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Fast-rising talent Inox Traxx just released a second EP on Charlotte de Witte’s RPM by KNTXT label, a dynamic 5-tracker entitled ‘Free,’ out now, after last year’s gem, ‘In My Darkness.’
In just a few years, the Berlin-based producer has won tastemaker support releasing her propulsive, crystal-sharp techno and hypnotizing dancefloors at KNTXT’s London and Ghent shows, as well as renowned venues and events such as Berghain, Awakenings, Intercell Events, and HÖR sets. 
The EP opens with ‘Difference,’ driven by a pounding drum and fluttering, clattering industrial percussion with Doppler FX. A deep, dark vocal motif alternates with a high, abstract vocal melody in this positive, powerful production. ‘No Leaving’ has fast, resonant beats and hissing percussion, with assertive but soulful echoing vocal strands, compulsively danceable. 
Title track ‘Free’ combines breaksy beats with an upbeat feel, earthed by growling bass; more of a song, with breathy, high vocals, the whole composition flowing and bubbling like river water. ‘Artefacts’ has pulsing, rattling beats and melodic vocal FX, the wild momentum pierced by a moment of silence, while ‘Warp’ creates a compelling alien soundscape with complex bursts of jerky percussion with slicing, slamming SFX, all redolent of machinery, as chopped, blurred vocals call like radio waves across light years of space.
Inox Traxx ‘Free’ EP is out now on RPM by KNTXT. 
The post Inox Traxx Returns To Charlotte de Witte’s RPM By KNTXT Label With ‘Free’ EP appeared first on EDMTunes.
Ravebot
EDM.com Class of 2025 star Jessica Audiffred has announced a career-defining event: a six-hour 360° DJ set to celebrate her birthday and long-awaited debut album, Rave New World.
The three-pronged celebration will take place at Verdeespina Studios in her hometown of Mexico City on April 12th.
While an official release date has yet to be announced, Audiffred said the show will celebrate the impending release of her debut album, meaning attendees can expect to be among the first to hear many—if not all—of the music from Rave New World live.
With an exciting mystery announcement teased for the end of the night, speculation is already running wild about what Audiffred has in store. Whether it's a new project, tour or something even bigger, one thing is certain: the homecoming event is one that fans will not want to miss.
Tickets are now on sale and can be purchased here.
View the original article to see embedded media.
Follow Jessica Audiffred:
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Ravebot
Just one day before its 13th anniversary, Alesso and Ryan Tedder have come together to reveal a sequel to their iconic EDM track, "Calling (Lose My Mind)."
Released in 2012 by Alesso, Tedder and Swedish House Mafia's Sebastian Ingrosso, "Calling (Lose My Mind)" is now widely considered a generational dance anthem. Coupled with Tedder's soaring vocals, the track’s euphoric progressive house melodies defined an era of festival anthems and became a staple during what many consider the "golden age" of electronic dance music.
After topping Billboard's Hot Dance Club Songs chart at the time, the song solidified Alesso and Ingrosso's reputation as masters of emotive, high-energy dance music. It is still played at major festivals all over the world today.
Alesso and Tedder took to Instagram this week to tease a follow-up, with the latter remarking that their reunion is "long overdue." They previously teased a sequel in the works back in February 2023, but fans have more reason to believe it's imminent this time around.
The superstar Swedish DJ and OneRepublic frontman have also collaborated to release 2013's "If I Lose Myself (Alesso Remix)," another iconic EDM record; and "Scars," which dropped in 2015.
With the demand for nostalgia-fueled revivals growing across the industry, fans are eager to see how Alesso and Tedder will reimagine their beloved classic. It's important to note, however, that they have not formally announced a track at the time of this writing. It's also unclear at this time whether or not Ingrosso is involved.
You can watch the video from Alesso and Tedder below.
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Follow Alesso:
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Trance legend Armin van Buuren has finally unveiled one of his most sought-after tracks, ‘Angles’. This captivating collaboration with Punctual features the mesmerizing vocals of Evalina, adding an extraordinary depth to the sound. Now available on all streaming platforms through Armada Music, this record has been nothing short of legendary, with fans buzzing about it well before its official release. Don’t miss out on experiencing this electrifying addition to Armin’s illustrious discography!
‘Angles’
‘Angles’ marks yet another remarkable collaboration between Dutch superstar Armin and the Grammy-nominated duo Punctual. This track brilliantly showcases the perfect synergy of their respective styles. It is building on the momentum of their previous hit, ‘On & On.’ With ‘Angles,’ listeners are treated to an exhilarating blend of progressive house that radiates pure euphoria. Right from the opening notes, the rich synthesizers and reverberating pads create an enchanting soundscape that captivates the senses. What truly elevates this track to potential classic status is the enchanting voice of EVALINA. Her vocals are both light and powerful, delivering a profound message of hope that makes this song a beacon of positivity—an uplifting ray of sunshine after a stormy day.
EVALINA’s voice melds seamlessly with the music, amplifying the emotional resonance woven throughout the synths. The lyrics craft a vivid tapestry of hope, showcasing resilience and the promise of a brighter tomorrow. As the song unfolds, it masterfully intensifies the buildup through captivating arpeggios and rhythmic tension, culminating in an exhilarating drop. I can vividly imagine myself in the heart of a festival crowd, hands raised high in unison. We truly have a timeless festival anthem in ‘Angles.’ Its soaring energy, beautifully contrasted with gentle verses, creates an extraordinary and well-balanced tune. The production, expertly crafted by Punctual, features tight percussion programming that enhances its allure. This track is incredibly versatile, perfectly suited for both pulsating clubs and intimate gatherings. Undoubtedly, ‘Angles’ is a festival anthem that resonates with many, infusing the dancefloor with hope and unbridled energy.
Hope you enjoy ‘Angles’ as we get ready for the pluthorah of music festivals coming our way. Stay tuned to EDMTunes.
The post Armin van Buuren & Punctual feat. EVALINA – ‘Angles’ appeared first on EDMTunes.
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Martin Garrix is breaking new ground with "Angels For Each Other," a collaboration with Indian singer-songwriter Arijit Singh in which he sings on his own track for the first time.
Out now via his own STMPD RCRDS imprint, the track blends English and Hindi, melding diverse musical influences and offering a unique fusion of Garrix's signature sound and Singh's soulful Indian melodies. "Angels For Each Other" is also the first-ever English language showcase for Singh, the world's most followed artist on Spotify.
In a behind-the-scenes TikTok video, the superstar Dutch DJ shared his excitement about lending his vocals to his own music.
"If you had told me a few years ago that I'd be singing on one of my own songs one day, I never would have believed you," Garrix said.
The buzz surrounding "Angels For Each Other" is growing, with many fans speculating it could be a key feature in Garrix's Mainstage set at Miami's Ultra Music Festival later this month. He is also preparing for a major live performance at Mumbai's DY Patil Stadium on March 14th, the night after the song's release.
You can listen to "Angels For Each Other" below and find the new single on streaming platforms here.
Follow Martin Garrix:
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Ravebot
The Brooklyn Mirage, New York City’s premier open-air music venue, is marking its 10th anniversary with a complete transformation that redefines the boundaries of live music experiences. Set to reopen on May 1, 2025, the venue has been reimagined from the ground up, merging cutting-edge technology with sustainable design to create what many are calling an “electronic opera house.”
A New Era for New York Nightlife
Since its inception, The Brooklyn Mirage has been at the forefront of New York’s nightlife scene, consistently pushing the envelope of what’s possible in a live music venue. True to its name, the venue typically disappears each winter, only to return in spring with new innovations. This year’s transformation, however, is unlike anything seen before.
“The Brooklyn Mirage has always been a place to dance, to lose oneself in moments of pure, electrifying energy,” said Josh Wyatt, CEO of Avant Gardner. “When we decided to rebuild the venue from the ground up, we aimed to honor its legacy while expanding the dance floor, creating immersive side-quest spaces, and pushing the boundaries of music, art, and technology.”
Groundbreaking Visual Technology
The most striking feature of the redesigned venue is its revolutionary visual system. The new Brooklyn Mirage features the world’s first fully kinetic shutter system of this scale in a live music venue. When open, this system reveals a hyper-realistic 270-degree virtual environment created by LED screens with a combined 30K resolution, displaying an astonishing 100 million pixels across over 3,000 tiles.
This visual spectacle exceeds the size, density, and scale of visual experiences found at some of the world’s largest music festivals. The dynamic system allows for unlimited configurations, ensuring that each show offers a unique visual experience.
Unparalleled Sound Experience
Complementing the revolutionary visual system is an all-new, custom-built L-Acoustics sound system – the industry leader in festival and nightclub audio. Over 100 precision-calibrated speakers and subwoofers are strategically placed throughout the venue, ensuring perfectly balanced sound regardless of where guests are positioned.
This commitment to audio excellence ensures that The Brooklyn Mirage continues to offer one of the most immersive sonic experiences in the global nightlife scene.
Architectural Innovation Meets Sustainability
