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Lincoln Jesser Finds ‘Paradise’ at the Intersection of House and Healing

Lincoln Jesser Finds ‘Paradise’ at the Intersection of House and HealingLincoln Jesser Paradise

Dance music has always been about transcendence, but Lincoln Jesser is taking that concept to entirely new frequencies – literally. His latest single “Paradise” continues the LA-based producer’s fascinating exploration of what happens when club culture meets consciousness expansion.

Following his breakthrough track “Quema Quema,” this new offering delves even deeper into what Jesser has dubbed “Healing House” – a movement he’s been cultivating through worldwide tours that blend infectious house grooves with something far more intentional. While most producers obsess over the perfect kick drum, Jesser’s busy tuning his entire production to the solfeggio “miracle tone” (528 Hz) and embedding Delta-wave binaural beats throughout the track’s DNA.

This isn’t just musical aesthetic – it’s spiritual technology disguised asMentored by Grammy-winning sound healer Jonathan Goldman, Jesser approaches production with a level of intentionality rarely seen in club culture. “Paradise” functions both as an infectious house track and as a delivery system for frequencies believed to promote healing and higher states of consciousness.

“There is a quote by one of my most beloved teachers, Paramahansa Yogananda, that says ‘By the practice of meditation, you will find that you are carrying within your heart a portable paradise,'” Jesser explains. The track’s mantra-like lyrics – “You are my paradise, I can’t deny, you make me high” – aren’t about romantic love or chemical substances, but rather connecting with one’s Higher Self.

This fusion of ancient wisdom and modern production techniques has struck a chord with audiences worldwide. Jesser’s Healing House concept has evolved from an experimental idea into a full-fledged movement, with fans gathering not just to dance but to participate in a collective experience of elevation.

What makes Jesser’s approach particularly revolutionary is how seamlessly he integrates these spiritual elements without sacrificing dancefloor functionality. “Paradise” doesn’t require a meditation cushion to enjoy – it works just as effectively in packed clubs as it does in personal practice. This accessibility might be Jesser’s most impressive achievement – creating music that serves both the body and the spirit simultaneously.

The post Lincoln Jesser Finds ‘Paradise’ at the Intersection of House and Healing appeared first on Dancing Astronaut.

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