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We are back from the Queen Mary and resting from an entire weekend of dancing and dreaming. This year’s edition of Dreamstate Southern California was nothing short of amazing and impactful. To a top notch production, to a crowd flow that alleviated most of our concerns that were raised last year. This Insomniac production has quickly become one of our favorites, so let us tell you why.
Jamal Eid for Insomniac The Production At Dreamstate
This year’s Dreamstate Music Festival in South California saw its return to the Queen Mary Waterfront. This is just the second edition that took place in the venue, and the production took a huge step up from last year. First, the shuttles that took you from Long Beach to the festival grounds and back were not on the main street that crossed the city, but rather near the marina. This helped with the main traffic within the city and it was safer for ravers to commute through the more calmer streets.
Jake West for Insomniac Then, each stage had a big improvement with visuals that gave us bigger immersive experience. Each set was a wonderful audiovisual journey. Each stage had its own package of pyros, smoke machines, lasers, and great vibes that carried on through the night. Furthermore, let’s not forget about the raging afterparties on the Queen Mary. Two nights of insane and special sets that lasted til sunrise, within three separate ballrooms on the ship. It was heavenly to have shuttles that lasted through the afters as well.
The Music
The festival crafted a magical selection of tastemakers this year, including legendary sets that people have waited for years. Sets we must mention include the Judge Jules (classics set), Darude, and Ferry Corsten presents Gouryella, which is the first time Corsten does a set under thos alias in the US in many years. The set was special cuz he only has a handful of tracks under the alias, which represent the meaning of heaven in different languages. Even though the Gouryella project began with Tiesto, Corsten took over the project and now brings it back from time to time, and we were the lucky ones to experience such a special set this weekend.
All media is ritefully owned and created by Keiki-Lani Knudsen. Other sets we loved included psytrance specialists Out of Orbit, Giorgia Angiuli, and Captain Hook. On the Techno side, we danced our booties off to Funk Tribu and day 1 closer of the Void stage Clara Cuve. Then, we heard the violent yet fun basslines of Hard Trance, which included David Rust, and David Forbes & Matthew Sherry present Thick as Thieves.
The Main Stage (The Dream) gave us all we needed. Trance pioneers such as Armin van Buuren, Markus Schulz, and Giusseppe Ottaviani pres Ottagon controlled the crowd with their melodies. Moreover, day two saw even bigger diversity with an Anjunabeats takeover lead by Above and Beyond. Other progressive artists we enjoyed were Grigore, Amy Wiles & Leena Punks, and Andrew Bayer, who closed the weekend with a Trance remix of ‘Eusexua’ by FKA Twigs and made our entire night.
Favorite Set of the Weekend
Our top set of Dreamstate SoCal 2024 goes to Giorgia Angiuli. Her frequencies are extremely seasoned and dark. Her audio-engineering skills that allow her to perform with her own made up instruments that resemble child toys while still touching on adult emotions is sublime. In addition, the mantras she displays on her visuals are extremely positive and uplifting, which leads into some hardcore dancing with her insane kicks and rumbles. This is one extremely talended artist and we hope she returns to Dreamstate SoCal consistently.
The Vibes
We will never quiet down about how amazing the Trance crowd is. Dreamstate is a sea full of respectful individuals. They continuously set the bar extremely high with the marvelous behavior and public etiquette. With their permanent smiles, and respectful behavior, Dreamstate’s audience is the PLUR personified. Since last year, others are wary of the Techno crowd. As the festival includes Hard Techno artists since last year, attendees remain calm and collected as we cherish each beautiful interaction we had with them.

The post [Event Review] Soaring Through the Stars at Dreamstate SoCal 2024 appeared first on EDMTunes.
Ravebot
FL Studio 2024.2 has officially landed just in time for the holiday season, offering music producers more flexibility and precision—and relief on their wallets thanks to a solid Black Friday deal.
FL Studio, the storied digital audio workstation (DAW) from Image-Line, has raised the bar with the release of FL Studio 2024.2. Packed with a treasure trove of user-requested workflow tweaks, the update offers a more intuitive production arsenal and—true to Image-Line’s ethos—it's completely free for existing users thanks to their Lifetime Free Updates policy.
"At Image-Line, we’re all about helping music makers—whether they’re just starting out or seasoned pros," Image-Line CEO Constantin Koehncke said in a press release. "With AI shaking up the music world, we see both exciting possibilities and new challenges but it doesn't change our goal: making music production easier and more fun for everyone."
A standout addition to the DAW is Transporter, a real-time looping FX plugin that empowers producers to create on-the-fly effects and dynamic loops.
The Transporter plugin in FL Studio 2024.2.FL Studio/Image-Line
Elsewhere, hot-swappable loops from the FL Cloud service make real-time sound experimentation a breeze, while scalable plugins—now supporting 8K resolution—ensure a more modern interface for plugins like DrumPad and Effector.
Also on the list are features like Ghost Notes in the Piano roll, which make melody-crafting more intuitive; and a low-latency monitoring mode for real-time recording accuracy.
Meanwhile, FL Cloud Pro subscribers gain access to over 4,000 presets, with new FLEX packs rolling out regularly.
