDUZA Drop Powerful New EP ‘Freak’

GENESI and MEDUZA have teamed up to deliver a new collaborative EP titled “Freak“, a collection of three high-energy tracks. All of them showcase a fusion of unique styles from both artists. For 9 minutes and 20 seconds, this EP showcases a powerful level of production, making it a must-listen for house fans of all types.
‘Freak,’ ‘Run,’ and ‘Take It’
The title track, ‘Freak‘ featuring vocalist, Aya Anne, starts with a catchy vocal chop and a bass to build tension. The intro builds to an end with Aya Anne repeating “You know I am a freak, can you handle that?” dropping into the first drop. Then, lower tone vocals take over accompanying a trance-like bass synth that continues to drive the infectious chorus into listeners. After, ‘Freak’ plays through a breakdown introducing a new bass synth. The second drop, using the new bass as its lead with the support of both vocals plays through an incredible journey of Genesi & Meduza’s skill and sound design.

‘Run‘, using the same style vocal as ‘Freak’, takes the listener into more of a melodic territory, with smooth high-end synths layered over a bouncing bassline. The track’s intro and first drop act as a continuous build to the second drop giving it lots of suspense. A new synth comes into play in the 2nd drop and gives the track a very diverse-like quality. Lastly, the dancing continues till the end with a heavy breakdown and a transitioning drum groove.

Closing out the EP is ‘Take It‘, a track that combines the dark, hypnotic elements of GENESI’s style with the uplifting, memorable melodies of MEDUZA. Staying in the same space as ‘Freak’ and ‘Run’, ‘Take it’ has a catchy vocal guiding us to drop after drop. The bass synth, similar to the rest of the ‘Freaks’ EP, keeps an additive groove from start to finish. Overall, it’s a smooth and hypnotic track that will keep the energy flowing, offering a perfect balance for both artists.

About GENESI & MEDUZA
Since 2023, GENESI has carved a name for himself within the tech house scene by bringing a new sound to the genre. He is popular for his intricate basslines and hypnotic soundscapes and continues to push the boundaries of his taste. The catalog of tracks he has created like the ones in this EP and ‘Everything You Have Done‘, is a testament to his ability to captivate with every move.

The trio, MEDUZA, hailing from Italy, has made waves globally with their unique blend of deep house and progressive sounds. Their debut single, ‘Piece of Your Heart‘, became one of the most-streamed tracks globally. It has over 2 billion streams and a Grammy nomination in 2019. The trio’s follow-up releases, including ‘Lose Control‘ and ‘Paradise‘, further solidified their position at the top in their genre. Now, they continue to remain at the forefront of the industry and set standards with releases like the “Freaks” EP.
In the past, GENESI and MUDUZA have remixed each other’s work. MUDZA remixed GENESI’s massive hit ‘Everything You Have Done‘ and GENESI remixed MUDUZA’s iconic track ‘Phone‘. Both these projects and a push from fans have led to these two artists creating the ‘Freak’ EP. Listen now below.
The post GENESI & MEDUZA Drop Powerful New EP ‘Freak’ appeared first on EDMTunes.
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[EDM House Network] Pacha Ibiza Finalise Residencies For 2025 Season

Pacha Ibiza has completed its strongest ever line up of weekly residences for the 2025 season. This summer the iconic club will offer authentic White Isle hedonism, world class house and techno, new school tastemakers and everything in between. 
The Ibiza landscape is as competitive as ever in 2025 and this year the island’s original clubbing icon is leading from the front. No trip to the island is complete without dancing under the legendary Pacha cherries and experiencing its unreal atmospheres, crystal clear sound system and immersive production. 
Each week, the world renowned venue covers all bases in plenty of style. Two of the flagship nights are Marco Carola’s Music On which runs 16 May to 9 & 10 October and offers up the freshest house & techno in the Balearics, and Solomun’s epic +1 concept that runs every Sunday 8 June to 5 October and sees the Diynamic label boss play a solo set as well as back-to-back with international guests. 
Each week, the world renowned venue covers all bases in plenty of style. Two of the flagship nights are Marco Carola’s Music On which runs 16 May to 9 & 10 October and offers up the freshest house & techno in the Balearics, and Solomun’s epic +1 concept that runs every Sunday 8 June to 5 October and sees the Diynamic label boss play a solo set as well as back-to-back with international guests. 
All new for 2025 is Dutch house game changer Mau P who presents his edgy new session Baddest Behaviour from 6 August to 8 October 2025. Canadian star Blond:ish also line-ups every Wednesday 21 May to 30 July with Abracadabra, the first female-led headline residency in Pacha’s history and a party that is all about energy and self empowerment. 

Grammy-nominated UK duo CamelPhat also bring their eclectic house sounds every Tuesday 20 May to 7 October and Sonny Fodera serves up the chart topping dance sounds that have made him one of the most in-demand acts on the planet every Monday 16 June to 6 October. 
Returning favourites include the always love-fulled sounds Flower Power from 7 June to 30 August and 4 October 2025 with resident Bora Uzer and standout house headliners including Masters At Work, Roger Sanchez, Boy George, Purple Disco Machine and more.  
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[EDM.com] Nominees Revealed, Fan Voting Opens for 2025 Electronic Dance Music Awards

