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I know that pop culture icon Paris Hilton released her highly anticipated sophomore album “Infinite Icon” last year. Yet, I haven’t discussed it on the blog until now. However, I was captivated by her vibrant pink-fest music video for the track “Infinity,” which dropped this weekend. The song instantly caught my attention with its catchy melody and upbeat vibe, making it the perfect summer anthem. It’s exactly the fresh, feel-good track I’ve longed for this week.
Paris Hilton’s entrepreneurial prowess is truly remarkable, as she consistently finds ways to maximize the impact of her various ventures. It comes as no surprise that she expertly aligned the release of the enchanting music video “Infinity,” directed by AJ Moreno, with the launch of her highly anticipated 30th fragrance, “Iconic.” This strategic timing coincides with the celebration of Mother’s Day on May 11th in the USA, showcasing her keen market awareness and ability to capture public interest.
While some viewers may struggle to appreciate the vibrant pink hues dominating the music video, I find that this aesthetic channels a charming 90s bubblegum essence. There’s a whimsical quality reminiscent of Kylie Minogue’s iconic style, particularly her playful approach to her earliest pop visuals. It’s fascinating to note how many pop divas have ventured into similar cosmic themes throughout the years. However, Kylie’s name immediately springs to mind as an emblem of this genre. Her signature blend of fun, fantasy, and catchy melodies clearly echoes through this video, making it a nostalgic yet no less refreshing experience for fans of the era.
Stream the “Infinte Icon” album HERE
Pre-order/Pre-save the “Infinite Icon” Remix EP HERE (out 30th May)
Connect with Paris Hilton
Facebook:  https://www.facebook.com/ParisHilton
X:  https://x.com/parishilton
Instagram:  https://www.instagram.com/parishilton/
The post Watch “Infinity” by Paris Hilton appeared first on EQ Music Blog.
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May 2025 arrives with a surge of bold new music from every corner of electronic dance. From remix albums that celebrate global club culture to genre-defying debuts and festival-ready anthems, this month’s releases are as expansive as they are emotionally charged. Artists are pushing boundaries, exploring new aliases, and revisiting their roots to deliver tracks that speak to both the heart and the rave. Whether it’s euphoric techno, liquid drum & bass, or future house with a pop shimmer, this roundup captures the pulse of what’s next. Add these tracks to your rotation—May 2025 is built for movement.
RÜFÜS DU SOL – Inhale / Exhale Remixed
Global electronic trio RÜFÜS DU SOL unveil Inhale / Exhale Remixed, a 15-track celebration of their Grammy-winning sound reimagined for the club. The remix compilation pulls in some of the most respected names in the scene, including Adriatique, Carlita, Francis Mercier, and Sofia Kourtesis. Each artist brings their unique lens to the band’s 2024 album, transforming emotional originals into peak-time dancefloor cuts. From Afro-tech reinterpretations to cinematic deep house, this remix album highlights RÜFÜS DU SOL’s ability to build bridges between genres and continents. It’s more than a remix album—it’s a global invitation to dance. Released in May, this injects 2025 with the kind of new music that turns club moments into memories.
Stream Here
X1-Y2 – Caustics EP
Mysterious bass provocateur X1-Y2 drops his debut solo project, Caustics EP, on Rezz’s HypnoVizion label. Following his breakout collaborative work on NOVUS, this three-track release solidifies his identity as a boundary-pusher in experimental bass. The EP draws inspiration from light refraction, using custom-recorded glass hits and industrial samples to build a world of mechanical tension. Tracks like “VECTOR” and “ROTGB” dive deep into sonic chaos, fusing gritty percussion with warped energy. It’s raw, unpredictable, and unlike anything else emerging from the scene right now. This track adds heat to May 2025 with bold new energy and music built for full-volume moments.
Stream Here
e-Dancer – Fire (Detroit Dub)
Kevin Saunderson and Dantiez, the father-son duo behind e-Dancer, return with a transformative dub remix of “Fire” by BL SUEDE and Mark Cole. The Detroit Dub replaces the original’s soulful house tone with deep Reese basslines and 909 drums, paying homage to Motor City’s techno legacy. It’s a generational dialogue in sound—crafted in L.A., reborn in Detroit. Wide synth pads and cinematic flourishes inject emotional weight, bridging Black musical traditions across time and geography. This release speaks directly to the roots of techno while pushing it forward. A fresh entry in the May 2025 lineup, this release shows exactly how new music should feel—urgent and unforgettable.
Stream Here
Cassian – SOS
Cassian makes his debut on John Summit’s Experts Only with “SOS”, a dancefloor weapon designed for maximum impact. The track opens with a dramatic build and vocal hook before dropping into syncopated basslines and urgent club energy. It’s already a highlight in his recent live sets, including a standout moment at London’s KOKO. With past credits on Afterlife and his role as Music Director for Anyma’s Vegas Sphere show, Cassian is deep in his creative prime. “SOS” proves he’s not just building moments—he’s designing entire experiences. Landing in May with full force, this new 2025 track demands space on every serious music rotation.
Stream Here
BENNETT – Holy Place
Fresh off his viral breakout “Vois sur ton chemin”, BENNETT returns with “Holy Place”, a high-impact techno cut built for grand stages. Released on Tomorrowland Music, the track is a pounding festival anthem with cinematic breakdowns and euphoric drops. BENNETT leans into peak-time energy, delivering a sound engineered to suspend time and then slam it back into motion. It’s a bold step deeper into techno territory, blending hard-hitting drums with emotional tension. With his name now on global radars, “Holy Place” confirms BENNETT’s staying power.
Stream Here
Nova Blue – You Don’t Know Me
Nova Blue, the solo alias of veteran songwriter and producer Manon, makes a stunning entrance with her debut release on STMPD RCRDS. After years of ghostwriting for the likes of Fred again.., Tate McRae, and Tiësto, she finally steps into the spotlight with “You Don’t Know Me.” The track is a sleek blend of edgy production and sharp, emotionally-charged lyricism that oozes intention and instinct. Nova Blue’s sound feels instinctive, confident, and emotionally resonant—offering a fresh take on progressive pop-meets-club production. It’s a bold introduction to an artist who’s no stranger to shaping the sound of others—but is now ready to define her own.
Stream Here
Charmes & ED_PRJCT – On Repeat
Charmes, a Dutch mainstay since the Tiësto-era ‘90s, teams up with rising newcomer ED_PRJCT on “On Repeat,” a high-powered tech house banger built for peak-time dance floors. The track delivers no-frills club energy: booming kicks, tight percussion, and a no-nonsense groove that lives up to its name. It’s tailor-made for both warehouse raves and festival stages, hitting that sweet spot between underground credibility and mass appeal. Charmes’ return to the studio as a mentor, manager, and now co-creator keeps him relevant in today’s ever-evolving scene. “On Repeat” is exactly what its title suggests—addictive, driving, and designed to be played again and again. Fueling May with forward-thinking sound, this new 2025 release brings music that moves and connects.
