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Photo Credit: Rebe Adelaida
SCF, the Italian performing rights collective, closed out 2024 with distributions of over 51 million euros. This puts Italy in the top ten worldwide for PRO distributions.
In the last year, SCF, the leading collecting society in Italy, distributed over 51 million euros to its members and other collective societies. The share distributed to producers exceeded 42 million euros and recorded a significant increase of 7.7%, compared to 2023.
That result was supported by double-digit growth in performance rights (+19.3%), driven by both the Broadcasting and Web sector (+12.6%) and the Public Performance sector (+27.4%). This more than offset the contraction recorded in the Private Copy distribution (-15.4%), resulting from the decline in Italian sales of digital devices.
The userbase has exceeded over 200,000 subjects, marking +210% compared to 2008, thanks to constant awareness-raising and acquisition work, targeted legal activities, and anti-piracy actions. That strengthening of the base has continued in 2024 with significant growth in members, especially among independent record producers, both local and international, represented by intermediary companies. This positions SCF as the main reference collecting society for independent producers.
SCF has continued to invest in digitalization and improved transparency, with the release of the new Katalegale dashboard for analytical monitoring of royalties, the enhancement of the automatic matching algorithm, and the reduction of attribution conflicts by more than 95%.
In 2024, SCF also worked on enriching its catalog, which has 26.5 million tracks. The Repertoire Data Exchange (RDX), the centralized service for the recording industry, has seen increasing adoption by producers, improving the quality of repertoire management and distribution of music rights.
Concurrently, 1,286 analytical reports were drawn up (of which 920 were for radio stations alone), with a focus on tracks with the greatest economic impact. There was also a focus on the introduction of a new area for the collection and distribution of performance rights for the use of music in films, TV, documentaries, and other audiovisual works.
SCF further expanded its network of international agreements, signing new agreements with PPCA (Australia), PPL India, ZAPRAF (Croatia), and UNIMPRO (Peru). The control over private copying abroad was also strengthened, thanks to new management agreements, with the aim of maximizing the economic protection of Italian producers even outside national borders.
In line with its commitment to maximizing distributions to rights holders, SCF also announced a further reduction in the administration fee on performance rights for 2025, which went from 17% to 15% for the broadcast and web segment. This level has not been seen for over a decade.
“The 2024 budget represents an important point of balance between growth, efficiency, and innovation. We have managed to increase the distributions, strengthen the international network, further reduce the administration fees and offer our clients increasingly advanced tools for the analysis of royalties.
“[The result is] the confirmation of Italy as the seventh country in the world for performance rights—as reported by IFPI in the recent Global Music Report—is the strongest signal of the system work that we are carrying out consistently,” said Mariano Fiorito, General Director at SCF. “We will continue on this path, with the aim of enhancing the Italian repertoire in all its forms.”
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Photo Credit: Konstantinos Hasandras
Denver-based record club Vinyl Me, Please (VMP) has entered liquidation, leaving lots of vinyl fans in limbo. The boutique record subscription club was founded in 2012—but months of customer complaints about not receiving their orders have blossomed into a full-on bankruptcy proceeding.
The company’s financial troubles reportedly accelerated after a failed attempt to build its own pressing plant, which included the controversial firing of three senior staff members in March 2024. Allegations surfaced that these staffers attempted to diver company funds towards the pressing plant, destabilizing VMP’s finances and operations.
Vinyl Me, Please has sent out an email to subscribers letting them know about the liquidation. “As a customer and creditor of Vinyl Me, Please, we wanted to let you know that on April 4, 2025, [VMP] commenced an Assignment for the Benefit of Creditors (ABC),” the email begins.
“The ABC process is led by an independent fiduciary who is referred to as the Assignee. The Assignee has undertaken a process involving the sale of business. We expect that at the conclusion of the sale process, the buyer of [VMP’s] business will try to resolve outstanding and future orders where feasible. We anticipate this sale process will conclude by mid-May 2025 with further details to follow.”
Photo Credit: Vinyl Me, Please Website
Creditors, including subscribers who are owed records or refunds, now have until October 1, 2025 to file claims. The liquidation aims to maximize returns for those left with outstanding obligations—but whether full reimbursement will be possible remains uncertain. As it stands, the Vinyl Me, Please website does not mention the liquidation process at all and still continues to sell vinyl record pre-orders. The lack of transparency around the liquidation has left many current and former customers upset after renewing memberships.
“I filed a claim for the five remaining records they owe me,” states one redditor on a thread about the liquidation process. “I doubt anything will happen. It is wild that they are still soliciting business and claim I have two pending orders. I will also see if I can make this the credit card company’s problem, but we are well past the 60 day cutoff for the annual charge.”
While vinyl sales have seen steady growth in recent years, smaller players in the space are facing mounting pressures. Supply chain disruptions, increased competition, and the capital-intensive nature of pressing plant investments have all lead to closures of several  boutique vinyl outlets in the last two years.
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Photo Credit: Nathana Rebouças
TikTok is making a concerted effort to calm advertisers’ nerves as the platform faces its third extension of the looming U.S. ban. If the platform is ultimately banned in the United States—nearly $12 billion in ad revenue is at risk.
Despite the uncertainty surrounding the platform, TikTok sales team members have been proactively reaching out to agencies and brands. The sales team projects unwavering confidence that the app will remain operational in the U.S. and the team seeks greater investment from advertisers in the platform.
The latest 75-day ban extension was announced by President Trump in early May and follows previous extensions and ongoing negotiations between ByteDance and U.S. officials. The repeated postponements of the ban have left many advertisers in limbo, with some hedging their bets and shifting ad budget dollars to more stable platforms like Instagram and YouTube. A recent report suggests eight of the top ten advertiser categories reduced their spending in Q1 2025 on TikTok compared to the previous years. U.S. ad rates have seen double digit declines amid the uncertainty.
A TikTok sales presentation to advertisers in New York City this week aimed to project confidence despite those declining numbers. “If there’s one thing I want you to take away, it is that we are absolutely confident in our platform and confident in the future of this platform, so we’re going to continue to invest in it,” Khartoon Weiss, Vice President of Global Business Solutions at TikTok said. “Thank you for sticking with us, because our advertising business will not change.”
TikTok’s ad revenue business in the United States is expected to grow 20.3% in 2025 to reach $14.8 billion, according to Emarketer. Both Meta and Google are watching closely what happens with TikTok, since those advertising dollars will be free to flow into other platforms. Both companies have been improving their short-form video products to match or exceed TikTok—especially amid the platform’s uncertainty in the United States.
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Everything from toothbrushes to toilets have gone wireless, but for some reason, DJs have remained tethered to their equipment like dogs leashed to a post as squirrels saunter by. AIAIAI's new TMA-2 DJ Wireless headphones break those chains with what the Danish audio company boldly claims are "the first-ever headphones designed for true wireless DJing."
The skeptic in us approached with caution, since true wireless DJing has been a persevering albatross in the audio tech world. But the unit's ultra-low latency connection (sub-10ms) delivers on its promise.
