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BT – This Binary Universe

“…the first major electronic work of the new Millennium. It’s that good.” 
– Stephen Fortner, Keyboard Magazine
Head-turning, game-changing long players had become par for BT’s course by 2006. If it didn’t stun, it didn’t see the sun, and his early noughties works (‘Movement In Still Life’ and ‘Emotional Technology’) had already travelled far from his origin sound. There’s nothing more relative than relativity though and three years after ‘Emotional Technology’, ‘This Binary Universe’ did for BT what ‘going electric’ did for Bob Dylan. 

It’s an album that inverted everything anyone thought they knew about the artist: ‘counter-club-culture’ didn’t even come close! Again, through the power of technology, this December BT revisits his most heterogenous LP with a pristine remastering; a 4K upscale of its paired film and a first-ever outing on vinyl. Still way ahead of its time today, ‘This Binary Universe’ is ready to challenge young minds and win new hearts once again.

‘This Binary Universe’ seemed mission-led to capsize every album covenant going. It had no commercially-minded lead single (‘Flaming June’, ‘Godspeed’ or otherwise) … or for that matter any singles whatsoever! It consisted of a lean seven tracks, however only two ran for less than ten minutes. 
For the album’s creation, BT went into creative overdrive and locking down a defining ‘sound’ for ‘Binary’ is as blissfully confounding today as it was in ‘06. Several themes do breathe for longer than a single track though. BT’s soon-to-be-signature Stutter Edit effect made its first appearance, while orchestral aspects also play noteworthy roles. Having embraced the latter while writing the motion picture soundtrack for the Charlize Theron-starring Monster, he composed ‘Binary’s symphonic parts during downtime working on the Stealth soundtrack. This, most notably, included the 110-piece orchestra used on ‘The Antikythera Mechanism’ – the closest point between the natural and technological spaces the album depicts. ‘This Binary Universe’ is also
marked by stylish mid-track changes in tone, tempo and feel. ‘Dynamic Symmetry’ glitches magnificently from wind chime electronica to breezy jazz, before acquiring a midpoint drum & bass signature. ‘Good Morning Kaia’ meanwhile commences in ambient piano before oh-so-slowly edging in its guitar and rock threads.           

Artistic distinction was decisive in the early part of the new millennium and for his part BT was keen to dust the technological trail behind him. For the album’s insanely detailed 74 minutes he customized synths and children’s toys, while building and using his own plug-ins from scratch (most famously Stutter Edit and Break Tweaker) to achieve the required intricacies. He got mathematical with his harmonies on the golden ratio’d ‘1.618’; worked in the programming language Csound for ‘All That Makes Us Human Continues’ and made considerable use of circuit bending (the mis-wiring synths to obtain unique sound sequences) on a number of others.

And had all that ingenuity not been quite enough, BT foresaw ‘This Binary Universe’ as his first multimedia project, engineering the music for playback on the DTS’s 5.1 surround sound system. This he realized through seven vignettes that comprised ‘This Binary Universe’s film, which saw a limited theatrical release in 2006. Four were developed by CG artist Scott Pagano, while Mondi, Dose Productions and Transeau himself also created one apiece. They spanned cinematographic range, from live action and computer generated, through to traditional animation. For ‘Good Morning Kaia’, BT’s used footage of his (then-just-born) daughter with the track’s ‘lyrics’ appearing only as subtitles, drifting in time to his piano notes. For its 2024 re-release, each piece has been re-rendered to 4K, vividly upscaling every cell and frame. 

Exploring the relationship between the carbon-based and digital worlds, with meditations on everything from parenting to programming, the remastered version of BT’s ‘This Binary Universe’ arrives Dec 6. Music will never be quite the same again (… again): https://blackhole.lnk.to/tburemastered 

Tracklist:
01. All That Makes Us Human Continues      
02. Dynamic Symmetry                      
03. The Internal Locus                                                
04. 1.618                                             
05. See You On The Other Side                     
06. The Antikythera Mechanism
07. Good Morning Kaia                      
            
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The post BT – This Binary Universe appeared first on EDMTunes.
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Grabbitz Uplifts Listeners With Sequel Track ‘Hero Pt. II’

On Halloween itself, Grabbitz had released his highly anticipated sequel track, ‘Hero Pt. II’, via his own label, Blue Butterfly Records. The very innovative DJ, producer, singer-songwriter, and instrumentalist has over the years, produced some of dance music’s most powerful bangers such as ‘Die For You’, ‘Ticking Away’, and ‘Someone Else’. Grabbitz released ‘Hero Pt. II’ as the sequel to last year’s mesmerizing ‘Hero’ and that track provides a perfect synergetic combination of strong vocals and glitchy, powerful rhythms (also check out the immersive music video of this track).
With ‘Hero Pt. II’, the track follows up with the protagonist’s journey into various challenges that come into his way and how he can achieve them. In addition, perseverance and adversity are also main themes of the track as the protagonist/hero explains the paths he will take via uplifting vocals and outstanding beats that serenaded throughout this track. Click ‘Play’ on the Spotify link below to stream ‘Hero Pt. II’ from Grabbitz, a track that the artist will definitely include in his upcoming album, which plans to arrive on early 2025. Last but not least, the upcoming release of this must-hear album will also come at the same time as his upcoming national tour with Sullivan King.