Stream Here
HUGEL, David Guetta, Kehlani & Daecolm – Think Of Me
Four powerhouse names collide on “Think Of Me,” the latest single from HUGEL, David Guetta, Kehlani, and Daecolm—a sun-soaked anthem timed perfectly for the start of Ibiza season. The track fuses Afro and Latin house rhythms with euphoric pop hooks, balancing Kehlani’s dreamy vocals against Guetta’s massive festival drops. HUGEL brings the soul and bounce, while Daecolm’s smooth toplines add emotional depth. With all four artists firing at full creative power, this collaboration captures the feeling of an endless summer night. If you’re headed to Ibiza, chances are you’ll hear this one everywhere—from Ushuaïa to Hï. As May unfolds, this new 2025 track arrives ready to define where the music scene is heading next.
Stream Here
TRICKSTAR & Gladez – Left Right
TRICKSTAR and Gladez drop a seismic collaboration with “Left Right,” a bass-heavy fusion of festival trap and hybrid dubstep released via Dim Mak. The track opens with glitchy build-ups that nod to gaming sound design before plunging into distorted 808s and snarling sub-bass. TRICKSTAR brings the bounce, Gladez brings the grit, and together they engineer a track made to shake the foundations of any club or festival. It’s loud, aggressive, and full of clever rhythmic turns that keep listeners guessing. If you’re craving something unapologetically filthy, “Left Right” hits with no warning and leaves no survivors.
Stream Here
Sommer Ray & HEDEGAARD – LaLaLa (Everybody’s Up) [Edit]
Fitness icon and rising DJ Sommer Ray partners with Danish hitmaker HEDEGAARD for “LaLaLa (Everybody’s Up),” a shimmering future house track designed for high-energy playlists. Known for her explosive social presence, Sommer now pivots into dance music with sleek production and growing credibility. HEDEGAARD’s edit adds polish and low-end punch, transforming the track into a club-ready anthem with crossover appeal. The single marks another step in Sommer’s evolving music journey, following collaborations with Martin Jensen and DJ PRESS PLAY. It’s playful, bold, and built for parties from beach clubs to influencer-heavy rooftops.
Stream Here
Whisnu Santika, Akeey & Liquid Silva – Are You Ready
Indonesian powerhouse Whisnu Santika teams up with rising producer Akeey and global lyricist Liquid Silva for “Are You Ready,” released via Spinnin’ Records. Marking Whisnu’s debut on the iconic label, the track is a fierce blend of electro house and motivational rap energy. It’s crafted for big moments—relentless drops, sharp transitions, and an unmistakable sense of urgency. “Are You Ready” doubles as a rallying cry for the digital generation, tapping into themes of resilience, hustle, and creative fire. With this milestone release, Whisnu makes it clear: he’s not just representing Indonesia—he’s gunning for the world stage.
Stream Here
Slushii – Operation: Overload EP
Slushii storms into a new era with “Operation: Overload,” his first EP in over two years, out now via Create Music Group. The eight-track project tears through genres like a digital cyclone—blending trance, trap, lo-fi, and pop-punk-influenced EDM into a chaotic but cohesive sound. Highlights include the melodic “Wanna Be The One” with DJ Whookid and Seddy Hendrinx, and the glitch-heavy “Psychosis” with Sofia. It’s as emotionally raw as it is sonically explosive, revealing Slushii’s creative reboot in full force. With his tour kicking off and more music on the way, Operation: Overload signals the rebirth of a genre shapeshifter ready to make serious noise.
Stream Here
Blonde Maze, Polar Inc. & Channy Leaneagh – Asleep In My Head
Blonde Maze returns with “Asleep In My Head“. This is a collaboration with producer Polar Inc. and POLIÇA’s Channy Leaneagh, released via Enhanced Chill. Soft synths, ambient textures, and haunting vocals blur the line between dream state and waking life. Blonde Maze’s storytelling remains her greatest strength, weaving vulnerability into every note. Channy’s vocal performance adds an otherworldly glow, while Polar Inc.’s restrained production keeps the track grounded. The single is the fifth from her upcoming album Second Sight, and may be her most cinematic moment yet.
Stream Here
May 2025 proves the global electronic scene isn’t slowing down—it’s evolving with every drop. Genre-bending newcomers to seasoned festival kings, this month’s music lineup reflects a boldness we’ve come to expect and crave. These tracks don’t just fill space; they shape moods, spark movement, and fuel the next era of rave culture. Whether you’re curating your next set or just need something to blast at full volume, this roundup has you covered. Press play, stay curious, and let the rest of May unfold beat by beat.
The post May Is For Music: New Dance Floor Hits of 2025 appeared first on EDMNOMAD.
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HUGEL joins forces with David Guetta, Kehlani, and Daecolm to deliver “Think Of Me,” a song built for summer. Released via Astralwerks, the track marks a first-time collaboration between the French house producer and these global icons. Each artist brings their distinct sound, creating a fusion that feels fresh, dynamic, and intentionally crafted for the world’s biggest dancefloors.
Brings his signature Afro and Latin rhythms for “Think Of Me”, HUGEL sets the foundation for a groove-driven atmosphere. David Guetta builds on it with soaring synths and euphoric drops. Kehlani adds a layer of intimacy with her sultry, soulful vocals. Daecolm, known for his smooth R&B tone, rounds out the energy with warmth and emotion. Together, the artists generate a track that feels effortless yet powerfully precise.
This collaboration is more than a meeting of star power. It’s a bold sonic statement — one that taps into multiple genres without losing its identity. “Think Of Me” embraces nostalgia while sounding unmistakably HUGEL. It’s not just catchy; it’s crafted for movement and memory.
HUGEL Captures Summer with “Think Of Me”
From its opening seconds, “Think Of Me” immerses listeners in a sun-drenched, rhythm-filled soundscape. It’s a musical postcard from the heart of summer, where time slows down and emotions run high.
HUGEL’s production simmers with heat, using layered percussion to create momentum that feels both relaxed and urgent. Guetta’s influence bursts through in the breakdowns — big, bright, and festival-ready. Kehlani’s voice, drenched in feeling, anchors the track in emotional truth. Daecolm complements her with understated power, delivering lines that land with depth.
Every element of the track plays with contrast — softness and intensity, stillness and movement, sentiment and surrender. The result is a sonic journey that works just as well in a private headphone moment as it does on a massive festival stage. The track isn’t just about romance; it’s about memory, heat, and the pull of the past.
Momentum After “I Adore You”
“Think Of Me” follows the runaway success of HUGEL’s 2024 hit “I Adore You,” which cemented his reputation as a world-class hitmaker. That track signaled a turning point, expanding his reach beyond the club scene into a more mainstream lane.
This latest release builds on that evolution. It reflects HUGEL’s deepening collaborative instinct and confidence in curating big, emotional experiences. Partnering with Guetta, Kehlani, and Daecolm pushes his sonic world even further — blurring the line between house, pop, and R&B.
The result is a track that feels inevitable in the best way. Its components — bold beats, bright melodies, and vulnerable lyrics — come together to define a moment. While many songs chase the title, “Think Of Me” doesn’t need to claim “song of the summer.” It simply becomes it. Stream it here.
The post HUGEL, David Guetta, Kehlani and Daecolm Release New Summer Anthem “Think Of Me” appeared first on EDMNOMAD.
