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Trump announces a 100% tariff on movies produced outside the US, saying the American movie industry is ‘dying’ due to incentives in other countries.
President Trump announced a 100% tariff on movies produced outside the US. He claims the American film industry is “dying” a “very fast death” due to incentives offered by other countries to entice filmmakers.
“This is a concerted effort by other Nations and, therefore, a National Security threat. It is, in addition to everything else, messaging and propaganda,” Trump wrote on his Truth Social. “WE WANT MOVIES MADE IN AMERICA, AGAIN!”
The president added that he was authorizing relevant government agencies like the Department of Commerce to impose a 100% tariff on all films produced outside the United States that are then imported. Commerce Secretary Howard Lutnick wrote on X/Twitter: “We’re on it.”
It’s not yet known whether the tariffs would apply to films released on streaming services in addition to those shown in theaters. It’s also unclear whether tariffs would be calculated based on box office revenue or production costs. Notably, in January, Trump appointed Hollywood veterans Jon Voight, Sylvester Stallone, and Mel Gibson as “special ambassadors” to help restore Hollywood’s “Golden Age” of filmmaking.
Both film and television production have been exiting Hollywood for years, preferring locations with tax incentives that make it cheaper to film there. Many popular filming locations worldwide have increased credits and cash rebates to attract production and earn a greater share of the $248 billion predicted to be spent globally this year to produce film and television.
“These tariffs, coming after COVID and the recent slowdown, could deal a knock-out blow to an industry that is only just recovering,” said Philippa Childs, head of British media and entertainment union Bectu.
According to Childs, the tariffs would also threaten tens of thousands of jobs of freelance filmmakers in the UK. Film and TV production in the UK was worth 5.6 billion GBP ($7.45 billion) in 2024—an increase of 31% over the year prior, according to the British Film Institute.
“I think the most likely consequence is not that more productions will be done outside of America, or more productions would be done in America, but probably that just fewer productions will [be made],” said Scott Roxborough, Hollywood Reporter Europe Bureau Chief.
Television and film production in Hollywood has fallen by nearly 40% over the last ten years. The wildfires in January only worsened concerns that producers may need to continue looking outside the Los Angeles area. Many industry workers, including camera operators, sound technicians, costume designers, and more, have considered moving out of town as opposed to trying to rebuild their neighborhoods and businesses in Los Angeles.
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Myke Towers puts his racing skills to the test while attending a Formula 1 Miami Grand Prix activation in support of F1 The Album. Photo Credit: Warner Music Group
The F1 marketing wheels – and the soundtrack-promotion wheels – are already in motion. Days removed from the F1 The Album lineup announcement, several of the involved artists attended the Miami Grand Prix over the weekend.
Formula 1 emphasized as much on social media, and Warner Music Latina took the opportunity to put out a formal release about Myke Towers’ attendance. The Puerto Rican artist has recorded a new track, “Baja California,” for the Apple Studios-produced film, which stars Brad Pitt and is set to hit North American theaters on June 27th.
Among different things, the Miami Grand Prix yesterday featured an “experiential activation” tied specifically to the F1 soundtrack. On cue, invited influencers took to social media to provide looks at the activation – including not just racing simulators, but an Apple Music-branded DJ booth focusing on F1 The Album.
Debuting in tandem with the movie, said album will release on streaming, vinyl, CD, and cassette alike. On the streaming side, Apple Music is plugging the project with a pre-release page; Spotify has taken things a step further by adding a release countdown.
When it comes to vinyl, the likes of Target and Amazon have teed up limited-edition products; Amazon settled on $27.98 a pop here, with a $14.98 price point for the cassette version.
Meanwhile, the Miami Grand Prix also went ahead and (by Warner Music’s description) “replaced drivers’ names above the garages with those of the artists featured on the official soundtrack.” Additionally, Towers participated in a pre-race grid walk.
In other words, the music and artists behind F1 are receiving quite a promotional push, and it’ll be interesting to see how much of a boost they ultimately enjoy from the movie.
Keeping the focus on racing blockbusters, the Fast & Furious franchise has certainly helped propel tracks into the commercial stratosphere. And with a hefty 150-minute runtime, F1 definitely has room for songs, 17 of which are featured on the soundtrack album.
That includes efforts from Atlantic acts Don Toliver, Ed Sheeran, Roddy Ricch, and Rosé – with Raye, Chris Stapleton, Doja Cat, Tate McRae, and more on board as well.
Back to the Miami Grand Prix, Toliver, Ricch, and Rosé (besides fellow Blackpink member Lisa) were likewise in attendance. On the performance side – live music factored prominently into the event to boot – Hard Rock’s “trackside stage” welcomed Kygo, Cedric Gervais, Kaskade, Steve Aoki, Sofi Tukker, and Pitbull.
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One of the Czech Republic’s most streamed artists, MIKOLAS, launches a brand-new musical era with the release of his single SAMBA, the first track from his highly anticipated second studio album, II. Alongside this release, MIKOLAS announced his return show in Lucerna Great Hall (2500 capacity) which sold out in little over 7 minutes.
“I am both humbled and excited. Its a huge responsibility towards the fans and I know they are up for a great show. I cant wait.”
Following the triple platinum success of his debut album ONE (source: IFPI, released March 22, 2024), which just recently surpassed 120 million Spotify streams, SAMBA offers fans a taste of what’s next: the darker, fiercer alter ego version of MIKOLAS.
To celebrate, MIKOLAS hosted a grand VIP release party on April 24 in Prague – his first fan-centered live event in years. Fans were able to enter the event for free by signing up through his fan portal at www.mikolas.com. Announced just a week in advance, the night featured a live performance of MIKOLAS’s biggest hits, the live premiere of SAMBA, exclusive merchandise, welcome drinks for fans, and a personal meet & greet for the first 100 attendees.
In another surprise move, MIKOLAS unveiled his very own magazine, EMPIRE, during release week. Written in a personal diary style, he invites his fans into the inner circle and opens up directly to them.
“I wanted to create a one-of-a-kind, no-filter connection between me and the people who follow me on this crazy journey. And I love it.”
He shares an in-depth personal journal of the making of the album and the single SAMBA. He also speaks candidly about the struggles on his journey back to Eurovision, revealing that both SAMBA and DELILAH were considered for a return to the Eurovision stage. He breaks down the meaning of SAMBA, answers fan Q&As with advice on confidence, creativity, and the realities of chasing your dream. He lovingly dedicates the first issue to Parketa, MIKOLAS’s late tour manager, and Anna Slováčková, a friend and fellow artist – both of whom passed away recently.
The magazine invites readers into the mind of MIKOLAS, offering a rare and intimate perspective on his life and creative process. It is available through the fan portal on his website.
The single also carries a social message, with MIKOLAS dedicating SAMBA to single parents. After sharing a personal story of single parenthood in his family through EMPIRE, he says:
“It opened my eyes to just how real the struggle of single parents is. It’s not a side story—it’s everywhere. And it deserves attention.”
To close out a week of surprises, MIKOLAS announced during the release party that he will hit the Majáles Rap Stage in Prague on April 26 (Biggest festival in the Czech Republic) for the first public performance of SAMBA, marking his return to Czech festival stages with a brand-new energy.