The post Grabbitz Uplifts Listeners With Sequel Track ‘Hero Pt. II’ appeared first on EDMTunes.
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Marsh unveils New EP Titled ‘Aria’

The culmination of an incredible six months of touring the new “Aria” live show, Marsh shares his Aria EP. Originally born as an audio-visual live concept designed to showcase Marsh’s growing catalog and the many talented vocalists he has worked with, ‘Aria’ began as two UK shows—the first at London’s premium new venue, HERE at Outernet, followed by a night at New Century in Manchester.
More recently, the EP has been supported by a run of eight North American shows, including dates at New York’s Webster Hall and Los Angeles’ Fonda Theatre and a set at Montreal’s Piknic Électronik festival. The ‘Aria’ live show reached its final stop at iconic Colorado venue Red Rocks Amphitheatre for Anjunadeep Open Air—a particularly snowy and enchanting performance for all those lucky enough to be there.
Moreover, The full EP features two new Marsh tracks; ‘Mercy,’ a hard-hitting club record known for getting the crowd moving on ‘Aria’ tour dates, and ‘Hope,’ a softer track with uplifting vocal samples.
The year of 2024 has been a busy one for Marsh, as he continues to release music at an incredible pace. The ‘Aria EP’ is out November 15 on Anjunadeep. You can listen to it below and on all available streaming platforms.
Stay tuned for more news!
The post Marsh unveils New EP Titled ‘Aria’ appeared first on EDMTunes.
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TH;EN Drops New Track ‘Rakata’

With his constant evolution and ability to push musical boundaries, TH;EN has solidified his place in the global dance music scene. The German-born producer has earned support from the likes of Solomun, Pete Tong, and Adriatique, and with recent releases on Diynamic, Odd One Out, ATLANT, and Purified. His music continues to grow in both energy and emotion, especially with his new track ‘Rakata’.
It is a powerhouse that blends classic techno beats with a fresh Latin-inspired vibe. The track hits hard and doesn’t let up, proving once again that TH;EN is on a path to success.
Rakata Breakdown: A Journey of Sound and Power
‘Rakata’ opens with a thumping techno beat and Spanish lyrics, setting the stage for what’s to come. As the synths build, anticipation rises, leading to a massive drop that fills the room with energy. The vocals add an emotional touch while a new synth sound keeps the momentum going. Just when you think you’ve heard it all, the track strips back to basics before building back up, adding intensity with every layer. The grand finale explodes with power, leaving listeners immersed in its energy—proof that ‘Rakata’ is another advancement in TH;EN’s production.
Photo Credits: TH;EN via Facebook TH;EN’s Ongoing Evolution
What makes ‘Rakata’ so special is that it’s a perfect example of TH;EN’s growth as an artist. The track fuses genres and sounds in a way that’s uniquely his, and it’s clear he’s only just scratching the surface of what he’s capable of. Every new release shows a deeper connection to the music and the fans, and this one is no different.

From his first releases to his current success, TH;EN is proving that the sky’s the limit. With each track, he continues to evolve, and ‘Rakata’ is a testament to his dedication to the craft. This is just the beginning – we can’t wait to see where he goes next. Listen to ‘Rakata’ along side ‘All Yours’ below.
The post TH;EN Drops New Track ‘Rakata’ appeared first on EDMTunes.
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Seven Lions Goes Heavy with Kompany to Drop ‘Foul Tarnished’

Seven Lions and Kompany have joined forces for their highly anticipated debut collab, ‘Foul Tarnished.’ All in all, This track blends bass house and half-time dubstep, delivering massive drops and a heavy wave of energy and sound design. Out now on Ophelia Records, it’s bound to make millions jump and head bang into tomorrow.
A Powerful Collaboration
Seven Lions, known for his melodic dubstep sound, has shaped the scene with releases on top labels and his own Ophelia Records. Since founding the label in 2018, it’s become a leader in melodic bass.
Kompany via Ophelia Records Ophelia Records Seven Lions via Ophelia Records Kompany, known for his heavy dubstep style, has made his mark with collaborations alongside Excision, SLANDER, and others. His Seven Lions collab brings together both artists’ strengths, delivering a high-energy experience.
‘Foul Tarnished’ Track Breakdown
To sum up, ‘Foul Tarnished’ opens with a driving bassline, shifting between bass house beats and half-time dubstep drops. The track fuses Seven Lions’ melody style with Kompany’s intensity, keeping the energy high and emotional throughout. Meanwhile, a dark voice helps the listener traverse through the heavy drops and sound design. The track is ultimately designed to make its way into headliner bass sets festival to festival. It will be no surprise to go hear this rollercoaster track throughout the end of 2024 and the entirety of 2025.
Ophelia Records Leads the Way
Started by Seven Lions himself, Ophelia Records has become a dominant force in electronic music, pushing boundaries with genre-defying releases. With ‘Foul Tarnished,’ the label continues to innovate, solidifying its place at the forefront of dance music and especially bass. You can listen to the latest release below.
The post Seven Lions Goes Heavy with Kompany to Drop ‘Foul Tarnished’ appeared first on EDMTunes.
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Nostalgix Opens Up In Raw and Vulnerable Single, "Show Me Love"

Opening up like never before, Nostalgix has returned to Steve Aoki's Dim Mak Records with "Show Me Love."
The emotional dance record offers a heartfelt exploration of despair and resilience. In a world where social media all-too-often showcases polished perfection, Nostalgix delivers an unfiltered ode to her struggles with heartbreak, isolation and loneliness during a challenging year.
"Last year I was going through hell," she said in a press release. "I faced my biggest heartbreak and endured so much loss. I felt torn and completely alone."
Nostalgix.Brooke Ashley Barone
Initially, attempts to create "fun" and "hype" tracks left her feeling disconnected. Frustrated, she scrapped her earlier work, turned on her microphone and poured her emotions into music. The result was "Show Me Love," which explores the feelings of being lost and unsure of how to move forward, yet holding onto hope for brighter days.
"It felt like the song was just waiting to come out of me," Nostalgix added.
The release is accompanied by a striking music video that mirrors the song’s raw energy. As day transitions to night, vivid strobes and red lights appear, echoing the song's emotional depth.
Watch the "Show Me Love" video below and stream the new single on streaming platforms here.
Follow Nostalgix:
X: x.com/nostalgixmusic
Instagram: instagram.com/nostalgixmusic
Facebook: facebook.com/nostalgixmusic
Spotify: spoti.fi/3l98zsw
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Mojave Grey Release Atmospheric Debut Album, "Monument"