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Photo Credit: Smokey Robinson by Dwight McCann / CC by 2.5
Four anonymous women and former housekeepers of Smokey Robinson are suing the singer with allegations of sexual assault and rape.
Motown singer-songwriter Smokey Robinson is being accused of sexual assault and rape, leading to a hostile work environment, in a lawsuit filed by four of his former housekeepers. All four women, listed anonymously as Jane Does, accuse Robinson of unwanted sexual behavior and abuse. His wife, Frances Gladney, is listed as a defendant alongside him in the $50 million lawsuit.
The 85-year-old Robinson is accused of sexual assault, battery, false imprisonment, and gender violence at his Los Angeles home, beginning as early as 2007 and lasting until 2024. The four women also allege labor violations, claiming they were not paid properly before they quit their jobs.
The lawsuit, filed in Los Angeles County Superior Court, also names Robinson’s wife, Frances Gladney. It alleges that she screamed at the plaintiffs with “ethnically pejorative words and language.” Further, they claim Gladney covered up the ongoing abuse they suffered by her husband.
Jane Doe 1 accuses Robinson of raping her and committing other unwanted sexual acts at least seven times after calling her to a bedroom. The final occurrence took place on February 17, 2024—just two days before Robinson’s 84th birthday. The other plaintiffs accused Robinson of similar offenses; Jane Does 2 and 3 each allege at least 20 instances of assault.
“Obviously, no amount of money can compensate these women for what Mr. Robinson subjected them to,” said attorney John Harris. “But given the gravity of Mr. Robinson’s despicable and reprehensible misconduct […] this amount is clearly warranted.”
Attorneys for the four plaintiffs said they would welcome a criminal investigation, but have not been contacted by prosecutors. A spokesperson for the Los Angeles County District Attorney’s office said the matter was not under review because law enforcement had not presented a case. Similarly, the Los Angeles police said they had not received a report on the matter.
The four plaintiffs say they did not come forward sooner due to fear they would lose their low-paying jobs, combined with Robinson’s celebrity. All four women are Hispanic and say that shame associated with sexual assault in their culture further contributed to their not reporting the issue sooner.
Robinson was instrumental in the rise of Motown during the 1960s. He is best known for his hit “Tears of a Clown,” as well as over 30 hits either as a solo performer or alongside The Miracles.
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Photo Credit: Vogue / YouTube
If Taylor Swift can name drop her newest album at the Grammys, André 3000 is right behind her with an album drop at the Met Gala. The rapper made an appearance at the Met Gala sporting a (modified) baby grand piano on his back. His latest solo album 7 piano sketches dropped as he walked up the stairs.
The origin of the album started more than a decade ago, when André was living in Texas with his son. He says the house was pretty empty, including just a few beds, a TV, and a piano. André began playing the piano and most of the tracks that appear on the album were recorded informally at home, using an iPhone or a laptop microphone. Only “blueberry mansions” was recorded in a studio.
André says he originally called the project ‘The Best Worst Rap Album in History’ as a joke, since it doesn’t contain any lyrics. “It’s jokingly the worst rap album in history because there are no lyrics at all,” he told the press. “It’s the best because it’s the freest emotionally and the best I’ve felt personally. It serves as a palate cleanser for me.”
The album itself is comprised of improvisational tunes that André says he conjures up. “I spread my fingers out on the keys and randomly but with purpose move them around until I find something that feels good or interesting. I cannot name which notes, keys, or chords that I’m playing and I simply like the sound and mechanics of piano playing.”
“These piano pieces weren’t recorded with the intention of presenting them in any formal way to the public,” he writes on Instagram. “They were personal, at home recordings. I would sometimes text them to my family and friends.”
7 Piano Sketches Tracklist
“bluffing in the snow” “and then one day you’ll…” “when you’re a ant you wake up in an awesome mood, about to drive your son to school, only to discover that you left the lights on int he car last night so your battery is drained” “hotel lobby pianos” “blueberry mansions” “off rhythm laughter” “i spend all day waiting for the night” View the full article
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Young Musicians Unite students and others celebrate raising $1.6 million at the non-profit’s 2025 gala. Photo Credit: Osmany Torres
Young Musicians Unite’s 2025 gala raised $1.6 million to support free music education for Miami-Dade students, according to organizers.
12-year-old Young Musicians Unite (YMU) reached out with word of the final fundraise total. The disco-themed gala itself took place at the Mana Wynwood on April 26th, attracting more than 700 attendees.
This guestlist featured actors (like Burn Notice star Gabrielle Anwar), philanthropists, politicians (chief among them Miami-Dade County Mayor Daniella Levine Cava), and, of course, industry figures, the non-profit recapped.
Keeping the focus on the music space, those on hand included iHeartMedia head Bob Pittman; BCHTA Records owner Pedro Polanco; BMI execs Jesus Gonzalez and Robertocarlos Carranza; Peermusic’s Julio Bagué; and Twelve:02 Agency founder Hector Mendez.
These and other attendees, Young Musicians Unite summed up, “enjoyed a vibrant mix of gourmet dining, electric performances by YMU’s talented student musicians, and a disco-fueled dance party.”
And most importantly, the 2025 installment raised the aforementioned $1.6 million, which organizers indicated “will support programs for 12,000+ students during the 2025–2026 school year.”
(For the entire fiscal year ended July 31st, 2023, Young Musicians Unite pointed to $2.15 million in overall “revenues and other support.”)
“What we witnessed tonight was more than generosity,” added Young Musicians Unite founder and CEO Sammy Gonzalez Zeira, “it was a full-circle moment. Many of our students began with nothing but raw talent, and now they’re growing into confident, creative leaders.
“This gala wasn’t just a celebration, it was a statement. We’re building a movement, and thanks to this community, it’s only getting stronger. And because of tonight, thousands more students will walk into school next year with instruments in their hands and music in their lives,” the Wynwood School of Music owner concluded.
According to its website, Young Musicians Unite has served north of 25,000 students since its 2013 founding, with over 60 partnered schools at present. The self-described “largest provider of free music education in Title I Schools in Florida” supports programs focusing on production, jazz ensembles, drumlines, and more, per the same source.
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Klangkuenstler is bringing his larger-than-life OUTWORLD show to Amsterdam’s famous Ziggo Dome for Amsterdam Dance Event (ADE) 2025.
One of a few early programming announcements for this year’s ADE, the German hard techno producer-DJ revealed on social media that he’ll bring the high-intensity audiovisual experience to the Dutch capital on October 25, playing “all night long” at the city’s famous Ziggo Dome, one of the Netherlands’ largest indoor venues.
“So proud to bring my own event to one of the biggest locations in the Netherlands and to work on a futuristic experience with you,” Klangkuenstler—real name Michael Korb—wrote on Instagram.
Before hitting the 17,000-capacity arena for ADE this fall, OUTWORLD’s cutting-edge production will touch down in Cologne, Germany, and Belgrade, Serbia, following open-air and warehouse shows in Berlin, Madrid, Rotterdam, and more earlier this year. Check out clips from its latest outing below.
After playing Coachella in April, the deep house technician turned hard techno heavyweight is also slated for upcoming DJ sets in Toronto, Washington, D.C, and Detroit’s Movement Music Festival later this month.