AIAIAI's breakthrough headphones deliver uncompressed audio through their proprietary W+ Link technology. The system uses the brand's X03 transmitter, which connects to a DJ mixer via 3.5mm TRS or USB-C and wirelessly beams audio into the headphone unit.
AIAIAI
Beat-matching feels just as responsive as wired alternatives, without that millisecond lag that turns mixing into a frustrating game of audio catch-up. You can also tune the frequency response with predefined sound profiles or a custom five-band EQ, but you'll have to download the AIAIAI mobile app.
The headphones also eliminate battery anxiety with a 25-hour runtime, which means they can outlast even those Red Bull-vodka-fueled marathon club nights at Space Miami. The familiar TMA-2 build quality remains intact too, and it's as comfortable as ever.
What's particularly refreshing is AIAIAI's modular approach. Current TMA-2 owners can simply upgrade their speaker units rather than contributing another complete headset to the electronics graveyard. True to form for the renowned music tech company, it's true sustainability that doesn't feel like a marketing checkbox.
For professional DJs, going wireless has always been like switching to decaf: technically possible but fundamentally compromised. But the TMA-2 DJ Wireless is the rare tech product that removes a genuine limitation rather than solving a problem nobody had.
The TMA-2 DJ Wireless is available for €300 on AIAIAI's website.
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Erica Synths has offered the first glimpse of its HEXDRUMS drum machine, which is due to launch later this year.
HEXDRUMS is an analogue drum machine made in collaboration with Canadian Eurorack module manufacturer, Hexinverter. In 2022, the company announced its closure, and Erica Synths later took over its catalogue. The brand has since re-released a number of its products, namely its drum modules.
READ MORE: Reason Studios’ Arpeggio Lab is a pattern-generating “cure for creative block” HEXDRUMS utilises the “DNA of Hexinverter’s Mutant circuits”, and Erica Synths says it is “forged out of deep respect for traditional designs with innovative improvements and the combined spellwork of its makers.”
It has a hands-on layout, and offers 10 sound sources mostly based on the Hexinverter Mutant series of percussion modules. Users will be able to experiment with two kick drums – a BD9 and Bass drum – an optimised Mutant Machine, Snare drum, Clap, Rimshot and HiHats. Additionally, Erica Synths’ own Cymbals are added, featuring 10 sets of crash and ride cymbal samples.
All drums have individual outputs and for the master section they are panned in the stereo field before being sent into the Compressor and Master Drive, which is derived from the Hexinverter Mutant Glue. A  kick drum-controlled sidechain is also described as a “special feature” that can be used to animate drum patterns on the beat.
Hear how it sounds in the teaser below:

“Our plan was always to use the Mutant Drum DNA to create a next-level desktop drum machine,” Comments Stacy Gaudreau of Hexinverter Électronique. “We began early work on one before the pandemic. I’m so glad that the Erica Synths crew was able to carry out the vision and finish the dream!”
HEXDRUMS will arrive later this year, but no official release date or pricing information have yet been revealed. In the meantime, you can check out more products from Erica Synths.
The post Erica Synths’ upcoming HEXDRUMS drum machine is injected with Hexinverter DNA appeared first on MusicTech.
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Google‘s response to the comparisons drawn between the rumored iPhone 17 camera bar design and that of Pixel devices carries a discernible critical undertone regarding Apple’s history of feature implementation. The latest installment in their “#BestPhonesForever” advertising campaign, while employing animation, serves to underscore a perceived pattern of Apple adopting innovations initially introduced by Google’s Pixel line.
The premise of the advertisements, depicting a friendly relationship between Pixel and iPhone, functions as a vehicle to highlight instances where the iPhone’s features appear to follow precedents set by Pixel. This narrative suggests a lack of initial innovation on Apple’s part in certain key areas.
The most recent advertisement, “Responding to the Rumors,” utilizes the discussion surrounding the iPhone 17 redesign as a platform to address this perceived trend. The inclusion of a blog headline noting the visual similarity between the rumored iPhone design and Google Pixel prompts a pointed rhetorical question from the animated iPhone, implying a belated adoption of established features.
The advertisement further elaborates on this point by referencing specific examples. The timeline of Google’s introduction of Night Sight in 2018 and Apple’s subsequent Night Mode is presented to illustrate a delayed adoption of low-light photography capabilities. Similarly, the earlier launch of Pixel’s Magic Eraser, followed by Apple’s “Clean Up” function, is cited as another instance of Apple implementing a feature pioneered by Google. The delayed integration of widgets into iOS, years after their availability on the original Pixel, is also noted as indicative of this pattern.
As Google prepares to present the Pixel 10 series at the upcoming Google I/O event, this advertising strategy conveys a serious message regarding the origin and evolution of smartphone features. While the immediate discussion may center on camera design similarities, Google’s campaign subtly but firmly asserts a history of Pixel innovation preceding similar implementations in iPhone models.
[H/T] Phone Arena
The post Google Makes Fun Of The iPhone 17 For Camera Bar Design Controversy appeared first on EDMTunes.
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A pair of headphones from Bowers & Wilkins, one of the Sound United brands that’s set to become part of Samsung’s Harman International thanks to a newly announced acqusition agreement. Photo Credit: Evgeniy Bezkorovayniy
A little over three years after acquiring Sound United, medical tech company Masimo Corporation is offloading its consumer audio unit in a $350 million deal with Samsung’s Harman International.
Irvine-headquartered Masimo, having previously kicked off a strategic review of some non-core operations, confirmed the divestment in a brief release. As mentioned, the 36-year-old business only wrapped its Sound United buyout in April 2022.
(Between then and the review’s start, a multiyear proxy battle culminated with the September 2024 exit of Masimo founder and CEO Joe Kiani, according to medical device trades. Katie Szyman came aboard as CEO this past February.)
Still based in Carlsbad, Sound United markets wearables, speakers, and a variety of different audio products via brands like Bowers & Wilkins, Polk Audio, and (at least in name) Boston Acoustics, to name a few.
Now, these and others are set to begin operating under the Samsung banner. Today’s deal includes a $350 million cash payment “subject to certain adjustments” and, pending regulatory approval, is expected to wrap sometime before 2025’s conclusion.
In more words, Masimo execs described the transaction as a step towards prioritizing across-the-board efficiency and an enhanced focus on the medical side. Meanwhile, Dave Rogers, president of Harman’s lifestyle division, said the purchase “opens new avenues for growth.”
“Sound United’s portfolio of world-class audio brands including Bowers & Wilkins, Denon and Marantz, will join HARMAN’s iconic family of brands, including JBL, Harman Kardon, AKG, Mark Levinson, Arcam, and Revel,” proceeded the 15-year Harman higher-up Rogers.
“Built on a shared legacy of innovation and excellence in audio technology, this combined family of brands, together with the talented employees of both companies, will deliver complementary audio products, strengthen our value proposition and offer more choices to consumers,” he concluded.
For the FLUX Software Engineering and Roon parent Harman, the high-profile acquisition marks the latest in a line of expansion initiatives.