His sophomore album II is expected to arrive later this year.
MIKOLAS
www.mikolas.com
SPOTIFY
INSTAGRAM
TIK TOK
YOUTUBE
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Photo Credit: Johnathan Kemper
President Trump has stated he will extend the TikTok sale deadline for a third time if a deal is not struck by the mid-June deadline. It’s unclear if any negotiations with ByteDance will be successful—especially since there’s seemingly no pressure to get a deal done by any deadline.
The deadline for Chinese company ByteDance to divest from the platform is now June 19 after being extended twice. The ban was originally supposed to be effective January 19 after being signed into law by former President Biden. But the law also contains a provision that allows the deal to be extended if negotiations are being made in good faith.
The first 75-day extension allowed the platform to continue to operate from January 19 to April 5. Throughout that three-month period, several Trump officials—including Vice President JD Vance—assured the public that a deal was being worked on behind the scenes. When the April 5 deadline approached, President Trump issued another 75-day extension from April 5 to June 19. Now Trump has signaled he’s willing to kick this can further down the road.
In an interview with ‘Meet the Press with Kristen Welker,’ Trump admitted he has a sweet spot for the app after it was crucial in winning young voters to his side. “TikTok is very interesting, but it will be protected,” Trump told Welker during that interview.
A deal was in the works to spin off TikTok’s U.S. operations into a new firm based in the United States and majority-owned by U.S. investors. However, China has indicated it would not approve any deal following Trump’s steep tariffs on Chinese goods. A source close to ByteDance’s U.S. investors said the prospective deal work continues behind the scenes, but that the tariff dispute between the U.S. and Beijing would need to be resolved first.
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Cassian has released a new single, "SOS," marking his debut on John Summit's Experts Only label.
It's the latest high-profile debut for the Aussie DJ and producer, who is currently gearing up for his first-ever performance on Tomorrowland's storied Mainstage this summer. Cassian, who was recently honored by EDM.com as one of 2024's top audio engineers, also performed at the record-breaking Las Vegas Sphere as part of Anyma's groundbreaking "End of Genesys" residency and served as its Music Director, "overseeing the entire audio experience," according to a press release.
Perhaps best known for his cinematic flourishes in melodic house music, Cassian slinks into darker techno territory here, and the result is as polished as it is punishing. He produces a layered, driving bassline and laces the arrangement with operatic vocal hooks, giving it a dystopian edge.
Playfully opening up about the track's origins, Cassian said someone told him he looked like the Easter Island statues, or moai, the massive stone figures carved by the Rapa Nui people to honor ancestors.
"Someone told me I look like the Easter Island statues, so at the start of the year, I went on a trip to check them out in the flesh," he said. "When I arrived, they started singing this song to me. I quickly recorded it and then was immediately possessed by a spirit who sampled it and produced it into 'SOS' So I guess it was a spiritual ghost producer."
You can listen to "SOS" below and find the new single on streaming platforms here.
Follow Cassian:
X: x.com/_cassian
Instagram: instagram.com/cassian
TikTok: tiktok.com/@cassian
Facebook: facebook.com/cassian88
Spotify: http://bit.ly/3yJJ5c1
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They say every penny counts, and a low-cost UK ticket levy has proven that is very much the case. The voluntary scheme was first introduced last year and asked artists to pay forward just £1 from every arena or stadium ticket sale – and it has already helped raise £500,000 for grassroots venues.
According to a new statement from the LIVE Trust, the voluntary pledge of £1 per ticket has just amounted to half a million pounds. Plenty of artists have helped contribute towards the figure, with Enter Shikari being one of the first acts to push for the levy in 2023. Since its official introduction, a slew of artists have voluntarily supported the scheme, from Diana Ross to Pulp.
READ MORE: Two dance venues open in East London in quick succession – is the UK’s nightlife scene looking up? The £1 pledge can be applied to any arena and stadium show with a capacity of over 5000, and the scheme has received mass support from artists and fans alike.
Just last week, a survey conducted by Music Fans’ Voice found that, of the 8,000 music fans surveyed, 93% of respondents supported the levy. 99% of respondents also agreed that live music is an important part of UK culture, and 30% said they visit a grassroots venue monthly.
Jon Collins, the CEO of the LIVE Trust, has praised the public’s support of the scheme. “This is a welcome milestone for the LIVE Trust and marks a very significant contribution to the grassroots live music sector,” he says.
“What this demonstrates is that there is a real appetite from performers and their teams to support the wider live ecosystem and we applaud and thank those that have already taken this initiative,” he adds. “Whilst this is an excellent start there is still much work to do if we are to convince government that a voluntary rather than statutory levy is both workable and sustainable.”
Alongside the levy, plenty of artists have been raising funds in support of grassroots venues. Singer Kate Nash has been particularly vocal as of late, speaking up about venue closures and the costs of being a touring musician.
“We’re almost at collapse,” she told NME last year. “It can only go on to be something we all complain about behind the scenes for so long until you start to see it crumble.”
“The reality is that touring is making losses, not profit. The grassroots is in absolute crisis. Venues are closing, festivals are being cancelled. People are thinking, ‘What’s the point in starting a band?’ and ‘How can I as an artist carry on?’”

The post The £1 ticket levy scheme has already raised £500,000 for grassroots venues appeared first on MusicTech.
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Vulnerability transforms into power in IMANU's new EP, Entangled, out now via Zeds Dead's Deadbeats.
The EDM.com Class of 2023 artist once again delivers a masterclass in structural subversion, bending genres and tossing conventions into a shredder. But he maintains a melodic accessibility, mapping the neurochemistry of heartbreak across five tracks that refuse to let listeners maintain emotional distance.
"Hush" is a surefire highlight, KROY's feathery vocals floating above a dark and dreamy trap beat that feels almost comforting until you realize the production is steadily devouring you. The effect mirrors the track's lyrical desperation, a love so consuming it borders on self-destruction: "Every bridge I ever crossed, it gives me power to / Hold on to you like it's the last thing I will ever do."
Elsewhere, "All Too Late" showcases IMANU's technical virtuosity as jungle breaks splinter and reform with finesse. Rhode's revelation that "beneath the surface it's all decay" lands with particular potency, suggesting that the dazzling production complexity might simply be disguising our collective emotional erosion.
He closes out Entangled alongside Flux Pavilion with "Kintsugi," a haunting track where the Japanese art of repairing broken pottery with gold serves as perfect metaphor for the EP. Tasha Baxter's lyrics declare her transformation through damage, a masterful closing statement that suggests destruction might be the most authentic form of creation: "This time the wall hit me back / Fine china breaks on impact / You don't know the new me / Being put together differently."
You can listen to Entangled below and find the new EP on streaming platforms here.
Follow IMANU:
X: x.com/imanumusic
Instagram: instagram.com/imanumusic
TikTok: tiktok.com/@imanunami
Facebook: facebook.com/imanumusic
Spotify: spoti.fi/3ch9dPG
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Pop superstar Beyoncé has reportedly received a legal warning from the head of the Las Vegas Sphere over a video shown during her new Cowboy Carter concert. James Dolan, who runs Madison Square Garden and the massive Sphere venue, isn’t happy about the clip.