Klanguenstler’s ADE show announcement is one of several announcements today for the week-long festival and industry conference. Dutch groover Chris Stussy confirmed he’ll bring his USS event concept to Amsterdam on October 24, while ADE announced a showcase from techno legend Dave Clark at Melkweg. The club and ADE will also partner with the Metropole Orkest for one of the event’s official opening concerts.
Confirmed speakers for this year’s ADE Pro conference include Skepta and his Más Tiempo team, Black Coffee’s manager Cristiana Votta, and a production and remix masterclass with techno frontrunner Chris Liebing.
Tickets for Klangkuenstler OUTWORLD All Night Long at Ziggo Dome during ADE 2025 go on sale this Thursday, May 8, at 7PM local time. To purchase tickets, click here.
For more information on ADE or to purchase 2025 passes, visit amsterdam-dance-event.nl.


Featured image courtesy: Klangkuenstler. Credit: I AM JOHANNES.
The post Klangkuenstler Announces OUTWORLD Show At Ziggo Dome For ADE 2025 appeared first on EDM Maniac.
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Ravebot
Klangkuenstler is bringing his larger-than-life OUTWORLD show to Amsterdam’s famous Ziggo Dome for Amsterdam Dance Event (ADE) 2025.
One of a few early programming announcements for this year’s ADE, the German hard techno producer-DJ revealed on social media that he’ll bring the high-intensity audiovisual experience to the Dutch capital on October 25, playing “all night long” at the city’s famous Ziggo Dome, one of the Netherlands’ largest indoor venues.
“So proud to bring my own event to one of the biggest locations in the Netherlands and to work on a futuristic experience with you,” Klangkuenstler—real name Michael Korb—wrote on Instagram.
Before hitting the 17,000-capacity arena for ADE this fall, OUTWORLD’s cutting-edge production will touch down in Cologne, Germany, and Belgrade, Serbia, following open-air and warehouse shows in Berlin, Madrid, Rotterdam, and more earlier this year. Check out clips from its latest outing below.
After playing Coachella in April, the deep house technician turned hard techno heavyweight is also slated for upcoming DJ sets in Toronto, Washington, D.C, and Detroit’s Movement Music Festival later this month.
Klanguenstler’s ADE show announcement is one of several announcements today for the week-long festival and industry conference. Dutch groover Chris Stussy confirmed he’ll bring his USS event concept to Amsterdam on October 24, while ADE announced a showcase from techno legend Dave Clark at Melkweg. The club and ADE will also partner with the Metropole Orkest for one of the event’s official opening concerts.
Confirmed speakers for this year’s ADE Pro conference include Skepta and his Más Tiempo team, Black Coffee’s manager Cristiana Votta, and a production and remix masterclass with techno frontrunner Chris Liebing.
Tickets for Klangkuenstler OUTWORLD All Night Long at Ziggo Dome during ADE 2025 go on sale this Thursday, May 8, at 7PM local time. To purchase tickets, click here.
For more information on ADE or to purchase 2025 passes, visit amsterdam-dance-event.nl.


Featured image courtesy: Klangkuenstler. Credit: I AM JOHANNES.
The post Klangkuenstler Announces OUTWORLD Show At Ziggo Dome For ADE 2025 appeared first on EDM Maniac.
View the full article
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Photo Credit: 7-Eleven
7-Eleven teams up with Green Day’s Punk Bunny for a new, exclusive Slurpee flavor: Kerplunk Kandy Grape, an ode to the band’s 1992 album, Kerplunk!
The Kerplunk Kandy Grape Slurpee drink mashes up cotton candy sweetness with juicy grape tartness. It’s a sweet and “slightly twisted treat” meant to taste like the cotton candy grapes Green Day keeps as a staple backstage. The new flavor is available now for a limited time at participating 7-Eleven, Speedway, and Stripes stores nationwide.
But the collaboration doesn’t end there. After the exclusive debut of Green Day’s Punk Bunny Coffee at 7-Eleven last year, fans have been wondering when the next drop will arrive. 7-Eleven and Green Day are rolling out three new exclusive Punk Bunny coffee varieties at participating stores: Mike Dirnt’s Turn Up the Bass Medium Roast, Punk Bunny Cold Brew Caramel Latte, and Chocolate Almond Specialty Latte.
“Our first launch with Green Day and Punk Bunny was so exciting for customers because they loved seeing music and coffee culture collide in such a unique way,” said Marissa Jarratt, Executive Vice President, Chief Marketing & Sustainability Officer at 7-Eleven. “Now, we’re channeling that same punk spirit into our iconic Slurpee drink. Kerplunk Kandy Grape is rooted in the band’s story, and we can’t wait for fans to experience this one-of-a-kind flavor.”
To commemorate the new Slurpee flavor, fans can head to select stores to score drink accessories like limited-edition collectible cups and custom straws with built-in Bluetooth speakers. Each collectible cup features a QR code linking to a Spotify playlist specially crafted by Green Day to create the ultimate “sippin’ into summer” experience.
“I have great memories of getting Slurpee drinks with my friends. It’s always perfect on a good day or even a bad one. Being able to create our own custom Punk Bunny flavor and bring it to everyone across the country has been an amazing moment,” says Green Day’s Billie Joe Armstrong.
Finally, to honor Green Day’s legacy in Hollywood, fans in Los Angeles who purchase the Kerplunk Kandy Grape Slurpee drink can use their cup or receipt as a ticket to visit the Kerplunk Kandy Speakeasy. The exclusive 7-Eleven x Punk Bunny pop-up experience kicked off over the weekend on Hollywood Blvd., offering guests a chance to sample the new products and score some limited-edition merch.
News of 7-Eleven’s collaboration with Green Day comes on the heels of the convenience chain’s Live Nation deal, making the brand an official festival sponsor for Las Vegas’ When We Were Young event.
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Photo Credit: Dario
Sonos and IKEA appear to be quietly ending their partnership and the ‘Symfonisk’ line of products that turned everyday furniture items like lamps and bookshelves into connected home speakers.
Sonos confirmed the partnership had ended to The Verge, stating that current inventory for the Symfonisk line will be phrased out globally. There are no future devices planned. Existing products will continue to receive software updates from Sonos.
“Over the past eight years, we’ve had the pleasure of working closely with IKEA and are proud of what we’ve achieved,” Sonos spokesperson Erin Pategas said in an email to The Verge. “Although our work together has largely wound down and we won’t be releasing new products as partners, we’ll continue to support every existing Symfonisk product so customers can keep enjoying great sound in their homes for many years to come.”
The news of this partnership ending come as Sonos is prepping to deliver its latest quarterly earnings tomorrow. Sonos underwent a major leadership shakeup in January 2025, with CEO Patrick Spence stepping down after holding the position for eight years. The shakeup came after a disastrous app rollout which was plagued by bugs and missing features—prompting widespread customer backlash. Tom Conrad, a Sonos board member and former tech exec is now in the interim CEO position.
The botched app update hurt Sonos’ reputation as a stable luxury speaker manufacturer, but also increased costs as the company spent millions to fix the app. This poor rollout delayed other products like the Sonos Ace headphones and likely contributed to declining sales as long-time customers promised to swear off the brand. Interim CEO Tom Conrad has also canceled plans for a Sonos video streaming player—which were quiet far along in development.