The Ghost Notes feature in FL Studio 2024.2.FL Studio/Image-Line
For new users, FL Studio's Black Friday sale offers significant discounts and its best pricing yet, catering to global markets.
"We’re thrilled to see so many new producers choosing FL Studio, motivating us to keep innovating with updates like FL Studio 2024.2," Koehncke adds. "This holiday season, we’re offering FL Studio at its best price yet, with pricing tailored to different markets to keep it accessible to everyone."
The software's popular Producer Edition is available for $139 (€169) while the Signature Edition has been reduced to $199 (€239). A 30% discounted rate of FL Studio's expansive production toolkit, the All Plugins Edition, is also available for $314 (€379).
The Black Friday promotion also extends to FL Cloud, annual subscriptions of which users can save up to 38%. The service also democratizes the music distribution process for users, who are able to easily release their songs on Spotify and Apple Music, among many other streaming platforms.
The Black Friday sale is available exclusively through the Image-Line website and concludes December 5th, 2024 at 11:59pm PST. You can find more information here.
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Ravebot
Swedish artist and creative director Alexander Wessely has been announced as the Creative Director for DJ and producer Anyma. Wessely is renowned for his revolutionary visual storytelling and groundbreaking music collaborations. The news comes ahead of Anyma’s highly anticipated Anyma: “The End of Genesys” live performance series at the Sphere in Las Vegas. It spans eight sold-out shows between December 27–31, 2024 and January 1, 10 & 11, 2025. The series is set to be a highlight of the music calendar.
Wessely & His Star Studded History
Wessely served as Creative Director for Swedish House Mafia from 2019 to 2023. He was instrumental in shaping their visual and artistic identity. Since his tenure with Swedish House Mafia, Wessely has continued to shape the creative visions of global icons. These include The Weeknd, Grimes and Kanye West. Celebrated for his boundary-pushing approach to live show design, Wessely’s multidisciplinary expertise spans performance, sculpture, film and photography.
A New Chapter with Anyma
His latest collaboration with Anyma marks a significant evolution in his career. It opens a bold new chapter overseeing the creative direction, stage design and co-directing key performance elements. Earlier this year, Wessely joined forces with Anyma as Co-Creative Director for The Weeknd’s concert in São Paulo. It laid the groundwork for their continuing partnership.

Afterlife Presents Anyma: “The End of Genesys” will mark the first electronic music act at the Sphere, led by Matteo Milleri of Tale of Us. Known for seamlessly blending art, technology, and music, Anyma has captivated global audiences with its cutting-edge visuals and techno soundscapes. The residency will feature a carefully curated lineup of guest artists, with each performance delivering a one-of-a-kind experience. It will be combining Anyma’s signature style with the Sphere’s state-of-the-art capabilities.
After years crafting live show designs for some of the world’s most iconic artists, including The Weeknd and Kanye West, Wessely has distilled his diverse background across theater, concert venues, and art institutions into a singular, groundbreaking vision. Anyma: “The End of Genesys” represents the next era of his creative journey. It is bound to be a culmination of collaborations, inspirations, and lessons that redefine the boundaries of creative expression and push the limits of what’s possible.

The post Multidisciplinary Swedish Artist Alexander Wessely Named Creative Director for Anyma appeared first on EDMTunes.
Ravebot
VLTGE shatters genre boundaries with his new single, "Forever & Always," a space opera-themed banger that pirouettes between tender jazz intimacy and heavy-hitting dubstep.
The unique track appears on the producer's new EP, A Space Love Story, which tells the story of a pair of desperate lovers separated by time and space. "Forever & Always" is the project's undeniable standout, where sultry saxophone whispers are suddenly obliterated by ferocious bass drops that feel like heartbreak made audible.
VLTGE stuns with his production, in which vulnerability and rage coexist in breathtaking tension. Each transition is a calculated emotional assault, punctuated by delicate melodic moments that dissolve into grinding, aggressive soundscapes echoing the turbulent separation of its protagonists.
Capturing the ache of their fragmented connection, the track ultimately becomes a metaphorical battlefield where melancholy and mayhem collide. It's less a song and more a sonic memoir of passion's most violent, vulnerable moments.
Take a listen to "Forever & Always" below.
Follow VLTGE:
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Ravebot
Pendulum have announced a rare concert they're calling the "biggest ever live show" of their career.
The influential electronic band is set to take the stage of England's massive Milton Keynes Bowl, which has a capacity of 65,000. While it's their first headlining performance at the venue, it's not their first time performing there. Back in 2008, Pendulum supported Linkin Park before sharing the stage with The Prodigy two years later.
The supporting artists for the upcoming show, scheduled for August 9th, has not yet been revealed. Check out the band's announcement below.
A few months ago, Pendulum wrapped up a long-awaited North American tour that saw them perform Los Angeles, Denver and other major cities. Since then, they've been revealed as part of UKF's gigantic takeover of the Drumsheds alongside Rusko, Caspa, Flux Pavilion, Joker and more.
Pendulum frontman Rob Swire also completed a side quest over the summer when he joined Armin van Buuren onstage at Tomorrowland, where they performed their collaborative remix of "Sound of You."
Pre-sale tickets to Pendulum's show at Milton Keynes Bowl go on sale December 5th, 2024 at 10am here.