If you were looking for a desert escape from the winter season, look no further than the warmth of Mojave Grey's debut album, Monument.
Comprising Zander Bleck and Michael Pozzi, the rising music duo brand their sound "desert dance music," blending their deep-rooted rock & roll influences with pulsating electronic beats to deliver an 11-track masterstroke. The album kicks off with an introduction of sorts, the self-titled track "Mojave Grey," where Bleck welcomes us with buttery, effortless vocals while Pozzi showcases his instrumental dexterity.
Building upon that ethereal ambience are tracks like "House Of The Sun" and "Heartbeat," which wordlessly describe the meaning of desert dance music: spiritual and traditional, served on a silver platter of contemporary beats.
At times light and atmospheric, Monument often takes skillful, premeditated turns for the dark and brooding. Tracks like "Faith" and "Lone Star" plunge us into dark digital soundscapes as we cling to the light of Bleck's hopeful lyricism.
The ebb and flow between the album's light and dark ambience is drawn from the "rugged landscapes of Joshua Tree," according to a release shared with EDM.com.
“Monument is our desert dance debut to the world," stated the duo. "This album is our conscious offering and statement that we are here to stay. The album is meant to be enjoyed as a listening journey all the way through alone or with friends. On a long drive along the highway or at a party. Lose yourself and transport to a place wherever your own personal monument may be.” 
Listen to Monument below and find the new album on streaming platforms here.
FOLLOW MOJAVE GREY:
Instagram: instagram.com/mojavegrey
TikTok: tiktok.com/@mojavegrey
X: x.com/mojavegrey
Facebook: facebook.com/mojavegrey
Spotify: tinyurl.com/bmm3m75d
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Deathpact Drops Sinister Single, "GATEKEEPER" Ahead of 2025 Tour

Though Deathpact's members remain anonymous, their mastery of dark, blistering bass serves as the face of their collective. It's fully visible in the new single "GATEKEEPER," which prepares us for a tour that comes with the promise of the same intensity and precision.
"GATEKEEPER" delivers dramatic, thought-provoking dialogue on the wings of sinister church bells, crashing thunder and organ melodies, and of course, skillfully manipulated bass. As the dialogue begins, it spotlights the upcoming tour: "And when you stare into the dark, I hope you see the light."
In the midst of its delightfully erratic drop, "GATEKEEPER"  seems to pay homage to past hits, namely with a short Strohbass moment reminiscent of Deathpact's popular collaboration with Rezz, "Chemical Bond." The single follows Deathpact's debut album FROM DARKNESS, released back in May, while also cryptically foreshadowing FROM LIGHT, which is set to arrive in 2025, per a press release shared with EDM.com.
Listen to the chilling single below and find it on streaming platforms here.
Follow Deathpact:
X: x.com/deathpact
TikTok: tiktok.com/@deathpact
Instagram: instagram.com/deathpact
Facebook: facebook.com/deathpact
Spotify: spoti.fi/30C9Q1Z
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FREAK ON Heats Up the Dancefloor With New EP, "Freeze Sucka"

With his latest EP, Freeze Sucka, FREAK ON crafts urban legends you can dance to. 
The producer has dropped a pair of hip-hop-charged house tracks that pulse with the thrill of a city alive after dark. The titular track commands sustained attention with an intoxicating bassline and rolling rhythms that pulse like the heartbeat of a city that never sleeps. Vintage hip-hop influences are stitched seamlessly into the fabric of its house grooves, creating a sound that radiates raw energy. It's the kind of track that dares you to stay still, but resistance is futile.  
"Get Quick" then ups the ante by dialing up the funk with plucky basslines and lush, twangy strings, calling to mind the swirling lights of a disco ball. Filtered strings bend and twist over a bouncing house rhythm, creating a dynamic, nostalgic atmosphere that feels both familiar and fresh. It’s a nod to the past with one foot planted firmly in the future, a testament to FREAK ON's ability to bridge stylistic worlds with finesse.  
Listen to Freeze Sucka below and find the new EP on streaming services here.
Follow FREAK ON:
Facebook: facebook.com/geturfreakonofficial
Instagram: instagram.com/freakonmusic
X: x.com/FREAKONmusic
Spotify: bit.ly/3TjjHVg
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Bass Canyon Reveals 2025 Dates, Offers Earliest On-Sale Tickets In Festival's History

It seems Excision is just as eager as we are for the return of Bass Canyon after the festival's team announced it's selling tickets earlier than ever.
Annually held at Washington's idyllic Gorge Amphitheater, Bass Canyon reigns as the Pacific Northwest's largest bass music festival. It's one of three curated by Excision Presents alongside Lost Lands and Paradise Blue, the latter of which will not take place in 2025.
To supplement Bass Canyon's growth, the festival is expanding its offerings to complimentary showers provided for all campers along with "elevated VIP areas and amenities," per a press release shared with EDM.com. Shuttle routes to the festival are also expanding into Portland, joining the two existing shuttles to and from Seattle.
The fest is also making payment plans more accessible for its 2025 iteration, with a 10-part payment plan that only requires a $50 deposit for orders under $2,000.
At the time of writing, Bass Canyon's 2025 lineup has not yet been announced. Tickets and information can be found here.
FOLLOW BASS CANYON:
Instagram: instagram.com/basscanyon
X: x.com/basscanyon
Facebook: facebook.com/basscanyon
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Bass Canyon Announces 2025 Dates for 7th Edition