With the earnings report tomorrow, the world may get a clearer picture on how the U.S./China trade war may impact Sonos through tariffs. Tariffs have increased costs, squeezed margins, and the first round of tariffs from Trump’s first administration were blamed for lackluster IPO performance in 2018. Sonos’ global manufacturing and supply chain woes could lead to even more price increases—and product discontinuations like the IKEA Symfonisk line.
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Still fending off App Store regulatory scrutiny, Apple has officially appealed last month’s ruling in its courtroom confrontation with Epic Games. Photo Credit: Laurenz Heymann
As expected, Apple has moved to appeal last month’s ruling in its Epic Games legal battle over App Store terms. Meanwhile, the Open App Markets Act is poised to be reintroduced in Congress.
Apple attorneys confirmed the appeal in a brief notice, after CEO Tim Cook underscored that the maneuver was forthcoming. The concise filing doesn’t dive into the iPhone developer’s exact position here, but it does emphasize that the arguments will zero in on the court’s April 30th approval of Epic’s injunction-enforcement motion.
We explored the ruling (which took effect at once, appeal or not) in detail immediately after it was handed down. Keeping the focus on the order’s impact, however, Fortnite quickly returned to the App Store, and Spotify promptly received approval for a fresh version of its iOS app.
The music platform also described those pricing and payment changes on social media as well as in a dedicated blog post. “After nearly 10 years,” CEO Daniel Ek applauded on X, “Spotify can now show pricing + direct purchase links in our app for U.S. users. This is a huge win for consumer choice and tech innovation.”
In other words, there’s quite a lot riding on Apple’s appeal for Spotify and different companies, and it’ll be worth monitoring the legal showdown (besides adjacent disputes) in the coming months.
Bigger picture, the long-running confrontation over App Store terms isn’t confined to the Epic case.
First, the European Commission slapped Apple with a more than half-billion-dollar fine last month for allegedly violating the Digital Markets Act. One of several penalties handed down against the company in the EU, the decision elicited criticism and an appeal pledge from Apple.
At the intersection of these points – intensifying App Store scrutiny on multiple continents – Epic certainly isn’t letting its foot off the regulatory gas. When addressing Apple’s EU fine to close out April, Epic made clear its belief that “[n]ow is the time to follow through” on the Open App Markets Act in the States.
We took a look at the bipartisan legislation, which would impose a variety of new requirements on both the App Store and Google’s Play Store, at the time of its 2021 introduction.
Last week, Punchbowl News reported that one of the lawmakers behind the Open App Markets Act, Senator Richard Blumenthal, intended to reintroduce the bill. Though a timetable isn’t set in stone, the senator touched on a possible goal of getting the ball rolling before Memorial Day (Monday the 26th).
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Day Trip Seattle has confirmed an A-list lineup for 2025.
The single-day party from Insomniac’s West Coast house brand is back in the Pacific Northwest for a fourth consecutive summer on July 26, bringing a crop of the scene’s foremost artists to Seattle’s famous Gas Works Park, a 19-acre greenspace on the North bank of Lake Union that features unique structures from a retired goal gasification plant.
This year’s lineup features a headline set from house hitmaker and Black Book Records boss Chris Lake, joined by fellow UK titans Gorgon City, along with support sets from rising hitmakers Max Styler, Riordan, and AYYBO, Brooklyn staple Ky William, and Seattle’s own LUMI and Veta Vitali. Check out the official announcement below.
In addition to the Seattle showcase, Day Trip—famously founded in 2018 as a daytime party on the patio of Academy LA—will be plenty busy in SoCal this summer, with the seasonal return of its Day Trip in the Park party series at LA State Historic Park, and the fourth edition of its flagship Day Trip Festival on the Queen Mary Waterfront next month.
Pre-sale registration for Day Trip Festival Seattle 2025 is now open here. Pre-sale ticket access will begin this Friday, May 9, at 11AM PT. General on-sale will follow on the same date at 12PM PT.
For more information or to purchase tickets, visit seattle.daytripfest.com.

Featured image courtesy: Insomniac Events. Credit: Orhun Uygur.
The post Day Trip Seattle Shares Full Lineup For 2025 appeared first on EDM Maniac.
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Photo Credit: LL Cool J by Larry Philpot / CC by 3.0
LL Cool J and Philadelphia native Jazmine Sullivan have been announced as headliners of the Wawa Welcome America Fourth of July concert.
Philadelphia’s 16-day festival leading up to Independence Day, Wawa Welcome America, is fast approaching. The concert will take place once more on the Benjamin Franklin Parkway before the fireworks display on July 4. This year’s festival will again begin on June 19 and run until July 4. The festival will feature an expanded lineup of free events throughout Philadelphia, culminating with a free concert featuring LL Cool J and Philadelphia native Jazmine Sullivan.
Produced in partnership with Live Nation, the concert will be performed at 7 PM in front of a live audience on the Benjamin Franklin Parkway and broadcast in English on NBC10 for viewers to enjoy from home. The concert will be followed up by Philadelphia’s largest annual fireworks display over the parkway, beginning at 9:30 PM.
Thursday, June 19, at the African American Museum in Philadelphia, the annual Juneteenth Block Party kicks off, celebrating 160 years of freedom. All are welcome to unite in celebration through musical performance, shop Black-owned businesses, savor delicious local eateries, and experience fun for the whole family.
Wawa Welcome America will once against feature a stellar lineup combined with new events designed to showcase and celebrate the best of Philadelphia as the festival continues to grow and expand. American’s 250th birthday in 2026 is slated to be an unprecedented summer of celebration with Philadelphia taking center stage—this year combines the best the city has to offer in the lead-up to next year’s festivities.
The 2025 festival will feature beloved programming such as concert, fireworks, block parties, complimentary museum access, Wawa Hoagie Days, and more, with continued focus on arts, culture, education, wellness, history, and performance.
Wawa Welcome America continues their commitment to inclusivity and showcasing all of Philadelphia’s cultures and will once against include a slate of programming in commemoration of Juneteenth. It will also include programming surrounding the 40+ year tradition of Concilio’s Annual Hispanic Fiesta, celebrating Hispanic culture and heritage through food, dance, and music.
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Photo Credit: Rogue Artists / CC by 3.0
Camila Cabello has officially ended her nearly decade-long collaboration with manager Roger Gold, a new report confirms. Gold began guiding Cabello’s career in 2016 after her departure from Fifth Harmony.
Under his stewardship, Cabello achieved several major milestones including two #1 hits on the Billboard Hot 100 chart—”Havana” and “Señorita.” Gold’s influence extended beyond day-to-day management for the artist, he also helped Cabello navigate the complexities of leaving a successful group, launching a solo career, and transitioning between major labels.
Cabello’s latest album C,XOXO is her first with Geffen and Interscope following her exit from Epic Records. Cabello’s decision to part ways with Gold mirrors a broader pattern among high-profile artists who have chosen to part ways with long-serving representatives—especially as their careers evolve.
Taylor Swift famously split from her management team including Big Machine Label Group and manager Roger Allen when seeking greater control over her music and business. Bruno Mars took the same step in splitting from his long-time manager Brandon Creed in 2016, moving his management operations in-house.
