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Jet Set Nightclub Roof Collapses in Dominican Republic, Killing Dozens

Photo Credit: National Police of the Dominican Republic
At least 44 people have died while over 100 were being treated for injuries after a roof collapsed at a Dominican Republic nightclub.
Rescue crews have been searching for potential survivors in the rubble at the Jet Set club in Santo Domingo after a roof collapsed, killing at least 44 people. More than 100 others have been treated for injuries. It wasn’t immediately clear what caused the roof collapse.
“We presume that many of them are still alive, and that is why the authorities here will not give up until not a single person remains under that rubble,” said Juan Manuel Méndez, Director of the Center of Emergency Operations in the Dominican Republic capitol. He added that teams were still working to determine the total number of people present at the scene at the time of the incident.
President Luis Abinader wrote on social media that all rescue agencies are “working tirelessly” to help those affected. “We deeply regret the tragedy that occurred at the Jet Set nightclub. We have been following the incident minute by minute since it occurred,” he wrote.
Among the victims was Nelsy Cruz, governor of the northwestern province of Montecristi and sister of Major League Baseball star Nelson Cruz. She called President Abinader at 12:49 AM on Tuesday, saying she was trapped and the roof had collapsed. Cruz later died at the hospital.
“This is too great a tragedy,” said First Lady Raquel Abraje, who first reported Cruz’s call to the president.
Injured individuals include former MLB pitcher Octavio Dotel and legislator Bray Vargas. Merengue singer Rubby Pérez was performing when the roof collapsed, and his daughter said he was believed to be trapped in the rubble.
Pérez’s manager, Enrique Paulino, told reporters at the scene that the concert began shortly after midnight. The roof collapsed almost an hour later, killing the group’s saxophonist. “It was sudden. I thought it was an earthquake, so I threw myself to the ground and covered my head,” he said. “We tried to get to the area where Rubby was, but there was too much debris there.”
Manuel Olivo Ortiz, whose son attended the concert but did not return home, was among those anxiously awaiting outside the club for news. “We’re holding on only to God,” he said.
Massiel Cuevas, godmother of 22-year-old Darlenys Batista, was also awaiting word outside the club. “I’m waiting for her. She’s in there, I know she’s in there,” said Cuevas, who believes Batista will be pulled out alive.
News of this night club roof collapse follows two deaths at a Mexico City festival due to a crane collapsing in high winds.
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Cassie Ventura Prepares to Testify Against Diddy — Other Victims Will Remain Anonymous

Photo Credit: David Shankbone / CC by 3.0
Cassie Ventura is set to testify against her former partner Sean ‘Diddy’ Combs using her real name instead of the ‘Victim 1’ designation. She will tell the court about her relationship with the rap mogul during his upcoming trial on sex trafficking and racketeering charges.
She is one of four victims who are set to testify in court at Comb’s trial—and the first to make public allegations against the rap mogul. Ventura sued Diddy in November 2023 for what she alleges is a decade-long cycle of sexual assault—with the abuse beginning in 2005 when she was 19 and signed to Bad Boy Records. That lawsuit described beatings, forced drug usage, and coercive sexual acts with other men while Diddy filmed them.
Leaked video of an incident between Diddy and Ventura shows the rapper running down a hotel hallway to intercept Ventura at the elevators, preventing her from leaving. He drags her back to the room by her hair after kicking and assaulting her. That incident occurred in 2016 at the InterContinental Hotel in Los Angeles, with CNN publishing the video in May 2024. The video seems to corroborate an account in Ventura’s initial lawsuit. Combs settled that lawsuit one day after filing it with no admission of wrongdoing.
In a Friday motion submitted by prosecutors, federal attorneys said ‘Victim-1’ will no longer testify anonymously during the trial. “[Ventura] is prepared to testify under her own name. Victim-2, Victim-3, and Victim-4 have asked that their identities not be revealed to the press or public,” writes the prosecution, which seeks to use pseudonyms for those accusers. Combs’ lawyers have asked judges to unmask his accusers and force them to make their names public.
Combs faces five counts on three charges of racketeering, sex trafficking by force, and transportation to engage in prostitution. The rap mogul has pleaded not guilty. Combs is facing more than 55 lawsuits in New York federal and state courts—with around 40 of thos elawsuits filed under ‘Jane Doe’ or ‘John Doe’ pseudonyms.
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Scooter Braun-Led Hybe America Inks Distribution Agreement with Jermaine Dupri’s So So Def Recordings

Photo Credit: Scooter Braun and Jermaine Dupri
Jermaine Dupri’s So So Def Recordings enters a distribution partnership with Hybe America, led by Scooter Braun.
The agreement sees Hybe distribute So So Def’s catalog while the two work together on releases for upcoming talent. Since the 1990s, Dupri and So So Def have worked with stars like Mariah Carey, Usher, Nelly, Xscape, Bow Wow, and Jagged Edge. Dupri also notably mentored Braun when he entered the music industry over 20 years ago.
“Everything I learned about the music business started with Jermaine,” said Braun. “He gave me my first shot when I was just a kid with a dream. I was blessed to witness genius up close. And now, years later, it’s an honor to return to where it all began and stand beside him as a partner.”
Since his time working with Dupri, Braun has become one of the most successful executives in the music industry. He is best known for managing stars like Justin Bieber, Ariana Grande, and Demi Lovato. Braun became the CEO of Hybe America after Hybe, the Korean music giant, bought his Ithaca Holdings in 2021.
This partnership makes Hybe’s second major hip-hop-related venture, since acquiring Quality Control in 2021. The label and management company’s roster included artists like City Girls, Lil Baby, and Migos.
“This isn’t just a business move, this is family,” Dupri shared. “Watching Scooter build what he has built has made me incredibly proud. He learned the game inside So So Def, and now he’s in a position to open doors the way I once opened them for him. That’s what legacy is about.”
Usher, who got his early start with So So Def, remarked upon the partnership: “Nothing makes me happier to see my brothers together. They both have a lot to offer each other.”
Hybe America and So So Def will both soon begin rolling out new music.
View the full article
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Blink-182 Announces 2025 U.S. Tour ‘Missionary Impossible’

Photo Credit: Rory Kramer
Blink-182 is set to hit the road again after their blockbuster 2024 tour. Mark Hoppus, Tom Delonge, and Travis Barker have announced their ‘Missionary Impossible’ tour supporting the release of their latest album, One More Time….
This is the first album in over a decade that features the original trio back in the studio. The upcoming shows will lean into Blink-182’s punk roots, with a setlist packed with classics spanning their entire catalog. The multi-city trek is produced by Live Nation and will hit up major amphitheaters, arenas, and stadiums across the United States. Special guests Alkaline Trio will join on all dates.
Tickets for the new tour will go on sale starting Friday, April 11 at 10 am local time on Blink182.com. A Citi pre-sale for card members will begin Tuesday, April 8 at 12 pm ET until April 10 1 pm. The tour will also offer a variety of VIP packages and experiences for fans who want to take their concert experience to a new level.
Blink-182 have sold over 50 million albums worldwide and have rocked audiences from Adelaide to Zurich—becoming one of the defining punk rock bands of their generation. The band last took stage earlier this year for a sold-out benefit concert at the Hollywood Palladium in support of LA fire relief efforts. 100% of net proceeds went to the Pasadena Humane Society, California Fire Department, LAFD Foundation, and ARC Firefighter Fund.
Blink-182 ‘Missionary Impossible’ Tour Dates — 2025
August
28 | Hard Rock Live — Hollywood, FL 29 | MIDFLORIDA Credit Union Amphitheatre — Tampa, FL September
01 | Credit One Stadium — Charleston, SC 03 | Coastal Credit Union Music Park at Walnut Creek — Raleigh, NC 04 | Veterans United Home Loans Amphitheater at Virginia Beach — Virginia Beach, VA 06 | Bethel Woods Center for the Arts — Bethel, NY 07 | Broadview Stage at SPAC — Saratoga Springs, NY 09 | BankNH Pavilion — Gilford, NH 11 | Darien Lake Amphitheater — Buffalo, NY 13 | Four Chord Music Festival — Pittsburgh, PA 14 | Sea Hear Now — Ashbury Park, NJ 16 | Riverbend Music Center — Cincinnati, OH 17 | Ruoff Music Center — Noblesville, IN 21 | Shaky Knees — Atlanta, GA 22 | The Orion Amphitheater — Huntsville, AL 24 | Walmart AMP — Rogers, AR 26 | Hollywood Casino Amphitheater — St. Louis, MO 27 | T-Mobile Center — Kansas City, MO October
02 | Aftershock Festival — Sacramento, CA 04 | Acrisure Arena — Palm Desert, CA View the full article
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Germany’s GEMA Reports 4.3% Revenue Growth for 2024 as Live Collections Jump, Streaming Slips