2024 saw the business open an audio engineering lab in Denmark (“the first and only one of its kind in Europe”) and (eyeing a continued automotive buildout) debut a manufacturing facility in Thailand. Earlier in 2025, Google and Samsung proper touted their newly developed Eclipsa Audio technology.
According to Samsung’s Q1 2025 earnings report, Harman generated ₩3.4 trillion (up 7% YoY and currently $2.4 billion) from sales on the quarter, with a slightly improved operating profit of $215 million/₩300 billion or so.
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Summer 2025 is rapidly approaching with this year promises an unforgettable experience at Ushuaïa Ibiza. Trance legend Armin van Buuren launches his long-awaited residency with an extraordinary six-hour set. Mark your calendars for June 8 for a rare open to close as some of your dreams will come true through this set.
From 5:00 PM to 11:00 PM, Armin promises to take fans on a deep and captivating sound journey. This is more than just a concert. It’s an odyssey through music that takes you from the first heartbeat to the final note. This unique event fulfills a long standing request from fans. It will set the stage for an exhilarating summer and a spectacular Ushuaïa residency. Those who have experienced Armin’s live performances and festival sets know that he produces world class music. It elevates the atmosphere to an unparalleled level. Expect this extended set to be a rich tapestry of his timeless classics, fresh sounds, and hidden gems. Armin is ready to share his extraordinary musical vision, and this is a moment you won’t want to miss! He opens up about his upcoming residency and open to close-
Armin van Buuren Ushuaïa Residency
This season opener promises to be nothing short of spectacular, with Armin headlining every Sunday from June 8 to July 6. He will then return for a highly anticipated second run from September 7 to September 28. As the mastermind behind the Armada label, Armin is set to deliver an electrifying experience. He will bring along a stellar lineup of renowned artists and long-time collaborators each week. Enjoy some of the industry’s biggest names, including Cosmic Gate, D.O.D, Lilly Palmer, Marlon Hoffstadt, Massano, Oliver Heldens and Vini Vici. Together, they will create an exhilarating fusion of mainstage energy, progressive beats, and trance melodies on Ushuaïa Ibiza’s iconic stage, appealing to fans from every corner of the globe.
Don’t miss your chance to witness this extraordinary lineup—tickets for all shows are now available here. While you count down to an epic summer of festivals, immerse yourself in Armin’s A State of Trance – Celebration Weekend 6 Hour Classics Set. Stay connected with EDMTunes for the latest updates on summer festival experiences you won’t want to miss!
The post Armin van Buuren To Play Rare 6 Hour Set At Opening Of Ushuaïa appeared first on EDMTunes.
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Hot off his OUT 2 LUNCH festival last weekend, FISHER is now announcing a special pop-up show with Grammy-nominated producer, DJ, and label head Chris Lake. Together they present: FISHER B2B CHRIS LAKE SYDNEY POP-UP, a one-off and exclusive performance set to take place at a secret venue in Sydney this Saturday, May 10. An artist who has performed to record-breaking and sold-out crowds throughout his career to date, FISHER will join forces with longtime collaborator and fellow party-starter Chris Lake for this intimate Sydney show at a location set to be revealed later this week. 
Register for the Sydney Pop-up Show
Tickets for the FISHER B2B CHRIS LAKE Sydney pop-up show go on sale to those who have registered this Friday May 9 @12:30pm AEST. You can register for the pre-sale here.
About FISHER and Chris Lake
FISHER and Chris Lake are dominating the ARIA Club Charts, currently holding the #1 and #2 spots respectively. FISHER’s latest single, ‘Stay,’ continues its impressive reign, marking seven consecutive weeks at the top of the chart, while Lake’s single ‘Ease My Mind‘ (with Abel Balder) has held firm at the top end of the charts for an impressive 11 weeks. Their chart-topping success underscores both artists’ continued influence and popularity within the global electronic music scene.
Following the incredible debut of his OUT 2 LUNCH festival in 2024, global superstar FISHER returned once again to his hometown last weekend for the festival’s sophomore edition, transforming the Broadwater Parklands into a dazzling display of music, togetherness and Aussie good vibes across two sold-out days. Bringing together over 30,000 fans across Saturday, May 3 and Sunday, May 4, OUT 2 LUNCH featured a headlining slot each night by FISHER himself, joining Chris Lake, Patrick Topping, DJ Boring, Noizu, Hayden James, Jake Smith, Little Fritter, Shimmy, and more. Once again firmly displaying FISHER’s insatiable performance alongside a stellar curated lineup, OUT 2 LUNCH also brought a much-needed economic boost to the Gold Coast, with the city still working to regroup amongst the ongoing effects of Cyclone Alfred.

With $54 million injected into the region, 1,500 jobs created, over 200 local businesses engaged for the event, and accommodations sold out across the city, Australia’s biggest dance party may have been forced to relocate from the iconic Gold Coast sand setting due to the cyclone damage in the area, but there was no dulling the festivities across the historic weekend. And while thousands flocked to ‘follow the Fish,’ delivering one of the biggest dance events ever witnessed on the Gold Coast, OUT 2 LUNCH also once again donated $1 from each ticket sale to charity, with $20 also donated from each guest list and comp ticket, ultimately raising over $30,000 for the Make A Wish Foundation.
The post Chris Lake & FISHER Announce Sydney Pop-Up Show Taking Place This Weekend (May 10) appeared first on EDMTunes.
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Though far from the same scale as the NAMM Show in Anaheim, California, Berlin’s Superbooth is a big date in the calendar of any synth nerd or music technology obsessive. 
Hosted over three days – this year 8-10 May – at the German capital’s FEZ centre, Superbooth sees exhibitors in the form of some of the industry’s biggest players – many of which earmark the event to showcase exciting new products.
Which brands will be at Superbooth 2025?
Superbooth is one of the biggest events in the music tech calendar, and as such, you can expect a presence from some of the industry’s top brands.
This year’s event will see booths hosted by Akai Professional, Korg, Novation, Moog, Arturia, Elektron, Native Instruments and many more, as well as a number of smaller brands, too. There’ll be quite literally hundreds of brands at the show, so visitors will have to plan accordingly to fit in those they particularly want to see.
Which brings us to our next point…
Superbooth 2025: Can anyone attend?
Yep – Superbooth is open to the public, so anyone can attend. One-day tickets are priced at €41 – the same for any chosen day – while you can also purchase a three-day ticket covering the entire event for €100.
The show starts tomorrow (8 May), but tickets are still available over at the Superbooth website.
What else can I expect?
Alongside major new product announcements from some of the biggest brands in music tech, Superbooth 2025 will also see a range of performances from DJs and artists including JakoJako, Surgeon and Italo Brutalo, as well as workshops for attendees to get truly hands-on with new synths, controllers, modular gear and more.
The team here at MusicTech will be updating this article throughout the event with all the latest news and product announcements you need to know about, so stay tuned…

The post Superbooth 2025: the latest news from the German synth and music tech extravaganza appeared first on MusicTech.
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In a dance music landscape overflowing with formulaic collabs, Destructo has teamed up with MxNxSTxR (Ty Dolla $ign's electronic alter ego) for "What You Need," a track that delivers exactly what its title promises.