Harry Styles also split from Modest Management with the One Direction hiatus; he’s now represented by Full Stop Management. Lady Gaga also parted ways with a long-time manager, Troy Carter, back in 2013 as she shifted her artistic direction and business strategy. But splits don’t always remain permanent, Adele’s separation from Jonathan Dickin’s September Management was short-lived before reconciling.
Such splits between artists and their managers are usually driven by creative ambitions or contractual shifts—sometimes even the desire for a new professional dynamic. Cabello’s split with Roger Gold appears to open a new chapter following her artistic reinvention and label transition. Expect a new chapter from the “Havana” singer while Gold continues managing his other clients under Gold Music Management. Gold is also a Co-Founder of 300 Entertainment, whose roster includes Young Thug, Fetty Wap, Mary J. Blige, and many more.
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Big Gigantic have officially announced a new album, FLUORESCENCE, scheduled to drop on June 20th, 2025.
The upcoming project appears to mark a vibrant new creative direction for the influential duo, who described it as "all fun, light and positivity—a celebration of the boundless energy that makes dance music and festival culture feel so alive."
Big Gigantic have long been known for their distinctive fusion of funk and electro-soul with live instrumentation. While specific details remain under wraps, the album's title evokes images of bright, glowing colors, likely a metaphor for its uplifting soundscapes.
"There is so much depth on this album, from the funky, to the soul, the bass bangers, some high energy uptempo and even some downtempo chill vibes," the duo wrote on social media.
The summer release timing positions FLUORESCENCE perfectly for festival season. Big Gigantic are poised for a high-profile appearance at Bonnaroo, where they'll perform a pair of sets, including one to usher in the debut of the festival's innovative 360° Infinity Stage. They're also returning to Colorado's iconic Red Rocks Amphitheatre for their beloved recurring series, "Rowdytown," on September 27th.
The album's rollout is set to officially begin this Friday by virtue of a pair of new tracks, "Free Spirits" with (ALIGN) and "Move Around." Fans can pre-save the upcoming double-single here and check out previews in the Instagram carousel below.
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Follow Big Gigantic:
X: x.com/BigGigantic
Instagram: instagram.com/BigGigantic
Facebook: facebook.com/pg/BigGigantic
Spotify: spoti.fi/3mk9iGi
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SLANDER is heading back to Red Rocks with a brand new show this summer.
The fan-favorite melodic bass duo, known for hits like “All You Need To Know” and “Love Is Gone,” announced on social media today that they will make their headline return to Morrison, Colorado’s world-famous outdoor amphitheatre on July 17, with an all new audiovisual experience and a lineup of to-be-announced support.
After their stunning “Chimera” live show rattled Red Rocks’ sandstone cliffs last summer, SLANDER presents “CODE RED,” promises brand new visuals, and a production overhaul with a new “immersive sound system design,” according to the group’s Instagram post.
Though fans will have to wait for the full performance bill, SLANDER went on to promise that the lineup is “STACKED,” while the event’s poster denotes three high-profile B2Bs. At last year’s Red Rocks romp, SLANDER producers Derek Andersen and Scott Land were joined by Zomboy, Moody Good, Samplifire, and COPYCATT.
The Red Rocks news arrives two weeks on from the conclusion of Starbase, SLANDER’s first-ever curated festival, which debuted in Lake Perris, California, last month. Next week, they’ll gear up for an anticipated B2B set with ILLENIUM at EDC Las Vegas 2025.
Pre-sale registration for SLANDER presents “CODE RED” at Red Rocks 2025 is now open here. Pre-sale ticket access will begin this Thursday, May 8, at 10AM MT. General on-sale will follow on Friday, May 9, at 10 AM MT.
For more information or to purchase tickets, visit redrocksonline.com.

Featured image courtesy: SLANDER.
The post SLANDER Announce Return To Red Rocks With New “CODE RED” Show appeared first on EDM Maniac.
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Photo Credit: Amos Bocelli, Veronica Berti (Manager), Kirk Sommer (WME), Andrea Bocelli, Jay Marciano (CEO, AEG), Francesco Pasquero (Manager), Eugenio D’Andrea (Legal Consultant), David Levy (WME) / AEG Presents
Andrea Bocelli signs a major five-year touring agreement with AEG Presents in the next chapter of his storied career.
The exclusive partnership will give AEG Presents full responsibility for managing and producing the Italian tenor’s ticketed live events worldwide beginning January 1, 2026. Developed in collaboration with Bocelli’s management team and WME, the agreement covers performances across five continents.
“This extraordinary partnership marks a fundamental new chapter for Andrea’s global career,” said co-managers Veronica Berti and Francesco Pasquero. “We are extremely pleased to sign with such exceptional partners who have […] shown a deep commitment to the artistic vision. The next ten years will be crucial in consolidating Maestro Bocelli’s role as a global music icon, and we are honored to become part of such a remarkable family.”
AEG Presents Chairman and CEO Jay Marciano traveled to Italy to meet with Bocelli ahead of the deal. “I wanted to understand the man and the artist before embarking on this journey,” he said. “I’m truly thrilled to welcome him into our family and help take his artistry to even greater heights.”
“We are incredibly proud to have worked closely with all parties to make this partnership a reality,” said WME’s Kirk Sommer and David Levy. “M. Andrea Bocelli is not only a unique, extraordinary talent but also a cultural ambassador whose legacy continues to grow.”
The new agreement is described as “the most significant ever for a classical artist, and takes effect next year. It will cover all Bocelli’s ticketed live events across Africa, Asia, Europe, America, and Australia.
The announcement also highlights the deepening relationship with Bocelli’s longtime record label partner, Universal Music Group, uniting his recording and touring activities under one umbrella. No specific tour dates have yet been announced, but fans can expect that to change by next year.
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Photo Credit: Kadyn Pierce
Create Music Group has acquired Canadian independent label Monstercat—tacking on yet another indie label to its portfolio. The move closely follows the acquisition of !K7 and Deadmau5’s catalog.
Monstercat has staff based in Vancouver, Toronto, and Los Angeles and has a reputation as an artist-first brand. Since launching, the brand expanded to encompass three labels including Uncaged, Instinct, and Silk. Artists who have released with Monstercat in the past include Kaskade, Koven, DJ Diesel, Alan Walker, Vicetone, ATTLAS, Shingo Nakamura, WHIPPED CREAM, Virtual Riot, and OCULA.
While Monstercat is now under the Create Music Group umbrella, it will continue independent operations under President Daniel Turcotte, Vice President Orri Sachar, and Director of Finance Rob Hill. The brand’s founders Mike Darlington and Ari Paunonen will remain involved in advisory roles. Create Music says it plans to invest another $50 million in artist development, advances, and platform support over the next two years.
“Our mission has always been to build sustainable, long-term careers for exceptional artists,” shares Daniel Turcotte, President of Monstercat. “Create gives us the reach and support to do that at a larger scale, without changing what makes Monstercat special. We’re still artist-first—only now with more tools to serve them.”
