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Since it came out in 2011, “Titanium” has become one of the most famous and enduring anthems of the 21st century, with over 4 billion streams around the world and a lasting impact on both pop and dance music culture. It had been planned for more than ten years, but AFROJACK, David Guetta, and Sia had never performed their famous song together on stage until Ultra’s 25th anniversary party. It was the right place for this once-in-a-generation musical event.
“Titanium” soared from Ultra’s Main Stage through the Downtown Miami night as AFROJACK, David Guetta, and Sia performed the emotional high points of their hit record together. The performance captivated the sold-out festival crowd as well as millions of fans around the world who watched on Ultra’s cutting-edge #ULTRALIVE broadcast on UMF TV.
As AFROJACK’s set was almost over, he teased a surprise guest appearance by dropping David Guetta’s hit duet with Akon, “Sexy Bitch” (also written as “Sexy Chick”). It was a subtle hint at what was to come.
As soon as Guetta walked out on stage, the crowd went wild. He warmly called AFROJACK his “little brother” and talked about how he signed AFROJACK when he was still a young artist. He also talked about how he turned to AFROJACK to help him get past an artistic problem that came up while making “Titanium.”
Then the spotlight moved to Sia, who came out wearing a custom Dolce & Gabbana and her signature wig. She gave a transcendent vocal performance that marked her historic first-ever appearance at an electronic music festival. Ultra, with its unmatched history of groundbreaking performances, could have planned such an important moment.
David Guetta and Sia performed their new song “Beautiful People,” which came out earlier this month. AFROJACK also performed his new track “Never Forget You,” which is a return to his old sound as a tribute to his fans from the beginning.
Ultra’s 25-year history as the leader of never-before-seen, history-making events that go beyond electronic music and change the larger cultural scene is summed up by the “Titanium” surprise performance.
From the emotional nostalgia of “Titanium” to the cutting-edge sounds of “Beautiful People,” AFROJACK’s headline set proved once again that Ultra is the world’s premier music festival where history is made.
The post Ultra Music Festival 2025 Day 1 in Miami. What happened? appeared first on The Groove Cartel.
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Breaking away from his more mainstream commercial music, Tiësto and Undercatt produce a house tune with trance vibes. The song has no vocals and has a bit of a slower BPM than a traditional house song, while keeping the melody happy and upbeat.
This track has an extensive 3-minute build-up, adding different sounds and effects throughout, creating a mystical texture. Once you’ve gone past that, the drop is finally released, and you are met with a strong bassline, feeling the soulful deep house take over. This is one you won’t want to miss, coming from someone who had been atop the electronic scene for decades on end.
Tiësto, real name is Tijs Michiel Verwest, began DJing at a young age, playing at local clubs and parties. In the early 1990s, he started producing his own music and gained recognition through his releases on various record labels. His popularity soared in the late 1990s and early 2000s, particularly in the trance music scene. His remixes and original productions became anthems in clubs and at festivals worldwide. His 2004 Olympic Games performance in Athens, Greece, is considered by many a pivotal moment in his career.
Tiësto gradually moved away from pure trance, incorporating elements of house, pop, and other genres into his music. He collaborated with numerous mainstream artists, expanding his audience and reach. He continued to produce hit singles and albums, maintaining his relevance in the ever-changing EDM landscape. Tiësto is widely regarded as one of the most influential DJs and producers of all time. He has played a significant role in popularizing electronic dance music globally. He has obtained a Grammy award for his work. His contributions to the genre have earned him the title of “The Godfather of EDM.” He continues to tour and produce music.
The post Tiësto And Undercatt Release Brand-New Collaboration, ‘Shadows’ appeared first on EDMTunes.
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‘A State of Trance 2025’.
The new mix album offers the best modern trance across its three parts and 43 tracks. It ranges from the seaside grooves of ‘On The Beach’ to the club-driven energy of ‘In The Club’. The tracks come from Claptone x Chicane, OTTAGON (Giuseppe Ottaviani) and AVIRA. Moreover, Andrew Bayer, Ferry Corsten, Richard Durand, and Gabry Ponte x Jerome Isma-Ae are included as well. The energy reaches full throttle with ‘Who’s Afraid of 138?!’. The track is Armin van Buuren and Rob Swire’s new collaboration and the official anthem for ASOT 2025. Lastly, The third mix is a no-holds-barred adrenaline rush spearheaded by Sander van Doorn, Orjan Nilsen x Mark Sixma, Oliver Heldens & Armin van Buuren and Mauro Picotto.
This year’s mix album is, once again, packed with exclusive tracks, sought-after IDs and brand-new collaborations. It’s the ultimate soundtrack for dance music fans, carrying them from sunrise bliss to afterhours madness. With the sonic signature of Armin van Buuren himself, it’s a celebration of his A State of Trance brand.
About A State of Trance
‘A State of Trance’ is one of the world’s biggest and most popular dance music brands. Built from the ground up since the very first episode of Armin van Buuren’s radio show in 2001, ASOT now entails a globally acclaimed label and a breathtaking event series to boot. Meanwhile, it draws tens of thousands of music lovers from all over the globe.
Armin van Buuren
Armin van Buuren has long been a global ambassador for electronic music. He currently has nine full-length artist albums to his name, and continues to cultivate a massive worldwide following. Through his weekly A State of Trance radio show, event series, and album series, he reaches 44 million listeners from more than 80 different countries.
Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami), Lollapalooza (Chicago) and Tomorrowland (Belgium). Plus, he has residencies on Ibiza and in Las Vegas. Past summer alone, he reconnected with fans through over thirty shows.
The post Armin van Buuren Unravels A State of Trance 2025 Mix appeared first on EDMTunes.
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Hitting milestone after milestone, Kasablanca has quickly risen through the ranks of dance music must-see acts over the past four years. Led by the title track of the same name, Side A of their debut studio album ‘Higher Resolution’ has been the duo’s latest step on their meteoric rise.
About Kasablanca
Following a short hiatus from touring and music at the start of 2024, Kasablanca kicked off the first half of their album with their hit collaboration with Lane 8 on ‘Remission’. It marked their official return since debuting the track during their live set at Ultra Music Festival in Miami, Chile and Peru. This was followed by three more lead-up singles, ‘Terminal Feeling’, ‘Daydream’ with anamē, and finally, viral hit ‘Breathe’; an official cover of The Prodigy. With over 10M views on socials, the track has seen support worldwide from streaming platforms, DJs, and radio stations alike.
The Remix Roster
‘Higher Resolution (Side A)’ features a host of new remixes from a wide range of artists. These have been hand-picked by the band themselves. The first track in the selection comes from American producer CVMRN. Fans might recognize him from his ‘In Sequence’ remix for Kasablanca in 2023. His latest remix of ‘Dawn’ starts off the remix package in tasteful form, as always.
Originally debuted on SiriusXM Chill last year, Kasablanca is officially releasing their Chill Mix of ‘Remission’ with Lane 8. Label fans will also be excited to finally get their hands on Genix’s remix of ‘Daydream’ with anamē. He has been playing the track in his shows recently. Moving in a different direction and leaning a bit darker with their first remix releases on Anjunabeats, Township Rebellion and Moritz Hofbauer both deliver excellent masterclasses in their melodic techno renditions of ‘Higher Resolution’ and ‘Clarity’ respectively.
Sam WOLFE brings the energy with his debut remix on the label. Sam’s recent releases have been tearing up dance floors worldwide over the past year. The Atlanta-based producer has been making a big name with a typically harder techno sound and style. These are evident in his remix of ‘Clarity’, which provides another impressive rework of the anthemic track.
Rounding out the remix package is a beautiful melodic house remix of ‘Terminal Feeling’ by Otherwish. He is a mainstay artist on This Never Happened and a supporting artist for label boss Lane 8 on many upcoming shows this spring.
Upcoming Tours
Following the successful release of the album, with over 10M streams to date, Kasablanca kicked off their album tour in North America across over 15 states. The duo will continue their touring in 2025 with Lollapalooza in Chile, Argentina, and Brazil at the end of March. This will be followed by Colombia and Guatemala in May.
Kasablanca’s ‘Higher Resolution Remixes’ is out now on Anjunabeats.
The post Kasablanca Release First Remix Package Of Debut Studio Album ‘Higher Resolution’ appeared first on EDMTunes.
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Why is ‘Portrait’ so good?
‘Portrait’ radiates commitment to creating something new and quality for fans MORTEN knows wants something groundbreaking. The track opens with a deep, rumbling bass and a hypnotic vocal chanting, “Get low — get high.” The vocal transforms into vocal chops that add to the suspense, leading into the first drop. As the track continues, the drop builds, bringing in massive signature future rave laser synths. The drops stack on top of each other, creating an energetic and continuous flow that keeps listeners engaged and energized. ‘Portrait’ is an innovative and EDMTunes-certified banger. Get ready to see it as a stage opener, primed to kick off live shows with pure energy.
MORTEN’s Legacy and 2025 Performances
MORTEN’s rise in music is a testament to his dedication to making bangers and the new genre of ‘Future Rave’. From his early beginnings to becoming a leader in future rave, MORTEN’s collaborations and releases since 2013 have left a lasting impact. As one of the biggest names in dance music, Morten is gearing up for an exciting 2025, with several performances lined up at top-tier festivals and events. Ultra Miami, EDC Las Vegas, Breakaway Ohio, and the Brooklyn Mirage New York are only a few of his 2025 shows. If you have a ticket, you can look forward to hearing ‘Portrait’ and experiencing MORTEN’s high-energy live shows across the globe.
MORTEN’S SHOW AND TOUR DATES LINK
The post MORTEN Releases New Future Rave Single ‘Portrait’ appeared first on EDMTunes.
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Music occupies a central position within the life of Melbourne-based artist Dave Leck, serving as a therapeutic medium through which he interprets and navigates personal development. His ascendance in recent years has been characterised by a series of increasingly refined releases, distributed through respected underground imprints such as PHW Elements, Soundteller Records, and Droid9.
Notably, the August 2019 release of ‘Stardust’ represented a significant career milestone, marking his debut on the commercially successful Particles label, accompanied by a remix from fellow Australian artists GMJ & Matter. This was followed by ‘Primal Connection’ in January 2020, also released on Particles, which received support from a distinguished roster of DJs including Solarstone, Hernan Cattaneo, Mariano Mellino, Andrea Cassino, Alec Araujo, Fernando Ferreyra, and Ricardo Piedra. Subsequently, his work was featured on James Warren’s acclaimed Visceral compilation series.
So, on the heels of his latest release ‘Floodgate‘, we’ve sat down with Leck and asked him a couple of questions. Keep reading to find out what he’s got to say about his career, looking back, anticipating the future, and what he thinks is the core of music, far beyond the industry itself.