Berlin, Germany. Photo Credit: Fernando Pascullo
GEMA has reported a 4.3% year-over-year (YoY) revenue increase for 2024, when its live music collections spiked by nearly 17%.
The German society revealed these and other figures in an English-language summary of its 2024 annual report, which points to €1.33 billion (currently $1.45 billion) in total revenue for the year.
Behind that sum – and thanks in part to a cost-rate decrease – GEMA made north of $1.23 billion/€1.13 billion (up 4.7% YoY) available for distribution to its over 98,000 members (up 5,460 YoY, including 111 publishers), the document shows.
By category, live performances and public establishment usages kicked in the most revenue for 2024, at a record $548.61 million/€502.04 million (up 13.1% YoY).
And while that doesn’t exactly come as a surprise, GEMA emphasized the initially mentioned 16.9% YoY hike for concerts and festivals, which delivered $213.05 million/€194.94 million.
All told, just shy of a quarter of a million live shows took place in Germany (population 84 million) last year, attracting about 70 million total attendees through April 2025, GEMA indicated. And the live collections improvement helped to offset areas where revenue was flat (like TV and radio broadcasting, at $264.47 million/€242.0 million, up 1.1% YoY) or declined.
Most notable on the latter front is streaming’s 4.1% YoY collections dip to $315.38 million/€288.51 million. (Besides traditional on-demand streaming, the category includes revenue from social media licensing.)
Nevertheless, the overarching online category managed to achieve modest YoY growth for GEMA ($338.18 million/€309.45 million, up 1.2% YoY) due mainly to a material increase from downloads ($22.48 million/€20.57 million, up 362% YoY).
That jump (which GEMA attributed to a licensing deal for children’s music boxes) is particularly noteworthy in light of the 16% YoY recorded revenue decline BVMI identified for downloads in H1 2024.
Elsewhere in its 2024 report, GEMA confirmed a 6.9% YoY boost for international revenue, $95.92 million/€87.8 million, though the uptick resulted in part from “catch-up effects from the coronavirus pandemic.”
Similarly, Audoo-partnered GEMA acknowledged a 20% YoY falloff on the statutory licensing side ($64.14 million/€58.70 million total in 2024), but chalked up the slip to an “exceptionally high” 2023 sum that benefitted from substantial retroactive payments.
Addressing the results, GEMA CEO Tobias Holzmüller touted his organization’s “stability” against the backdrop of, among other things, “disruptive technological developments.”
“We were able to distribute over EUR 1.13 billion to our members,” the GEMA head of about 18 months communicated in part. “This is not only an economic achievement but also an expression of our responsibility towards music creators in Germany and around the world.
“At the same time, we remain firmly committed to fair rules for the digital use of music – including in relation to major platforms and AI providers. … We will continue to help shape that protection with innovative foresight and our strong advocacy for legal clarity,” proceeded Holzmüller, whose organization is spearheading copyright suits against Suno and OpenAI.
View the full article
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[EDM House Network] SIAM Songkran Music Festival 2025: Returning to Its Roots

Bangkok is gearing up for the fourth edition of the SIAM Songkran Music Festival, which has become one of the most anticipated Songkran events in Thailand. From April 11 to 14, 2025, the Bravo BKK Arena Area in RCA will be the center of a celebration that brings together music, culture, and community. Over the years, SIAM Songkran has turned into something people look forward to during Songkran. It feels like a tradition of its own at this point, and it is coming back to the venue where it all began in 2019.
Festival Overview
SIAM Songkran 2025 promises four days of music, water fights, and Thai cultural experiences. The festival embraces the spirit of Songkran, which is all about purification, renewal, and unity. It brings the joy of water play together with sets from some of the biggest names in electronic music.
This year, the festival is stepping things up with new stage designs that are meant to feel fresh while still giving a nod to Thai heritage. From the Onghtep collectible toys to the elephant pants available for attendees, SIAM Songkran keeps that connection to Thailand’s culture strong.
Lineup Highlights
Each day has something different to offer.
April 11: Yellow Claw and Flosstradamus are teaming up for their first-ever back-to-back set in Thailand. This is something people have been waiting for, and seeing them on stage together is bound to make an impact. Other artists on the lineup include Dillon Francis, Darren Styles, Good Times Ahead, and RayRay. April 12: Hardwell is making his return to SIAM Songkran after playing in 2023. We were lucky enough to grab an interview with him, which you can check out here. Alongside him, Artbat, Blastoyz, Hedex, and Tujamo are all ready to bring their own styles to the festival April 13: Dimitri Vegas and Steve Aoki are teaming up for their first-ever back-to-back set in Thailand. Steve Aoki is also returning to the festival after last year’s show. The lineup for the day also includes Sub Focus, FrostTop, Ookay, and Slushii. April 14: Charlotte De Witte will be closing out the festival. People are excited to see what she brings to the table this time. Argy, Hannah Laing, Liu, and Maddix are all set to play as well, making sure the final day has its own vibe.
Venue Details
SIAM Songkran is returning to the Bravo BKK Arena Area, which hosted the very first festival back in 2019. This venue has history with SIAM Songkran, and bringing it back here feels like the right choice. The Bravo BKK Arena Area’s location within RCA’s nightlife scene has always been a solid fit for this kind of event.
Stage Design
The stage design this year is definitely going to catch people’s attention. A massive phoenix with blue and gold accents stretches above the entrance, symbolizing renewal and fresh beginnings. It suits the theme of Songkran perfectly, where letting go of the past and starting something new is what it is all about. Everything about the setup is built to feel impressive from the moment people walk in.
Cultural Significance & Merchandise
The name Siam is tied to Thailand’s history. It represents the country’s identity before officially becoming Thailand in 1939. Keeping “Siam” as part of the festival’s name feels like a way of honoring the past while building something new.
Songkran has always been about bringing people together, washing away the past, and celebrating new beginnings. The festival keeps that tradition alive by including elements of Thai culture that feel authentic rather than forced.
Merchandise like elephant pants and Onghtep toys are part of that experience. They are more than just souvenirs; they are pieces of Thai culture that people appreciate. It is a nice touch that makes everything feel more connected to the place where it is happening.
Final Thoughts
I was there for the very first SIAM Songkran back in 2019, and it has been interesting to see how much the festival has grown. That first year had something special to it. Everything felt new, and you could tell the organizers were putting their own twist on how to celebrate Songkran. It was raw, fun, and nothing felt overdone.
Seeing the festival come back to the Bravo BKK Arena Area feels right. That venue just works for SIAM Songkran, and being back where it all started brings back some good memories. This year’s lineup has some fresh combinations, especially with Yellow Claw and Flosstradamus teaming up and Dimitri Vegas going back-to-back with Steve Aoki. It is also good to see Hardwell back after his 2023 set.
It will be interesting to see how everything turns out!