They brought along Thundercat and Channel Tres for the ride, forming some sort of musical Avengers team trapped in a studio during a pandemic-era writing session. What makes this collaboration special isn't just the star power, but how organically it came together back then—four virtuosic artists jamming in a room (when rooms were all we had) and building something that captures both lockdown dreaminess and post-pandemic release.
"What You Need" took years to escape from that studio but feels like it was worth every moment of the wait. The track marries Destructo and MxNxSTxR's club sensibilities with Thundercat's guitar flourishes and Tres' characteristic cool-as-ice delivery, delivering a breezy disco groover that feels like roller skating through Venice Beach at golden hour.
You can listen to "What You Need" below.
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Photo Credit: Shazam
Shazam announces the launch of the Shazam Viral Charts, leveraging the platform’s data to offer a comprehensive view of today’s fastest-growing songs.
Shazam has revealed its new Shazam Viral Charts, utilizing the platform’s powerful data to provide a comprehensive view of the fastest-growing songs in action. Updated daily on Shazam and Apple Music, the chart uses signals unique to Shazam to surface songs going viral in real time, then ranks songs by their weekly growth in Shazam volume.
The chart doesn’t just track social hits—it captures the full spectrum of how songs blow up, including cultural moments from traditional media, on-demand streaming, and tentpole events. The Shazam Viral Charts aim to capture the fastest-moving songs around the globe, in all ways listeners today discover new music.
Over the years, more and more songs have taken untraditional pathways to chart. These include tracks like Doechii’s TikTok hit “Anxiety” and Billy Preston’s “Nothing From Nothing,” which reached No. 4 on the US chart after its feature on The White Lotus’ season finale.
In 2024, Shazam’s year-end Top 100 included 31 songs that were released before 2022, including 2004’s “Unwritten” by Natasha Bedingfield and 2011’s “Bloody Mary” by Lady Gaga. There were more viral songs in the Top 10 than in any year prior, including Benson Boone’s “Beautiful Things”, Floyymenor & Chris MJs “Gata Only,” and Artemas’ “i like the way you kiss me.”
With the Shazam Viral Charts updating daily, users will now be able to see and listen to these all in one place: breakout songs that launch an artist to overnight fame, local gems recently skyrocketing to global fame, and catalog hits returning to the charts for another round. The Shazam Viral Charts offer a truly comprehensive, worldwide view, with not only a global chart, but 42 national charts available as well. The global chart ranks the top 50 songs, while national charts rank 25 songs.
Listeners can check out the Shazam Viral Charts on Apple Music, or check them out directly on Shazam.
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After eight years away from the spotlight at the Johan Cruijff ArenA, Hardwell is making a powerful return to AMF in 2025. With his high-energy performances and legendary status in the dance music world, his addition to the lineup promises to elevate the experience for fans. Together with Armin van Buuren, the first announced act, AMF 2025 is shaping up to be a night to remember. The event is set for Saturday, October 25, kicking off at 21:00. Doors open early from 20:00 to 21:00 exclusively for early-access ticket holders. Tickets are available now via amf-festival.com.
Hardwell, a trailblazer in the electronic music scene, rose to global fame with his electrifying sets and chart-topping tracks. Known for headlining major festivals and pushing the boundaries of big room and progressive house, he has consistently been ranked among the world’s top DJs. After a break from the stage, he began touring again in 2024, reigniting his connection with fans worldwide. Hardwell’s comeback at AMF is nothing short of monumental. A defining figure in the global electronic music scene and a fan favorite across the world, his return promises to be a landmark performance. The Dutch powerhouse last graced the AMF stage in 2017, and his long-awaited return will undoubtedly be one of the most talked-about moments of the year.
Keep a close eye on AMF’s social channels, more big names will be unveiled soon. With Hardwell and Armin van Buuren already on the bill, the full lineup is shaping up to be one of the most exciting in AMF history. You won’t want to miss what’s coming next.
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As the countdown to EDC hits single digits, hundreds of thousands of ravers are syncing their internal BPMs, ready to converge on Las Vegas for one of the world's largest and most popular music festivals.
Insomniac's EDC Week annually transforms the city into one giant dance party. And if you're looking to squeeze the juice out of the experience, TAO Beach is among the best venues. Designed for hedonistic poolside partying and dopamine depletion, the famed dayclub at the Venetian Resort is once again bringing the heat from May 15-18, serving up sun-kissed luxury with a side of SPF and dance music.
Expect sun, synths and some of the scene's most iconic selectors, including Porter Robinson, Martin Garrix, Steve Aoki and Zedd, the lattermost of whom will headline a "10-Year True Colors Anniversary" to celebrate a decade of his game-changing sophomore album.
c/o Tao Group Hospitality
Robinson, the iconic, shapeshifting electronic music virtuoso, will kick off the festivities at TAO Beach on Thursday, one day before EDC. Zedd, fresh off a pair of massive Coachella performances, will take the decks Friday before Garrix, who is prevalently considered the world's top DJ, headlines Saturday.
It'll all wrapping on Sunday with a takeover by Aoki and his storied Dim Mak label. That event will feature Laidback Luke, NIIKO X SWAE, RayRay and EDM.com Class of 2025 star Linney.
You can purchase tickets and table service via the links below.
TAO Beach EDC Week 2025 Tickets
Thursday, May 15: Porter Robinson
Friday, May 16: Zedd
Saturday, May 17: Martin Garrix
Sunday, May 18: Steve Aoki x Dim Mak Takeover
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On Saturday, May 3rd Vegas was blessed with the debut of Palm Tree Beach Club, a vibrant and tropical event at MGM Grand on the Las Vegas Strip. Attracting some huge celebrities and providing a smorgasbord of amazing music it’s already making waves and there’s plenty more to come.
Palm Tree Beach Club was born of a collaboration between Kygo and Myles Shear’s lifestyle and entertainment brand Palm Tree Crew, and the premium events company Tao Group Hospitality. The end product from this merging of forces is an event packed with tropical energy, private villas, incredible food, and of course music from the biggest DJs in the world.
For the debut of Palm Tree Beach Club, it was its founder Kygo who headlined the event with a delightful blend of DJing, piano, and a live orchestra for his first daylife residency. His performance also included an appearance from pop sensation Ava Max who sang their huge collab ‘Whatever.’ As well as this there was a series of fantastic performances from Justin Jesso, Parson James, and Victoria Nadine who all brought the house down.
The venue itself is the perfect site for such an extravagant event featuring a saltwater pool, 12 beach villas, 10 coastal cabanas, and a ground-level stage. All this paired with the amazing acts was bound to draw in some major star power with the likes of Sydney Sweeney, Jessica Alba, Patrick Schwarzenegger, J. Balvin, Alesso, MGK, and many more attending.
With artists like Tiësto, Martin Garrix, Zedd, Steve Aoki, Alesso, Fisher, and many more lined up for the summer there’s a lot to look forward to from Palm Tree Beach Club. It’s got off to a flying start already establishing itself as an unbelievably beautiful event that stimulates all the senses and has a very bright future.