Fan voting for the 2025 Electronic Dance Music Awards is now officially open after the nominees were officially revealed.
Driven by its fan-based voting system, the MTV-style EDMA ceremony takes place at the height of Miami Music Week and dishes out unique trophies that resemble DJ decks, including a functional jog-wheel. The invite-only event is returning to its home at the Eden Roc Miami Beach on Friday, March 28th.
The EDMAs are returning in collaboration with the International Dance Music Awards (IDMAs), touted as the longest-running awards ceremony dedicated to the electronic music industry. Pioneer DJ is also a partner of this year's EDMAs, hydrated by BODYARMOR Sports Drink.
Electronic Dance Music Awardc/o Electronic Dance Music Awards
Nabbing nominations for the prestigious Dance Song Of The Year EDMA in 2025 are David Guetta and Alesso feat. Madison Love ("Never Going Home Tonight"), MEDUZA and HAYLA ("Another World"), Dom Dolla ("girl$"), Sonny Fodera, Jazzy and D.O.D. ("Somedays"), Adam Port and Stryv feat. Malachiii ("Move") and Justice and Tame Impala ("Neverender").
Elsewhere in the list of nominees, EDM.com is presenting the EDMA for Breakout Artist Of The Year. Vying for that hardware are Jex, Hedex, Sara Landry, Beltran, Cassian, Disco Lines, Levity, Hamdi and Max Styler. Digital Music Pool will present 10 categories, including Remix Of The Year and Best Use Of Sample.
Those who want to attend the EDMAs this year can now register for the event, access to which will be selected by organizers at random. However, to guarantee entry to the ceremony and experience all events happening at Eden Roc, fans can purchase a three-day pass to the Winter Music Conference (WMC), which is available now with $25 off using the code EDMWMC. The pass enables access to all WMC panels and events from March 26-28, including the official Winter Music Conference Pool Party on the 27th and the exclusive EDMAs Pool Party the following day.
Fans can check out the full list of nominations below and cast your votes here.
c/o Electronic Dance Music Awards
EDMA 2024 Nominations
Dance Song Of The Year
David Guetta, Alesso - Never Going Home Tonight (ft. Madison Love)
MEDUZA, HAYLA - Another World
Dom Dolla - girl$
Sonny Fodera, Jazzy, D.O.D - Somedays
Adam Port, Stryv - Move (ft. Malachiii)
Justice - Neverender (with Tame Impala)
Dance Radio Song Of The Year
John Summit, HAYLA - Shiver
Seven Lions, ILLENIUM - Not Even Love (ft. ÁSDÍS)
Enisa, Kaskade - Tears Don't Fall
Bebe Rexha - I'm The Drama
John Summit, Sub Focus - Go Back (ft. Julia Church)
Martin Garrix, Jex - Told You So
Zedd - Lucky (ft. Remi Wolf)
Male Artist Of The Year
Dom Dolla
John Summit
ILLENIUM
Tiësto
Anyma
Subtronics
Porter Robinson
Female Artist Of The Year
Anabel Englund
LP Giobbi
Nora En Pure
HALIENE
Kaleena Zanders
HAYLA
Daya
REZZ
Amelie Lens
CloZee
Vocalist Of The Year
HAYLA
Zara Larsson
Ava Max
Anne-Marie
Clementine Douglas
Paige (BONNIE X CLYDE)
Becky Hill
Breakout Artist of the Year [Presented by EDM.com]
Jex
Hedex
Sara Landry
Beltran
Cassian
Disco Lines
Levity
Hamdi
Max Styler
Club DJ of The Year
Steve Aoki
James Hype
AFROJACK
John Summit
Diplo
Timmy Trumpet
Dance Radio Artist of the Year
John Summit
Tiësto
Anabel Englund
Dom Dolla
RÜFÜS DU SOL
Alesso
SOFI TUKKER
Martin Garrix
Kygo
Producer Of The Year
Tiësto
Vintage Culture
Dom Dolla
LP Giobbi
Fred again..
Armin van Buuren
Skrillex
FISHER
PAWSA
Sara Landry
Favorite Album
Frank Walker - ORIGIN
Forester - Moonlight
BONNIE X CLYDE - There’s No Tomorrow
Zedd - Telos
Porter Robinson - SMILE! :D
RÜFÜS DU SOL - Inhale / Exhale
Lane 8 - Childish
Fred again.. - ten days
Louis The Child - The Sun Comes Up
Justice - Hyperdrama
House Song Of The Year
Sonny Fodera, Jazzy, D.O.D - Somedays
Mau P - MERTHER
Dom Dolla - girl$
PAWSA - PICK UP THE PHONE (ft. Nate Dogg)
Cloonee, Young M.A, InntRaw - Stephanie
Disclosure - She’s Gone, Dance On
nimino - I Only Smoke When I Drink
Music Video Of The Year
Throw Some Ass - SOFI TUKKER
Cedric Gervais, Nile Rodgers - We Are Family
Bebe Rexha - I'm The Drama
Tiësto, Alana Springsteen - Hot Honey
Dimension, Alison Wonderland - Satellite
XANDRA, Gigi Grombacher - Body Say
Gryffin - Last of Us (ft. Rita Ora)
Zedd - Lucky (ft. Remi Wolf)
Frank Walker - Gravity (ft. Tyler Shaw)
Label Of The Year
Armada Music
Spinnin’ Records
Ultra Records
Epic Records
mau5trap
Defected Records
Helix Records
Toolroom Records
Palm Tree Records
Best New Artist
XANDRA
CYRIL
D.O.D.
Levity
dot
Z3LLA
KASIA
KI/KI
Ben Hemsley
Rebūke
Afrohouse Song of the year
Zerb - Mwaki (ft .Sofiya Nzau)
HUGEL, GROSSOMODDO - Andalucia
Adam Port, Stryv - Move (ft. Malachiii)
MoBlack, Salif Keita, Benja - Yamore (ft. Franc Fala, Cesária Evora)
Francis Mercier, Faul & Wad, African Children's Choir - Sauti
HUGEL - I Adore You (ft. Daecolm)
Maz, VXSION - Amana
Favorite Club Track
Kaleena Zanders, Tchami - DADDY KEEPS CALLING
Nathan Dawe, Joel Corry - HIGHER (ft. SACHA)
David Guetta, Cedric Gervais - Switch
PLS&TY - Turning Tides
James Hype - Wild
Tiësto, AFROJACK - Light It Up (ft. MC Ambush)
HASKELL, Mark Knight, Gene Farris - Go Deep
Sebastian Ingrosso, Steve Angello - Skip
Local Singles & Sam Blacky - Hotsteppa
Best Collaboration
Seven Lions & ILLENIUM ft. ÁSDÍS - Not Even Love
Kygo, HAYLA - Without You
Alok, Gryffin & Julia Church – Never Letting Go
Timmy Trumpet x POLTERGST - Like a G6 (with Naeleck)
Armin van Buuren & Hardwell - Follow The Light
Afroki (Steve Aoki & Afrojack) - Everything You Do (ft. Aviella)
Cheat Codes & Two Friends - The Way It Is
MEDUZA, HAYLA - Another World
Diplo & HUGEL ft. Julia Church - Stay High
Skrillex, Hamdi, TAICHU - Push (ft. OFFAIAH)
Tech House Song of the Year
Loco Dice, Skrillex & Fireboy DML - Heavy Heart
Matroda, Martin Ikin, Sian-Lee - 4U
SIDEPIECE, San Pacho - Taka
Cloonee, Young M.A, Inntraw - Stephanie
FISHER, Flowdan - Boost Up
Mau P - BEATS FOR THE UNDERGROUND
Dom Dolla - girl$
Tech House Artist Of The Year
Mau P
Dom Dolla
Chris Lake
James Hype
SIDEPIECE
FISHER
Tita Lau
Cloonee
Kaleena Zanders
Favorite Group
BONNIE X CLYDE
SOFI TUKKER
Above & Beyond
MEDUZA
Cheat Codes
Loud Luxury
ISOKNOCK
Chase & Status
Levity
Laszewo
Dance / Electro Pop Song of the Year
Two Friends - Wrong Way (ft. Alexander Stewart)
Martin Garrix, Jex - Told You So
Kiesza - I Go Dance
Galantis, David Guetta, 5 Seconds of Summer - Lighter
TELYKAST, x.o.anne - Free
Daya - Don't Call
XANDRA, Gigi Grombacher - Body Say
Cheat Codes, Two Friends - The Way It Is
Diplo, Riva Starr - Heaven or Not (ft. Kareen Lomax)
Best Fan Army
ILLENIUM - [Illenials]
deadmau5 - [The Horde]
Martin Garrix - [Garrixers]
Excision - [Headbangers]
Marshmello - [Mellogang]
Subtronics - [CYCLOPS ARMY]
Alan Walker - [Walkers]
Dubstep Artist Of The Year
Subtronics
Excision
NGHTMRE
Wooli
LEVEL UP
Mersiv
Zeds Dead
Ray Volpe
Moody Good
Hamdi
Favorite Nightclub Residency (U.S.)
Timmy Trumpet - FWD Day + Nightclub | Cleveland
Kaskade - BigNight Live | Boston
R3hab - Marquee Dayclub | Las Vegas
Steve Aoki - HQ | Atlantic City
Cash Cash - Zouk Nightclub + Ayu Dayclub | Las Vegas
Best Radio Show
Armin van Buuren - A State of Trance
Protocol Radio by Nicky Romero
Oliver Heldens - Heldeep Radio
StoneBridge - #bpmMix
Vinny Vibe - Good Vibes Radio
Richard Vission - Powertools
Joel Corry - Desire Radio
Timmy Trumpet - SINPHONY Radio
Tiësto - Club Life
Mark Knight - Toolroom Radio
Best Performance
Alok | Tomorrowland Brazil | São Paulo | 2024
John Summit | Madison Square Garden, New York | 2024
Skrillex | Lollapalooza | Chicago | 2024
Tiesto | Ultra Music Festival | Miami 2024
ISOKNOCK | North Coast Music Festival | Chicago 2024
LSZEE [LSDREAM & CloZee] - Red Rocks | Colorado 2024
Odesza | The Gorge | Washington 2024
Keinemusik - The Pyramids of Giza | Egypt 2024
Pop-Dance Anthem of the Year
Cheat Codes, Two Friends - The Way It Is
Martin Garrix, Jex - Told You So
Madison Beer - 15 Minutes
Calvin Harris, Ellie Goulding - Free
The Chainsmokers, Kim Petras - Don't Lie
Audien, Jeoff Harris - Living in Color
CYRIL, maryjo - Still Into You
Techno Song of the Year
Miss Monique - Bloom At Night
Sara Landry, Shlømo - Play With Me
Lilly Palmer - New Generation
Amelie Lens - Falling for You
Argy, Omiki, Son of Son - RITMO
Space 92, HI-LO - Orion
DnB (Drum and Bass) Song of the Year
Dom Dolla, Tove Lo - CAVE
Chase & Status, Stormzy - Backbone
Sub Focus - Wildfire
NERO - The Unknown
Dimension, Alison Wonderland - Satellite
Main Stage/Festival Song of the Year
Armin van Buuren, Hardwell - Follow The Light
KSHMR, 22Bullets - Devotion
Afroki - Everything You Do (ft. Aviella)
Don Diablo, Felix Jaehn - Monster
Lilly Palmer - Hare Ram
David Guetta, Cedric Gervais - Switch
Breakout Female Vocalist [Presented by Electro-Voice]
Linney
CLOVES
Aviella
OAKS
Jex
Julia Church
PollyAnna
Sarah de Warren
Mashup Artist Of The Year [Presented by Digital Music Pool]
DJs From Mars
Sickick
Switch Disco
Rudeejays
Da Brozz
Arman Aveiru
Beatbreaker
The Anthem Kingz
Remix Of The Year [Presented by Digital Music Pool]
The Temper Trap - Sweet Disposition (John Summit & Silver Panda Remix)
Marlon Hoffstadt - It's That Time (FISHER Remix)
Dua Lipa - Houdini (Adam Port Mix)
Loofy - Last Night (Anyma & Layton Giordani Remix)
John Summit & HAYLA - Shiver (Cassian Remi)
Remixer Of The Year [Presented by Digital Music Pool]
James Hype
VAVO
Tiësto
BVRNOUT
Joel Corry
Breakout Remixer Of The Year [Presented by Digital Music Pool]
JPAN
DJ Dark
5Hours
Silano
Deux Twins
Kastra
Martial Simon
Afro House Remix [Presented by Digital Music Pool]
Disclosure Ft. Eliza Doolittle - You & Me (Rivo Remix)
Zerb - Mwaki (Sunnery James & Ryan Marciano Remix)
Dua Lipa - Houdini (Adam Port Mix)
Drake - One Dance (Peace Control Remix)
Zion & Lennox, Daddy Yankee - Yo Voy (DJ TEDDY-O Afro House Remix)
Remix Rewind [Presented by Digital Music Pool]
Don Omar, Lucenzo - Danza Kuduro (Tiesto Remix)
Bob Marley & The Wailers - Jamming (FISHER Remix)
Sean Paul - Get Busy (Odd Mob Remix)
Sharam - PATT (Party All The Time) (Adam Beyer, Layton Giordani & Green Velvet Remix)
The Outfield - Your Love (Diplo Remix)
Breakout Mashup Artist Of The Year [Presented by Digital Music Pool]
Spice
Aurelios
Cazes
Mister Gray
Netgate
Best Use of Sample [Presented by Digital Music Pool]
Mau P - MERTHER
David Guetta, Alphaville, Ava Max - Forever Young
Öwnboss, NXNJAS, Chamillionaire - Ridin Dirty
James Hype - 7 Seconds
Sam Feldt, Steve Aoki, Niles Rodgers - I’m Going Out
Remake Of The Year [Presented by Digital Music Pool]
FISHER - Somebody
Mr. Belt & Wezol - It's Not Right But It's Ok
Swedish House Mafia & Alicia Keys - Finally
Diplo & HUGEL ft. Julia Church - Stay High
Cedric Gervais, Nile Rodgers - We Are Family
Mixshow DJ Of The Year (Top 40 / Dance) [Presented by Total Smash]
DJ Nurotic (103.5 Chicago)
Bodega Brad (103.5 WKTU)
DJ GHOST (Q102 PHILLY)
DJ Triple XL (KIIS FM Los Angeles)
DJ Jaime Ferreira (93.3 FLZ)
DJ GQ (Y100 Miami)
DJ Sticky Boots (HyperMiXx)
DJ Jay Mac (Most Requested Live)
DJ AUDIO1 - Ghetto House Radio
DJ Oreo - 106.9 K-HITS
Radio Remixer Of The Year [Presented by Digital Music Pool]
Cosmic Dawn
Kue
Petedown
J Bruus
Charlie Lane
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[EDM House Network] Phatwell Releases Powerful New Single ‘We Started A Fire’