Follow Pendulum:
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TikTok: tiktok.com/@pendulumofficial
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Spotify: spoti.fi/3cxHXAH
Ravebot
As if 808 Festival’s lineup wasn’t already massive—with Anyma making his first-ever stop in Southeast Asia, a Drumcode takeover led by Adam Beyer, and DJ Snake unveiling his The Outlaw alias in Asia for the first time—808 just turned up the heat. The festival has added even more star power to its 2024 edition, announcing Zedd, Merow, Just Us, and Marie Vaunt as part of its explosive lineup.
Zedd Returns to 808: A Magical Encore
Zedd’s return to the 808 stage is a dream come true for fans who witnessed his unforgettable set in 2022. That performance wasn’t about flashy visuals—it was all about the stage and Zedd’s unmatched energy. His iconic tracks like Clarity and Stay electrified the crowd, creating a connection that only Zedd can deliver. His ability to command the audience with pure artistry left everyone buzzing, and his 2024 appearance is sure to deliver yet another masterclass in live performance.
Fresh Faces to Watch: Merow, Just Us, and Marie Vaunt
Bringing even more depth to the lineup, 808 welcomes first-timers to its festival with Merow, Just Us, and Marie Vaunt. Merow’s innovative approach to electronic music, paired with Just Us’s energy-packed performances, promises moments that festival-goers will be talking about long after the lights fade. And then there’s Marie Vaunt, whose hypnotic techno beats are the perfect addition for those who love to lose themselves on the dancefloor. Together, these rising stars add a layer of freshness and unpredictability to an already iconic festival.
The Perfect Playground for Dance Music Lovers
With a lineup that includes global heavyweights, emerging talent, and unique debuts, 808 Festival continues to cement its place as a must-attend event on the global electronic music calendar. Whether you’re a fan of melodic anthems, dark and driving techno, or genre-defying surprises, this year’s festival promises to be a once-in-a-lifetime experience.
Grab Your Tickets Before They’re Gone
808 Festival Bangkok 2024 is shaping up to be the ultimate year-end celebration, and tickets are flying fast. Don’t miss your chance to be part of this legendary event. Secure your spot now and get ready for a December filled with music, memories, and magic.
Tickets are still available so grab them now!
Act fast, because this lineup is too good to miss!
Ravebot
Police officers in the southern part of the Netherlands discovered an MDMA-covered garden gnome. The Dongemond Police Force, which covers the municipalities of Oosterhout, Geertruidenberg, Drimmelen and Altena, discovered the MDMA garden gnome earlier this month during a drug bust. According to an article from the BBC, the gnome weighed 2kg (4lb) and the Dongemond police authorities stated, “Drugs appear in many shapes and sizes, but every now and then we come across special things”. Knowing there was suspicion surrounding the odd placement of the garden gnome, the police also added, “”In itself a strange place to keep your garden gnome. That’s why we decided to test [it] for narcotics”.
To make things even funnier, police officers later concluded, “The gnome himself was visibly startled”. This was in reference to the garden gnome covering its mouth. Mixmag reported that the 2kg (4lb) MDMA garden gnome is equivalent to around “8,000 ecstasy pills weighing an average of 250mg each”. Afterwards, the drug bust continued onwards in the southern Netherlands. The drug bust occurred shortly after debate in the Netherlands regarding the potential regulation and legalization of MDMA in the Netherlands. As for the relevancy of MDMA legalization in the United States, this comes after the FDA rejected MDMA therapy for PTSD in Phase 3 clinical trials.
The post Dutch Police Found a Garden Gnome Made Entirely Out of MDMA appeared first on EDMTunes.
Ravebot
Multi-platinum trio Cheat Codes has joined forces with rising pop sensation salem ilese for their latest single, ‘TYSM.’ This infectious dance-pop track transforms heartbreak into an empowering anthem, blending Cheat Codes’ signature euphoric production with Ilese’s witty lyricism and sparkling vocals.
Cheat Code’s latest release, ‘TYSM,’ is a refreshing departure from their usual high-energy, club-ready tracks. This time, the trio opts for a more mellow, nostalgic vibe, creating a sweet and sentimental tune that’s perfect for a quiet moment. The song’s production is simple yet effective, with soft, dreamy synths and a gentle beat providing the backdrop for Salem’s smooth vocals. The lyrics express gratitude and appreciation for someone special, making it a heartfelt and relatable track. Despite the sadder lyrics, Cheat Codes lightens up the mood with their uplifting production.
The post Cheat Codes Teams Up with Pop Sensation salem ilese on ‘TYSM’ appeared first on EDMTunes.
Ravebot
The hills of Red Rocks may not have eyes, but on this night, they had ears.
Of The Trees recently took over the iconic Colorado venue for a career-defining performance on November 16th, when we experienced the uncompromising energy of a generational artist coming into his own.
"I never imagined taking this project as far as I have," said the DJ, whose real name is Tyler Coombs. "I have always had dreams of being a rock star—ever since I was a little boy, but I'm not sure I ever really grasped what that could mean."
Of The Trees.Colin Patrick
Coombs in 2021 founded Memory Palace, an innovative record label where artists are invited to push boundaries and create phantasmagoric beats that linger in our consciousness, like vivid dreams we can't quite shake. There's an underlying philosophy of music as a form of ecological dialogue, where the label's sounds can communicate deeper truths about interconnectedness.