Excision’s legendary Bass Canyon festival has officially announced its return to The Gorge Amphitheatre for its milestone 7th edition, taking place August 15-17, 2025. This year, in an unprecedented move, Excision is giving fans the gift of time. The early announcement allows fans to meticulously plan and budget for their annual descent upon one of North America’s most stunning festival destinations.
Early Bird Access and Enhancements Galore
Bass Canyon 2025 went on sale onn Thursday, November 14th at 12 PM PT, marking it the earliest on-sale date in festival history. But the good news doesn’t stop there. Bass Canyon is dedicated to making the experience even more epic for its devoted community.  
Here’s what you can expect:
Financing Made Easy: The most accessible payment structure yet! A brand new 10-part payment plan allows for stress-free budgeting. Orders under $2,000 only require a $50 deposit.  
Smoother Travel: Transportation options are expanding! A new Portland shuttle route joins the existing Seattle pickups, making the journey to The Gorge a breeze.  
Elevated Amenities: Upgrades span both General Admission and VIP experiences. Enjoy complimentary showers for all campers, and for VIPs, prepare to be pampered with enhanced areas and amenities.  
Returning to its breathtaking home at The Gorge Amphitheatre, Bass Canyon continues its reign as the Pacific Northwest’s undisputed bass music champion. Imagine thunderous soundscapes and immersive productions echoing through the natural amphitheater, with the majestic Columbia River Gorge as your backdrop. Pure bass magic awaits.
Ticket options and camping packages are already available for purchase. Lineup announcements and further details will be unveiled in the coming months. To secure your spot at this legendary event and stay updated, visit the official website.
The post Bass Canyon Announces 2025 Dates for 7th Edition appeared first on EDMTunes.
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Soho House Members Club to Open in Ibiza in 2025

Members club, Soho House, has announced plans to open Soho Farmhouse Ibiza in spring 2025. This will be the group’s first Farmhouse-style venue in Spain, situated on a working olive grove. 
Soho House is a private members’ club that primarily caters to individuals in creative industries. Founded in 1995 by restaurateur Nick Jones, the first location opened above Café Boheme in London’s Soho district. The club was envisioned as a welcoming space for creative thinkers, contrasting sharply with the formal atmosphere of traditional private clubs. Today, Soho House has expanded globally. The new property will become Soho House’s third Spanish location, joining its Barcelona venues. The opening comes as part of the brand’s ongoing global expansion, which includes projects in cities like Tokyo and Milan.  
Features and Amenities  
Soho Farmhouse Ibiza will cater to members seeking a mix of rural charm and modern amenities. Planned features include:  
Accommodations: Private bedrooms designed for members.   Outdoor Spaces: A pool, yoga deck, and wellness facilities including a gym and treatment rooms.   Dining: An organic kitchen garden restaurant and bar emphasizing local ingredients.   The design aims to replicate the countryside atmosphere of the original Soho Farmhouse in Oxfordshire, UK, while adapting it to the Mediterranean environment. The venue’s location on an olive grove ties into Ibiza’s finca tradition. Fincas, historic rural estates often surrounded by farmland, are a hallmark of the island’s agro-tourism scene. Many of these estates now host visitors, offering farm-to-table dining and eco-friendly experiences. Soho Farmhouse Ibiza appears to follow this model, blending luxury accommodations with an emphasis on sustainability.  
This development signals Soho House’s continued growth in Spain, where it operates two other locations. It also reflects a wider trend in Ibiza tourism, which has seen increased interest in wellness-focused retreats and agro-tourism. Ibiza’s reputation as a destination for both nightlife and tranquility makes it a strategic choice. 
With construction underway, Soho Farmhouse Ibiza is expected to attract members from across the globe when it opens next year. The opening may appeal to those looking for a quieter side of the island while still enjoying its vibrant culture.  
Photos courtesy of Ibiza Travel and Soho House
The post Soho House Members Club to Open in Ibiza in 2025 appeared first on EDMTunes.
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CHANEY and Candi Staton on Toolroom with ‘Lose My Number’

Toolroom Records presents another club banger courtesy of CHANEY, one of their most beloved musicians. Returning with a track destined to set dance floors ablaze, the UK-based producer features the venerable Candi Staton. This partnership is absolute magic, given CHANEY’s ability to create joyful, high-energy songs and Candi’s legendary vocals.
Over the past year, CHANEY has been on an unrelenting journey, acquiring stripes among the most interesting names in electronic music. His summer song “Sunshine” became a mainstay on UK radio and playlists; his releases on Insomniac and D4Dance helped to confirm his position on the world scene. From lighting the Ministry of Sound for Toolroom concerts to rocking New York’s subterranean, he has been everywhere.
Not only are his live presentations captivating to his audience but tracks like “Love Again” and “Blank Space” have jaw-dropping 15 million and 10 million streams, respectively, showing that CHANEY is not just a DJ’s preferred producer but also one who understands audience connection.
With his most recent Toolroom album, CHANEY now elevates the standard once more. Designed for the raw, electric intensity of venues like Ibiza’s DC-10, this tune has everything we love about his sound: tall buildup, earth-shaking drops, and a bassline that goes under your skin. And then there is Candi Staton. Her remarkable voice captivates the audience to “LOSE MY NUMBERRR!”, thereby fusing old-school soul with contemporary dancing sensations in a way that feels timeless and fresh all at once.
This release is a statement not merely a banger. CHANEY is among the most brilliant talents in the United Kingdom, and working with a legend like Candi Staton is just another way to confirm his legacy. Time and time again he has shown this.
Whether you’re blasting it through your headphones or sweating it out in a packed club, this track is a must-have for everyone who likes dance music that hits you squarely in the heart—and the feet.
Love it; stream it, spin it. Here to brighten your night are CHANEY and Candi Staton.