From bursting onto the scene after making his debut in 2020, Phatwell has gone from strength to strength each year since. Since then, 2024 was undoubtedly his best year yet with the releases of ‘Time You Got For Love’ and ‘I Get This Feeling’, both incredible progressive house singles that bring us back to that golden era of Swedish House Mafia and Avicii. Now, showing no signs of slowing down, Phatwell is back for his first release of the year ‘We Started A Fire’.
In a world teetering on the edge of irreversible change, the song ‘We Started a Fire’ captures the essence of humanity’s complex and dangerous romance with technology. Over the past 250 years, we have nurtured and fueled this relationship, believing it would elevate us to new heights. But now, it feels as though we have reached the climax of this love story—one that has created the perfect storm of climate change, artificial intelligence, and totalitarianism.
The song’s timing is crucial. In an era marked by environmental crises, rapid AI development, and political instability, ‘We Started a Fire’ feels like a prophetic warning. The “point of no return” isn’t just poetic; it’s a stark acknowledgment of the critical thresholds we’ve crossed, especially concerning climate change and digital ethics. The lyrics repeatedly drive home the inevitability of destruction: “We started a fire, started a storm. Started something we cannot control. We passed the point of no return. Started a fire. Now watch it burn”.
One of the most striking verses, ”You and me we were ecstasy, we were everything they wanted to be”, encapsulates the intoxicating allure of technology. It speaks to our initial fascination with innovation, how we embraced it with
open arms, believing it would set us free. The metaphor of ”gasoline and a spark” further amplifies the volatility of
this relationship, suggesting that our relentless pursuit of progress was always destined to ignite an uncontrollable
blaze.
This is more than a song; it’s a reflection of the times we live in. It’s a reminder that our love affair with technology,
once full of promise, has led us to the precipice of destruction. Whether it serves as an elegy for what we have lost
or a wake-up call for those willing to act remains to be seen. But one thing is certain—the fire is burning, and the
world is watching. In its raw, unfiltered honesty, ‘We Started a Fire’ holds up a mirror to humanity, daring us to face the reflection.
S
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[EDM House Network] Tom Enzy Links With HUGEL & Danny Roma x Matrix On ‘Alicante’