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[EDMTunes] EMW Presents Mochakk Calling: NYC at the Brooklyn Army Terminal this Summer

New York City’s summer dance music scene is about to hit another peak with the announcement of Mochakk Calling: NYC, presented by EMW Presents. On June 21, 2025, the historic Brooklyn Army Terminal will transform into an open-air dance floor, offering breathtaking skyline views and the signature sounds of one of electronic music’s most dynamic artists. After Chris Lake took over the pier for two b2b nights last summer, Brooklyn Army Terminal is the newest and hottest party hotspot in NYC.
Mochakk’s rise has been nothing short of meteoric. His unique blend of house music, influenced by his roots in skateboarding and hip-hop culture, has captivated audiences worldwide. With standout tracks like ‘Jealous’ and acclaimed remixes, he’s solidified his position as a leading force in the genre. His “Mochakk Calling” events have become synonymous with sold-out shows and unforgettable experiences. The Brooklyn Army Terminal, known for its industrial charm and expansive outdoor space, provides the perfect setting for this summer party.
Joining Mochakk are a lineup of stellar artists, including the much-anticipated DJ Boring b2b DJ Seinfeld, promising a high-energy, genre-bending set that blends acid house with dreamy melodies. Berlin’s own Lovefoxy will also grace the stage, adding her signature house grooves to the mix, with more special guests to be announced.
Fans can sign up for pre-sale tickets at https://laylo.com/mochakk/CALLINGNYC25, which will go on sale beginning April 09 at 10am EST. All ticket options, including VIP, which includes express entry, backstage access, dedicated restrooms, and a premium bar, go on sale April 10 at 10am EST. Mochakk Calling: NYC is a 21+ event.

The post EMW Presents Mochakk Calling: NYC at the Brooklyn Army Terminal this Summer appeared first on EDMTunes.
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[Decoded] WATCH: Daft Punk’s “Alive” concert

When Daft Punk embarked on their Alive 2006/2007 tour, it wasn’t just a concert—it was a seismic cultural event that redefined what live electronic music could be. After years of absence from the live stage, the French duo emerged with a groundbreaking audiovisual experience that left a permanent mark on dance music culture. Clad in their iconic robot helmets and stationed inside a towering, glowing pyramid, Thomas Bangalter and Guy-Manuel de Homem-Christo fused a spectacular visual show with a relentless mix of their best-known tracks. Instead of simply playing their songs, they reimagined them on the fly, creating mashups and transitions that felt like a living, breathing remix of their entire discography.
The Alive tour’s performance at Coachella 2006 is often cited as a pivotal moment—not just for Daft Punk, but for electronic music’s acceptance into the mainstream live festival circuit. The now-legendary set drew a massive, overflowing crowd and was a masterclass in synergy between sound, light, and architecture. Tracks like “Robot Rock,” “Around the World,” “One More Time,” and “Harder, Better, Faster, Stronger” were woven into new hybrids, creating an emotional and physical rollercoaster for fans. The visuals, driven by LED walls, synchronised lighting, and the pyramid’s ever-shifting form, were a full-body assault on the senses. It was one of the first times that electronic music was presented with such theatrical flair, proving that a DJ show could rival the scale and intensity of any rock concert.
Daft Punk’s Alive 2007 album, recorded during the Paris leg of the tour, captured this electric energy and won the Grammy Award for Best Electronic/Dance Album. More than just a live record, it became a document of a moment where boundaries between DJing and live performance blurred completely. For many fans and future producers, that concert—and the album it spawned—was a creative catalyst. It showed how electronic music, when delivered with ambition and vision, could unify stadiums of people in euphoria. The Alive tour wasn’t just a highlight of Daft Punk’s career—it was a cultural reset that continues to influence live music production to this day.
The post WATCH: Daft Punk’s “Alive” concert appeared first on Decoded Magazine.
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[Decoded] WATCH: Daft Punk’s “Alive” concert

When Daft Punk embarked on their Alive 2006/2007 tour, it wasn’t just a concert—it was a seismic cultural event that redefined what live electronic music could be. After years of absence from the live stage, the French duo emerged with a groundbreaking audiovisual experience that left a permanent mark on dance music culture. Clad in their iconic robot helmets and stationed inside a towering, glowing pyramid, Thomas Bangalter and Guy-Manuel de Homem-Christo fused a spectacular visual show with a relentless mix of their best-known tracks. Instead of simply playing their songs, they reimagined them on the fly, creating mashups and transitions that felt like a living, breathing remix of their entire discography.
The Alive tour’s performance at Coachella 2006 is often cited as a pivotal moment—not just for Daft Punk, but for electronic music’s acceptance into the mainstream live festival circuit. The now-legendary set drew a massive, overflowing crowd and was a masterclass in synergy between sound, light, and architecture. Tracks like “Robot Rock,” “Around the World,” “One More Time,” and “Harder, Better, Faster, Stronger” were woven into new hybrids, creating an emotional and physical rollercoaster for fans. The visuals, driven by LED walls, synchronised lighting, and the pyramid’s ever-shifting form, were a full-body assault on the senses. It was one of the first times that electronic music was presented with such theatrical flair, proving that a DJ show could rival the scale and intensity of any rock concert.
Daft Punk’s Alive 2007 album, recorded during the Paris leg of the tour, captured this electric energy and won the Grammy Award for Best Electronic/Dance Album. More than just a live record, it became a document of a moment where boundaries between DJing and live performance blurred completely. For many fans and future producers, that concert—and the album it spawned—was a creative catalyst. It showed how electronic music, when delivered with ambition and vision, could unify stadiums of people in euphoria. The Alive tour wasn’t just a highlight of Daft Punk’s career—it was a cultural reset that continues to influence live music production to this day.
The post WATCH: Daft Punk’s “Alive” concert appeared first on Decoded Magazine.
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[EDMTunes] Alex Kislov Highlights Talented Artists in Collaborative Remix Album: ‘Dream Sequence: The Remixes’