The video in question shows a giant animated version of Beyoncé walking through the Las Vegas skyline and then playfully picking up the Sphere. Lawyers for Dolan’s company, Sphere Entertainment Group (SEG), sent Beyoncé’s team a cease-and-desist letter, claiming the video infringes on their intellectual property rights.
According to the letter, the depiction has led people to think Beyoncé might be planning a residency at the Sphere. The lawyers stated that SEG never gave permission for the Sphere to be shown and manipulated in the video. They’ve given Beyoncé a Monday deadline to stop using the imagery in her videos, merchandise, and promotional materials.
It was previously reported that Beyoncé’s plans for a Sphere residency fell through last year. Apparently, the venue couldn’t accommodate her request for two weeks of rehearsal time, and there were also disagreements over the cost of a high-tech production. Now, she’s reportedly considering a deal with MGM, a rival of the Sphere.
Beyoncé’s Cowboy Carter tour just kicked off in California and includes stops in major cities like Chicago, Houston, and London. The Sphere Entertainment Group warned that if Beyoncé doesn’t comply with their demands, they will take further legal action.
[H/T] Digital Music News
The post Beyoncé Faces Legal Cease-and-Desist For Las Vegas Sphere Video appeared first on EDMTunes.
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This weekend, the Australian electronic music band, Rufus Du Sol, cemented their larger-than-life status with an Ultra-sized Miami homecoming show. Why is it a homecoming to Miami, you ask? Well, during a concert interlude, the band spoke on how they moved to Miami about 3 years ago, following many other electronic artists who have done the same. They mused on working in a studio producing music right across the street from Miami’s legendary Bayfront Park, home to Ultra Music Festival.
Whereas the previous two Rufus Du Sol album tours in Miami were in the amphitheater, this show went much much bigger. In a show of just how dominant a musical and cultural force Rufus Du Sol has become, the band outgrew the typical Bayfront Park amphitheater setup. Instead, a huge mainstage was constructed on the very spot where Ultra’s mainstage sat just over a month ago. The crowd and the vibes had the magic of Ultra in the air.
The band treated their new home to an emotional journey through their discography, punctuated with gorgeous production and a spellbound audience. As is frequently the case with Rufus Du Sol album shows, the concert heavily featured tracks from their Inhale/Exhale album along with a smattering of their biggest classics throughout the years. What’s always so striking about these concerts is just how deep the beloved discography is. When each track concludes and you think they’ve hit all of your favorites, they go right into another one.
The energy throughout the show was relentless and the Bayfront Park grounds were filled to the brim with throngs of people hands up in the air waving and singing along with every lyric. As is tradition, the band closed out their homecoming weekend with a DJ set at Club Space bright and early at 8am on Monday morning, in another show of their versatility and talent.
It’s a shame that we’ll have to wait another few years before we get another Rufus Du Sol album show in Miami, but we’re already eagerly awaiting the next opportunity to dance with them and thousands of our best friends again soon
The post Rufus Du Sol’s Ultra-Sized Miami Homecoming appeared first on EDMTunes.
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Showcation festival is bringing top dance talent and fun-filled amusements to its summer camp of dreams in Maryland this month.
Helmed by Brooklyn-based party outfit Pretty Good Show, the three-day “summer camp for adults” is back for its second year at the quaint Camp Ramblewood in Darlington, situated about an hour’s drive Northeast from Baltimore, this May 16-18.
Festival scene legends Feed Me and Justin Martin will bring their delightfully delirious beats to Showcation’s sophomore edition as phase two headliners for 2025, while the top-notch tunes continue with performances from funky house favorites The Sponges, the rising trap and dubstep talents of Nikita, The Wicked and Seth David, bass music beatboxer HerShe, and many more.
DJ sets, however, are just the beginning. More than a music festival or a transformational retreat, Showcation preaches a fun-loving, “choose-your-own-adventure experience,” according to organizers, reimagining the carefree summer nights of childhood with a huge bill of activities—ranging from beloved camp pastimes like arts & crafts, canoeing and kickball, to unique experiences like a daily “Camp Olympics” competition, tomato food fight, beatbox battle, pool parties, and its very own “Project X”-inspired house party.
Elsewhere, attendees can catch sets from hilarious comedians and troupes like Clown Cult, Sean Millea, Jive Joint, and more in Showcation’s Comedy Barn, or stop by “Gamblewood” for some no cash, no limits betting with festival staple Frick Frack Blackjack, among dozens more experiences. Check out Showcation’s full 2025 music and experience programming below.
“Showcation was never just about the lineup. It’s about building a new type of multi-day weekend that actually makes it easy to meet people,” Showcation camp director James Corcoran said in a press release. “For phase two, we went all in on the heart of our event: the activities, the absurdity, the moments that catch you off guard in the best way.”
Attendees who prefer a little comfort with their camping can also book on-site group cabins and all-you-can-eat meals, meaning no more granola bars for dinner. Better yet, free showers are available to all campers throughout the weekend.
A limited supply of three-day general admission tickets to Showcation 2025 is available in its final tier at $249. For more information or to purchase tickets, visit showcation.live.

Featured image courtesy: Pretty Good Show. Credit: Sayzar C.
The post Showcation Festival Taps Top DJs & Endless Summer Camp Fun For 2025 appeared first on EDM Maniac.
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Ravebot
Showcation festival is bringing top dance talent and fun-filled amusements to its summer camp of dreams in Maryland this month.
Helmed by Brooklyn-based party outfit Pretty Good Show, the three-day “summer camp for adults” is back for its second year at the quaint Camp Ramblewood in Darlington, situated about an hour’s drive Northeast from Baltimore, this May 16-18.
Festival scene legends Feed Me and Justin Martin will bring their delightfully delirious beats to Showcation’s sophomore edition as phase two headliners for 2025, while the top-notch tunes continue with performances from funky house favorites The Sponges, the rising trap and dubstep talents of Nikita, The Wicked and Seth David, bass music beatboxer HerShe, and many more.
DJ sets, however, are just the beginning. More than a music festival or a transformational retreat, Showcation preaches a fun-loving, “choose-your-own-adventure experience,” according to organizers, reimagining the carefree summer nights of childhood with a huge bill of activities—ranging from beloved camp pastimes like arts & crafts, canoeing and kickball, to unique experiences like a daily “Camp Olympics” competition, tomato food fight, beatbox battle, pool parties, and its very own “Project X”-inspired house party.
Elsewhere, attendees can catch sets from hilarious comedians and troupes like Clown Cult, Sean Millea, Jive Joint, and more in Showcation’s Comedy Barn, or stop by “Gamblewood” for some no cash, no limits betting with festival staple Frick Frack Blackjack, among dozens more experiences. Check out Showcation’s full 2025 music and experience programming below.
“Showcation was never just about the lineup. It’s about building a new type of multi-day weekend that actually makes it easy to meet people,” Showcation camp director James Corcoran said in a press release. “For phase two, we went all in on the heart of our event: the activities, the absurdity, the moments that catch you off guard in the best way.”
Attendees who prefer a little comfort with their camping can also book on-site group cabins and all-you-can-eat meals, meaning no more granola bars for dinner. Better yet, free showers are available to all campers throughout the weekend.