Portuguese Producer and DJ Tom Enzy unites with HUGEL once again, this time teaming up with the genre VIP alongside Italian duo Danny Roma x Matrix to release ‘Alicante’ featuring the expressive trumpet instrumentation of Yuliesky Gonzalvez. Released via Make The Girls Dance Records, the track seamlessly blends the distinct signature styles of its collaborators, giving way to an irresistible groove and uplifting vibe that will no doubt energise audiences and see dancefloors ignited by its infectiously vibrant sound. 
Keeping up his run of collaborative projects, making a swift return after the success of his official remix of David Guetta, Jaden Bojsen and Sami Brielle’s viral anthem, ‘Let’s Go’ with HUGEL and Juany Bravo, Tom Enzy continues to strengthen his prominent standing within Electronic Music. A multi-platinum Artist, reaching chart-topping achievements and recognition through his work alongside industry titans like Alok, Rick Ross, Bob Sinclar, and Flo Rida, he remains a sought-after Producer and DJ, continuing to lead a journey where passion and talent converge. 
In this latest single, Tom Enzy combines his rich sonic identity with the signature approach of HUGEL and production duo Danny Roma x Matrix, leaning on his own trademark fusion of Tribal House, Afro, Latin House and Brazilian Funk influences. 
Displaying intricate percussive textures and lively beats, the track quickly establishes its solid groove, introducing layers of vibrant details; as the uplifting horn motif takes up its prominent position, the arrangement continues to evolve, enriched by the robust low-end and complex rhythmic tapestry. Then, tense, atmospheric pads and wordless vocals take the listener through the breakdown, as Yuliesky Gonzalvez weaves a soaring trumpet motif, eventually leading the track back into its tight groove of catchy hooks and rhythmic intricacies to culminate in an electrifying, club-ready experience. 
A high-impact production, ‘Alicante’ comes as a distinct symbol of Tom Enzy’s signature approach, combined with the colourful sonic flavour of his collaborators, HUGEL and Danny Roma x Matrix. Having put forward another exciting addition to his discography, Tom Enzy ensures his music continues to resonate with the global Electronic Music stage while adding more value to his growing status with a track poised to become a staple in sets worldwide. 
‘Alicante’ is out now via Make The Girls Dance Records and available to stream and download across platforms. Make sure to keep up with Tom Enzy and his exciting journey by staying tuned to his upcoming releases and performances via social media.
Listen and Buy ‘Alicante’ Now:
Tom Enzy:
Instagram  | Spotify  | Beatport 
HUGEL:
Instagram  | Spotify  | Beatport 
Danny Roma x Matrix:
Soundcloud  | Beatport 
Make The Girls Dance Records:
Instagram  | Beatport 
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[EDM House Network] Adam Bogdan Releases Funky Debut EP ‘Improv’

After a 9-year hiatus from releasing music Adam Bogdan has returned in style with his debut EP ‘Improv’ that shows he’s not lost any of his groove. Following a move to Miami and the birth of his son, he’s been revitalized and has made his return to producing which has resulted in 4 brand new tracks.
Straight away from the opening song ‘Improv’ it’s clear that Bogdan has really developed his craft while he’s been away. It sets out the tone for the EP perfectly with its funky bassline and instantly catchy drum beats which are sure to get bodies moving in the clubs. ‘Drop Deep’ keeps the groove going and feels like it would be equally at home at a beach party as it would be at an underground rave as he keeps a bit of an underground sound in it to honour his roots.
‘Do You Read Music’ offers a change in energy with the lead synths setting out the rhythm while the bass once again just makes you want to move which links perfectly into the closing track ‘Hold Up.’ Here the use of vocal samples adds a nice bit of variation on top of yet more excellently crafted beats.
With ‘Improv’ being signed by Sepp’s record label CATREN and the EP already hitting the clubs, Adam Bogdan has made a great return to the music scene and has set out his distinct style well. Now that his love of producing has been rekindled there will hopefully be more releases to come from him with this same addictive energy.
Connect with Adam Bogdan on his socials below:

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[GrooveCartel] KIDSØ move mountains with their icy electronica single ‘Lykke’

KIDSØ, the Munich duo (Moritz Grassinger and Martin Schneider) are back with a new single called “Lykke,” which means “fortune” in Swedish and is out now on Embassy One. Ten years ago, the producer team took a trip through the uninhabited Scandinavian landscapes of rolling hills, stunning drops, and jagged peaks. Their sparsely melodic electronica music moves mountains and gives us hope.
It is set against a huge, haunting soundscape made up of strings and a mixed choir that makes you think of a Sisyphean battle and a strong sense of grief and loss. In terms of melody, though, it’s the metallic double-time arpeggiator and the offbeat LFO bass that really make the track shine. Until the chorus, where a female singer takes over and sings two lines that capture the song’s mind-over-matter spirit: “We can move the mountains/We can burn them down, set fire to it all.”
The Munich two-piece not only make their glacial electronica sound even more solid with “Lykke,” but judging by how their Turkish fans reacted in Eskisehir, Ankara, and Istanbul, they also prove that they are an electrifying live act that their German fans can still see for themselves during the last leg of their European tour.