The redesigned venue showcases a monumental heavy timber structure, measuring 197 feet by 164 feet and soaring 65 feet high – making it among the largest timber builds of its kind in the USA. This sustainable approach stands in contrast to conventional large-scale event structures, which typically rely on steel or aluminum.
The structure is fully pre-manufactured and CNC-cut with the latest addition technology, demonstrating how advanced prefabrication techniques can push the limits of contemporary event space design while prioritizing environmental responsibility.
Reimagined Performance Spaces
Artists will now have access to a 90-foot-wide performance area with an industry-leading 400,000-pound roof rigging capacity, empowering them to bring their most visionary performances to life. The venue has been engineered to accommodate performances of any type and genre, from world-class DJ sets to intimate live concerts featuring artists typically seen only in arenas and stadiums.
For attendees seeking an elevated experience, the venue now features opera-style mezzanine loges above the dance floor, offering unobstructed sight lines, ample room to dance or relax, and bespoke hospitality amenities. This design choice not only enhances the premium experience but also frees up additional space on the main dance floor.
Enhanced Guest Experience & Safety
The Brooklyn Mirage has made significant infrastructure investments both inside and outside the venue to ensure a seamless experience from arrival to departure. New lighting, signage, rideshare drop-off zones, and cell service enhancements will improve guest navigation and connectivity.
Additionally, the venue has enhanced its team of trained guest ambassadors, expanded private security patrols, and increased first responder-trained staff to enhance safety and overall guest experience.
New Media Art Program
Beyond its technological and architectural innovations, The Brooklyn Mirage is launching a New Media Art Program. This initiative will invite internationally renowned and emerging multidisciplinary artists, including local creative community members—to showcase their works on-site, further cementing the venue’s status as a cultural hub.
Star-Studded 2025 Season
With over 100 shows already confirmed for 2025, the season kicks off on May 1 with an impressive lineup featuring electronic music heavyweights such as Sara Landry, Alesso, The Martinez Brothers, Peggy Gou, Cloonee, Anjunadeep, Artbat, Cityfox, Elrow, Amelie Lens, Boiler Room, Rezz, Gryffin, Subtronics, Francis Mercier, Nora En Pure, Galantis, The Chainsmokers, A.G. Cook, James Hype, All Day I Dream, Underworld, and Empire of the Sun, with many more major announcements still to come.
A Global Nightlife Destination
Avant Gardner, the parent company of The Brooklyn Mirage, continues to solidify its position as New York City’s premier entertainment destination. Spanning an 80,000-square-foot complex that occupies an entire city block in East Williamsburg, Avant Gardner has been voted North America’s “Best Large Club” in 2022 and 2023 and ranked in the Top 10 globally by DJ Mag.
The venue has hosted sold-out performances by top global acts, including Rüfüs Du Sol, Glass Animals, Afterlife, Keinemusik, John Summit, Black Coffee, Fisher, Drake, David Guetta, Reneé Rapp, Rina Sawayama, SOFI TUKKER, Tainy, and Tiësto.
For tickets and the latest event updates, visit Avant-Gardner.com.
Ravebot
One of New York's most popular electronic music venues, Brooklyn Mirage, has reinvented itself multiple times over the past decade. Its latest transformation, revealed today, is its most ambitious redesign yet.
"The Brooklyn Mirage has always been a place to dance, to lose oneself in moments of pure, electrifying energy,” said Josh Wyatt, who took over as CEO of Avant Gardner last fall. "When we decided to rebuild the venue from the ground up, we aimed to honor its legacy while expanding the dancefloor, creating immersive side-quest spaces, and pushing the boundaries of music, art and technology.”
Brooklyn Mirage’s signature, sprawling LED wall is undergoing a major transformation. Its span has been extended to envelop even more of the venue's dancefloor, resulting in 270° of virtual immersion powered by 100 million pixels and over 3,000 tiles with a combined 30K resolution.
Brooklyn Mirage
Despite its extension, the LED wall won’t be a permanent fixture for shows at Brooklyn Mirage. A fully kinetic shutter system—the first of its kind at this scale in a live music venue—will control the wall’s visibility. With the shutters drawn, the venue harkens back to the early years of Brooklyn Mirage, a time when the venue had no screens at all.
Shuttering the video wall isn’t just a nostalgic sentiment though. It’s an architectural innovation that means the venue can dynamically transform from show to show.
With a 90-foot wide stage area and an industry-leading 400,000-pound roof rigging capacity, artists will have unparalleled creative control of the production elements and visual identity of their performances. The space can shift from an arena-style show to a stripped-down, intimate concert, offering a level of flexibility rarely seen in nightlife.
"The New Mirage will be everything fans worldwide love about this space—while delivering a completely new, mind-blowing sensory experience," Wyatt says. "New York City deserves a venue that evolves with the culture, and that’s exactly what we’re creating."
Accompanying the visual overhaul, Brooklyn Mirage has revamped its sound setup with a custom-built system from L-Acoustics, an industry-leading audio solutions company that powers the sound of some of the world’s biggest music festivals, like Tomorrowland and Ultra. Over 100 precision-calibrated speakers and subwoofers will be strategically placed throughout the venue, which means the sound should be crisp and balanced whether you’re raging on the rails or hanging at the back.
Inspired by operatic grandeur, the dancefloor itself is undergoing a makeover as well. With an expansion of over 40 feet and removal of production elements and columns, the floor will have more space, improved crowd-flow and better sight-lines to the stage.
New loges, balconies and mezzanines have also been constructed, morphing the Mirage into an electronic opera house. The second and third mezzanine levels will be open to all attendees but the elevated loges lining the sides of the dancefloor will be used for VIP and table service during some shows.
In a pioneering effort of sustainability, the event space is built with heavy timber instead of steel or aluminum. Measuring 197 by 164 feet and soaring 65 feet high, the new Brooklyn Mirage is one of the largest timber builds of its kind in the US.
An artist's rendering of the Brooklyn Mirage
These visual, sound and architectural overhauls will be accompanied by an array of cultural, logistical and operational improvements as well. "This is not just an upgrade—it’s a rebirth," Wyatt says.
With over 100 shows already on the calendar, Brooklyn Mirage kicks off its 2025 season on May 1st. Alesso, Peggy Gou, Underworld, Empire of the Sun and The Chainsmokers are set to perform this year, among others.
You can find out more via the venue's website.
Ravebot
The Penthouse Dubai at FIVE Palm Jumeirah, named the #1 Nightclub and Rooftop Lounge in the Middle East for 2024, continues to bring some of the best nights out in the region. Known for its stunning views, renowned hospitality, and a mix of international and local DJs, the venue has an exciting schedule lined up for the coming months.
Situated on the 16th floor of FIVE Palm Jumeirah, The Penthouse offers a full nightlife experience, from early evening drinks and dining to late-night dancing. The venue has two distinct spaces: the Lounge and the Nightclub. The Lounge brings relaxed house sounds, while the Nightclub keeps things fresh with a mix of genres throughout the week. Regular events include Big Mood Monday for urban sounds, Toy Room Wednesdays for hip-hop, R&B, and reggaeton, and FIVE Music Sessions every Thursday, featuring live acts and entertainment.
April and May Lineup
April and May will bring a mix of well-known names and rising talent to The Penthouse. Robin Schulz, Eli & Fur, Jan Blomqvist, and East End Dubs are among the artists performing, along with Solardo, Hannah Wants, Mason Collective, and HoneyLuv. Other acts include Kitty Amor, Bontan, and Kilimanjaro, each adding their own sound to the venue’s diverse schedule.
The Penthouse Presents (Saturdays)
April 5: Robin Schulz, Sam Oui April 12: Jan Blomqvist, Yazzmin April 19: Eli & Fur, Sam Oui April 26: East End Dubs, Fabrice May 3: Solardo, Fabrice May 10: Hannah Wants, Jenn Getz & Alfie May 17: Mason Collective, Milica May 24: HoneyLuv, Jixo & Danz The Penthouse Dubai (Sundays)
April 6: DJ Bliss, ANREY April 13: ANREY & Friends April 20: Kitty Amor, Emir April 27: Masaka featuring Mickey Dastinz, Monta May 4: Bontan, Emir May 11: Kilimanjaro, ANREY May 18: ANREY & Friends The Penthouse Dubai is more than just a party place. It starts with cocktails and Japanese-inspired dining against one of the best views in the city before transitioning into a club setting where guests can dance into the early hours. The Lounge and Nightclub each have their own vibe, with the Lounge catering to house music fans and the club offering a variety of sounds throughout the week. Big Mood Monday kicks off with urban beats, B.O.T.A Tuesdays bring a ladies’ night twist, Toy Room Wednesdays are all about hip-hop and reggaeton, and FIVE Music Sessions on Thursdays mix live music with entertainment. Fridays lean into hip-hop, Saturdays highlight top house and tech artists, and Sundays wrap up the week with Afro and tribal rhythms.
For those who want a more private experience, The Penthouse offers VIP sections with premium bottle service and booths located right behind the DJ, bringing fans closer to the action. The club is also a favorite afterparty spot, especially following Bohemia Presents and Bohemia Chill, keeping the energy going long after other venues wind down.
FIVE Palm Jumeirah is more than just home to The Penthouse. It is one of Dubai’s top destinations for luxury, nightlife, and entertainment. With award-winning restaurants, a private beach, and a strong commitment to sustainability, the hotel attracts both visitors and residents looking for a premium experience. The Penthouse is a key part of its reputation, hosting some of the most talked-about nights in town.
With this latest round of events, The Penthouse is set to keep its place as one of the most exciting and talked-about nightlife spots in the city.