The post CHANEY and Candi Staton on Toolroom with ‘Lose My Number’ appeared first on The Groove Cartel.
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BLOND:ISH Announces New Album Never Walk Alone

The Uplifting New Project Serves As A Friend In Times of Loneliness
New Single “Can’t Let You Go” with Bantu Out Now via Insomniac Records
Buy/Stream: BLOND:ISH, Bantu – Can’t Let You Go
Stream Here
BLOND:ISH unveils plans for her compassionate new body of work, Never Walk Alone, her second studio album forthcoming via Insomniac Records on February 14, 2025. Alongside the announcement comes the new single “Can’t Let You Go,” featuring Zimbabwe singer and producer Bantu.
In a world full of isolation and an ever-growing need to focus on mental health, Never Walk Alone (and its title track released this summer) is meant to serve as a friend in times of anxiety and loneliness. The previous single, “Different Way,” reminded us that even though we all endlessly compare ourselves to others, everyone’s journey is unique. With “Can’t Let You Go,” BLOND:ISH explores the bittersweet tug-of-war between hello and goodbye with a loved one.
“Meeting Bantu was a super sweet random encounter. We went deep pretty quickly. I spoke to him about the intentions infused into this album. I wanted it to open up people into discovering they are their own best friend — and he immediately wanted to add his distinct flavor.”
— BLOND:ISH BLOND:ISH has woven a thread of positive messaging through her most recent singles, along with masterfully blending a tonic of genres that aim to beam her compassionate transmissionsfar and wide. While the late summer mood-lifter “Never Walk Alone” called on pop, indie, and soul, “Different Way” combinessurf rock, synth pop, and house music. On “Can’t Let You Go,” BLOND:ISH, alongside Bantu, polishes her natural love for Afro-house, a genre that has been a staple in her DJ sets. The goal is that these songs push the planet closer to “Happy Happy World” (an inclusive place of sustainable unity, respect, and nourishment).
NEVER WALK ALONE VINYL
BLOND:ISH is inviting fans to become a part of her new album’s story by submitting a photo with a bestie or loved one. These personal snaps will be woven into a unique mosaic that’s featured exclusively on the limited edition vinyl package. Fans will have the chance to submit their photos on her Instagram Broadcast channel for full info.
ABOUT BLOND:ISH
BLOND:ISH’s unwavering commitment to contributing positivity to the music industry has come to define her as an artist. Whether it’s organizing group hugs before her sets or taking initiative against single-use plastics, BLOND:ISH wants to leave the world a better place than she found it. As a record label head, environmental activist, Web3 entrepreneur, and new mom, BLOND:ISH breaks down traditional barriers between artist and fan, uniting her community through pillars of purpose. Igniting a movement coined “Sustainable Raving,” BLOND:ISH founded Bye Bye Plastic, an initiative that aims to eliminate single-use plastics from clubs and festivals by encouraging artists to use eco-riders that demand alternatives and by providing resources to promoters who want to change. Around her recent label party, Abracadabra, in Los Angeles, she organized a beach cleanup covered by Billboard Dance. Check out the recap here.

ABOUT INSOMNIAC RECORDS
Founded by dance music luminaries and world-renowned events promoter Insomniac, Insomniac Records operates under the umbrella of Insomniac Music Group. Originally launched in 2016, the powerhouse imprint has blossomed into a one-stop destination in which fans from all walks of life can discover and enjoy choice selections from a roster that includes some of the best DJs/producers from the global stage. On top of the 500+ releases since its inception, Insomniac Records has also curated its premier EDC compilation series, featuring numerous EDC Las Vegas and EDC Mexico master soundtracks. Signing a roster of notable talent, including Mau P, BLOND:ISH, Noizu, Matroda, Biscits, Francis Mercier, LP Giobbi, Vintage Culture, John Summit, HoneyLuv, J.Worra, and beyond, Insomniac Records continues to foster unique talent it firmly believes in. The unparalleled track record of success has pushed Insomniac Records to the forefront of established dance music platforms.
 
BLOND:ISH Upcoming Tour Dates
November 30 – Hipódromo de las Américas – Mexico City, Mexico
December 6 – Factory Town – Miami, Florida
December 14 – Abracadabra Dubai – Dubai, UAE
December 28  – Pachanga – Cali, Colombia
December 29 – Nao Beach Club – St. Barts
December 31 – Reveillon Carneiros 2025 – Prai dos Cameiros, Brazil
January 7 – Abracadabra Cartagena – Cartagena, Colombia
January 12 – Adriatique presents X – Tulum, Mexico
March 21 – Lollapalooza Argentina – Buenos Aires, Argentina
March 22 – Lollapalooza Chile – Santiago, Chile
March 28 – Estereo Picnic – Bogota, Colombia
March 30 – Lollapalooza Brasil – Sao Paulo, Brazil Connect with BLOND:ISH
Website | Instagram | Facebook | Twitter | TikTok | Spotify | Apple Music | YouTube Connect with Insomniac Records
Website | Instagram | Facebook | Twitter | TikTok | Spotify | SoundCloud The post BLOND:ISH Announces New Album Never Walk Alone appeared first on Electric Mode.
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Year round drug testing onsite at events across the UK introduced

The Loop has started a new year-round programme to deliver its pioneering onsite drug testing at Drumsheds and The Warehouse Project, with testing in the autumn 2024 clubbing season to monitor trends in the drug market for safety.
For the first time The Loop has received HO licences to test at venues, building on its work at festivals over this summer. Much of The Loop’s service delivery, since 2013, has been working within and alongside the festival industry, and developing the service model and approach for drug testing services in different environments. The Loop’s drug testing services (‘back of house – BOH’) are non-public facing and operate by testing substances confiscated or through amnesty onsite, and working alongside key stakeholders. The Loop received the first ever Home Office licences issued for drug testing for UK festivals in spring 2024, and for UK venues in autumn 2024.