That's exactly what happened to the sold-out Red Rocks crowd, a gleaming sea of puffer jackets and neon beanies who moved like they were bewitched as lasers sliced through breath visible in the icy mountain air. We weren't just watching—we were being rewired.
Over 6,000 feet above sea level, the dreamlike concert bowl whispered its usual promises of grandeur. But this time, it wasn't just its monoliths speaking—it was Of The Trees, whose sensory sorcery breathed life into the storied amphitheatre and wove its history through nature's exhale.
Coombs, who doubled down with another performance the following night, debuted a stunning new stage production, DJing within an illusory cabin developed by Dark Moon Designs. The modular structure, the studio said, is an aluminum build with wood cladding, dense forest foliage and a rusted roof.
Channeling the surrealist whimsy of Where the Wild Things Are through a rave lens, the cabin turned into a bioluminescent beast before our eyes.
View the original article to see embedded media.
Inside, an LED screen crackled with timeless woodland charm, often projecting visuals of an antique chair glowing in the amber light of a stone fireplace.
Outside, LED screens behind and beneath the cabin's beams palpitated with primordial visuals of molten sunsets, shivering tree limbs and blooming ecosystems of fractal flora.
Designed by Alec Maassen, the stunning visuals sometimes veered into the dark as well. One moment you were cocooned in the arms of Mother Nature, the next you were wondering whether you've stumbled into a secret forest coven convening under a full moon.
Brittany Teuber
Brittany Teuber
If the cabin was Of The Trees' sanctuary, the music he played was ours. Every snarl of distorted bass felt like the surrounding forest growling back, shaking its roots and dancing with us.
We heard a plethora of unreleased bangers, including a nasty trap track with the surging LYNY and a sublime song Coombs produced alongside the late CharlesTheFirst, who in 2021 tragically died at the age of 25.
Coombs also fluidly threaded his hip-hop influences throughout, creating moments of liquid grace amid the barrage of woozy trap and bass music. An undeniable highlight was when he played an unreleased collaboration with the Grammy-nominated EarthGang duo, whose signature blend of Southern grit and cosmic lyrical curiosity feels like it was written in the stars for Of The Trees' sound.
Despite the spine-chilling complexion of his set, Coombs is a DJ with the soul of a wandering poet. It was clear why the EDM.com Class of 2024 breakout has emerged as one of the electronic music scene's most gifted storytellers, a reputation he's attained through hard-won authenticity cutting his teeth as a humble producer and visual artist in the frigid plains of Maine.
The most human part of the night, however, wasn't the music or the visuals—it was the artist at the helm. Of The Trees, often silhouetted against his otherworldly cabin, paused frequently to take it all in. Each glance he cast across the amphitheater spoke volumes—disbelief, gratitude, pure unfiltered joy.
His grin, impossible to miss, said what trees never could: this was the dream.
"I looked up at the silhouettes of the famous rocks with my logos on them, at the several thousand faces staring back at me, at all of the stars twinkling in the chilly November sky—and it all hit me super hard," Coombs gushed. “We are really doing this shit."
Fans can now catch Of The Trees on his North American tour, "Moonglade." Tickets are on sale here.
Follow Of The Trees:
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TikTok: tiktok.com/@ofthetreesmusic
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Ravebot
Tomorrowland has unveiled its 2025 Belgium edition theme, and it’s nothing short of promising. Titled “Orbyz,” this year’s concept introduces a magical, otherworldly universe crafted entirely from ice, unlocking the secrets of a hidden civilization that has thrived beneath a colossal ice cap for generations.
A World Awakened
The story of “Orbyz” revolves around an indigenous community that emerges as the ice and glaciers begin to melt. This newly revealed society is powered by mystical red-colored crystals and rocks, radiating light, energy, and power. Tomorrowland has once again woven an intricate narrative that promises to transport the People of Tomorrow into a fantastical world filled with wonder, exploration, and awe.
With its creativity and attention to details, Tomorrowland is set to raise the bar with “Orbyz.” The visuals teased in the festival’s announcement reveal a striking combination of shimmering ice formations and glowing crimson crystals, symbolizing the balance between the cold and the powerful energy within. From towering glaciers to subterranean crystal caverns, the 2025 edition is set to be an immersive spectacle that blends nature, mythology, and cutting-edge production.
Stray Thoughts
Tomorrowland usually alternates between two different teams of designers. The team for 2025 is the same team behind Adscendo, Return of the Book of Wisdom, and Amicorum Spectaculum. To see this team working with a concept like ice makes us think of the Final Fantasy videogames. These games often revolve around crystals and feature a medieval magical setting with some steampunk elements
Pre-Registration Details
Pre-registration for Tomorrowland Belgium 2025 opens on December 5, marking the first step for fans eager to secure their place at this once-in-a-lifetime event. With Tomorrowland consistently selling out in record time, early registration is a must for those hoping to join the magic of “Orbyz.” checkout the official website. Make sure you setup a Tomorrowland account ahead of time on the site!

The post Tomorrowland Belgium Reveals Theme & Dates for 2025 Editions appeared first on EDMTunes.