The post KIDSØ move mountains with their icy electronica single ‘Lykke’ appeared first on The Groove Cartel.
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[EDM.com] Drift Into the Dreamlike Abyss of LSZEE's New Single, "Lost"

LSZEE are back with "Lost," a track that feels untethered to the physical world entirely, floating between the stars and your subconscious.
The collaborative alias of CloZee and LSDREAM emerged in a blaze of creative fire within a matter of months, debuting at Electric Forest in June 2024 before releasing a self-titled album and headlining Red Rocks in one of EDM.com's best performances of the year.
But if those milestones suggested a whirlwind of maximalist ambitions, "Lost" reveals a different dimension of LSZEE’s artistry, one that's more meditative and introspective. With the new single, LSZEE reinforce that fact that their synergy is far from a fleeting experiment and reveal a broader spectrum of their cerebral sound.
Anchored by the haunting vocals of Roniit, "Lost" unfurls like a weightless dream sequence. Her airy voice glides through the track while LSZEE’s atmospheric production shines with delicate, drifting synths that dissolve into an otherworldly soundscape. The duo leans into subtlety, allowing reverb-drenched melodies to bloom in vast open space before coalescing around a cinematic trap drop.
Listen to "Lost" below and find the new single on streaming platforms here.
Follow CloZee:
X: x.com/clozeemusic
Instagram: instagram.com/clozeemusic
TikTok: tiktok.com/@clozeeofficial
Facebook: facebook.com/clozee
Spotify: spoti.fi/2AvsgHa
Follow LSDREAM:
X: x.com/lsdream
Instagram: instagram.com/lsdream
TikTik: tiktok.com/@lsdream
Facebook: facebook.com/lsdreammusic
Spotify: spoti.fi/3mpNB7m
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[EDM.com] Blanke, CADMIUM and Ben Provencial Team Up for Evocative Dance Track, "Above the Water"

Music serves many purposes in the lives of those who consume it, but chief among those goals is to make the listener feel. "Above The Water," a new collaboration between producers Blanke and CADMIUM with singer-songwriter Ben Provencial, passes that test with flying colors.
"Above The Water" is a stirring blend of melancholy and triumph that underscores each artists' versatility. At the heart of the track is Provencial’s soaring vocal range, drenched in regret and introspection, effortlessly guiding the energy from its somber introduction to its euphoric release. A tutorial in balancing tension and resolution, his lyricism serves as the anchor that carries the weight of the song’s emotional arc.
His evocative delivery immediately pulls us into the track's self-doubting depths before the production shifts gears, injecting a sense of catharsis. As the drop develops, "Above The Water" transitions into an uplifting fusion of melodic bass and a driving, percussive groove.
Blanke, the EDM.com Class of 2021 star who also moonlights as his drum & bass alias ÆON:MODE, continues to expand his sonic palette by demonstrating his deft touch in the future bass space. Meanwhile, CADMIUM reinforces his own cinematic style with emotionally charged production.
Listen to "Above The Water" below and find the new single on streaming platforms here.
Follow Blanke:
Facebook: facebook.com/blankemusic
X: x.com/blankemusic
Instagram: instagram.com/blankemusic
TikTok: tiktok.com/@blankemusic
Spotify: spoti.fi/3ptm6e9
Follow CADMIUM:
X: x.com/cadmiumofficial
Instagram: instagram.com/cadmiummusic
TikTok: tiktok.com/@cadmium
Facebook: facebook.com/cadmium.sound
Spotify: tinyurl.com/2evxtp9n
Follow Ben Provencial:
X: x.com/BenProvencial
Instagram: instagram.com/benprovencial
TikTok: tiktok.com/@benprovencial
Facebook: facebook.com/BenProvencialMusic
Spotify: tinyurl.com/mw5zsr2e
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[GrooveCartel] Factory 93’s Ignites Dance Floors with M-High’s “Lips Moving”

M-High‘s latest release on Factory 93 is a triumphant return to the core of underground house music. It captures the raw, unrelenting spirit of dance music’s golden age while adding modern technical precision. “Lips Moving” shows how powerful classic house sounds can be when they are expertly remade for today’s sophisticated dance floors.
From the very beginning, “Lips Moving” grabs listeners with an unstoppable tech-house groove that speaks directly to the heart of late-night warehouse parties. The track’s pulsing rhythm is like a backbone that can’t be broken. It moves forward with an addictive energy that makes you want to move from the first beat. This isn’t just a song; it’s an experience that turns places into dance temples for a short time.
There is a cleverly made synth theme at the heart of the production that weaves through the arrangement like a spell. Today’s technical standards are based on crisp, modern production values, but the interesting blending work pays homage to the analog warmth of a classic house. This careful mix between old and new sounds builds a bridge between generations of people who love house music.
The track’s main theme plays a dual role as both a compass and a guide. It changes slightly as the arrangement goes on, but its pull on dancers stays strong. DJs dream of making music like this—a perfectly tuned weapon that can either set off peak-time bliss or keep up the deep, meditative groove of early morning sessions.

The post Factory 93’s Ignites Dance Floors with M-High’s “Lips Moving” appeared first on The Groove Cartel.
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[EDM House Network] Fox Stevenson And Yue Smash Into 2025 With ‘Pieces’

For years Fox Stevenson has been pumping out fantastic genre-blurring music that has earned him over 100 million streams on Spotify. Now he’s come out with another banger with ‘Pieces’ in collaboration with Drum & Bass producer and vocalist Yue that is yet again a show of his diverse and unique productions.
‘Pieces’ is a tour de force of fantastic sound design that has some absolutely beautiful atmospherics which are a particular treat for the ears and set the more solemn tone in the verses brilliantly. The dichotomy between Fox’s lyrics that recall past struggles, and Yue’s lyrics which describe looking toward a hopeful future create a compelling narrative that leads into the awesome breakbeat in the chorus’. Yue provides some incredible vocals which when layered together with Fox’s during the chorus’ sounds like their voices were made to be blended together.
‘Pieces’ is an excellent addition to Fox Stevenson’s repertoire of Drum & Bass bangers and will be an exciting track of his to hear at his live shows where he integrates live instruments into his performances. He’s on top form at the moment which is looking to continue over the coming year having already dropped another heater with ‘That Choice.’ There’s plenty to look forward to from him.
Connect with Fox Stevenson on his socials below:
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[UKF] Beyond The Bassline: VEIL’s Quest For New Soundscapes