A limited supply of three-day general admission tickets to Showcation 2025 is available in its final tier at $249. For more information or to purchase tickets, visit showcation.live.

Featured image courtesy: Pretty Good Show. Credit: Sayzar C.
The post Showcation Festival Taps Top DJs & Endless Summer Camp Fun For 2025 appeared first on EDM Maniac.
View the full article
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Once a cornerstone of Spain’s summer tourism economy, Ibiza is now grappling with a dramatic 56% drop in travel interest for the 2025 season. The decline is fueled by a growing backlash against overtourism, escalating local protests, and increasingly strict regulations aimed at reining in the island’s infamous party culture. From alcohol bans and restrictions on party boats to public demonstrations and strained infrastructure, the island’s carefree image is giving way to a more complex reality, prompting many travelers to look elsewhere and raising broader concerns for Spain’s tourism sector at large.
From Quiet Island to Global Party Epicenter
Before Ibiza became synonymous with nightlife and electronic music, it was a tranquil Mediterranean island sustained by farming, fishing, and artisan crafts. That changed in the 1960s, when an influx of sun-seeking travelers marked the beginning of its transformation into a tourism hub.
The 1970s saw the rise of now-iconic clubs like Pacha, solidifying Ibiza’s status as a global party destination. For decades, its beaches, festivals, and open-air dance floors drew millions from around the world. Hï Ibiza and Ushuaïa and have established themselves as some of the best clubs in the world.
2025: A Marked Shift in Travel Behavior
According to data from a luxury yacht charter firm, online searches for Ibiza holidays—including hotels and private rentals—have plummeted more than 50% compared to the previous year. This drop goes beyond fleeting curiosity; it signals a real contraction in demand just ahead of the high season.
Multiple factors are converging to alter the island’s appeal and drive travelers toward alternative Mediterranean destinations.
Local Pushback and the Rise of Anti-Tourism Sentiment
At the heart of Ibiza’s tourism slump is growing unrest among residents. Years of unchecked visitor growth have strained public services, inflated housing costs, and eroded the island’s cultural identity.
In protest, locals have staged demonstrations, spray-painted anti-tourism slogans, and blocked access to popular attractions. These acts, while aimed at preserving community integrity, have begun to influence how outsiders perceive the island—no longer as a haven of freedom, but as a destination fraught with tension.
Infrastructure Under Pressure
The summer surge in tourist numbers has overwhelmed Ibiza’s infrastructure. Congested roads, overcrowded beaches, and pressure on water and waste systems have become routine. Locals struggle to find affordable housing as short-term holiday rentals dominate the market.
Environmental concerns are also rising, with illegal beach parties, habitat damage, and increased pollution feeding public discontent and further discouraging mindful travelers seeking more authentic and sustainable getaways.
A Crackdown on Excess: New Laws Reshape the Experience
To restore order and protect quality of life, authorities have rolled out tough new regulations. A strict alcohol sales ban between 9:30 p.m. and 8:00 a.m.—first introduced in 2020—was tightened in 2024, with steeper fines for violations. Public drinking is now punishable by penalties ranging from €500 to €1,500.
Party boats, once central to Ibiza’s appeal, are now banned within one nautical mile of key towns. Operators can no longer pick up or drop off guests in restricted zones, and advertising such services is illegal. These measures, though welcomed by many locals, are diminishing Ibiza’s allure for its traditional party-going demographic.
Impact on Group Travel and Event-Based Tourism
Ibiza has long been a hotspot for group celebrations— bachelor’s and bachelorette parties, birthdays, and graduation trips. But as restrictions mount, many of these groups are pivoting to more permissive destinations. The island’s party economy, heavily reliant on such seasonal spikes, is already feeling the strain.
Clubs, bars, and event planners face significant revenue risks as group bookings drop and party tourism loses momentum.
A Regional Shift: Travelers Seek New Horizons
Ibiza’s challenges are part of a broader Mediterranean trend. Venice, for example, has seen a 46% decline in search interest after enacting new taxes and visitor caps. Travelers are becoming more discerning, weighing destinations based on sustainability, crowd levels, local sentiment, and regulatory ease.
This shift is benefiting emerging alternatives in Croatia, Portugal, and lesser-known parts of mainland Spain—destinations offering natural beauty without the crowds, tension, or restrictions.
Economic Fallout for Spain’s Tourism Industry
Tourism is a major pillar of the Spanish economy, and the Balearic Islands play an outsized role in that success. A sustained drop in Ibiza’s visitor numbers could have cascading effects, impacting jobs, hospitality revenue, and local businesses reliant on seasonal demand.
Yacht rentals, nightlife venues, and excursions are already seeing booking slowdowns. Without a strategic pivot, Ibiza’s tourism-dependent economy could face a deeper contraction.
Opportunity or Omen?
The sharp downturn may represent more than a temporary setback. Ibiza is at a crossroads: it can either reposition itself toward sustainable, culture-focused tourism or risk long-term decline.
With its rich history, natural beauty, and artistic heritage, the island has potential beyond nightlife. Wellness retreats, cultural tourism, eco-experiences, and digital nomad infrastructure could pave the way for a new kind of traveler—one aligned with the island’s evolving identity.
But realizing this vision will require strategic investment, improved infrastructure, and innovative destination marketing.
Ibiza as a Cautionary Tale and a Case Study
Ibiza’s trajectory is a warning—and a lesson—for global tourism hubs facing similar pressures. Balancing economic gain with community well-being and environmental protection is a delicate challenge.
If Ibiza succeeds in recalibrating its approach, it could emerge as a model for conscious tourism. But if current trends continue unaddressed, the island risks losing both its economic engine and its global brand.
What Summer 2025 Will Reveal
The upcoming season is a litmus test. Should arrivals, spending, and occupancy rates continue to fall, it will confirm that Ibiza is no longer immune to shifting traveler values.
Spain, too, must take note. Rising costs, stricter laws, and anti-tourism sentiment are surfacing elsewhere, from Barcelona to the Canary Islands. Failing to adapt could lead to broader, long-term declines across the Mediterranean.
The message is clear: the era of unchecked mass tourism is waning. What comes next will depend on how destinations like Ibiza choose to respond.
The post Ibiza Sees Over 50% Decrease in Summer Travel Over New Rules and Protests appeared first on EDMTunes.
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The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Flume, JPEGMAFIA - The Ocean Is Fake
Mura Masa - Whenever I Want
Slushii - It's Not Over (Till It's Over)
All Saints, Tourist - Pure Shores
Jaxon Wild - My Mind
EMWA feat. NÜ - BAD
Kllo - Still Here
Rommii - all I ever wanted
Discrete, Rory Hope - Deeper Than The Water
jamesjamesjames, snctm. - homesoon.
Vraell - watercolour blush
NEZZY feat. Daemon - TRUST NOBODY
Ravebot
The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Flume, JPEGMAFIA - The Ocean Is Fake
Mura Masa - Whenever I Want
All Saints, Tourist - Pure Shores
Jaxon Wild - My Mind
Aleksandir - I Used To Dream
Kllo - Still Here
Rommii - all I ever wanted
Discrete, Rory Hope - Deeper Than The Water
33 Below, Chrystel - HOLD TIGHT
jamesjamesjames, snctm. - homesoon.