Ravebot
After a decade of shaping New York’s nightlife, The Brooklyn Mirage returns on May 1 in a dramatically reimagined form. Inspired by operatic grandeur, the venue has been transformed to redefine live music, art, and immersive nightlife.
Designed by Avant Gardner’s team alongside Hard Feelings and Studio Greenbank, the new Mirage features a monumental heavy timber structure— measuring 197 feet by 164 feet and soaring 65 feet high, this is among the largest timber builds of its kind in the USA. Unlike conventional large-scale event structures, which often rely on steel or aluminum, this build sets a new benchmark for sustainability. The structure is fully pre-manufactured and CNC-cut with the latest addition technology showcasing how advanced prefabrication techniques can push the limits of what is possible in contemporary event space design.Prefabricated with advanced CNC-cut technology, it sets a new standard for event space innovation, blending music, technology, and hospitality in an unprecedented way.
Introducing Mirage Next Generation: A Fully Kinetic, Immersive Experience
The Brooklyn Mirage 4.0 feature the world’s first fully kinetic shutter system of this scale in a live music venue. When closed, it nods to the venue’s early days without LED screens; when open, it transforms into a hyper-realistic 270-degree virtual environment with 30K resolution and over 100 million pixels, surpassing visuals seen at major music festivals.
Paired with a custom-built L-Acoustics sound system featuring over 100 precision-calibrated speakers, Mirage 4.0 ensures an immersive audio-visual experience. With a 90-foot-wide stage and a 400,000-pound rigging capacity, it accommodates groundbreaking productions across all genres. Opera-style balconies enhance the dance experience, offering premium views and hospitality while maximizing dancefloor space. This next-generation venue delivers arena-level production, ensuring every guest feels like they’re in the front row.
Enhancing Guest Experience & Safety
To ensure a seamless experience from arrival to departure, The Brooklyn Mirage has made significant infrastructure investments inside and outside the venue. New lighting, signage, rideshare drop-off zones, and cell service enhancements will improve guest navigation and connectivity. Additionally, the venue has enhanced its team of trained guest ambassadors, expanded private security patrols, and increased first responder-trained staff to enhance safety and overall guest experience.
New Media Art & A Star-Studded Season Ahead
Beyond its state-of-the-art production and hospitality innovations, The Brooklyn Mirage is launching a New Media Art Program, inviting internationally renowned and emerging multidisciplinary artists — including members of the local creative community—to showcase their works on-site. With over 100 shows already confirmed for 2025, the season kicks off on May 1 with a powerhouse lineup featuring Sara Landry, Alesso, The Martinez Brothers, Peggy Gou, Cloonee, Anjunadeep, Artbat presenting Upperground, Cityfox, Elrow, Amelie Lens presenting Exhale, Boiler Room, Sammy Virji, TwoFriends, Excision, Rezz, Gryffin, Subtronics, Francis Mercier, Nora En Pure presenting Purified, Galantis, The Chainsmokers, A.G. Cook, James Hype, All Day I Dream, Underworld, and Empire of the Sun, withmany more major announcements still to come.
For tickets and the latest event updates, visit Avant-Gardner.com.
The post Brooklyn Mirage 4.0 Revealed as Venue Turns 10 appeared first on EDMTunes.
Ravebot
*Featured Cover Photo Credit: Hardwell PR
Hardwell, born as Robbert van de Corput, is the March cover star of lifestyle magazine, Haute Living, and the Dutch electronic music icon recently participated in an exclusive interview with the magazine. In fact, in the interview with Haute Living (click on this link to check out more of the interview), Hardwell talked about various topics, including his four-year break from touring, the future of music production with the increasing involvement of AI, and why making mistakes is a good thing in one’s life.
In this exclusive interview with Haute Living, Hardwell provides an in-depth opportunity for his millions of fans to understand and appreciate his inner innovative side, as well as his personal side outside the spotlight. Furthemore, the interview comes in time for the electronic music icon as he prepares to become the headliner who closes out the 25th Anniversary of Ultra Music Festival, set to happen on the weekend of March 28-30. This comes as another grand step in the illustrious career of Hardwell since he had first performed at the festival at the age of 21 back in 2012, which was also his first time performing in the United States.
Haute Living Hardwell discusses in Haute Living how his four-year break enhanced his growth as an artist
AI getting invovled in music production
Making mistakes is good
The post Hardwell Reflects on His Hiatus, AI in Music, and Making Mistakes appeared first on EDMTunes.
Ravebot
Get ready to dance! Miami Music Week 2025 is just around the corner, and the party keeps getting bigger. Miami Music Week Thursdays are notorious for being one of the most stacked days every year and boast one of the highest attendance rates for events across the board. We’ve curated some of Thursday’s hottest events!
Find the other daily guides down below:
Tuesday Event Guide
Wednesday Event Guide
Friday, Saturday, Sunday
HILOMATIK MIAMI
Event:  HILOMATIK MIAMI
Venue: Wynwood Marketplace
Lineup: Hi-Lo, Enrico Sangiuliano, Fatima Hajji, KAS:ST, Sarah De Warren
Time: 9 PM
Tickets: Here
Axtone & Friends Pool Party
Event:  Axtone & Friends Pool Party
Venue: Nautilus Sonesta Miami Beach
Lineup: Axwell, A-Trak, Biscuits b2b Martin Ikin, Dmtri, Luch, Korolova, Mark Knight, Moojo, Tiffy Vera
Time: 12PM-11PM
Tickets: Here
RESISTANCE Miami
Event:  RESISTANCE
Venue: M2 Nightclub
Lineup: Charlotte de Witte, Enrico Sangiuliano, Juliet Fox, & Annicka
Time: 10PM-5AM
Tickets: Here
STMPD RCRDS POOL PARTY
Event:  STMPD RCRDS
Venue: SURFCOMBER HOTEL
Lineup: Martin Garrix, Dubvision, Eleganto, Julian Jordan, Justin Mylo, KVSH, Lavern, Mesto, & more
Time: 12 PM
Tickets: Here
Purified Miami: Nora En Pure
Event:  Purified Miami
Venue: Jungle Island
Lineup: Nora En Pure, Yotto, Innellea, Paradoks B2B Adam Sellouk, & Jono Stephenson
Time: 7 PM
Tickets: Here
TAPE B MIAMI BLOCK PARTY
Event:  TAPE B
Venue: Wynwood Marketplace
Lineup: TAPE B, Cyclops, Phrva, & Ricky Remedy
Time: 3 PM
Tickets: Here
Defected: Miami Music Week
Event:  Defected
Venue: Sagamore Hotel South Beach
Lineup: Armand Van Helden, Dennis Ferrer b2b TSHA, Sam Devine, & more
Time: 1 PM
Tickets: Here
Sara Landry presents HEKATE
Event:  Sara Landry
Venue: Factory Town Park Stage
Lineup: Sara Landry, AK Sports, Charlie Sparks, Godtripper, Nico Moreno, Raven, Ultrathem
Time: 7PM-7AM
Tickets: Here
Gorgon City Presents: Enter The Realm
Event:  Gorgon City Presents: Enter The Realm
Venue: Toejam Backlot
Lineup: Gorgon City, DJ Tennis, Interplanetary Criminal, Linska, & Clüb De Combat
Time: 8 PM
Tickets: Here
Diplo X Hugel
Event:  Breakaway Beach | Diplo X Hugel
Venue: Hyde Beach
Lineup: Diplo, Hugel, and More
Time: 12 PM
Tickets: Here
ACRAZE: Paradox Miami
Event:  ACRAZE Presents Paradox
Venue: MANA 320
Lineup: ACRAZE, Danny Avila, Victor Lou
Time: 10 PM
Tickets: Here
COS Recordings
Event:  COS Recordings
Venue: La Otra Wynwood
Lineup: Cristoph, Charles D, Estiva, Hana, Michael Anthony
Time: 4 PM
Tickets: Here
Cosmic Gate at La Otra
Event:  Cosmic Gate at La Otra
Venue: La Otra Wynwood
Lineup: Cosmic Gate, Support TBD
Time: 11 PM
Tickets: Here
Marco Carola presents Music On
Event:  Marco Carola presents Music On
Venue: Factory Town
Lineup: Marco Carola, Luciano, Chris Stussy, Franky Rizardo B2B East End Dubs, Mason Collective, Cole Knight
Time: 7 PM
Tickets: Here
LMR presents Cloonee & The Martinez Brothers B2B Loco Dice
Event:  LMR presents Cloonee & The Martinez Brothers B2B Loco Dice
Venue: Club Space Miami
Lineup: Cloonee, The Martinez Brothers B2B Loco Dice, Prunk B2B Kellie Allen, Olive F, Thunderpony
Time: 11 PM
Tickets: Here
Revealed: Legacy v Destiny
Event:  Revealed: Legacy v Destiny
Venue: The Dirty Rabbit
Lineup: Dannic, Domeno, Thomas Gold b2b Deniz Koyu, Lusso, Marie Vaunt, Nifra
Time: 8 PM
Tickets: Here
The Official WMC Pool Party
Event:  The Official WMC Pool Party
Venue: Eden Roc Hotel
Lineup: Alok, Cheat Codes, KSHMR, Elephante, Frank Walker, Hayla, Jonas Blue, Lavern, Regard, Vinny Vibe, Z3lla
Time: 3 PM
Tickets: Here
Essential Deep House Brunch
Event:  Essential Deep House Brunch
Venue: Jungle Island
Lineup: Richard Earnshaw, Steve Taylor, Ron Carroll, Jay-J, Scotty Boy, DJ Mark Brickman, Saliva Commandos 
Time: 3 PM
Tickets: Here
Maddix – ALL DAY RAVE
Event:  Maddix – ALL DAY RAVE
Venue: MAD LIVE
Lineup: Maddix, Special Guest B2Bs
Time: 12 PM
Tickets: Here
AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED
Event:  AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED
Venue: MAD LIVE
Lineup: Audien, Dubvision, Third Party, Deerock, Leondis
Time: 10 PM
Tickets: Here
DEADBEATS vs Cyclops Recordings
Event:  DEADBEATS vs Cyclops Recordings
Venue: Mana Wynwood
Lineup: Zeds Dead, Eazybaked, Distinct Motive, Friction, Gentlemens Club, Infekt, Level Up, Lumasi, Mary Droppinz, Okayjake, STVSH, Sire, Skellytn
Time: 9 PM
Tickets: Here
The post EDMTunes Miami Music Week 2025 Event Guide: Thursday appeared first on EDMTunes.
Ravebot
Following last year’s smash hit “Feel My Needs” remake with James Hype, Weiss is back at Toolroom Records with an even more formidable new offering, and it’s sure to take over dancefloors all over the world.
The arrival of “One More Time” demonstrates Weiss’s unmatched grasp of the fundamentals of dance music. This song is more than just a new release; it’s the pulse of house music as it has developed over the years, as seen through the unique perspective of a producer who has immersed themselves in the history of the genre.
The composition unveils itself in stages; first, the raw, unfiltered drums build the groundwork, providing that distinctive rhythmic backbone that strikes a chord with the listener’s body even before their brain has a chance to process. These percussion parts do more than keep the beat; they compel bodily reaction, drawing even the most introverted listener in.
With the help of irresistible disco loops, Weiss takes “One More Time” to a whole new level, making it more than just a nightclub staple. This is more than just a passing reference to disco’s impact on house music; it’s a collection of carefully selected and reworked pieces that connect the past and present of dance music. Both long-time house fans and those just getting into the genre will feel the familiar rush as the loops whirl and change throughout the song.