“Monstercat is everything an independent label should strive to be—exclusive, globally trusted, and capable of breaking artists and songs at the highest levels. Mike, Ari, Daniel, Orri, and the entire Monstercat team have built a culture and community at a scale rarely achieved in the music industry,” adds Jonathan Strauss, Co-Founder & CEO of Create Music Group. “We are excited to support their mission.”
Aside from EDM releases, Monstercat is also bringing its expertise in video game brands including Rocket League, Beat Saber, Fortnite, and Roblox. Create Music Group will also expand Monstercat Gold, the label’s subscription-based sync licensing service for content creators on YouTube and Twitch.
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Hermetik returns on LVLD Music with his new track, ‘The Static.’ Produced over the winter in 2024, this song finally sees the light of day as the artist looks to pay an homage to fellow Canadian producer, Jerome Robins.
In an official press release, Hermetik opens about the song and how Robins helped his production journey:
“He’s helped me tremendously with my mixing as well as mastering skills over the last little while through some mentoring sessions & I wanted to showcase a simple but classic house track with a slightly underground vibe.”
‘The Static’ is not a complex track, but its simplicity assures to get people going, dancing to the loved sound of tech-house.
The catchy melody combines with the powerful bass and beats to achieve the underground vibe that Hermetik searched for in this production.
Every build-up of the song is intense and according to the artist, it makes the drops “always come back satisfyingly hard.”
While ‘The Static’ is one of Hermetik’s deeper records, he reminds listeners that songs with more heat for the dancefloor are on the way over the summer, just in time for 2025’s festival season.
His next release, ‘The Underworld’ is set to come out in early June on Mustache Crew Records, but until then, stream ‘The Static’ on all platforms, available worldwide.
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Summer is not complete without some house music blasting on your speakers. Sictric & Mingo Marrero bring you their new disco house anthem, ‘Open Your Heart,’ ready to get listeners funky to a reimagined ’80s classic.
The artists sampled Madonna’s iconic 1986 song and turned it into a modern day EDM heater. The song features a blend with a rhythmic groove and bass, creating a more than just a danceable experience for audiences.
‘Open Your Heart’ is a soulful song that can easily turn any bored dancefloor into an active and energetic crowd. The power of Madonna’s voice adds life to the song and warms the atmosphere before the two strong and funky drops.
The production is rich, containing both original views, as well as elements that are sampled from the original song released back in the ’80s.
The mixture is a match made in Heaven and makes this track an unforgettable memory for those who get to experience it live.
‘Open Your Heart’ is another addition to Sictric’s and Mingo Marrero’s repertoire, building up on their previously released tracks such as ‘Sexy AF.’
Stream ‘Open Your Heart’ worldwide, available now on platforms.
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Since 2019 Bootshaus has remained in the top 10 of DJ Mags ranking of the top 100 clubs in the world. On a recent visit to the legendary venue, we got to have a look into why Bootshaus has been so consistently successful and why going there should be on your bucket list.
Having a focus on music may sound like a simple thing but it’s something that a lot of clubs are losing as crowds watch more of the set through their phones. The attitude within Bootshaus is that you should be in the moment and enjoy what’s in front of you instead of thinking about what to put on social media. This creates an evident unity in the crowd as they experience the music together which makes for an electric atmosphere. As well as this each of the 3 stages have a very raw design which keeps the focus on the music but that is not to say they don’t have an identity. This is especially evident in the Drehereiroom which plays host to a lot of techno acts and has a very industrial feel to it that matches the music and enhances it.
We got the opportunity to speak with Oliver Heldens while he was there and he said of Bootshaus that it’s “Definitely a special place not just for me but for many DJs”, “It’s such an iconic venue.” Heldens spoke about their famous mosh pits saying, “Even when you play like house music like the other guys are doing still then they have so much energy into those mosh pits”, “It’s very joyful and uplifting.” In our interview he also gave some insight into some back 2 back sets he would like to do in future. “I would love to do back 2 backs with people like Sammy Virji or Disclosure”, “One of my big inspirations in techno is Enrico Sangiuliano so to do a back 2 back with him would be fun”, “But here in Germany maybe an artist like Boys Noize.”
The list of artists who have graced the stages at Bootshaus is truly insane with names like Tiesto, David Guetta, Avicii, Afrojack, Hardwell, and just about anyone else you can think of. Their lineups include DJs from a variety of different genres, upcoming talents, household names, and local DJs which is great to see. On our visit there they had an expertly curated lineup with DJ Artin kicking off the night with some hard techno to get the crowd amped up. Bootshaus has a lot of roots in bass house which was embraced by their fantastic resident DJ Brandon Sounds who did a great set building up to Oliver Heldens as the headliner. Closing out the night was the outstanding Ravepunzel who did a great job of holding the crowd and adding even more diversity in sound to the night. This lineup alone was very diverse having local talent, rising stars, and one of the biggest DJs in the world which is a great example of what a lineup should have.
Bootshaus is always evolving but they’ve made sure not to lose their identity in this evolution by keeping their core iconic elements which honour their history. As mentioned before they have maintained their roots in bass house but there are also physical elements of the club that  remain from their past. Above the door between the Mainfloor and the Dreherei room is a bunch of white boxes that were once the housings for speakers and lighting above the old stage. The sight of them with various images projected onto them became iconic so instead of getting rid of them they remain there as a reminder of Bootshaus’ history. Things like this give the place a very distinctive character that has earned them their great reputation.
Also boasting L’Acoustics, SEEBURG and Funktion-One sound rigs, the quality of sound in Bootshaus is astonishing across every room. There is more of a focus on clarity over volume which is a much-welcomed ideology that means you can walk out the club without your ears ringing. Not only is the sound incredible, but Bootshaus is visually stunning with some incredible lighting, CO2 cannons, and even flamethrowers.
It’s clear to see why Bootshaus has ranked in the top 10 of DJ Mags Top 100 Clubs for 6 years in a row now. The best DJs, the best sound, the best visuals, and an electric energy that’s hard to match. To those that have been you already know you’ll be going back, to those that haven’t, go.
To check out upcoming events at Bootshaus, click the button below:
BOOTSHAUS EVENTS
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Jimmy Page (pictured), Warner Chappell, and others are facing another copyright lawsuit centering on ‘Dazed and Confused.’ Photo Credit: Simon Fernandez
Jimmy Page, Sony Pictures Classics, Warner Chappell, and others are facing a copyright suit centering on “Dazed and Confused,” which allegedly appeared in Becoming Led Zeppelin without the original songwriter’s authorization.
Singer-songwriter Jake Holmes submitted the straightforward complaint to a California federal court. Turning back the clock for a moment, Holmes, now 85 years old, wrote and recorded “Dazed and Confused” nearly six decades ago.
As the story goes, Page then “learned of” and began performing the same effort while a member of the Yardbirds. Subsequently, a reworked version of “Dazed and Confused” made its way onto Led Zeppelin’s 1969 debut album with (among different things) fresh lyrics and Page credited as the sole songwriter.
Evidently, the situation didn’t sit right with Holmes, who in a 2010 complaint accused Page and others of infringing on his “Dazed and Confused” composition with the Led Zeppelin founder’s own version.