Where did you grow up, and how did your environment shape your relationship with music?
I grew up in Melbourne and Hong Kong and started with acoustic guitar lessons at around 9 years old. I stayed consistent with it, developed a love for it, and then played electric guitar in various bands through high school and university.
Who was the most influential person in your life growing up in terms of your musical development?
In the beginning it was a lonely journey but I found the love of music inside myself. I did have inspirations including Eddie Van Halen and Ace Frehley.
What’s the first memory you have of making music?
The first music that I created was a punk rock band in high school. I had just purchased a Boss distortion pedal and cranked it up through an Ibanez amp. We recorded it through a portable tape deck, and it was well and truly horrible.
When you think back to your earliest projects, what’s something you would do differently now?
Once I ventured into electronic music production many years later and started making my own original productions and I used so many different plug-ins and synths that I got overwhelmed. I threw too many elements together and over-processed them. Now I have cut down my workflow to precisely what I need, and have put in the hours to really know the tools well. Now, whenever I add a new tool or sound pack to my work palette, I thoroughly research them and make sure I allow adequate time and space for the learning curve involved.
Why do you think persistence is such an important part of making it in the music industry?
Because it takes a long time to produce decent material, and there are so many challenges and refusals along the way. Also, a lot of artists can be quiet, introspective people and opening up and showing our material can be quite a vulnerable experience. It takes strength to keep going and continue to put yourself out there year after year. There is also a cost financially and energetically, and this can take a toll on our mental health at times. It’s a hard road and we only do it because it’s part of our DNA, I think.
What’s the best piece of advice you’ve ever received from another artist or producer?
I think Mike Monday’s “start now finish fast” method is brilliant. In summary, it teaches you to work super fast, finish and repeat the cycle. With multiple iterations, quality grows over time. It’s a way to combat a common artist trait of perfectionism and analysis paralysis. This way of working is not necessarily the desired end result, but a phase that can teach you a lot about yourself.
What’s the one thing you wish people knew about the challenges of being a producer today?
Sometimes it feels difficult to justify the time, money and energy it takes to make significant strides in music. It takes a lot of mental and emotional resilience to keep going and not give up. But I know that I have a deep need to express myself in this way. It also gives me great joy, and if I don’t do it for a period of time I experience a sort of suppression and depression in my soul.
Final Words
Thank you Dave, for the little taste of your sonic world. Leck is on a continuous rise, and you can stream his latest, ‘Floodgate’, by clicking the Spotify player below.
The post [INTERVIEW] Dave Leck Talks Releases, Early Career, And More appeared first on EDMTunes.
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This 2-day event will have two stages each day. You and every other attendee will be connecting with the community and artists involved in bringing this experience to life. With next-level production in sync with music, lights, and visuals, you are bound to find a euphoric nature at Afterlife.
On Friday, Anyma curated the lineup for both stages. You can catch Anyma’s closing set on Stage 1 with Mind Against, Kevin de Vries, Recondite (live), Kasia, and Pacs all playing before him. On Stage 2, attendees can see performances from Rebūke, Woo York (Live), Baset, Stylo and Laherte.
On Saturday, MRAK curated the lineups. Stage 1 will provide sets from Omnya, 19:26, Layla Benitez, Gordo, and Camelphat, with MRAK closing the festival out. Stage 2 will feature 8Kays, Alfa Romero, Asal, Øostil, and Earthlife.
Tickets are still available for 2-days tickets and single day tickets.
The post Afterlife Announces Barcelona Festival Lineup appeared first on EDMTunes.
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From May through September, Sunset Park Rooftop will resonate with the sounds of house and techno’s most sought-after selectors. This series promises a dynamic mix of back-to-back performances and extended open-to-close sets, showcasing both established icons and emerging innovators.
The series kicks off on May 17 with an open-to-close set from Maccabi House label head Adam Ten, followed by the electrifying Loco Dice on May 25. The Memorial Day weekend continues with a special extended set from NYC house legend Danny Tenaglia on May 26.
June brings a diverse lineup, featuring the eclectic sounds of Sparrow & Barbossa on June 1, followed by a solo open-to-close performance from progressive house maestro Cristoph on June 7. Rising talent Alex Wann takes the stage on June 21, and Italian techno powerhouse Ilario Alicante closes out the month with another open-to-close set on June 27.
July heats up with Butch b2b Mink on July 12, followed by UK favorite Franky Wah on July 26. August sees CircoLoco residents Prospa on August 1, an open-to-close showcase from Trick label boss Patrick Topping on August 2, and rising stars Max Dean b2b Luke Dean on August 16.
The series culminates in September with a highly anticipated set from celebrated dancefloor visionary The Blessed Madonna on September 19. The grand finale on September 20 will feature TBA talent, marking the end of a summer defined by boundary-pushing music and open-air energy.
Tickets on sale April 2 at 12pm EDT, register for early access here.
Teksupport’s Summer 2025 Sunset Park Rooftop Series
May 17 – Adam Ten (Open to Close) May 25 – Loco Dice May 26 – Danny Tenaglia June 1 – Sparrow & Barbossa (Open to Close) June 7 – Cristoph (Open to Close) June 21 – Alex Wann June 27 – Illario Alicante (Open to Close) July 12 – Butch b2b Mink (Open to Close) July 26 – Franky Wah (Open to Close) August 1 – Prospa August 2 – Patrick Topping (Open to Close) August 16 – Max Dean b2b Luke Dean September 19 – The Blessed Madonna September 20 – Closing Party The post Teksupport Announces 14-Show Rooftop Rave Series in NYC’s Sunset Park appeared first on EDMTunes.
