The Beatport Awards were held on April 24 at Atzaró Agroturismo in Ibiza. The event recognized producers, labels, DJs, and festivals based on actual sales data, voting, and expert decisions. These aren’t just names with hype. These are the people behind the tracks that showed up in DJ sets, stayed on the charts, and got played all year.
Best Selling Artist of the Year
This award goes to the artist with the most total track sales across all genres on Beatport. It shows who had consistent demand throughout the year, not just one viral moment. It’s a measure of work rate, reach, and relevance.
Winner: HUGEL
HUGEL’s releases dominated several Beatport charts. His blend of Latin house, vocal-driven cuts, and edits made for dance floors kept his catalog in steady demand. DJs from Ibiza to Tulum played his tracks throughout the year. Songs like “Tamo Loco” and collaborations with BLOND:ISH and Nfasis became crowd favorites. This wasn’t a lucky streak. He stayed present every month.
Best Selling Track of the Year
This is for the one track that sold more than any other on Beatport in the last year. It shows which song stood out enough to be played by DJs across different scenes, whether peak-time or warmup. One track that kept getting picked.
Winner: Adam Port and Stryv – Move (feat. Malachiii)
Move balanced sharp production with a vocal that connected immediately. The drums stayed tight and the groove made it work in a lot of different set styles. It became one of those tracks that kept its spot long after the release buzz faded. DJs stuck with it, and the sales showed that.
Best Selling Remix of the Year
This award goes to the remix that had the most downloads on Beatport. It’s not about who made the original, but who reworked it into something DJs wanted to play. A remix that gave new life to a familiar track.
Winner: FISHER – Jamming (FISHER Rework)
FISHER’s take on Bob Marley and The Wailers’ Jamming brought a classic into club territory. He didn’t overdo it. The groove stayed light but strong, with just enough bounce to keep it moving. The result worked across festivals, clubs, and beach parties. It became one of the most played edits of the year.
Producer of the Year
This award recognizes a producer who consistently put out high-quality music that shaped the sound of the year. It’s not just about volume. It’s about originality, technical skill, and influence across the scene.
Winner: PAWSA
PAWSA kept his sound sharp and reliable. Known for tight, rolling tech-house with a stripped-back edge, he released tracks that worked in clubs without needing big drops or gimmicks. His records landed in the crates of a wide range of DJs, and his approach to production stayed focused on rhythm and function. It was less about flashy edits and more about steady control, which paid off across the year.
Best Live Performer
This award goes to the act whose live shows stood out. Not just for energy but for the way their performance connected with the crowd and built something beyond just playing tracks. It’s about presence, pacing, and how the music hits in real time.
Winner: Chase & Status
Chase & Status have been doing this for years, and in 2024 they returned with a show that reminded everyone why they’re still relevant. Their setup blended drum and bass, grime, and UK rave culture with tight visuals and live vocal features. It wasn’t just loud. It was sharp, deliberate, and designed to hold the crowd from start to finish. Every set felt like a headline moment, no matter where they played.
Hype Label of the Year
This award goes to the label that made the most noise in the scene over the past year. Not just with chart placements but with identity, consistency, and releases that people talked about and played. A label that stayed present without flooding the space.
Winner: Mood Child
Mood Child stood out by delivering tracks that felt intentional. The releases were spaced, not rushed. The label leaned into rich percussion, deep basslines, and an atmosphere that worked across genres. It became a steady name for selectors who wanted something bold but playable. People paid attention because the quality held up all year.
One to Watch
This category is about new energy. It highlights an artist who isn’t everywhere yet but is clearly building something. A sound, a reputation, a path that people in the scene are starting to notice.
Winner: Rosey Gold
Rosey Gold kept showing up in the right spaces. Her productions carried a mix of emotional depth and rhythmic structure, while her DJ sets showed a good ear for flow and tension. Nothing felt rushed or copy-pasted. She’s building her sound slowly and people are starting to follow along.
Social Impact Award
This award is for someone who used their presence in the scene to help others, push conversations forward, and create space where it didn’t exist before. It’s about contributions outside the charts.
Winner: Bradley Zero
Bradley Zero has been working for years to bring inclusivity and balance into dance music. Through his label, radio shows, and event programming, he continues to support new voices and create platforms for people who have been overlooked. His work doesn’t rely on trends. It stays consistent and rooted in the community.
That’s the full breakdown from this year’s Beatport Awards. Every category was based on real plays, real purchases, and real support. Some of the winners have been steady names in the scene. Others are just starting to cut through. But none of them followed hype. They made music that stuck, that got played, and that mattered to people who actually listen. If you already know these names, this just confirms it. If not, now’s your chance to catch up.
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