Following the release of his ‘Dream Sequence’ album late last year, Alex Kislov returns with fresh sounds for his listeners, giving new life to his originals, he presents a hard-hitting remix album, ‘Dream Sequence: The Remixes’ via his own label, AK & Friends. As he invites a diverse lineup of Producers and DJs to rework the tracks, he curates a collection that reimagines his music through unique perspectives and distinct creative touches, revealing new dimensions of sound whilst retaining the immersive quality and engaging energy that defined the original album.  
With a journey driven by a pure passion for Electronic Music, enthusiastic about its forward progression and his role in its evolution, Alex Kislov continually steps out as a motivated member of the genre’s creative community. This time, he emerges not only to expand his discography with new music but also to highlight his own tastes, shining a spotlight on talented artists that inspire his own creativity and celebrating those making waves within the genre.  
When speaking on this new body of work, Alex Kislov mentions:  
“‘Dream Sequence: The Remixes is a beautiful re-interpretation of the album by some of my favorite producers and artists. It was a way to reignite a sequence of dreams, but this time from a different angle.” 
Delivering a total of ten reworks, ‘Dream Sequence: The Remixes’ unfolds into a compelling journey for any fan of Electronic Music to enjoy. Bringing in substyles from across the genre, including Afro House, Progressive House, Tech House, Future Bass, and Melodic Techno, the album explores the breadth of the Electronic Music landscape, giving way to diverse sounds as each remixer brings their own distinct identity to the project.  
Regarding the inspiration behind this body of work, Alex Kislov explains:  
“This project came to be when I finished my album and received feedback from some of my Producer friends. One of them actually asked to do a remix, and that stemmed the entire idea of launching a full album of remixes of the project.” 
With talents like Terry Golden, RJ Pickens, Arvi Mala, COFRESI, Mattheo, Side Project, Ivano Lima, Xeibo, and John Lyn included in the lineup, the album crafts tracks that will surely resonate on the dancefloor and beyond, weaving through soundscapes detailed with hard-hitting beats, uplifting melodic lines, driving basslines and atmospheric textures. From the punchy sound of Terry Golden’s rework of ‘Nocturne,’ integrating elevating risers, hypnotic leads, and interwoven synth work, to the dark energy of Arvi Mala’s take on ‘Tales,’ with its sharp rhythms, moody bassline, and futuristic-sounding synth hits, listeners can experience a fusion of styles in ‘Dream Sequence: The Remixes,’ where each production adds depth and a refreshing dynamic to the Alex Kislov original.  
For Alex Kislov, this release holds special significance: 
“I am so excited for this album / EP to come right in time for Miami Music Week! It has so much soul and vibe to it, each artist really captured the essence of the theme of the album and took one track from the album and made it their own.” 
Filled with energy, forward-thinking sounds, and diverse approaches, dive into Alex Kislov’s ‘Dream Sequence: The Remixes’ to explore a reimagined sonic journey that highlights both the evolution of the album and the artistry of its collaborators.  
With his journey continuing to bring exciting moments, make sure to keep up with Alex Kislov via social media as this no doubt marks just another step in his evolution, sure to see him exploring new creative pursuits next and deliver more innovative music to his fans. 
‘Dream Sequence: The Remixes’ is out now via AK & Friends and is available to stream and download across platforms.  
Listen and Buy ‘Dream Sequence: The Remixes’ Now:    
https://www.beatport.com/release/dream-sequence-the-remixes/4969260
Alex Kislov Online    
Spotify | Instagram | Beatport      
 Terry Golden Online    
Beatport | Instagram | Spotify    
RJ Pickens Online    
Instagram | Soundcloud    
Arvi Mala Online 
Instagram | Spotify    
COFRESI Online 
Instagram | Spotify    
Mattheo Online 
Instagram | Soundcloud    
Side Project Online 
Instagram |Spotify    
Ivano Lima Online 
Instagram | Soundcloud    
Xeibo Online 
Instagram | Soundcloud    
John Lyn Online 
Instagram | Spotify   
Orville Kline Online  
Instagram | Spotify 
The post Alex Kislov Highlights Talented Artists in Collaborative Remix Album: ‘Dream Sequence: The Remixes’ appeared first on EDMTunes.
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[EDMTunes] ‘Gonna Say Goodbye’ Showcases Alden Song’s Expanding Artistic Vision

Alden Song returns with his latest Tech House single, ‘Gonna Say Goodbye,’ highlighting his continued evolution as both a Producer and DJ with a high-powered track primed for peak time moments. With a focus on groove-driven rhythms and infectious melodies, this new production showcases Alden Song’s ability to craft immersive dancefloor experiences while incorporating fresh influences into his ever-evolving sound. 
Having carved his journey through exciting DJ performances across the USA and notable studio work, Alden Song now channels his experiences into ‘Gonna Say Goodbye.’ Blending polished production techniques with his signature energy, he pushes his creative boundaries with a track that layers precise sound design, rhythmic drive, and catchy vocal textures. Known for his ability to merge modern Tech House with classic House influences, Alden Song continues to hone his sound, capturing both energy and emotion to craft engaging sonic journeys for his listeners and showcase a sonic identity that will draw a global crowd. 
Opening with an electrifying synth line, quickly building its pulsating groove with energetic basslines, pounding kicks, and shuffled percussion, ‘Gonna Say Goodbye’ steadily evolves as punchy leads and an infectious vocal hook join the mix. Then, maintaining a dynamic balance between intense rhythms and melodic depth, rolling beats and hypnotic textures weave together, creating the evolving soundscape that defines ‘Gonna Say Goodbye.’ Designed to ignite dancefloors while resonating beyond the club setting, with its upbeat synths, immersive vocal lines, and elevating sonic layers, the track reflects Alden Song’s growing artistic vision and refined production approach, underscoring his talent for balancing forward-thinking sounds with his captivating signature style. 
With ‘Gonna Say Goodbye,’ Alden Song continues to push forward, demonstrating his ability to innovate while staying true to the essence of his sound. As he embraces fresh creative opportunities, having recently relocated from NYC to LA, he sets his sights on the next chapter of his career, bringing this new release to expand his reach and reinforce himself as a talent to be watching.  
Out now and available to stream and download across platforms, dive into Alden Song’s ‘Gonna Say Goodbye’ today and be sure to stay up to date with his latest projects and performances by following him on social media. 
Listen and Buy ‘Gonna Say Goodbye’ Now:    

https://www.beatport.com/release/gonna-say-goodbye/4970393

Alden Song Online   
Instagram | Spotify | Soundcloud   
Featured Image Credit: Robert Albion Zeigler
The post ‘Gonna Say Goodbye’ Showcases Alden Song’s Expanding Artistic Vision appeared first on EDMTunes.
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[EDM House Network] Veena Unleashes Big Room Techno Single ‘LIGHT ON/OFF’

Rising DJ, Veena has just released her brand new energetic track called ‘LIGHT ON/OFF’ on all streaming platforms. Featuring hard hitting beats and catchy leads, the single is truly a mainstage anthem ready to drive crowds into a state of madness.
With an intense build-up before the drop, ‘LIGHT ON/OFF’ contains Veena’s signature sound, offering listeners a musical, dopamine feeling. The track’s hypnotic lyrics, ‘dance, life, control, dreams’ add magic to the audio experience and enhance Veena’s fresh production.
On her Instagram account, the DJ opened about the story of this release saying: “Life is a dance of light and shadow. Sometimes we embrace our shining moments (Light On), enjoying glory and success; at other times, we find ourselves in valleys (Light Off), experiencing darkness and confusion. Yet it is this coexistence of light and shadow that makes us cherish the beautiful moments even more, and learn and grow during the lows.”
Already having captivated dancefloors all over the world, on stages at festivals such as Ultra Taiwan and S2O Taiwan, Veena plans on taking her new song to new heights at her upcoming events. Considering ‘LIGHT ON/OFF’ is only her third release ever, the Taiwan DJ had a stellar rise in the past months and is eager to bring fans as much new music as possible.
Ranking fourth in the Asia DJANE Top 100 competition in 2024, Veena’s music reached the hearts of many listeners who voted for her in the poll.
Now, it is time for a new chapter in her career, with ‘LIGHT ON/OFF’ being the first release of 2025. Listen to Veena’s newest track here.
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[Decoded] 10 Mixes that defined a generation of Electronic Music in the 90s and 2000s