To check out Tao Group Hospitality’s upcoming Las Vegas events, click the button below:
Las Vegas Events
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Photo Credit: Troy T
The creation and delivery of music to audiences requires collaboration between a variety of creative individuals and businesses, including songwriters, music publishers, performers, producers, and record labels. All of these creative individuals and many others play an important role in crafting and bringing music to audiences, and it’s important that each understands and appreciates their rights under U.S. copyright law. This three-part series explores those rights by discussing: (i) the different types of works and kinds of rights for music under copyright law; (ii) the different types of music licenses; and (iii) the remedies for copyright infringement.
To understand how music and those who create and distribute music are protected and compensated, one must first understand certain copyright basics, because copyright is the primary means by which songwriters, composers, artists, publishers, and other music creators are protected and compensated for their works. To understand copyright in music one must understand that there are two distinct kinds of copyrighted works in any given song—a musical work and a sound recording.
Two Types of Copyrighted Works Protected in a Song
Copyright law protects original works of authorship, including literary, dramatic, musical, audiovisual, and visual works. Examples of such works are movies, novels, songs, computer software, and photographs. Importantly, in the area of music, there are two different types of copyrighted works:
Musical Works: These include any work that consists of musical notes and lyrics in a musical composition. Sound Recordings: These include any work that results from the fixation of sounds without a visual component, whether musical or spoken. This is the music you actually hear, and it includes digital downloads, music on CDs and vinyl, podcasts, and recorded speeches. It’s important to be aware of these distinct types of copyrightable works because there are likely different copyright owners for any one given song, different kinds of music licenses, and slight differences in the kinds of rights in copyright law for these works. 
The Exclusive Rights in Musical Works and Sound Recordings
The Copyright Act grants the following exclusive rights to copyright owners of musical works and sound recordings, subject to certain limitations and exceptions:
Reproduction Right
The reproduction right grants the copyright owner of the musical work or sound recording the ability to control the making of a copy of the work. It is arguably the most important of the rights as it is implicated in most copyright infringement disputes. For example, uploading music to a website implicates the reproduction right.
Adaptation Right
The adaptation right, which is often referred to as “derivative work right,” grants the copyright owner of the musical work or sound recording the right to control the modification or adaptation of their works into new works, often referred to as “derivative works.” Derivative works include any type of editing, translating, modifying or making other types of changes to the work. An example of an activity that implicates the adaptation right includes revising the musical arrangement of a song, making a song parody, or remixing of a sound recording.
Distribution Right
The distribution right grants the copyright owner of a musical work or sound recording the ability to control the manner in which a work or a copy of a work is transferred to others, whether by sale, rental, lease, or lending. This right allows the copyright owner to not only prevent the distribution of unauthorized copies of a work (i.e., copies that infringe the reproduction right), but also allows the copyright holder to control the unauthorized distribution of authorized copies (subject to a limitation commonly referred to as first sale exception). For example, uploading a music file to a website or “lending” digital files like a sound recording would implicate the distribution right. In the digital environment, often a violation of the distribution right is accompanied by a violation of the reproduction right.
Public Performance Right
While this public performance right is one of the most important to music creators, it is also one of the most complex of the exclusive rights because it applies to musical works but not to sound recordings (but see below for more). 
A performance is considered “public” when the work is performed in a public place, at a place where a substantial number of persons outside a normal circle of friends and family are gathered, or is transmitted to the public. The public performance right vests the copyright owner of the musical work with the authority to control the manner in which a work is publicly performed. Examples of activities that implicate the public performance right include streaming music over the internet or playing music at a public event or venue.
As noted above, while owners of the musical work enjoy the exclusive right to perform their works in public, sound recording owners do not. Currently the United States is one of the few countries in the world that does not recognize a full public performance right for sound recording owners. Copyright owners of sound recording get a much more limited public performance right—the exclusive right to publicly perform the sound recording when the performance occurs by means of a digital audio transmission.
Public Display Right
The public display right applies only to musical works, not to sound recordings. It allows the owner of the musical work to control the display of the musical work to the public (as the term is defined in the paragraph above). The most common examples of a public display of a musical work would be where someone displays lyrics on a website or shows sheet music in a classroom.
Understanding Exclusive Rights Under Copyright Law in Music is Important for Compensation and Enforcement 
If any of the rights above are implicated by someone’s use of copyright-protected music, and such use is not authorized by the copyright owner of the sound recording or musical work or otherwise allowed by the law, for instance under the fair use exception, the user has infringed the copyright owner’s rights. We’ll discuss that more in Part III about music copyright infringement. 
While you are waiting for Part II and Part III, we encourage you to check out the Copyright Alliance’s FREE Creator Membership, which provides a wealth of education resources for you to explore on copyright law.
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Ultra Music Festival concluded its sold-out 25th anniversary celebration at Bayfront Park – a legacy-defining weekend from Friday, March 28 – Sunday, March 30 that paid homage to the festival’s iconic history while further cementing Ultra as the World’s Premier Electronic Music Festival. Over three days, the festival welcomed 165,000 attendees from 103 countries. Ultra continued its celebrated tradition of reaching over 30 million Ultranauts worldwide with the #ULTRALIVE stream. 
The 25th anniversary edition featured a handful of notable special guests including the history-making moment when David Guetta and Sia joined Afrojack on stage to perform “Titanium” and “Beautiful People.” Skrillex returned to the Ultra Main Stage for his first solo set in 10 years with surprise guests Damian Marley, Flowdan, Naisha, and Young Miko. 

Ultra Music Festival’s 2025 talent roster was a masterclass of electronic music, featuring some of the world’s most in-demand acts such as Above & Beyond, Adam Beyer, Afrojack, Alesso, the world debut of Anyma b2b Solomun, Armin van Buuren, ARTBAT, Axwell, Boris Brejcha, Carl Cox, Charlotte de Witte, Chase & Status, deadmau5 b2b Pendulum, Dubfire EVOLV, Eli Brown, Everything Always (Dom Dolla + John Summit), Four Tet, Gesaffelstein, Gryffin, Hardwell, I Hate Models, Joris Voorn, Knife Party, KSHMR, LSZEE (CloZee + LSDREAM) and Martin Garrix.
Tickets for Ultra Music Festival 2026 are now on sale 

The post Ultra Music Festival Shares 2025 Memories Video As Tickets Go Back on Sale appeared first on EDMTunes.
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Hot on the heels of a high-powered release with electronic heavyweight, PAWSA, Malachiii continues the groovewith his latest single, ‘Low Low,’ just in time for it to grace the speakers at some of the season’s hottest openings around the world. The track is designed specifically to get audiences moving with its afro beat drums and groovy bassline and silky vocals. Bouncing between soft falsetto and passionate, more traditional R&B vocal stylings, Malachiii puts his instantly-recognizable vocal range on full display and showcases his songwriting prowess. Listen here.
About Malachiii
Immersed into the music world since birth, the Los Angeles-based multi-hyphenate’s career took off at just 14 years old, after he toured with GRAMMY Award-winning composer, AR Rahman. With a driving passion for writing and producing, and an innate vocal ability, Malachiii’s dynamic artistry extends far beyond the boundaries of any one genre – his deep understanding of music quickly landed him a publishing deal with Electric Feel Entertainment, where he is proving himself a global talent, rising to the occasion alongside industry titans including Post Malone, The Kid LAROI and 24KGoldn.