The post Weiss Drops “One More Time” on Toolroom appeared first on The Groove Cartel.
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Swiss DJ and producer Wassay is stepping back into the spotlight and keeping that House music fire burning in 2025. Fresh off the success of his previous track ‘Embrace’, he returns with another club-ready anthem, ‘My Limit Is The Sky’.
This time, Wassay teams up with South African singer-songwriter Nathan Blur, adding a fresh vocal touch to his signature sound. Known for his tried-and-true production formula, Wassay once again delivers a track that feels like an instant classic, designed for dance floors and airwaves alike.
Beyond the studio, Wassay remains a dominant force in the club scene across Switzerland and beyond. With his latest release now hitting global platforms, it’s clear that ‘My Limit Is The Sky’ is set to make waves in the House music world.
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Music From The Mothership is on a mission to make the scene more inclusive. They are here to change the landscape. With 11 residents and Tank Howls as their founder, they are currently well on their way to make this change happen. 
On Friday March 14 , they are taking over Room 2 in XOYO for Jungle Cakes, and this is yet another milestone in their journey. What started as a radio show three years ago grew out to be much, much more. From workshops and event takeovers, dedicated Mothership events and festival showcases to their monthly radio show at DataTransmisson: Music From The Mothership is everywhere.
Get your tickets here.
We had a chat with Tank Howls, their founder, to talk about the journey so far, what her thoughts are on the current scene, and what’s to come from Music From The Mothership in the future.  
This is such an inspiring collective you have! When did you decide to start Music From The Mothership? 
When I was younger, I used to DJ a lot on vinyl. After a while, I got out of that, but when I came back into the scene, I got into digital mixing, and got my first couple of gigs, I felt very isolated. I didn’t know any other female artists, and I didn’t really know anyone in the drum & bass scene at that time. I could see straight away that when I was going to be booked, I was gonna be the token woman on the  lineup. I was thinking, why are there still no women in drum & bass? I started researching and found out that there are actually loads. I wanted to connect with them, and wanted to get to know them and give them opportunities, as well as get myself into this scene a bit more. That’s why I started a radio show, and through that the mothership grew. I met so many amazing people through this radio show, and we started collaborating and working together, giving opportunities to each other. When this had been going on for a while, I asked around: “Does anyone like the idea of starting a mothership collective? Would anyone be up for that?” It started from there.
There are a lot of genres represented by the collective. Why is that? 
It started just as drum & bass, but I felt it wasn’t that inclusive, I really like all bass genres and other people in the collective could play those genres as well. This way, we’re all playing music that we enjoy, but it’s also opening up the opportunities for the collective. Rumble in the Jungle has booked us a couple of times to do a multi-genre takeover, for example. I think it makes you more versatile, which is good in the industry, and it gives the DJs who play those genres the chance to play all the things they like playing. 
And can you tell me more about who is in Music From The Mothership? 
First up we have Asset, a drum & bass DJ. She’s my wingman, she really supports me and does a lot of emailing, a lot of posting and editing of clips… She’s the second in command for all the admin stuff, she’s my rock. Next up we’ve got Klumzykhemist, she’s signed to Hot Cakes, andis a DJ and producer. She’s smashing it in her own right currently playing up and down the country, then we have DJ Nay. She’s a DJ and producer, and also the label manager for Dubshotta.
Our youngest member is Sounds of Fia is a student in Bristol, and is a multi-genre DJ and producer and singer. She’s multi-talented, and she’s going to pop off for sure. We’ve also got Tashphrodisiac who is also a multi-genre DJ, mainly drum & bass rollers but also garage, 140, and bassline. Then there’s Anny, she runs Basscamp, and is a neuro DJ learning to be a producer. Then there’s myself, Tank Howls. Then there’s Devotron who is a multi-genre DJ who mainly plays footwork, jungle, bassline, she’s based in London. And finally  we’ve got Synthra, she’s a neuro and more heavy DJ and a really sick producer, but yeah she’s taking a little break at the moment. We also have two MC’s and vocalists, Kmzi is our MC and we’ve got TJA who is more of a vocalist, both are super talents who really finish our collective, and help create a real show when we are all together.
In what other way do you want to see the collective grow? 
It would be great if we all pushed the production a bit more. I would love it if there was a little Mothership label, that would be a great way to grow, but more work scares me a bit. Another thing that I would really like to do, would be to have enough shows coming in that I wouldn’t always offer the slots to residents. The Mothership has always been about wanting to help a wider group of people. If we were getting to the point where we were getting offered shows every weekend, then we could start inviting artists who are maybe not part of the actual collective but are part of the wider Mothership family.
You’re doing really great things for the music scene, and you’re taking over room two at XOYO this Friday for Jungle Cakes as well. Are you looking forward to that?
It’s such a great opportunity. It’s amazing to have the whole room, so we can get pretty much all of the residents on. There’s a couple that can’t make it, but most of them get to play. We get to have our MC come along as well, which is nice, and we’re also bringing some dancers. It’s going to be a real show which is really exciting.
Is this the first time that you get to take over a room?
We have done some takeovers but normally it’s more like an hour to two hours. We did some stuff with Gorilla Tactics at Boomtown and we also did Boomtown Bobbies. We have been working with Jungle Cakes and Rumble, doing two hours or something like that, but never a whole room yet, so this is great. Doing a room takeover for such a big brand like Jungle Cakes and such an amazing venue like XOYO, it feels like a milestone. It’s really exciting to hit those. It’s great for us, because it means they’re taking notice of what we’re doing and what we’re making noise about, what we’re all about. But it’s also nice for the wider scene, because it makes the lineups more diverse.
That’s amazing, yeah! You started this collective three years ago, did you ever think you would come this far this fast? 
I’m quite a hard worker, and I always strive for more and more and more. It can be hard for me to fully recognize when I’ve gotten somewhere, because I’m always looking at the next thing. But I do realize that we’ve done a lot and everybody around me is always like, you’ve gotten so far, but I suppose my goals are always so big, I’m always thinking we can do more.
How did you come up with the name?
Before I started the radio show, I was trying to think, how can I connect with other women? My very initial idea was, how can I connect with other women who are a bit like me? What would my target audience be? What do I want my target audience to be? I’m a mum, I was 40 then. Is my target audience like a young 18-year-old guy? I wasn’t sure. I was thinking, I’ll just call it something that I feel would resonate with women, maybe more of my age as well, so I was thinking of mum and mummy and mothership, and I went with Music From The Mothership, as it just had a good sound to it We resonate with all sorts of people, but we do have a massive female following, which is quite unusual for Instagram. We get a lot of support from women, but we get a mix of comments and likes and support from everybody. We’ve been really lucky. I have hardly had any negative interactions. Everyone always seems to see the genuine passion and energy in the things that we’re trying to do.
What other collectives do you look up to, or would you want to collaborate with in the future?
I really look up to Full Spectrum from Bristol, I admire everything they do. I’d really love to collaborate with all of the female focus brands. There’s Sisterhood in Birmingham. HARMONIA in Bristol is another one, but there are loads of others. One of my ideas that I would love to work more on, is doing regular collaborations with all of these groups. There are loads of people doing stuff on a small scale. We’re starting to get some bigger bookings now, but a lot of the other collectives are still pushing themselves, running their own nights, or getting booked like on a lower level, so it would be really nice if we could work together more. If we were one massive huge collective of people, you could do so much more and you could reach such a bigger audience. I definitely would like to try and join forces with more collectives. 
That’s the power of collaboration! What has changed since you founded Music From The Mothership three years ago?
There are more collectives around than I was aware of. I think people are starting to take notice of collectives more. I think that they’re starting to vibe with it and see that it’s nice to have a group of people behind the decks. You have other groups like Girls Don’t Sync, Girls Take Action or Girls Next Door who are bringing that collective feel at that top end, and it would be nice to see more collectives, and it’s growing very slowly. Our collective has definitely grown from just a few at the beginning to 11 artists now.
Have you noticed a change in the scene?
There’s still a long way to go. If you were to look on lineups, I know there’s a hierarchy to DJs, who’s the most famous or who’s going to pull the biggest crowd or whatever it is and that’s that’s totally validated, but there are enough artists out there who are female identifying or who are ethnically diverse or who are from the LGBTQ community. You should be seeing at least 50% of the lineup coming from those three communities. Promoters can do some research and find out who to book or reach out to collectives like ourselves and ask for ideas on artists to book, because I think it’s important. Bigger brands do have a choice to not just put someone on first and once and tick a box. They have the choice to shuffle things up a little bit and drop different people in different places to give them amazing opportunities for them to grow, for people to be seen in the scene. 
People are very set in their ways. I get it, it’s a business, so you don’t want to do something to risk people not coming to your show. But if most of your lineup is all of these huge artists then people are going to come for them, maybe take a couple of those bigger artists out and scatter a few smaller artists that fit on the lineup. You’d see a more equal lineup. I just don’t see equal lineups, it’s still lots of guys and one or two women. That doesn’t represent an equal fix. We had an artist on our show who said it really well. She said, “In the underground scene, women are smashing it. In the smaller clubs with smaller promoters, you will see a bigger mix, you will see a lot of women, and you will see a lot of female promoters and a lot of female collectives pushing.” It’s just that bigger step up the ladder which is difficult to reach. 
Let’s wrap up this conversation with something more positive. What are some of the best moments you’ve had with Music From The Mothership so far? 
Every time we’re in big groups with the collective is great, traveling to and from places. Boomtown was amazing, there were a lot of us there, and we had the Wrong Side of the Tracks take over, the Boomtown Bobbies, both of those were sick. We were all supporting each other, that was amazing. We had an amazing show at Shindig where we had a lot of the residents… Any time we’re all together is always really fun. It’s inspiring and we all give each other energy, we all back each other up. I think that’s really special about it.
What do you still want to achieve with your collective? 
We’ve been working with Hospital Records this year because we’re their new business development mentee, which has been a real proud moment. I was really amazed to get that because I’d been trying to get that for three years. Doing a little bit more stuff with them would be great. I’d love to get a Mothership residency somewhere but I don’t know if that’s even possible, and maybe get signed by an agency. We’ve been considering that, but I’m still not sure whether that’s the right path to go. Other than that, we’ve still got our events coming up at Cosies, in Bristol, next one is the 18th April. We will keep them going and get them lively. If we keep continuing to work with some bigger promoters as well, that would be great. 
Any final thoughts?
I want to give a big shout out to anyone who supported us over the years. There have been a lot of people in the background who have supported us, our families who look after our children for us when we go to gigs, and then a big shout out to Lez at Headroom in Bristol where we’ve recorded the show for the last few years. He’s always a rock and a big support. Also a big thanks to DataTransmission, who host the show at the moment, big shout out to all the collectives and all the artists that we’ve worked with. It’s been really great getting to meet everyone and growing the family and the community wider. and last but not least, a the biggest shout to all the Mothership girlies. They truly rock!