There’s a magic in remembering the moment the bassline hit, the lights flared, and for the first time, you truly understood electronic music. For many of us, that moment happened somewhere between the fall of the Berlin Wall and the first few years of the new millennium. The ’90s and early 2000s weren’t just a time of musical evolution—they were an eruption, a cultural phenomenon that reshaped the underground and built the very foundations that today’s scene still stands on.
In an era untouched by algorithms and TikTok virality, discovering music has been a physical journey. You might have found it on the dancefloor at Fire London at 4am. In the back of Central Station Records or Blackmarket record store. Through a cassette passed under a bathroom stall at a warehouse rave. And it was in these moments that a generation of tastemakers and trailblazers emerged—Sasha & Digweed taking us on an ethereal journey with Northern Exposure, Anthony Pappa carving out his global reputation through relentless touring and technical precision, Dave Angel pushing the frontiers of techno with soulful intelligence, and Mark Farina defining a West Coast house sound that still makes any dancefloor heave today.
What set this era apart wasn’t just the talent—it was the timing. Technology had reached a point where home studios were becoming viable but not so advanced that they eliminated craft. DJs still had to beatmatch by ear, dig for records every weekend at one of the many record stores still around, from 3 Beat in Liverpool with Steve Parry your go-to go, earning your stripes playing warm-up sets to empty rooms. There was a discipline to the art and a purity to the culture. Clubs were temples. Mixtapes were gospel. And lineups weren’t about who had the most followers—they were about who could smash a room.
This was the time of legendary mix series—Global Underground, Journeys by DJ, Back to Mine, Essential Mix. These weren’t just playlists; they were curated emotional arcs, pressed onto CDs that soundtracked everything from comedowns to cross-country road trips. They were experience capsules—Dave Clarke’s razor-sharp X-Mix with a somewhat almosted finessed form of techno, Groove Armada’s Back to Mine wrapping us in post-club warmth, and Adam Freeland’s FabricLive ripping a hole in what is possible in mashing electro, rock, techno, house, vocals with breaks that still sound futuristic today.
The community that grew around electronic music in this era was fiercely loyal (It still is). It wasn’t about trends, it was a lifestyle. Flyers were hand-drawn. Clubs had no VIP section. And whether you were in a Detroit basement or a Sydney beach party ( A big nod to Paul Strange – RIP), you were (and always have been) part of something bigger.
And here’s the kicker: the echoes of that era still pulse through today’s dancefloors. Sasha and Digweed are still pushing boundaries. Anthony Pappa remains one of the most technically gifted DJs to ever grace a booth. Dave Angel’s name is whispered with reverence by techno purists. And Mark Farina? Still dropping sets that make you want to hug strangers and dance until sunrise.
So yes, electronic music has evolved. But if you were there—if you felt that electricity, that sense of discovery and rebellion—you’ll know: the ’90s and early 2000s weren’t just a golden age. They were the age. The blueprint. The moment the underground went global, dance music truly took over the world.
Put on headphones, or in our case, put it through the sound system. these are our first round of top 10 mixes you need to hear!
1. X-Mix – Dave Clarke (1994)
Dave Clarke, the self-styled “Baron of Techno,” is still a pivotal figure in techno, bringing brutalist sound design and get fucked attitude (read his social media posts) In 1994, Clarke’s entry into the X-Mix series combined fast, unforgiving techno with razor-sharp electro, giving fans a glimpse into the harder, rawer edge of the genre during a time when it was exploding across Europe.
This mix stood out for its cinematic use of visuals of the time (in the video version) and the sheer velocity of its track selections. Clarke’s mixing was clinical yet emotive, a masterclass in high-octane precision that offered a sharp contrast to the more blissed-out sounds of the era. It became an entry point for many techno heads of the time and remains a reference point for what peak-time techno energy looks like.
Dave Clarke DJ Sets · Essential Mix 11-06-1994 2. Northern Exposure 1 – Sasha & John Digweed (1996)
Sasha & Digweed were already UK clubland royalty when they released Northern Exposure, but this mix cemented their global legacy. 1996 marked the height of progressive house and trance’s rise to prominence, and the duo curated a cinematic journey that blurred the lines between genres, moods, and even hemispheres.
What made this mix so iconic was its structure—two discs, each representing a “journey” (north and south), with seamless transitions and a lush, emotive soundscape. It was less a club mix and more a story told in BPMs, inspiring countless bedroom DJs and elevating the artform beyond dancefloors. This mix is still held s the utmost standard of what a progressive house mix should attain as a bare minimum.
The Classic Mix CD Series · 175 – Northern Exposure by Sasha & John Digweed – Disc 1 (1996) 3. The K&D Sessions – Kruder & Dorfmeister (1998)
Viennese duo Kruder & Dorfmeister were the kings of downtempo cool in the late ‘90s. Their K&D Sessions mix, released in 1998, brought a laid-back, dubby aesthetic to the forefront at a time when electronic music was diversifying and chillout culture was thriving in cafes, bars, and after-parties around the world (think Cafe del Mar, fuck, anything Ibiza at the time)
With dirty, lo-fi beats, dubwise basslines, and impeccable groove, The K&D Sessions wasn’t just background music—it was (still is) headphone heaven. The pair’s flawless production and reimagining of classics made this double CD essential for anyone looking to explore the more introspective side of electronica. It still sets the standard of a chill out mix today
farnesbarnes · Kruder & Dorfmeister – The K&D Sessions (Vinyl) (320 Kbps) 4. Anthony Pappa – Nubreed (Global Underground, 2000)
Anthony Pappa’s Nubreed release in 2000 was a landmark moment for the Global Underground brand, which was expanding its vision with a focus on rising talents. An Australian DJ with an international profile, Pappa delivered a progressive house mix that was as technically immaculate as it was emotionally charged. (Did we just write that? he’s a legend to our team)
His Nubreed volume captured a moment when trance and house were blending into a lush, melodic hybrid (No, not melodic techno you might call it now). The mix highlighted his trademark surgical transitions and deep crate knowledge, elevating him from a respected DJ to a cult hero to this day within the prog scene.
The Global Underground Archive · Global Underground – Nubreed – Anthony Pappa 5. Mark Farina – United DJs of America Vol. 9 (1996)
One part cool as fuck, one part just being Mark Farina, he brought the deep, jazzy house of San Francisco into living rooms and dancefloors worldwide with this 1996 mix. Already known for his legendary Mushroom Jazz series, Farina used this release to showcase his more dancefloor-oriented side, full of organic grooves and funky rhythms.
At a time when the U.S. was still defining (finding?) its electronic sound, Farina represented a uniquely American take on house music—soulful, warm, and unpretentious. This mix helped pave the way for the West Coast house movement and remains a timeless example of groove-led DJing. We’d be happy to sit back in LA with Mark anytime and watch the waves roll in, cocktail in hand with tidy tunes.
The Classic Mix CD Series · 024 – Mark Farina – United DJs Of America, Vol. 9 San Francisco (1998) 6. Back To Mine – Groove Armada (2000)
Groove Armada were riding high off the success of “At the River” and Vertigo when they compiled this Back to Mine installment. Unlike club-focused mixes, this series was designed for the afterparty, and Groove Armada’s edition dripped with Balearic, soul, funk, and downtempo perfection.
The duo’s eclectic taste and cross-genre fluency made this mix essential for fans of chilled yet emotionally rich soundscapes (we all love it). It was less about DJ tricks and more about storytelling through curation, and it perfectly captured the spirit of late-night living rooms better than almost anything else at the time.
The Classic Mix CD Series · 005 – Back To Mine – Groove Armada (2000) 7. Adam Freeland – FabricLive 16 (2004)
Breakbeat’s poster boy, Adam Freeland, was at the height of his powers when he dropped FabricLive 16. In the early 2000s, breaks were big business, and Freeland’s take on the genre was edgy, punk-infused, and deeply kinetic.
This mix was a futuristic fusion of rock, electro, and rave energy, reflecting the cross-pollination happening in clubs like Fabric at the time. It captured a sound that was raw yet tidy as hell, and it single-handedly introduced the breaks movement to a broader, more global audience. This fabric album is as clean as the day it was mixed!
AdamFreeland · Adam Freeland- Fabric Live 16-(2004) 8. Terry Farley & Pete Heller – Journeys By DJ: Musicmorphosis (1995)
Icons, legends and all-around masters of the UK house scene, Farley & Heller delivered a transcendent and spiritual trip with Musicmorphosis, an underappreciated gem from the Journeys By DJ series. In 1995, as rave matured into something deeper and more refined, this mix offered a spiritual, uplifting house soundtrack that pushed back, summed up Ibiza, and gave a voice to clubland.
With tribal rhythms, gospel samples, and pure 4/4 magic, the duo connected dancefloor ritualism with personal introspection. Their chemistry and shared reverence for the roots of house music made this a standout mix that still resonates with deep house purists today.
The Classic Mix CD Series · 057 – Terry Farley & Pete Heller ‎– Journeys By DJ Presents Musicmorphosis (1996) 9. Phil K – Sound Not Scene (2002)
A sorely close and missed friend, Phil K, one of Australia’s most revered underground figures, delivered a glitchy, breakbeat-infused stormer with Sound Not Scene. Known for pushing technical boundaries, Phil K embodied the darker, more cerebral edges of progressive breaks, and this mix is a showcase of his fearless approach.
In an era obsessed with seamless transitions, Phil K brought a live, controller-driven aesthetic that felt dangerous and alive. This was not just a mix—it was an experience and for many, a gateway into the next level of DJing and sonic experimentation.
The Classic Mix CD Series · 810 – Phil K – Sound Not Scene (2000) 10. Deep Dish – Yoshiesque (1999)
Deep Dish were unstoppable at the turn of the millennium, and Yoshiesque was the calling card that blended deep house with progressive muscle. Dubfire and Sharam created a world of layered grooves, lush synths, and hypnotic transitions that felt as cinematic as they were club-ready.
This mix became a defining artifact of the global progressive house movement, bridging European, Middle Eastern, and American sounds. It was a benchmark for long-form storytelling through music and catapulted Deep Dish into the superstar DJ bracket.
The Classic Mix CD Series · 010 – Deep Dish – Yoshiesque – Disc 1 (1999) The post 10 Mixes that defined a generation of Electronic Music in the 90s and 2000s appeared first on Decoded Magazine.
Ravebot
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[Decoded] 10 Mixes that defined a generation of Electronic Music in the 90s and 2000s