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Music producer and DJ Tantok has released his new EP, All That I Need, under the Natura Viva label. Available for DJs to buy on Beatport.
Available on streaming platforms since 21 March, the EP features three tracks: All That I Need, Lie So Easy, and Not Lost At All, the latter in collaboration with Argentine producer Lucas Perdomo.
Following an European tour that included performances in Italy and a debut at the iconic Ministry of Sound in London, Tantok returns with a project that reflects his recent experiences. The EP incorporates influences from deep house, melodic house, and progressive house, blending various sonic elements to create diverse musical atmospheres.
The title track, All That I Need, highlights the connection between Tantok and his audience, featuring vocals written and performed by the artist himself. Lie So Easy explores themes of separation, combining melodic production with licensed vocals from Rayne. Not Lost At All, created during his move to Denver in 2023, gains a new dimension with Lucas Perdomo’s contribution, adding progressive percussion to the arrangement.
Tantok drew inspiration from his recent experiences to craft the tracks. All That I Need was developed through sound design experimentation, utilising equipment such as the Moog Minitaur and Prophet Rev 2. The track conveys a theme of dedication to music and the audience, reflecting his artistic growth.
Lie So Easy follows a dancefloor-oriented approach, featuring an intense melodic structure. The track was tested in performances at venues such as The Church Nightclub in Denver and received a positive audience response. With elements reminiscent of producers like Tinlicker, the track maintains an immersive atmosphere, with the licensed vocals serving as a key highlight.
The collaboration with Lucas Perdomo on Not Lost At All stemmed from Tantok’s desire to explore new sounds. With influences from organic house and progressive house, the track combines rhythmic textures with an immersive melody. The partnership resulted in an arrangement that merges South American references with a contemporary approach to the genre.
Lucas Perdomo is a DJ and producer whose journey began in 2009, later expanding into music production in 2015. Unbound by a single genre, his sets create hypnotic, spacey atmospheres, blending Progressive, Melodic, Deep, House, and Indie sounds. With releases on over 25 renowned labels, including Exx Underground, Natura Viva, and Droid9, his work has gained support from industry heavyweights like Hernán Cattaneo and John Digweed. He has performed at top venues such as Crobar, Bahrein, and Niceto Club, as well as in cities across Argentina and internationally, including Lima, Peru.
All That I Need marks a new phase in Tantok’s journey, solidifying his sonic identity and expanding his presence in the electronic music scene. The EP also stands as his second original release, following Shape Shifter EP, which came out in 2021.
The release coincides with a busy schedule for Tantok, who is preparing for performances during Miami Music Week in multiple venues. On March 25, he plays at Red Bar in Miami Brickell. March 26 features a packed lineup with sets at Miami & Friends Pool Party at Higher Dream Hotel, Casa Alta, Red Bar in Miami Brickell, and The Sandbox. On March 27, he will perform at Nexus Lounge Radio at The Goodtime Hotel, Buro Wynwood, and once again at Red Bar in Miami Brickell. March 28 includes a daytime set from 12pm to 10pm at The Gates Hotel with My House Radio in South Beach Miami, followed by a late-night performance from 11pm to 4am at Shotimilco in Little Havana Miami.
On March 29, he returns to Shotimilco from 10pm to 4am and also plays at Kill Your Idol. March 30 sees him back at The Gates Hotel from 12pm to 10pm with My House Radio in South Beach Miami, followed by a Boat Party from 2pm to 10pm traveling from Ft Lauderdale to Miami Ultra Downtown. Finally, on April 4, he will perform at Neon Grotto in Austin, TX, alongside Steve Slider.
Tantok’s discography is available on Spotify and the artist is constantly posting news on his Instagram @tantokhouse as well as the record label @naturavivamusic. Tantok’s website is tantok.com
The post Tantok Presents New EP All That I Need via Natura Viva appeared first on Electric Mode.
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Framed as a discovery-driven counterpoint to mainstream charts, the report underscores SoundCloud’s mission to spotlight emerging movements before they go global. According to the platform, 46.5% of all listening on SoundCloud in the past year was dedicated to music released in the last 18 months—nearly double the 26.7% industry average reported by Luminate.
The findings strengthen SoundCloud’s identity as a launchpad for emerging talent and evolving genres. Among the biggest takeaways: Electronic is now the fastest-growing genre in the United States. Based on listening trends, it ranks second in US-based popularity behind hip-hop and takes the top spot in the UK.
c/o SoundCloud
Within electronic music, UK Garage/Bassline is building momentum, with 31% more plays over the past year and a 20% growth clip expected. Artists like Sammy Virji, Scruz and Notion are leading the charge.
Minimal and tech house are also trending upward while trance is seeing a revival on the platform, thanks to artists such as Ben Nicky and Symmetrik.
You can find SoundCloud's full "Music Intelligence Report" here.
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The influential DJ and producer on Wednesday announced that her ambitious new live show is headed to Washington's famed Tacoma Dome after a sold-out debut in San Francisco earlier this month.