Step into VEIL’s sonic universe, and you’ll quickly realise she is far more than just a producer— she is a storyteller, an explorer, and an architect of deep, immersive musical narratives. Her approach to music is rooted in a relentless pursuit of the unknown, and her ability to transport the listener beyond the ordinary.
Her sound thrives in the darker, more enigmatic corners of the genre, where she infuses deep frequencies and intricate sound design that converge to create something truly mesmerizing. But here’s the best part, this is where it just starts. Despite the shadowy, intense nature of her sound, VEIL skilfully weaves together a diverse array of styles under the low-end umbrella to create musical expeditions that are vivid, introspective, and thought-provoking.
This unique sonic signature has earned VEIL a place among some of bass music’s most forward-thinking labels, including WAKAAN, MorFlo Records, and Deadbeats. But she isn’t just contributing to the scene—she’s actively shaping it. Through her own imprint, Street Ritual, she curates and cultivates a platform for like-minded artists, pushing the boundaries of experimental bass music and fostering a community of sonic trailblazers.
Street Ritual is where VEIL’s debut album, High Voltage landed, which is a culmination of her endless depth of her creative genius. Released in late 2024, “High Voltage” is a multidimensional experience, with 5/9 and Towr Media enhancing its visual narrative. The album resonates on multiple fronts—sonic, visual, experiential, and transcendental—pushing boundaries at every turn.
High Voltage unfolds the story of AZAL, a central figure journeying through THE HOLLOW—a cross-dimensional realm of infinite timelines and realities. Each track serves as a chapter in her odyssey, chronicling her evolution as she discovers and harnesses her ability to shape and manipulate the ever-shifting landscapes of THE HOLLOW.
Before diving deep into VEIL’s debut album, High Voltage, it might be a good idea to explore how its narrative was meticulously crafted. Understanding the story behind the album adds a new layer of depth to the experience, allowing us to fully appreciate the vision and artistry that shaped it.
“AZAL, my main character, has appeared in many of my past EPs, and High Voltage follows her journey as she enters a black liminal space where she learns to control realities with her mind. Over time, I realised her story reflected my own—navigating multiple realities, managing creative projects, and feeling both empowered and overwhelmed. Throughout the album, AZAL experiences moments of control, disruption (like encountering malware), and ultimately, an overload of power.
Structuring the album to honour this narrative was crucial. I didn’t just arrange tracks by energy levels—I wanted the flow to mirror the emotional and sonic journey, much like my DJ sets, where heavy moments build into introspection before resetting and evolving. The interlude at the midpoint serves as a reset, leading into a fresh chapter of sound. The closing track, Overload, is one of my favourites because it encapsulates how I felt by the end of the year—pushed to the limit, juggling creative projects, finishing the album, and even organising the release party.”
Then comes the moment where VEIL took a bold leap of faith, deciding to craft her debut album High Voltage. This wasn’t just another project—it was her biggest creative endeavour to date, one that required her to push beyond the boundaries of her past work and take on a monumental challenge. She not only had to compose the intricate, layered sounds of the album but also build a captivating narrative around it. The weight of creating something so personal and so expansive was immense, and the pressure of shaping this story—the world of AZAL and THE HOLLOW—was like nothing she had faced before.
In the process, VEIL found herself navigating the complexities of self-doubt, the challenges of balancing creative freedom with artistic consistency, and the internal struggle of stepping into such uncharted territory. It was a journey filled with moments of uncertainty, yet the drive to see the story unfold and to release something that was so uniquely hers kept her moving forward.
“I’ve been considering making an album for a few years, but at the start of this year, I felt ready for a bigger creative challenge. Knowing myself, I wanted to go all-in on the visuals, storyline, and lore, so I gave it enough time. I set the goal in November while on tour, but the concept and timeline took shape around January-February. I planned to finish the tracks by July to release in November, making it a busy year. My team and I worked hard, with two visual shoots and extensive post-production. My creative director, VJ, and visual artist, 59, collaborated with me on the storyline, ensuring each track had a deeper visual and narrative connection.”
Now that the album is out in the world, the sense of relief is palpable. VEIL has seen the album resonate deeply with listeners, with many praising the intricate storytelling and bold sonic choices. The reaction has been overwhelmingly positive, and the journey has come full circle, as she watches her vision reach a wider audience. For VEIL, the success of High Voltage goes beyond the accolades; it’s about how her music has touched others and how her personal journey, which she poured into the album, has become a shared experience with listeners. It’s a moment of both reflection and forward momentum—realising that the leap of faith she took has not only paid off but has opened doors to even greater possibilities in her creative future.
“The pressure I felt was entirely self-imposed—I wanted to bring to life every sound and idea I had envisioned. I experience music in colours, and while my previous project spanned multiple genres, VEIL has always had a more focused sound. With this album, I aimed to expand that while keeping it cohesive, blending different styles into one fluid journey.
The challenge was fitting everything into 10-12 tracks while staying true to my vision. Along the way, I had to refine, cut, and adjust ideas to ensure the album told a complete story. Every BPM shift, track placement, and AI-generated voice sample was intentional, carefully woven into the narrative. Now, listening back, I’m amazed at how it all came together.”
Creating an album of this scale is an emotional rollercoaster, and for VEIL, the process was no different. Pouring her heart and soul into every track, she experienced a whirlwind of emotions—hope, frustration, excitement, doubt, and everything in between. There were moments of pure inspiration where ideas flowed effortlessly, and others where the weight of the project felt overwhelming.
VEIL describes the album as a direct reflection of her emotional journey, with each track carrying its own unique energy. Some tracks radiate positivity and euphoria, while others dive into aggression, tension, or even moments of despair. The album was not just about creating music, but about capturing raw, unfiltered emotions and translating them into sound.
“Art imitates life, and life imitates art—it’s a constant cycle. AZAL’s journey has always been an inspiration to me, though I never directly saw it as my own. But through creating this album, I realised I was expressing so much of what I feel about my music, my vision, and the direction of my project.
I wanted to honour my roots in psychedelic music, which has always been a core influence. While my sets are known for being heavy and dark, there’s always been a strong psychedelic element running through them—something deeply important to my sound. With this album, I aimed to merge that hypnotic, mind-bending energy with the weight and intensity of my music, creating something that feels both raw and immersive.”
One thing High Voltage delivers on is the extremely fine balance of solo and collaborative material. The solo stuff flows the way VEIL wants it to but VEIL also lets her collaborations speak and breathe. HerShe and Digital Vagabond come through on their respective tunes and when you give it a listen is when you know the honest effort that has gone into each piece of music on the album. 
When working with others, like HerShe and Digital Vagabond, VEIL allows each artist’s voice and influence to come through in a way that feels natural and unforced. Their contributions are not just added elements—they are integral parts of the album, each one breathing life into the project in its own distinctive way. When you listen to their respective tracks, you can hear the careful thought and honest effort put into each one. It’s evident that every piece of music, whether solo or collaborative, was crafted with passion and attention to detail, making High Voltage a seamless blend of individual artistry and collaborative energy.
“The tracklist for High Voltage wasn’t set in stone from the start, and I had a few other collaborations in mind as well. But as I began finalizing the earlier tracks and getting them mastered earlier in the year, I started to see how everything might fit together. One track I was certain about was Omega. The name itself, which means “the end,” felt symbolic, and it was an important part of the album’s narrative. Digital Vagabond, who is also part of my creative team and one of my closest friends and collaborators, was a perfect fit for this track. I had been playing Omega for a long time, and it felt right to have it as a pivotal moment in the album.
It was also key for me that Omega followed the 5-9 track because 5-9 and I, along with Knox Illumina, are all very close friends and collaborators. We also run a business together called Tower Media, where we handle artwork and creative projects. So, having that sequence felt significant, like the 5-9 track sets up the story and Omega comes in to reset everything. It was essential for me to make sure that each piece of the story fit together naturally.
With Move Fast and Break Things, the track started with a sample I was really excited about. It felt like the perfect match for my energy—it’s just who I am. My friends always say, “Keep calm and carry on,” but for me, it’s more like “Move fast and break things.” That’s the energy I bring, and I knew it had to be a part of the album. When I sent it to my friend HerShe, she instantly connected with it and said, “Let me jump on this right now.” I’ve worked with her on a few tracks before, and I love her sound—she has that same bold, go-for-it energy, which felt perfect for this track.
She ended up writing the intro for the song and sent it back, and I was blown away—it quickly became one of my favourite tracks on the album. At first, when I sent it to her, the samples were missing, so she didn’t even hear the full version. When she sent it back with her part, I added the samples back in, and her reaction was priceless. She was so excited, saying, “Oh my God, this is ridiculous!” It was a really special moment.
Both collaborations came together naturally, and I knew that Move Fast and Break Things was always meant to be part of the album’s storyline. It represents a moment where the character is gaining control and moving through space, maybe a little chaotically, but in a way that feels empowering. It has that raw, unapologetic energy that I wanted to capture, and to me, it just screams girl power. And I don’t mean that in a corny way—it’s about embracing that fierce, unstoppable energy.”