Ravebot
Dave Alex, the talented electronic music artist and DJ, is ready to release his latest track Optimistic on March 3rd, 2025. Known for his high-energy sound and uplifting vibes, this new single promises to be another floor-filling anthem.
Optimistic marks Dave Alex’s fifth release on Ditto, continuing his journey of creating music that not only moves people but also lifts their spirits. Drawing influence from early techno pioneers such as The Prodigy and Aphex Twin, Dave’s new track channels positive energy and an infectious rhythm, designed to spread happiness and create a feel-good atmosphere on dance floors.

Optimistic is a reflection of Dave Alex’s signature sound, blending deep techno with an upbeat, dynamic pulse that makes it an undeniable crowd favorite. With a focus on creating an atmosphere that brings joy, this track continues his tradition of producing music that connects with listeners on an emotional level.
Hailing from Belfast, Northern Ireland, Dave Alex Crawford (also known as Positive Spirit) has been making waves in the electronic music scene since 1996. Starting as a DJ, he quickly gained recognition for his skill behind the decks before venturing into music production in 1998.
Dave’s early work received positive reviews, and he formed Shinebox Radio, an internet radio station dedicated to showcasing fresh, unsigned talent. As his career evolved, Dave secured residencies at prominent stations like Deviant Audio and became a regular guest on various radio shows, including Agnelli & Nelson’s Deep Blue Radio Show, Solaris, and Pure Dance. Additionally, he hosted his own show, Facing Up, on the popular trance station Trance FM in Amsterdam, further solidifying his presence in the global dance music community.
Dave’s music has also been featured on renowned platforms such as BBC Introducing and Deepsink Digital, a Florida-based Christian EDM label. Now, with his own record label Positive Spirit, Dave continues to push boundaries in the techno and trance genres. His deep passion for music is reflected in every track, and his goal remains clear: to spread positivity and connect with audiences through sound.
Support Dave Alex on Social Media 
Instagram | Facebook
Listen to more of Dave Alex
Spotify | Apple Music | Mixcloud
The post Dave Alex Uplifts with New Single Optimistic appeared first on Electric Mode.
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As a dynamic preview of his upcoming album The World Is Ours, Paul van Dyk unveils his latest collaboration with Paul Thomas and EKKO, Shed Your Light, set for release on VANDIT Records. This electrifying fusion of three visionary artists is primed to make waves across global charts and fuel dancefloors with its unstoppable energy.
 