"PORTAL" is a collaborative production with Bending Lite, the team behind her mind-bending "Spiral" and "Spectacle" set designs. Her new show is described as a "true sensory overload" featuring "hyperactive animations, overstimulating lasers and electrifying pyrotechnics." The animations were crafted by a handpicked crew of animators and graphic designers with no AI involved.
View the original article to see embedded media.
The beloved "Edge" producer now sets her swirly eyes on new goals after selling out the 12,000-capacity Cow Palace in the Bay Area. She's now aiming to bring approximately 15,000 people together at the Tacoma Dome on September 26th.
"Beyond excited to be bringing the second PORTAL show to the Tacoma Dome!" REZZ said in a press release. "It’s an absolutely gigantic venue which calls for a gigantic production, and the perfect spot to open the next 'PORTAL.'"
Fans can now register for an artist pre-sale and general pre-sale, launching April 2nd and April 3rd, respectively, at 10am local time.
Follow Rezz:
X: x.com/officialrezz
TikTok: tiktok.com/@officialrezz
Instagram: instagram.com/officialrezz
Facebook: facebook.com/officialrezz
Spotify: spoti.fi/32DV4IY
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Out now via Lake's Black Book Records, "Toxic" arrives hotly anticipated. The track had become a fan-favorite, turning heads since the house music superstar first teased it in his recent DJ set at Costa Rica's Ocaso Music Festival.
At the core of "Toxic" lies a genius sample: Bell Biv DeVoe’s 1990 classic "Poison," which the producers reimagine with a snarling bassline and crackling percussion. The nostalgic vocal loop adds just the right amount of swagger, lending to a track that's as timeless as it is trailblazing—true to form for Lake.
A track built for peak-hour dancefloors, "Toxic" marks another stunning chapter in the house music virtuoso's ever-evolving sound while also spotlighting Ban’s knack for raw, percussive club music. With performances lined up at Coachella’s first-ever "Thursday Night Campgrounds" show on April 10th, plus festival slots at Breakaway and Escapade, the track is primed to become a staple of Lake's summer arsenal.
Listen to "Toxic" below and find the new single on streaming platforms here.
Follow Chris Lake:
X: x.com/chrislake
Instagram: instagram.com/chrislake
TikTok: tiktok.com/@chrislake
Facebook: facebook.com/chrislake
Spotify: spoti.fi/3auKRRk
Follow Ragie Ban:
X: x.com/RagieBan
Instagram: instagram.com/ragieban
TikTok: tiktok.com/@ragieban
Spotify: bit.ly/3FI419P
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Brimming with surgical sound design and unfettered bravado, the track opens in menacing fashion with a barking dog sample and the wail of a siren. As the beat rises to a rolling boil, a distorted voice snarls, "Kicks and the snares might give you whiplash" before the producers deliver a ferocious blitz of bass.
"Crash Out" is dripping with the audible DNA of each of its producers, two of the electronic music community's most gifted sound designers. The signatures of Eptic and Space Laces coalesce into a singular monster engineered to unleash mayhem in the pit.
Though "Crash Out" marks their first official co-produced release, they are are no strangers to sharing the stage, having delivered multiple b2b sets as a duo and several explosive performances as part of the MASTERHAND trio alongside SVDDEN DEATH. With the heavy-hitting collaboration now out in the wild, fans are undoubtedly hoping it's just the beginning of a new wave of releases from these dubstep heavyweights.
Listen to "Crash Out" below.
Follow Eptic:
X: X.com/Eptic
Instagram: instagram.com/eptic
TikTok: tiktok.com/@eptic
Facebook: facebook.com/eptic
Spotify: spoti.fi/35CnTGp
Follow Space Laces:
X: x.com/spacelaces
Instagram: instagram.com/space_laces
TikTok: tiktok.com/@space_laces
Facebook: facebook.com/spacelaces
Spotify: spoti.fi/3va9Ov4
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KAAZE is one of the highest ranking DJs in the world, and claims the #48 spot in DJ Mag’s the Top 100 DJs chart. Renowned for his chart-topping hits like ‘Sweet Mistake’ which has over 19 million Spotify streams, as well as a string of highly acclaimed remixes which includes Hardwell’s ‘Echo’, and more recently the iconic dance track ‘Blink’ by John Dahlback. He’s also collaborated with EDM royalty such as Steve Aoki, David Guetta and KSHMR to name a few.
KAAZE’s breakthrough moment arrived when a demo he created was picked up by none other than the living legend Tiësto. He then joined Tiësto at Summerburst Festival in 2012, and eventually signed to Tiësto’s Red Light Management group in 2014. Fast forward to over a decade later, and KAAZE is taking over the world with his ‘hot techno’ sound which his fans aptly coined to describe his music. Now, KAAZE is in the midst of his debut North America and Canada tour, RESONANCE, with stops in cities like New York, Detroit, Montreal and more. He’s also set to perform at Parookaville and Beats For Love, with his full Summer schedule yet to be announced.
In our interview with this ferocious force, KAAZE talks about returning to his roots, premiering tracks on tour and forthcoming releases. He also shares an exclusive 1 hour mix below!
KAAZE / Courtesy PR
Let’s get right into it, you’re about to embark on your debut USA and Canada tour titled RESONANCE from 22 March. This is a remarkable milestone in your career, can you tell us how you’re feeling right now, and if you have any surprises in store for your fans?
My brand started in the states, in Las Vegas, but I’ve never had a show in the states so it’s extremely special to me. It almost feels like I’m coming home again. I’ve prepared so many new tracks to premiere during this tour so I’m super hyped to get out and play.