Ravebot
After a year of not releasing any original material, Gentlemens Club is back. This multigenre trio has never been afraid to break boundaries within the bass scene, experimenting with whatever subgenre that comes their way. Their mild release hiatus ended with ‘FEVER’, which came out on Deadbeats, and it’s one of many tunes to still come out. Gentlemens Club brings the energy we know them for, blending UK dub, bass, and breakbeat elements to create a fun track start to finish. 
It follows their back-to-back set with Levity at Zeds Dead’s Texas Jamboree in Fort Worth, and a tour around Japan this Summer. With a massive visual show at Rampage earlier this year, shows in Romania, Slovakia, Germany, and Belgium this autumn, the trio makes it clear they are here to stay. Right now, they are finishing up their European tour. After that, they will gear up to end the year with a bang in America.
We thought it was time to catch up with the guys, and chat about their comeback, their crazy energy on stage, and what’s more to come from them. 
How are you doing?
Coffi: We’re all good! We did a tour in Japan recently, are wrapping up tons of collabs, working on a bunch of releases. So yeah, we’re keeping busy. 
You also recently released ‘FEVER’, your first original song in over a year. What took you so long?
Coffi: We were honing in on what we wanted to release. We were making so much different stuff, I think we got a little bit lost in the music, so we took a bit of time to step back and realign. We asked ourselves, “Alright, what do we want to release?” ‘FEVER’ was a track that came to mind along with all the other next releases we got coming up. 
Soloman: We were thinking too hard, we were thinking too much about radio placements and all of that stuff. But the main reason why we started making music is because we just enjoyed making the music. That’s what we started doing again, just making music that we enjoy making, not thinking about the consumer as much. We want the listeners to enjoy the music, but if we don’t enjoy the music then what’s the point.
Coffi: I think that ‘FEVER’ encompassed the whole thing of a club tune. It’s a style that we all like. It came out really easy and it just made sense. Deadbeats liked it. We liked it. So we just rolled with that one. We’ve got so many songs scheduled to come out now, that it made sense in a longer term plan as well.
How was it working with Deadbeats again?
Soloman: It’s always good. We’ve done a lot of work with them and they’ve always been really good to us, so it’s always a pleasure to be welcomed back and carry on working with them. This isn’t the end either, we’ve got a lot more coming up with them. 
50 Carrot: We like working with them, because they care about the releases. They put a lot of time into each of them, and they don’t just release for the sake of releasing. Everything’s got a purpose. 
Soloman: They’ve got a good roster, and good quality control as well. It’s consistently good music.
You’re talking about good quality control. Having not released for over a year, that must be something that’s quite high on your list.
50 Carrot: We’re quite hard on ourselves with what we release, so that’s part of the reason why we hadn’t released in a while. We were procrastinating on finishing some of the music, but it’s good to find this is the end of that. It’s mostly Soloman wanting our music to be on the highest level possible, and that slowed us down more than we realised this past year. 
Aha! Would you say Soloman is the perfectionist in your group? And what are 50 Carrot’s and Coffi’s characters like, working together?
Soloman: My perfectionism can drive me absolutely crazy, and probably drives the boys crazy as well, but it has its pros, because we don’t rush things out. Sometimes you can get a bit caught in the moment with some stuff. Being a perfectionist can slow down the process, and make it better in the end. In the early days, in 2012, it would be common for us to just upload a song straight to SoundCloud at 6 PM after a day in the studio. We’ve learned that it can be good to give it some time to breathe and revisit the track after a month or two. 
50 Carrot: Absolutely, we don’t rush into things anymore and I think that’s a good thing. Where Soloman is the ‘quality control’, me and Lewis (Coffi) are the ‘creators’. Not that it’s only us having the ideas, but I feel like the bulk of the idea creation is probably coming from me and Lewis. Then we give it to Sol to remix and work on, and after that it’s ready to get sent around. And then it’s our task to tell Soloman, “It’s okay, it’s ready and good to go.”
Soloman: Otherwise I’ll spend two weeks fiddling with something that no one will even notice!
Other than tracks coming out, you’ve also got quite some gigs lined up. How are you looking forward to them?
Soloman: We’re definitely looking forward to Denver on December 28. It’s gonna be our biggest headline play in Denver ever, and we’re gonna do some solo sets there, which we haven’t done for a very long time. We’re also going to get some special guests down and send off the year properly, we’ll give people a good party. It’s going to be cheap tickets, and it’s going to be 360 as well. We also recently played a few new countries we’ve never played before, like Romania and Bratislava.
You’re playing shows in both the US and in Europe. What’s the biggest difference in energy between the two?
50 Carrot: Americans will fill the space on a breakdown of a song. When there’s a bit of silence in the track or something that breaks down, it can be a bit quiet in Europe, but in America they will fill that silence with enthusiastic noises. Depending on what area of America it is, down South they will shout a “yee-haw”, for instance. 
Coffi: Energy-wise they’re pretty neck and neck at the moment.
Would you say that there was a time where that was different?
Coffi: Absolutely! Certain things are more popular in America or certain things are more popular in Europe and then that makes a difference in itself when we’re playing the sets. Right now, it seems that people are pretty open to hearing anything and everything, which is cool in America. They used to be straight and narrow on just wanting heavy dubstep but now you can go out there and play UK garage and drum & bass and they’re starting to accept it and enjoy it even. 