There’s a magic in remembering the moment the bassline hit, the lights flared, and for the first time, you truly understood electronic music. For many of us, that moment happened somewhere between the fall of the Berlin Wall and the first few years of the new millennium. The ’90s and early 2000s weren’t just a time of musical evolution—they were an eruption, a cultural phenomenon that reshaped the underground and built the very foundations that today’s scene still stands on.
In an era untouched by algorithms and TikTok virality, discovering music has been a physical journey. You might have found it on the dancefloor at Fire London at 4am. In the back of Central Station Records or Blackmarket record store. Through a cassette passed under a bathroom stall at a warehouse rave. And it was in these moments that a generation of tastemakers and trailblazers emerged—Sasha & Digweed taking us on an ethereal journey with Northern Exposure, Anthony Pappa carving out his global reputation through relentless touring and technical precision, Dave Angel pushing the frontiers of techno with soulful intelligence, and Mark Farina defining a West Coast house sound that still makes any dancefloor heave today.
What set this era apart wasn’t just the talent—it was the timing. Technology had reached a point where home studios were becoming viable but not so advanced that they eliminated craft. DJs still had to beatmatch by ear, dig for records every weekend at one of the many record stores still around, from 3 Beat in Liverpool with Steve Parry your go-to go, earning your stripes playing warm-up sets to empty rooms. There was a discipline to the art and a purity to the culture. Clubs were temples. Mixtapes were gospel. And lineups weren’t about who had the most followers—they were about who could smash a room.
This was the time of legendary mix series—Global Underground, Journeys by DJ, Back to Mine, Essential Mix. These weren’t just playlists; they were curated emotional arcs, pressed onto CDs that soundtracked everything from comedowns to cross-country road trips. They were experience capsules—Dave Clarke’s razor-sharp X-Mix with a somewhat almosted finessed form of techno, Groove Armada’s Back to Mine wrapping us in post-club warmth, and Adam Freeland’s FabricLive ripping a hole in what is possible in mashing electro, rock, techno, house, vocals with breaks that still sound futuristic today.
The community that grew around electronic music in this era was fiercely loyal (It still is). It wasn’t about trends, it was a lifestyle. Flyers were hand-drawn. Clubs had no VIP section. And whether you were in a Detroit basement or a Sydney beach party ( A big nod to Paul Strange – RIP), you were (and always have been) part of something bigger.
And here’s the kicker: the echoes of that era still pulse through today’s dancefloors. Sasha and Digweed are still pushing boundaries. Anthony Pappa remains one of the most technically gifted DJs to ever grace a booth. Dave Angel’s name is whispered with reverence by techno purists. And Mark Farina? Still dropping sets that make you want to hug strangers and dance until sunrise.
So yes, electronic music has evolved. But if you were there—if you felt that electricity, that sense of discovery and rebellion—you’ll know: the ’90s and early 2000s weren’t just a golden age. They were the age. The blueprint. The moment the underground went global, dance music truly took over the world.
Put on headphones, or in our case, put it through the sound system. these are our first round of top 10 mixes you need to hear!
1. X-Mix – Dave Clarke (1994)
Dave Clarke, the self-styled “Baron of Techno,” is still a pivotal figure in techno, bringing brutalist sound design and get fucked attitude (read his social media posts) In 1994, Clarke’s entry into the X-Mix series combined fast, unforgiving techno with razor-sharp electro, giving fans a glimpse into the harder, rawer edge of the genre during a time when it was exploding across Europe.
This mix stood out for its cinematic use of visuals of the time (in the video version) and the sheer velocity of its track selections. Clarke’s mixing was clinical yet emotive, a masterclass in high-octane precision that offered a sharp contrast to the more blissed-out sounds of the era. It became an entry point for many techno heads of the time and remains a reference point for what peak-time techno energy looks like.
Dave Clarke DJ Sets · Essential Mix 11-06-1994 2. Northern Exposure 1 – Sasha & John Digweed (1996)
Sasha & Digweed were already UK clubland royalty when they released Northern Exposure, but this mix cemented their global legacy. 1996 marked the height of progressive house and trance’s rise to prominence, and the duo curated a cinematic journey that blurred the lines between genres, moods, and even hemispheres.
What made this mix so iconic was its structure—two discs, each representing a “journey” (north and south), with seamless transitions and a lush, emotive soundscape. It was less a club mix and more a story told in BPMs, inspiring countless bedroom DJs and elevating the artform beyond dancefloors. This mix is still held s the utmost standard of what a progressive house mix should attain as a bare minimum.
The Classic Mix CD Series · 175 – Northern Exposure by Sasha & John Digweed – Disc 1 (1996) 3. The K&D Sessions – Kruder & Dorfmeister (1998)
Viennese duo Kruder & Dorfmeister were the kings of downtempo cool in the late ‘90s. Their K&D Sessions mix, released in 1998, brought a laid-back, dubby aesthetic to the forefront at a time when electronic music was diversifying and chillout culture was thriving in cafes, bars, and after-parties around the world (think Cafe del Mar, fuck, anything Ibiza at the time)
With dirty, lo-fi beats, dubwise basslines, and impeccable groove, The K&D Sessions wasn’t just background music—it was (still is) headphone heaven. The pair’s flawless production and reimagining of classics made this double CD essential for anyone looking to explore the more introspective side of electronica. It still sets the standard of a chill out mix today
farnesbarnes · Kruder & Dorfmeister – The K&D Sessions (Vinyl) (320 Kbps) 4. Anthony Pappa – Nubreed (Global Underground, 2000)
Anthony Pappa’s Nubreed release in 2000 was a landmark moment for the Global Underground brand, which was expanding its vision with a focus on rising talents. An Australian DJ with an international profile, Pappa delivered a progressive house mix that was as technically immaculate as it was emotionally charged. (Did we just write that? he’s a legend to our team)
His Nubreed volume captured a moment when trance and house were blending into a lush, melodic hybrid (No, not melodic techno you might call it now). The mix highlighted his trademark surgical transitions and deep crate knowledge, elevating him from a respected DJ to a cult hero to this day within the prog scene.
The Global Underground Archive · Global Underground – Nubreed – Anthony Pappa 5. Mark Farina – United DJs of America Vol. 9 (1996)
One part cool as fuck, one part just being Mark Farina, he brought the deep, jazzy house of San Francisco into living rooms and dancefloors worldwide with this 1996 mix. Already known for his legendary Mushroom Jazz series, Farina used this release to showcase his more dancefloor-oriented side, full of organic grooves and funky rhythms.
At a time when the U.S. was still defining (finding?) its electronic sound, Farina represented a uniquely American take on house music—soulful, warm, and unpretentious. This mix helped pave the way for the West Coast house movement and remains a timeless example of groove-led DJing. We’d be happy to sit back in LA with Mark anytime and watch the waves roll in, cocktail in hand with tidy tunes.
The Classic Mix CD Series · 024 – Mark Farina – United DJs Of America, Vol. 9 San Francisco (1998) 6. Back To Mine – Groove Armada (2000)
Groove Armada were riding high off the success of “At the River” and Vertigo when they compiled this Back to Mine installment. Unlike club-focused mixes, this series was designed for the afterparty, and Groove Armada’s edition dripped with Balearic, soul, funk, and downtempo perfection.
The duo’s eclectic taste and cross-genre fluency made this mix essential for fans of chilled yet emotionally rich soundscapes (we all love it). It was less about DJ tricks and more about storytelling through curation, and it perfectly captured the spirit of late-night living rooms better than almost anything else at the time.
The Classic Mix CD Series · 005 – Back To Mine – Groove Armada (2000) 7. Adam Freeland – FabricLive 16 (2004)
Breakbeat’s poster boy, Adam Freeland, was at the height of his powers when he dropped FabricLive 16. In the early 2000s, breaks were big business, and Freeland’s take on the genre was edgy, punk-infused, and deeply kinetic.
This mix was a futuristic fusion of rock, electro, and rave energy, reflecting the cross-pollination happening in clubs like Fabric at the time. It captured a sound that was raw yet tidy as hell, and it single-handedly introduced the breaks movement to a broader, more global audience. This fabric album is as clean as the day it was mixed!
AdamFreeland · Adam Freeland- Fabric Live 16-(2004) 8. Terry Farley & Pete Heller – Journeys By DJ: Musicmorphosis (1995)
Icons, legends and all-around masters of the UK house scene, Farley & Heller delivered a transcendent and spiritual trip with Musicmorphosis, an underappreciated gem from the Journeys By DJ series. In 1995, as rave matured into something deeper and more refined, this mix offered a spiritual, uplifting house soundtrack that pushed back, summed up Ibiza, and gave a voice to clubland.
With tribal rhythms, gospel samples, and pure 4/4 magic, the duo connected dancefloor ritualism with personal introspection. Their chemistry and shared reverence for the roots of house music made this a standout mix that still resonates with deep house purists today.
The Classic Mix CD Series · 057 – Terry Farley & Pete Heller ‎– Journeys By DJ Presents Musicmorphosis (1996) 9. Phil K – Sound Not Scene (2002)
A sorely close and missed friend, Phil K, one of Australia’s most revered underground figures, delivered a glitchy, breakbeat-infused stormer with Sound Not Scene. Known for pushing technical boundaries, Phil K embodied the darker, more cerebral edges of progressive breaks, and this mix is a showcase of his fearless approach.
In an era obsessed with seamless transitions, Phil K brought a live, controller-driven aesthetic that felt dangerous and alive. This was not just a mix—it was an experience and for many, a gateway into the next level of DJing and sonic experimentation.
The Classic Mix CD Series · 810 – Phil K – Sound Not Scene (2000) 10. Deep Dish – Yoshiesque (1999)
Deep Dish were unstoppable at the turn of the millennium, and Yoshiesque was the calling card that blended deep house with progressive muscle. Dubfire and Sharam created a world of layered grooves, lush synths, and hypnotic transitions that felt as cinematic as they were club-ready.
This mix became a defining artifact of the global progressive house movement, bridging European, Middle Eastern, and American sounds. It was a benchmark for long-form storytelling through music and catapulted Deep Dish into the superstar DJ bracket.
The Classic Mix CD Series · 010 – Deep Dish – Yoshiesque – Disc 1 (1999) The post 10 Mixes that defined a generation of Electronic Music in the 90s and 2000s appeared first on Decoded Magazine.
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Ravebot