The Loop is now conducting onsite drug testing at two of the largest club venues in the UK, Drumsheds in London and The Warehouse Project, Depot Mayfield in Manchester, to inform our understanding of the UK’s changing drug market and the implications of that for both customers and emergency services operating in those venues. The Loop will have the UK’s first HO licensed mobile laboratories to be located onsite within both venues during operating hours, to rapidly and accurately test substances of concern and disseminate test results with the primary aim of reducing drug-related harm.
Changes in the drug market have made the rapid-real time testing offered by the Loop more important than ever with drug-related deaths at the highest on record and set to increase further. The UK also faces increasing challenges with the emergence and proliferation of synthetic cathinones, cannabinoids and opioids.
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Katy Porter, CEO of The Loop said:
“With our drug testing being completed at festivals, a seasonal industry, we have been concerned that this does not go far enough in maintaining regular drug intelligence across the UK, and importantly throughout the year. The introduction of our year-round onsite testing into a venue in both London and Manchester will provide intelligence for real time risk management and harm reduction information that can be quickly shared with the public, other venues and wider stakeholders to reduce the potential of significant harms.”

Professor Fiona Measham, Chair in Criminology at the University of Liverpool and founder and Chair of The Loop said:
“The Loop’s drug testing programme is going from strength to strength. We started out conducting the very first back of house testing onsite at the WHP in October 2013 and 11 years later The Loop is introducing year-round onsite venue testing, including with our long term partners at the WHP and now also at Drumsheds, with full HO licences. The size of these venues and the regularity of testing all year round means that The Loop’s understanding of drug markets will only increase.”

“Implementing onsite drug testing at both Drumsheds, London, and The Warehouse Project,Manchester, will commence a nationwide network of drug testing, funded directly by the venues. Swiftly communicating to venue customers, wider nightlife communities, and partners, including public health, early warning systems, law enforcement, and importantly, the generation of real-time alerts when there are significant concerns.

Sam Spencer, Head of Operations, representing Drumsheds and 9.8, says:
“As part of our ongoing commitment to public safety and harm reduction, we are proud to collaborate with The Loop in bringing their innovative drug testing service to Drumsheds. We believe in taking proactive steps to ensure the safety and wellbeing of all audiences and the introduction of testing is a significant move in that direction. The information gathered helps us continue to respond in real-time to potential risks, and following the ONS report of increased drug-related harms, this initiative represents a crucial shift in how the industry responds. It’s about more than just mitigating risks – it’s about equipping people with the knowledge and support they need to stay safe across London, Manchester, and nationwide, while fostering a responsible, informed culture within the live events space”.

The Loop’s mobile lab, operating under a Home Office licence, will contribute to the national surveillance of illicit drug markets, which allows more targeted interventions when responding to drug use, disseminated through social media to reach a wide audience, and in working with local and central government departments, OHID and the Home Office, in consideration of concerns and response.

Michael Kill, CEO of the Night Time Industries Association:
“The NTIA wholeheartedly supports The Loop’s pioneering initiative to expand onsite drug testing. This programme represents a ground-breaking step forward in our shared commitment to enhancing public safety within the nightlife sector. The rapid changes within the UK’s drug market, including the rise of synthetic substances, have underscored the urgent need for informed, real-time responses. The NTIA is proud to champion this forward-thinking approach, which equips our nightlife venues with tools that protect audiences and encourage a safer, more responsible nightlife culture. The partnership between The Loop, venues, and local authorities marks a crucial evolution in public safety and harm reduction within the UK’s nightlife sector, and we look forward to supporting its positive impact on communities nationwide.”

The planning for testing will remain dynamic, and in consideration of additional information and intelligence from all involved partners (police, public health), increased risk and further changes in the drugs market, and to ultimately inform plans for related harm reduction activity and approaches.
The post Year round drug testing onsite at events across the UK introduced appeared first on Decoded Magazine.
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Andrew Weatherall and Sean Johnston’s enduring musical journey celebrated with a forthcoming compilation

Since its inception in 2010, A Love from Outer Space (ALFOS) has been a steady presence in the underground music scene, fostering a close-knit community with its regular, transformative dancefloor experiences.
Founded by the late Andrew Weatherall and Sean Johnston, both highly regarded DJs and producers, ALFOS was born out of a shared love for slower-paced music and quickly became a lasting and adventurous clubbing experience. Initially conceived as a response to the fast-paced mainstream scene, ALFOS took a different approach, maintaining a tempo of no more than 122 bpm.
The club night started in the intimate surroundings of The Waiting Room in North London, where its distinctive musical ethos found an immediate following. Over time, it evolved into a British clubbing institution, expanding to larger venues and eventually reaching an international audience.
ALFOS became known for its eclectic and hypnotic sound, blending everything from kosmische and house to dub and post-punk. The night developed a loyal following, with residencies at London’s Phonox and Glasgow’s Berkeley Suite, and it has taken its sound to various settings, from the Croatian coastline to the Golden Lion Pub in Todmorden.
Following Andrew Weatherall’s passing in 2020, Sean Johnston has carried on the ALFOS legacy. During the pandemic, he launched the A Love from Outer Space Emergency Broadcast System, a series of livestreamed DJ sets that kept the community connected during a challenging time. These broadcasts were crucial in maintaining the ALFOS spirit when live events were paused, attracting a global audience and reinforcing the collective bond of the community.
This upcoming compilation reflects the music that has shaped ALFOS over the past 15 years while also hinting at its future. Compiled and mixed by Johnston, the 19-track album pays tribute to the club night’s rich history and its commitment to pushing musical boundaries forward.
Johnston explains, “The thing about ALFOS is that while we’ve always had one eye on the past, much of the music we play is forward-looking. This compilation seeks to captures that balance.”
The album features a variety of exclusive tracks, including the sought-after Neville Watson remix of The Blow Monkeys and Brioski’s “Call 626,” alongside a wide range of sounds that both honour the past and embrace the future.
As ALFOS prepares to celebrate its 15th anniversary, its influence remains strong, offering a space for music lovers to come together, slow down, and explore new sounds. 
Tracklist:
1. The Blow Monkeys – Save Me (Neville Watson Remix)  
2. Jonny Sender – Zhivago Zhivago  
3. Cisco Cisco – If You Want Me (Jay Shepheard Remix)  
4. Laars – None  
5. Duncan Gray – Gone & Forgotten (feat Dominic Silvani)  
6. Secret Circuit – JungleBones (Tiago Mix)  
7. Bongo Entp. – Drømmen (SIRS Remix)  
8. Feon – Round Earther  
9. Darlyn Vlys – Wuzu (Tyu Tribe Remix)  
10. Niv Ast – Jungle Marvin  
11. Kimo – Whirl  
12. Bal5000 – Bleu Infini  
13. Discoscuro – Discoscuro  
14. Popular Tyre – Feel Like a Lazer Beam  
15. Class B Band – Repli-can  
16. Phil Kieran – Find Love (Andrew Weatherall Remix)  
17. Jazxing, Das Komplex – Neu Nostalgia (Das Komplex Remix)  
18. Das Komplex – 89  
19. Brioski – Calling 626  
VA – “A Love from Outer Space” will be released 14th February 2025.
The post Andrew Weatherall and Sean Johnston’s enduring musical journey celebrated with a forthcoming compilation appeared first on Decoded Magazine.
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New Documentary on New York House Label: King Street Sounds