You recently released a stellar remix of John Dahlback’s classic dance track ‘Blink’ on Smash the House. What about this particular track stood out to you and inspired you to remix it?
‘Blink’ is a track that had a huge influence in the early part of my music career. It’s one of the songs I fell in love with when I first started producing so it always takes me back to that time. One day, I randomly heard the song and got a vision straight away of how I could remix it with my stamp so I went straight into the studio.
On social media you’ve teased David Guetta remixes, can you tell us about your approach to these remixes, and if there are any release dates in the pipeline?
Yes, I have a couple David Guetta remixes in the pipeline. Some of them I’ve been testing out live for quite some time but I also have brand new ones nobody has heard yet. There’s only so much I can say at this time, but for sure they are all going to be officially released this year. Super stoked for these remixes!
In a recent interview you mentioned that you decided to return to your underground, industrial techno roots about two years ago. What sparked your return to the harder, more left-field sound?
I just felt that I needed to find myself again, especially finding joy in the studio. I felt that I’d fallen into a bit of a repetitive pattern and I missed what I once fell in love with as a kid as I come from the underground scene. I’m so grateful people are enjoying my path right now.
Your fans have aptly labelled your music as ‘Hot Techno’. What is your personal interpretation of ‘Hot Techno’, and why do you think the term has gained such popularity?
I just felt my techno was a bit different compared to the classic techno, it felt sexy. I always focus on a lot of rhythm and grooves when it comes to bass lines and drums. One day I name dropped “hot Teknō” on my socials and my fans just totally loved it.
KAAZE RESONANCE tour dates
As someone who has been making music since childhood, your growth and evolution as an artist has been insurmountable. Looking back, did you ever think your career would be as successful as it is today?
I would have never believed if someone told me 20 years ago that I would be doing this for a living. On the other hand I’ve always been very focused and zoomed in on my goals and I’m a guy who just won’t give up no matter what and that’s key in this industry. I’m extremely grateful for everything in my life at the moment.
The EDM scene has changed significantly over the years. What are some of the biggest changes you’ve noticed, and how have they impacted your career?
The biggest change is definitely the world of content. How important it is nowadays to stay relevant on your socials. It has good and bad aspects for sure but I would say the good thing from it is that each artist really needs to work hard on their branding to stand out. Everyone can go viral nowadays but make sure you have a niche or brand but ultimately never lose sight of the music.
You’ve collaborated with the likes of Steve Aoki and KSHMR to name a few. Do you have any dream collaborations that you’d love to be part of?
I would say on top of my list right now is Belgian artist Stromae. I’m such a fan of his work and vision, it’s true art what he does and I think he could sound really good on a track of mine.
With such a busy schedule, how do you unwind or find balance amidst all the shows and performances? Do you have any hobbies or interests outside of music that helps you to unwind?
My biggest priority outside of my career is my family. My wife and daughter are my world and I just love to be home and be a dad. My second addiction I have is golf. I’m a total golf geek who plays every moment I get. Even though I’ve played golf since I was seven years old, I look at it almost as rehab to me. After a long tour there’s nothing better than a round of golf.
Aside from your RESONANCE tour, what else can your fans expect from you in 2025? Are there any projects, releases or exciting developments we can look forward to?
As always there’s a ton of new releases coming. A lot of new original music and remixes. The summer tour looks crazy so far as well so I’m super excited to get out there and do my thing. Hopefully, meet you guys soon on the dancefloor!
Stream KAAZE’s exclusive YourEDM mix below:
Your EDM’s Collection · YourEDM Mix Series #16 – KAAZE
Tracklist:
KAAZE – ID – Intro
LTHM – Dale Pa Bajo (Acapella)
John Summit & HAYLA – Shiver (KAAZE Remix)
KAAZE ft. Luciana – Maneater
David Guetta & Alesso ft. Madison Love – Never Going Home Tonight (KAAZERemix)
Britney Spears – Toxic (Steve Aoki & KAAZE Remix)
Hardwell & KAAZE vs Ivan Gough & Feenixpawl & Georgi Kay – Move vs In My
Mind (Hardwell Mashup)
John Dahlbäck – Blink (KAAZE Remix)
KAAZE ft. Alina Pozi – Papi
David Guetta ft. Chris Williams – Love Don’t Let Me Go (KAAZE Remix)
Empire Of The Sun – Walking On A Dream (KAAZE Edit)
KAAZE – Immigrant Techno
Flow Rida ft. Sia – Wild Ones (Acapella)
KAAZE – Reste Sur Terre
Linkin Park – The Emptiness Machine (Acapella)
David Guetta ft. Chris Willias – Just A Little More Love (KAAZE Remix)
KAAZE – Underground (Don’t You Want Me)
Tove Lo – Habits (Stay High) (Acapella)
Steve Aoki & KAAZE – Give It To Me
KAAZE – The Way
Swedish House Mafia & Knife Party ft. ADL – Antidote
KAAZE ft. CERES – Faded
Zombie Nations – Kernkraft 400 (KAAZE Rework)
Kanye Weest ft. Rhianna – All Of The Lights
Central Cee ft. Lil Baby – BAND4BAND (KAAZE Remix)
Travis Scott ft. Kendrick Lamar – Goosebumps (KAAZE Remix)
Tavatli – FE!N (KAAZE Edit)
Marie Vaunt – The Chosen
The Prodigy – Firestarter
Follow KAAZE:
Website – Spotify – Instagram – Facebook – X – TikTok – YouTube
This article was first published on Your EDM. Source: KAAZE discusses debut North America tour, dream collaborations & shares an exclusive 1 hour mix [Interview]
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The explosive new track unites two icons from opposite ends of the dance music spectrum for a powerful, festival-ready anthem. It first turned heads during van Buuren’s Mainstage set at Ultra Music Festival Miami 2024, where he surprised fans by premiering the then-unreleased ID. Now, fans everywhere can experience the full force of the track.