The sonic prowess of High Voltage is, of course, undeniable, showcasing VEIL‘s ability to craft a soundscape that is both electrifying and emotionally resonant. However, it was the visual dimension of the album’s release that truly elevated VEIL‘s debut long player to an entirely new level of artistry. Recognizing the power of storytelling through imagery, VEIL partnered with Tower Media, a creative agency known for its innovative approach to visual storytelling, to bring the narrative of AZAL—a central figure or concept in the album—to life.
This collaboration resulted in a series of stunning visuals that complemented the album’s themes and sonic textures. From meticulously crafted music videos to striking album artwork, every visual element was designed to immerse the audience in AZAL’s journey. The visuals were not just supplementary but integral to the album’s identity, creating a multi-sensory experience that resonated deeply with VEIL and her music. 
“Tower Media and I have collaborated on my last four releases, including AZAL. It’s always rewarding—we start with a concept, a mood board, and a vision. For this project, I wanted a liminal space with a 3D universe around me, evolving as AZAL grows more powerful. They’re amazing at bringing my ideas to life. We shot everything in our studio with just a few cameras—one professional, one iPhone—and a small team. 
This was our biggest visual project yet, with singles, album art, and canvases to deliver. We even did a test shoot in March to figure out how to place me in a 3D universe, which helped us refine the final shoot. Josh from Tower Media did an incredible job showcasing the story across all visuals. It’s our biggest accomplishment to date, and the project wouldn’t be the same without them. From the start, I wanted visuals to be a core part of my storytelling, and they’ve been essential in making that happen.”
In many ways, High Voltage feels like the culmination of a significant musical chapter for VEIL, while simultaneously marking the beginning of an exciting new era. The album represents a monumental effort in perfecting every aspect of her artistry—the narrative, the sound, and the visual storytelling—all of which come together to create a cohesive and immersive experience
Now that it’s done, this project feels like the closing of a door on one journey, one that has been defined by growth, experimentation, and the meticulous crafting of AZAL’s story. VEIL herself resonates with this sentiment, acknowledging that High Voltage has been a transformative experience. It’s a project that has allowed her to fully realise the potential of her storytelling, both sonically and visually, and has set a high bar for what’s to come.
“Yeah, High Voltage was an opportunity for me to get a lot out of my system—it was a deeply emotional project with so much depth in the story and visuals. Now, I’m excited to write music without restrictions. The album was very planned, with BPM charts, story points, and specific samples mapped out. Moving forward, I want to create without deadlines or rigid structures. I’m taking a break from touring to focus on the studio and just have fun with it.
The album has given me that freedom, and it’s been interesting to see which tracks resonate with people. Everyone has different favourites, which has been surprising and exciting to witness. Now, it feels like VEIL is stepping out of the “hollow”—the space we’ve been in all year—and into something new. I’m looking forward to experimenting without constraints, whether that means shifting BPMs or exploring different genres like drum and bass.
While I still have goals, such as releasing with certain labels, I’m focusing less on rigid plans and more on enjoying the creative process. After such a major achievement this year, I want to let things unfold naturally and see where the music takes me.”
The album found its home on VEIL’s own label, Street Ritual, a platform long synonymous with boundary-pushing experimentation across genres like dubstep, halftime, drum and bass, leftfield bass, and kinetic psychedelia. VEIL’s journey with the label began nearly a decade ago when she joined as one of its key contributors, eventually stepping into the role of owner. Under her stewardship, Street Ritual has continued to serve as a launchpad for emerging artists, providing a space to showcase talent, evolve sound, and grow into influential figures within the bass music community.
Reflecting on her early days with the label, VEIL took us on a nostalgic journey, recounting how Street Ritual became a hub for innovation and collaboration. She also shared insights into the evolution of America’s bass music scene over the past fifteen years, a period marked by seismic shifts in sound and culture.
“You know, the whole bass music scene in America is such an interesting conversation—I could talk about it for hours! Take psychedelic bass music, for example. It really had its moment from around 2011 to 2016-2017, and don’t get me wrong, it’s still going strong, but in the U.S., it feels like it has hit a bit of a ceiling. The thing is, the psychedelic bass audience is far more global than many people realise. I’ve played at Boom Festival twice, toured across Europe, Australia, and South and Central America with my old psychedelic project, and it really opened my eyes to how different the bass music scene is outside the U.S. In many of those places, heavy dubstep isn’t the main focus—it’s more about experimental, diverse sounds.
But here in America, there’s been a noticeable shift towards heavier, more intense styles. Over the past few years, genres like IDM, leftfield, and experimental bass have exploded, especially on platforms like Beatport. These sounds aren’t new, but they’re finally getting the recognition they deserve, and now they’re practically their own subgenres. Leftfield, in particular, feels like a great way to describe where Street Ritual has ended up. We started out with a lot of trap and psychedelic bass—that whole “West Coast bass” vibe, you know, that glitchy, trappy, psychedelic sound that was huge for a while. But over time, our sound has evolved. You can still hear those influences, but now there’s a heavier, more experimental edge to it.
It’s wild how much the scene has changed since the mid-2010s when artists like Kalya Scintilla, Hedflux, Sixis, and Tipper were my biggest inspirations. Now, it feels like the U.S. is leaning into darker, heavier sounds. Look at drum and bass—it’s having a moment again, which totally aligns with this trend toward intensity. But honestly, this could just be my perspective. It might be what I’m personally drawn to or focusing on right now. Still, it’s fascinating to see how the American bass music scene is evolving, embracing these heavier, more dynamic sounds while still holding onto the psychedelic and experimental roots that made it so special in the first place.”
Which brings us to an essential point about the cultural exchange between the United Kingdom and the United States from a bass music standpoint. They have been influencing each other since the earliest years of drum & bass, garage, and dubstep. The bass music scene in America thrives on a dynamic exchange with the UK, a back-and-forth that has historically shaped genres like garage and dubstep. While garage’s roots trace to the U.S., it evolved into UK garage and bassline across the Atlantic, just as dubstep blossomed in Britain before reverberating in the United States and gaining global momentum.
What makes the American scene uniquely compelling, however, is its ability to reinvigorate these genres with bold, homegrown energy—breathing new life into familiar sounds. VEIL resonates deeply with this transatlantic synergy, describing her music as a fusion of global influences refined into a distinct sonic identity. For VEIL, it’s proof that cross-pollination doesn’t dilute tradition—it amplifies creativity, allowing artists to carve out niches that feel both fresh and rooted in shared musical DNA.
“My journey with bass music has always been deeply tied to the UK sound. Back in my early DJ days—pre-USBs, when I was spinning CDs—my first tracks were all UK dubstep: deep, dark, 140 BPM stuff. I’ve been a fan of artists like Truth for over a decade and even attended the first Dubstep showcase. That UK influence has always been a part of my sound, even before the recent drum and bass wave hit the U.S. I got into drum and bass through Dayla Moon, a pioneer in the American scene who’s been throwing Moon Tribe gatherings in the desert for over 20 years. She’s a close friend and collaborator, and hearing her spin drum and bass was a game-changer for me. It inspired me to start incorporating it into my sets, and now it’s a staple in my performances.
When I first started playing drum and bass at bigger shows post-2020, some crowds weren’t sure how to react. But over time, especially with younger audiences, the heavier, faster tracks started to resonate. Now, I could play a full drum and bass set, and the crowd would love it. It’s been incredible to see how the U.S. scene has embraced it, even though artists like Wilkinson, Overview, and Critical are keeping it authentically UK. Their releases are so inspiring—I’m lucky to be on their promo lists and get early access to their tracks. It’s fueling my own drum and bass EP, which I’m really excited about.”
Following the album’s release, VEIL embarked on a series of shows where she had the opportunity to showcase her music in its fullest form. However, it was towards the end of 2024 that she truly solidified her place among the industry’s elite, gracing some of the biggest stages, including Radiance, Reflections, and Cyclops Cove 3. Sharing the lineup with some of the most influential names in the scene, VEIL delivered electrifying performances that left a lasting impact. Reflecting on the experience, she describes the feeling as nothing short of surreal—an unforgettable moment in her journey as an artist.
“This year was absolutely mad—packed with surreal moments. And December was no different! Playing in the middle of the LED wall at Radiance was a dream come true. I felt like I was floating in my visuals! St. Louis for NYE was rowdy as usual; I got to meet so many new people, and the venue had a proper underground rave vibe. I absolutely love curating sets for those kinds of nights.”
For VEIL, this new chapter isn’t just about music—it’s about creating experiences that resonate on a deeper level. The new year heralds a fresh start, one brimming with boundless creativity and fearless experimentation. Known for her ability to seamlessly blend genres and push sonic boundaries, VEIL is poised to take her artistry to even greater heights in the coming months.
“I’m really excited to work with a vocalist. I have a childhood friend—one of the best singers I’ve ever heard—who doesn’t do music professionally, but I’d love to get her on a track. Lately, I’ve been super motivated by drum & bass, and it’s a sound I want to explore more, along with different BPMs.”
Whether she’s crafting intricate soundscapes in the studio or delivering high-energy performances on stage, VEIL’s commitment to pushing the envelope remains unwavering. This year, she is set to dive deeper into uncharted territories, experimenting with new sounds, collaborating with visionary artists, and continuing to redefine what bass music can be.
Ravebot
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[GrooveCartel] In the Shadows of Sound Met Len Faki and dubspeeka’s “Mod 3”