The post Malachiii: ‘Low Low’ appeared first on EDMTunes.
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Hot off the back of a monumental second year of his OUT 2 LUNCH festival last weekend, today FISHER is pleased to announce a special pop-up show with Grammy-nominated producer, DJ and label head CHRIS LAKE: FISHER B2B CHRIS LAKE SYDNEY POP-UP, a one-off and exclusive performance set to take place at a secret venue in Sydney this Saturday May 10. An artist who has performed to record-breaking and sold-out crowds throughout his career to date, FISHER will join forces with longtime collaborator and fellow party-starter CHRIS LAKE for this intimate Sydney show at a location set to be revealed later this week. 
FISHER and CHRIS LAKE are dominating the ARIA Club Charts, currently holding the #1 and #2 spots respectively. FISHER’s latest single, Stay, continues its impressive reign, marking seven consecutive weeks at the top of the chart, while LAKE’s single Ease My Mind (with Abel Balder) has held firm at the top end of the charts for an impressive eleven weeks. Their chart-topping success underscores both artists’ continued influence and popularity within the global electronic music scene.
Following the incredible debut of OUT 2 LUNCH festival in 2024, global superstar FISHER returned once again to his hometown in 2025 last weekend for the festival’s sophomore edition, transforming the Broadwater Parklands into a dazzling display of music, togetherness and Aussie good vibes across two sold out days. Bringing together over 30,000 fans across Saturday May 3 and Sunday May 4, OUT 2 LUNCH featured a headlining slot each night by FISHER himself, joining CHRIS LAKE, Patrick Topping, DJ Boring, Noizu, Hayden James, Jake Smith, Little Fritter, Shimmy and more. Once again firmly displaying FISHER’s insatiable performance alongside a stellar curated lineup, OUT 2 LUNCH also brought a much-needed economic boost to the Gold Coast, with the city still working to regroup amongst the ongoing effects of Cyclone Alfred.

With $54 million injected into the region, 1,500 jobs created, over 200 local business engaged for the event, and accommodation sold out across the city, Australia’s biggest dance party may have been forced to relocate from the iconic Gold Coast sand setting due to the cyclone damage in the area, but there was no dulling the festivities across the historic weekend. And while thousands flocked to “follow the Fish”, delivering one of the biggest dance events ever witnessed on the Gold Coast, OUT 2 LUNCH also once again donated $1 from each ticket sale to charity, with $20 also donated from each guest list and comp ticket, ultimately raising over $30,000 for the Make A Wish Foundation.

Tickets to the FISHER B2B CHRIS LAKE Sydney pop-up show go onsale to the general public on Friday 9 May @12:30pm AEST from https://laylo.com/chrislake/Sydney_popup.
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Scientists found life on another planet before we got GTA VI.
Rockstar dropped a new trailer this week to alleviate fans’ disappointment after delaying the game’s release to 26 May 2026. At this rate, we might actually make contact with aliens before anyone plays the next instalment of Grand Theft Auto (GTA), Rockstar’s modern, crime-driven role-playing game series. At least, that’s the joke amongst avid gamers.
The previous game in the series, GTA V, was released in 2013. After 12 years, its massive player community, including the 100,000 people who still play it every day via Steam alone, are driving the same streets and listening to the same radio stations on repeat. As impressive as GTA V’s catalogue is, it can’t stay fresh forever.
READ MORE: My Forever Studio: TOKiMONSTA nabs a historic synth
This devoted community lives on GTA Online, GTA’s open-world online platform. Rockstar has now released over 40 expansions for GTA Online, and some of them have revolutionised the way gamers discover music.
With GTA VI’s main cast now revealed, we know that music plays a major role in the game’s environment and plot. Boobie Ike is the founder of the fictional Only Raw Records; Dre’Quan Priest is an aspiring artist on Only Raw; duo Real Dimez drop “spicy rap tracks” and have “a relentless social media presence”; and rapper DWNPLY helped elevate Real Dimez to fame. Reddit users have already spotted an in-game recording studio and DAW.
So, how might a return to Rockstar’s Vice City (based on Miami, Florida) shake up music scenes in the real world?

How GTA V changed the game for music fans
In the After Hours expansion for GTA V, players run nightclubs in Los Santos for which they can book real-life DJS: Dixon, The Blessed Madonna, Tale of Us, and Solomun. When Rockstar released The Cayo Perico Heist expansion, it added three new beloved acts for Cayo Perico Beach club: Keinemusik, Moodymann, and Palms Trax.
While DJ culture was popular in the global mainstream long before these expansions came out, it’s a safe bet that some GTA players discovered dance music through the game. In fact, GTA fans were probably converted to ravers thanks to Rockstar’s attention to detail.
To create an authentic virtual clubbing experience with exact replicas of the DJs, Rockstar hosted DJs and a party’s worth of guests for a real-life dance music event in 2018. Everyone present wore motion-capture suits which would translate their movements into the game engine.
The DJs performed original mixes, so the players hear an accurate in-game digitisation of what their sets would sound like at a real club. If a track catches the player’s ear, they can hold their phone up to the TV to ‘Shazam’ the track the same way ravers do at real-life clubs.
Rockstar chose selectors that were befitting of both clubbing environments they curated in GTA Online. Keinemusik’s chilled-out worldly beats are a fit for the sunny outdoor dancefloor of Cayo Perico, while the brooding melodic techno of Tale of Us is right at home in the dark barrens of Galaxy (one of nine names players can choose for their nightclub in the After Hours expansion).
As inviting as these expansions are to DJ culture, GTA Online players could listen to the genre long before they came out, thanks to the iconic in-game radio stations. Many famed artists, including Gilles Peterson, Joy Orbison, and Flying Lotus, helm radio stations in GTA V, and all of them recorded new mixes specifically for the online platform throughout their tenure. These stations stretch far beyond just dance music, too.

GTA players have been discovering music through the in-game radio for decades. There have been radio stations present in every game in the series. GTA II was the first game to expand beyond music composed for the game and into synced music with five licensed songs.
As GTA has grown into the powerhouse it is in 2025, more and more songs have been added to the radio stations. Celebrity guest stars include Axl Rose, George Clinton, Iggy Pop, and Kenny Loggins, who have all provided voices for each station’s DJ. The base GTA V game has 217 songs spread across 17 stations, mostly separated by genre. With online expansions, there are 404 tracks across 21 stations.
Many game franchises, such as Tony Hawk and FIFA, have developed a pristine reputation for licensed soundtracks. But GTA elevates the experience by giving the players unparalleled agency. Any player interested in music can select a different station to discover something new and change it in a moment if they don’t like what they’re hearing. Every GTA player undeniably has their favourite radio stations, which soundtrack their journeys across Los Santos and beyond.
The Jack of Hearts and Vice City’s potential
Finally, GTA VI is on the horizon. As of 6 May 2025, players have a new trailer giving them a sneak peek of the game. This new edition opens a wealth of potential for how gamers will discover new music.