Swire, the influential frontman of Pendulum and one-half of Knife Party, makes a long-awaited return to the vocal booth on "Sound of You," his first vocal feature in several years. His unmistakable voice cuts through van Buuren’s lush, emotive production, delivering a soaring topline that feels tailor-made for sunset festival sets and peak-time dancefloors alike.
Built around a cinematic melody and emotionally charged drop, "Sound of You" channels the golden era of progressive house while infusing it with modern production polish. Whether you caught it live at Ultra or are listening for the first time, the track is a stunning example of what happens when legends collide.
"Seeing this sound make a comeback is really exciting because it blends the best of both worlds—massive festival anthems with deep, emotional melodies,” van Buuren said. "From the moment I wrote this, I knew Swire was the perfect voice for it, and I’m so glad he said yes."
Swire added: "van Buuren and I had talked about working together for a while. When he played me the 'Sound of You' instrumental, I knew instantly I wanted to sing on it. We recorded it in early 2024 and it was amazing to see van Buuren unveil it at Ultra Miami."
Listen to "Sound of You" below and find the new single on streaming platforms here.
Follow Armin van Buuren:
X: x.com/arminvanbuuren
Instagram: instagram.com/arminvanbuuren
TikTok: tiktok.com/@arminvanbuuren
Facebook: facebook.com/arminvanbuuren
Spotify: spoti.fi/2WHsl2t
Follow Rob Swire:
X: x.com/rob_swire
Instagram: instagram.com/rob.swire
Spotify: spoti.fi/42b2m4j
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On Excursions Volume 4, 11 new acts are featured for the first time on the label. It goes from the cinematic, futuristic main room progressive house and techno of Jackie Hollander & Kamino‘s “LSD” and “Deadbeat” to the chugging, almost post-punk sounds of Roddy Lima‘s “Be A Freak” and the percussion-heavy tech house of Kieran San Jose‘s “Watch Her,” which ends the compilation.
Before the album comes out on Friday, Experts Only holds a sold-out event at Miami’s Toe Jam venue, featuring DJ sets from Ayybo, Cole Knight, Layton Giordani, Max Styler, Roddy Lima (who is on the compilation), and Westend. This comes after an exclusive event for the industry on Thursday at a private location.
Today, Ultra Music Festival is one of the biggest dance music events in the world. It is also a big part of Miami Music Week and is now in its 25th year. In a UMF-only event, Experts Only‘s boss John Summit will play back-to-back with Aussie party starter Dom Dolla at their amazing “Everything Always” main show, which will also feature Solomun, Anyma, Tiesto, Martin Garrix, Oliver Heldens, and many, many more.
Ready for Excursions Volume 4, which comes out on March 28th? Don’t miss anything as Experts Only takes over Miami.
The post John Summit’s Experts Only compilation Excursions Vol. 4 appeared first on The Groove Cartel.
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The news came arrives just over a month after the festival's announcement. Despite Afterlife's Anyma and MRAK missing the event in the Mexican capital, they will still be performing in Barcelona in June for the remaining leg of the Afterlife Festival.
Releasing a statement on social media, organizers cited "unforeseen technical and licensing issues" with the venue, Hipódromo De Las Americas, preventing the fest from taking place in May. It's worth noting that the statement stops short of mentioning another date and that the minds behind Afterlife Festival have "explored every possible solution," so a rescheduled date seems unlikely in the short term.
"We explored every possible solution, but the situation prevents us from delivering the experience you deserve," the statement reads.
Afterlife and Zamna said that ticket costs, including service fees, will be automatically refunded to the credit card from which they were purchased.
Follow Afterlife:
Instagram: instagram.com/afterlife_ofc
TikTok: tiktok.com/@afterlife_ofc
X: x.com/afterlife_ofc
Facebook: facebook.com/afterlifeofc
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"Neverland (From Japan)" builds around a slow-burning, hypnotic pulse, layering textured vocals over a rolling bassline that feels engineered for massive spaces. It's no surprise that Anyma premiered it during his historic Vegas Sphere residency. Each drop represents a recalibration of the track's emotional charge, executed with the kind of restraint that invites deeper listening.
The single arrives closely following the announcement of The End Of Genesys, Anyma's third album, which is set to release on May 23rd. The Italian superstar uses techno as a storytelling medium, and if his latest single is any indication, he's still writing in a language the rest of the scene is racing to decode.
You can listen to "Neverland (From Japan)" below and find the new single on streaming services here.
Follow Anyma:
X: x.com/anyma_eva
Instagram: instagram.com/anyma
TikTok: tiktok.com/@anyma
Facebook: facebook.com/anyma.ofc
Spotify: tinyurl.com/2p976k79
Follow Baset:
Instagram: instagram.com/Baset.ofc
Facebook: facebook.com/Basetmusicofficial
Spotify: tinyurl.com/jubvxnrx
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The 10-track LP expands on his signature sound—luxuriating in warm textures, subtly toying with shifting tones, and teasing out compositions of understated complexity. A record built on deep, meditative grooves, Into The Distance invites listeners to get lost in its hypnotic flow.