There is definitely some change happening in the bass scene! There’s a lot more UK Garage and other genres than 140 and drum & bass that people play. What is the biggest benefit to you in that?
Coffi: Being multi-genre has allowed us to adapt and stay current. It’s nice to be able to play what we want and be able to adapt. Same story with releasing music, we release whatever genre we want, and we don’t have to say, “This is our new drum & bass song” or “This is our new dubstep song,” it’s just, it’s a new Gentleman’s Club song. 
50 Carrot: It keeps the sets interesting for us as well. We don’t know exactly what tunes they’re going to play next so it makes the sets more exciting for us, it works to keep the crowd engaged.  If they aren’t feeling a particular genre of music we can switch to play the next genre. 
Soloman: At the end of the day, we’re DJs, and we read the crowd and see what’s entertaining them. A lot of DJs can be quite stubborn and play what they want to play. Then, when they look up, the crowd is just standing there. We’re not afraid to switch things up if something isn’t working. We make sure we keep the crowd at the best energy possible at all times. 
Not knowing what each of you is going to play definitely keeps it interesting! 
Soloman: We don’t communicate at all what we’re going to play, that’s the whole fun of it for us. Lewis could have just discovered a new song that we haven’t heard before and he’ll turn over and look at me, give me a wink, and then drop this filthy track. It makes for a good video too. The only set we ever planned was the one for Rampage, because it was all visual. The reason we don’t plan our sets is because we like to keep it more like a party. We like to have fun with it and have a laugh and just play some tunes. We’re definitely going to be partying behind the decks at all of our upcoming shows, and we’d love to see you all there!

Ravebot
Tomorrowland has revealed Orbyz as its 2025 theme, in an amazing continuation of its iconic themed storytelling. Following the epic narrative paths of past years like “LIFE” and “Adscendo,” the forthcoming edition promises to carry the People of Tomorrow into a hypnotic realm of ice, secret civilizations, and transforming energy.
What’s Orbyz, Tomorrowland 2025 Theme?
Orbyz is an immersive story landscape, not only a celebration theme. Imagine a large, frozen cosmos in which a whole civilization has been hibernating behind a massive ice sheet just ready to come alive. This Indigenous society arises when global temperatures change and large glaciers start to melt, carrying with them an amazing supply of light, energy, and power embodied by vivid, red-colored crystals and rocks.
The story behind the Tomorrowland 2025 theme
Tomorrowland has regularly pushed electronic music events beyond simple entertainment value. The event, which started in 2005, has created complex, magical environments to complement musical experiences. Following noted themes like “The Reflection of Love“, “Adscendo” in 2023, and the 20th-anniversary “LIFE” theme in 2024, Orbyz carries on this legacy.
Tomorrowland will publish a companion book exposing Orbyz’s whole origin narrative in line with its values. This method lets guests delve deeply into the story before seeing the painstakingly created main stage, therefore turning the festival into an immersive storytelling event.
Tomorrowland Belgium 2025 will happen over two weekends for those ready to join this glacial adventure:
First weekend: July 18–20 Second weekend: July 25–27 Pre-registration starts on December 5, 15:00 CET using tomorrowland.com. Once more honoring its tradition of building a worldwide community bonded by electronic music, the festival will welcome 400,000 People of Tomorrow from more than 200,000 nations.
What does the Tomorrowland 2025 theme mean?
Orbyz represents more than just a festival concept. A potent parallel to the transforming force of electronic music itself, it is a symbolic trip of latent potential, of dormant energy ready to be released. Electronic music constantly pushes limits and reveals new auditory worlds, much as the secret society emerges from its frozen cocoon driven by enigmatic red crystals.
Electronic music lovers all across wait for Tomorrowland to delve into this chilly story. Orbyz promises to be a deep study of emergence, energy, and the mystical junction of music and narrative rather than only a celebration.

The post The Tomorrowland 2025 Theme: Orbyz appeared first on The Groove Cartel.
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Swiss artist Wassay is making waves with his debut single ‘Embrace’, a house music gem guaranteed to get you grooving instantly. While this marks his official debut as a recording artist, Wassay has long been captivating audiences with his high-energy DJ sets and feel-good vibes. A sought-after DJ both in his native Switzerland and internationally, he has shared the stage with industry heavyweights like Michael Grey, Yves Larock, Jenn Getz & Alfie, Igor Blaska, and eSQUIRE, earning a reputation for electrifying performances.
With ‘Embrace’, Wassay channels the same infectious energy that defines his DJ sets into his own music. The track perfectly showcases his signature House sound, featuring an irresistible vocal hook, driving kick drums, and uplifting strings. The result is a dance-floor-ready anthem that lives up to its name, as listeners will find themselves fully embracing the groove and vibe of this standout debut. ‘Embrace’ is not just a debut release, it’s a statement of what’s to come from this talented artist.
Stream this single below.
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Synth pop icons Dead Or Alive’s 1985 album Youthquake is being celebrated with an expansive 4CD deluxe boxset reissue, set for release on February 21st, 2025. This special edition marks the 40th anniversary of the album’s original release in 1985, an album that propelled the band into global superstardom with its infectious blend of new wave, electronic dance, and glam pop.