[DJ Mag] 20 plug-ins under £200* that have become an industry standard

While an 'industry standard' is hard to define when it comes to music-making tools, some — whether through time or trend — have become staples in the plug-in folders of producers and engineers for their timeless sound, ingenious simplicity, creative originality or time-saving problem solving. Here, we've rounded up 20 go-to plug-ins under £200* — some more famous than others. All of them, though, are worth serious consideration for your next plug purchase
Ravebot
Ravebot

[GrooveCartel] Tomorrowland Unveils The Great Library Design Studio and MORPHO

Tomorrowland is known for making immersive and spectacular experiences at music events.
With the launch of MORPHO, the company has expanded its creative horizons into the world of high-end lifestyle. Tomorrowland has changed a lot with this new brand. It’s no longer just about the magic of its events but also about leaving a lasting architectural and design heritage.
The MORPHO collection made its official debut at the important Salone del Mobile in Milan, which is a major event in the design calendar around the world. This was a serious and ambitious move into the competitive world of high-end home and outdoor design.
Design fans and professionals are now eagerly anticipating MORPHO’s showing at ICFF in New York, which is North America’s premier design fair. This further demonstrates the brand’s global goals and its desire to captivate a discerning international audience. This planned start on two continents shows that MORPHO wants to become a major player in the high-end lifestyle market.

The Design Studio behind MORPHO
The Great Library Design Studio is the creative power behind MORPHO. It combines the imaginative storytelling of Tomorrowland with Dieter Vander Velpen’s deep understanding of architecture in a way that works perfectly. The design studio’s name, “Great Library,” makes you think of magic and complex stories, which is very similar to Tomorrowland’s long history of creating engaging experiences with fantastical themes and complex plots. This makes us think that the studio’s goal is to bring the same magic and storytelling to real-world architecture and design, making the Tomorrowland universe bigger than just the festival sites.
Dieter Vander Velpen is in charge of this creative project. He is a respected architect from Antwerp who is known for his “couture architecture” style and has a lot of experience designing high-end homes and hotels. MORPHO is likely to appeal to sophisticated and wealthy clients who value high quality and sophisticated design, given that he has experience creating high-end and custom places.
This partnership between Tomorrowland and Vander Velpen is not a new one; it builds on a history of great projects, such as the Tomorrowland headquarters in Antwerp, the cutting-edge Lab of Tomorrow in Boom, and the classy Mesa restaurant. The previous projects show that both parties have the same stylistic goals and know how to bring Tomorrowland’s magical atmosphere into real-world settings, which builds trust and excitement for the MORPHO brand.