Vraell - watercolour blush
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Leylines (Remaster 2025) – 24bit by AES DANA Originally released in 2009, “Leylines” quickly became a pivotal work in Villuis’s career. What few people knew at the time is that the album was composed in its entirety twice: after a catastrophic disk crash destroyed the original version and one year of work, Villuis entered a period of deep introspection before starting over. This shock led not only to emotional reckoning but also to a complete reinvention of his creative process.
Leylines became the foundation for a new compositional language, one built on a fresh sonic palette, renewed patterns, and a more sculptural approach to sound. The final result was more distilled, more intentional, and marked a turning point in his musical trajectory. Upon release, the album reached #1 on the iTunes USA Electronic Music charts, establishing itself as a landmark within the genre.
Inspired by the concept of “leylines”, invisible energy paths believed to link sacred and geomagnetic sites, the album explores the subtle connections between musical genres, emotional states, and the living world.
Sculpted from field recordings, analog synthesis, and digitally processed textures, Leylines is a deeply immersive and granular journey. This reedited and remastered edition brings greater spatial clarity and depth, revealing new layers of nuance and sonic interplay
The post AES Dana’s Leylines is being reissued in a newly reedited and remastered version appeared first on Decoded Magazine.
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Harmonia by Trikk With ‘Harmonia’, Trikk takes us on a rich, multi-faceted trip of club music. Spread across five singles, the project explores a wide spectrum of styles, tempos, and textures—all while staying rooted in the heart of the dance floor. 
‘Sagrado’ marks the peak of the project, with Trikk once again on quality control. It hits the heart and essence of the project—club music to the core. The track begins with a tight framework of kick drum, claps, and a bubbling bassline, a welcoming foundation for the elements that follow. Gradually, it opens up into a wide musical sunrise, as Trikk demonstrates his sure instinct once more, balancing warmth with his distinctive style.
The project took off with ‘Rigor’, a peak-time statement that paired massive, tactile sound design with surprising moments of piano serenity, setting the stage for both bold and nuanced. ‘Luxo’ followed, weaving together industrial grit and organic warmth, further expanding Trikk’s musical language. With ‘Fortuna’, the project stepped into the glow of summer, as Trikk joined forces with Kenyan vocalist Sofiya Nzau. The latest single ‘Raiva’ unites two worlds, blending Trikk’s rhythmic, new-wave-infused sound with MEUTE’s commanding brass power. 
Harmonia is a carefully woven narrative of rhythm, design, and identity—an artistic statement built to move.
Trikk – Harmonia is out now via Innervisions: https://lnk.to/Trikk_Harmonia
The post Trikk releases “Harmonia” Double EP on Innervisions appeared first on Decoded Magazine.
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Photo Credit: Manifest
Too Lost has partnered with Manifest Financial to revolutionize financial management for independent artists and digital creators. This collaboration addresses pain points in the music industry–including fragmented payments, delayed royalties, and the lack of banking solutions tailored for artists’ unpredictable income streams.
The following is in collaboration with Too Lost, a proud partner of Digital Music News.
Manifest’s platform integrates directly with Too Lost, offering artists the ability to track royalties, merchandise sales, and collaboration payouts in one place—reducing administrative burdens. It also helps ensure faster payments for artists by mitigating traditional banking delays through the use of direct deposits and automated peer-to-peer transfers.
Additional features, like expense categorization and the ‘Save for Taxes’ tool, empower artists to stay organized and financially prepared without disrupting their creative workflow.
The launch of Manifest Financial comes as the creator economy continues to experience rapid growth, as experts predict this market will reach $500 billion by 2027. Yet, despite creators becoming more mainstream, traditional financial services in the United States have lagged behind in adapting to key needs in the industry.
Manifest Financial, co-founded by Michael Cavallaro and Manny Alvarez, was built to address these challenges.
“After spending over two decades in banking across multiple industries, it was clear there was a gap in the market for creators needing the right financial tools,” Cavallaro told Digital Music News. “Creators face unique challenges that don’t fit conventional banking categories. That’s why we built Manifest Financial, to bridge this gap and provide the tailored financial services that the creator economy desperately needs.”
The partnership with Too Lost is already bringing financial clarity for artists. From payments to managers to managing merchandise profits, money in the music industry moves unpredictably. This partnership allows musicians to efficiently track diverse income streams and automate payments to collaborators, all while managing their finances in one place.
“At Too Lost, we’re committed to empowering independent artists with the tools they need to succeed,” shares Too Lost CEO & Co-Founder Gregory Hirschhorn. “Partnering with Manifest aligns perfectly with that mission—giving creators seamless access to smarter business banking solutions, faster payments, and financial tools designed for their careers. This collaboration is about providing artists with the financial freedom to focus on what they do best—creating inspiring music to move their community.”
Don’t Take Our Word For It—Artist Testimonials
“As an artist and manager, I’m always juggling a million things—finances are the biggest,” shares Dylan Reese, an artist using Manifest. “To me, most banks don’t get how artists really move, but Manifest is totally different. Manifest feels like it’s for the artist, and it’s built for the way we move—income coming from multiple places, the need to reinvest in my craft, making sure the money side of things actually supports my creative ideas. It’s so important to have a business banking solution that understands both my hustle and my vision.”
“I met with the Manifest team during SXSW and I use this app on the daily,” Hannah Cottrell tells Digital Music News. “Manifest helps me stay organized—when as music artists may know—royalties can come in from a lot of different places. With Manifest, they add up in one place, an easy to use app so I can grocery shop, pay bills, etc. Learning how to manage yourself is an asset and a necessity. Manifest helps with that.”
Grammy-nominated producer and singer-songwriter Hannah Cottrell is Too Lost’s ‘Artist of the Week.’ Starting her solo project Saint Sinner in 2017, Hannah has amassed over 100 million streams. She’s collaborated with artists including Tycho, The Human Experience, Dimond Saints, ATYYA, and more. Her latest single,”Pure Honey” debuted on April 11, 2025. The four-minute electronic music track adds to her growing discography, which features a mix of electronic and acoustic-driven singles.
Curious how easy it can be to manage multiple income streams? Try the Manifest app—available on both iOS and Android.
Manifest works for anyone with diverse income sources–not just musicians. Hannah also uses the app to manage direct deposit from her work as a chef, too. The platform is designed to meet creators where they are, across art, hustle, and everything in between.
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British producer Danny L Harle is shining a light on what he considers an “undervalued” skill among musicians today: taking the time to listen and reflect on one’s own music.
Harle, who co-produced Dua Lipa’s 2024 hit album Radical Optimism and worked with the likes of Charli XCX and Caroline Polachek, is currently lending his expertise to the Amex Unsigned initiative — a mentorship program offering six unsigned artists the chance to work with him at London’s iconic Metropolis Studios.
In a new interview with MusicRadar, the producer opens up about the creative mindset he hopes to pass on to young talents and why mentoring matters to him on a personal level.
READ MORE: “Everybody thinks that it gives them a professional edge… however, you are somehow a villain if you use it”: New study reveals widespread use of AI among music producers, though most “do not want to publicly talk about it” “I’m very reluctant to get involved with these sorts of processes unless I feel like I can actually contribute something that’s of worth,” Harle explains, “but this exact form of mentoring is a process that I’ve personally benefited from in my past.”