The track delves into themes of resilience, hope, and transformation, weaving deep, pulsating beats with a backdrop of haunting melodies. EKKO’s ethereal vocals draw listeners in, immersing them in a soundscape of emotion, mystery, and revelation. Continuing the momentum into Paul van Dyk’s highly anticipated album, the first in five years, the song fluidly captivates audiences and ignites his longtime fans from across the electronic music spectrum.

Joining the collaboration, Paul Thomas, a world-renowned DJ, producer, and longtime friend of Paul van Dyk has become universally celebrated for his deep and emotive sets at events like SHINE Ibiza, SHINE at Tomorrowland and FSOE shows. With releases on his very own label UV, his progressive sound perfectly complements the production on ‘Shed Your Light.’ With releases on esteemed labels that include Toolroom and Defected, his deep, progressive sound perfectly complements the production on ‘Shed Your Light.’

Industry figureheads have earmarked ‘Shed Your Light’ as a melodic masterpiece ahead of its official release, showcasing crisp, signature beats and captivating melodies from this powerhouse collaboration. Reflecting back, Paul first discovered EKKO late last year through a promo track and was immediately drawn to her captivating voice and poignant lyrical delivery. With over 70 million Spotify streams, the songwriter, vocalist, and producer has been making a significant impact with her emotionally charged sound, carving out a distinct presence in the industry.

Paul van Dyk, Paul Thomas & EKKO’s Shed Your Light is set for release on 14th March, with The World Is Ours following In April via VANDIT Records, both marking an exciting new chapter in Paul van Dyk’s legendary career.
 