Deep in the dark side of modern techno, where raw electricity meets sound design for buildings, a new joint masterpiece has come to light. Len Faki and the mysterious dubspeeka (aka Darren Beale) worked together on “Mod 3,” which was released through Hardspace. It’s not just another techno track; it’s a lesson in building atmospheric tension and subliminal grooves.
The track builds up like a midnight revelation in Berlin’s concrete caverns, where dubspeeka’s deep sound design skills, honed over years of drum ‘n’ bass work with Kosheen, meet Faki’s famous understanding of how to make a dancefloor work. It turns into a hypnotic journey that talks in the language of underground places, where darkness is used as a way to become one with everything.
At its core, “Mod 3” is a test of how to hold back and let go. The track builds with the slowness of an old storyteller, laying a base of bass frequencies that sound like they come from the ground. The lack of vocals isn’t a limitation; it was chosen on purpose so that the mechanical poetry of the synthesizers can tell their own story across the frequency range. Each carefully made part fits perfectly together, which shows how carefully both artists work with sound design.
“Mod 3” doesn’t completely change the way technology works, but it does make the plan better. This track can change things when played in small, cozy spaces where every frequency can be felt as well as heard. Some DJs will play this kind of music when the night needs to go from just dancing to a state of collective transcendence and the crowd is ready to melt into the beat and atmosphere.
One thing that makes this game stand out is that it keeps your attention without using cheap thrills or boring builds. Instead, it works like a slowly tightening coil, with each turn adding new layers of tension and release that speak to techno’s main promise: using sound to create different worlds.

The post In the Shadows of Sound Met Len Faki and dubspeeka’s “Mod 3” appeared first on The Groove Cartel.
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