“It’s so helpful to take the time to listen to your own work in a studio and reflect back on your entire project — that’s an undervalued thing,” he adds. “There’s a disposable attitude to making music that’s prevalent these days, whereas I think that for young people, there needs to be a sense of respect to one’s own development that should be projected by older people as well.”
According to Harle, artistic growth rarely happens in isolation. Creative breakthroughs don’t just come from long hours alone, he argues, but from sharing, dialogue, and accountability.
“It’s very hard to do that on your own, just to sit down and listen to everything you’ve done. You almost need the discipline of someone else in the room to properly do that. Listening in the room with someone else, you know what’s wrong with the music, if there’s something wrong. You know if it’s really good almost before you’ve played it.”
Sometimes, he says, it’s less about feedback and more about giving encouragement when it matters most.
“When you’re making your own thing, sometimes it’s quite a lonely process, and it can be really helpful for someone to just listen to what you’re making and be like, ‘this is really good’,” Harle says. “When someone’s making amazing stuff, it can be really valuable to just tell them: ‘Just keep doing that — you’re doing your thing, that’s all one can do.’”
Still, the producer acknowledges that honesty is just as crucial, particularly when it comes to keeping artists from becoming complacent.
“Sadly, it can be really useful to hear someone tell you that you can do better,” he says. “I wouldn’t just say that to anyone; I’d make sure that they’re somebody who’s in a position to take it, or somebody that knows me well enough. But that’s an important thing for some people to hear as well, because some people that achieve a certain level of success can start to rest on their laurels.”
“They need someone to come in the studio and say, ‘you could be pushing a bit harder here’. That’s what me and my friends are like, we push each other in a really good way.”
Learn more about the Amex Unsigned initiative at American Express.
The post “There’s a disposable attitude to making music that’s prevalent these days”: Producer Danny L Harle says musicians must take time to reflect on their work appeared first on MusicTech.
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Tomorrow evening, the shores of Ibiza will host a gathering unlike any other. In a rare and powerful performance, Michael Bibi is set to headline a surprise event at Beachouse Ibiza, with one purpose at its core: to give back.
On Wednesday, May 7, from 6:30 PM to 11:30 PM, Beachouse will open its doors for a special charity evening in support of APAAC (Asociación Pitiusa de Ayuda a Afectados de Cáncer) – a local non-profit providing essential care to cancer patients and their families across Ibiza and Formentera.

Entry is by donation – 25 euros per person at the door – with part of the proceeds contributing to the support of APAAC’s mission on the island.
This moment carries deep personal meaning. Following his own experience with cancer, Michael Bibi continues to stand in solidarity with those still facing the illness. His presence is a tribute to resilience, community, and the transformative power of music.
APAAC remains a vital resource, offering therapeutic, emotional, and practical assistance to those navigating the complexities of diagnosis, treatment, and recovery. As their work expands, so too does the need for collective support.
This is a moment of unity – an evening to gather, to give, and to be with intention.
The post Michael Bibi joins forces with Beachouse for an evening of music and meaning in support of the APAAC Association appeared first on Electric Mode.
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UNTOLD Festival celebrates 10 years of magic, music, love, friendship and diversity this summer. Romania’s gem festival, one of the biggest in the world, will open its gates in the beautiful city of Cluj-Napoca from August 7 to 10 for hundreds of thousands of people worldwide. 200 local and international artists will create magic on seven stages and multiple music spots. New acts such as Ben Böhmer, Jan Blomqvist, Röyksopp, Wilkinson, Green Velvet, Pachanga Boys, Sébastien Léger, and more are added to the lineup of the secondary stages.
Previously announced superstar DJS and producers for the mainstage are Anyma, Armin van Buuren, Martin Garrix with an UNTOLD Special Set, FISHER, Tiësto Extended Set, Alok, Don Diablo Extended Set, Steve Angello, Hugel, and the live acts Post Malone, Metro Boomin, Becky Hill and Rag’N’Bone Man.
The Galaxy stage, the only indoor stage and UNTOLD‘s house and techno home, will host Adriatique, Black Coffee, Dom Dolla, Green Velvet, Marco Carola, Sara Bluma, Nusha, Mahony, and the ro-minimal tech creators A:RPIA:R, Arapu, Cezar, Priku, Sit, and more. New names will be announced in the coming weeks.
Fans who love house music and its subgenres such as deep house, melodic house, tech house, afro house, chill house, and ambiental have their perfect place at UNTOLD. Ben Böhmer, Jan Blomqvist, Sébastien Léger, Marten Lou, Bob Moses, Parra for Cuva, Pachanga Boys, Paax, and Rampue are among the artists of Daydreaming, the beautiful, colored stage in Central Park.
Afro house, new disco, house and tech are the main sounds of the Time stage that welcomes Aaron Sevilla b2b Peppe Citarella, Eran Hersh b2b Andrew Dum, HVMZA, Goldcher, and more.
Recognised for his sound signature on Melodic and Afro House, Andrew Dum claimed #2nd in the global Afro Melodic charts [Hypeddit]. His music gained the support of high-profile DJs and producers such as Rüfüs Du Sol, Armin Van Buuren, Martin Garrix, Pete Tong, Chocolate Puma, Blasterjaxx, Eran Hersh, Nicholas Sasson, and more, and it’s placed in worldwide top charts. Andrew Dum showcases his innovative musical approach and adaptability on the global stage with viral hits like “Les Djinns”, “Glamorous” feat. Eran Hersh, “Cruel Summer,” “Paradise,” and “Valle de L’Armes” feat. Chocolate Puma, which gained 70 M+ streams.
Goldcher is a French DJ and producer, renowned for his talent in fusing Afro House and Melodic House. In record time, he made a name for himself on the international scene with his remixes, which went viral on SoundCloud. With Irina Rimes, one of Moldavia’s greatest songwriters, Goldcher embraces the culture and folklore of Eastern Europe. His “Dudadu Flip” was remixed by Tiësto and Steve Aoki and received global recognition.
                The full lineup for the 10th anniversary of UNTOLD Festival will be revealed soon. Fans will feel the pure magic of artists and enjoy lots of activities such as a flying simulator, VR games, boats on the lake in Central Park, a Fashion Village with over 30 Romanian Designers, a permanent tattoo studio, and a Food Festival with more than 40 vendors offering a diversity of tastes from Romanian Cuisine to Asian, Hungarian, Italian, Indian, and more, including food for veggies.
Over 60,000 people secured their passes for the celebration of UNTOLD. Tickets are available on untold.com, including backstage tours to visit the festival. Fans who want to explore UNTOLD from a new perspective can choose from two types of tours: the Discovery Tour, a captivating 60-minute journey behind the scenes of the festival, and the Insider Tour, an extended 100-minute experience offering visitors the chance to discover special areas of the festival grounds.
The magical realm of UNTOLD will open from August 7 to 10, from 4 PM to 7 AM each morning, in the heart of Transylvania, in the beautiful city of Cluj-Napoca, Romania.