To celebrate the relaunch of one of house music’s most significant labels, King Street Sounds, Armada Music and Beatport Films present House Music Royalty: The Story of King Street Sounds.
The film explores the label’s rich history and lasting influence, from humble beginnings in a New York living room all the way to global recognition. Founded by Hisa Ishioka in 1993, King Street Sounds emerged as a transformative force in the global house music scene, rooted in the vibrant underground cultures of NYC and Hisa’s home country of Japan. This documentary, filmed across New York, London, Manchester and Ibiza and soundtracked by some of the label’s most iconic and influential records from artists such as Kerri Chandler, Dennis Ferrer and Mood II Swing, chronicles the label’s evolution from its foundations in NYC’s underground house music scene, its successes during the pivotal 1990s-2000s through to its future under the guidance of Armada Music.
Featuring rare footage from the final party at the Paradise Garage – the legendary nightclub that gave rise to the soulful house music movement— artist studio sessions, and interviews with leading figures including Barbara Tucker, David Morales, Ultra Naté, Blaze, DJ Spinna, Danny Krivit, Joe Claussell along with contemporary perspectives from Kasango and House Gospel Choir’s Natalie Maddix.
Check out the full soundtrack here: https://www.beatport.com/chart/house-… Brand-new King Street vinyl pressing – featuring Blaze, Mood II Swing and Ananda Project https://kingstreetsounds.lnk.to/Doc
The post New Documentary on New York House Label: King Street Sounds appeared first on Decoded Magazine.
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Jamiroquai Announces 2025 UK & European Arena Tour

After six years away from touring, the legendary Jamiroquai have announced a 14-date arena tour for November and December 2025. The tour will bring their unmistakable grooves to some of the largest venues across the UK and Europe.

Jamiroquai need no introduction, having dominated the global music scene for over 30 years with 15 Brit Award nominations, two Guinness World Records, a Grammy and more than 1.7 billion Spotify streams.

Led by the pioneer of future funk, Jay Kay, Jamiroquai is ready to continue their legacy—bringing back fan favourites and debuting fresh new sounds. This tour promises to be the next evolution of one of music’s greats.

“One Man’s mission, for 30 years and counting, to put groove music into YOUR LIFE. 
Will you join us in the fight to Let The Disco Stay The Same – to conquer all your inner fears and boogie like NEVER before? DO YOU HAVE WHAT IT TAKES to heal the world through MUSIC?
It’s time to dust off those dancing shoes and get down with Jamiroquai as they start the disco balls spinning and the dancefloors overheating one more time.

General tickets go on sale Friday 22nd November at 9am local, for full dates/more information please visit: www.jamiroquai.com

2025 UK & EUROPEAN DATES
Wed    06        November                  Barcelona Palau Sant Jordi
Sat      08        November                  Lyon LDLC Arena
Tue     11        November                   Zurich Hallenstadion
Thu     13        November                  Milan Unipol Forum
Sat      15        November                  Vienna Wiener Stadthalle
Wed    19        November                  Berlin Uber Arena
Sat      22        November                  Cologne Lanxess Arena
Tue     25        November                  Amsterdam Ziggo Dome
Thu     27        November                  Paris Accor Arena
Sat      29        November                  Brussels ING Arena
Wed    03        December                  Glasgow OVO Hydro
Sat      06        December                  Manchester Co-op Live                  
Tue     09        December                  London The O2
Fri       12        December                  Birmingham Utilita Arena
The post Jamiroquai Announces 2025 UK & European Arena Tour appeared first on Decoded Magazine.
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Wynn Nightlife Hosts First Ever Dance Country Event, Desert Saddle