Pre Save: https://bfan.link/pvd-shedyourlight
Find Out More & Follow
Paul van Dyk Instagram | Spotify | Website
Vandit Records Instagram | Facebook | YouTube
Paul Thomas Instagram | Soundcloud | Facebook
EKKO Instagram | Spotify
 
The post Paul van Dyk, Paul Thomas & EKKO Unite On Captivating ‘Shed Your Light’ Single appeared first on Electric Mode.
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Primal Scream have announced details of a new album of remixes titled, Come Ahead: The Remixes Vol 1 (Vocals) due for release via BMG on 28 March 2025. The news arrives before The Come Ahead Tour, Primal Scream’s first UK and Ireland headline shows since 2023, beginning 31 March.
Come Ahead: The Remixes Vol 1 (Vocals) will feature eleven remixes of music from Primal Scream’s critically acclaimed new album, Come Ahead. An accompanying album of dub mixes, titled Come Ahead: The Remixes Vol 2 (dubs), is soon to be announced.
Since the album’s announcement in July 2024, The Come Ahead Remix project has evolved in parallel. Starting with UK house legend Terry Farley and Wade Teo’s sold-out white label remix of ‘Ready To Go Home’ – the mix started dropping in clubs last summer 35 years after Terry Farley first created the iconic ‘Loaded’ and ‘Come Together’ remixes for Primal Scream. ‘Ready To Go Home’ (Tim Goldsworthy Remix), ‘Love Ain’t Enough’ (Tim Goldsworthy Remix), and ‘Love Insurrection’ (Black Science Orchestra Remix) all followed. Last week ‘Innocent Money’ (PSB King Of The World remix), complete with Neil Tennant’s unmistakable vocals, brought the project into 2025.
Bobby Gillespie said: “We have been truly blessed that so many wonderful, talented and creative people have taken up the offer to remix songs from our Come Ahead album with such inventiveness and enthusiasm. We are very proud of these remixes and at some point would like to release them on 12” vinyl and include the beautiful dub mixes to accompany them. Andrew Weatherall set a very high bar with his remix work on Screamadelica and I believe that everyone who worked on this latest project had that in mind as they entered the studio to do their stuff. You can hear the results for yourself. Enjoy!”
A new music video for ‘Innocent Money’ directed by ex The Jesus and Mary Chain member, and renowned filmmaker and video director, Douglas Hart, is also released today. The new video marks the latest in a long line of collaborations – Hart has created music videos with Primal Scream since 1991. Most recently directing the music videos for Come Ahead album highlights, The Centre Cannot Hold and Deep Dark Waters. Watch here.
Come Ahead is Primal Scream’s 12th studio album. Released in November 2024 to widespread critical acclaim, MOJO stated “Come Ahead is up there with Primal Scream’s best” and the Evening Standard championed “the album of the year” in a five star review. Record Collector found “an album by a band which has been audibly reborn”, AnOther Magazine praised “joyous soul-shaking music”, CLASH proclaimed, “Come Ahead is another high in a career full of them,” whilst Classic Pop confirmed, “Primal Scream just became important again”.
On 31 March Primal Scream’s Come Ahead Tour will hit the UK and Ireland with 14 headline concerts into April 2025. The last remaining tickets are on sale here. Primal Scream will be supported by Baxter Dury at shows in Bristol, Southampton, Edinburgh, Glasgow, Birmingham, Liverpool, Manchester and Nottingham, and by Fat White Family in London.
After launching The Come Ahead Tour at Corona Capital in Mexico City and performing at Tokyo’s Rockin’on Sonic Festival, Primal Scream kicked off 2025 with headline dates across Australia in January, with their show at Fremantle Prison described as “joyous” by Rolling Stone. The Come Ahead Tour is set to continue through Europe and North America into summer 2025.
Pre Save Here
Come Ahead: The Remixes Vol 1 (Vocals) Tracklisting
1. Innocent Money (PSB King Of The World remix)
2. Ready To Go Home (Tim Goldsworthy)
3. Ready To Go Home (Terry Farley and Wade Teo)
4. Love Insurrection (Black Science Orchestra)
5.Centre Cannot Hold (Lovefingers)
6. Love Ain’t Enough (Tim Goldsworthy)
7. Innocent Money (Radio Slave)
8. Circus of Life (Jonny Wilkes/Naum Gabo)
9. Innocent Money (Lovefingers)
10. Love Insurrection (Terry Farley)
11. Ready To Go Home (Hardway Bros anthem resistance mix)

UK and Ireland Headline Tour Dates 2025
31 March Bristol, Beacon * %
1 April Southampton, O2 Guildhall * %
3 April Edinburgh, Usher Hall *
4 April Glasgow, O2 Academy *
5 April Glasgow, O2 Academy *
7 April Birmingham, O2 Academy *%
8 April Liverpool, Mountford Hall *%
10 April London, Eventim Apollo +%
11 April Manchester, Aviva Studios *%
12 April Nottingham, Rock City *%
14 April Belfast, Ulster Hall
15 April Dublin, 3Olympia Theatre
18 April Leeds, O2 Academy ~
19 April Newcastle, O2 City Hall ~
* = with support from Baxter Dury
+ = with support from Fat White Family
~ = with support Dylan John Thomas 
% = with support Mozart Estate 
European Tour Dates 2025
4 June Oslo Sentrum Scene, Norway
5 June Stockholm Fållan, Sweden
6 June Copenhagen Vega, Denmark
8 June Cologne Kantine, Germany
9 June Utrecht TivoliVendreberg Ronda, Netherlands
10 June Paris La Cigale, France
12 June Berlin Kesselhaus / Columbia Theater, Germany
13 June Warsaw Stodola, Poland
15 June Vienna Arena, Austria
16 June Prague Lucerna Music Bar, Czech Republic
18 June Lausanne Les Docks, Switzerland
19 June Milan Magnolia Summer, Italy
20 June Taranto Medimex, Italy
The post Primal Scream announce Come Ahead: The Remixes Vol 1 (Vocals) new remix album appeared first on Decoded Magazine.
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Jan Blomqvist, Eli & Fur, East End Dubs, Hannah Wants, Mason Collective, Solardo, HoneyLuv, Robin Schulz, Bontan, Kitty Amor, Fabrice, Yazzmin, Sam Oui, Jen Getz & Alfie, Quilliam, ANREY, Emir and more
 
The Penthouse Dubai is an award winning and luxe rooftop lounge, bar and nightclub that has long been synonymous with the most electrifying parties in the region and now reveals its next wave of line-ups. 

Located on the 16th floor of FIVE Palm Jumeirah, this iconic party paradise is renowned for its stunning panoramic views of the Dubai Marina skyline and the Arabian Gulf. The luxurious venue offers an exclusive day into nightlife experience that combines sophisticated ambiance with world-class music.
 
The Penthouse Dubai is the perfect place to spend a whole evening, starting with gorgeous cuisine and cocktails on its picturesque rooftop lounge set against ‘Insta-Gold’ views, then moving to the club for late night dancing. The two unique spaces have their own bespoke look, sound and atmosphere with the Lounge exuding deep house cool, while the Nightclub delivers a range of different sounds seven days a week, with a world class sound system, lighting rig and a famously lively dance floor. Urban showcase Big Mood Monday starts off the week, ultimate ladies’ night experience B.O.T.A lines up every Tuesday, Toy Room Wednesdays are all about a dynamic mix of hip hop, R&B, and reggaeton, and Thursdays offer FIVE Music Sessions with special live beats and immersive entertainment show while the week ends on Sundays with Afro and tribal sounds. 
 