The post UNTOLD Festival welcomes Dom Dolla, Ben Böhmer, Röyksopp, Green Velvet, Wilkinson, and more, to its 10th Anniversary appeared first on EDMNOMAD.
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Jurango · Jurango @ Tresor Meets Surgeon – 23032024
This week we head to Tresor with a LIVE recorded mix from the UKs Jurango
Over the past few years, Jurango has experienced a steady rise, garnering appreciation and recognition through his releases on acclaimed labels (Livity Sound, re:lax, Rhythm Section), and milestone shows. With performances at esteemed venues across the UK, Europe, and the US, Jurango has established a dynamic and versatile presence at clubs and festivals.
Throughout 2024, he has continued to break new ground in the UK and internationally with key performances and debuts at festivals and venues such as Field Manoeuvres, Freerotation, Glastonbury, Human Club/Razzmatazz, THEØFFICE, Open Ground, Tresor and more. He is known for his regular b2b performances with UK techno legend Surgeon, having joined him at his residencies at Tresor and The Hare & Hounds, Freerotation festival, and a notable b2b set at De School during ADE. Jurango’s recent EPs – Isle of Crass (re:lax) and An Amorphous Mass (Livity Sound) – have amassed widespread support, drawing attention from influential figures like Laksa, re:ni, Tom Ravenscroft, aya, Florentino, Oblig, Darwin, and MJK, alongside features in DJMag, The Quietus, and Bandcamp Daily.
His 2023 hit Junglizer (Rhythm Section) received strong international approval, with prominent support from figures such as Hessle Audio, Batu, NIKS, Identified Patient, Helena Star, Leon Vynehall, Carista, and Surgeon. Jurango has showcased his talent through podcasts and mixes for Bleep, Boiler Room, Crack Magazine, Ilian Tape, Keep Hush, Kiosk Radio, The Lot Radio, NTS Radio, and Rinse FM. He also holds a monthly residency on SWU FM.
Taken from his substack –
“The first ‘first’!
On 23rd March I opened Tresor for the first time as part of their collaboration event with Surgeon. Tony was upstairs in Globus playing with Jesse Doris all night, I think they clocked out at about 7.5 hours in the end. I played 2300 – 0300, warming up for Sorcery’s live set, DJ Pete and Liza Aikin.
I was cutting it fairly short as I arrived in Berlin, and went straight to Tresor for a quick soundcheck which was probably more useful for my own composure than it was to see if the sound system was working (it was).
This was the first time playing a 4 hour solo set and in truth, I’d had some anxieties about the whole thing in the weeks leading up to it. Luckily I settled into it fairly quickly and I’d say this is largely down to the staff, crowd, sound system and atmosphere. I’m not sure how often people are subjected to techno (ish) sounds at 90/100bpm at Tresor but I thought that would be a good place to start while the room filled up and it seemed like people were into it.
I did notice 1 patron bang their firsts next to the cage in a ‘four-to-the-floor’ type pattern at one point though. I remember thinking ‘yeah don’t worry we’ll get there’ haha
Fortunately the 4 hours flew by, and I finished pretty happy with how I played. Ran lots of my favourite bits and ultimately enjoyed operating within the parameters of a space like that. Highlights included Alex Coulton – Bounce, Terrain – Choices, anything from this label, and this new one on Blueprint.
I’m really pleased to have a recording of the full 4-hour set, which is up on my soundcloud now, tracklist below.
Primal Code – Electric Sheep
Pianeti Sintetici – Polimorfo
Tammo Hesselink – Choice of Onto
Beatrice M – Wick (Maquis Son Sistèm Remix)
Pianeti Sintetici – Satellite
Tammo Hesselink – Work Work Work
A Strange Wedding – El Cartel Del Sangria
Machart – Davardage
Pianeti Sintetici – Ciclo
Van Bonn & Luis Baltes – Temptation (Mathimidori Remix)
natural/electronic.system – Scirocco
ALPI – Continuo
Forest On Stasys – Alumen
natural/electronic.system – Rituale
Tammo Hesselink – Haven’t Read
Alex Coulton – Bounce
Alessandro Adriani – He Who Harnesses The Souls
Basic Bastard – Rise (Detroit Dub)
Rhuader & Paul St. Hilaire – Bandage
Grad_U – Energy Flow
Gaetano Parisio – Quake (Alexander Kowalski Remix)
Shoal – 108
Dewemer – Floor Defence
Michael Burkat – Little While
Vince Watson – Interference
DJ JM – Abnormal
Ben Sims – Bring The Walls Down 2014
Peter Van Hoesen – Extraction Force
Audio Units – Isobaric Equation
The Source Experience – Subar
Forest On Stasys – Expedition
Vanoni – Oshin
Shoal – Irama
Tammo Hesselink – Nut Wandel
Terrain – Choices
Shoal – Gerakan
Peter Van Hoesen – Challenger
Al Wootton – Temple Ball
Djoser – Duster
Deetron / Soulmate – Path
Al Wootton – Rope Walk
Exium – Expired
British Murder Boys – Don’t Give Way To Fear (Part 1)
Olga+Jozef – Untitled1
LOUIS L.P – X-Code
Yant – Conquering
R-010 – Aer
Yant – Linguism
Umberto Carmignani – Ride Attack V2
Samuel L. Session – Chanting
Bryan Zentz – Everglade
Dustin Zahn – Temporary Vandalism
Border One – Optical Void
Altinbas – Presence
Dustin Zahn – Rotator
Gunjack – From Within
Umberto Carmignani – Model-75
Altinbas – Spoken Word
Kashpitzky – The Run To Atonal
DAVE N.A – So What 
Thanks again to Tony and Tresor for the experience and huge appreciation to the dancers and staff on the night that made me feel so welcome. Hope to be back soon.”
The post Mix of the Week – Jurango appeared first on Decoded Magazine.
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Grammy-winning live electronic trio RÜFÜS DU SOL unveil their anticipated Inhale / Exhale Remixed, a 15-track curation of global club reworks drawn from their latest studio album Inhale / Exhale. Out now via Rose Avenue/Reprise Records, the remix album celebrates the band’s deep connection to the dancefloor and their role as torchbearers within modern electronic music.
Released in October 2024, Inhale / Exhale marked a creative milestone for RÜFÜS DU SOL. The album expanded the trio’s signature sound with an expansive emotional palette and a renewed focus on rhythm and texture. It debuted on the Billboard 200 and earned their first #1 on U.S. dance radio with ‘Music is Better’, leading to both critical acclaim and commercial momentum. Its success paved the way for their Inhale / Exhale World Tour,  the best-selling solo electronic tour in history, which marks a landmark for both the band and the genre. Inhale / Exhale Remixed extends that vision, offering a fresh interpretation of the original through the hands of some of the scene’s most compelling artists.
The full remix collection sees the band invite a handpicked global lineup of friends, peers, and underground titans to reimagine Inhale / Exhale through a late-night lens. The remix album’s contributors include Turkish-Italian underground favourite Carlita, Haitian house producer Francis Mercier, adventurous Peruvian selector Sofia Kourtesis, Swiss club mainstay Andrea Oliva, German deep house artist Emanuel Satie, melodic craftsman Enamour, Afro-tech innovator Nitefreak, Belgian groove specialist Maxi Meraki, worldwide dancefloor fixture Kaz James, rising German talent Fahlberg, genre-blurring producer Moeaike, Spanish dancefloor architect Arodes, Moroccan electronic explorer Rockin Moraccin, and Turkish-American sonic sculptor SAMM, alongside Swiss duo Adriatique’s previously-released ‘In The Moment’ remix.