Considering the series already ventured into live performance from real artists with After Hours, it is highly likely that GTA VI will host live music events, similar to Fortnite, bringing in digitised artists to perform for a virtual crowd. Plus, Rockstar’s latest info assures us that Boobie Ike’s strip club, Jack of Hearts, is a cornerstone venue in the game — perhaps this will act as a hub for these concerts.
We also know that Vice City is based on Miami — Rockstar could build a virtual version of the city’s famous Club Space for DJ nights. With the real-life record label Rockstar has curated in collaboration with party brand CircoLoco, a plethora of artists such as TOKiMONSTA, Jamie Jones, and Mochakk are already integrated into the Rockstar ecosystem.
For the major stars, there could be a virtual version of Miami’s Hard Rock Stadium in GTA VI. Should Travis Scott and Ariana Grande (and artists of a similar calibre who have performed in Fortnite) seek more performance opportunities in video games, GTA VI could be a viable option.
The difference between Fortnite and GTA VI, in terms of integrating famous artists, is that it’s unlikely GTA will replace their playable character with celebrities as Fortnite does — as recently shown with Sabrina Carpenter. Main characters in GTA have rich personalities, from GTA IV’s vengeful immigrant, Nico Bellic, to the reluctant gangster, CJ, in GTA San Andreas.
From a musical standpoint, such characters introduce the possibility of personalised playlists. GTA has had a mobile phone function since GTA Vice City; each playable character in GTA VI could have playlists on their phones in a streaming app that Rockstar invents just for the game. This could present another option for listening to music in the car, or there may be a headphone function to allow the player to listen while they’re walking around. And because of the ongoing nature of the game, these playlists could be updated over time, delivering a constant stream of new music.
GTA has always been known for pushing the limits of gameplay, so my predictions could even be shortsighted in terms of what Rockstar has planned. GTA V’s After Hours expansion allowed players to run their own club. Will there be an expansion for running an entire music festival? Perhaps running a booking agency? Maybe GTA VI will introduce a purchase function for their chain of record stores, Vinylism. Players could browse and purchase records that they could play in their virtual homes.
Rockstar’s games have endless scope. Alongside the GTA series, it also produced Red Dead Redemption II where, at the end of the game, players can spend hours doing monotonous farm work, and it’s somehow still fun.
The developers know fans have been waiting years for GTA VI, and they are not intending to disappoint. Factor that intention into their commitment to music, and players will surely find new tunes when they land in Vice City.
Check out all the latest info on GTA VI at rockstar.com
The post Will GTA VI change the way gamers discover music? appeared first on MusicTech.
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Dubai turns up the volume this week with five electrifying parties that bring global sounds and dancefloor energy to the desert. From Tulum’s tribal spirit to deep melodic techno and nostalgic hip-hop, the city’s clubs offer an unforgettable journey for music lovers.
Zamna Festival at Ushuaïa Dubai Harbour Experience
On Friday, May 9, Tulum’s acclaimed Zamna Festival transforms Ushuaïa Dubai into a jungle-inspired soundscape of tribal rhythms and immersive design. Known for its deep, melodic techno and organic house vibes, Zamna arrives with a curated lineup of global talent. Expect five awesome artists this week in Dubai as Agents Of Time, Ben Böhmer, AMÉMÉ, Joezi, and the Zamna Soundsystem delivers hypnotic parties against a backdrop of lush visuals. This collaboration with Ushuaïa Dubai Harbour Experience brings the magic of Mexico’s underground scene straight to the Marina. Every detail channels Tulum’s mystical aesthetic, making this event one of the most anticipated of the season. For deep house fans and underground purists, tickets and VIP tables are available here.
Argy Live at Terra Solis
Saturday, May 10 welcomes Argy to Terra Solis, a venue that thrives on open-air energy and sunset views. The international DJ-producer brings nearly two decades of techno mastery to Dubai’s dunes. His sets are melodic yet intense, combining underground edge with cinematic flow. Terra Solis will come alive with desert beats and sonic magic starting from 7:30 PM, offering a night of pure escapism beneath the stars. Get your tickets here.
Amelie Lens at HIVE, Soho Garden Meydan
Techno royalty Amelie Lens returns to Dubai on Friday, May 9, with an explosive set at HIVE, making this one of the five parties you cant miss this week. Her signature sound—high-BPM, hypnotic, and unrelenting—will ignite the dancefloor for a night of uncompromising rave energy. Amelie Lens is a force in the techno world, and this is a Dubai set you shouldn’t miss. Fans of hard techno and pulse-pounding visuals should head to Meydan early. Tickets are available now.
Rocksteady at Honeycomb Hi-Fi
For something soulful, swing by Honeycomb Hi-Fi on Friday, May 9, for Rocksteady. Residents Pepelz and Dan Greenpeace go back-to-back, spinning feel-good anthems from the golden era to modern underground gems. Expect smooth transitions, rare grooves, and a room filled with people who dance like no one’s watching. This isn’t your average club night—it’s a celebration of DJ craft and timeless music. Tucked away in Pullman Downtown, Honeycomb Hi-Fi’s audiophile setup makes every beat feel intimate and rich. Details and table bookings here.
Ling Ling Fridays: BUN XAPA and More
Ling Ling Dubai delivers a month-long Friday series of genre-defying global talent starting May 9 with BUN XAPA, the South African standout fusing Afro house with deep club sounds. The following week, May 16, sees French favorite DEMAYÄ bring his genre-fluid, high-impact sound. On May 23, EMMANUEL JAL, fresh off Coachella, delivers a transcendent set built on rhythm, resistance, and global grooves. May 30 closes with a surprise DJ performance, capping the series with sonic flair. Ling Ling’s rooftop atmosphere, bold decor, and crowd of trendsetters make it a Friday ritual worth keeping. See full lineup and book here.
The post FIVE Dubai Parties You’ll Love This Week From Amelie to Zamna appeared first on EDMNOMAD.
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Zynaptiq has rolled out Intensity 2, the latest iteration of its acclaimed one-knob loudness plugin.
The updated version doubles down on the classic’s core features and workflow, adding exciting new features and improvements across the board, including new algorithms with low CPU use and near-zero latency, support for up to 16 channels for immersive workflows, more Bias Curve presets, mid/side processing options, and more.
READ MORE: Plugin Boutique is hosting a massive Excite Audio sale – including all 10 Bloom plugins for just £149 Conceptually similar to what HDR does for photography, Intensity 2 brings out a sound’s inherent detail, increases perceived loudness, and adds clarity and bite – all operated using essentially a single control, says Zynaptiq.
Notably, the new version introduces CRYSTAL and BRONZE algorithms, delivering more bite and stronger transients, with 64-bit precision, near-zero latency (3 samples), and reduced CPU load. The v1 algorithm is still included, and has been renamed to Smooth.
Mid/Side (M/S) processing is available as well, which allows users to process the stereo signal, just the Mid channel, or just the Side channel.