(“Page copied Plaintiff’s Dazed and Confused in purporting to author a composition Page also entitled ‘Dazed and Confused,’” the firmly worded 2010 suit alleged.)
That set the stage for a settlement the following year, when, per Holmes’ latest complaint, the parties agreed that he “‘created and had and has complete ownership of’” the initial “Dazed and Confused” composition.
But according to the newly submitted action, Page and his fellow defendants have since “released numerous sound recordings” without Holmes’ authorization and in violation of the settlement.
This refers specifically to a variety of Yardbirds live tracks, all of which allegedly “falsely” credited Page instead of Holmes and allegedly failed to direct the appropriate royalties to the latter professional.
Building on these allegations, the action also maintains that the mentioned Becoming Led Zeppelin features an unlicensed Yardbirds rendition of “Dazed and Confused” – with Page, not Holmes, credited as the songwriter. Holmes didn’t provide his “permission or authorization” for the usage, the legal text spells out.
Consequently, the defendants “have willfully infringed” the original “Dazed and Confused,” according to Holmes, who’s said to have fired off cease-and-desist emails in mid-April. Those messages were “ignored,” per the plaintiff.
Now, ahead of a quick-approaching physical release for Becoming Led Zeppelin, Holmes is seeking damages, a share of the defendants’ profits, and, perhaps most notably, an injunction barring “any further false and unauthorized uses” of “Dazed and Confused” in the documentary.
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Wehbba, the acclaimed electronic music producer and founder of HIFN, has announced the release of Studio Dump, a boundary-pushing album project that redefines the traditional album structure. Wehbba has gifted us with the first two tracks, ‘RENN‘ and ‘EXIT TIME,’ as the rest of Studio Dump unfolds over the next several weeks. The full album will culminate with its release on May 30, 2025.
About Studio Dump
Each track in Studio Dump exists to serve a specific moment — some may disrupt a DJ set, others might reset the entire energy of a room, but none are made to fit into pre-existing molds. The project is less about presenting a finished product and more about offering a direct window into the act of creation itself. The tracks are released on Wehbba’s terms, without hesitation or delay, capturing the chaotic artistry of their moment of inception.
The concept of Studio Dump echoes the “photo dump” trend that has emerged on social media, where users post unfiltered, spontaneous photos — raw moments captured without the pressure of curation or perfection. This is the same ethos Wehbba embraces in his approach to Studio Dump. Instead of resisting the rapid pace at which music is created and consumed in the digital era, Wehbba leans into it, recognizing that the transient nature of content today offers an opportunity to release music without the usual constraints of industry expectations. The project doesn’t aim to be timeless — it simply wants to exist right now, as it is, with no pretensions or filters.
‘RENN’ & ‘EXIT TIME’
The first two tracks, ‘RENN’ and ‘EXIT TIME,’ offer a glimpse into what’s to come. They serve as a starting point for the project, representing the different sides of the creative process that will continue to unfold throughout May. Each week will bring a new track, without a clear roadmap or set release strategy. The tracks will come as they are — unpolished, evolving, and full of life — offering listeners a snapshot of Wehbba’s creative journey.
Follow Wehbba’s Creative Process on Patreon
For an exclusive behind-the-scenes look at the making of Studio Dump and a deeper dive into Wehbba’s creative process, fans are invited to join his Patreon community. As new tracks drop each week, Wehbba will share in-depth content—including studio footage, insights into track creation, and personal updates on his artistic journey. Tune in for weekly listening parties exclusively on Patreon. It’s a unique opportunity to connect with the project beyond the music and interact directly with Wehbba.
The post Wehbba Disrupts Music Norms with ‘Studio Dump’: An Unfiltered Album Experience Unfolding Weekly appeared first on EDMTunes.
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After a seven year hiatus, Kaskade will reignite the excitement with the highly anticipated return of his iconic beachside festival, Sun Soaked 2025, this summer. Mark your calendars for September 6, when Sun Soaked will make its grand comeback to Huntington State Beach, offering an unparalleled one-day experience for fans.
Sun Soaked Over the Years & 2025
Sun Soaked made its dazzling debut in 2017, quickly establishing itself as a premier event in the electronic music scene. The inaugural festival set a vibrant tone with its unique fusion of beach ambiance and pulsating electronic rhythms. The inaugural event mesmerized audiences with its enchanting blend of beach ambiance and pulsating electronic rhythms. In 2018, the festival returned to Long Beach, drawing massive crowds and delivering unforgettable performances. It included a show-stopping set by Laidback Luke. While a 2019 edition was initially planned, the festival was temporarily paused. Now, after a seven-year hiatus, Sun Soaked is making a return to its Southern California roots.

Kaskade, a pioneering force in the industry, has joined forces with Insomniac to curate an unparalleled lineup of dance music talent on the stunning shores of Huntington State Beach. By merging his deep passion for music with his love for the outdoors, Kaskade is poised to create an extraordinary experience that celebrates nature as a key part of the festival’s allure. In 2025, fans can look forward to an exhilarating revitalization of Sun Soaked. It will include immersive stage designs, exclusive beach themed merchandise, and a thoughtfully curated selection of food and beverages. The first phase of this event will feature performances by renowned artists such as Anabel Englund, Malaa, Meduza, MPH, SKILAH, Sidepiece, and Walker & Royce. Kaskade himself is ready to share this remarkable journey with you-
Registration for pre-sale began on May 1, at SunSoakedOfficial.com. Pre-sale begins on Thursday, May 8, 10:00AM PST. General on-sale ticketing begins on Friday, May 9, 10:00AM PST.
Stay tuned to EDMTunes for all your latest festival updates.
The post Kaskade Returns With Sun Soaked to Original Stomping Grounds appeared first on EDMTunes.
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Austin City Limits Music Festival (ACL) has unveiled its 2025 lineup.
Another eclectic roster of more than 150 musical acts will descend upon Zilker Park in Austin, Texas, when the famed multi-genre festival returns over two weekends this fall, October 3-5 and October 10-12.
Headline performances at ACL 2025 will come from pop superstar Sabrina Carpenter, multi-platinum singer-songwriter Hozier, fan-favorite alt-rappers Doja Cat and Doechii, country hero Luke Combs, iconic NYC rockers The Strokes, and house and techno poster boy John Summit.
Other standout electronic acts include bass icons Zeds Dead, surging UKG talent Sammy Virji, renowned indie electronic bands Empire Of The Sun and Passion Pit,  trending Aussie duo Confidence Man, piano house wiz LP Giobbi, and genre-melding spinner Disco Lines.
True to its origins as a city park concert series produced by Austin PBS, a bevy of top instrumental acts, spanning rock, country, alternative, hip-hop, and more, are at the core of Austin City Limits’ programming. Across both weekends, fans can catch Cage The Elephant, Pierce The Veil, Maren Morris, Modest Mouse, Wet Leg, The Backseat Lovers, Rainbow Kitten Surprise, Dr. Dog, Japanese Breakfast, MK.gee, MJ Lenderman, and many more. Check out the full lineup below. 
For more information or to purchase tickets, visit aclfestival.com.

Featured image courtesy: Austin City Limits.
The post Austin City Limits 2025 Taps John Summit, Zeds Dead, Sammy Virji + More appeared first on EDM Maniac.
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