The North American leg of the Inhale / Exhale World Tour kicked off last weekend with a trio of sold out shows in Texas. The tour will continue into the summer for a nearly sold out run with stops in Los Angeles, San Francisco, Miami, and Toronto, along with festival appearances at Lollapalooza and Up In The Sky.
Stream Inhale / Exhale Remixed available now on all platforms. 
Inhale / Exhale Remixed Tracklist
1. Inhale (Carlita Remix)
2. Lately (Enamour Remix)
3. Breathe (Andrea Oliva Remix)
4. Music is Better (Maxi Meraki Remix)
5. Levitating (Francis Mercier Remix)
6. Break My Love (Kaz James Remix)
7. In The Moment (Adriatique Remix)
8. New York (Fahlberg Remix)
9. The Life (Emanuel Satie Remix)
10. Pressure (Moeaike Remix)
11. Fire / Desire (Nitefreak Remix)
12. Edge of the Earth (Arodes Remix)
13. Standing at the Gates (Sofia Kourtesis Remix)
14. Belong (Rockin Moraccin Remix)
15. Exhale (SAMM Remix)
The post RÜFÜS DU SOL unveil their Inhale / Exhale Remixed album appeared first on Decoded Magazine.
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Photo Credit: Beyoncé by Billy Briggs / CC by 2.0
Beyoncé was sent a cease-and-desist letter from James Dolan’s lawyers over a video at her new show depicting her picking up the Las Vegas Sphere.
Madison Square Garden and Las Vegas Sphere boss James Dolan is not interested in sharing his toys. That was made clear when his lawyers hit Beyoncé’s Parkwood Entertainment with a cease-and-desist letter over a video shown at her Cowboy Carter concert. The video depicts a giant Beyoncé striding through the Las Vegas skyline before leaning over and picking up the Sphere.

According to the letter, penned by Kathleen McCarthy of King & Spalding, which represents Dolan’s Sphere Entertainment Group (SEG), Beyoncé violated the company’s intellectual property rights. This, they assert, has “resulted in significant speculation that Beyoncé will end her tour with a Sphere residency.”
“Beyoncé—many orders of magnitude larger than the Sphere venue—leans over, picks up the venue, and looms over it,” wrote McCarthy. “SEG was never asked and the prominent appearance and manipulation of SEG’s Sphere venue in the video is unauthorized.”
The superstar was given a deadline of Monday discontinue use of the imagery in her videos, “in addition to refraining from using this imagery on any merchandise, promotional or marketing materials, or in tour movies.”
Any plans Beyoncé had for a residency at the Sphere collapsed last year after it was reported the venue refused her request to shut down for two weeks of rehearsals. Her team also sought around $10 million for a high-tech production similar to that of U2’s Sphere residency, which evidently further complicated things. As a result, she was said to be exploring a potential 100-show deal with Sphere rival MGM.
Beyoncé’s Cowboy Carter tour kicked off last week in Inglewood, California, with several dates at SoFi Stadium before heading to Chicago, Houston, New York, London, and more. Failure to comply, SEG said, will result in the company taking further action as they deem appropriate, “without notice.”
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Photo Credit: Rihanna at Met Gala 2017 by Danilo Lauria / CC by 3.0
Warner Bros. says Chris Brown has no standing in suing them over their documentary about his violent history, citing his past with Rihanna to prove it.
Rihanna’s very public history with Chris Brown is being cited as evidence against him in his defamation battle with Warner Bros. over their documentary, “Chris Brown: A History of Violence.” The company, which produced the documentary, submitted multiple media reports documenting Brown’s 2009 felony assault on Rihanna—especially his guilty plea and subsequent court-ordered counseling.
According to Warner’s legal team, these stories support their argument that the documentary, over which Brown is suing under claims of defamation, is protected under free speech laws.
“All of these exhibits consist of news articles, or other media, published online about the work at issue in this case and its subject matter, namely the Documentary and the widely publicized reporting of Chris Brown’s criminal history and violence towards women, and are being introduced to demonstrate that the Complaint arises from acts in furtherance of [Warner’s] free speech rights,” they argue.
Warner’s evidence didn’t stop at Rihanna, though hers is by far the most well-known account of Brown’s violence against women. They also submitted press coverage of Brown’s relationship with Karrueche Tran. Tran was granted a five-year restraining order against Brown in 2017. Further, they included reports of a physical altercation with singer Frank Ocean.
Even before submitting the mountains of evidence to support their claim, Warner released a statement in April that comments made in the documentary were protected under free speech. The entertainment giant’s legal team asserted Brown’s claim lacked substance, and any statements made in the documentary were either provably true or not legally harmful.
Chris Brown has denied accusations of sexual misconduct, and rejects claims painting him as a “serial rapist and sexual abuser.” He seeks $500 million in damages in his lawsuit against Warner Bros. and the producers behind the documentary, pledging to donate the funds to survivors of sexual abuse should he win.
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Photo Credit: Tingey Law Firm
A US federal district judge is questioning Meta’s ‘copyright fair use’ defense for materials used to train its AI. The judge is hearing arguments related to the case comedian Sarah Silverman and two other authors filed against Meta and OpenAI in 2023.
Meta has argued in court that any copyrighted materials used to train its AI models fall under the fair use doctrine. But US federal district judge Vince Chhabria seems less than convinced by Meta’s attorney’s arguments. “You have companies using copyright-protected material to create a product that is capable of producing an infinite number of competing products,” Chhabira told Meta’s attorneys in a San Francisco court on Friday.
“You are dramatically changing, you might even say obliterating, the market for that person’s work. And you’re saying that you don’t even have to pay a license to that person—I just don’t understand how that can be fair use,” Chhabira continued.
Fair use is a doctrine that permits the use of copyrighted materials without explicit permission of the copyright holder in certain situations. Those situations include for the purpose of criticism, news reporting, teaching, and research. Meta’s argument is that its AI systems fall under the ‘research’ aspect, that its LLMs ‘study’ material to create transformative new content.
“This seems like a highly unusual case in the sense that though the copying is for a highly transformative purpose, the copying has a high likelihood of leading to the flooding of the markets for the copyrighted works,” Chhabira says. He asked Meta’s attorneys about the broader impact on much less established creators with the question “What about the new Taylor Swift?” Judge Chhabira argued that a relatively unknown artist whose work is ingested by Meta could see their career stifled if the model generates a “billion pop songs” in their style.
While thoroughly grilling Meta AI’s attorneys, the judge also pressed the plaintiff’s legal team to provide concrete evidence that Meta’s AI outputs would harm the market for specific works. “It seems like you’re asking to speculate [that] the market for [a] Silverman memoir will [be] affected. It’s not clear to me that this is the case.”
The outcome of this case—whether on summary judgment or at trial—could set a major precedent for how U.S. courts interpret fair use in the context of AI training and copyright law in the future.
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