In addition, the plugin now offers 20 Bias Curve presets (up from 10), expanding tonal shaping options. The redesigned, fully vectorised UI supports up to 200% zoom and features a new help text system for enhanced usability. Preset management is also improved with MIDI control for Previous/Next/Load/Save functions.
As with all of Zynaptiq’s latest releases, version 2 Intensity comes with dual activations as well.
“Between three proprietary algorithms, mid/side processing, an optional soft-knee saturating limiter, 16-channel support, and a super-fast and inspiring workflow, Intensity 2 is a must-have for mixing, mastering, and sound design,” says the company.
From now till 19 May 2025, users can purchase the plugin at an intro price of $99 (U.P $149) from Plugin Boutique, or upgrade from version 1.x at $49 via the Zynaptiq website. Those who purchased Intensity 1.x between 1 January and 28 April this year can request for a free upgrade.

Learn more at Zynaptiq.
The post Intensity 2: Zynaptiq unveils major upgrades to its one-knob loudness processing plugin appeared first on MusicTech.
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As Spotify continues to grow its already-massive subscriber base – last week it announced its highest subscriber net adds since 2020 in Q1 of 2025 – interest in alternative streaming platforms is also on the rise.
As a result of this industry growth, in the first quarter of 2025, Deezer has seen a revenue increase of 1.1% YoY, with Q1 2025 revenue sitting at €134 million.
READ MORE: “Your subscription goes to the artist you listen to”: Deezer boss explains what it does differently to other streaming platforms The French streaming service also reveals that its user base now sits at 9.4 million subscribers, with a significant increase in France of 4.5% YoY.
While Spotify remains at the heart of a seemingly perpetual debate surrounding allegedly low artist payouts, Deezer makes a point to assure its users that a larger percentage of their subscription payments go to the artists they listen to.
Back in February, the company’s CEO Alexis Lanternier said users’ subscription payments actually “goes to the artist you listen to”.
“The overwhelming feeling for a lot of people is that their life is more and more dictated by algorithm, and there is this ask that we see from our user base, and especially the young generation, to kind of take back control, understand how the algorithms work and be able to influence it,” he said.
Back in 2023, Deezer announced that it had partnered with Universal to launch an “artist-centric” streaming model, designed to reward artists and de-prioritise non-musical content, like white noise.
“The current music streaming model needs to be re-imagined,” Universal Music Group said at the time. “While streaming has been the most significant technology advancement in music in many years, a flood of uploads with no meaningful engagement, including non-artist noise content, has necessitated reassessment… to foster a thriving music ecosystem.”
The new model doubles the pay per stream for ‘professional artists’ (artists with 1000+ streams per month from at least 500 unique listeners). It also gives the most commonly searched tracks a bonus, putting a premium on tracks people actively hunt down. As a result, it doesn’t just pay the big bucks to tracks amassing more streams due to passive algorithms.
Earlier this year, the platform also implemented an AI detection tool to sideline mass-produced AI-generated music from its algorithmic recommendations. It found that 10% of all tracks submitted to the platform were AI-generated. According to Deezer, it continues to catch roughly 10,000 AI-generated tracks per day.
Learn more about the company’s Q1 2025 performance at the Deezer Newsroom.
The post Artist-friendly streaming platform Deezer earned €134 million in revenue in Q1 2025 appeared first on MusicTech.
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It’s no surprise that retro electro-pop sensation Sophie Grey., (a standout artist we’ve passionately supported on EQ Music Blog this past year), is gearing up for an incredible 2025. Firstly, there’s a lot to catch up on since I last showcased Sophie with her captivating track “Dirty Thoughts” in January. Excitingly, she has been announced as tour support for the legendary Sting this summer. She will also be gracing the stage at AFAS in Amsterdam. And let’s not overlook the highly anticipated EQ Music SXSW London showcase at Jaguar Shoes on June 3rd. Here Sophie will shine alongside fellow talents Lostchild, Myylo, and Nic Billington. This is an extraordinary opportunity to witness the rise of a star!
In a captivating progression, she unveils her latest offering “On Hold,” further delving into the complexities of relationship aesthetics. This time, she focuses on the increasingly relevant issue of ghosting (an impactful form of social rejection). Sophie’s fascination with this subject runs deep. Having explored it extensively in the past, she skillfully enriches the conversation, unveiling new perspectives that are sure to resonate with audiences.
For the music video, Sophie teams up with frequent collaborator, director Maximilian Stafford. Who successfully creates a striking visual aesthetic for the latest clip. The scene unfolds in a minimalist office space lined with shelves and the occasional phone scattered about. As Sophie ventures down a sleek corridor, it feels like stepping into a futuristic portal, enhanced by a stylized silver foil design. Throughout the video, she transitions between these different environments. She is also seen strapping on her keytar, symbolizing another cool transformation. The concept also reflects Sophie’s fascination with 80s-inspired makeup and fashion, adding layers to the overall vibe of the video.
As Sophie Grey., steadily progresses to establish her presence in the vibrant pop scene. Notaly her distinctive and unconventional charm not only catches the eye but also captivates listeners. With her innovative sound and authentic style, she stands out as an artist who truly brings something fresh and compelling to the music industry.
Connect with SOPHIE GREY.
Instagram:  https://instagram.com/sophiegreymusic
The post Watch “On Hold” by Sophie Grey. appeared first on EQ Music Blog.
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I know that pop culture icon Paris Hilton released her highly anticipated sophomore album “Infinite Icon” last year. Yet, I haven’t discussed it on the blog until now. However, I was captivated by her vibrant pink-fest music video for the track “Infinity,” which dropped this weekend. The song instantly caught my attention with its catchy melody and upbeat vibe, making it the perfect summer anthem. It’s exactly the fresh, feel-good track I’ve longed for this week.
Paris Hilton’s entrepreneurial prowess is truly remarkable, as she consistently finds ways to maximize the impact of her various ventures. It comes as no surprise that she expertly aligned the release of the enchanting music video “Infinity,” directed by AJ Moreno, with the launch of her highly anticipated 30th fragrance, “Iconic.” This strategic timing coincides with the celebration of Mother’s Day on May 11th in the USA, showcasing her keen market awareness and ability to capture public interest.
While some viewers may struggle to appreciate the vibrant pink hues dominating the music video, I find that this aesthetic channels a charming 90s bubblegum essence. There’s a whimsical quality reminiscent of Kylie Minogue’s iconic style, particularly her playful approach to her earliest pop visuals. It’s fascinating to note how many pop divas have ventured into similar cosmic themes throughout the years. However, Kylie’s name immediately springs to mind as an emblem of this genre. Her signature blend of fun, fantasy, and catchy melodies clearly echoes through this video, making it a nostalgic yet no less refreshing experience for fans of the era.
Stream the “Infinte Icon” album HERE
Pre-order/Pre-save the “Infinite Icon” Remix EP HERE (out 30th May)
Connect with Paris Hilton
Facebook:  https://www.facebook.com/ParisHilton
X:  https://x.com/parishilton
Instagram:  https://www.instagram.com/parishilton/
The post Watch “Infinity” by Paris Hilton appeared first on EQ Music Blog.
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