Excluding a month off for Ramadan in March, the weekend begins with Hip Hop Fridays serving up the best urban beats and rhythms, while Saturday’s The Penthouse Presents includes house and tech talents such as Jan Blomqvist, Eli & Fur, East End Dubs, Solardo, Robin Schulz, Hannah Wants, Mason Collective, HoneyLuv, Bontan, Kitty Amor, Fabrice, Milica, Yazzmin, Sam Oui, Jenn Getz & Alfie, Quilliam, ANREY and Emir. 
For those who love the high life, the venue also boasts premium VIP areas that elevate the experience to new levels of luxury with special champagne shows and exclusive tables behind the DJ booth for an up close and personal view of the action. 
The Penthouse Dubai is also an after-party hotspot for when the dancing carries on after Bohemia Presents and Bohemia Chill and is a perfect mix of quality underground and more accessible music, which makes for the ultimate dance floor – all underpinned by the iconic ‘Vibe at FIVE.’ 
Website | Instagram 
The post The Penthouse Dubai At FIVE Palm Jumeirah Announces Next Wave Of Lineups appeared first on Electric Mode.
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The legendary 90s Italo House anthem ‘JJ Tribute’ by ASHA is making a triumphant return with a fresh remix by acclaimed Irish DJ and producer Shugz. Set to be released on March 7th via Fankee, this reimagined version blends the nostalgic essence of the original with a powerful, modern twist, ready to shake dancefloors worldwide.
First released in 1990 under the Beat Club Record label, ASHA’s ‘JJ Tribute’ was created by three young Italian producers (aged 18-20) in their Milan-based recording studio. The track quickly gained massive popularity in the UK, becoming a club staple and an iconic anthem of the rave movement. In 1995, a series of remixes were released by Ffrreedom, a subsidiary of FFRR Records, pushing the track to No. 38 on the official UK singles chart. Over the years, it has received unwavering support from top international DJs and remains a defining track for 90s rave culture. DJ Mag even ranked it No. 48 in their “The Hot 100 – The Best Club Tunes Ever!”

Now, with Shugz’s expert touch, the 2025 remix injects new energy into this timeless classic. Christopher Kirkpatrick, known professionally as Shugz, hails from Belfast, Northern Ireland, and has made significant waves in the electronic dance music scene, particularly in trance. Renowned for his dynamic sets and technical prowess—including his innovative use of a third deck, scratching, and layered effects—Shugz has built a dedicated global following.
His production credentials include releases on major labels such as Black Hole Recordings and Who’s Afraid Of 138?!, with standout tracks like ‘The Darkside’ and ‘Down The Rabbit Hole’ topping charts. His remix and collaboration credits extend to high-profile artists such as MK, Rita Ora, and Joel Corry. In 2024, Shugz secured a multi-track major record deal with Columbia Records/Room Two, positioning him among global icons like Calvin Harris, Adele, Daft Punk, and Harry Styles. His ability to blend techno, trance, hard techno, and commercial dance sounds showcases his versatility and forward-thinking approach to electronic music.
Shugz shared his enthusiasm for the remix:
“ASHA ‘JJ Tribute’ has always been one of my all-time favourite piano house classics. The vocal and riff are packed with so much energy that I knew a 2025 version would work effortlessly from the moment I started. My goal was to preserve the magic of the original—keeping all the iconic elements—but with a fresh, modern twist. I’ve loved every step of the process, and I’m thrilled with how it’s turned out.”
The ASHA, Shugz ‘JJ Tribute (2025 Remix)’ will be released on March 7th via Fankee, a community-driven label where fans are more than just listeners—they are co-producers, promoters, and amplifiers of the music they love. In an era where social engagement and virality drive success, Fankee empowers artists to break through with the direct support of their fanbase
The post ASHA’s ‘JJ Tribute’ Returns as Shugz Revives the 90s Classic for 2025 appeared first on Electric Mode.
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Calvin Harris is set to become the first artist to secure a double residency at the iconic Ushuaïa Ibiza, one of the world's most illustrious clubbing destinations.
The superstar DJ and producer will take over Ushuaïa's open-air stage for 25 exclusive performances, performing on Tuesdays and Fridays throughout the season. Harris, a longtime dominant force in electronic dance music, is set to introduce a new live concept for the shows at Ushuaïa, according to a press release.
The landmark residency marks a milestone in Harris' remarkable career. Fresh off his headlining performance at Ushuaïa Dubai Harbour Experience in October, his return to the brand's flagship White Isle club promises to captivate fans from all over the world under the Balearic sky.
"This is something that's never been done before, and I’m buzzing to be the first artist to hold a double residency at Ushuaïa Ibiza," Harris said. "None of this would be possible without the incredible fans who’ve been with me every step of the way. The energy of people from all over the world, all coming together at the epicenter of electronic music, is something I can’t wait to feel again. Two residencies, two completely different nights—this is going to be a season like no other."
"His ability to push creative boundaries has been a key part of Ushuaïa Ibiza’s legacy," added Yann Pissenem, Founder and CEO of The Night League and Ushuaïa Entertainment. "With this unprecedented double residency, we are set to deliver something truly spectacular this summer."
You can purchase tickets to Calvin Harris' historic Ibiza residency here. 
c/o Press
Follow Calvin Harris:
X: x.com/calvinharris
Instagram: instagram.com/calvinharris
TikTok: tiktok.com/@calvinharris
Facebook: facebook.com/calvinharris
Spotify: spoti.fi/3mmhsk7
Follow Ushuaïa Ibiza:
X: x.com/ushuaiaibiza
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Toronto’s beloved Electric Island music series is set to return for its 13th season in 2025, offering electronic music enthusiasts a dynamic lineup across multiple dates and venues. This year’s series promises an eclectic mix of international and local talent, ensuring unforgettable experiences for attendees.​
Event Dates and Venues
Electric Island 2025 will feature events on the following dates:​
May 17-18: Fort York + The Bentway June 28-29: Venue to be announced August 8-9: Venue to be announced August 30-31: Venue to be announced​ Lineup Highlights
The season opener on May 17-18 boasts an impressive roster of artists:​ticketweb.ca+3musicfestivalwizard.com+3electricisland.to+3
May 17:CamelPhat Miss Monique​ Prospa​ Jonathan Rosa​ Shera May 18:Mochakk Sammy Virji SOSA​ Cozmic Cat​ Tsenami​ Additional artists and stage details will be announced closer to the event dates.​
Tickets
Tickets for Electric Island 2025 are available for purchase through TicketWeb. Early bird pricing is available for a limited time, so attendees are encouraged to secure their spots promptly
Connect with Electric Island
Website: www.electricisland.to Instagram: @electricislandto Facebook: Electric Island
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New York City’s nightlife scene just got a major boost. Nebula, the Midtown Manhattan hotspot known for its stellar lineups and immersive atmosphere, has announced a significant investment from Regon Capital LLC. This financial injection signals a new era for the venue, promising to elevate its already impressive programming and propel its brand onto the global stage.
Located at 135 W 41st St, Nebula has quickly established itself as a premier destination for electronic music enthusiasts. Hosting massive artists like Diplo, Slander, and Steve Aoki, the club has cultivated a reputation for delivering “out-of-this-world” experiences, seamlessly blending cutting-edge sound and visuals with an electrifying atmosphere.
The investment from Regon Capital LLC will directly support Nebula’s commitment to securing top-tier talent. Fans can look forward to a continued stream of world-class DJs, with Afrojack already slated to headline on April 5th and 6th, marking the beginning of this exciting new chapter.
“This new investment allows us to reinforce what we’ve built and continue growing,” said Yang Gao, co-owner of Nebula. “Nebula has always been about creating a space for music and community, and we’re excited for what’s ahead.”
But the expansion doesn’t stop within the club’s walls. Nebula is set to launch a new events company, leveraging its brand recognition to produce festivals and live events in cities around the world. This ambitious move will extend the “Nebula experience” beyond its Manhattan base, bringing its unique blend of music and atmosphere to a wider audience.
“We’re committed to making Nebula a lasting name in nightlife and live entertainment,” stated Howard Fang, co-owner of Nebula. “This next phase is about building on our foundation and extending the Nebula experience to a wider audience.”
With Yang Gao and Howard Fang leading Nebula since its inception the venue will continue to evolve while staying true to its original vision. Guests can look forward to an exciting lineup of performances and the first steps toward expanding Nebula’s presence globally.
The post Nebula Lands Major Funding: NYC Nightlife Giant Goes Global; Two Nights of Afrojack Announced appeared first on EDMTunes.
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