Wynn Nightlife, the premier nightlife division of Wynn Las Vegas, announces its first ever country dance event, Desert Saddle. It’s set against the stunning backdrop of the XS Nightclub, on the weekend of December 6th and 7th aligning with the National Finals Rodeo. This exciting inaugural event boasts an all star lineup of artists. It will include multi-platinum sensation Kane Brown, DJ Diplo (performing as Thomas Wesley), GRAMMY-nominated Marshmello, chart-topping country star Dustin Lynch, progressive EDM duo VAVO, and DJ Brandi Cyrus.
Coinciding with Las Vegas’ renowned 10-day rodeo, Desert Saddle will be Wynn Nightlife’s very first two-day country concept. It will brilliantly merge the infectious energy of country music with the pulsating beats of electronic dance music. Creating a truly immersive nightlife experience. Teaming up with Paris Texas, a celebrated entertainment brand and country venue from Toronto. Desert Saddle aims to redefine the country music experience within the vibrant Las Vegas nightlife. Attendees can expect a captivating blend of live performances, high-energy DJ sets, and thematic elements that showcase the rich influence of country music. Ryan Jones, Vice President of Wynn Nightlife, said in a press release:
Desert Saddle – Headliners
Discover the electrifying energy of Diplo. The globally acclaimed producer and DJ has transformed the music scene with his eclectic style and cutting-edge collaborations. Fusing EDM, open format, and country influences, he is a resident artist at Wynn Nightlife. Here his performances consistently set the dance floor ablaze. Experience the groundbreaking sound of Kane Brown, the award-winning country artist captivating audiences across both country and pop music. With hits like ‘What Ifs,’ and ‘Heaven,’ he is pushing the boundaries of the genre and establishing himself as one of country music’s most innovative pioneers. The next headliner is Marshmello, the GRAMMY Award-nominated DJ and producer known for his signature helmet and exhilarating sound. With an innovative mix of EDM, pop, and future bass, this Wynn Nightlife resident consistently draws soldout crowds at XS Nightclub and major festivals globally. Other headliners include Dustin Lynch and Brandi Cyrus, sister of Miley Cyrus.
Purchase your tickets here. Stay tuned to EDMTunes for all your latest dance music updates.
The post Wynn Nightlife Hosts First Ever Dance Country Event, Desert Saddle appeared first on EDMTunes.
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Artstorm Unveils Epic Melodic Techno Single ‘Release Yourself’ Via Lohit Deep

Renowned for its consistent streak of high quality releases, Lohit Deep has been setting the scene ablaze in recent months. As the end of the year comes closer, the label shows no signs of slowing down, adding yet another stellar track to its catalog. This time, they introduce Artstorm, an exciting new talent, with his debut single, ‘Release Yourself’.
Marking his first-ever release, ‘Release Yourself’ isn’t just a debut release for Artstorm but also a testament to Lohit Deep’s commitment to fostering fresh talent. The label’s willingness to invest in up-and-coming artists alongside established names highlights its role as a tastemaker in the genre. Taking a chance on a debut release is a bold move, and Lohit Deep once again proves its knack for discovering promising creators.
‘Release Yourself’ is a captivating dive into the melodic techno sound. Packed with hypnotic rhythms, driving basslines, and electrifying synths, the track balances raw energy with an infectious groove that’s impossible to ignore. Its polished production and dynamic structure make it a track you’ll find yourself replaying long after the first listen.
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Chaos at the Pyramids: Circoloco Cairo Descends into Turmoil

The Circoloco concert in Cairo on November 15, 2024, instead descended into anarchy leaving thousands of ticket holders stranded and many reporting unsafe conditions, in what was supposed to be a magnificent night of electronic music against the backdrop of the historic Giza Pyramids. Widespread criticism and demands for responsibility resulted from the ambitious endeavor of the esteemed electronic music brand to combine modern dance culture with one of mankind’s most famous historical locations.
“pure chaos started“
Early in the evening, the issues started as thousands of non-ticket holders tried to flood the stadium gates. By 9:00 PM, an orderly queue rapidly descended into a scene of disarray and panic. Many guests claimed that a serious security breach resulted from local citizens without tickets trying to pass through the main gates.
Attending from Dubai, a visitor who spent about $1,000 on the trip with his girlfriend noted the quick degradation of order:
What many claimed to be a poor security reaction aggravated the situation. Police and security personnel allegedly helped to cause anarchy instead of upholding discipline. Many legal ticket holders became targets of these forceful actions as witnesses reported security officials releasing police dogs into the throngs. Batons were witnessed being used by security personnel against both illegal visitors and authorized ticket holders equally. While several attendees related unsettling events of security staff trying to loot guests of their things, others claimed the use of tear gas to control the crowd.

“it was a war zone, barely got out of there alive“
Many valid ticket holders discovered they were caught in a terrible twilight outside the arena. The anarchy at the door caused a congestion that left some never able to enter even with legitimate tickets waiting for hours. One especially remarkable story came from a party of Dutch visitors who claimed to have been left at the door with about a hundred others and had no reason for being denied access.
The experience of a Turkish guest who said, “We went to the party area at 8 o’clock and arrived inside exactly 22:30,” helped to show the degree of the delays. Many others claimed similar or even longer delays, therefore this four-and- a-half-hour wait became a regular occurrence. Many finally failed to enter at all.

“At the girls’ toilet, only 1 toilet was open and the attendant at the toilet door took 200 EGP to enter”
For those who made it into the site, the issues didn’t stop at the gate. The venue’s payment system proved to be erratic, with top-up stations suffering protracted wait times before totally collapsing and staff members having to move to cash-only operations quickly. The beverage service was also poor; alcohol supplies ran totally empty by midnight, leaving many attendees disappointed and parched.
The facility has equally serious problems. Many parts of the venue suffered from poor lighting, which created hazardous mobility conditions. Reports of unofficial bathroom attendants asking for fees ranging from 150 to 200 EGPs for admittance led to especially severe circumstances in the bathroom. In other places, only one toilet stayed operational despite several facilities being constructed, resulting in unclean conditions and unworkable lines. With music totally stopping for thirty to forty minutes during the event and crowding making it almost impossible for guests to walk freely or appreciate what music was playing, the sound system also suffered major disturbances.

Circoloco explained the situation
Circoloco addressed the situation through an Instagram story with the following statement
CIRCOLOCO addressing the situation at Giza party An Instagram account collecting all the complaints has been created.
The post Chaos at the Pyramids: Circoloco Cairo Descends into Turmoil appeared first on The Groove Cartel.
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