Packaged in a stunning 7” Deluxe double gatefold wallet with O-ring, this 41-track reissue offers fans an unparalleled opportunity to revisit Youthquake in all its glory. The boxset includes newly mastered versions of the original album, a host of mixes and remixes, and a live performance recorded during the band’s 1985 Youthquake tour.
Youthquake is best remembered for the worldwide smash hit ‘You Spin Me Round (Like A Record)’, a song that remains one of the defining anthems of the 80s. The track rocketed to No. 1 on the UK Singles Chart and broke into the top 20 in the US, and its innovative production by Pete Waterman, combined with Pete Burns’ provocative vocals and striking persona, made it an instant classic that is still celebrated today.
Looking back at ‘You Spin Me Round (Like A Record)’ after all this time, Pete Waterman said: “I always said Pete Burns was one of the most talented people I ever met, but when we walked into the studio that Monday morning, little did we know we were about to start work on one of the 20th century’s iconic tracks.”
The album also produced other hit singles, including ‘Lover Come Back To Me’, ‘My Heart Goes Bang (Get Me To The Doctor)’, and ‘In Too Deep’, which helped Youthquake chart in the UK and the US. In the years following its release, Youthquake was certified Gold in the UK and Platinum in the US, solidifying Dead Or Alive’s place as one of the 80s most exciting and influential pop acts. Billboard recently ranked Dead Or Alive among the Top 100 Most Successful Dance Artists of All Time, a testament to the lasting impact of their pioneering sound and innovative approach to electronic dance music.
This deluxe edition includes four CDs, each offering something unique for fans and collectors. CD1 features the original Youthquake album, newly mastered for this reissue, featuring the unforgettable hits that launched Dead Or Alive into the stratosphere. CD2 is dedicated to ‘You Spin Me Round (Like A Record)’, featuring the song’s various mixes, including the extended version and remixes that have become fan favourites over the years. CD3 offers a selection of 7″ and 12″ versions, remixes, and instrumentals, showcasing the band’s experimental side and offering new perspectives on some of the most iconic tracks of the era. CD4 features a live recording from the 1985 Youthquake tour, captured at the Hammersmith Odeon in London.
The deluxe boxset is presented in a beautifully designed 7″ double gatefold wallet with an O-ring, that highlights the cultural impact of Youthquake and Dead Or Alive’s place in pop history.
Formed in Liverpool in 1980, Dead Or Alive were led by the enigmatic Pete Burns, whose unique voice and bold style made him a true pop icon. Alongside Burns, the band’s classic line-up included Mike Percy (bass), Steve Coy (drums), and Tim Lever (keyboards/guitar). The band’s fearless embrace of glam, electronic, and dance elements set them apart from their contemporaries, and Youthquake showcased their ability to blend catchy pop hooks with cutting-edge production.
Over the years, Dead Or Alive’s influence has only grown, with ‘You Spin Me Round (Like A Record)’ remaining a defining anthem of the 80s. The band’s cultural impact extends beyond music, with Pete Burns becoming a trailblazer for androgynous style and an icon of queer culture. Dead Or Alive’s fearless approach to music, style, and identity continues to resonate with fans and artists today.
Pre-Order HERE
The post Dead or Alive celebrate 40th anniversary of iconic 1985 album Youthquake appeared first on Decoded Magazine.
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“Everything was better in the 90s!” You probably heard this phrase a million times, and while it may not always be true, it does relate to Faithless’ “Insomnia.” Released back in 1995, Sister Bliss, Maxi Jazz, and Rollo Armstrong gave the world one of the greatest dance hits ever created. With a mesmerizing production, powerful vocals, as well as lyrics, the British band took the rave scene by storm from only their second release.
“I spent 20 minutes with a pad jotting down my thoughts, finished the lyrics in the studio the following evening, then spent about 25 minutes putting the vocals down,” mentioned the late Maxi Jazz in an interview with The Guardian in 2020. Despite the fact it took a short amount of time to write and record the vocals, they caught the ears of listeners.
“If I had a quid for every time someone’s come up going, ‘I can’t get no sleep’, I’d be living on the space station,” said the vocalist of Faithless regarding one of the most famous lines of all electronic music. Along with the catchy vocals of Maxi Jazz, came the instrumental which makes this record special.
The one of a kind bassline and melody also contributed towards the popularity of the track, making it an unforgettable release. The song was initially launched in the UK in 1995 but after gaining continental success, it was proposed by Pete Tong for a re-release which happened in 1996.
On the same day of the re-release, Spice Girls dropped “Say You’ll Be There”, meaning that “Insomnia” would be placed in racks alongside it. The Faithless record charted just two places below “Say You’ll Be There” which was no.1 at the time.
Still being played in these days, “Insomnia” represents rave culture all around the world, whether it is through reworks or the original mix. In one of his last interviews, Maxi Jazz said: “It was a big shock for the song to be such a huge hit, but an even bigger shock that it’s still such a favourite.”
In 2022, Maxi Jazz, the vocalist of Faithless sadly passed away aged 65. The electronic dance music industry stood still with famous DJs and producers reflecting on the impact of the British singer.
Although, the death of Maxi Jazz went beyond the music world. An example are fans of Crystal Palace, the football club Maxi Jazz supported.