In the wake of his 2011 breakout debut The Story About You, Moomin was praised for the “resplendent naturalism” within his “beautiful, introspective take on house music”. He had cast a spell of “modern house music magic”, crafting a sound “you can listen to anytime, anywhere”. The acclaim was universal, yet Moomin remains humble, describing himself simply as “a music-lover”. Since that unmissable debut, he has further defined his unique inner-world sound through releases on kindred spirit imprints Smallville, WOLF Music, OATH, and Aim, while also launching his own vinyl and tape label, Closer, a passion project that perfectly matches the tactile and intimate nature of his productions.
Now, with Into The Distance, those unmistakable Moomin signatures are taken even further. Tracks like Joni and A Way Out pulse with understated energy, while Caught In A Memory and Night Moves evoke a dreamy nostalgia. The album moves between deep house, downtempo, and ambient influences, creating a rich, cinematic listening experience. From the hypnotic rhythms of Island Dreams to the drifting melancholy of Summer’s End, Moomin explores movement, both physical and emotional, through sound.
After years of performing at some of the world’s most influential clubs and festivals, Moomin made the decision to step away from live shows. Since 2019, he has successfully run his own mastering studio, continuing to pursue his deep love of music and technology. Into The Distance is a reflection of this period—an album that feels deeply considered yet effortlessly fluid, designed for both introspective moments and expansive journeys.
TRACKLIST
01 – Things I Left Behind
02 – Into The Distance
03 – Joni
04 – Summer’s End
05 – Island Dreams
06 – A Way Out
07 – The Cut
08 – Until Next Time
09 – Caught In A Memory
10 – Night Moves
Stream / Download here
The post Moomin returns with new album ‘Into The Distance’ appeared first on Decoded Magazine.
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The 10-track LP expands on his signature sound—luxuriating in warm textures, subtly toying with shifting tones, and teasing out compositions of understated complexity. A record built on deep, meditative grooves, Into The Distance invites listeners to get lost in its hypnotic flow.
In the wake of his 2011 breakout debut The Story About You, Moomin was praised for the “resplendent naturalism” within his “beautiful, introspective take on house music”. He had cast a spell of “modern house music magic”, crafting a sound “you can listen to anytime, anywhere”. The acclaim was universal, yet Moomin remains humble, describing himself simply as “a music-lover”. Since that unmissable debut, he has further defined his unique inner-world sound through releases on kindred spirit imprints Smallville, WOLF Music, OATH, and Aim, while also launching his own vinyl and tape label, Closer, a passion project that perfectly matches the tactile and intimate nature of his productions.
Now, with Into The Distance, those unmistakable Moomin signatures are taken even further. Tracks like Joni and A Way Out pulse with understated energy, while Caught In A Memory and Night Moves evoke a dreamy nostalgia. The album moves between deep house, downtempo, and ambient influences, creating a rich, cinematic listening experience. From the hypnotic rhythms of Island Dreams to the drifting melancholy of Summer’s End, Moomin explores movement, both physical and emotional, through sound.
After years of performing at some of the world’s most influential clubs and festivals, Moomin made the decision to step away from live shows. Since 2019, he has successfully run his own mastering studio, continuing to pursue his deep love of music and technology. Into The Distance is a reflection of this period—an album that feels deeply considered yet effortlessly fluid, designed for both introspective moments and expansive journeys.
TRACKLIST
01 – Things I Left Behind
02 – Into The Distance
03 – Joni
04 – Summer’s End
05 – Island Dreams
06 – A Way Out
07 – The Cut
08 – Until Next Time
09 – Caught In A Memory
10 – Night Moves
Stream / Download here
The post Moomin returns with new album ‘Into The Distance’ appeared first on Decoded Magazine.
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What’s more, David is unapologetically showcasing the clear musical similarities between his track “Crème Brulée” and Sabrina Carpenter’s “Espresso.” Rather than shying away, he embraces this connection with open arms, drawing from the carefree vibe and playful, cheeky narrative that both songs evoke. By infusing his own unique style into the mix, David creates a refreshing and lighthearted listening experience that invites fans to enjoy the joyous spirit of the track. Moreover, this gay anthem radiates a vibrant and infectious energy that is impossible to ignore.
Undoubtedly, in the months ahead, this catchy anthem has the potential to electrify gay clubs and shine at various pride events. Once people hear “Crème Brulée,” I have no doubt the LGBTQ+ community will wholeheartedly embrace it. Therefore, it would be wise to keep an eye on the viewing numbers for the entertaining Nathan Kim-directed music video. Notably, it is immensely plausible to become a massive hit. The beauty of this release lies in its simplicity; both the song and the visuals are highly unforgettable. The enthusiasm the LGBTQ+ community showed for “Espresso” clearly highlights their openness to adopting a similarly vibrant, somewhat significantly influenced track as one of their own.
Connect with David Archuleta
Facebook: https://www.facebook.com/davidarchuleta/
X: https://x.com/davidarchie
Instagram: https://www.instagram.com/davidarchie/
The post Watch “Crème Brulée” by David Archuleta appeared first on EQ Music Blog.
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