The design of the new MORPHO collection
At the heart of MORPHO’s design theory is a deep respect for nature’s artistry, which includes both its perfect beauty and its flaws. The way the brand designs is based on a modern take on Art Nouveau, and the many complex patterns, bright colors, and different types of materials found in nature are big sources of inspiration.
The choice of Art Nouveau as the main design influence fits with a desire to capture natural beauty and classic craftsmanship. This is because Art Nouveau has always put a lot of stress on natural shapes, flowing lines, and fine details. With this rich visual language, MORPHO can turn the fleeting magic of Tomorrowland into real things that feel like they were made by hand and have a deep link to nature.
The iridescent patterns on dragonfly wings are a main theme in the MORPHO collection. These patterns are subtly and elegantly mirrored in different design elements. As a core source of inspiration, the dragonfly represents change, lightness, and the delicate beauty of nature. These are all ideas that are very much in line with the MORPHO brand’s overall philosophy. This natural feature shows how carefully the brand pays attention to detail and how symbolic its design choices are, connecting MORPHO even more to the magical world of Tomorrowland.
Art Nouveau
The collection expertly combines modern Art Nouveau styles with a range of natural textures, such as the deep grains of solid teak wood and the shiny finish of metal accents that were made by hand with great care. The Art Nouveau style is known for its sophisticated balance between organic shapes and fine details, which can be seen in this beautiful mix of natural materials and carefully made elements. Because MORPHO picked materials that are both high-quality and long-lasting, it shows that the brand is serious about creating a “lasting architectural legacy” through pieces that are both beautiful and long-lasting.
What does MORPHO sell?
MORPHO currently sells a carefully chosen range of furniture, planters, and tools for both inside and outside of homes. There are a few standout pieces in the furniture collection. They all reflect the brand’s Art Nouveau style and link to nature. The Cena dining table, whose name means “dinner” in Italian, is a beautiful example of this theory. Its base is shaped like the curvy shapes of roots, and the tabletop has a pattern that looks like Voronoi cubes. This design combines naturally moving lines with a geometric pattern that looks like it came from nature. This is a typical Art Nouveau style. The name itself makes you think of shared meals and events with other people.
With a name that means “flight” and “desire,” the Volita dining chair gives off a sense of movement and lightness through its delicate metal features that are based on dragonfly wings. The chair’s name adds to the dragonfly theme and the idea of ethereal beauty. The light and airy design contrasts with the hardness of the teak, making for a pleasing visual balance.
MORPHO Collection Highlights
Product Name Description Inspiration Source Primary Materials Intended Use Cena Dining Table Base evokes sinuous roots; Voronoi-inspired tabletop Nature, Art Nouveau Solid Teak Indoor Dining Volita Dining Chair Delicate metal details inspired by dragonfly wings Dragonfly, Art Nouveau Metal, Teak Indoor Dining Aleta Bar Stool Refined silhouette and subtle curves recalling dragonfly wings Dragonfly, Art Nouveau Metal, Teak Indoor Bar Seating Vime Lounge Chair Organic fluidity with comfort; sculptural structure with large cushions Nature, Art Nouveau Teak, Fabric Indoor/Outdoor Lounge Zen Adjustable Lounger Frame evoking intertwined roots and branches; subtle metal backrest Nature, Art Nouveau Teak, Metal, Fabric Outdoor Lounging Solis Round Daybed Circular form with soft cushions Sun, Nature, Art Nouveau Teak, Fabric Outdoor Lounging In the same way, the Aleta bar stool, whose name in Spanish means “fin,” has a shape and curves that remind me of the delicate lightness of dragonfly wings. Keeping with the dragonfly theme, the Aleta stool shows how the pattern can be used on different types of furniture. Its sleek design fits with the brand’s high-end image.
The Vime lounge chair is great for relaxing inside or outside because it combines natural flow with excellent comfort. It has a sculptural structure that is softened by large cushions. This item shows that MORPHO is dedicated to making designs that can be easily moved from indoor to outdoor settings, fitting the needs of today’s open way of life.
With a frame that looks like the intertwined shapes of roots and branches and a simple metal backrest, the Zen adjustable lounger reflects the brand’s goal to bring the peace of nature into everyday life. The word “Zen” itself makes you think of peace and rest, which is exactly what you want from outdoor lounge areas. Lastly, the Solis round daybed, which gets its name from the sun, is made to be a luxurious place to relax outside. Its round shape and soft, plush pillows make it a perfect place to unwind. T
MORPHO’s collection focuses on using materials that were gathered in a responsible way, especially solid wood and old-fashioned woodworking methods. This shows the brand’s dedication to quality and sustainability. This focus on natural materials and skilled workmanship fits with the Art Nouveau style that values quality and craftsmanship.
The debut at Salone del Mobile, Milan
MORPHO made its debut at Salone del Mobile in Milan. Salone del Mobile is the world’s largest furniture show, and designers, manufacturers, retailers, and the media come from all over the world to attend. The collection was shown in Hall 14, Stand C33, which was a great place for the world design community to learn about it.
MORPHO is going to New York for ICFF, North America’s biggest design show, after a great debut in Milan. This is part of its plan to keep showing its work around the world. From May 18th to 20th, 2025, ICFF will be held at the Javits Center in New York City. This will be MORPHO’s long-awaited launch in North America. “Designing in Harmony” is the theme of ICFF 2025, which will focus on human-centered, multisensory, and international design. This theme fits perfectly with MORPHO’s focus on natural materials, organic shapes, and artisanal craftsmanship, which suggests that it will really hit home with the ICFF crowd. Tomorrowland, Ethnicraft, and Dieter Vander Velpen will all be showing MORPHO at ICFF together, which shows that the brand is all about working together.
A conversation about the launch of MORPHO is set to take place at ICFF on Monday, May 19th, and will be led by Stacy Shoemaker, Editor-in-Chief of Hospitality Design. This session is a response to the strong interest and media coverage that MORPHO is already getting, and it gives us a chance to get to know design professionals better.
Belgian Partner Contributions
Partner Name Area of Expertise Specific Contributions to MORPHO Significance of Involvement Ethnicraft Solid Wood Furniture Manufacturing the MORPHO furniture collection Ensures high-quality craftsmanship and expertise in working with solid wood. Atelier Vierkant Handcrafted Clay Objects Likely providing planters for the collection Adds unique organic and textural elements to complement the furniture. RVB [Details not fully available] Completes the collaborative effort, potentially contributing in another area of expertise. About Tomorrowland
Finally, MORPHO is an exciting new beginning for Tomorrowland. It brings the company’s history of making magical experiences into the world of high-end house and garden design. The brand is a big new player in the high-end living market thanks to its Art Nouveau-inspired designs, strong partnerships with well-known Belgian companies like Ethnicraft and Atelier Vierkant, and dedication to using only the best materials and skilled workers.
After a successful debut at Salone del Mobile, MORPHO’s showing at ICFF in New York is a sign of its global goals and its ability to captivate a sophisticated audience around the world. With Dieter Vander Velpen and The Great Library Design Studio in charge, MORPHO is ready to make the design world better by combining artistic inspiration with high quality and the timeless magic that has become associated with the Tomorrowland name.
The post Tomorrowland Unveils The Great Library Design Studio and MORPHO appeared first on The Groove Cartel.
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