For the team’s next home fixture following the news about Maxi Jazz, they revealed a mural of him at the club’s stadium, as well as honoured his legacy through a banner ahead of the game.
Celebrate the 29th anniversary of “Insomnia” by Faithless by streaming the record below.
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Henri Bergmann’s Automatik label is continuing to break dance music boundaries with the release of Interstellar VA II, a 15-track compilation that bridges the gap between veteran underground artists and rising stars. Building on the success of the first Interstellar compilation, this latest project further cements Automatik’s reputation as a home for cutting-edge club music and emerging voices within the electronic music scene.
The compilation features an impressive roster of talent, including the likes of Eze Ramirez, HEÎK, Alphadog, Fat Cosmoe, and Mila Journée, each delivering dynamic contributions that reflect the forward-thinking ethos of the label. Bergmann takes center stage with a pair of standout tracks, including the emotionally charged lead single “How To Get Lost” as well as “AEIOU,” a collaborative effort with Mila Journée, showcasing the compilation’s global reach and diversity. With Interstellar VA II, Automatik reinforces its mission to champion innovative soundscapes while simultaneously offering a platform for the next wave of electronic music trailblazers. Stream the full project below.
Featured image: Hugo Lopez
The post Henri Bergmann rounds up 15 tracks for Automatic’s new compilation, ‘Interstellar VA II’ appeared first on Dancing Astronaut.
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Are you ready to dance away your Thanksgiving feast calories? Cheat Codes has got you covered with one of the best Thanskgiving weekend parties as they takeover Marquee New York on November 29. Tickets are still available here.
Cheat Codes is an American electronic music trio hailing from Los Angeles, California. Composed of Trevor Dahl, Kevin Ford, and Matthew Russell, the group has taken the electronic music scene by storm. Known for their dynamic and unforgettable live shows, their nonstop energy will always rile up their crowds. Their unique blend of pop, hip-hop, country, and house has captivated audiences worldwide. After their 2016 breakout single, ‘Sex”, their rise to stardom was meteoric as they consistently put out viral tracks showcasing the group’s diverse style. With over 6 billion streams to their name, and other big hits such as ‘No Promises’ with Demi Lovato and ‘Feels Great’ with Fetty Wap, they are showing no sign of slowing down.
Be sure to also check out their latest track ‘TYSM’ with Salem Ilese down below!
The post Cheat Codes to Takeover Marquee NY this Thanksgiving Weekend appeared first on EDMTunes.
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Sonar Festival 2025 first names have been announced! The Barcelona establishment will witness its 32nd edition next year. It will stretch through 12th to 14th June next summer. A total of 66 artists have made the list for the first draft of artists set to perform.
First drop of the artist roster includes a host of names spanning across genres. This includes major acts like Eric Prydz, Four Tet, Honey Dijon, Vintage Culture and Jayda G. Peggy Gou, Helena Hauff, Overmono and Arca are also set to perform. A back-to-back bonanza awaits in the form of sets from Skrillex & Blawan and Armin van Buuren & Indira Paganotto.

Chroma, Bicep’s latest audiovisual show, will be featured. A return after more than a decade is also on the cards. Richie Hawtin is set to arrive as Plastikman after 11 years. Patrons will also witness Tim Reaper, Sama’ Abdulhadi, Hamdi, Juliana Huxtable, Paula Tape, Mochakk, Max Cooper, Barry Can’t Swim, Elkka and more.

Concrete Waves is actress and Suzanne Ciani‘s new joint project commissioned by Sónar and the Barbican. It makes the cut for the first wave of performances at the festival. More information for the Sónar by Day, Sónar by Night and Sónar+D programmes could be obtained here.
The post Sonar Festival Announces First Wave of Artists for its 2025 Edition appeared first on EDMTunes.
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The countdown is on! Electric Daisy Carnival Mexico has released the 2025 lineup which features a stellar roster of artists, showcasing both international headliners and local talent. EDC Mexico is set to return to Mexico City from February 21 to 23, 2025, at the Autódromo Hermanos Rodríguez.
The lineup includes some of the biggest names in the game, including some of the Techno heavy hitters such as Nico Moreno, Sara Landry, Amelie Lens, Mau P, Lilly Palmer, and more. Other huge names are Tiesto, Boris Brejcha, Argy, Matroda, Excision, Zomboy, Martin Garrix, Cosmic Gate, Deadmau5, Deorro, Fisher, Gordo and many more.
Beyond the music, EDC Mexico offers a vibrant world filled with interactive art installations, carnival rides, and a diverse array of performers, including dancers, aerialists, and stilt walkers. The festival emphasizes inclusivity, inviting attendees to explore, interact, and connect under the Electric Sky.
Ticket options range from General Admission to enhanced experiences like the Comfort Pass and SkyDeck packages. General public ticket sale is November 28th, 2024 at 2PM! For more information on ticketing and the full lineup, visit the official EDC Mexico website.
As the festival approaches, fans can anticipate further announcements and updates, ensuring that EDC Mexico 2025 will be an unforgettable experience for all attendees. Stay tuned for more!
Listen to the Official EDC Mexico 2024 Playlist Here.

The post EDC Mexico Drops Massive Lineup For 2025 appeared first on EDMTunes.
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